#and since this is a limited series and I won't be seeing them past this blip in the mcu's one good turn

[chocolate-cream-soldier]

//rant.

[hugmekenobi]

S3: The Bad Batch (4)

Chapter Four: A Different Approach

Gif by @azertyrobaz

Hunter x femaleJedi!reader

Series Summary: Ever since Eriadu, Clone Force 99 had been a fractured squad. Months have passed but you're finally back with the Batch but Omega is still out there and you won't stop until you find her again.

Chapter Summary: A reunion may be on the cards sooner than you thought

Masterlist for S1 and S2

<Previous Chapter

Genre: Friends (idiots) to Lovers (we're in the lovers stage now)

Chapter Warnings: Canon-typical violence, gambling, again we have my interpretation of headspaces, limited use of y/n, fluff and mild angst, discussion of character death, protective reader and Hunter, reader and Crosshair kinda get into it

Word Count: 5.3K

Author's notes: Now we're getting into part of the series where each episode allows for a bit more creative license which I'm very excited about! It starts with the end of this one and I hope y'all like it! Also, with regards to tagging people, I'm only tagging the users who still officially register when I do it. Please, please let me know if you want tagged/for me to try your username again!!

Sparks flew from the control as Omega did her best to stabilise them, but it was proving to be a rather challenging task. “I could use some help up here! Our comms are down. I can’t contact Hunter!”

From down below in the shuttle, Crosshair was also doing his best to get things under control but the smoke, electrical malfunctions and the persistent screech of the alarm told him that was a very unlikely outcome. He analysed the screen dictating the state of the ship. “That’s not the priority. The ship sustained heavy damage.”

“I can see that.” Omega retorted.

Crosshair made his way back up to the co-pilot’s seat, with Batcher following close behind. “Get the stabilizers back online!”

“That’s what I’m trying to do.” Immediately after she said that a large spark of electricity crackled from the console and the ship was torn out of hyperspace and spiralled towards the planet ahead.

“We have to land.”

“A little hard to do when nothing’s working.” Omega snapped at him as she fiddled with the steering but to no avail.

The ship entered the atmosphere and started to plummet towards the ground.

Omega pulled hard on the lever to even out the ship as the ground grew ever closer. It was all she could do before it crashed landed and skidded along the surface.

When it finally came to a halt, Omega opened the glass roof to allow them all to get some air and eventually exit the wrecked vehicle. She looked in dismay as the controls fully shut off and the last dying spark flickered. “This will take forever to repair.”

Crosshair exhaled a sore sigh as he got his bearings, but that soreness was soon replaced by irritation as the hound pushed insistently on the back of his chair. “No. there’s no time for that.” The dog’s fussing got too much for him. He stood up to allow her to jump past him and off the shuttle.

“We need to get the nav reader online to extract the coordinates to Tantiss for when we go back.” Omega said, turning to look at him.

He couldn’t understand how she’d only just escaped that hell and was already talking about returning. “We’re not going back.”

“We left the other prisoners behind.”

“And the Empire is going to be searching for this ship and us.” He grabbed the pack with the blasters and hopped out of the shuttle. “We have to move. I scanned a spaceport a few clicks east. We’ll start there.”

Omega followed his example and let him lead the way to the spaceport.

--

With the establishment of the new plan being they would get to the spaceport and sneak onto a shuttle, they acquired their disguises and the two of them blended in with the civilians of the town.

They walked past the various troopers in the town as casually as they could so as not to arouse any unnecessary suspicion.

Omega warily analysed the situation ahead as they reached the spaceport. “It’s too well-guarded. We’ll never slip past all those troopers undetected.”

“I can take out at least half before they know what’s happening.” Crosshair stated confidently.

“Or… or we could try a way that doesn’t involve blaster fire.” Omega countered.

“Like what?” Crosshair asked, his voice filled with doubt.

“Watch and learn.” With that, Omega calmly led the way to the ticket attendant.

“Oh, I can hardly wait.” Crosshair said with a sigh as he followed a few paces behind.

“Hello. We’d like two tickets on the next shuttle please.” Omega requested pleasantly.

“Chain codes?” Came the standard reply from the attendant.

“About that. We lost our chain codes.” Omega said coyly.

“No chain codes, no passage.”

“Right. But you see, a problem for us could be an opportunity for you if, say, you knew of an alternate way of booking passage without a chain code.” She advanced towards the desk.

The attendant leaned forward. “Are you insinuating that I should take bribe?”

“If that’s what you want to call it.” Omega replied, feigning innocence.

“I do. And that could be arranged… for 15,000 credits.”

Omega’s composure slipped slightly upon hearing that price, “For two tickets?” She exclaimed.

“Per ticket. And it’s non-negotiable. You’re lucky I’m not charging extra for the creature.”

“Where do you expect is to get 30,000 credits?”

“Sounds like a you problem. Don’t come back without the credits.” The attendant waved a hand in dismissal.

Omega hung her head in defeat and left the port with Crosshair.

“Well, that went well.” Crosshair remarked sarcastically.

“Stow it.” Omega grumbled.

--

“Storming the spaceport would be easier than finding 30,000 credits.” Crosshair hissed as they aimlessly wandered the streets of the town.

“I don’t want to hurt anyone.”

“Don’t be naïve. Every second we’re here, we’re at risk.”

They came to a stop outside a bar.

“The quite wasting time complaining.” Omega argued before two troopers exited the bar and they both averted their gaze, but the opening of the door had given Omega another idea. “I think I know how we can make some fast credits.”

“Of course you do.” Crosshair mumbled as he saw her getting ready to make her way into the bar. The fluttering of a scrappy piece of paper caught under a nearby crate grabbed his eye before he entered, and he came to a sudden stop as he picked it up and saw what- or rather who- was on it.

Omega noticed he had stopped and when she turned back to enquire what was wrong, the question died on her lips as she saw what he was looking at. Only half the information on the sheet was news to her, but the rest made her eyes widen in shock. By the looks of things, you had been on your own for the time she’d been on Tantiss and clearly, you’d stopped hiding. And judging by the harsh language and substantial reward offering, the Empire wasn’t too happy about that. Now, not only was there the trouble of how exactly this information would go down between you and Crosshair but she also couldn’t count on the fact that you were back with Hunter and Wrecker. She glanced up at Crosshair and, despite the fact that most of his face was covered, he could not conceal the emotions that flashed behind his eyes. “Oh… um… she- well back when- I’m sure she would’ve told-” She broke off with a sharp breath as she struggled to find the words to say.

“Doesn’t matter.” Crosshair said dismissively, crumpling it up and putting it away before he carried on into the bar. The fact that Omega seemed to already have an idea of what your… situation… gave him enough of a timeline to go off of.

“One thing at a time, right girl?” Omega said with a shaky breath, patting Batcher’s side as the hound nuzzled into her. Putting her mind onto the task at hand, she too entered the bar.

--

The bar itself was relatively busy, especially compared to how Cid’s had usually been, and it gave Omega the chance to study her potential adversaries from their booth by the wall unnoticed.

“That’s your plan? You want to hustle someone?” Crosshair repeated sceptically. What had they taught this kid?

“I’ve done it before, and I prefer to think of it as a temporary requisition of funds.”

“And bet with what? We don’t have anything.”

“They don’t know that.” Omega said with a cheeky grin.

“And if you lose?”

“Well… I guess we’ll be in more trouble.” With that, she made her way to the card table in the middle of the bar and sat across from the Trandoshan and got her performance ready to go.

--

To say that Crosshair was surprised would be an understatement, the kid was winning every hand against the Trandoshan and securing credits within a matter of minutes. Whatever experience she’d gained with the rest of his squad was clearly something to be admired. Although the mental image of Hunter even allowing her to hone such a skill felt very out of place, he was quietly grateful for it right now.

The bar came to a sudden hushed silence as the door opened. Omega heard Crosshair clear his throat in warning and she looked to the entrance to see an Imperial officer flanked by two troopers enter. She studied them carefully but remained at the table as she won the next hand much to the Trandoshan’s disappointment. “I think I’ll quite while I’m ahead.” She said in response to his pleas for another game. Having an Imperial official here complicated matters and it was time she, Crosshair and Batcher left.

“Leaving so soon?”

Omega turned her head to face the officer as he stood by the table.

“You’re in my seat.”

The Trandoshan let out a low snarl before he departed and gave up his seat to the man.

Crosshair tensed as he saw the Imperial sit but Omega waved him back.

“So, you think you’re good at this game?”

Omega replied with a nonchalant shrug of her shoulders.

“Want to try against a, uh, real opponent?” He suggested to the young girl. “I insist.”

--

“Your mutt don’t seem to like me.” He said as the dog released a series of growls.

“She’s harmless.” Omega said in reply as she organised her cards.

“She’s a distraction. Get rid of her.” He demanded.

Omega signalled to Crosshair to take her out.

Crosshair got to his feet, clicked his tongue, and led Batcher to wait outside.

The Imperial watched them go. “Never seen you or your dad around before.” He commented.

“We’re just passing through.” Omega replied as she watched him flip the next card and the rise in murmurs indicated that both he and the crowd seemed to think her time was up.

“Eh, I’ll admit you’re not bad. But you seem to have misunderstood your enemy.”

Omega only smirked, “Did I?” She placed her cards down and flashed the set of the three Eastern Stars. Game over. “I’ll take those 20,000 credits.” She grew nervous however when his two guards made to approach the table.

He held a hand up to stop them. “I concede. You beat me fair and square.” He gave her the credits. “Nicely played.” He left the table.

The Imperial went back to his men and one of them addressed him.

“Sir. Patrol found a crashed Imperial vessel on the outskirts of town.”

“I wasn’t notified about any shuttles arriving today.” He angled back to look at the two strangers with a newfound sense of suspicion. “Now, hang on a minute.”

Omega gathered the credits in her bag and, now that Crosshair had returned, she got up to leave with him, but the familiar voice of the Imperial stopped them both.

“We’re not done here.” He chuckled coolly. “You haven’t paid your fine.”

“What fine?” Omega asked.

“Gambling’s illegal in these parts.”

“What?” Crosshair snarled as he made to step forward, but Omega’s arm stopped him.

“The law is the law. Now, all you gotta do is pay the fine. And I’ll be on my way.”

“How much?” Omega asked him as she did her best to keep her disgust at bay.

“Ten thousand credits… unless you prefer to be arrested instead.”

Omega got the credits out and handed them over.

“Excellent. Consider your fine paid in full.” He said smugly. “Try and stay out of trouble.” He dipped his cap and left the establishment.

Omega sighed in relief. “Let’s get out of here.”

Crosshair caught her shoulder. “How many credits do we have left?”

Omega checked the bag. “Thirty-five thousand. Enough for two tickets and a little extra.” She made the first move to leave.

--

“Crosshair, where’s Batcher?” Omega asked anxiously as she scanned the area for her companion.

“Oy. You looking for that hound?”

The two of them turned to look at the young boy speaking to them.

“You know where she went?” Omega queried.

“Sure do, but the answer’s gonna cost you. Ten thousand credits.”

The fact that he was a child made no difference, Crosshair sighed and stood intimidatingly over the boy. “I’m getting tired of this.”

“Okay, okay.” The boy backtracked. “Five, but that’s my final offer.”

Omega touched Crosshair’s arm to call him off before she gave the boy the money.

The boy examined the credits before he supplied the information, “That Imperial officer and his troopers snatched the creature and headed for the cargo docks. Down that way.” He pointed. “Nice doing business with ya.” He ran away from them before they could change their mind about the money.

Omega started off in the direction of the docks.

“Omega.”

She angled back to face Crosshair. “You heard him. Batcher’s this way.”

“And the spaceport is that way. Forget the hound. We have to get off this planet.”

“We never would be escaped without Batcher. I’m not leaving her.”

“You’re making a mistake.”

“I’m not abandoning her!” Omega angrily tossed the bag of credits at him. “Take the credits. If you wanna go, then go. I’ll find my own way.” She stormed off.

Crosshair watched her go but before he got ready to go his own way, he felt guilt coil in his gut. It was becoming very clear as to the impact she could have on someone and explained why his squad had cared so much for her since he too found himself following her rather than doing the more sensible thing of leaving from the spaceport.

--

“Fine. We’ll do this your way.” Crosshair agreed begrudgingly as he placed the bag down before Omega scaled the gate to the cargo docks herself. “But my skills are being wasted.” He offered his hands as a means to boost her over the top.

Omega gave him a warm smile, “Noted.” With his assistance she was able to climb over the gate with ease.

Crosshair made the quick climb after her and together, they snuck through the docks looking for where Batcher was being kept.

Omega then heard a series of whines and she saw Batcher’s cage. “There’s Batcher.” She signalled to Crosshair before she analysed the situation around her. “Shouldn’t we free the other animals too?”

“Don’t push it.” Crosshair replied.

--

They had managed to covertly make their way around to get better access to the centre console but before they could make a move, that dull voice spoke up.

“I thought you’d come searching for your mutt. Yeah, unfortunately for you, Lau has a very strict pet policy. No license means a hefty fine.”

“How much this time?” Omega asked, pretending to play along as the two of them were swiftly surrounded by troopers.

“How ‘bout you give me all my money back? Credits won’t do you any good when Hemlock shows up.” He saw the shared looked between them. “Oh, did you think I wouldn’t piece it together when I found that crashed shuttle? Nothing gets by me. I run this town.” He drew his own blaster. “So, hand over the credits and surrender.”

Omega sighed, “Alright.” She chucked the bag to the Imperial. “Let’s try things your way.” She murmured to Crosshair.

“Finally.” Crosshair waited until Omega ducked to cover before firing the first shot, but he noticed his hand was still no unsteady and his aim was more compromised than he liked.

Omega used the chaos of the firefight to get to the controls and release all the animals, the resulting stampede thinning out the Imperial forces and reuniting her with Batcher.

“I’ll handle this. Take Batcher, and power up the ship.” Crosshair ordered. He provided her cover fire as she got the ship ready and when he saw a break in the blaster fire, he made his move towards the step.

Once he was on board, Omega got the cargo ship in the air and into the safety of hyperspace.

--

You had remained on the ship to study Tech’s datapad and the various planets and their coordinates whilst the other two dealt with the lead on this particular planet, but its name escaped you- you’d been to so many in this sector already, the names of them were beginning to blur together.

You were doing what you could to try and determine the next, more efficient course of action whilst the others were out but the words and data on the screen were moulding into one pile of unintelligible information. You put the datapad down for a minute and rubbed your eyes as you huffed a tired breath from your lungs. You stretched your neck and adjusted your posture but before you picked the datapad back up, a faint chirping caught your ears.

You swivelled in your chair to see the communications light flashing and you knew you weren’t supposed to be hearing from Echo any time soon. So, when you patched the encrypted message through and untangled it to find coordinates to the moon just outside of Ryloth, you knew there was only one other person who could’ve sent it.

You jumped out of your chair and cleared the steps of the Marauder in one leap before you sprinted to find Hunter and Wrecker.

--

“What’s wrong?” Hunter asked urgently as he saw you come running towards them.

You shook your head as you glanced between them. Your breath was heavy from the running but also from excitement as you said, “It’s Omega.”

--

“Look, I hate to be the one to say it, but what if this message is a trap?” Wrecker broached carefully as the ship flew through hyperspace.

“Who else would know those codes?” You disputed.

“But if the Empire has her…”

“If it’s a trap, then we’ll get out of there but if it is her… we need to be there, Wrecker.” Hunter said as the ship disengaged from hyperspace, and he entered the landing cycle. There was no sign of another ship yet, but he opened the door anyway.

“There’s no one here.” Wrecker murmured, wringing his own hands anxiously.

“Then we wait.” You said calmly though your own heart was pounding.

--

“The Empire will be able to track this vessel. We need to ditch it.” Crosshair advised as he entered the cockpit after getting rid of the hat and face covering that he had donned back in Lau.

“We will. I’m heading to a remote location, and I sent a coded transmission for Hunter and Wrecker and (Y/N) to meet us there.” Omega responded. She only hoped you’d be with them too.

Now that this reunion was approaching ever closer, he found himself unprepared for what was to happen next. “Omega. It’s- it’s been months. You don’t know if they’re still ali-”

“They’ll be there.” Omega interrupted sharply.

The ship exited hyperspace and as she peered out the window, she saw the welcomed sight of the Marauder waiting there.

Omega dashed down the ship’s steps but paused as she saw no immediate sign of any of you.

--

A few hours had passed but there was still no sign of the ship and nerves were starting to get the better of you all.

Hunter had begun pacing the length of the cockpit, you had not stopped fidgeting with your vibroblade and alternated between that and examining the hilt of your lightsaber, and Wrecker was busying himself around the rest of the ship.

You saw the uneasy expression on Hunter’s face, and you pulled yourself together enough to be there for him. You caught his shoulders and looked deep into his eyes. “Just wait, take a breath. She’ll be here, Hunter. I know it.”

“But-” He broke off as he heard the sound of a ship landing and a whole different type of nerves overtook him.

Wrecker made the first move to look outside and what he saw filled him with pure joy. “Now there’s a sight!”

Take your time. You caressed Hunter’s cheek with a comforting and utterly relieved smile before you ran outside to join Wrecker.

Hunter braced his hands on the back of the pilot’s chair. He needed a minute to gather himself. This was the moment he had been seeking out for months but part of him couldn’t quite believe it was happening.

--

“Wrecker!” Omega cried in relief as she ran towards him and let him pick her up.

“I wasn’t even sure your message was real!” Wrecker said with a happy laugh as he held her close.

“I knew you’d show up.” Omega closed her eyes and let the comfort of his strong hold overtake her.

“We wouldn’t have missed it.”

Omega opened her eyes to the sound of your voice, and she smiled brightly as she saw you standing just behind him.

You knelt down with your arms open as Wrecker lowered her.

Omega fell into your embrace and nuzzled into your shoulder. “I wasn’t sure if- I thought you might’ve been-” She pulled away with a teary sniff.

You tilted your head as you tenderly wiped away the tears that had slid down her cheek and stroked a hand through her hair, the longer length of it a painful reminder of how much time had truly passed. “I’m right here, nothing happened to me.” You didn’t need to worry her about past events right now- that rehashing undoubtedly would come up later- but this current moment was something to be celebrated and not clouded by anything else.

Omega went to clarify what she meant but Wrecker’s words stopped her.

“We crossed the galaxy four times looking for you.” Wrecker revealed, wiping his own tears away.

“Five.”

Omega glanced past you as she heard Hunter’s voice and the sight of him created a feeling of pure elation that she wasn’t sure she would never experience again.

“But you’re the one who found us.” Hunter said with a smile from the doorway of the Marauder.

Omega started to run towards him.

Hunter darted down the steps two at a time and came to his knees as he held his arms out to her.

Your heart swelled and the emotions of the moment got stuck in your throat. That sight had been one you had been waiting to see for quite some time. You sensed and visibly saw how relaxed and content he looked, and you felt tears prick at the corners of your eyes.

Wrecker put a friendly arm around your shoulder as you both go to your feet, and he saw your reaction to their reunion. He too felt himself getting caught up in it all. Finally, things were looking up.

“We missed you, kid. We never stopped searching.” Hunter said affectionately and as he tightened his hold on her and felt her reciprocate, for the first time since Ord Mantell, he felt truly at peace. He pulled away but kept his hands on her shoulders, “But how did you escape?”

Omega hesitated before saying, “I had help.”

Hunter looked past her to see… well to see his brother descend the stairs of the ship, but what hit him was far more complicated than the relief he had been experiencing a mere second before.

You all followed his eyes and whatever happiness and lightness that had been surrounding you all immediately vanished and was replaced by a palpable tension as you all faced the clone that walked down the steps.

Your hand automatically came to cover your lightsaber.

Omega gaze darted between you all and she saw the shift in body language as well as the serious and distrusting expressions on all of you. It appeared she may have miscalculated as to how this smoothly this particular reunion would go.

“We can do this now and remain by a ship the Empire will be currently tracking, or we can get out of here.” Crosshair said simply.

Hunter placed a guiding hand on Omega’s back and jutted his head to Crosshair as the rest of you boarded the ship.

Crosshair followed them, with Batcher now close on his heels and the Marauder entered hyperspace once more.

--

Omega stood in the middle of the hallway. None of you had so much as made a sound or really moved since the ship had begun the journey back to Pabu and it was getting rather unbearable. “So… I got a dog! Her name’s Batcher.” Omega said with an uneasy laugh into the dead silence of the ship, but it got no reaction. The four of you continued your standoff with Crosshair positioned down the hall of the ship closest to her room/gun turret and the rest of you closer to the cockpit. All of you had your arms crossed and you, Hunter and Wrecker looked particularly guarded. She took that resulting quiet as her cue to perhaps let you all have it out right now. She took a seat and called Batcher over to sit by her feet and waited.

It was Crosshair who broke the silence first, “Where’s Echo?”

“Working with Rex.” Hunter replied briskly.

Crosshair released a soft hum in acknowledgement before he asked the question that he’d been putting off since he’d deduced it from how Omega had talked to him all those months on Tantiss, “And Tech… he’s- he’s really gone?”

“Yeah. It-” Hunter released a sad sigh, “It was a mission gone wrong and he- he sacrificed himself for us so we could get away. He knew what he was doing but… yes, he’s gone.”

Crosshair’s jaw tightened. He knew exactly what mission Hunter was referring to. “So much for Plan 88.” He couldn’t help but say, the grief and tense situation getting the better of him.

“What?” You remarked with a glare.

“You were supposed to stay hidden.”

“We couldn’t do that.” Wrecker said grimly. “Not when it looked like you were in trouble.”

“We couldn’t leave you behind, Crosshair.” Hunter added quietly, some of the fight leaving him as he recalled the events of Eriadu.

“Why? You never had trouble doing that before.” Crosshair retorted harshly.

“Excuse me?” You growled.

“Hey, it’s okay, don’t-” Hunter came to stand in front of you, but you stepped past him.

You couldn’t help it, the protectiveness that hit you was all you could act on. “You don’t get to do that. You don’t get to throw your choices back in his face. You were offered a different path, but you decided the Empire was where you wanted to be. And yet, despite all of that, the moment we found out you needed us, there was no real alternative. We never knew what had happened to you, but we didn’t need to. All we knew was that you were in trouble. We all knew the risks of ignoring that plan… Tech knew the risks. Don’t you dare-”

Crosshair wasn’t prepared to explain what happened to him yet, so he kept up with his provocation instead, “You want to talk about risks? What are you playing at staying around with them?”

Hunter and Wrecker both looked sharply towards Crosshair.

Your posture stiffened. “I don’t know what-”

“I may have been out of action but I’m not blind. If the lightsaber on your belt didn’t give it away, the wanted poster I just saw sure as hell did.” Crosshair spat as he flung it towards you.

You unfurled the paper, and your breathing became irregular saw this was one of the more detailed wanted ads that had been circulated. You crumpled it back up and then glanced to Omega who could only offer an apologetic grimace that she couldn’t warn you earlier, “That’s what I was trying to tell you.”

You looked back to the clone, “Crosshair, I-”

“You’re a Jedi and that wasn’t something you felt the need to share?”

“Every day.” You said tightly, “But I couldn’t chance something happening-”

“Well, something’s happened now, hasn’t it?” Crosshair bit back angrily. “Do you have any idea the danger you’ve put us in? Do you even care? You’d be doing us a favour by leaving.”

Even Omega joined Wrecker in shaking her head at him this time.

“Crosshair.” Hunter cautioned as he saw the guilt and shame that flashed across your face as your mask of composure slipped. “She’s not going anywhere. We’ve handled it so far.”

“You don’t know what the Empire is capable or what she is. I read what she’s done, and they won’t stop-”

“We’ve got it handled.” Wrecker repeated again as he noticed the way your shoulders started to heave.

Your jaw clenched. “You weren’t there. You don’t know-”

“I was there on Devaron.” Crosshair snapped. “I was there when you decided to join us. I was there when you decided to spend every day lying about what you are.”

“Crosshair.” Hunter warned again and there was no mistaking the protectiveness in his tone or his stance now.

Crosshair picked up on Hunter’s reaction, but he wasn’t to be dissuaded. “You want to judge my decisions, but you betrayed-”

“You don’t get to talk about betrayal, Crosshair.” Hunter interjected coldly as he came to stand by your side.

You only let out a bitter laugh. “Yeah, I made my choices in the beginning but when would you have liked me to tell you, Crosshair? On Kaller? But would that have been during or after your attempts to kill the Padawan? Or perhaps you would’ve preferred it on Kamino when Tarkin was there, and you were talking about how great the Empire was and how the Jedi were traitors and what happened to them was justified? Or would you have liked to have a sit down during one of the many occasions you were already actively trying to kill us? Tell me, when should I have entrusted you with this part of me?”

This time he didn’t have a response for you, he just shifted uneasily on his feet and glanced down at the floor.

You continued to speak but there was a distinct sadness to your voice now, “I wished I had been honest with all of you from the start. Truly I do. But after everything that’s happened, I’m glad you’ve only just found out because looking at you now, knowing what I do, I can’t be certain that if you had known what I was on Kaller, that you wouldn’t have tried to kill me too.”

Crosshair went to speak but found that he couldn’t immediately offer the reassurance that was needed.

“You’re our brother, Crosshair, and you’re welcome to stay on Pabu with us but don’t expect any of this to be easy.” Hunter said, placing his hand on your back in support.

“He helped me get out of Tantiss. He’s different now.” Omega remarked quietly.

Wrecker grunted and nodded towards his brother, but you and Hunter made no such moves, instead you both retreated further into the cockpit.

You sat in one of the passenger seats and stared at the paper again as you read the painful reminders of how you’d acted when you’d been separated from them. He’s right, you know.

“No, he’s not.” Hunter disagreed firmly as he knelt before you and untangled the wrinkled piece of paper from your hands. He paid it no attention as he threw it away. He came back and placed his hands on your shoulders as he crouched before you. “Are you alright?”

You breathed deeply and nodded. And you?

Hunter also nodded before he got to his feet and sat in the seat across from you.

--

“So, when did this happen?” Crosshair asked, gesturing to the two of you. The way you both were behaving wasn’t totally different to how things had been in the months before Kaller, but there was a definite shift that marked something more official. There had been a lot he’d missed out on.

“After Tipoca City.” Omega informed him as Batcher eagerly greeted them.

Wrecker enthusiastically petted the hound as he moved closer to Crosshair and Omega. “About time, right?” He added with a hint of humour in his voice, but the stern looks from the two of you had him clearing his throat awkwardly.

Crosshair simply hummed in reply and found himself wondering just quite how difficult things were about to be.

Next Chapter>

Tagging: @noeasyisnoisy, @andreaaxy, @dominoeffectsworld, @nightmonkeysstuff, @arctrooper69

[suzuran777]

Review: Ooe -Zenpen- (Adelta)

The first part of Adelta's new BL visual novel "Ooe" was finally released on the 25th last month! The second part is scheduled to be released in winter, but the first part was already so good I highly recommend playing it. I’ve been waiting for this game for a long time and also wrote some general information/theories about the game on this blog some years ago, as well as a review of the trial version. I won't mention any big plot-related spoilers, so if you’re waiting for an English version or are just curious what the game is about, you can still check it out!

Synopsis 30th year of the Showa era (1955), our protagonist Oosaki works for a small detective agency and one day receives a strange request from a client. He's asked to attend a memorial service on behalf of his client, which will be held on the remote island of Ooejima. During his stay on the island, a series of strange events happen, and the ship that was supposed to pick them up never arrives. The organizer who invited them is not there, and shortly afterwards they also lose all contact with the outside world. Stranded on this ominous island, ten people unravel the mystery of their shared pasts and the death of the actress An Ooe.

This version of the game focuses on three different routes, Ariake, Shimbashi and Aomi. Similar to previous Adelta games, you play all of the routes in a pre-decided route order, and with each route you finish, a new choice will show up allowing you to proceed to the next route. As I mentioned in one of my previous blog posts, each character was assigned one earthly desire/mental factor that kind of describes the character, so I will also include this again below. Now I've played the game I know that these factors are definitely not their only personality trait, but some parts of it definitely show up in the story eventually.

Ariake -  Disregard (Anapatrapya 無愧): A mortician who likes helping out those in need. After injuring his dominant hand, he has been receiving a lot of help from others. He's immediately very fond of Oosaki and wants to follow him everywhere. His mental factor pretty much indicates that he doesn't consider his own actions 'bad'.

Shimbashi -  Stinginess (Mātsarya 慳): A screenwriter who speakes in a rather strange way, combining overly-polite speach and insults. When he first meets Oosaki, he doesn't seem to trust him at all and doesn't want to tell him anything. His mental factor refers to him only wanting to satisfy his own desires, and doesn't intend to share anything with others.

Aomi -  Envy (Īrṣyā 嫉): A quiet music teacher who doesn’t talk a lot, and when he does speak, it’s limited to short sentences only. He doesn't like small talk and sometimes when Oosaki asks him something Aomi simply ignores him. His mental factor doesn't need much explanation, but even though it's envy I must say that he's not the overly-jealous type (?). It kind of refers to something more specific in his route which I can't really mention without spoiling.

I don't think you really need a guide for this game as it's pretty obvious when new choices unlock, just start a new game after finishing the first route and you'll see! Ariake does have an alternative ending scene, so during your second playthrough don’t immediately pick the choice that leads to Shimbashi’s route, and return to Ariake’s route one more time. Afterwards you can proceed as usual. Sometimes a few choices pop up, but selecting the wrong choice has no consequences and you’ll just be re-directed to the choice menu. The wind chime sound effect indicates which one is the correct choice, but I kind of enjoyed seeing everyone’s nervous reactions while falsely accusing them of something, so I recommend that too since there really are no consequences. By the way, important items are easy to notice because of their red color, like the record in the record player you can see below. Same goes for any text written in red, it might become relevant later (maybe even in part 2).

Introduction to the story Oosaki lives in a boarding house in Suga, a short walk from Hiratsuka station near Kamakura. His boss Shinkiba, who runs the detective agency, informs him about a request he received from a client. The client, a man who calls himself Shizuma Daiba, asks Oosaki to attend the memorial service of actress An Ooe on his behalf. According to Daiba, it was his father who received the invitation, however he fell ill shortly afterwards. Oosaki assumes that the person who invited him is a relative of the actress. Even though Oosaki never met her, he remembers reading news about her death. which shocked him because she was quite young and died by setting herself on fire. Even though it's a rather strange request and Shinkiba warns Oosaki, he still decides to travel to Ooejima. The island belongs to the Izu Island group and is located near Hachijojima. Originally, it was used as a military base during the Second World War, however after this it became uninhabited. Even though he has never been there, Oosaki knows about the island because his grandma who raised him was originally from this island, and he always felt like he'd travel to the island some day.

On his way to the island, he meets one of the other main characters in this game, Ariake, who’s also travelling to Ooejima for the memorial service. He’s surprised to find out Ariake’s grandmother is also from the island. After arriving at the Mikazuki inn, he receives a warm welcome from a trembling man with a knife (??), who later introduces himself as Funeno. He also meets Shimbashi who's staying at the same inn. The other characters are all staying at a different inn, but Oosaki meets them pretty soon too (Takeshiba, Shijoumae, Hinode, Aomi and Shiodome). The final character, Toyosu, appears a bit later and mentions he's in charge of the memorial service because the individual who invited them all (who nobody seems to know) couldn't come after all, which leaves everyone confused.

Since this is mentioned in the promotional material and also happens in the trial version, I think it's not really a spoiler to mention that Funeno is the first character who gets killed shortly after this. They decide to perform a ritual to put his spirit to rest, which involves burning a straw figure, though when they finally burn it they discover someone swapped the straw figure with Funeno's body and they end up burning his body instead... Afterwards, Shiodome reveals that they didn't just receive invitation letters, but they also got a letter describing the crimes one of the other attendees committed. They were all swapped, so everyone has a letter that belongs to someone else and knows about their crimes. The orders is as follows: Funeno > Daiba > ??? > Shimbashi > Takeshiba > Aomi > Toyosu > Hinode > Shijoumae > Ariake > Shiodome > Funeno. I guess now we know why Funeno acted so nervous around Oosaki, as he introduced himself as ''Daiba'' and Funeno got Daiba's letter...

Oosaki didn't receive any of these letters from Daiba though, so after they all return the letters to each other, Shimbashi is the only one who doesn't get his own letter, and let's just say he's not too happy about that. This also means that characters who had each other's letters know about their crimes, which is why some of them seem to be rather uncomfortable around each other. Most of the routes branch off a little bit after the scene where the trial version ends, and then the real murder mystery story starts in which they try to figure out who killed Funeno. Someone also destroyed the phone, so now there's no way to contact anyone anymore. At this point Oosaki's of course also suspicious of his client Daiba, because it's clear he was hiding something from him and sent Oosaki to the island without telling him important information.

Personal thoughts Since it’s a murder mystery game you never know which characters to trust, and because characters do die and will be absent throughout the entire route, it was a really suspenseful experience. I was interested in the story from start to finish, which is why I finished it so fast... I can't explain the feeling of dread every time one of the characters announced that something bad had happened, and you're wondering how bad it could really be. Even though the game doesn't show any super gory CGs (the most they'll show is blood), the descriptions are very detailed, so I think even without that it's easy to understand what happened to them. I also liked how the characters who die and survive are different depending on which route you play, so the game really stays interesting in all three routes.

Even though we know a second part of the game is coming, part 1 doesn't feel incomplete at all and the routes work very well on their own! So if you can read Japanese or want to use translation tools, I highly recommend playing this. It took me over 30 hours to finish the game, including the common route which is about 5 hours long, but I do play pretty fast and am already replaying some scenes, so it might be even longer. Also according to a message that came with the game, part 2's data will be free for everyone who buys part 1, so you don't need to buy them separately. I do want the physical version of the game, but I don't mind spending a bit more because the game's only 4400 yen (unlike most VNs which are about 8000-9000 yen).

My personal favorite character is Shimbashi because of his cat-like characteristics and short temper, I guess he's a bit of a tsundere now I think about it, but I also really like the abnormal way he speaks... he's super polite and extremely rude at the same time and I am curious how this would get translated in the English version. My second favorite is probably Ariake, and because he was the first route I expected his route to be good too, since it's the first experience anyone will have with this game after all. The final route is Aomi, who I was pretty neutral about when they showed him in the promotional material, but I really liked him... I should really not underestimate any character in this game because they will prove me wrong, and so far I really like everyone. I suddenly remember when the game was announced they said all the characters are ''straight'' lol, but as expected, so far it just means they haven't been together with another man before. They do not seem to care about Oosaki's gender at all and don't make it a big deal (I also like how there's multiple lines in this game acknowledging other gender identities btw... it's mentioned out of nowhere but I love to see it). If you didn't know btw, the protag of this game is a top, all of the previous Adelta game protagonists were bottoms.

I've always liked the Adelta game artstyle and character designs, but somehow the art in this game looks even better. Every CG in Ooe just looks so beautiful and I can't stop opening the CG gallery to look at it over and over again. As for the eye color... I also have my theories because in previous games this was an important plot element, and even by just looking at the promotional material, it's clear that those with ties to Ooejima are the only characters who have red eyes, so maybe that will be mentioned in the next part? Also every character has their own ending song, similar to what they did with Uuultra C. The game actually has no opening song/movie, but they might be saving that for part 2. The ending songs are so good though at this point I will not even complain.

The references to existing literature in this game are also comparible to the older Adelta titles, for example the caves on the island kind of remind me of the novel "Kotou no Oni" and the game sometimes references Agatha Christie’s "And Then There Were None" too, with Oosaki even owning a copy of the book, and eventually comparing the people on the island to characters in the book. As I mentioned in my first blog post about this game, some of the characters' first names also reference other novel characters. For example, Shiodome’s name is Michio, which is also an important character in "Kotou no Oni", Daiba’s name is Shizuma, which seems to be referencing a character in "Inugami-ke no Ichizoku" or "The Inugami Family" (this applies to the names of his brother and father too), and Funeno’s first name is Kureichirou, which is the name of one of the main characters in "Dogra Magra". In part 1, we learn the first names of a couple of other characters too for the first time, and I do have some theories what these could be referencing, especially Takeshiba's... I also want to know more about Shiodome because I mean, from the beginning it's clear the way he behaves isn't exactly what one would consider "normal", so I wonder how he would interact with Oosaki... Cool-B did preview one of his 18+ scenes and I have many questions. Then of course there's Daiba... he's so suspicious and the promotional material keeps referring to him as a ''side character'' even though he was literally on the cover of Cool-B magazine combined with Oosaki and Ariake, so I have my doubts about that.

Honestly there's so many things I could write about but at this point I might be theorizing too much and not actually reviewing the game, but I really don't want to spoil, so I think that's it for now! Part 2 is scheduled to be released in winter, though I'm not sure if that means December, January or later. You can buy part 1 here though! Please support them. It was mentioned that they are planning to release an English and Chinese version, though any information about that will have to wait until the release of part 2. When part 2 is released I'll write a review about that too!

[canonicallyobserving911]

Blog Posts and Fanfics Update: Canonically Observing 9-1-1 & Fanonwriter2023 on AO3

I haven't done a post like this since after season 6 ended and after season 7 ended earlier this year, I didn't do one because that was a horrific time in the Buddie fandom with all the toxicity and frustrations that were taking place (related post linked here). However, after the way the 8A mid-season finale ended, I took a few days to determine how I was going to participate in fandom during the hiatus because I wasn't happy with a lot of the stuff that happened. I've already posted about the way I wanted to see more Eddie and Chris scenes along with how Eddie wasn't shown going from point A to point B in his decision making regarding him considering a move back to El Paso (linked here).

I'm fully aware it's a setup for Buddie but Eddie's my favorite character and I'm not happy with the limited amount of screen time he received. This is not something I'll go back and forth about and I don't need to be convinced that things "might" be different during the second half of season 8 because IMO, it's always been like this and he's always sidelined while other characters get more and better storylines.

Also, after 8x6 aired and Buck's whatever the hell he was doing with the PLOT DEVICE ended and Eddie was doing something that gave him joy, I was excited to see where the show was going to take Buck's, Eddie's and Chris' storylines (related post linked here). But IMO, 8x7 was a huge waste of time and nothing happened to move any of the main characters' arcs forward and 8x8 spent even more time on side characters who won't be around any longer. With all the editing and pacing issues, the abundance of guest stars and the "Hotshots" storyline that went absolutely nowhere special, the last two episodes seemed to be rushed and not thoroughly planned out. So, needless to say, I wasn't happy with how it ended.

Therefore, I spent the last few days thinking about how I'm going to spend the hiatus because 14 weeks is a long time and I will not spend the next three and a half months rehashing the mediocre parts of episodes 8x1 through 8x8.

Here's an update for my blog and fanfics.

During the Hiatus...

Blog posts

I'll be reblogging my Buddie and Buckley-Diaz Family posts that highlight Buck's and Eddie's casual and emotional intimacies along with those that illustrate how they've already built a family and a life together. Additionally, since I still have a few METAs and speculation WIPs blog posts, occasionally, I'll complete one and post it.

Fanfics

I'm still writing fanfics and I'll post notifications when new chapters are up on AO3 for my two WIPs multi-chapter fanfics and for new Buddie fanfics that I write. Lately, I've been in my Married Buddie Sick!Fic era because I like writing them taking care of each other and I'm back on my Singer!Buck headcanon because I believe Maddie taught Buck how to sing, so I've written another fic about him serenading Eddie. Also, I have five series that are still in progress, so I'll continuously be posting new fanfics as well.

My goal is to start 8B with the same excitement I had after 8x6 ended because I want my fandom experience to be fun again like it was before season 6 ended. I love writing METAs, doing speculation, making GIFs and writing fanfic and I'm planning to keep doing those things but I won't spend my time between now and March 6th rehashing the past because I'm looking forward to Buddie CANON.

Find me on AO3 at Fanonwriter2023.

[sovonight]

I've been considering playing Baldur's Gate because of you. Do you recommend it What is a good order to play the games in??

absolutely i recommend it!

first off, it's important to know that bg1 & bg2 are their own story, and bg3 is practically separate from them. bg3 is set a century after the events of bg1/bg2, and just has a few character cameos and references from bg1/bg2 (though from what i've heard some of the cameos aren't very good interpretations of the original characters). bg3 doesn't enhance the bg1/bg2 story in any way, and knowledge of bg1/bg2 doesn't matter when playing bg3.

i'd suggest starting with bg3 if you:

are used to modern rpg games, and 3d visuals are particularly important to you

know you don't/won't like infinity engine games (for a spoiler-free preview, look up walkthroughs of icewind dale 1 or 2 and watch a couple minutes of travel, dialogue, and combat gameplay)

i'd suggest starting with bg1/bg2 if you:

don't have a strong preference for starting with bg3 instead

enjoy the potential for mods to expand the game--not just in terms of gameplay, but in story/quest additions and companions, too

are interested in knowing the story that i'm drawing all my fanart of

have a limited budget (you can get these games for very cheap, they frequently go on sale)

if you want to start with bg3, you're all set! go ahead and get started. if you want to start with bg1/bg2, i have a bit more to add:

if you've looked into buying these games, you may have noticed that there's bg1/bg2, and then there's bgee/bg2ee (ee meaning "enhanced edition"). there's also a new dlc that's ee-only. so here's the original playing order:

baldur's gate (bg1)

baldur's gate: tales of the sword coast (tosc): bg1 expansion, adds new side quests and areas to explore during bg1

baldur's gate ii: shadows of amn (bg2, sometimes abbreviated soa to distinguish from tob below)

baldur's gate ii: throne of bhaal (tob): bg2 expansion, directly continues the story from soa and officially ends the series

and here's the enhanced edition order:

baldur's gate: enhanced edition (bgee): contains bg1 and tosc

baldur's gate: seige of dragonspear (sod): bg1 expansion released in 2016 to bridge the gap between bg1 and bg2 (i haven't played it yet, but if you're just testing out the series i'd say don't bother getting it yet, it was released 15 years after the story concluded so how necessary can it really be)

baldur's gate ii: enhanced edition (bg2ee): contains soa and tob

the enhanced edition also adds 4 new companions, an arena side adventure, and overall provides a lot of fixes/improvements/updates on the original games. obviously, considering all these additions and the ee mods that have come out since the ee series release, the ee series is where you should start.

side note--if you buy the ee series on gog (maybe on steam too, but i've only checked it on gog) you'll actually get downloads for the original, non-ee games as well. if you enjoy playing old games for the feeling of time-traveling into the past a bit, and you have the patience to fuss around with troubleshooting and mods, they're a perfectly fine place to start as well! (i personally am still playing the non-ee trilogy even now, but that's for a whole mix of reasons, including that i like using the physical cd's i bought them on lmao)

now finally, if you got this far and are thinking "okay, i'm cautiously interested in bg1/bg2, but which one of the two should i start with???"

start with bg2 if you:

just want to jump in and see what all the fuss is about

don't care about having context in the beginning (you'll gain some context as you play, though not all)

want vampires, technology, and more sewers in your d&d experience

prefer a story with darker tones and a lot of driving urgency

start with bg1 if you:

like starting at the beginning to have context for everything that happens

want a standard, classic adventure with camps, forests, and bustling cities

don't need the plot to engage you if your companions are there with conversations, commentary, and banter

are willing to install at least one mod, BG1NPC

i found bg1 to be kind of a slog to get through on my very first playthrough, but adding in character interactions via BG1NPC really livened the game up for me and made it my favorite game out of the series. (imo this works best if you're willing to do a romance though, bc unfortunately romanced companions tend to get the most interactions & care put into their conversations.)

you don't strictly need BG1NPC on bgee bc the ee adds those aforementioned companions who do have conversations with you, but iirc they don't talk as much or provide as many opportunities for interaction as some of the modded companions do. (for context, in the original bg1, companions don't talk to you or comment on events at all; that only became a thing in bg2.) playing bgee without BG1NPC means you'll have to get at least 1 of the 3 ee companions to hear any conversations at all.

anyway, hopefully this wasn't too long or confusing. i hope you try the games out!

[mattzerella-sticks]

My Idea for a Live-Action X-Men Movie...

Thinking... how can we introduce the X-Men into live action, whether through movie, tv show, limited series, etc. ... and I have an idea.

Let's start in media res.

Charles Xavier's School for the Gifted has been active for the past few years, however with a small class size of seven. Scott. Jean. Bobby. Hank. Warren. Alex. Lorna. Despite only consisting of seven students, due to Xavier's wealth he has been able to keep his school open and thriving since the beginning.

However that has changed as the size of his class has dropped from seven to one after a botched mission led to the capture of his students save one, Scott Summers.

And the opening scene is Xavier sitting in his mansion, worried, waiting, until Scott kicks his door down, tells them his team is gone, and passes out due to exhaustion.

We then pick up on our narrator for the movie, the character whose eyes we will be seeing the entire movie take place through, stepping off a plane and into JFK airport...

Ororo Munroe. Storm.

She had travelled from her home in Africa seemingly on a whim, as if drawn there by fate, and - unsure where to go or what to do next - she goes to a nearby bar to make her next plan.

Who should happen to sit next to her but a short, hairy man in a cowboy hat and a thick, Canadian accent?

Ororo, meet Logan. They do not hit it off.

She does happen to hit it off with the soft spoken Russian man who is reading poetry at the other end of the bar - Piotr Rasputin - and the bartender, a Native American man - James Proudstar - who wasn't supposed to be working that day but traded shifts with his roommate.

While they are all gathered there they hear a voice in their heads and turn around to see Charles Xavier, a man they all recognize and all soon realize is the reason they are now gathered together in this bar. At first they all want to leave but Xavier implores them to at least first hear him out, which they agree to do, but he tells them he won't start until the final member of their group is here.

Cue shouts and gunfire as Kurt - Nightcrawler - runs, leaps, and teleports across the airport in all his blueness.

Xavier manages to calm the crowd however not before one of the security guards manages to call in that the threat is a mutant and it's a race to grab Kurt before reinformcements arrive. But wouldn't you know it the group is not the best team yet and the reinforcements do arrive in the form of Sentinels.

It seems like all hope is lost when, out of nowhere, a stray quartz-colored beam blows one of the Sentinels apart and allows the group a moment to escape. They regroup in Xavier's car, which had been where Scott was waiting while Xavier gathered the others.

They return to the mansion where Xavier explains what happens to his team, that they were responding to a mutant in distress on an island that had ultimately been a trap - with only Scott escaping. The group has been gathered together to help Xavier and Scott rescue their teammates.

It's mostly a resounding no. Piotr would rather be at home on the farm. James has to go searching for a new job since he undoubtedly got fired from the bar for leaving during shift hours. Logan is "not a team player" and believes that the team is most likely dead anyway. Kurt is game but he is also "not the best fighter".

Ororo also agrees to help.

That surprises everyone. She says that while the circumstances that brought them together were underhanded, she cannot sit idly by while innocent people, people like her with a mutant gene, are in danger. Not just those on the island, who they are tasked with rescuing, but around the world especially since Sentinels have become standard issue around the world. While she does not see herself being a full-time member, she knows that the team Xavier had protected mutants like them from these threats and, with them gone, who will protect their community now?

Xavier tells them that, after they help rescue his original team, they would be free to leave and do what they want with their lives as they please.

Piotr is in. So is James. Logan sighs and agrees, "Since I don't want to be the odd one out." They agree to go save the others. Scott says, however, that before they can mount the rescue mission, they need to become a team first - referencing their battle at the airport and how they need to improve.

They agree to train.

Meanwhile, on the island, we see that there is a Master Mold along with Trask and scientists working on creating the next model of Sentinels in their ongoing war against mutants using the captured mutants from Xavier's Academy as test subjects. The scientists are just as much as prisoners as the X-Men, however, as they were led to the island on false pretenses and forced to work for Master Mold who had, unbenknownst to everyone until the final act, had taken over Trask and controls him as a puppet.

A few of these scientists came with their families. One of these families were the Prydes. Katherine Anne Pryde is seen as a non-threat by both Master Mold and Trask, and is able to freely wander the island as well as speak with the prisoners because, since everything is monitored and she is twelve, she cannot do anything to disrupt the mission. We learn from this scene that Master Mold is on the cusp of unveiling a new breed of Sentinel that, using the schematics pulled from Jean's mind, would be able to track mutants anywhere without needing to be called in. It was luck that the X-Men arrived on their island, fell into their trap.

Meanwhile back in Westchester, NY, this new team of X-Men are having a hard time at coming together to work as a team, which is making Scott mad. He and Logan almost come to blows if not for Piotr stepping between them to break things up. They both step away to cool off.

Ororo decides to speak with both of them. First, she goes to Scott, and tells him that he is not being a good leader. They have a heart to heart where he confesses that his friends are his family, and Jean... he has a lot riding on this being a success, and this is as new to him as it is new to them. He is not used to working with people he hasn't grown up with. Ororo tells him that he needs to lead from a place of love and courage, and not fear. Then, she goes to find Logan to see that he is brushing off Kurt rather coldly and Ororo does not wait to take him to task on his loner attitude. They clash a bit before Ororo tells him to get his act together or just leave, as it shouldn't matter to him what they think if he really doesn't care.

They all agree to do another training session, only they never get the chance as Xavier tells them it is now or never as there was a spike of pain from the same island his first team was lost, and that cannot mean anything good. The heroes go to get suited up and fly to the island base.

Master Mold is ready to create his new breed of Sentinels and it looks like they are a success, as they have been fitted with new upgrades. He activates a few and they immediately power online with the alert that there is a mutant among them.

All eyes turn to Katherine Anne Pryde. Kitty.

Her father and mother object but are restrained as the Sentinels begin to pursue her, only able to tell her to run before they are knocked out. Kitty runs and manages to escape the Sentinels after discovering her ability to phase through solid matter. The escape is not fullproof as they burst out the bunker in full pursuit. When she reaches the beaches with what looks like no place left to go, the clouds part and reveal the Blackbird jet which Ororo had just exited from and is now flying down to confront the Sentinels she spotted chasing the little girl. The Sentinels sense her power and lock onto her, only to get blasted by lightning and turret fire.

The X-Men land and confront the Sentinels but, unlike at JFK, they are able to work together and take them down. Even Logan finds himself being a team player. They rescue Kitty and she tells them where the prisoners are and also what Master Mold is planning.

The team decides to split up - Scott, Piotr, and James will confront Master Mold while Ororo, Logan, and Kurt follow Kitty to the prison area.

Of course we stay with Ororo because, again, she is who we are relying to guide us through this story.

We get to the prison area and it's Ororo, Logan, and Kurt going HAM on these guards taking them down while Kitty uses her powers to free the X-Men. She manages to get to the main control room and hits the button that releases all the prisoners who do their best to help, despite being weakened from experiments and torture.

We learn from Kitty that there's a prisoner missing, and they admit that it's Jean. She was taken by Trask.

So the group races to the main room where Scott, Piotr, and James are and see a BUNCH of Sentinels on the loose and pure pandemonium. Piotr and James are on the ropes and Scott is putting up his best fight, however just as the group arrives the Sentinels converge and blast him, with a woman across the room watching calling out his name as he 'perishes' (we'll circle back on this later).

Without their leader and shocked, Ororo steps up and takes command, leading the group into battle like she's been doing it all her life against the Sentinels while Kitty and Kurt evacuate the scientists. She cuts across the room almost instantly to get to Trask and Jean where we finally learn that the former has been completely taken over by Master Mold and is now a Sentinel cyborg. They battle it out but it's a tough battle given the numbers they're against until there's a moment where Ororo and Jean are tucked away, shielded from incoming blaster fire from Trask and the Sentinels, when Jean places her hands to the ground and closes her eyes. Ororo asks what she's doing and Jean tells her she's asking for help.

"From who? Xavier only sent us?"

"From the mutant we came here to help in the first place. From the island."

BOOM! We get the reveal that the island. Krakoa, is a mutant and has been weakened by the experiments run on it by Master Mold and the Sentinel. Jean tells the group that they need to let Krakoa 'feed' on a piece of their energy to recupe its strength for it to help them and they all look to Ororo as it's her call, and she says they should do it. They do and the ground rumbles and shakes and we can see the island begin to terraform as it fights back against Master Mold and the Sentinels. It takes out MANY of them while the X-Men pick up the slack on the rest.

Ororo takes on Master Mold/Trask hybrid as the island begins to sink back into the ocean, with Trask, damaged, spouting nonsense. That he is there to save the world, that he is the FUTURE, the INEVITABLE, that the X-Men cannot prevent the world falling apart in the future, that they will be responsible for the apocalypse. However, with a lightning zap and some timely telekinesis, the group escapes back to the Blackbird as the rest of the island has already been evacuated.

The X-Men return to Westchester without Scott and inform Xavier of what happened.

Time moves on. They recover. They mourn. A memorial service is held for Scott. Xavier's original students, Warren, Bobby, Alex, Hank, and Lorna, decide to leave the school afterwards as they believe they need to come at the Sentinel problem another way. They form X-Force.

Xavier comes up to Ororo after the service and asks her to stay on, despite her having no obligation to do so. She watches Logan and Kurt keeping Kitty entertained while Piotr and James speak with her parents, about Kitty staying on at the school and learning from Professor Xavier, and decides that she would like to stay and lead the X-Men. Jean joins them and says that she'd be happy to be on any team Storm is leading, revealing that -of the original students - she is the only one who is staying with the X-Men. The three look out onto the horizon as there are endless possibilities for the X-Men now *play the theme song*

END CREDIT SCENE NUMBER ONE - Magneto watches Xavier's new team of X-Men in action and converses with Mystique, saying that, "If Charles has put together a new team of recruits, we should, too."

END CREDIT SCENE NUMBER TWO - A blonde woman in all white speaks with a raven-haird men with red eyes and a crimson diamond embedded in his head. "You pulled a lot of favors to get him, are you sure he's worth it?" "Believe me. He is." The duo, Emma Frost and Dr. Sinister are looking over the body of Scott Summers, very much NOT DEAD, held in stasis as the camera pans out and reveals the Hellfire Club.

And that would be how we introduce the X-Men, and mutants, into live action movies.

[lerry-hazel]

The long-ass Thomas post that needs to stop living in my brain

Part 1: The Bad Ones

The funny thing is, Thomas Barrow doesn't actually make a good villain: not because the things he subjects people around him to are “not that bad” – they most certainly are; but because those bad things never benefit anyone, least of all Thomas himself.

Thomas enters the narrative attempting blackmail with letters that would implicate himself in the same criminal activity – and which he must have kept in a shoe box under the bed, since it took the Duke all of 10 seconds to find them.

His other grand project for series 1 is bullying Bates, long past the point where it became clear Lord Grantham had no wish to fire his dear friend, even at Carson’s urging, and therefore probably won't be happy with anyone forcing his hand to do so. Not to mention, in Thomas’ circumstances, valet is really not the job he should strive for.

Afterwards we see Thomas working very hard on alienating the entire staff, even though his alternative career options are, apparently, limited to giving all his money to a criminal without even checking what exactly he was paying for. Then he goes on to alienate O’Brien in particular: who is, at that point, his only ally, and – as he well knows – not above murderous revenge.

And of course, let's not forget trash-talking about William’s dying mother and Lady Grantham’s dead baby. Which, no matter how cold, unfeeling and disdainful you are, if you have two brain rub cells to rub together, you learn to shut up about, – so that, you know, people don't hate you.

I've read all those fics and posts claiming that Thomas keeps people at arm’s length because “they would hate him is they knew”; but there is a difference between insisting on being called “Mr. Barrow” at all times, – and tempting people who genuinely don't give a damn about his bedroom preferences into grabbing that chance to get rid of him for good.

Anyway, that excuse expired when people did find out, and, for the most part, couldn't care less, – which would be a good time for Thomas to reconsider his behavior. Instead, for some reason, he goes right back to bullying Anna (who, for all intents and purposes, never did him any wrong, and clearly has Lady Mary’s favour); and attempting to blackmail Baxter, who – let's just say, he was very lucky Lady Grantham did not pursue her very sensible “why the hell did *you* bring a convicted criminal to my house?” line of questioning.

*******************************************************

What I'm saying is, if the lion’s share of Thomas motivation were fear of being discovered, the logical course of action for him would have been to be extremely helpful – to the point where his employers would consider him irreplaceable, and his colleagues would be too grateful to rat him out.

There could still be some conflict, since people would sense he's not naturally a nice person, and feel suspicious of his benevolence; or he would be overdoing it, and make things worse while attempting to make them better. He could still occasionally try his hand in relatively harmless scheming, like stealing Isis: that would be understandable, relatable, and even cute, – provided we pretend at least some of his panic was about the dog actually being lost.

However, if Thomas is supposed to have some other – personal or narrative – reason to be so pointlessly nasty, I, for one, can’t see it.

[thelioncourts]

I’m really afraid jacob won’t comeback on season 3 since he only signed for 2 seasons while sam signed for 5 seasons already. What do you think about that? Do you think jacob will extend his contract? I know rolin want to keep louis as the heart of the series but given that in books he was sidelined by anne rice, would jacob stay or chose other projects to have more chance as the lead actor rather than being limited in s3 and future seasons ?

I don't think we have anything to worry about re: Jacob Anderson in regard to the show. I've been seeing a lot of people worrying about it lately, and while I love that people love Jacob enough to be worried (!), I don't know where the fear is coming from, but I do hope that I can maybe alleviate some of those fears. I'm no expert or anything, but here are some things I think are note-worthy:

I want to point out (and I don't have a source on this one. If anyone does have the source, I would greatly appreciate it and will add it) that I've read that Jacob only signs on for a season at a time when he does shows. I've read that he did that with GoT and so it's not surprising that he, so far, is only signed for the first two seasons of IwtV in order to sign on for the first book. But, again, it's a habit, it's a pattern, he has a reason for doing it. It doesn't mean that he won't sign on for more seasons. In fact, I very much feel (like -- so strongly feel) that we will see Jacob on IwtV until its very last episode. Here's why --

“When I read the novel, it was very clear that this was a romance –indicates the showrunner–. And we wanted to tackle it in a big way: overflowing passion, big fights and big reconciliations. A relationship like that may not be the best thing for you in life, but sometimes you just can't control yourself, and that's what happens to Louis and Lestat." Will the show respect the structure of the books, in which Louis disappears and Lestat comes to the fore? “We want to focus on the relationship between the two,” replies the showrunner. That does not mean that they will be together in every scene of every chapter, but when the second season arrives you will have a clearer idea of ​​what will happen to Louis, and even more so in the third, when we adapt Lestat the Vampire [second volume of the saga ]." "We will keep the spirit of the novels and their emotional arcs, but their plots are built in a very different way than what a TV series asks for. Besides, who would want to get rid of an actor like Jacob Anderson? ".

from this Cinemania article

LOUIS’ FUTURE: If the TV series continues beyond the first book and adheres to The Vampire Chronicles storyline, Louis would be relegated to the sidelines as Lestat takes centre stage. O’Byrne says creators are aware of fan fears that the currentBlack-led story is positioned to serve a white hero’s arc. Assuming more seasons come, he says Louis will remain “a force in the show, in some way or another going forward.” “The way we have envisioned the show from a racially diverse perspective is something that will continue to be a priority for us,” says O’Byrne. “Part of that would be trying to keep Louis involved beyond the way he just dips in-and-out of the canon (after) the first book.” Issues around race were prominent in season one and will continue in season two as Louis and Claudia explore Europe, says O’Byrne, teasing that it will touch on “France’s colonial past.“

from this Toronto Star article

"I came back to them and said, 'I don't think it's a horror show, I think it's a gothic romance. I want to write a very excitable, aggressive, toxic, beautiful love story,'" Jones said of pitching the series to AMC. "And they were down for it." Jones also explained that the first season of the series will cover about half of the story in the Interview With the Vampire novel with potential future seasons getting into the rest of the Vampire Chronicles books, the series has already used those additional books to help build out that toxic love story. "Let's see them really go through all the little obstacles and challenges of a relationship," he said. "Like Bogey and Bacall, with some fangs."

from this ComicBook.com article

And from Jacob:

Coming into this in the beginning, I definitely had a fear that I wasn’t going to be accepted because of how Louis is presented in the original novel. It feels really significant to me that I’m included in the way that people think of this story now. From that point of view, it’s lovely. Loustat is something that…I mean, Sam was way more kind of ingratiated into the Anne Rice fandom than I was early on, I’d only read the first two books, which I was very much in love with, but I hadn’t read beyond at that point. But, we were saying, “Loustat.” We were calling them “Loustat” throughout the shoot... A big part of what made this adaptation really great, especially for Black viewers, was that it was color conscious storytelling. A lot of that had to do with it being set in the American South during the time period it was set in. But in the finale, you’re leaving that and leaving that area. Are we still going to explore that aspect of him, of Louis and Blackness, wherever and whenever we end up in season two? I think as it does with all of us, it follows you wherever you go, because we don’t live in a world that is post-racial. Wherever we find Louis, it’s going to be a part of his story. It’s going to be a part of his existence and his daily life. I mean, it is in Dubai, you don’t really see it, but I think there’s something very interesting about this Black man living up in a tower in Dubai. Honestly, I’m not being secretive, I don’t know yet exactly what is going to be explored in season two, but I always find this thing really interesting about European sensibilities at a certain time. Like James Baldwin going over to Paris to escape racism in America. This idea that Paris was this really welcoming place for Black people, particularly African-Americans. It would be interesting to see what we do with that. I think in a lot of cases it wasn’t necessarily true. It just wasn’t as awful as it was in America at that time.

from this InsideHook article

I think there are a lot of things here that give a ton of hope/confirmation of Louis' long-term part in this show.

From a "my personal interpretation of how they're setting up the show," and "my personal interpretation based on what they've said," and "my personal interpretation based on what is smart for a television show trying to stay on the air in a time where shows get cancelled very easily," here's what I'll say:

A lot of the above-mentioned information tells us that when Rolin Jones went into creating this show, he created it with the romance of Lestat and Louis at its center. I've said this before in other asks, but you can't set up a show that focuses primarily on a romance, turn around and get rid of that romance as a central aspect, and expect viewers to keep watching. At this point, viewers are invested in Lestat and Louis. Any post I see about the show not from stans, or overly involved people running blogs and twitter accounts ( :D ) are about the romance and ship of Loustat. It's drawn people in and will continue to do so, especially when season 2 comes around and we see the immensity of Louis' longing for Lestat, his yearning, and the undoubted 2022!Lestat reveal at the end. Audiences will be clamoring to see 2022!Louis and 2022!Lestat reunite. C l a m o r i n g. To not have it would be detrimental tbh.

It's also important to note that they are not doing a direct adaptation of the books. They are doing the spirit of the books, doing certain big arcs of the books, but clearly they are not doing the books themselves word-by-word. All things considered, it's not that hard to put Louis into these plot arcs, especially with how they've already changed things (i.e. Louis and Armand still being together in 2022, the complications of what Daniel being there means, etc.). And, personally, I think the addition of Louis to these plot arcs would vastly improve them, something I've always felt regarding the disappearance of Louis in the books series (by far my biggest Anne Rice criticism/complaint). In these three asks here [x] [x] [x], I've elaborated on my thoughts about the future of Loustat/the idea of Lestat with any of his future partners in the books/etc. and, to add to this, I feel like it's important to note that Lestat's other romantic partners in the books (beyond being part of what some like to call Anne's "anybody but Louis era") are characters like Nicki (who we will see, but who will die), Gabrielle (his mother, to which I don't see the show going too much into given the network and audience and also she abandons him frequently lol), Akasha (who we will see, but it will be non-consensual so it doesn't actually count in regard to romance), Antoine (who is Antoinette in the show and we've seen how not-full-of-love that relationship is and also its end), Gretchen (?????????), Dora (?????????????????), Rowan Mayfair (which Anne has said was one of her biggest regrets and I pray the show doesn't do it), and David Talbot (who I hope never comes to exist in this world and they give some of his storyline to Louis and/or Daniel, as it should have always been). Like there aren't any other characters set up for Lestat to be with other than the love of his life, Louis. I think we should also take note that Jacob is very much acting as though there are long-term intentions of staying. He's been reading all of the books (last I heard, he was on book 8, which is !!! crazy) and I don't feel like he would be reading them without the intention of knowing what he may be expecting in later seasons.

I could keep rambling, but to sum up what I've pulled from articles and my own thoughts, I think the show is going to continue with Sam and Jacob as pure co-leads for the entirety of the show. I think without them both, the show will not succeed and I think the show very much knows that.

[cherubchoirs]

I posted this in like a comment or something wasn’t sure if you saw it, it’s in the context of V1’s main flesh part bein’ a heart ‘n everything:

Take it a step further: the heart was a donation from one of V1’s designers, someone who put so much of their heart and soul into making their machina magnifica that when the AI was finished and they were constructing the body, they made it literal

It was their greatest creation and they would do anything to make it perfect.

Like, I can’t help but think that there must’ve been someone on that team who had that kind of love or passion, engineering borders and overlaps with art in the nature of creation, and V1’s so finely tuned, made to such precision that it couldn’t have just been a project to them.

OOOUGHGHGHHHH this is absolutely true for how i characterize v1's head designer and now i'm really considering it as a possibility. i'm still in the process of designing them all, but the lead designer has advanced lung disease due to exposure to pollutants and heavy smoke damage that occurred when they were younger. they are on oxygen pumped constantly into a custom made mask - though i do imagine most humans, if not all, are wearing gas masks at this point in the war, given how smoke-filled the air must be, the damage has been done with them and they are aware they likely won't live to see the v-series put into production. yet their passion is evident, they draw up detailed plans by hand and have many artistic renderings of what they believe v1 will look and behave like by the time it's completed. this is the last thing they will do, a virus to destroy the earthmovers from the inside out, something that will halt the devastation of their world (i will note they aren't super introspective in this regard or anything, it's a much more practical 'save the world from burning down' than anything personal as many have suffered in similar ways). i wouldn't at all say they're an idealist, but they are an artist and v1 is a culmination of a vision for them. they work past their limits to create it, they are present with it at every step, and even its preliminary trials, buggy as they are, they see what it will be. v1 is what their passion is. so if they came to the point where they were dying, they would be more than willing to give their heart for v1 since it really already belongs to it

[kryptonbabe]

Hope you are having a great day.

Thank you!

I'm having a nice day so far, drank some coffee, sent some emails and since I don't know how to answer this nice ask any other way, I'll share something that's been on my mind the past couple of days and I was going to keep to myself, but here you go: The unjust erasure of Mr. Hogan from comic book history!

Mr. Hogan, the monkey, on the shoulder of the adventurer Lance O'Casey in their first appearance (Whiz Comics #2).

But who is Mr. Hogan? As I was curious about Captain Marvel (Shazam) first comics I started a journey of looking for his first publication on Whiz Comics #2 (fun fact: this is actually their 1st issue not the 2nd, for convoluted reasons). Finding these comics is easy for they are public domain, and I had a little help too (thanks @justletmeon12!), so I started reading the issues when Lance O'Casey's stories caught my attention, not because of the main character's originality, there's nothing really special about his naval exploits, but I was amused by his monkey side-kick Mr. Hogan and just how relevant he is to the stories. Ever since I was a kid I really liked animals in comic books, especially primates. I don't know, they are cute and fun and I won't apologize for it.

I read this first Lance O'Casey story expecting nothing, so it was quite surprising to realize it was a good story for its limited length and time period. Captain Marvel was a huge success back then and Whiz Comics had a long run - 13 years total, from 1940 to 1953 - until they were ruined by the famous DC lawsuit. But honestly I'd never heard of Lance O'Casey and admittedly he was not the most famous of the other feature characters in Whiz.

However, from 1946 to 1948, Lance O'Casey had a 4-issue mini-series at DC, and after reading a few of his Whiz stories I was slightly curious to see how this series would explore the extra pages... How disappointed was I to find out Mr. Hogan, the monkey side-kick, had been completely ERASED from O'Casey's stories, as if he had never existed...

And ok, why should you care? Why should anyone care? What's so special about Mr. Hogan. Well, I'm glad you asked, because I have some panels to show you... (all from Whiz Comics #2)

O'Casey and Mr. Hogan arrive at this island after some unknown adventure, the island is empty and they investigate, they find a guy passed out, he tells them some white people were kidnapped, they need to save them. The details are not important, but look how Mr. Hogan engages in the investigation... looking at footprints, holding the victim's head. You might argue these are passive actions though, O'Casey could be guiding him...

Take a look at these panels then, they show a careless Lance O'Casey absentmindedly running through a dark forest before Mr. Hogan astutely warns him of the death trap in the way, saving O'Casey from certain doom...

Later is Mr. Hogan who climbs a palm tree to reveal the enemy's hideout to clueless Lance O'Casey waiting on the floor...

Let me tell who saves the victims at the end... After arriving at the place where the kidnapped white people are, it is Mr. Hogan who releases them while O'Casey fights some guy. I'm not denying O'Casey's importance, I'm just trying to highlight that without Mr. Hogan's help Lance would not even be able to accomplish his feats...

Close to the end of the tale, in a impressive accomplishment of acrobatics and intelligence, we see a quick Mr. Hogan being catapulted to the drifting boat (their only escape from the enemy's island) and, by himself, maneuver the boat to the coast, saving the humans.

He even had a panel to introduce himself to the kidnapped victims they just helped.

I've only read a few of the Whiz Comics issues and Lace O'Casey is not featured in every issue, so it will take me some time to figure just when exactly they ditched Mr. Hogan for a human side-kick, and if any good reason is given for it. I just know he's absent from the #155 (and last) issue of Whiz, from Lace O'Casey mini in the the late 1940s and from the post-crisis cameo of O'casey in The Power of Shazam. I also have this quote about Mr. Hogan from his page at the DC Comics fandom wiki:

"Mister Hogan was the unofficial first mate on O'Casey's first ship, The Brian Boru. After several adventures, Lance moved on to a new vessel, the Starfish and brought on an actual first mate, Mike Bellow. Mister Hogan's actions from that time onward remain unknown"

The last sentence is certainly worrying. But rest easy, I'll be keeping a close eye on this, I will know what happened to Mr. Hogan, or at least his last appearance in the comics.

I must say, at the end of this little essay, that Mr. Hogan was not without his flaws and complexities, in Whiz Comics #5, after being bitten by a turtle, he had no reservations punching the creature. More room for character development and improvement I say, Mr. Hogan was a golden age character after all, and it's time to bring him back.

But yeah, thanks for the completely non-related ask, hope you're having a great day too!

[pikahlua]

Maybe it's because I have a different perception of "origin"... And also a different view of that scene, like I feel that Izuku might have thought "oh so no quirk.... Then I shall rely only on my own will" or something like that, again it's my own interpretation. And also it's probably cause it's been a while since I've read chapter one so I have a confused memory of it! sorry if I wasn't clear about my earlier statement!

I hope I can explain this right. I have no interest in telling you that's not a valid interpretation. I have zero problems with people having headcanons and making guesses about a character's feelings. When I was discussing "origins," I was doing so in the context of trying to find a moment in Izuku's past that Shigaraki might accidentally touch. In order to do so, I could only look at what's actually stated in the text to use as persuasive evidence. That's not to say there won't be some reveal later about more of Izuku's thoughts from back then. It's just I can't assume any additional information when I'm making a prediction like this. What you think Izuku might have thought certainly may have happened, but until I see evidence of what he actually thought, it's not something I can use. You're free to hold your interpretations and I'm not knocking you for them at all. I just don't have any reason to jump on board that interpretation yet.

From my perspective, we had three characters' "origin" chapters early in the story (Izuku, Shouto, and Katsuki), and the thing they all had in common was a memory of All Might from when they were young children. These memories are often spoken as ideals by these "origin" characters throughout the series. Katsuki has "a hero who, no matter how much trouble he's in, always wins." Shouto has "a hero who puts others at ease when he arrives." And Izuku has "a hero who always saves everyone with a smile." These to me feel like origins because they are the sparks that set each of these characters on theirs paths to becoming heroes themselves. Occasionally some mentors like Aizawa and Nana will make a comment about how an origin is something to grasp so that it keeps you pushing a little more even when you're at your limit, and I think it follows that such an origin has to be one's inspiration for doing what they do in the first place. Thus, an origin for a hero is: why do you want to be a hero?

In my opinion, the moment that exemplifies Izuku's ideal of "a hero who always saves everyone with a smile" matches most closely with his memory of watching All Might's debut video.

So that's why I make the assumption that this is Izuku's origin for the purposes of predicting imminent events in the story.

[alhilton]

I loved Hunters Unlucky so much. I've yet to read anything past Distraction, but I am in LOVE with what Arcove and Keesha have going on, and seeing that BEAUTIFUL cover with Keesha on it made me hype. It's made me more confident I can write xenofiction and have people read it! I have a question though; how you do get into 'xenofiction/monster' circles? I'm firmly placed in the art community, and my attempts to join writing ones made me realise we just aren't on the same wavelength :(

Hey, thank you! I think you will enjoy Bright Side and Legacy when you get around to them. ;) There is a future story cooking that is more Keesha-centric, although I haven't written it yet. The ramifications of what he did to Arcove in Book 1 keep popping up in the background of other stories and will eventually hit the foreground again. Iben surprised me with the cover for Legacy. It is a specific scene from that book, and it would be a spoiler...except that you won't understand how until you are already past that point, haha. As far as xenofiction communities - gosh, tell me when you find one? I've been writing in Hunters Universe since I was 14. I am not 47. I have 2 other story universes that are thoroughly established with many novels - Panamindorah (humanoids, but no actual humans) and the Shattered Sea (humans, et al). I throw Easter Eggs into all 3 from time to time - like the crossover Keesha story "Awake." I've got a 4th story universe - Sleipner (humans et al) that I haven't actually published books in yet (except for one sneak peek in cross-over in Legacy). I have never been part of community for xenofiction. Fans told me it is called xenofiction. I didn't know that. I called it an "Animal Epic." My books about human beings have a larger readership. By far my most successful series is The Knight and the Necromancer. Hunters is a relative tiny audience, but it generates the most fan art :) I'm not very good at writing what I'm "supposed" to write. I love writing gay romance, but if I was forced to write nothing else, I would sort of shut down and die. Fortunately, I am also a medical professional, so I am not dependent on my books making a living wage. The author for whom I feel the most kinship is Ursula Vernon/ T. Kingfisher. I feel like her audience and mine must overlap, but I don't think I've ever spoken to her.

I have been a part of various creative communities over the years (notably the podcasting author community that flourished from about 2006 - 2014). They were wonderful while they lasted, but all of these things eventually run their course and you have to look for new groups. I got my start in podcasting, so I know a lot of voice actors, some of whom are also writers. They mostly don't write in my genre, though. I have some wonderful writer buddies from various conventions. I love visual art and purchasing illustrations, so I made some long-time artists friends that way. Some are also writers or comics artists, not necessarily in my genre. I am a member of various author FB groups, including MM romance groups. They are all business-focused, though. You get to a point where business is the help you need. You're doing the writing just fine and you have an audience, but you need community around business and marketing, because sometimes that's the hard part.

I guess my advice is: go to conventions and talk to people. Spread a wide net - don't limit yourself to your genre or even your art form. Nurture friendships with creative people of all types. Cross-pollination is rewarding. Write stories, finish them, and make them available. Wash, rinse, repeat. Interact with your readers, but don't make yourself so available that you get heartburn.

[harleyquilt]

The Pain in Death, the Hope in Life (Frieren fanfic) - Chapter 1

Summary: A small series focusing on the themes of loss and closure presented throughout the series of SnF, exploring some early moments between the characters, as well as their responses to grief.

In this chapter, I'll be focusing on Fern and Frieren shortly after Heiter's death, and how Frieren struggles to find the words to comfort her new apprentice.

Words: 1,543~

Notes: This will probably be 3-4 chapters long, with relatively short chapters. I just love all the dynamics presented in the show and wanted to explore them further ^_^ There'll be no spoilers, since I'm anime-only, with some very slight divergence, in that it'll later involve a mini adventure of my own making. Please enjoy!

------------------------------------------------------------------------------

A young Fern watches Frieren from a slight opening in the door. Surrounding the elf mage is a variety of leatherbound grimoires, all taken from Heiter's library. Frieren’s eyes scan over each tome, jumping from book to book, before circling back to the first, indecisively comparing each one against the others. It has been a few hours since Fern instructed Frieren to only take one, insisting that any more would be a waste of limited space. Frieren eventually relented, but was now dragging her feet in deciding which one book to pick. Fern frowns, watching her master from nearby.

She thinks to trudge in and demand that Frieren pick one immediately, stressing that they must leave as soon as possible. And she almost does, her hand on the door handle. But she hesitates and questions why exactly she feels the need to rush – Frieren certainly felt no urgency, despite being the one to say that they would soon leave following Heiter's death. No, there is no reason to act so urgently, yet Fern felt a rising need to leave now that Heiter no longer occupied this small cottage; even though Fern knew that, logically, nothing had really changed, with Heiter gone, the walls felt strangely cold and hollow, like there's an emptiness pervading this space she once called home. It no longer felt like a home to her, even with all the pleasant memories this small cottage has given her. It is simply not enough to push through the gloom encompassing her heart. 

It is likely why, when seeing Frieren casually browse through the grimoires, that she feels this discomforting agitation bubble up. Pouting, she shuts the door and makes an effort to stomp up the stairs to her room, hoping that Frieren will take notice of her anger. 

“She probably won't,” Fern mutters, throwing herself onto her bed. She hugs her pillow, pushing her face into it. “She never does.” 

An hour passes and she slips into a light sleep, her face set into a grimace. Frieren knocks on the door, and opening it, Fern groans and turns her head towards the door, cracking open one eye. Brows raised, Frieren holds a book in her hand, watching Fern pull herself up into a sitting position. 

“I've picked one.” Frieren says, entering the room. “We can leave now, if you like.” She looks to the window, noticing the evening sky. “We could leave tomorrow morning, since it's already late.” 

Fern rubs her eyes, frowning. “You took too long.” Her voice is sharp, even with her sleepiness. 

Frieren awkwardly rubs the back of her head. “You're mad.”

“Not really.” She turns her head away, lips pinched together. “We should leave now.” 

She rises and moves past Frieren, leaving behind her a chilly trail. Sighing, Frieren follows her from behind, wondering what exactly to say. She mulls over it for a moment, before Fern turns back, her brows knitted together. 

“Why are you not upset?” Fern asks, a strain in her voice. It surprises Frieren at first, though it is not the first time she's heard this question from others, all equally as angry with Frieren’s lack of emotion. She doubts it'll be the last either. 

“What do you mean, Fern?” Frieren asks, only adding to Fern's annoyance. “Are you referring to Heiter?” 

“Of course I am.” She huffs and looks away. “Nevermind…” 

Walking away, Frieren thinks to stop her and explain herself, but seeing the girl’s anger, she thinks better of it. Fern has a surprisingly short temper, she finds, and any attempts to approach her will leave both of them smouldering. She ultimately decides that it will be better to give Fern the time and space she needs to cool off, knowing she'll be burnt to a crisp if she tries to interfere now. 

Frieren has never been good at dealing with conflict, opting to avoid rather than confront any issues that may come her way. The whole ordeal of these misunderstandings exhausted her, though that is not to suggest that she cares little for those involved. She just struggles finding an easy solution to an otherwise complicated matter. After all these years, it is one of the few shortcomings Frieren has yet to overcome. Then again, Frieren thinks, this is hardly an issue that can be ‘solved’, not permanently at least, as Fern has proven to her time and time again. 

Frieren shuts the front door behind her, Fern already a few feet away. The young woman looks back at the cottage, her eyes glazed with the distant memories of her childhood, of the man she once saw as a father. Lowering her eyes, she turns away, a familiar ache in her heart. This would be the last time she'd see this place as her home, their path ahead unclear. Frieren has not clarified where exactly she plans to go next, but as her apprentice, Fern will follow her for a long time to come. It was a bittersweet feeling, her melancholy and irritation warmed with the promise of the future. Frieren walks ahead, carrying her luggage, and Fern follows, the sun hanging low in the sky. 

It's dusk by the time they reach the outskirts of the nearby village, an hour away from the cottage. From the hilltop, the two can see the small market square, with most of the villagers heading back to their homes for the night, or to the inn for a drink or two. It's this inn that they decide to stay in for the night, ordering themselves a warm meal and a shared bedroom once they arrive. The regulars are already familiar with the two, having seen them during their past visits across the years, and out of consideration for Heiter's recent passing, they insist on dismissing their bill. Frieren readily accepts the offer, and thanking them, they finish their meals and head to their room. 

It all happens in what feels like a blur to Fern, who, all the while, is kept preoccupied with her own tumultuous thoughts. Her anger has simmered into a discontent she struggles to find the words for, feeling a little ashamed for accusing Frieren in such a harsh manner, but also bothered by Frieren's apathetic response, even while knowing this to be her usual demeanour. Having lived with her for years at this point, and remembering Heiter's warning, she should be familiar with Frieren's personality and expect this behaviour from her. And yet, during moments like these, Fern still craves some warmth from her sole companion, mentor, and peer. Was that something too far beyond Frieren's understanding? Was Fern wrong to hope for anything more? She continues to pout as these questions swirl around in her mind. 

Entering the room, Frieren watches Fern move to one of the two beds, a rather glum expression on her face. Sighing, Frieren sits on the other bed, clasping her hands together on her lap. 

“I am sad about Heiter passing away.” Frieren begins, catching Fern off-guard. “For elves, it takes us some time to process what it is we're feeling.” Frieren looks up, meeting Fern's eyes. “When my master died, I didn't cry. I had watched her age in what felt like a blink of an eye, and then she was gone. I had experienced loss before, but…” her hands tighten in her lap. “Still, it felt like something was missing following the years after her death. I know now that what I was experiencing was grief.”

“Miss Frieren…” Fern sits onto her bed, unsure on how she should respond. Frieren, however, smiles before continuing to speak. 

“Then Himmel passed away, and I–” she frowns, carefully picking her next words. “It was only then that I realised how important he was to me. But by then, it was already too late, and I lost my chance to tell him these words. That's why I spent these past few years trying to help Heiter, so that I wouldn't feel that same regret after his passing.” She smiles again, moving her hands to her side. “I'll surely miss him, but I'm glad I was able to create so many memories with him. I'll cherish them, with all the others. Does that make sense?” 

Fern nods, the warmth in Frieren's words seeping into her heart. “I'm sorry, Miss Frieren.” She bows her head. “I shouldn’t have assumed you to be so callous.” 

“I know you're upset.” Frieren reaches out and places a hand over hers. “I'm…not very good at comfort, but I'm trying my best to understand. I guess I still need to improve, in that regard.” 

Fern tilts her head to one side, a small smile on her lips. “Maybe just a little.” She sighs – a sigh of relief, as the tangled mess of emotions that had been building up within her unravels into a content acceptance. “I'll try to be more honest next time.” 

It'll probably take her a while to adjust, Frieren thinks, knowing herself how difficult she found it to change to new circumstances. In the end, she is reminded of how familiar the two of them are, despite their many differences. With this thought, she pats Fern's head, who blushes in turn, but makes no effort to push Frieren's hand away. 

[theimaginatrix27]

So it's been a year since I began delving into Star Trek fandom properly

It's officially my birthday in my timezone! This time last year, I was gushing on the server @kintatsujo made for our circle of mutual friends about the best/most well-thought-out part of my Star Trek AU, now dubbed Galactic Warp, after its most important advancement. In a few weeks, it will be the one-year anniversary of my joining the Trek server where I would make all the friends I have in that fandom (particularly gonna shout out @roguetelepaths, who you may have noticed I've been reblogging a lot of posts from of late).

A lot has happened over the past year on that front, if I'll be quite honest. I've posted eight! fanfics for DS9 (holy shit), bringing my number of works on AO3 up into the double-digits and totalling about 140 thousand words! And there are many more to come, I assure you—the plot bunnies living in my brain evolved into tribbles and started churning out ideas for this fandom and these characters, as if making up for lost time.

I hit a lot of milestones this year (remembers the name of the first Trekfic I posted and laughs). Let's see if I can remember them all! :D

I discovered I can write Sci-fi, actually! Honestly I'm looking back at my confident assurance of the exact opposite of this and laughing, because I have proven that claim false in several ways over the past year. (See my Threshold fics for the most obvious example). But like. Also. The backdrop of one of my original series is kind of a Sci-fi setting, so I've been doing this for a while. Yeah, Kinta, laugh it up, you were right and I was very silly.

I can write Star Trek fanfics, actually, and if I mess up on anything, nobody's gonna care! I was so scared I'd embarrass myself in front of a fandom I found very intimidating, but so far, everyone's been so welcoming and people like what I've put out there! They really like it! I'm honestly humbled and grateful for all my lovely readers who have said such nice things to me in fic comments, and in private on Discord. You're all wonderful! But critically, I did make a mistake, and nobody gave a single, solitary shit. The story's an AU anyway, and people have been enjoying it, and I was worried for eleven years over nothing. You won't believe what that does for a lady's confidence.

I've learned some stuff about my own personal writing process, which is a big step forward! I've been taking in writing advice for as long as I've been fully online. I've listened to writer after writer tell me how they work, how they do things, and I've tried plenty of it myself, but to no avail. Earlier this year, I ran out of words to paste into 4TheWords, a website I'd joined several years ago because I liked its premise (turning writing into a game, where you could defeat monsters with words you wrote). I hadn't written on it live before, due to copy/paste issues I was able to resolve (the font in the site editor is different to the font I use on my computer when writing offline), but I actually started doing it because there is a particular group of enemies that are specifically time-based (all enemies have a time limit in which you must defeat them, but these guys set a timer within which you must keep typing), and I thought I could use that as freewriting sessions. Freewriting was something I'd been sure would work for me if I needed to get unstuck, and I'd actually noticed I could untangle issues I had by talking about them with friends in private, often without them even being around to help. So I tried it. And wonder of wonders! I got unstuck! On multiple stories! Just by rambling about them on a timer! And then I started writing words to defeat other enemies on the site live, and wait. How many words did I write this week? On this day? It's been a real game-changer, particularly as my edits count as more words, which impresses the fundamental truth that every word you write matters, even the ones you delete. Even the ones you edit away because the sentence didn't feel right. Even the passages that ultimately don't work. It all matters, and it all helps. And if I get stuck again, there's always the endurance monsters to help me out! About half of the stuff I've posted was shared in the last three months. And it's all thanks to 4TW. If you think this sounds cool, look them up! They're good eggs and don't support generative AI in creative writing. :)

I've also achieved a few writing firsts as a result of that last point!

This probably doesn't come as a surprise to my writer friends, but I've fully accepted the fact that the first thing I need to do as a writer is write. I have heard that a thousand times before, and I knew it was true on some level, but I would always let my anxiety and perfectionism get the better of me, and overthink myself to a standstill. With the method I've been employing on 4TW, I've had to press forward if I want to beat the clock, which has pushed my ADHD brain into doing what I want it to (part of why 4TW works for me is that it sets little deadlines outside myself. I cannot set my own deadlines, I know the person who drew up that schedule and she's too easily distracted and also likes to have fun too much). With even the low-stakes pressure of beat this guy before time runs out, I've been able to at least get started, and once I've picked up a little momentum, I get excited about my stories again, and we can have days where I write over 6000 words in twelve hours, because I don't want to stop!

I've stopped trying to force my chapters to be a certain length. I let each one be as long as it needs to be, and if that's a couple thousand words longer than the last one, fine! It achieved it's purpose for the story, and I'm not going to cut stuff when it was all important! Besides, I've noticed that each story finds its rhythm if I give it the space it needs, and the chapters end up being close to the same length anyways.

I've been getting bolder and bolder about the stories I write or consider writing! Too often in the past, I've been unsure about whether an idea will work for my audience, but the more times I've let myself be weird on main, and nobody has come out of the woodwork to yell at me for it, the easier it's been to be that little bit more wild with my ideas. And having friends to babble to helps with that too, people who tell me to go for it are super important and I appreciate every one of them!

I've actually written stories inspired by prompts! I'd never really done this before. Being prompted by a post is one thing (love ya, Threshold AU), but actually doing prompts for a challenge? That was always difficult for me. I'd always second-guess myself if I came up with any ideas for a particular prompt set, and then procrastinate on trying for years. But this year, I participated in Dominion Week, and although I've only posted four out of the seven prompt fills, I do have ideas for the other three days and will write them when the tribbles are done filling in any gaps they think should be patched in the AUs said prompt fills are relevant to. :D

Related to the above, I wrote oneshots! That stayed oneshots! And one of them stands completely on its own! That. That has never happened before. I've said several times on this blog that I'm not wired for short stories. I wrote my mother a story for her birthday and it was a backstory event from my Ylonaverse because I couldn't think of an idea that could stand on its own. And then Dominion Week happened, and I started two series of single-chapter stories, and wrote a oneshot that was a thought experiment and won't be a part of any of my currently existing AUs, and I'm still mind-blown that that even happened.

It has been a good writing year for me, in other words, despite its ups and downs.

Oh, and I also have had the capacity to Braille up my stories for a year now, and although I'm a perfectionist about this and want the Braille versions to be just right, because I intend to podfic them, I'm still very glad I can Braille things up at all.

But that was gonna happen anyway. The Brailler and paper were part of last year's birthday present, much as the binding combs and binding machine were part of this year's one. And the discussion of that part of my creative life should have its own post at some point. Probably when I have compiled enough to start actually podficking.

[trentcrimminallybeautiful]

i have this silly little undeveloped au in my brain that's just like. tedependent but it's the sarah jane adventures. sort of. not literally in the doctor who universe necessarily but like. local intrepid reporter trent crimm investigating weird shit except the local neighborhood kids will not leave him alone.

i have so many thoughts about this but none of them are coherent enough for a proper fic i think:

i just think trent being good with kids, generally. go mentor figure trent! (what this has nothing to do with my thesis what do you mean)

trent, like sarah jane pre-series, having a sort of reputation in the neighborhood (or in general, since i'm also incorporating his actual canon vibes/story) as to being standoffish, aloof, cold, etc., and generally anti-social, keeping to himself. and as the kids keep dragging him into things kicking and screaming he might also be dragged kicking and screaming into a community <3

if his daughter is essentially luke does that mean he adopted her under Strange Alien-Related Circumstances? absolutely it does, yes.

see i've got two great ideas for ted/tedependent. on one hand, although in the context of SJA/nuwho i'm not so much one for sarah jane and the doctor as a Thing, ted playing the role of like. someone from trent's Mysterious Past who he won't talk about who set him on this path? someone who was kind and wonderful and changed his life but then--at least it feels like to him--abandoned him? someone who made him a better person--from doing whatever journalism he used to do to this--someone who he's still kinda in love with... but trent can no longer even really talk to......until he shows up again? that's some good shit, not gonna lie. although i'm jimmying that into a happy ending somehow, goddamn it.

ALTERNATIVELY. henry being one of the Neighborhood Kids (as if we're using "canon" kids, we've got limited options) and ted being an oblivious parent. trent is trying to get these kids to STOP POKING INTO DANGEROUS ALIEN NONSENSE PLEASE THIS IS HIS JOB PLEASE STOP BREAKING INTO HIS HOUSE but they're stubborn and smart and they may or may not have saved his life once or twice and oh GOD THIS IS SO IRRESPONSIBLE but he can't just TELL THESE RANDOM NEIGHBORS about ALIENS. but like anyway this just painful secret identity-esque nonsense where ted knows henry's taken a shine to that nice journalist down the street and his daughter but does NOT know that henry is getting into Shenanigans(TM). this could lead into all sorts of drama about, you know, his kid being in danger... or, alternatively, ted has worked with some unit/torchwood-esque place before and is like OHH you know what? this explains that time i thought i heard you speaking an alien language. cool, cool. and trents like. .....WHAT

etc. i'm not wording this well but i think you get the idea.

if you really really wanted to make it complicated you could do both, considering the doctor's whole thing--either a fob watch or a regeneration--but honestly, i don't want to do that, so i won't

some of the adults do definitely get involved though. keeley either clocks that shit right away or thinks she's clocked it but she's actually clocked something entirely different. she's like i know you're mi6 babe ;) and he. is not. meanwhile roy having ten freakouts in a row and then being like nvm i'm fine with this. (is not fine with this, but will be eventually). jamies like yeah aliens. everyone knows about those. and they're like what?? no they dont?? and so on.

is beard an alien? genuinely no one's sure. he's not telling.

HOLD ON can i give trent k-9???? can trent crimm get a robot dog?????? yes please i think he deserves a robot dog

also see the trickster episodes? bet you could do something real fucked up with those.

i feel like i had more when i started this post but i don't remember

this not well thought out at all and i have no idea where everyone would fit in

anyway my point is. trent crimm, intrepid journalist, running around trying to stop alien shenanigans while Those Meddling Kids keep following him around. trent crimm doin a little Breaking And Entering. scooby doo shit. and he has such an interesting mix of seeming suave and badass and then immediately doing something embarrassing. trent crimm--via shenanigans and also Those Meddling Kids dragging him into their lives (aka he tries to keep his distance SO badly and only is involved when dangerous shit is going down but like then it's all. child knocking on his door like IT'S AN EMERGENCY OPEN UP and hes like WHAT WHAT IS IT and theyre like can you help me with my homework :( and hes like. fuck. yeah fine what do you want help with. (some subjects he's very helpful on others he's VERY not) until they're like okay but you're coming to this bbq right. and he's like? no? and they're like you're coming to this bbq right. and so on) ANYWAY the point is they keep dragging him into their lives and now oops! trent actually knows his neighbors and has to go through the mortifying ordeal of being known. but that also means that when he gets badly hurt or sick he's used to the empty hospital room but now he actually gets people showing up and forcing baked goods on him and shit and i'm just feeling a lot of things about this extremely hypothetical au based on my already existing feelings about trent gaining a community in s3/post-canon,

wait does this mean trent gets sonic lipstick? HELL YEAH IT DOES

[ash-and-books]

Rating: 5/5

Book Blurb:

From international best-selling author Elliott Rose comes a new forbidden-love series. I’m not supposed to feel this way…

I never wanted to disappear more than while around my family. Briar Lane, the girl only useful for one thing: my surname.

A business handshake and pawn to be traded. My father’s chess piece shuffled between empires. That was my life back in L.A. but all it took was finding the dirty secret stuffed in a jacket pocket, and my entire world unraveled.

So, I fled to the one place I knew they could never find me. Crimson Ridge.

Arriving in this snowy, harsh world, I thought I’d be starting over on my own, but it turns out I couldn’t have been more wrong. The abandoned mountain cabin I inherited isn’t what it seems.

This mountain hides secrets. An ex-pro bull rider consumes this space, and now, my every thought with it... Stôrmand Lane. My father’s adopted brother.

We should never have found ourselves isolated out here in the mountains together, each trying to outrun our pasts.

All it took was one misunderstanding, one line almost crossed, and everything changed.

A girl like me isn’t supposed to know what those tattooed hands feel like, and I’m certainly not meant to feel butterflies anytime that pair of piercing blue eyes land on mine.

He might be my every fantasy, a cowboy I constantly dream about, but he’s a temptation I have to ignore. A man I absolutely cannot find myself attracted to.

Even when he’s looking at me with the kind of hunger that can only spell ruin for us both.

Long, dark nights spent in this tiny cabin can’t be the excuse to step into forbidden territory.

Or can they?

Braving The Storm is an interconnected stand-alone, book 2 in the Crimson Ridge series, and can be read separately. Intended for ages 18 and over.

Review:

She's on the run from a toxic sister, a cheating ex, and the perfect escape comes in the form of an estate she never realized she had inherited in Crimson Ridge... where a very hot tattooed bull rider resides who is intent on making her his. Briar Lane is sick and tired of everything that comes with the Lane name, she's tired of being her family's pawn, of being the punching bag to her sister, and of having a terrible ex husband who won't leave her alone and cheated on her. When Briar's father passes away and she discovers that there is a house waiting for her in Crimson Ridge, she packs her bags and flees, hoping to leave it all behind. What she never expects is to encounter someone already living there.... a hot tattooed bull rider... who just happens to be completely forbidden and off limits since he is her adopted uncle. Stôrmand Lane was a famous bull rider but he gave up a life of fame to live as a bit of a recluse in the snowy mountains and to tend to the horses. Storm never expected the home intruder to be none other than his adopted brother's daughter... or for him to fall for her. Storm knows she is completely off limits, that they would be crossing too many lines... yet there is an undeniable pull between the two of them and the fact that they both will be sharing the cabin during this time.... things are bound to happen.

I am a huge fan of cowboy romances and this one absolutely me away!! I knew I would be in for a good time when I read the first chapter and boy was I right.The story follows a charming bull rider who is as loving as he is hot and the woman he falls for, someone who definitely is still trying to find herself. Storm is a book boyfriend that you will be adding to your list immediately and I loved every second of this book. It's a fun read and getting to see the two characters fall for one another was just fantastic. If you like how cowboys, amazing romances, and an fun series, absolutely start reading this series because every book gets better and better!

Release Date: November 15,2024

Publication/Blog: Ash and Books (ash-and-books.tumblr.com)

*Thanks Luna Literary for sending me an arc in exchange for an honest review*