#and she adds that it’s the same that was done to her

[crow-caller]

man... I forgot to mention.

you know how lightlark has gods, but has never once named how many gods there are, what they are gods of, how religion works... it just uses the word 'gods' and there's inexplicably an abbey in the first book?

well, in skyshade we finally learn about gods. Not the gods of lightlark, the gods of the otherworld (if they are the same or related concept, it is not stated)

anyway the gods of the otherworld are um.

Sky, dirt, and below.

(The sky is a place. Dirt is an object. Below is a direction. These three fit together as well as Helios, Urn, and Enya as a trio)

Getting a suspicion this book isn't very good

Lightlark3 is somehow. How do I put this. Worse. The prose is really, really bad, and Aster operates on a baseline of having 'pretty bad prose'

Gee, I wonder if writing and releasing skyshade, plus writing her new adult book, plus a new bonus lightlark book and the 4th due next year... might be resulting in even less editing?

[the-irreverend]

This little moment right here is when she reunites with Mel. It is the moment that made me fall in love with Ambessa's character and its complexity and depth.

The way Arcane gives so much attention to detail on the expressions of its characters is the show's most underrated strength, and this, by far, is the best example of how a few simple details can go such a long way in developing your characters and story.

Look closely at the way her demeanour changes when she sees her daughter. Her emotions overcome her, and the cold unflinching facade of a warlord transforms into the expression of a loving and caring mother, one who's desperate to do anything and everything to help her family... which only adds to the tragedy of her story and makes her actions all the more gut-wrenching to watch.

She reminds me a lot of Ramses from Prince of Egypt because, just like him, she's capable of all this love, care, and compassion but is too blinded by her own pride, ambitions, and arrogance to see that her actions (however well-intended) are hurting those she cares about.

You root against her because of what she's done and what she represents, and yet, at the same time, a small part of you wishes that she can turn away from this futile and (self) destructive struggle for absolute control and power.

God I love her character.

[genericpuff]

If it’s ok for me to ask, since you got more of an eye for art, I got a question regarding Rachel’s art on Lore Olympus. Now there’s no doubt that it got worse over time but for me, I couldn’t pinpoint why. Until one day when I’m in line in a Barnes & Noble’s, that I spotted the licensed bookmark. I took a closer look to it and took note of their eyes. And I remembered that the older art had colored pupils, not all the time but still. While the recents have solid black ones. Am I going crazy? 😅

Not going crazy at all, back when LO was still updating, there was a panel of Hera where her eyes were colored and we all went nuts for it because it was the first time in AGES she had done that (and we had been bitching about it for months prior LOL)

But yeah, throughout S2 and S3, we really saw a loss in eye color, even in the close up scenes that would normally have them were missing the color that had been present before and it gave everyone the thousand yard stare look 😭

Compared to S1, which didn't always have the colored irises present, but when they were, it really added to LO's visual appeal. Same goes for the lighting, sometimes she would add these little white highlights / sparkles to push the emotional storytelling through the eyes, but a lot of that was really lost in S2 onwards when the art started to take a nosedive :/

Good shit right there.

[thatbitchery]

Personal finance is tied mostly to your systems as a person. You could make 6 figures a year and still be broke and in debt or you could make 20k a year and be on your way to financial freedom.I have finally achieved financial freedom, and no I do not make super much, depending on who you compare me to. Mostly it's my financial and personal habits that keep me going.

I do not consider fancy a marker of a good life, as a matter of fact I do not understand it. What do you mean a MEAL costs 1000 its never that serious please. I don't consider Givenchy to be any more elevated than what my tailor can make me for 100$. Fancy is not important to me so when I was building my one year emergency fund I did not consider fancy part of the budget. I do not try to purchase status.

And I can not stress this enough- taking risks with my money. Buying a vending machine is one of the best decisions I made this year. Buying a business, as risky as that was, turned out to be great. I have lost money, too. Like a lot. I bought stocks in a startup that crashed and lost a pretty little buck. I dipped into the VR business not too long ago and that tanked. It is not about making the right decisions- with money that is almost never possible. Its about taking risks.

My end goal is not a career its the money. Meaning? I have worked jobs odd and unclassy and not so fun. I have packaged fish at some point- hated it. I have worked as a cashier once. As the personal assistant to some pig that was always trying to get their hand up my skirt. I have done real estate. Currently doing event (wedding) Planning for my girl. I did forex, once. I have been paid to go as someone's date to some event. I am not picky with my jobs because the job is not the end goal, the money is. The goal is to retire by 30 and I will do whatever it takes to get up there. It's the getting paid part that matters the most to me.

Learning to leverage my skills and the situation plus to recognize the opportunities when they show up. My girl's last organizer canceled last minute and I offered to take it if she tops the fee up because I love her but not THAT much. In the process I have met so many people in this place and making connections in a new country will never be a bad idea. I have zero to none skills in event planning but all i hear is compliments (Pinterest the things I'd do for you) and I can add event planning to the options my future self has for careers especially given the profile of this one. A lady at church was divorced and man left her with a mortgage and a financial crisis (your daily reminder marrying rich isn't all that) and i drew up a contract to cover her mortgage and kid's education in exchange of a piece of her estate plus slowly easing my way into becoming her financial go to person and asset manager. A bargain, seriously, and I've passed it through enough lawyers to know my fancy little mortgage note will make me very very happy in a few years. Leveraging my mentorship skills to work my way into society because the way to anyone's heart is their children. Its free on paper but is it really? These are the next CEOs and I'm building my space this early. Leveraging my relationships for more relationships. Opportunities are not given they are created. 

THIS. ESPECIALLY THIS - having a value system. Knowing what is important to me and what isn't. Being a part of high society is NOT important to me so why would i buy a gala ticket the same price as my rent? Buying brands to keep up a rich girl aesthetic? Winters in Gstaad although I despise snow? Being part of high society isn't something I value at all so I don't play social games I'll just go home. Yes I'll maintain my relationships but everyone that is everyone knows it is not a race I fancy (Which, weirdly enough, has made it very easy for me to navigate it). Like I said, fancy things are not important to me so apart from an Aston Martin I don't care about the price I care about the quality. I will be at a thrift store I really don't mind. My peace is very important to me so I'll pick the fancy overpriced library fees over other libraries and I will pay a ridiculous amount in rent for an apartment in the peaceful part of town and I will splurge on a fancy cafe because I know the price range itself buys me peace. Ramit Sethi (In his book I Will Teach You To Be Rich) gives this as the core point of getting wealthy, knowing your value system. What is important to you? What isn't? If you're not for something you're for everything. 

Minimizing responsibilities. I don't have kids and I don't intend to. I don't stupidly commit to things without thinking real real hard about them. I didn't buy things that require me to keep up with paperwork, I don't take on things I need to track. My greatest responsibility in life is my three cats. 

[perseidlion]

So I am a certified Catwin shipper. I have written a series that currently sits at 90k words that is casefic but also them getting together. But I am also a multishipper and have written some Payneland stories as well.

So I was understandably quite happy to hear we would've gotten Catwin in S2 because I love the dynamic and I love Lukas Gage and his performance.

But it has made me very sad to see how some people are genuinely upset by this news. I don't think it's justified, frankly. People are doing a lot of filling in the blanks, guessing, and supposition. Just because Catwin would have happened doesn't mean Payneland wouldn't have. Also, we have no idea the context in which all of this would have gone down.

It's important to remember that The Cat King also went on a journey and changed as a person throughout season 1 (as did all the characters.) He is not the same person who slapped the bracelet on Edwin when they first met and not just because he died and was resurrected.

He's matured, settled and grown. It's very possible this arc would have continued. Even if you hated TCK in S1, you may have come to love him in S2, or at least hate him less. Redemption arcs are great fodder for stories and I have no doubt the writers and Lukas would have done that kind of arc justice.

Or maybe Edwin would have had his hot girl summer and TCK was the same old lothario. In which case, he'd definitely be no threat to Payneland endgame. This scenario would make me sad for TCK because he does seem to have genuine feelings for Edwin beyond the sexual, but that was certainly a way they could have gone with it.

My point is, we're missing a lot of context. If you were to take plot points of S1 out of context as well, it would be very hard to envision the final product.

I mean:

Niko gets infested with dandelion sprites that nearly kill her. These sprites manifest with cartoon sparkles around her head and they feed on attention. When they get out of her brain, they're tiny snarky humans she keeps in a terrarium.

Jenny gets set up by Niko with a quiet librarian who turns out to be psycho killer stalker.

People jump off a lighthouse and get swallowed up by a giant angler fish who is siren-ing them to their death. Their ghosts linger, and this annoys the ghost who mans the lighthouse so he hires the boys. Charles yeets the Night Nurse into the fish, and inside she has a talk with an oddly calm and optimistic man. Oh, also the fish is called Angie and she didn't do any of this maliciously.

My point is, this show is camp. That's part of the charm of it. Camp plotlines sound absolutely wild when you distill them to one-liners. When you add in inciting incidents, context and character interactions, these turn from wacky scenarios into full, entertaining stories.

Please don't catastrophize based on crumbs! Whether we get a S2 or not, it's really not worth getting that worked up over. We can't draw conclusions based on what we've been given. It's all guesses, and it could have changed a million times before the episodes were finished.

Also please don't get upset at Catwin shippers for being happy about this. We just wanted to see more of Lukas and George interacting. Most of us are Payneland fans, too and understand that would be the most likely endgame.

[revenge-of-the-shit]

No hi I'm back again because after sitting on it for a while it was like Arcane suddenly saw all those issues it presented and abruptly decided that it was time to turn a blind eye to it instead in favour of a greek-tragedy-cosmic-horror-doomed-soulmates storyline. Whether this is due to studio interference or due to the actual politics of the writers, I don't know, but at the end of the day Arcane disappointingly fails to break free of the neoliberal messaging that deeply pervades any media that even tries to be progressive. It presents all these very real systemic issues, then either forgets about it or slaps on a last-minute band-aid solution that only serves to brush it under the rug.

I will grant that a part of it is just the fact that they simply didn't have enough time. A lot of this could've been expanded on had we just had one more arc, or even just three four-episode acts instead. The quick pacing honestly did Arcane a disservice this time. They had huge ideas, many of which were great, but they simply did not have enough time.

Some things that I wish we saw more of:

Ekko's community building and the fruits of his effort (and to add on to this: let him see his tree again!!! wtf!!)

Jinx and Sevika (and Ekko!!!) really, truly leading a united Zaunite revolution for longer than like half an episode that forces literally anyone in Piltover to consider the consequences of their actions

On that same point: meaningful change that takes down systemic barriers - better public infrastructure for Zaun, better funding for health issues, examining injustices committed by enforcers - this was only barely addressed by Ekko ("you're destroying our vents and polluting our waters") and then like never talked about again

Putting Sevika on the council as the singular token Zaunite is so painful like I can tell you as someone who's been the only queer non-white voice in the room that it's not as progressive and cool as it might seem to be. It's painful and torturous and just reeks of tokenism. A good first step would be to have a council with an equal amount of members between Piltover and Zaun but that's not enough to just have that!!

Jayce and Caitlyn actually having like, even a moment, just to think about what they've done to hurt, to oppress others, in their pursuit of "justice". Making weapons you never said you would and gassing a city of civilians should be thought about more, actually

Like there could've been so much more to Jayce and Caitlyn to make their characters even more well written. At their core they truly want to do good, they care, they earnestly want to help, but they are also raised in privilege and I want to see them wrestle with the biases they've been soaked in more.

I already talked about Maddie and the enforcers in a different post but just... more nuance about enforcers and how even the nicest enforcer you know will happily gas civilians and stand by and watch unnecessary violence. Like. Loris was one of the "good enforcers" but he helped to gas civilians too. Did we forget that

Vi!!! Just. More of Vi. She got the short end of the stick this season. The writer's punching bag. I wish we got more time to actually explore her trauma and to just... give her a break. But also more time on her thinking on her own decision to go bluebelly.

[duhragonball]

Daima 06: Lightning

Centipedes? In my rations? It's more likely than you think!

Last time, Goku's group set out for the next leg of their trip, when the plane crashed. Apparently it wasn't that big a deal. Panzy concludes that they put too much luggage on board, which kept the plane from flying very far, but it didn't actually do much damage. Panzy recommends they leave a bunch of their supplies behind and she'll give the engine a look and they can be on their way.

Okay, I think there's a growing consensus among fans that Daima is slower-paced, and maybe this is setting up a controversy over whether this is a good or bad thing. Maybe the honeymoon period for the show is winding down, or we're just far enough into the series for the audience to realize it's probably going to be this way from here on. So I'll go ahead and weigh in on this.

For my part, I think the pacing is fine. It's different from the other shows in that you don't have this constant reliance on filler to pad the runtime. We're not checking in on King Kai to see what he thinks about all of this, or sending Goku on a fetch quest that ends up becoming a plot cul-de-sac. Instead, we're mostly laser-focused on this one set of characters on a journey, and occasionally we'll switch over to Gomah or Bulma's group on Earth, and pretty infrequently too.

But Daima does its own padding for time, and it does it by lingering a bit on things that probably don't need quite so much time. Conversations take a bit longer than they need to. The running gag where Goku gets Glorio's name wrong. The fight scenes are a tag gratuitous, but I think everyone gives them a pass because they're good. Still, I don't think anyone was worried about whether Goku could win that barroom brawl. If this show had half as many episodes allotted to the same plot, I'm pretty sure they could cut a lot of material and get the important stuff to fit.

I don't mind that much, because this relaxed pace kind of reminds me of reading the Dragon Ball manga. By that, I mean each episode kind of feels like a manga chapter, and not that much gets done in a single chapter. You might have several panels of characters getting to know each other, and then just enough exciting stuff to make the chapter feel worthwhile. Actually now that I think about it, it's a lot like my experience reading the Jaco the Galactic Patrolman manga. It's like twelve chapters, and the first five or so are very focused on introducing characters and situations, so it really doesn't pick up until the end, and even then, it's still quite low-key. But it's so good that I didn't mind it. It was just really chill. Daima feels a lot like that.

That having been said, I do find this plane crash between Episodes 5 and 6 kind of a cheap way to waste time. King Kadan described all the extra provisions he loaded onto the plane in Episode 5, then the plane started to go down and Panzy said it was the excess luggage. Then in Episode 6 the plane lands and Panzy repeats that the luggage was the problem, and she lists all the supplies all over again.

Then Panzy gets out her tools to run a diagnostic on the engine, but instead of actually working on the plane, she asks the Supreme Kai what his whole deal is. And that's fine, but it starts to wear thin in places. Like, they could have just had this conversation on the plane and gotten wherever they're going. The plane crash just adds time, and I'm not sure how many more times they're going to pull that trick before it gets old.

Nevertheless, I'd rather watch these characters talk about themselves outdoors than on the plane, so I'm not too worked up over it. But I can already tell this is going to be a focus for Daima critics in the future.

I like the way Goku explains the Supreme Kai. He tells Panzy there's a "bunch of god-like guys called 'Kais.' And the greatest one of them all is Supreme Kai-sama here!" and he gives him a hug while he says it, like he's bragging on a pal, which I guess he is. I just think it's nice to hear Goku's perspectives on all of his friends.

Panzy's impressed that Shin is a god, and that he made a smart move leaving the Demon Realm to take the job, but then she finds out he doesn't get paid, so it sounds less impressive to her. This kind of raises more questions than answers. Does Panzy even understand what a god is? Also, it seems pretty clear now that Shin and all the other Kais were born in Demon Realm and left to become gods in the Outer Universe, but how did that work? Did Grand Zeno put up a help-wanted sign? Were their other overseers that the Glind replaced when they became the Kais?

I just always assumed these guys were some sort of weird feature of the design of the universe. Like, there were always Kais running things, and they were literally born and bred to carry out that role. But no, they're just Demon Realm expats who showed up to work one day. If the universe functioned without them before, then why do we need them now? Hopefully this series will answer all of this.

Anyway, Goku's gotta poop, so he just announces this to everyone for no reason. He farted in Episode 3, so I have this sneaking suspicion that this show is going to do a lot of Goku poop-and-fart stuff as we go. That might be a good idea, as it keeps the show from getting too reliant on "Goku's hungry" gags. GT did those a lot, and it got pretty ridiculous. It got to where Goku would complain about being hungry right after he got done eating. If he said he had to poop half the time, at least it would cut the hungry gags down to a manageable level.

Anyway, Gomah's troops show up while they're waiting for Goku, so Glorio and the others have to play it cool to get rid of them. Glorio claims to be from the First Demon World, and Shin from the Second, but since Panzy's from the Third, they want to scan her collar, which she has under her scarf. Gomah apparently made all the Third Worlders wear the collars to make it easier to collect taxes from them, but he didn't implement this policy elsewhere, since the goons aren't too suspicious of Glorio or Shin. They find the idea of tourists traveling around the Third World strange, but let them go. Oh, and they ask if they've seen a kid with spiky hair and red pole, because there's a ten gold coin reward out for him.

Goku returns when they leave, and Shin suggests that Goku tie his hair back or something. Goku says his hair is too resilient for this. Oh, right, there was that Super episode where he had all that hair gel in it, and his hair sort of broke loose like when the Incredible Hulk rips through Banner's pants legs but not the crotch. Panzy asks if Goku washed his hands, and the answer to that question is no. Goku, that's nasty.

The gang take off again, and Panzy asks Shin if it's true that Glinds are born from trees. Shin confirms this, so I'm glad we're not doing away with that lore. I was seriously beginning to wonder if Toriyama forgot about all that stuff, or if he was dumping it in favor of new lore. Of course, this is all news to Goku, so the Supreme Kai explains how his kind are born "once every few centuries from the Glind Tree". There's a flashback to show this, and we see these trees with big purple trunks that are all fat on the bottom, and the newborn Glinds are in these holes in the bark, just hanging off of stems from their backs.

Also interesting to note: the Glind buildings and vehicles in this shot look a lot like Namekian houses and ships. I don't know if that's intentional, or this is just Toriyama's aesthetic for this sort of thing. I always thought Majin Buu's house looked a lot like Namekian architecture, for example.

So does that make the Supreme Kai and the other Glinds plants? I never really thought of it that way, so Goku raises an interesting point. Shin says he "doesn't know about that". I feel like there ought to be a firm answer to this, one way or another. Goku also asks if this is why Shin only drinks liquids and never eats, but Panzy jumps in before he can respond. I feel like we've seen Shin eat before, but oh well.

Panzy wants to know about Degesu, who works as Gomah's second-in-command. Is he Shin's brother? Yes, because he was born from the same tree about 216 years after Shin. Are all of the Glinds brothers, since they're all born from the same tree? No, because there's five Glind Trees. Kibito and the Elder Supreme Kai must have been born from one of the others.

Panzy wants to know why Degesu remained in the Demon Realm instead of leaving with the other Glinds? Okay, this implies that there was one Glind migration out of Demon Realm, and Degesu chose not to go. But for this to work, it must have happened after Degesu's birth, which is well after Shin's.

The thing is, Kibito is much older than both of them, and the other Supreme Kais from Universe 7 are even older still. I'm talking about the ones who fought Majin Buu and Bibidi like five million years ago. The whole point of all that was that Shin was the rookie Supreme Kai, implying that the others had been doing the whole god thing for a lot longer.

And then you have the Elder Supreme Kai, who's much, much older still. He claimed to be the Supreme Kai from fifteen generations prior. I'm not even sure what that means if they were all born from the same five trees. Maybe it just means there were thirteen Supreme Kais between the Elder and the current Supreme Kai. But Shin reigned as Supreme Kai for at least five million years, so these aren't short terms in office.

I'm not too worried about this, because I have to assume we'll get to an episode that explains the Namek and Glind exodus from Demon Realm. They keep bringing it up, so it must be important. And I guess this is what I mean when I say I don't mind the slow pace of this show. There's still a lot to look forward to, even if it's just characters swapping lore.

But back to Degesu, Shin says that he was very ambitious and didn't get along with the other Glinds. That doesn't seem like much of an answer to me. Then again, Shin came along on this mission because he hasn't seen Degesu in so long and he really doesn't know what he's been up to after all this time. He may not know a whole lot about him in the first place.

Panzy asks about a Glind woman who's a genius scientist, and Shin confirms that this is Arinsu, his older sister. Or, more accurately, they're siblings, since Glinds don't actually have genders, so they're not "exactly men or women."

Again, I had heard this about the "Core People" before, and I'm glad they didn't toss out this lore. I've never quite understood it, though, since the Elder Kai is big horndog, and the Supreme Kai of Time once got a big crush on Bardock in Xenoverse 2. Arinsu has big ol' titties, and I don't know how you get those if you grow from a tree. Like, none of these guys have anything to do with sex at all, right? The trees might have freaky deaky alien tree sex, but not the Glinds themselves.

Then again, I guess this is all just fantasy stuff, and I might as well be asking why Arinsu has nostrils or ears. There must be some magic that makes these trees grow people, and maybe some of them end up with big ol' titties or a magnum dong or both or neither. But until today I kind of figured all of the Kais were just completely smooth down there. Like they didn't even have buttholes.

Perhaps they modify their bodies at some point in their life cycle, and some of them present as man or women just out of a personal preference or some sense of fashion. This might explain the Supreme Kai of Time's transformation where she gets really tall and shapely. They all sit around figuring out what they want to look like, like they're screwing around with a character creator mode in a video game. Chronoa's like "Yeah, I want my base form to be all smol and cute, and then my super form's gonna have a big ass and big-ass titties."

Wait, maybe I'm onto something. The Supreme Kai gave Goku those pointy ears with remarkable ease. Maybe that's not a special weird power that only gods have. Maybe all the Glind have it and they do it to themselves all the time. Degesu just gives himself a third testicle for a week to "see how it rides."

Anyway, we don't learn anything new about Arinsu in all of this. She's a mad scientist who also stayed behind for the excitement of Demon Realm, but this was already known.

Night falls and Panzy explains that it's perpetual twilight on Third Demon World nights because there's two suns. Glorio wants to land and make camp in a cave for the night, and Panzy hates this because she wants to shower. Goku's like "skill issue, just never shower, like I do."

While Goku sleeps off dinner, Panzy asks why Glorio says he's from First World, when he looks like a Third World guy. He claims that he got hired by someone in First World, so he currently lives there. Who hired him? He deflects the question. Shin asks why he wants to defeat Gomah, and he claims it's because Gomah is evil, but Shin finds it odd for a Majin to have such a defined sense of justice.

Anyway, we find out exactly who Glorio's working for, because he phones up Dr. Arinsu while the others are asleep. But Shin hears him return to camp, so he clearly knows something's up, even if he doesn't know what.

By early morning, a minotaur comes out of the cave they're sleeping in, and he plans to eat them all. Apparently he stinks really bad. Goku isn't scared because he thinks the guy is a cow, so he doesn't get why this guy thinks he's on the other end of the food chain. Normally this is where Goku would kick some ass, but Glorio volunteers first, and Goku's like "Uh, I'm the main character, I should fight this guy." But Glorio doesn't see it that way, because he doesn't think Goku's that much stronger. Well, there's only one way to settle this, so it's on.

Yeah, the minotaur gets reduced to a spectator, and it's Goku vs. Glorio. Goku's impressed with Glorio's abilities, but we all know he's not trying very hard. Finally, Glorio whips out some purple lightning powers, and Shin asks Goku to fight harder so he can see the true extent of Glorio's power. I guess he figures that'll help him understand Glorio's agenda better.

So Goku fights harder, but Glorio manages to knock the Nyoibo out of Goku's hand, and he prepares to fire some big finishing lightning move. Goku decides to try something out, and he turns Super Saiyan. He did this briefly in Episode 5, but now he's staying in that form, and just stands there and lets Glorio shoot at him so he can try to deflect the beam. And he does. He just throws out his hand and it dissipates on contact. Goku does a little self-satisfied "Hmp!" and then snap-vanishes behind Glorio and puts his hand on his back. Fight's over, Goku wins.

This is a really great way to introduce Super Saiyan into the series. This is very likely the most iconic aspect of Dragon Ball. Maybe the Kamehameha clears it, but I don't think there's much else that comes close. So it's hard to imagine viewers who don't know anything about the form, but they're still out there and they need to know. So we have Goku fighting in base form, and then he decides to use it, not to win a hopeless battle, but to do something cool in a sparring match. Base Goku could probably have done something else to defend against Glorio's power, but Super Saiyan Goku can just tank the thing and get past Glorio's guard all at once.

It doesn't give away the entire Super Saiyan experience. It's a power up, and it shows a lot of promise, but here, it's just one of Goku's many techniques. The full extend of it can be shown off later. It's still an open question how well Goku can fight this way. He's been de-aged, and the environment in Deamon Realm slows him down further, so it's possible that he can't use Super Saiyan as long as he could before, or maybe he can, and it just doesn't give him the same boost that it normally does.

Also, it's just really cool to see Goku enjoy showing it off. He does this cool smile when he finishes transforming, and he looks all badass when he blocks Glorio's beam, and he's grateful that he can still do it in his kid body. "Yep, I'm whatcha call a legend, nbd. The missus doesn't like the hair color, but what're ya gonna do, right?"

Oh, right the minotaur. Well Goku hasn't forgotten him, but the minotaur suddenly remembers that he had a big dinner the night before, so he's too full to kill and eat these guys like he said he would, so he goes back to bed. Well, that's a shame. Maybe they should swing by this cave on their return trip.

Goku poop update: He has to go again.

Meanwhile, back on Earth, Vegeta is doing reps on the Lookout while Bulma finishes the Supreme Kai's old plane. They all pile in to follow Goku to Demon Realm, but Bulma… stays behind? That's weird. Anyway, the ship lifts off, then immediately breaks down. It didn't even get twenty feet into the air. So that's another plane crash cliffhanger for you. I sure hope this show finds a more reliable mode of transportation soon.

[jelzorz]

197.

It feels like treason to think it. Opeli would feel guilty for it on a normal day, she thinks, but the situation is dire and she wonders if anything will ever feel normal again. The Banther Lodge is a far cry from the castle, and it is crowded enough without the kingslaying elephant in the room.

She watches Soren fight Rayla over it.

She watches Ezran hide his tears.

She watches the Kingslayer walk free.

Well, she thinks. There are certainly worse things than thinking it. There are worse things than talking to her friends, her family, who also happen to be part of the council. Worse things have been done than calling a meeting behind Ezran's back, who is the King, yes, but a child first, and he has enough on his hands without this too.

"I don't think Prince Callum can continue being a part of this council."

Soren grimaces. Corvus shifts uneasily on the spot. Barius makes a face and fiddles with his hands.

Opeli stares them down. "Do you disagree?"

A pause. A sigh. Soren huffs and glances through the cellar kitchen window to make sure Callum is still preoccupied with defending Rayla and her murderous father from anyone who dares to look at them the wrong way. "No," he mutters after a moment. "You're right. You usually are, but this... Is Ezran's decision, not ours."

Opeli scowls, some misplaced maternal instinct raising her hackles. "He's dealing with enough," she says shortly. "He's eleven years old, his home has been destroyed, and his own brother returns with the elf that killed—"

"We get it," interrupts Corvus tiredly. "And we're not disagreeing with you. You're right. But what are you asking us to do, exactly? Kick Callum off the council? Is more internal conflict really what we need right now?"

"With respect, High Cleric," says Barius, "are we even supposed to be having this meeting? Isn't it breaking some sort of law to be talking about this before talking to King Ezran?"

Opeli wrinkles her nose at that, the wrongness of this heavy in her gut. "It's not illegal to bring up a concern with members of the council in confidence," she grumbles. It's a weak argument, but it's been played in court before, and she's not above playing the same dirty tactics to keep her king safe. "We are Ezran's council," she asserts. "Our duty is to him and to Katolis and I don't believe Callum's priorities are quite the same. He—" She grimaces too and locks eyes with Soren. "He's starting to remind me of your father."

Soren snorts at that. "Don't I know it," he mutters, and Opeli sees the truth of it in his eyes. Soren would know better than anyone what magic can do to people, the kind of power it gives them, the cleverness they think wielding it grants. "But Opeli, seriously, what are we going to do? We can't just arrest him. All this aside, he's still the prince. He's Ez's brother."

"One might argue that King Harrow was his stepfather, and you can see how much he cares about that."

Another pause. The room flinches because they all know that it's true, what an insult it is to Harrow's memory that his murderer would be allowed to dine at his son's table.

"Have you asked Ezran what he wants to do?" asks Corvus at last.

Opeli winces. "I didn't want to burden him with it," she mumbles. "I don't know that he knows what to do and frankly... I don't either."

"A first," says Barius, not unkindly. "It's all right to be concerned, High Cleric. It's all right not have all the answers."

"Yes, well." Opeli clears her throat and bows her head, hiding her weakness in the way her hood falls over her eyes. "I'm not particularly good at not having answers. I've come to you three hoping you might have them instead."

"I don't think we can help anymore than you," says Corvus wryly. "But our duty is to Ezran, the same as you. Soren and I won't let anything happen to him. The same way Barius won't. The same way you won't. Okay?"

"Call it a secret council pact," adds Soren with a grin. "If Callum does anything else stupid, we step in, no matter what. Deal?"

Hardly, thinks Opeli, even as she nods. She takes what little solace she can get.

[yummysake-saucegay]

Jayvik ramblings

There was once a livejournal where you could compile shipping manifestos, and I wrote one about Zoro/Sanji that had 6000+ words lol. Ngl, Jayvik makes me want to do the same these days, but for now I just need to compile a few thoughts, feel free to gush with me or add to that or correct me.

In every timeline & possibility Viktor chose to save Jayce ("only you can show me this"), even when it meant that they would create hextech and doom the world. And only Jayce can ultimately save Viktor from himself. In the timeline Ekko was sent to where hextech doesn't exist Jayce and Viktor are very possibly dead (suicide / disease), since Jayce was already on the verge of killing himself in the base timeline when his dream was shattered, even without a teenager that died in his lab, and Viktor (who wouldn't have sought out Jayce without his speech about creating magic) would later be dying and wouldn't have shimmer/the hexcore.

There are multiple scenes where Viktor gives Jayce the rune, like when he stops him from killing himself he picks up his bracelet, and he also hands him the crystal when they're trying to stabilize hextech for the first time (just found the imagery symbolic). In their final scene, Jayce gives it back to him (and it looks so gentle for once how he can just remove the rune and carefully hand it to him)

Jayce was always adamant about seeing Viktor as an equal partner from the very beginning ("your hextech dream" "OUR hextech dream" Mel: "you're the dean's assistant" "no, he is my new partner")

In the "this isn't my bedroom" scene Viktor looks displeased when Jayce looks taken by Mel (only noticed that recently!)

Viktor either never noticed or ignored Sky's affections and even after he got to know them after her death, he did not reciprocate and still calls her Ms Young in the astral plane. She can even tell it's not true when he says he will miss their talks. I just saw a clip where Christian Linke even claims that that wasn't actually Sky, but the hexcore pretending to be Sky (which is so dark and twisted IMO). Apparently, Amanda Overton also stated that Sky on the astral plane was a stand-in for Jayce to Viktor. Although I haven't seen the clip myself where she says it.

The constant juxtaposition between Viktor and Mel, starting by their design (Viktor getting progressively more sick and pale, Mel always glowing and golden) and just base characters (Viktor the poor, disabled Zaun rat who has nothing to his name, lives for science and hates being in the lamplight; Mel the influential and cunning politician who makes them her investments). Jayce even hallucinating first Mel and then Viktor in the flames. The Jayce Mel sex scene while Viktor is almost dying and Jayce returning to Viktor after. Also, him deciding to give up on his council seat and his whole career to return to the lab with Viktor where he feels he belongs after Viktor almost died in the beginning of S2.

Jayce ousting his former mentor to save Viktor's life

Viktor convinced that Jayce would understand after Singed tells him everyone will hate and despise him (and Jayce did!)

The scene on the bridge when Jayce has to pick Viktor up in S1 (after he went to Singed) and the POV changes! Where the angles are first neutral, representing them being equal, but then the camera looks down on Viktor as soon as Jayce talks badly about the Undercity.

Jayce's pure terror when he thinks Viktor is dying after the explosion, just being by Viktor's side, sleeping in the lab etc and them handing him that blanket that Viktor keeps forever. Also, Jayce not even hesitating or judging for a second when he sees Viktor's augmented leg etc. He even recorded everything when he continued and used his notes lol.

allll their quotes "it was affection that kept us together" "I thought you were done with Hextech. And with me", being partners again yadda yadda

Even in the midst of everything and his all out war with Viktor, Jayce speaks for himself and Viktor when he quarrels with Mel ("because you used me, and Viktor, for hextech!") and his anger at her not saving Viktor and the others

And I don't think I even have to elaborate on their ending haha, the beauty in Viktor's imperfections, the promise, the wanting his partner back and finishing it together...

And they were celestial roommates <3

[carefulfears]

thinking about scully as a woman so close to death that she’s almost comforted by it, that she understands longing for it, finding peace in it. but who is the adoring first mate of a man who already chases too many ghosts, so when she’s on the edge of death herself, she’s afraid. she holds him and she writes about forgiveness, about fear that he’ll lose course, about leaving him alone.

she’s trapped in an endless-line cycle and there is no escape, in that she’s held there by love. and so she starts to understand, starts to ask, how you could possibly have too much life? what about love?

when she’s handed the answer; bruckman's tender quip passed along in fellig's burden. immortality as greek tragedy, tithonus and his woods.

spirits take up tenancy in her living room. she chases more, with her obsessive seeker, who can't see them. she takes a tape recorder and camera, and bears witness to the corporeal bodies she deconstructs.

it's almost purposefully evasive, the way this particular snake eats its tail. to be so surrounded by and dedicated to a resolution you'll never have.

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[sukibenders]

Is it just me or does the way Hera is portrayed in the PJO/HOO series feel out of touch? By that I mean, while it plays into the idea of Hera's relationship with her husband's children and ideals of family, it seems like Rick just took that and ran with it without actually wanting to dive into those aspects and develop them more (ngl, his writing for his female characters, especially the goddesses, could use some work even if I do enjoy them). The reason Hera is the way she is with her husband's children is because she can't punish him [Zeus] directly due to him being more powerful (and the last time she turned against didn't he literally hang her from the sky)? And even while I'm not justifying her actions, there's a method to them, so why would she go after other random demigods like Percy and Annabeth? Or at least in a way that was written better than her falling into a trope (I enjoy this series with my heart, but the criticism about how the gods are written holds some value that shouldn't just be ignored either). Like, I don't know, it just feels like there was more that could've been done with her character instead of just immediately writing her off as the cruel, cold-hearted, evil stepmother (a trope that's overplayed, especially when not even bothering to give them any depth). I could write ideas, but then we'd be here all day.

[lilithofpenandbook]

au where when a Death Eater is killed, they can actually not die, on one condition:

Their heart must be pure.

This doesn't mean they never ever did anything wrong. That's impossible if you're human. No, this means that whatever they've done, it's for a selfless reason. That whatever bad they've done for selfish reasons, they've fully regretted, repented, and set out for redemption. That in their heart of hearts, they are no true Death Eater, because true Death Eater have no compassion, or selfless love. Selfless Love is a pure thing, and if that exists in the heart, then they may survive being killed.

And there's another thing: they return to the physical state they were in before taking the Dark Mark. It's all effectively "wiped clean", as it were. Of course, the actions remain, as do the mental scars, but the physical body is now back to when it was still pure of this evil as a little nod to the purity of their heart.

During the second war, then, there are a few Death Eaters who do not die. But only the fewest:

The most famous example? Severus Snape, who is all but a mere child, barely touching adulthood. Who's small and underweight, whose body is still riddled with scars from the Good Guys. Who's so young it's frightening to think he became a death eater at this age because there's something so broken and fragile about him. How did he manage to survive through that?

And then... And then there's Bellatrix. Bellatrix Black.

Who... Who's a literal child.

[myreia]

✦ D I S C I P L E O F T H E H A N D

Alchemy for potions. Blacksmithing for repairs. Leatherworking and weaving for mending. She is not an artisan, but the basic skills she has picked up over the years have served her well. Self-sufficiency has always been at the forefront of her mind, and she is pleased that she can keep herself afloat when needed. Besides, crafting is relaxing. A hobby or two here and there is good for her mind. —level 90 compendium

[izzyspussy]

i feel like i remember people posting happy birthday character posts for mickey in june? is that right? well, even if he doesn't have a canon birthday (or if he does and it's. wrong.) he has a summer birthday To Me. and i've never seen a guy who is more obviously a capricorn than ian, so! if mickey's summer birthday is indeed in june specifically (i'm thinking cancer, but it would also be really cool if mickey and mandy are both gemini - twins who aren't twins), then mickey is technically two years older than ian for about half the time.

[lazyveran]

rereading my own work realising i need to make azula WAY more mean and cruel and nasty. sigh. the things i must do for evil women