#and s2 is about to come out

[theriverpointace]

just finished s1 of arcane

[holographings]

my softest, beigest pillow

[kingslionheart]

HEARTSTOPPER — 3×01

[mjulmjul]

Message in a bottle

[campbenji]

transitioning from the campers only trusting each other after being betrayed by so many adults throughout jwcc to not even being able to trust each other in jwct is breaking my heart tbh

[vanmarkus]

TOMMY KINARD IN EVERY EPISODE ↳ S2E12 “Chimney Begins”

[vaggieslefteye]

HUSK, Hotel Bartender & Concierge | 1x04 - Masquerade

"Oh, I FORGOT — you're the wise-old bartender who's seen it all! Get the fuck over yourself and pour me a real drink."

[verecunda]

When Bronwyn's pyre cools, the Pelargians gather up the remains and raise a barrow over them, as the Haladin once did for the Lady Haleth, who also led her people from their beleaguered home to safer lands. Bronwyn's barrow stands on a rise overlooking the city, in a fair green place where the herbs of her trade flourish.

Before leaving Pelargir, Arondir scattered the rest of the alfirin seeds upon the barrow, and there they grow still, a white beacon above the walls.

[novelconcepts]

In watching more interviews with Liv about Van and the escalation of Van's pragmatism to such dark degrees, I find myself genuinely baffled that anyone could ever think Van the bad guy. I mean, I'm perplexed at finding ANY of these girls The Bad Guy. The bad guy is the situation. It's being lost. It's freezing. It's starving. It's being scraped down to the barest bone of being alive. They make choices that might be snippy, or cruel, or hard-headed, sure--Shauna refusing to just hash it out with Jackie; Jackie being too stubborn to come inside; Taissa refusing to discuss her situation plainly; etc--but by the time we reach the end of season 2, it doesn't even matter. Petty bullshit doesn't matter. Jealousy doesn't matter. Those things are still going to be present and complicated, because--for all their choices, for all the distancing they're trying to do--these kids ARE still human beings. But it isn't the point.

The point is survival. Plain, simple, straightforward. Van's pragmatism is survival. It is the difference between living another day with blood on your teeth or dying pretty. It is the difference between fighting forward through the fire and the snow and the hell of it all, and laying down to die. Van knowing, in watching the ritual violence of Shauna beating Lottie nearly the death, that they will be killing and eating one another soon. Van coming up with the cards for the hunt. Van not blinking when the moment comes, Van choosing a weapon that doubles as a tool to bring the body back, Van refusing to apologize for staying alive--it's not evil. It's not Bad Guy behavior. It's purely about survival, because there is nothing else left to her--or to any of them. They can play the pretty little Sweet Angel Girl game and die, or they can get dirty, bloody, horrific and fight. Van chooses the fight. Van chooses to fight for herself, for her lover, for her team, even knowing not everyone is going to make it out...because the alternate path there is that no one makes it out. Van knew the baby wouldn't live. Van knows the rest of them won't, either. Not unless they start making the hard choices.

And, honestly, the fact that Van sees this narrative coming. Comes up with this plan. Brings out the cards. To me, that is the opposite of Bad Behavior. That is as close to justice as anyone can find in the wilderness. If someone else came up with an idea, maybe it would have come down to voting--but that would have had such a human element to it, with bitterness or hostility or whatever ultimately petty shit always comes of humans selecting who to Other. The cards don't leave room for that. It isn't fair, because the situation isn't fair, because Man vs. Nature isn't fair, but it's as close to a just system as they could possibly find. It's the kindest solution to an unwinnable game. Not to bring it back to American Gods again, but all I can think is "it's easy, there's a trick to it: you do it, or you die." Van gave them that.

[daphnalia]

found this in my drafts from march 2023, are the dndadders still alive

[sarucane]

Why did Ed shoot Izzy then?

Figured I'd go ahead and rant about this because once I started thinking about it, it took a bit to unpack, and someone might be interested? Eh, anyway

So the reason this is actually an odd moment is this: it comes across as careless, but Ed's real violence is never careless. Ed's violence is actually really precisely targeted. He has a reputation for violence, total strangers call him a "fucking madman," and he does do some stuff offscreen ("I have seen you maim a few people") but in terms of what we actually see on our screens Ed becomes violent himself very, very rarely.

But here, he shoots Izzy. A very violent act, done casually and to someone he knows personally.

Why? Izzy thinks it's because of Stede, says himself in this scene that the source of the poison on the ship is Ed's feelings for Stede, tells Stede Ed shot him "because I dared to mention your fucking name."

But that just doesn't track. Ed is clearly brooding over Stede at several other points, and he doesn't get remotely violent. He doesn't join in the fighting at the wedding when he sees the figurine that looks like Stede or throw it against the wall later, or even become violent in any of the scenes that figurine appears in. If anything, the evidence rather suggests that Izzy has mixed up "poison" and "cure": Ed gets notably more chill when he's looked at that figurine recently.

So why does Ed shoot Izzy here? And when Izzy came to him a few minutes before with "I have love for you, I'm worried about you," why did Ed blow him off, then get scary at something that did invoke Stede?

Well, because it's Izzy who's saying this. It's not Stede himself, it's the combo of Ed having Izzy and Stede in his head at the same time that's provoking violence.

Izzy set the terms for this relationship. Ed was vulnerable and open, and Izzy said that was a fate worse than death. Ed thought he was in a safe space, and Izzy threw shame and threats at him.

Ed conformed to Izzy's expectations, directly and completely. Izzy was clearly happy that Ed was cutting off his toe and making him eat it. Izzy set the rules, and Ed followed them. That's right down to the scene before this, when Izzy says that the crew are refusing to throw away the treasure and Ed says "and that's another toe." There are rules, they're being followed.

And then Izzy goes and tries to change the rules. Tries to encourage Ed to be vulnerable. Invokes the original source of the pain that made Ed vulnerable in the first place.

It's actually kinda admirable that Izzy does this. What he's doing is beginning to acknowledge how wrong he was before. But it's too little (he still thinks of Stede as a problem, not a solution) and far too late.

Ed's not going to take anything that hits him where he hurts from Izzy. He followed the rules--hell, he's still following the rules when he shoots Izzy, hits him on the same leg that was losing toes. He doesn't owe Izzy one iota of vulnerability. And more importantly, he can't become vulnerable with Izzy. The relationship is absolutely and completely entrenched. This story ends with one of them killing the other. And just like Izzy's the one who started them on the path of that story, now Ed's the one who's going to push it forward.

[melrosing]

waiting for grrm’s hotd critical blog like those three dots are going in the group chat

[mermaidstede]

If I could just make an observation... Do you think you talk so much because you don't wanna know how to sit with yourself?

[heartstopperthoughts]

“Like, come on, Harry. Where’s your basic human empathy?”

[taiturner]

VIKTOR HARGREEVES 2x02 “The Frankel Footage” | 3x02 “World’s Biggest Ball of Twine”

[theinfinitedivides]

going to freak out about my bestie Daniel again by talking about headcanons but to me he's like. not only half-Armenian half-Irish (yes Molloy is an Irish surname but Eric is Armenian people. so what do we do we make the sensible choice and split the difference. put that shit in your fics my rep is lacking) but also Jewish. not necessarily practicing but yk. it's called his mother grows up in the US in a household where her father's Armenian Orthodox and her mother's Jewish and takes a little bit of both but mainly from her mother and then she meets his raised-Catholic nebulously-agnostic Irish-American father and gives shit a shot. and here's Molloy in the midst of it all, born to wreck marriages fail at parenting his own kids and get his shit absolutely fucking rocked by two vamps in the 70s