#and people are able to look at the whole thing

[vulstare]

fanart for @qoldenskies's caged lungs fic 💥💥

it isn't based on any scene in particular, just my overall interpretation and visualization of things I felt. mostly bad things. but apparently human brains enjoy that. so let's go

I'm gonna ramble now, buckle up

Frankly that's the first personal piece I've drawn in months, and I'm grateful for it. I'm grateful that I was able to feel emotions and wanted to draw something again

I struggle a lot with empathy and understanding of other's feelings and displaying my own but. I hope people will feel something by looking at it, too

I've got inspired by the old tale that we used to read on literature lessons, altho I for the life of me can't remember the name of it, or anything else from the plot for that matter. There were a competition for retrieving the jug from the bottom of the river, where many men tried and failed, as they couldn't reach it. As you can already tell, it was a reflection of the jug that was hanged on a tree all along.

I liked the concept of something unreachable being seen as being very close to you :) hence the whole water situation

generally water is seen as a positive symbol in art but for me it's cold, slippery, you can't see shit in it, misleading and uncomfortable. go figure

and I really like how CL displays yellow as a color with negative connotation while it's classically being the The Most Happy Coded Color Ever.

while I'm at it I wanted to share a song I associate with caged lungs in particular

just let it die!

I would have liked to talk more about how awesome the fic is and how invested I'm in the plot and characters and how noticing details and parallels makes my brain go brrrr but I'm shy and not really eloquent with my words. I hope you will get the idea anyway. I love it <3

& textless version :0

If you spot any symbolism, it's probably there. or not. up to you really. that's how art works. have fun

[rottenbrainstuff]

SiiiiIiIIIIiiigh

People fundamentally misunderstand what generative AI is. It doesn’t create new things. It cut and pastes existing things using math. It’s a room full of monkeys cutting up stacks of magazines and gluing them back together. People also fundamentally misunderstand just what the fuck art even is and where it comes from.

Van Gogh was experimenting with a bold new style of painting because the increasing quality and commercial availability of the camera meant that painting was no longer seen as having to, by definition, capture a realistic and accurate image, and artists were starting to get expressive. His painting style was unpopular at the time because audiences were shocked by the bright colours and bold brushwork. The style of art was derogatorily called “fauvism”, meaning, in the style of a wild beast.

There is absolutely no fucking way a hypothetical AI of the time would have been able to generate A Starry Night based on Van Gogh’s prompts. There is absolutely no fucking way a current AI can generate any kind of culturally meaningful art. Art is about the thought and decisions behind it, what the artist wants to do and say, what boundaries they want to push, what issues they want to explore. Generative AI can only cut and paste what already exists and that, BY DEFINITION, will never ever be groundbreaking. Generative AI can only make a decorative object to be looked at, it can’t also generate human emotions and decisions and desires and exploration and boundary pushing that is the WHOLE FUCKING POINT OF ART.

I know the average person is maybe uneducated about how AI works exactly, and I know the average person definitely did not go to art school and honestly might not understand that there’s more to art than just an aesthetically pleasing object to look at, but it still drives up the fucking wall all the same.

[luveline]

hi again!! i saw you mention wanting to write for prince!steve, and i also saw that you write with dialogue prompts so i present to you:

A: “I’ll take care of you.”

B: “It’s rotten work.”

A: “Not to me. Not if it’s you.”

maybe the reader gets injured doing something for training, but it’s all up to you!! i’m sure we’ll love it regardless. kisses!!

thank you for requesting! —prince steve au. fem, 1.5k

Pain was familiar before you came to the palace. Small pains and big, all kinds of hurting, poverty-driven neglect leading to toothaches and back pain, twisted ankles walked on without choice, sore skin otherwise ignored. It didn’t matter if you got hurt as long as you lived. 

Not in a dramatic sense. It didn’t feel dramatic at the time, only miserable. You go to work with a migraine because you can’t afford not to. You walk home in the dark because the mag-trams are getting too expensive. You break your holo, so you make do without one. You pick your head up to keep looking both ways and you get everywhere you need to go because you need to work, to get paid, to eat, to work. 

That’s how it always was. So getting sick didn’t matter. An injury was temporary pain that your body would fix eventually, and if it didn’t, well, it’s cheaper to pull a tooth than pay to have it filled. 

You were used to your sorry life, and then you met Steve. Tall, brown-haired, brown-eyed Steve. Looking at him sometimes is enough to make your whole body a void for things you used to complain about; you wake up across from him in the big bed and forget you can feel pain at all, if only because he’s already awake, waiting for you to open your eyes before he rests his hand on your cheek. You met him and your soul-mark glowed with a lacy, almost feathered light, your wrist braceleted with white colour that soon faded to mellow blue. 

When you first meet your soulmate, the colours you make tend to shift. It takes time for your heart to decide if love is pink or orange or blue. It seems to have settled now —when Steve kisses you, your mark turns a Gaussian amber. When you kiss back, his mark turns light pink, like the lotus flowers he keeps in his private gardens. 

Right now, your mark hums an angry red. It’s typical in its colour, and it’s common. Most people’s marks turn red when they’re hurting. Yours is a crimson so dark it looks black in the dim lighting, and it throbs in time with your pain like a vexing metronome. You’ll never be able to put it from your mind if the mark continues to remind you. 

Steve is uncharacteristically quiet at your side. His own mark is lit in sympathy, mostly pink with his affection, but threaded in red like spider lily flowers blooming against his forearm. 

He shifts beside you. It’s been more than a month since your wedding, and yet he’s careful with you. Almost shy, though he can be brash and cocky. You know intimately how sweet Steve can be when he’s in love. 

It doesn’t make any sense. 

“How’s the pain now?” he asks, his eyebrows pulled together at their starts. 

“Not so bad.” 

“Could you rate it on a scale? If zero was no pain at all, and ten were enough to warrant another dose of white willow bark?” 

“What if I were at a five?” you ask. 

“A half dose and a good kiss?” 

You turn his way but flinch when it puts undue pressure on your leg, a stab of hot pain jumping from your fractured tibia to deep inside of your hips. Steve sees your wincing and presses your shoulder into the bed, leaning over you, a scolding he doesn’t give in the pinch of his eyebrows as he leans down to kiss you. It’s more caress than kiss, his hand cupping your cheek, his lips barely touching yours before he rests his nose at your brow. “Can you stay still?” he asks. 

“Sorry.” 

“Just don’t want you to hurt yourself again.” 

He lifts his head. Holds your cheek for longer than you can work out why, dotting another soft kiss to your nose before slinking out of bed to find you some white willow bark tincture. It’s a potent pain reliever. You shouldn’t have too much of it. If you were still living your past life, you’d be chewing on ginger skins trying to limp your way back into work. There’d be no time to stop. 

“Steve,” you say, watching him a small ways away at the table of your quarters. He turns to you. “I don’t really need anything else.” 

“You said it’s hurting?” Steve pipettes the tincture into a cup of water. “You said a five, and you lie. Knowing you, it’s closer to an eight, you just don’t want to tell me.” 

It might not be as extreme as an eight now, laying down and bandaged, but it hurts badly and a tincture would solve this. Still, you say, “It’s fine, I don’t need it.” 

He brings the glass regardless and puts it on the nightstand. Your bed is yards too big for one person, even two, but when Steve sits next to you he leaves no room between you. He looks down at you fondly. Brown hair like down feather falls against his forehead. 

“You’re going to be in pain for a long time.” He brings a hand to your cheek again. “It might sound tame, a plateau fracture, but that’s still a fracture. You know doctors say fracture when they mean broken, right? You broke your leg. It’s okay to want pain relief.” 

“I knew that. I didn’t know you knew it.” 

“Impolite.” He ducks down to look you in the eyes. You’re a little skewiff, straight to his sideways, but it gets a point across. He wants to kiss you while you’ve said something maddening. “I don’t see why you’re so insistent on pretending it hasn’t happened and that you’re fine. You got hurt, and you’ll stay hurt for a while. It might be weeks of bed and– and you need to be looked after. I don’t know why you’re so guilty about it.” 

“I’m not guilty,” you deny guilty, turning your face to lean into his hand, rather than continue to face his imploring gaze. “I just… I’m not used to this. Before, if something went wrong, I couldn’t just lay down and wait to get better, and I surely wouldn’t be laying here with doctors and servants and the ladies in waiting all trying to make sure– It’s like it’s not my fault, and that doesn’t make any sense. I don’t want to be a burden on everyone. More than I already am,” you add, a bitter mumble nearly lost to his palm. 

He makes a promise, then, turning your face to the light. “I’ll take care of you,” he says. 

“It’s rotten work.” 

Steve shakes his head gently. “Not to me. Not if it’s you.” 

You press your tongue to your teeth, worried you’ll say something you’ll regret. You don’t want him to go. You want him to mean exactly what he says, to stay here and take care of you, and to enjoy doing it. Wouldn’t it be nice to be loved for love's sake? 

Steve shuffles inward and encourages your head into his lap, thrusting pillows aside to take up station against your headboard. He frames your face, upside down, before both hands begin to run down your arms. A hug, in a way, as he twists his face to kiss the skin beside your eye. You squint at the proximity. 

“You’re not a burden,” he says, hands climbing upwards now, warm and steady where they travel, “you’re my wife. My cherished wife, remember?” 

His tone is silk. 

“You… haven’t proved to be a wretched husband,” you confess. 

“I did try. But loving you has been easy. It makes husbandry a gift.” He laughs at his grandiose and gives you a kiss that’s more familiar by your ear, his pleading, searching kisses, the kind he likes to press to all your softest junctures. “I wish you could understand that we’re marked for a reason. We were always meant to be together, and I couldn’t have asked for a better person to stand with me. I’m happy you’re here. I want to take care of you.” 

Not if it’s you, he’d said. 

You wonder if it might be okay to cry. He’s massaging your arms, still bent in half over you trying to kiss some belief in him into your forehead. 

“It’ll be okay,” he murmurs between chaste, silent kisses, “really. You don’t have to pretend things don’t hurt you anymore.” 

You feel strange, then, shivery and weak as you turn your face into his thigh. His hand slips behind your back to hold you.

“Can I convince you to drink this tincture now?” he asks, just above your ear. 

“I love you,” you mumble. 

He pauses his trailing hands. You squeeze your eyes closed, but he doesn’t pause for long enough to scare you. “I love you,” he says. “Since the day we met, I’ve loved you. I’ll take care of you.” 

He is easy to believe. 

[yeyinde]

now why would you hide these in the tags..

also thinking maybe reader is newcomer too, maybe on vacation. everyone knows not to mess with price, say things about it never ending well.

but reader pays them no mind, thinking that their overreacting. of course, they aren’t, and reader is forced to check out of their hotel and into their new forever home with price <3.

and he's your first experience with an alpha, too. like sheltered reader, surrounded by betas your whole, stumbling onto John Price, of all people. but of course you're curious. you've never met an alpha before outside of the ones in your school - all the same age, the same hormonal shifts at the same pace; it's just not the same, is it?

and despite the tug between you, he can see where this going when you start batting your eyes at him, and softening under the burn of his glare. you're not going to like it. you'd never be able to handle him. and he tries to tell you this. warn you away. find a beta, a smaller, younger alpha. he doesn't care - just stay the hell away from him.

but you've been doted on your whole life and English Burt Reynolds isn't going to be the first man to tell you no.

so you push. prod. dig a little deeper. lay it on thick until his presence, a novice in your life, triggers the first stirrings of a real heat. forced proximity. freak storm. one bed. he breaks before dawn, but before you can even start to feel triumph, the reality of getting fucked by an older, more experienced alpha rears.

maybe you realise this when he pulls his fat, angry looking cock out, and barks at you to get back on the bed because he hasn't even started yet, and if you wanna strut around town, aching for his knot, well. he'll give it to you.

problem is: he's too big. too rough. you've been treating yourself like fine silk, something precious, and what he gives you (after growling at your pussy that he can't wait to break her in) is nothing at all like you were expecting. and this idea of a heat making you malleable, soft and ready, falls to pieces when you remember that anatomy isn't magic and no amount of fever in your blood will ever soothe the ache of him eating you up like a man starved.

but hey. you got the big, surly alpha in the end, didn't you? guess no one taught you the meaning of a pyrrhic victory.

[vampiresbloodx]

Devour me whole.

pairings: vi x reader

warnings: smut, masturbation, service top!vi, switch!reader, angst with feelings, friends with benefits, overstimulation, sex toy use, strap on, teasing, gender neutral!reader, yearning

You were pissed. 

It was past three am and Vi promised this time to be home at least at twelve the latest, but no. Three hours have gone by quicker than you'd liked as you sit on her bed waiting for her, you realise there’s no point anymore. 

You should have left ages ago, you don’t know why you do this to yourself, waiting around for someone who doesn’t think about you unless she’s inside of you. You were just a quick fun for her, for anyone really, for a while you didn’t mind, you enjoyed it, the attention, the looks, how they loved your body, the people you’ve slept with and none of them have quite been like Vi. 

It was a one night stand how you met her, it was the best fuck that you’ve ever had in so long, you have experienced both men and women and you’d definitely pick women now more than ever. 

Vi was perfect, she’d always listen to you, even after you two fucked, take care of you if she was being a bit rough, you were always good with the whole no strings attached thing, yet here you were caught in a web of your own lies that you created. You don’t want to leave her place but you should, you don’t want to make things worse if she was in a bad mood, you know she’s been winning at the pit fights she’s been going to nonstop as of late. She's a good fighter and really skilled with her hands. 

God you missed her so much. 

You missed how she touched you, how gentle yet strong she feels, her hand wrapping around your throat, touching you slowly to torment you, teasing you constantly, knowing how bad you need it. 

“Fuck it” you muttered, beginning to strip on Vi’s bed, taking off your shirt and sweats, you went to grab a box underneath her bed where she hides all the toys she uses, and you grab her personal favourite she likes to use on you, her pink long dildo, the amount of times she’s made you cum on that thing. 

With how worked up you already felt, you didn’t even need to know just how wet you are, you laid back down onto her blanket, the smell of her scent lingering in her room overwhelms you. Easy enough, you were able to slip the dildo inside your pussy, starting to pump in and out, you moaned, your other free hand groping your tits the way she would. Your pace became faster the more you thought of her and what she’d do to you, you’ve always wanted to be caught by her, seeing the surprise in her eyes to see her good girl disobeying her in her own room. 

And then the door swung open. 

You were so fucking close, the pleasure building up more and more, your chest heaving, god you must have looked pathetic. 

Vi stood at the end of the bed, watching you, she was caught off guard by this, but she knew you were most likely annoyed with her as she was late tonight, later than she promised. She felt bad, she was going to make it up to you because she cares about you, she really does. 

She hasn’t told you how she feels about you yet. 

You gasped when you saw her standing above you, in her black leather jacket and ripped jeans with chains hanging off of them, how good she looks, makes you more wet. 

“Don’t stop,” she murmurs, her voice sending a chill down your spine as you feel her hands on your knees, forcing your legs to stay open, her eyes never leaving yours. “Show me how much this pussy needs me.” 

You whined, pushing the strap deeper as deep as you can go, your back arching from the bed, you whimpered, your moans becoming louder as you fuck yourself harder. 

It was only when you were reaching the breaking point, vi’s hands wrapped around yours, taking it out that easily, your juices covered in it as you whimpered, watching her lick it clean. 

She throws it over the bed and leans down, a single lick to your cunt causes you to break almost immediately, your body reacts before you could even think. 

“Please” you begged, your eyes meeting her stare, her gaze filled with lust and want. “Please, vi.”

She grins, enjoying this way too much as you are too. She's focused on you now, that's all you've wanted, all her attention on you and only you. She places her hands on your thighs, gripping them as she licks up your pussy, devouring you whole. 

She makes you cum over and over, till your shedding tears, your cheeks wet, your body exhausted, fucked out, and she's taking her sweet time pleasuring you, that's all she wanted to do, make you feel good, make you hers. 

She never wanted to get rid of the taste of you. 

Ever.

[brick-van-dyke]

This, plus I'd argue that it often leads to being treated as trans women as well and being subjected to parts of transmisogyny, it's why I don't really think the whole TME and TMA thing really works very well in actually identifying transphobia because of how often we're all grouped together as either "lying men pretending to be women" or "lying men pretending to be women and lying about being female to male transgenders", or just "you don't look like either so you must be a male" or some other brand of transphobia and intersexism as well mixed in.

Tbh actually I think that's kind of the point. There's so much intersexism and sexism in general that goes into the whole idea behind "all those who don't conform to gender roles and are their assigned sex are automatically trans women" in terms of grouping us all together as a monolithic entity. "You can't be a happy trans man, so you must be a trans woman" and "it's only when you're unhappy that you're a trans man who's a victim that we must save". Like that in and of itself is kind of the point with transphobia. We can't exist because we undermine the idea that "the issue of transness is trans women so trans men and intersex people are all trans women by default, unless they are sad or traumatised in any sort of way because then they're victims of trans women". It's only ever one or the other, and that always changes he idenity you're perceived as because the only "real" ftm in existence are "victims" they have been able to label as 'detrans victims of the transgender cult". If you're not, you don't exist; you're not supposed to exist. So you "must" be a trans woman, that's the "only" explanation for your being here. So they treat you as that because anything else is a lie.

A lot of the times I've been called transphobic bs on the street or online, or treated like shit in an institutional setting like a hospital, it typically starts off with assuming I'm a pre-transition trans woman and start treating me with either microagressions meant towards trans women or explicitly start calling me things like "a creepy man pretending to have a girl's name", and then when I say I'm a trans man they either deny the fact I'm a trans man or insist that's another word for "trans woman" because that ruins their transmisogynistic world view of "all trans women look like men" and "trans men don't exist" or "are broken women so they can't look like men", and I don't look like a frail, broken down victim to them, so I "must be" the former.

"Trans men benifit from invisibility", actually we suffer from the intentional erasure of our identities, history, and culture. An erasure, that is violently enforced through the constant assault, rape, and community isolation that we have to endure silently (because if we speak up we are further punished, further pushed out of communities, and silenced harder).

[weemietime]

https://www.tumblr.com/weemietime/767670429687152640?source=share

I suppose it was easy for me to fall into the Hamasnik trap due to my habit of black and white thinking, which I wish I could blame on my autism, my ocd, or my horrible mental state, but I’m just incredibly stupid lol. But yeah, I was very much a hamasnik myself.

For some reason my mind refused to accept or recognise the nuance of a history that I wasn't even well versed on in the first place. I also think that the constant reductionism presented to me played a part. There’s a lot of reductionism that goes on within the Hamasnik circles, and it goes hand in hand with anti intellectualism. Statements like “this isn’t complex! How can you see these videos of these Palestinian children (videos that I later found out were actually from Syria, but I couldn’t tell, I just ate it up) and think that Israel/Palestine is complex!”

The whole thing of blocking everyone who has a different opinion or ideology (the ideology in question being Zionism, or at least what hamasniks consider to be Zionism) from you and refusing to follow certain news channels because they’ve shown sympathy for those who have a different ideology from you, refusing to read certain books from authors who have expressed empathy for those same people, all of this together effectively creates an echo chamber of the same opinions and views being regurgitated over and over and over again constantly.

Then sprinkle in constant videos of people dying and blood everywhere, videos that you don’t even know where the people are from, whether they be from Gaza, from Syria, Lebanon, or Yemen, but it doesn’t matter because they speak Arabic so it MUST be about the Gazans specifically according to the Hamasnik group you’re apart of, all of these videos you’re being told to constantly watch over and over again because according to the Hamasnik cult you’re in, “if you look away from the violence even ONCE, you’re complicit in genocide! You’re personally responsible for genocide if you look away! The people in Gaza never get a mental health break or comfort so why should you?”

That very same rhetoric is the reason why a lot of you Jewish people can’t find yourself able to escape on fandom spaces and shit like that, the antisemitism you encounter in spaces you thought you were safe in? Yeah it’s because these people are being told that they have to constantly talk about what’s going on in every single space they’re in and that they can’t look away because if they do, they’re considered complicit in the killing of Gazans so they have to let everyone else know the same.

There are a lot of people who are purposefully antisemitic, don’t get me wrong, this isn’t me excusing anyone. I’m just saying that a number of these people genuinely believe that they’re doing something for the greater good by constantly being antisemitic. They don’t consider themselves antisemitic because the echo chamber they’re in has convinced them that Jewish people aren’t experiencing anything, that Jewish people are fine. That it’s the “big bad” that they’re hurting, not the Jews. It’s the “big and scary Zionists!” At least that’s what happened in my case. Constantly told that if I took a break even once, the blood of the Gazans, the blood of every. single. person in Gaza, would be on my own two hands.

You might not believe me, but when you’ve trapped a person in an echo chamber like that, it’s very easy to convince them that an entire country is evil, that every single Israeli is wicked and corrupt and should die and that anyone who expresses an ounce of empathy for them is a “Zionist” and should die as well.

You could’ve told me anything a few months ago. Absolutely anything bad about Israelis and I would’ve believed you. Because I’d scroll social media and see videos of children dying, people being beaten, buildings being destroyed, everything. Then I’d scroll some more and see videos of Israelis doing everyday things, videos of people having fun, videos of people eating, etc, and I found it so unfair that they (according to hamasnik rhetoric) were living in absolute peace while Palestinians are dying right next to them. Then I’d scroll some more and see videos of the IDF (I actually don’t even know if the videos were even of the IDF or not, but as I said, you could’ve told me anything and I’d have believed you. I genuinely believed that it was the IDF) shooting people, beating people, etc. And I was told to look at these videos everyday, every hour, every minute, every second. A lot of the Hamasnik mouthpieces take advantage of the average westerner’s inability to understand Arabic or Hebrew, so there’s a lot of mistranslated videos of Israelis saying they want every Arab dead, a lot of mistranslated Al Jazeera videos of people in Amsterdam for example, saying “يهودي قذر" (dirty Jew) with the wrong captions on and then us non Arabic speaking cult trapped people are none the wiser to what that means because we refuse to engage with any sources that won’t fit our narrative, because we’re complicit in death if we step outside the narrative.

I don’t believe that Zionists should die, but I did. I don’t believe that the hostages should suffer, but I did. I truly believed the worst of things, and perpetuated horrible antisemitism, because I genuinely believed that I was doing good. I found myself justifying unspeakable acts, and saying unspeakable things, things that I would have whole heartedly condemned prior, because I genuinely thought I was doing something right. For example, prior to me falling into that cultish trap, I would’ve wholeheartedly condemned saying a slur coined by David fucking Duke. But after? As I said, I was doing and saying unspeakable things.

I would watch videos from Hamasniks everyday, perpetuate antisemitism everyday, go to sleep and dream about that stuff, and wake up and do it all again, first thing in the morning. A vicious cycle.

And unknowingly somewhere else around the world, some Jewish or Israeli person would wake up, witness antisemitism everyday, witness people wishing the worst upon the hostages, the Jews, the Israelis, the Zionists, everyday, go to sleep terrified for what’s happening to their people, and wake up and see it all again first thing in the morning. Another vicious cycle.

I wish I had a better answer for you, I do. An answer that’s more digestible and less disturbing. I wish I could undo everything that I’ve said and done to the people I’ve hurt whether that be in real life or online. I truly am sorry, and I wish that an apology would fix everything, but it won’t. I wish that all the pain I inflicted on all the Jewish people and Israeli people could be taken away and that I would feel that pain tenfold.

If it’s any consolation or solace, I hate myself more than any of you combined. There is nobody who hates me more than me at this current moment in time and I absolutely do deserve every ounce of pain inflicted upon me, whether it be mental or physical. If you wish death upon me, just know that I do agree with you, but unfortunately previous attempts have failed.

I deleted all of my old posts from that period of time to avoid people getting hurt by them anymore, but I think I’ve done too much damage for me to be a good ally, so I just say nothing now, but I truly do wish the best for all of you and I wish that all of this would stop and that the hostages will be found, hopefully alive.

My apologies for writing a whole Bible in your asks, I truly didn’t mean to.

TLDR - reductionism and anti-intellectualism combined with trapping yourself in an echo chamber of regurgitated rhetoric and constantly regurgitating said rhetoric is a quick way to find yourself dabbling in extremism.

To avoid falling into a trap such as this, avoid generalisations of races, ethnic groups, and the like, look for nuance, try hear people out even when you don’t understand them, instead of blocking them (this is in reference to me blocking every single person who opposed my hamasnik ideology at the time. You should probably block hamasniks, they tend to harass Jewish people a lot), and remember that if someone tells you that a whole war isn’t complex, they’re lying. It absolutely is.

I hope you've been able to see the other responses your other ask has gotten as well! Truly, you aren't someone who I hate. Personally, I do forgive you. Other people may not, and that's their right. But I know first-hand what it's like to be radicalized and to not only commit to extreme rhetoric but also extreme actions. I've learned to have compassion for myself, and I hope that with time you will undergo a similar process.

Someone else said it, "you can't hate yourself into being a better person." All of us, as beings, grow with love and kindness. War is hard it's horrific, and hellish. You're constantly exposed to this violent imagery, this extreme rhetoric, and your whole friend groups are getting in on it. I understand exactly how it happens, and I do have sympathy for it.

To me, the most important part of your story isn't the worst shit you've ever done. It's this part. The part where you learn how to be better, and so you do better, and reach out across the divides and bridge those gaps that have formed. That is a very human story.

[jingerpi]

[do not use this as justification for sexist bigotry, this is a personal thought relating to the investigation of ideas and not a statement meant to be derisive towards feminist theories.]

disclaimer out of the way, I've been thinking about transmisogyny a lot lately and it's really interesting to consider the nuances of. I think a lot of the objections to transfeminist theory simply come from sexism, but there is one point of potential critique that I think warrants further inquiry. to get at this we have to first clarify something else though.

the distinction of tme/tma might sound like an issue to a lot of transmisogynists, but most of their objections die away as soon as you clarify it's not "never ever experiences transmisogyny" and is perhaps more accurately "trans misogyny exemptable" as this gets at the reality of trans women facing transmisogyny regardless of what we do, there is no way out, we are the intended targets. other people face transmisogyny as a sort of warning, a clarifying statement that "if you are transfeminine we will Other you" and they're able to exempt themselves from this in most situations by clarifying "I am not a trans woman" regardless of the particular form that takes.

not everyone is able to exempt themselves from all gender related bigotry though. you cannot, for example, make this distinction (of not being transfem) to escape intersexism, which is why many intersex repeatedly experience gender based oppression and cannot opt out of it. this is oppression is fundamentally not an result of transmisogyny, it is a result of intersexism.

with that clarification out of the way, I think there is an understandable critique regards the simplification that

"men have power over women" <- correct, easily verifiable, almost everybody agrees. "Black men have power of Black women" <- still correct and non controversial (at least in feminist spaces). then you go to "trans men have power over trans women" and everybody freaks out, yeah? like people start to object to this understanding suddenly, even though we've only changed 1 thing, which we've changed before and nobody found issue with it in those other areas. many of these objections come transmisogyny, but I don't think it actually tells the whole story to write all of this off as transmisogyny.

I think why we run into an issue with this understanding (again, critique, not refutation) is that trans people's gender is often, perhaps even usually in flux. the statement "men have power over women" is trivially true, and is a statement on gender and misogyny. this comparison can be brought to trans men and trans women, but it's not without nuance, as the most basic information we can get from this is applied to gender, something which is often actively shifting for trans people.

the reason is don't see this as some kind of disproof of transmisogyny or something should be clear though, for two reasons (aside from the obvious statement towards trends rather than specific instances)

1. transmisogyny is fundamentally not the same thing as misogyny at large, and

2. though trans-gender is often shifting, we can use the prior distinction of exemptable and intended targets to largely do away with this problem.

despite the framework of misogyny not applying 1-1 onto trans people (many who identify as trans men have 'correctly' experienced misogyny), we can still see how it is useful to look at the intersection of misogyny and transphobia. While yes, trans men often experience both of these things, it is often not simultaneously like it is for trans women. As trans women transition our closeness to womanhood tends to increase so as our experiences of transphobia increase, so too do our experiences of misogyny- where as the opposite goes for trans men. it's not that one can't be sexist and transphobic to a trans man, they're not transmisogyny exempt in some metaphysical sense, but rather that for trans women our transness and our womanhood have a positive correlation, our transness and our womanhood are inseparable, we cannot denounce one by leaning on the other.

on the contrary, while trans men will still face transphobia and sexism which denies the validity of their transness and treats them with misogyny, as they transition their relationship begins to more closely match that of men, because of course they are men, this leads to them being able to escape transmisogyny not by being part of some magically 100% transmisogyny excluded class, but because they have the ability to meaningfully denounce trans feminity, to put down womanhood and to become "one of the guys", it's conditional, yes, but often the conditions are not to "pass" in the traditional sense but rather to express views aligning with the patriarchy and derision of feminity, i.e, misogyny.

I think we can see this in the popular responses to tme/tma discourse within the trans community: many trans men correctly recognize what is happening and stand in solidarity, transmisogyny is a genuine problem and it makes sense to talk about the intersection between misogyny and transphobia, trans men even experience both at times, so it is a good idea to stand against. Then, some men begin to talk about their experiences with denial of who they are and the misogyny that can come with that. This too is rather sensible, though it doesn't somehow counteract or disprove transmisogyny generally, it can be studied and acknowledge much in the same way we understand cis men are tested with transmisogyny to enforce what others call "toxic masculinity", despite them not being transfeminine. Then we have a third and wildly popular group, who appropriate the struggles of the second group, where co-option occurs by men who buy into or express sexist ideas for the sake of more fully exempting themselves from transmisogyny. Along with this, instead of recognizing the basis for transmisogyny as intersecting gender based oppression, because doing so would show their fleeting relationship to it, they redefine it as being intersection of two metaphysical identities generally, and thus "transandrophobia" is born, posed as being on an equal to transmisogyny, after all, they're both born from intersecting identities are they not?

of course, we know Androphobia is not something which actually exists, nor is Misandry - these arent axis' of oppression, and they largely know this too, but their goal is to obfuscate the ways in which marginalized men still benefit from their manhood. it takes what I think can be a rather genuine expression that trans men experience both transphobia and misogyny, and instead of grappling with the ways they can societally put down others to gain exemption from transmisogyny, the way their relationship to it is transient, they instead cling to it and invent new terms or fall on old bigoted talking points to justify doing so. "transandrophobia" yes, but also "sex based oppression" and "male/female socialization" these terms and rhetoric are regularly used against transfeminists by these trans men who have exempted themselves from transmisogyny, who have sided with patriarchy over their trans sisters, instead allying with the general terf movement at large and often implicitly misgendering themselves in the process.

and just to be clear, not exempting yourself doesn't mean you will experience the brunt of transmisogyny or to the same degree trans women do - you may be called slurs by bigots, may be harassed in given instances, or sometimes worse, but the systemic forces of transmisogyny go far deeper than negative interactions with individuals, and these transmisogynistic forces are again, aimed specifically at trans women. While I want to recognize the ways in which transmisogyny permeates all of society, do not see this and mistake it for support for the idea that everyone experiences it equally and their relationship is only changed by putting down transfemininity, it is and always has been about targeting transfemininity, the reason I clarify exemptable is due to society's constant enforcing of transmisogynistic ideas on everyone, even if the worst persecution is specifically and intentionally reserved for trans women

Lastly I want to say that these ideas are still developing and my understanding of them will likely change with time and discussion. I dont think these ideas are particularly new, they seem to underpin a lot of discussion on these topics, but this is my attempt to bring them from an implicit unspoken agreement into a more firmly expressed position. Doing so is necessarily going to expose flaws and I see that as a good thing, as doing so is required to elevate understanding of these theories to a higher level. Some of these flaws will be with my expression and understanding, and I will work to correct those, but some will likely be with the ideass themselves and it will take time for them to develop. Please read in good faith, thank you.

[caughtthedarkness93]

Ok, I guess I gotta talk about that one scene in Dragon Age: The Veilguard eventually because I've heard about discourse regarding it and it's driving me up a wall with how some of the criticism ignores key context from the rest of the story that informs how it's written. Spoilers for Taash's storyline follow below the cut.

So I mainly have seen this referenced on TV Tropes because I am not on the hellscape that is Twitter, but people, it seems, have been criticizing the scene where Taash comes out as nonbinary to their mom for how they get pissed at how their mom takes it. Often this is used to frame Taash as being unreasonable as their mom is struggling to understand what that means.

And I feel like that criticism kind of misses a big part of what that scene is actually about. Because Taash's relationship with their mom is complicated. This is something that their storyline stresses repeatedly. Taash has fond memories of growing up with their mom and knows that she basically gave up her whole culture to ensure that Taash wouldn't be forced into a soldier's life. It's clear that their mom is still very attached to Qunari culture and she outright expresses a couple times that she feels like being a Qunari scholar equipped her extremely poorly to actually raise a child. That checks out - under the Qun, that would be someone else's job entirely.

So this informs a lot of Taash's relationship with her - Taash recognizes that she gave up a very privileged position with the Qunari for their sake. Because she wanted a better life for them than what they'd get there. That's a huge sacrifice.

However, you watch how they interact, you can see that Taash's mom is also very critical of them and very controlling. She doesn't care much for Taash's privacy, tries to make a lot of their decisions for them without putting a lot of thought into what they actually want, and she is extremely critical of them sometimes about things that don't really matter.

So we get to that scene late in their storyline - the Lighthouse dinner. I think the critical mistake a lot of people make when looking at this scene is thinking that it's about how she reacts to Taash's gender identity.

Which that informs it, sure, but there's more to it. When Taash yells that nothing they do is good enough for their mom, it's not a reaction to how she responds to their identity, it's a reaction to the way their whole relationship has been built up throughout the game. It's the straw that broke the camel's back. And it's true to Taash's character.

One of the things that I like about Taash is that they're someone who likes a straightforward, direct solution to most problems. Thing in your way? Break it. Big scary monster? Kill it. They like to be able to take the most simple, direct path through a problem, preferably one that involves slaying a big monster, and Veilguard constantly puts them in situations where that isn't an option. And in those situations, they struggle a lot. Taash struggles to get along with Emmerich because that involves overcoming internalized prejudices (and understandable ones too - necromancy is something that would probably make a lot of people uncomfortable irl and for a culture where cremation is the norm and undead can be a legit issue, that would go, like, quadruple - of course they're uncomfortable with Emmerich). That's not an easy thing to do because it involves a lot of introspection and interrupting thoughts that you've been trained to think. Taash questions their gender identity. Definitely no easy, straightforward way to solve that. They angst a lot over being afraid they're broken somehow for feeling these things. A fraught, complicated relationship with a parent who sacrificed everything so that you would have a better life, but can't seem to bring herself to let you actually live it the way you want? Can't hit that with an axe.

And ultimately, that's what's happening in this scene - the whole game, we've seen Taash struggle with this really complex, nuanced relationship, this mother who clearly loves them and wants the best life possible for them, but struggles to understand what their child really needs and often says or does things that are hurtful. In this scene, this bubbling, brewing resentment, definitely exacerbated by Taash being outside their mom's orbit and with a team that has more faith in their skills and abilities, finally comes to a head.

The scene is only about Taash's identity on the most surface of levels. Yeah, that's what sparks the argument, but it's not what the argument is about.

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[hom3landr]

Writer’s Block

18+

In which Homelander thoroughly enjoys a quiet night in, his hand, and some ao3.

CW: Selfcest adjacent, Anal play, Masturbation,

“His hand wraps firmly around your throat as he bends you over your desk with a low groan. The hard bulge in his costume grinds against your ass and each filthy thrust causes your hips to bump painfully against the wooden edge. The various knick knacks and office supplies decorating your space rattle with the movement. His hot breath causes you to moan as he whispers into your ear.

“I can do whatever the fuck I want.”

Homelander groans low in his throat as he strokes his cock languidly. The leather of the couch that was cool at first is now growing warm from the heat of his body. His cock twitches in his hand and a drop of precum drips down his knuckles onto the cushion. He’s taking it slow tonight. He intends to draw out his pleasure now that he finally has the entire space to himself for the night.

Now that he has a son to raise, he’s had to stop being so bold about where and when he decides to take a load off and relax. Luckily he was able to pawn Ryan off on Victoria and Zoe for a sleepover. Vicky wasn’t happy about the surprise but he isn’t sure why. His son is a fucking delight. He plans to make the most of his free time as he reclines lazily and uses the remote in his free hand to scroll through the fanfiction on the screen.

He had found the stories maudlin and pathetic at first when he first stumbled onto the online community dedicated to writing about him. They made him laugh at how desperate and pathetic they were. Even the ego boost wasn’t enough to erase the disdain towards the nobodies of the world who deigned to think that he would ever want to fuck them. He’s so pristine in the stories. A white knight handsome savior to sweep them away from their problems. If only they knew the real him and not the puppet Vought made him into.

But that was when he had Stormfront on his arm. A perfect goddess to chase away the pangs of loneliness and who any ordinary mud person would pale in comparison to. When he lost her, he began to see the value in such pathetic fantasies. As he lost more and more control over his surroundings, it was comforting to disappear into this place where the world still revolved around him and he could see proof of devotion that wasn’t just the steadily dropping points tacked to his name.

People still wanted him.

And sure, things might be looking up for him now. He’s head of Vought and he finally has his beloved son by his side. He has an army of mindless fans ready to fight for him. But his bed is still cold and a man has needs. There’s an earnest quality to the writing that scratches an itch that isn’t satisfied by the subpar porn Vought churns out. This is personal.

He grips his cock a little firmer and he twitches as he runs his thumb over his sensitive slit. He continues to read.

“He can smell your arousal. It coats the back of his throat and he can taste it on the roof of his mouth.”

Homelander unconsciously licks his lips. It’s not hard for him to conjure up the smell of sex in his mind. His own pleasure is already heady in his own nose. He whines and brings two fingers up to his lips and sucks. The salty tang of his own slick is filthy and his whole body throbs. His hipbones ache as he imagines what it would be like to be bent over, to lose himself to pleasure completely, to have all the worries and concerns knocked out of his brain. He can understand why this fantasy would appeal to someone so insignificant as the author. It’s not a perspective that he would normally ever indulge in but there’s something so tempting about it.

“You struggle to catch your breath and muster any kind of defense as he continues to take up more of your space. One hand wraps around your throat and squeezes, cutting off your airflow even further. He can hear you clench around nothing and a smug smile spreads across his face.”

Still sucking on his fingers, his other hand drops the remote and wraps itself around his neck. He presses down cautiously and the restriction of his own airflow causes a wave of heat to flow through his veins. He bucks up into nothing with a low grunt.

“He presses hot and hungry kisses against your jaw as his free hand grabs the waistband of your work trousers and tugs. The fabric rips easily and you can’t even gasp in surprise as his fingers delve under your underwear to press against your hole.”

Homelander follows suit, taking his spit slick fingers out of his mouth and reaching down to tease around his rim. He gasps, sensitive. He’s no stranger to touching himself here but it’s like a shock every time just how nice it feels. He wonders what the inbred brain dead hicks who worship him would think if they knew their fearless hero liked a little ass play. Would they still grovel? Would they keep him on his pedestal? He laughs bitterly at the irony of his power over people still being reliant on fitting into the narrow insipid boxes they feel like putting him in. He has everything he’s always wanted but he’s still fucking trapped.

Tears prick at his eyes. He’d started this just wanting to feel good but now his stomach is uneasy and his erection is already starting to flag. Even alone, he can’t escape people’s expectations of him. He removes the hand from his throat and wipes at his eyes, self loathing building tight in his chest at how pathetic he is. He can’t even get himself off properly and now he’s crying over it. He grabs the remote and goes to turn off the screen in self pity but his eyes catch the next words.

“Tears prick at the corners of your eyes from the intensity of the situation. Everything is happening so fast and so much.

“Shhhhh” He whispers in your ear. “You might as well just let it happen. Let yourself feel good. It’s not like you have a choice.”

“It’s not like you have a choice.”

He closes his eyes and takes a deep breath. He can hear his own voice echoing in his head. It’s familiar and he follows where it leads. He brushes reality aside as he allows himself to sink back into the fantasy. He thinks about the ache in his hipbones and a body pressing him down and forcing him to relax. He puts his hand back on his throat, this time pressing harder until it borders on the hint of pain as his head swims. Idly he wonders where this written version of himself came from. How one measly author amidst the rush of saccharine romances managed to capture this raw real side of him.

He opens his eyes and squints so the world is a little fuzzy. The words on the screen blur but are still readable and as long as he has those he can block anything else out.

“Your body goes limp against the desk, becoming little more than a doll for him to play with. He dips his fingers into you, stretching you just enough to make you gasp before pulling back. He’s gentle but inescapable and there’s nothing that you can do except succumb to his touches. You moan pathetically as he finally takes pity on you, two deft fingers finally pressing in fully as they twist and curl until they find the spot that makes your legs tremble and shake.”

He whimpers as his fingers delve inside. It’s been a while since he’s had the opportunity to do this and he’s tight. He huffs and he can feel the bobbing of his adam’s apple against his hand. He can’t move yet as he focuses on relaxing his muscles until he’s no longer at risk of pushing his fingers right back out. The stretch feels good and his cock quickly swells back to its previous hardness. He’s torn between reaching down to stroke himself or staying put and following along with the whims of the story. He crooks his fingers slightly and a strangled yelp leaves his lips as lightning shoots up and down his spine.

“Touch yourself.” Homelander instructs as he continues to scissor his fingers and stretch you out properly. “C’mon, don’t make me do all the work.”

Homelander wastes no time. He’s eager now that he has permission. He wishes that there was a way to keep the pressure on his neck but he’ll have to think of something for next time. His cock throbs under his palm as he begins to stroke himself. The room fills with eager wet sounds and it allows him to sink deeper into the fantasy. He reads on, eager to know what he’ll do next. It baffles him why anyone would want to leave him now that he knows how good being with him feels.

He’d had an opportunity before, with Doppelganger. But it was wrong. It wasn’t him. It was just a pathetic needy imitation. So ready to please that it reeked of desperation. He’d seen something in “his” face that day that turned his stomach. He’d needed it gone.

This is different. This fictional version of him is perfect, strong, determined, and willing to just take what he wants. He’s perfect, like marble.

Homelander moans echo through the penthouse, filling up all the open space and desecrating the ears of the founding fathers. He has no need to be shy now that he has the place to himself again for the night. His cock is leaking all over his hand and dripping down onto the leather. The wet sloppy sounds of him working himself over are practically deafening to his sensitive hearing.

“That’s it, Sweetheart. Doesn’t it feel good to take some initiative. It’s a good thing the rest of the tower doesn’t have my hearing.” He goes quiet for a moment, allowing the sloppy sounds to echo through the empty room. “You would not believe some of the things I’ve heard go on around here. For example, do you remember fucking yourself in the bathroom after I surprised you in the elevator the other day?”

A wave of shame and panic floods through you as the memory of the elevator comes back to you. You were too flustered to say anything then. You had been surprised that he would bother with an elevator at all. The masculine vetiver scent of his cologne was subtle but in the confined space it seemed almost suffocating. You hadn’t said anything and he didn’t bother to even acknowledge your presence. He didn’t even look your way. Still, the strange intensity of the encounter had you running into the empty bathroom to relieve some stress. You wouldn’t have been able to concentrate otherwise.

“Nothing? I could practically smell you during my meeting. I could definitely hear you rubbing away.” He leans down to nip at your ear.”

Homelander briefly lets go of his cock to massage his balls, groaning loudly. He wants to prolong this but he can feel himself reaching the end of his rope. His abdomen is sore from the clenching of his muscles and he can feel his heartbeat in every fiber of his body. His lungs can’t seem to get enough air as he gasps at the wave of arousal.

Something prickles at the back of his brain. The story ignites some synapse that sparks an unimportant memory. It’s not enough to draw him out of his fantasy but somewhere in his hindbrain he logs it.

He imagines someone hearing him right now and his cock twitches. He gives a comforting squeeze as he wiggles the fingers inside himself again.

Fuck

“The combination of his filthy words along with your eager rubbing has you coming undone before he even fucks you. You feel truly visible for the first time.. Homelander saw that embarrassing needy part of you and he wanted it. He tracked you down once the rest of the crime analytics team had left and bent you right over your desk.

“There you go. Doesn’t it feel better to come on my fingers instead of your own?”

FUCK

Homelander’s vision goes red and hot as his fingers hit the spot inside him juuuuuust right. He tenses, entire body locking up, balls tightening, toes curling against the floor. He hangs weightless for a single moment before the storm of pleasure hits like a tidal wave. Hot ropes of come splatter all over his thighs and chest as he frantically strokes himself, milking himself of every last drop of pleasure. He bears down on his hand as he rides himself through it. He can hear his own voice ringing in his ears, the perfect voice of his best self.

“Doesn’t it feel better to come on my fingers instead of your own?”

In his mind he’s bent over the desk with a warm body against his back. His hips are sore but his muscles are pleasantly relaxed for once. He feels safe and protected. A strong hand grips his hip to hold him steady as the other Homelander removes his fingers with a soft wet noise.

He slumps into the leather, pleasantly sated.

Once he’s regained his senses a bit, he reaches for the remote and clicks off the tv. He’ll have to remember to finish the entire fic later when his cock has recovered a bit. The black screen reflects his face and Homelander is surprised to see the pleasure drunk smile on his face. He can’t remember the last time he smiled like this. Probably not since… He quickly shakes his head and shoves all thought of her from his brain. He doesn’t need anyone else to get off. He’s just fine on his own.

The little brain worm from earlier returns now that the room is quiet and distractions are gone. His mind still itches. Homelander clicks the tv back on and scrolls back up with a frown.

Crime analytics?

Most of the fics he reads are mindlessly generic. Most depict a banal office atmosphere when the setting takes place at Vought tower. It’s very easy for him to tell when the author is an outsider. Name dropping a specific department is new. Not to mention, the way the office was described in the beginning was eerily similar to the large room where the crime department is located…eerily similar.

Homelander’s heart pounds as he puts together the pieces. The author works at Vought and he knows in which department. The author has likely crossed paths with him. In fact, Homelander’s stomach tightens as he skims the fic, the author has probably shared an elevator with him.

He checks the upload date.

One week ago…

The unimportant memory floods back.

One week ago, he’d frightened a mousy crime analyst when he’d stopped the elevator for a ride. The little analyst never even looked directly at him. It was typical and not even worth the effort to get annoyed by. The sound of a fluttering heart and the scent of adrenaline were common occurrences no matter where he went. The moment he exited was the moment he’d already begun to forget.

Homelander sighs contentedly as he closes his eyes and lets himself bask in the afterglow. Curiosity sated, he lets his mind wander. Maybe he’ll surprise his little writer tomorrow and let them properly enjoy the fantasy this time. It’s the least he can do.

He reaches down and touches his hip, the phantom soreness still lingering.

After all, he knows just how good it feels to be fucked by him.

[zara-renata]

And everything that is now already existed then | ao3 | masterlist

Summary: Sylus shows you his favorite parts of his house, you are haunted by a strange feeling of familiarity, you spend some time with the twins and Noah, you learn about the bet they have going, no this is not a wattpad bet story that will be turned into a multi-part tv series even though i love that trope so much, the self control i exerted should be acknowledged if not praised. This part has less humor than other parts, I've been in a contemplative mood recently, sorry. Part 17 of the Sylus series.

Notes: Sylus x gn reader, Sylus x mc, second person POV, some Sylus POV. They/them pronouns are used to refer to reader as a placeholder for your preferred pronouns. The slowest of slow burns friends-to-lovers. This story contains: angst, fluff, banter, poetry, questions of morality, video game violence, discussions of real life violence, profanity, alcohol mention, self-harm mention, mc with self-esteem and guilt issues.

The water is warm. The man underneath you is warm. Your heart, you realize, is also warm. Quiet. Nothing hurts. You marvel at the feeling. How long can you get away with this? Plastered against Sylus’s big body, his rough hands just resting on your back. You feel guilty for keeping him from doing something else. For not being at work. For doing absolutely nothing useful to anyone. For feeling so good.

Sylus holds you, seemingly content to just sit here with you as the water laps against the sides of the pool.

“Don’t you have business to attend to?” you reluctantly ask, because you’re incapable of just trusting that good things can last. That the fulfillment of your deepest desires won’t be snatched away when you least expect it, so you push, push, push, seeking the weakness that will ultimately crack and cause the moment, finally filled, to break.

Sylus holds you a little tighter. “No.”

You wait, but he doesn’t elaborate. You should just accept it. Just enjoy this moment. All you have in this life is each moment—that’s all there is. Why can’t you just experience each one, savor it, suck it dry, until the next? Why must you always waste the pleasure of each moment by being in such a rush to get to the inevitable end?

But you can’t just accept it. You don’t know how. Your whole life has taught you that the moment you trust the permanence is the moment that the moment shatters. Might as well ruin it first, instead of fearing the end. And who are you to complain? What have you done to deserve it in the first place?

“Business slow in the Onychinus economy?” you ask.

“Tch,” he responds, seemingly indignant at the mere suggestion that his business isn’t printing him money even as he canoodles in a hot tub with you. “Business is booming, darling. The human capacity for cruelty is an endlessly growing market.”

You press your cheek harder against the sweaty skin just under his collarbone. You don’t want to think about what he offers people to enable that endless cruelty right now.

“Then how do you have the luxury of lazing about with me?”

“I’ve tasked Aidan with handling business that requires executive decisions for the foreseeable future. As much as it annoys me, I will likely have to answer calls like this morning, but I’ve informed him that I will not be leaving the base unless it’s absolutely necessary.”

You lift your head, curious. He looks down at you, relaxed, eyes glowing in the low light from the pool.

“Why?”

One corner of his beautiful mouth lifts. “Guess.”

You stare at him. He’s taking time off, not pursuing new deals, not focusing on growing his wealth… for you? Ridiculous. 

“What will you do while you’re not doing business?” you ask, not able to bring yourself to guess out loud that he took time off for you, to spend time with you while you’re staying with him.

“What do you want to do?” He runs his fingers along your temple, brushes a lock of hair behind your ear, traces the shell of it with a fingertip.

“That’s not an answer,” you say, softly.

“Yes, it is.”

You can’t believe it. The man who is always on the go, from one deal to the next, disappearing for weeks at a time, doing who knows what, who knows where—the man who probably gets bored out of his mind while instigating a riot—says that he just wants to do whatever you want to do. You, whose idea of excitement is a new pair of sleep pants and a night off to watch let’s plays of horror games that you don’t have the time and energy to play yourself anymore.

“You can’t mean that.” You frown at him.

“Try me,” he challenges.

You try to think of something that he’d hate just to prove your point that he doesn't actually mean it when he says he’ll do whatever you want.

“Oh, kitten’s plotting,” he snickers after seeing your expression.

“I want to watch every Justin Bieber documentary ever produced,” you say defiantly. You really don’t. But you’re sure he’ll balk at this outrageous suggestion.

He shrugs a little. “Okay. We can see if they’re on demand in the theater room. If not, I’m sure we can pirate them.”

You narrow your eyes. He can’t mean it. Fuck, if he’s going to call your bluff, you’re going to have to actually sit through who knows how many hours of Justin Bieber: Our World. You barely suppress a shudder.

“Actually, I want to fly to a warm seaside resort and swim with dolphins,” you try, the picture of casual entitlement. You do not want to do this. You’re fucking tired. The last thing you want to do is get on an airplane.

“Dolphins can be as vicious as humans, but if you really want that, we can pack some things now and be on our way by dinner,” he says calmly. As if the suggestion isn’t utterly outrageous.

Is he being as petty as you, intent on not admitting that he didn’t actually mean it when he said he would do whatever you want, or does he actually want to do whatever the fuck you want? You can’t read him at all right now.

You’re desperate and stubborn. “Actually, I think the amusement park in Linkon City is having a furry event all week. I’d like to dress up as our respective fursonas and ride the roller coasters all day.” 

Sylus doesn’t even blink. “Do you have a fursuit already, or do we need one tailored before we can go?”

You laugh in disbelief and rest your forehead on his shoulder. “What about you? Do you have a fursuit already?”

“No, I don’t have a fursuit, because I’m not a fucking furry,” he says drily.  “But I do think I’d make a very majestic caracal cat. Which goes nicely with your kitten fursona.”

You blink. “That's quite self-aware of you." And then you scowl. "My fursona wouldn’t be as lame as a kitten.”

“Oh? What animal do you think accurately portrays your personality?”

You lift your head and think. You’ve never really thought about it. Something small and mean, probably. “A mongoose.”

He tilts his head, considering. “That actually fits you quite well. Good at hunting snakes, and very, very cute.”

You can feel yourself blushing. “Yeah, well. I’m not a furry, so it doesn’t matter even if it doesn’t fit,” you mumble a little.

“And yet you want to go to the furry event at the amusement park,” he lifts an eyebrow. 

You stare at him, mulishly. You’re not going to admit that you’re trying to poke holes in his patience because you can’t trust nice things.

“But I don’t think that’s what you actually want to do,” he continues, with a gentleness that hurts your heart. He urges you to wrap your legs around his waist. “When I said you could test me, this is not exactly what I had in mind,” he teases. “How about you test me by telling me what you actually want to do, and then you’ll see that I mean what I say when I refrain from complaining about being bored while we do them?”

You wrap your arms around his neck as he stands gracefully, the water sliding down both your bodies. “I don’t want you to just not complain about being bored,” you argue. “I don’t want you to be bored at all. You don’t have to entertain me while I’m here. You can do whatever you really want to do.” You mean this. It’s enough, just being in the same house as him right now. Knowing that in the evening he’ll end up in the same bed as you. You don’t want him to tire of you too quickly by insisting that he spend every moment with you.

“Then I repeat—what do you want to do?”

Okay. Okay, he asked for it.

“Show me your favorite things to do at home, when you’re not being a warlord.”

He looks surprised. “That’s it?”

“Yeah. I’m really tired. I never get a chance to just relax. I don’t want to go anywhere, or do anything exciting.” You bite your lip, unwilling to admit that you’re desperate to learn more about him and that worried he’s going to think you’re boring. 

He leans forward and catches the side of your lip not caught in your own teeth with his. With your lip between his sharp teeth, he pulls back, gently, until you release it from your own. He pauses, inhales, and then lets go, licking your bitten lip with a quick, soothing flick of his tongue.

“That’s my spot,” he murmurs, pulling back.

Your brain is offline. You have no idea what you were just talking about, or what just happened. All you can feel is the slick of his saliva on the plush of your lip.

Fuck.

You want to fuck him so badly.

You search his face. Can he tell? Does he feel the same way? He touches you like this, and then does nothing. What does he want?

If he can tell what’s going on in your head, he doesn’t comment on it. “Then we can stay home. I’ll show you what I like to do when I’m tired and don’t want to do anything exciting.” His faint smile is tinged with self satisfaction.

“Okay,” you choke out. You will not slide down his body, push him onto the soft moss, and jump on him. 

“But first, I will feed you.” The tendrils of his evol bring the fluffy towels to his waiting hand, and he wraps one around you, all while you cling to his torso. He just drapes the other around his shoulders, over your arms still wrapped around his neck. His evol then ferries the two cocktails that remained untouched for the whole time you were in the hot tub, following you back through the pool room and into the chill hallway as Sylus carries you to the kitchen. Between the heat of Sylus’s body and the towels blanketing you, you’re still warm. You watch the drinks following you over his shoulder, and then glance at him.

At your look, he says, “What? It would be a shame to let perfectly good drinks go to waste.”

“What time is it? Don’t you think it’s a bit early to start drinking?”

He shrugs. “It’s probably past midnight, sweetheart. That’s when one normally drinks alcoholic beverages, isn’t it?”

You sigh. “So it’s basically noon in your day-night cycle.”

“Time is a construct, and inherently meaningless,” he says serenely.

After this insufferable response, you give up trying to save his liver for the moment.

____________________

Later, after Sylus serves you a meal packed with protein that pairs nicely with the cocktails as the fire crackles pleasantly and the clouds, reflecting the N109 Zone’s bright lights even at night, sweep across the sky outside his kitchen windows, after you’ve showered and put on warm, comfortable clothes, you find him in the sitting area of his bedroom, reading a book, the Beatles playing on his record player. You recognize the song— The long and winding road. 

You stop, suddenly overcome with an overwhelming sense of sorrow. He looks up from his book and watches you curiously.

You left me standing here, a long long time ago

You feel like you’re forgetting something very, very important. Like your dream last night, but not about your family. About the man watching you inquisitively, his long, graceful fingers holding the book gently, the outline of his aquiline nose limned in the soft lighting of his bedroom.

Don’t leave me waiting here, lead me to your door

You suddenly can’t bear to be separated from him for one more second. You pad to him on your freshly bandaged feet, knock the book out of his hand, clamber into his lap, and hug him.

His arms come around you as if he doesn’t mind that you’ve just bulldozed your way onto his lap. After a few minutes, the song ends, and a new, more upbeat one begins.

You feel like you can breathe again.

You sit up, looking down into his face. You want to kiss him so badly. You’re afraid that he’ll gently push you away, as he pushed your hand away from the tie of his sleep pants that you were fiddling with recently. With such kindness, but a loud, resounding rejection of what he perceived to be you offering your body to him.

He’ll bite your lip, but you’re so scared that he doesn’t want to kiss you. Sometimes it seems like he wants you, you, not just a body, not just anyone praising him or challenging him, but you. Do you really still not know? My beloved is perfect to me.  

But what if you’re wrong? What have you done to earn this incredible man's devotion?

“Will you tell me what you’re thinking right now, without the guessing game?” he asks softly. 

You shake your head. “No. And I don’t want to play the guessing game right now.” You can’t bear to think about what you may be forgetting as you look into his blood-bright eyes. You can’t bear to reveal how badly you want to kiss him, only to be rebuffed.

“Not even a hint?” He nudges your nose with his. “Otherwise I’ll spend every free moment sitting around reading, listening to classic rock music.”

You look at him in confusion. “Why?”

“It seemed to work in luring a kitten into my lap this time. Maybe it works every time.”

Your heart is doing something funny. It doesn’t hurt. It feels… it feels so fucking warm. Like in the hot tub. What is happening to you? 

“The music made me sad,” you offer this truth, as a reward for his sweet response.

“Not a fan of the Beatles?” He fiddles with the hem of your shirt, his knuckles brushing against your skin underneath.

“I do like their music. My gran used to listen to them a lot.”

“Is that what made you sad?”

You give him a look. “I said I didn’t want to play the guessing game.”

“I’m just asking questions,” he protests, the picture of innocence. “Is it a crime to want to get to know you?”

You gaze at him. Weren’t you just thinking about how you’re desperate to know everything about him? “Not one I’d arrest you for,” you say, looking down, smiling a little.

He laughs softly. “Lucky me. It would be hard to uphold my end of our deal and show you the music room, the library, and my favorite part of the greenhouse from behind bars.”

“That sounds like a busy itinerary,” you say, lifting a finger, tracing his clavicle revealed by his soft v-neck sweater.

His knuckles sweep over your skin just above the band of your soft pants.

“We have time—we don’t have to do everything today. Which one do you want to see first?”

You don’t care. Your heart is being weird and Sylus is touching you, and you’re touching Sylus. You could just sit here, forever, and enjoy whatever this… feeling is. But you’re afraid you’ll ruin it. Like you always do. If you take too much, he will actually get bored. You should pick one.

“Library,” you say firmly.

“As you wish,” he says, standing, holding you all the while. You can’t bring yourself to protest. You can walk on your own feet. Your feet already feel a little better after just a day. But he’s warm. And he doesn’t seem to mind at all. You drape yourself over him, and let him carry you through the dark halls to his library.

He sets you down outside one of the ubiquitous black doors, and then opens it for you. 

His library, like the greenhouse, the pool, the room like a mountain hot spring, is lovely in a way that the rest of his house simply isn’t. Soaring ceilings, heavy built-in wooden bookcases lining the walls, a huge fireplace, electric as opposed to the wood-fireplace from the kitchen, at one end of the room. A wrought iron spiraling staircase leads up beyond the heavy wooden rafter beams to a space you can��t see. Deep red, plush rugs in antique designs hush your footsteps. Plush, deep seated chairs and loveseats, side tables with Tiffany lamps gently illuminate the space. One wall of his preferred floor-to-ceiling windows letting in the N109 Zone night, the red moon bright in the sky as the clouds scuttle past. 

It’s like a library from an old, prestigious university. The kind of university you always wished you could have gone to, if you lived in another world. If this world didn’t need people prepared to kill and die for existential threats to humanity. Where you could study something functionally useless, but enriching to the human experience. Like French literature or poetry. The room smells of wood oil, old paper. 

You turn in a circle and find Sylus leaning against a bookcase, watching you take in the room. “This is one of your favorite spots in the house?”

“Yes.”

“Why?”

“It’s quiet. The twins aren’t big readers, so they don’t come in here. It’s a good place to think, and concentrate.”

“Have you read every book in here, like you’ve seen every film in your collection?”

He straightens from the bookcase and walks to you. As he comes to a stop in front of you, he reaches for your face, holds your cheeks gently in his hands. “No. This room is more about the future. Books I’d like to read when life is a little less busy. I’ve read some, but not as many as I would like.”

“Do you think that someday your life will be less busy?”

“If I have my way, yes.”

“And you’ll spend your days quietly reading in the solitude of your lovely library?”

“Not in solitude. But yes. You think it’s lovely?”

You look at him strangely. Didn't he just say he enjoys it because it's quiet and no one bothers him here? “Of course I do. It’s like someone designed it just for me.”

He looks down into your face, thumbs brushing across your cheekbones.

“Like I said. This room is about the future.”

You tilt your head at his non-sequitur. What does your loving the library have to do with his quieter future?

It almost sounds like…

The moment is full. You refuse to shatter it by considering such outrageous thoughts. You will enjoy this moment for what it is. A peek into the mind of this enigmatic man. The opportunity to explore a beautiful, private space in his home.

“Read to me,” he orders, striding to one of the soft couches and plopping down.

You snort. “What do you want me to read you, your spoiled highness?”

“Anything you want. Look around, pick something that catches your interest.” He lets his head drop onto the back of the couch, eyes half-lidded as they follow you walking to one of the bookcases, as you let your fingertips run along the spines of book after book. You see a lot of titles you don’t recognize. You see a lot that you do—classics as well as newer publications. You and Xavier spend enough time in the bookstore that you know a lot of titles by sight, even if these days you rarely have the time to read beyond the manga you share with your partner.

Your eyes catch on a familiar title.

“Oh,” you breathe.

“Find something?” Sylus asks languidly.

“One of my favorite poets. Gran had a copy of this.” You pluck the book from the shelf and walk back over to where Sylus is sprawled on the couch. The moonlight through the windows makes his eyes look even brighter than usual, glowing in the soft light.

“You’re a fan of poetry?” he asks, eyebrows lifting.

“Don’t act so surprised. I’m not entirely uncultured.”

“Your manga collection could have fooled me,” he teases.

“Manga is art. You’re a pretentious fool if you can’t recognize that.”

“No need to get your knives out, kitten,” he smiles, one sharp tooth peeking from behind his full lip. “I have a collection of manga here as well.”

“You do?”

He just steadily stares at you.

“Where?”

He closes his eyes. “Guess you’ll have to stay long enough to explore and find it.”

You stand over him, drinking in the sight of him. Surrounded by the scent of books, polished wood, the moon’s red light rendering him slightly otherworldly.

You want to stay long enough to find out. It’s only been two days, and you want to live in this moment forever. You're so greedy. You're so unworthy.

“Still want me to read to you?”

Instead of answering, the tendrils of his evol wind up from your ankles to your waist, lift you, deposit you on the seat next to him. He scoots down, places his head in your lap.

“You could have just said yes,” you say drily. “No need to be dramatic.”

“I don’t hear any reading. Chop chop.”

Oh hell no. You scowl down at him, but his eyes are closed. “Lap service costs extra.”

“Good thing I’m filthy rich.”

You scoff. “I don’t want your money.”

He opens his eyes. “I suspected as much. It makes taming you all the more difficult.”

You look at him curiously. “Is that what you’re doing? All of your generosity, in order to acquire a tame hunter?”

“What use is a tame hunter?” He dismisses your suggestion. “Your imagination is distressingly limited.”

“Once again, I disappoint,” you murmur. He clearly isn’t in the mood to answer your questions.

He tsks and closes his eyes again, wiggles a little to get more comfortable in your lap. “Make up for it by reading your favorite poetry to me.”

You want to lean down and kiss the smug look off of his face. You don’t want him to turn away if you do.

You begin to read.

“Try to praise the mutilated world.

Remember June's long days,

and wild strawberries, drops of rosé wine.”

He interrupts you. “I see why you like Zagajewski. Someone else who shares your taste in middling wine.”

“No comments until the end, thank you,” you jostle his head by bouncing your thigh a few times.

He scowls, places one big hand on your thigh and presses down. “Stingy. This should be interactive storytelling.”

You ignore the howling need in you to grab his hand, to guide it further up your leg. You continue to read.

“The nettles that methodically overgrow

the abandoned homesteads of exiles.

You must praise the mutilated world.

You suddenly think of the N109 Zone and all of its misery. Paying the price of some shitty corporation’s greed. But you keep reading.

You watched the stylish yachts and ships;

one of them had a long trip ahead of it,

while salty oblivion awaited others.”

You pause, thinking about Sylus’s wealth, the wealth of people like him, and everyone else. The yachts, versus the ships that will sink.

“That’s not the end. Why have you stopped?” Sylus's voice jerks you out of your thoughts.

“You know this poem?”

“I own the book, don’t I?”

“You said you hadn’t read everything in here.”

“Point,” he concedes. “But yes, I know this poem. I’m also an admirer of the poet.”

You think about him calling you kindred spirits, when you first met. How angry that idea made you. Now, you want to lean down and kiss him. You shake your head a little. You keep reading.

“You've seen the refugees going nowhere,

you've heard the executioners sing joyfully.

You should praise the mutilated world.

Remember the moments when we were together

in a white room and the curtain fluttered.”

Sylus interrupts you again. “I always liked the imagery of the moments spent together, the simplicity of the white room, the curtain fluttering. What more can one desire, when at their love’s side?”

You don't think you've ever heard him say something so romantic. But why would you have? You're not in a romantic relationship with him. Your heart doesn't seem to understand that fact—something inside you thrills that his idea of romance mirrors yours so closely. But his focus on the gentle moment, instead of the rest of the poem, strikes you as strange. “That’s what you see? Not the lovers enjoying simplicity, safety, while the refugees are going nowhere, and the executioners are singing joyfully?”

“The point of the poem is that you must wrest joy from an imperfect world where you can. You’re not helping the condemned by moping about their fate.”

“Is that the point? Perhaps the point is that all you can do is try to praise the mutilated world, but it’s fruitless. If that were the point, he would have entitled it 'Praise the mutilated world,' not 'Try to praise the mutilated world.' ‘Trying’ isn’t succeeding—try all you want, but it’s impossible to praise the world as it is. Better to use your yacht to save those drowning in the salty oblivion.”

“Idealist,” Sylus scoffs, as if the label is a profanity instead of a compliment.

You jostle his head again. “Cynic,” you retort.

“You’re not done,” he sniffs, closing his eyes again.

You resist the urge to buck your hips in order to dump him on the floor. You read again.

“Return in thought to the concert where music flared.

You gathered acorns in the park in autumn

and leaves eddied over the earth's scars.

Praise the mutilated world

and the gray feather a thrush lost,

and the gentle light that strays and vanishes

and returns.”

You finish, filled with a strange feeling. You’ve loved this poem ever since the first time you read it with the sunshine gushing into your gran’s living room on a slow summer day. As you grew, you loved it for different reasons, for its ambiguity, its hope and its resignation, its acknowledgment of the horrors of life and its simple pleasures. It always felt familiar to you, but the specific imagery reading it this time around is familiar in a way that feels concrete. 

You think about the gray feather, the light that strays and vanishes and returns. You think about the feeling while listening to the Beatles, that you’re forgetting something important. You think about Sylus’s casual dismissal of the suffering of others.

Calling suffering fate seems like a convenient excuse to you. Why bother trying to make the world better, if fate deems that it should be miserable?

You think about sipping the rosé, biting the strawberry Sylus offered you. Your curtains fluttering in the breeze in your room, when Sylus has come to your place at night. These things you have enjoyed, as people suffer beyond the safety of your apartment and Sylus’s fortress walls. 

“Stop torturing yourself, darling,” he says through your racing thoughts. He turns his head, presses his lips against your thigh, inhales deeply. It’s not a kiss, but you feel the press of his mouth through the fabric of your pants as if it were. You resist the urge to spread your thighs further.

“Should I read another?” you ask quietly. You don’t want to think about these things. You want to live in the moment. What kind of person does that make you? The desire to ignore the cost of this pleasure, your enjoyment of Sylus's home, proves that you don’t deserve it. 

“Of course,” he says, but his phone vibrates in his pocket. He grunts unhappily as he reluctantly sits up, sliding the phone from his pocket. “Keep exploring,” he says, heading to the door. “I’ll try to make this quick.”

So you do. Wandering amongst the books, finding other titles that are your favorites, but so many that you’ve never read, never heard of. Many of them are not in your native language. You wonder how many languages Sylus speaks.

After a surprisingly short amount of time, he returns. "Read more to me," he orders, sprawling on the couch once more.

You look back at him, admiring the wrought-iron staircase spiraling up, the moon through the windows, his long, strong body casually stretched along the couch.

“Can we light the fire?”

“Of course. Fire," he says, and the fireplace flares to life at his command. You wonder if such a system is in place in each room. You wander back to the couch, and he pulls you down. You read him the rest of the poems from this collection, arguing here and there, learning his favorite parts, both matching and diverging from your own. Until your stomach growls, causing him to nuzzle it, insist on taking you to the kitchen and feeding you another meal. After you're once again full, he offers to show you the conservatory.

“Okay,” you say, relaxed, satisfied. He wraps his arms around you, lifts. You let him, wrapping your legs around his waist. You think about a gentle light that strays and vanishes and returns. What are you forgetting?

He takes you to the music room. It’s behind another black door. You would never be able to guess, walking through his solemn hallways, each expansive room unfolding behind each uniform door.

As you walk into the beautiful space, you’re struck with the realization that Sylus’s home is strange in many ways, and not just because it serves as both his home and his fortress, an armory and an indoor playground. The halls are winding and despite the height of the ceilings on each floor, they’re oppressive. There is no open floor plan for the house itself. Each room’s door can be closed, barricaded, turning the room within into a bunker. But behind each door, each room fans out, soaring windows, high ceilings, glass giving way to a savage view of the harsh landscape in a way that renders even the ugliness of the N109 Zone beautiful in a stark, barren-planet kind of way. You suspect that the glass is bullet-proof. You wonder what kind of impacts it can withstand beyond firearms. Could it survive a thrown grenade? A direct strike from a drone? Would anyone dare actually wage a full-on assault on the leader of Onychinus’s home?

“Not even the greenhouse rendered you speechless, kitten. Does that mean you like it, or hate it?”

You blink. You had been so busy wondering about the strategic choices of Sylus’s architectural design that you hadn’t even begun admiring the metal support beams, curling like vines in a distinct art nouveau style between multiple panes of glass, each meeting at the pinnacle of a glass ceiling. Two of the larger glass panes are not the standard window glass, but are stained glass, continuing the art nouveau theme, depicting colorful curls of plants, flowers, as well as animals—beasts from mythology, dragons, phoenixes, winged chimeras. Luscious potted plants scattered along the white marble floor. A white grand piano sitting in the center of the circular space. Instruments of all kinds, from all parts of the world, hung or resting on more organically wrought metal display mounts along two-thirds of the glass walls. A seating area, filled with comfortable, low furniture, carved blond wood in flowing, plant-like designs, sits between the piano and the view of the landscape through the clear glass, framed by the murals of stained glass.

It’s breathtaking. But you’ve had your breath taken by the greenhouse, the pool, the room with the hot tub, the library. Each in a distinctly different style from the rooms of the house that see daily use by their owner: Sylus’s bedroom. The kitchen. The hallways. The imposing dining room and its equally imposing banquet table. The cave-like theater room. Each dark—black marble, maroon accents, deeply masculine, modern, abstract art. But the rooms that have taken your breath instead of making you feel oppressed are so startlingly different from Sylus’s often-used spaces.

You can’t accept the moment. You can’t stand not knowing, even as you are afraid to know. You have to ask. “I don’t understand,” you say, turning to him.

He glances around the room, and then looks back at you. “It’s a home conservatory, sweetheart. Not a trick question.”

You ignore him. Your curiosity will eat you alive if you don’t ask him. You want to know. You don’t want to know. “Why does it feel like two different people designed your house?”

His eyebrows lift in surprise. “What do you mean?”

“Half of your house is edgy, big-dick rich vampire man-cave, and half is this,” you sweep an arm to indicate the delicate yet sturdy steel beams, organically curving into the height of the room, the chairs carved like palms, stained glass, the lush vegetation.

“Can one person not appreciate more than one style of home decor?” he asks, walking over to you, winding an arm around your waist.

You stare at him. Nothing Sylus does is by accident. You know this much by now. You know a lot about him by now. You don’t know enough about him by now.

“The parts of the house you spend the most time in reflect your style. But the other parts… the parts that wait for an owner that rarely comes. Did you choose the design yourself? Or did you let your architect run wild?”

His smile is faint as he gazes down at you. “How very observant of you, darling. But I designed every room in this house. The architect modified the plans where necessary to ensure the structural integrity was sound, but I chose the decor.”

You wait. It sounded like he ended that sentence with a ‘but.’

“You’re right. I didn’t have just my preferences in mind as I was planning each room.”

You want to know. You don’t want to know. What if you’re wrong? The very idea is insane. Presumptuous. How could he possibly know? You only met him a few months ago. This base isn’t newly built. You have no idea how long I’ve already waited, his voice whispers through your mind.

“Whose preferences did you have in mind?” you ask, your heart doing that thing again. That weird thing that doesn’t hurt but scares you with how good it feels. Don’t leave me waiting here, lead me to your door.

His smile widens, just a little. “Do you really not know?”

You can’t process this. How could he have known?

It’s like these oases in his dark fortress of a home were designed with your deepest heart’s desires in mind. 

You want to kiss him. You want to resonate with him again. You want to drop to your knees in front of him.

The enormity of your feelings is terrifying.

What if you’re wrong?

How much worse will it be, if you let yourself believe, and he turns you away. What if he designed all of this for someone else. Because how could he have known, before you met just a few months ago—how could he have known the contours of your tastes, the things that make you most comfortable, the yearning of your heart in your small apartment, of what you’d give yourself if you could ever afford to make your home exactly how you would want? A refuge from the harsh world. Space to breathe.

Your feelings are choking you. You step away from his embrace, turn. You have time. He said he’ll wait. You focus on this room.

It’s beautiful. Because of course it is. You don’t recognize even half of these instruments.

You turn back to him. He has moved to the piano, straddling the white bench, legs spread, just watching you.

“Do you know how to play all of these?”

He shakes his head. “No. Most of these are collector’s items, antiques. But I do know how to play the piano.”

You stand, resisting the constant pull towards him. You want to go to him, run your hands through his hair, tug his head back, expose his throat, bite.

“Only the piano?” You satisfy your need to move by walking over to the sitting area, forcing yourself to sit away from him. You need to control yourself. You plop down on one of the beautiful chairs, carved like a ginkgo leaf.

He turns, sitting properly on the bench in order to face you, and opens the cover over the piano keys. He leisurely presses down on one key, and the note resounds through the lovely room.

“I can also play the organ,” he murmurs, before beginning to play in earnest.

You don’t recognize the piece. You know you’ve never heard it before. But the longer he plays, the more you’re overcome with the sense that you know it. The blood under your skin, your lungs, your bones—you feel pulled to him, to his long fingers sweeping over the keys, unseen from your vantage point in the room. You know what’s coming, the crescendos and the pauses. It’s beautiful. It hurts. Your thoughts drift to the poem. Its strawberries, its rosé wine. Its familiarity. Return in thought to the concert where the music flared. You want to ask Sylus if he owns a yacht. You’re convinced that there will be a park, and acorns, and you will pick them up and offer them to him on a sunny summer morning after a long, long night. It has already happened. It will happen in the future.

You can’t resist the pull any longer. You stand and walk over to him, stand next to him at the bench. His hands hypnotize you. Big. Rough. Delicately pressing the keys—sure, confident, flowing. Like his evol. Like him.

“Sit,” he orders, and you obey, sliding in next to him. You try to give him space, but he takes one hand, still playing with the other, and pulls you by the waist until you’re shoulder to shoulder, hip to hip. 

You watch his hands, lost in the moment, lost in the feeling of recognition, of … something. That warm feeling in your heart, threaded with the pain of having lost something that you can’t remember.

Slowly, the piece comes to an end. His hands become still on the keys.

“What song was that?” you ask.

He flicks his eyes to yours.

“It doesn’t have a name.”

“Who composed it?” You hope that perhaps you can track it down later and listen to it again when Sylus isn’t around.

“Me,” he says, turning his head to look at you.

Wait, what?

“It’s already shocking enough that you play, but when do you have the time to compose?”

He lifts one of your hands and threads his fingers with yours. “Why so shocked that I have hobbies, like anyone else?”

“I just figured you’re always too busy with murder, mayhem, and munitions to have hobbies like a normal person,” you squeeze his hand as it swallows yours.

“I don’t have a lot of free time, but when I do, I like to spend some of it practicing and composing. Sometimes when I’m bored during business meetings I compose a little in my head and then write it out when I get home.” 

At your incredulous look, he flicks your forehead gently with his free hand. “What would you have guessed that I spend my free time doing if it occurred to you that I do not, in fact, work in every waking moment?”

You consider it. “I would have assumed you spend all your free time hanging out in your shady nightclubs.”

He frowns at you. “I own classy nightclubs because they make me money and provide convenient venues for business deals now that I no longer host such deals in my own home. I do not spend any more time in them than necessary.”

“Is that what you meant when you said that Amnesia isn’t really your vibe?”

“You remember,” he says, sounding pleasantly surprised. 

“Even though it feels like weeks ago, you did just tell me that like, two nights ago,” you flick his forehead in revenge.

“Fair point,” he concedes. “All right, then, yes. That’s what I meant.”

“So what is your vibe?”

“Curious, kitten?”

“Yes.” That warm feeling you have is overriding your fears of admitting this to him. You want to know him. You want to know everything about him.

“It’s easier to show you my vibe,” he shrugs. “We’ll make a date of it.”

He dropped the “fake” part again.

His phone begins to vibrate in his jeans pocket again.

He frowns in irritation. You stand, forcing yourself to move away from him.

“I’ll entertain myself,” you smile at his questioning look. He holds onto your hand as you move away, until your arm and his are stretched between you, and then he lets go.

You’re thankful for the interruption. Too much unadulterated time being the subject of Sylus’s entire focus makes you think insane things. Like that he designed parts of his house with you in mind. That you know music that you’ve never heard before. That you’re forgetting something important about him, even though you only met him recently. That a poem you read in your youth is a roadmap of things that have already happened between you and the man pacing behind the door, and what will happen before the light strays, vanishes… returns again.

You step into the hallway and wander back toward the kitchen. After a few minutes, you hear the flap of Mephisto’s wings. He’s keeping you company again. You keep walking.

You’re distracted halfway to the kitchen, however, when you hear voices coming from the theater room. It sounds like the twins, and someone else whose voice is familiar, but you can’t pinpoint it. You knock.

“No need to knock,” one of the twins yells.

You open the door and peek into the room. It’s dark, with all the lights dimmed.

On the large screen where you almost watched a movie with Sylus the other night, a video game is playing.

Luke sits on one of the loveseats, holding a game controller, while Kieran is squished onto the same small loveseat with him, their two big bodies barely fitting, hiding his face in Luke’s shoulder.

Noah is sprawled out on another loveseat, perfectly at ease. She gives you a lazy wave.

Luke pauses the game and looks over his shoulder at you.

“Boss busy?” he asks as Kieran lifts his head, a look of relief on his face at the interruption.

“Business call,” you say, nodding. You stare at the screen. It looks like…

“Are you playing the Silent Hill 2 remake?” you squeal.

“Yeah! Since boss is on a little holiday, he gave us the time off as well. Figured we’d finally play it.”

“Are you a fan of the original?” Kieran asks.

You nod. “Huge fan. I was so excited when they announced the remake, but I’ve been too busy with work to play it.”

“Wanna join? Kieran is too scared to look half the time. We can take turns, if you want,” Luke offers, sounding pleased to have another person to share the game with.

You seriously consider his offer, but you’re still so tired. You don’t really want to learn the controls mid-way through a playthrough. Weren’t you just thinking about watching let’s plays of horror games you haven’t had a chance to play yet? You can watch Luke play without having to do a thing.

“I’m good, but do you mind if I stay and just watch until Sylus is done?”

“Is that even a question? Get in here.”

Luke unpauses the game, and the familiar sounds of the world of Silent Hill, with amazing, updated graphics fills your vision. You slink inside the room and sit on another love seat, preferring to give Noah her space since she’s sprawled out like she already owns the place.

You watch as Kieran hides his face in Luke's shoulder again as a lying figure jerkily lumbers towards James Sunderland.

Apparently Noah notices Kieran’s fear as well.

“Aren’t you one of the feared Raptors of Onychinus? Like, you’re famous in the Zone. How can the same person who is known for intentionally leaving mutilated corpses in public as warnings to your boss’s enemies be afraid of video game monsters?”

You turn and stare at the twins, a little horrified. Not entirely surprised, because you know what kind of man Sylus is. You know what his organization stands for. But mutilated dead bodies? Where normal people just trying to get through their shitty workday, where kids can see them?

“That’s fucked up,” you say out loud.

“Hey, you’re a fucking cop. We know what cops are capable of,” Kieran says softly, with a flatness in his tone you’ve never heard before. Noah looks between you and Kieran like she wishes she has popcorn. “Don’t act like what you sometimes do is any better than our calling card.” Luke kills a monster shaped like two shapely pairs of legs attached at the waist with a metal pipe, and it dies loudly. He stomps on it for good measure. “At least we’re honest about it, and don’t hide behind a shield of so-called legitimacy. People know what they’re getting when they deal with us.”

You look at Kieran thoughtfully. It’s difficult to admit, but he has a point. You know that there are corrupt hunters. The so-called Tenebrae. You also recognize that dark part of yourself, when you’re faced with someone who you know has done terrible things, and the itch to pull the trigger before you can bring them in. You know that innocent people suffer at the hands of criminals and law enforcement alike.

Kieran stares steadily back at you, his normally cheerful face serious. “How did you come to work for Sylus?” you ask.

Luke pauses the game. “We don’t talk about that,” he says in the same flat tone that his brother just spoke in.

“Oh?” you say, because you don’t want to continue to pry, and you don’t know what else to say.

“Boss says it doesn’t matter where we come from. Only where we’re going. So there’s no use talking about the past if we don’t want to.”

“And you don’t want to?” Noah asks, the look of entertainment morphing into something else on her face.

The twins shake their heads in unison.

You think she’s going to say something snarky, but she just nods. “Then you shouldn’t. No one is entitled to your story.”

“That’s what boss says. I see why he hired you now,” Kieran says, smiling at her, the odd stillness broken.

“He hired me because I’m fucking awesome,” Noah sniffs, flicking her braids behind her shoulder. They’re down now, spilling over her back.

You tilt your head. “Are you a new hire?” For some reason you thought that Noah had been Sylus’s driver for a long time.

“Did he not tell you?” she asks, looking at you strangely.

“Tell me what?”

“I’m not gonna do his work for him,” she says, rolling her eyes.

“Huh?”

“Don’t worry about it,” she smiles at you, and it’s unnerving instead of soothing. “Anyway, yeah I’m a new hire. You’re gonna be seeing a lot of me in the future.”

Although Kieran seems to have reached some sort of approval of Noah, Luke still shudders and starts the game again.

You let it go. You’ll ask Sylus about Noah’s weird comment later. Instead of dwelling on it, you sink into admiring the awesome graphics, the atmosphere, your childhood nostalgia rendered in state of the art graphics

When the sirens go off as James is about to enter the Other World, you have a sudden flashback to playing the original Silent Hill 2 with Caleb. You were also too afraid, like Kieran, to play yourself, so you just clutched Caleb’s arm as he held the controller, and you delighted in the safety of vicarious thrills, of Caleb’s reassuring, solid presence at your side as you experienced the story. You suddenly miss him so, so much. The feeling of loss is overwhelming.

The sudden punch of grief leaves you breathless. Everyone else is so focused on the screen, they don’t notice your gasp. You want to watch. You’ve been wanting to experience the remake ever since the developers announced it, over a year ago. You want to experience it with who you are tentatively thinking of as your new friends. But you need a second to ground yourself before you can bring yourself to keep watching. 

Your force your voice through your throat. “I’m going to grab a snack. Do you guys want anything from the kitchen?”

“Popcorn!” Noah calls.

“We’re good,” Luke answers, because apparently Kieran is almost catatonic with terror.

“All right, be right back.” You take your time getting to the kitchen, Mephisto following you out the theater room door. You rifle through the fridge, shove some snacks into your mouth. You’re shocked to find microwave popcorn in one of the cupboards. Sylus strikes you as the kind of snob who insists on popping loose kernels on the stove, or over the fire in the fireplace. Nothing so pedestrian as store-bought and in the microwave. You snicker, that feeling of sorrow fading as you engage in everyday tasks, with company to look forward to. You’re not alone right now. You’re excited to see more of what the devs retained from the original game and what they added or changed in the remake. You head back to the theater room, but accidentally drop the bag of popcorn before you can open the door. As you pick it up, you can hear Noah.

“You know you don’t actually have to kill every monster you encounter, right?” She asks in barely disguised disdain.

“You know that you don’t actually have to offer your opinion when no one asked, right?” Luke snarks.

“Oooh, someone’s grumpy because he isn’t going to have an advantage in the bet like he thought,” Noah says through a snicker.

“What advantage? We agreed not to interfere. Boss is gonna have it in the bag even before the two weeks are up even without our help,” Luke responds.

“If he doesn’t fumble it by being too passive,” Kieran adds, thoughtfully.

“What ‘help?’ I bet your help would result in more delay than progress,” Noah taunts. “I probably don’t even have to do anything to counter your nonsense. You’ll do all my work for me.”

“Hey, flooding the guest floor was a good idea,” Luke protests.

This is just met with a cackle. 

You stand, frozen. You didn’t mean to eavesdrop. But what is their boss going to have in the bag without their help? What bet?

Something inside of you already knows. Hadn’t you thought earlier that the twins probably made a bet out of your obvious, pathetic crush?

But they said it was about their boss achieving something. Not about your feelings.

You don’t want to know.

You try desperately to cling to that warm feeling you’ve had since the pool.

Boss is gonna have it in the bag.

You spin on your heel, intending to return to the kitchen without them knowing you heard anything, just to buy yourself time to process. But of course, you promptly knock over another ugly sculpture. It shatters on the floor.

You stand there in your bandaged feet, holding the popcorn, staring down at the mess you just made.

The door swings open and Kieran, Luke, and Noah jostle each other to see what just happened in the hallway.

“Sorry,” you say. What the fuck else can you say?

“What happened?” Kieran asks.

“Just me being clumsy,” you say, trying to smile.

Luke squints at you. “Oh shit.” He turns to Kieran. “They’re making that horrible face again.”

Kieran stares at you.

Noah flicks her braids and tilts her head, examining you like an art critic trying to find meaning in a child’s finger painting. “What does that face mean?”

“It means they heard what we were discussing,” Kieran says grimly.

Luke glares at Noah. “What are you even doing here? Now the bet is fucked and boss is gonna be mad because his hunter’s making that expression again. Look at them. We’ve hurt their feelings!” He gestures at you.

She glares back. “Boss told me to report here for duty every day to remain on standby in case the hunter wants to go anywhere. What are you doing here?” she sneers.

“We live here,” he answers, looking confused that that’s even a question.

You take a step back, away from the sharp shards of the broken sculpture. Maybe they’ll be too busy arguing to notice.

That good feeling is gone.

You think about every move Sylus has made since the auction. All of his attention, his gentleness, his kindness, his dogged reappearance at your home, his arranging for you to have sick leave.

Would Sylus do all that for a bet?

Is he that bored? Is he that good of an actor?

How on earth would you even know? You don’t know shit about him. You’ve known him for a few months. In that time, you’ve seen him a handful of times. What the fuck are you doing?

You think about that feeling you had while listening to the Beatles, while listening to Sylus play the piano, of forgetting something really important. You want to throw up. 

Yeah, you’re forgetting something all right.

You can’t stand the feeling inside you right now. It’s too big. It’s eclipsing everything you’ve felt up until this point.

You think about what it will take to get out of here.

You think about picking up one of the sculpture’s shards and digging it into your thigh, anything to override this feeling inside you now.

You think about the resonance with Sylus when you woke up. Could he fake that?

His evol is unearthing a person’s deepest desires. But is it more than that? Could he make you feel adored without using his aether core? Did he promise not to use his evol on you because the terms of the bet forbade interference? Your fears send you spiraling.

“Oh no. No, no, no, no,” Luke says, peering at your face again. He takes a step forward, reaching out to you like someone trying to calm a wild animal, his house shoe crunching on the broken bits of sculpture.

You take a step back.

Noah just looks between the twins and you, confused.

“I’m just going for a walk,” you lie. You take another step back, turn, and start to walk down the hallway that will eventually lead to the lift. The lift that goes to the underground garage.

As you round the corner, Luke says,“Get—”

“On it,” Kieran says, with his phone to his ear.

Noah looks thoughtfully down the now empty hallway. “The hunter’s fucked up, huh?”

Luke shrugs. “Aren’t we all?”

Noah frowns at him. “Speak for yourself. You don’t know shit about me.”

“I know that boss hired you after looking into your soul. Which means you’re fucked up too. He isn’t interested in wholesome things or people—too boring.”

“And you?”

“You said it yourself. I really enjoy carving people up.” He shrugs. “Soothes something from our shitty childhood.”

Noah considers him. “Your brother seems to be okay with me now. Are you going to have a problem with me?”

Kieran grins at her. “What makes you think I have a problem with you?”

“You were mean when I suggested you try to stealth around the monsters. And don’t think I didn’t see your reaction when I said I’d be around more often. And acting like the hunter being upset is solely my fault, when we all made the stupid bet.” She counts each piece of evidence on her pretty fingers.

“Who the fuck likes backseat gamers?” He pouts a little. “And I didn’t like being hit on within an hour of meeting you. I don’t like people like that.”

Noah scowls back at him. “You don’t like people like what? ”

“I mean, I don’t like, like people. I get the creeps when people hit on me.”

Her lovely eyebrows shoot up in surprise. “Oh.”

“But boss likes you, so I like you. We’re cool, so long as you don’t hit on me again.”

Noah nods.“I was just giving you two shit since you hauled me in front of your scary fucking boss. But I promised boss I wouldn’t do it again.”

“Then we’re cool. And if you don’t like how I play Silent Hill, then you can play if you want.” He opens the door again, gesturing for her to go in ahead.

“Nah man, I like being in the peanut gallery.”

“Does that mean you’re not gonna shut up?”

“You know it.” Noah gives him a big, feral grin.

Luke grins back at her, equally frightening. “Then I’ll be sure to kill every single monster we come across, no matter how much ammo it wastes.” The door swings shut on Kieran standing in the hallway, looking thoughtfully down at the phone in his hand.

_____________________

Sylus hums the melody of the music he played for you as he ends the call with Aidan. Luckily the issue this time could be settled by answering Aidan’s questions, and he can still look forward to a mostly uninterrupted day with you. He wonders where you’ll like to go next. Back to the library? To the greenhouse?

He’s in a great mood, despite the interruption. Every conversation with you convinces him that you’re closer and closer to accepting the truth. That you’re his, and he’s yours. He wants to drag you back to the library, listen to you read to him, argue about poetry—the way your eyes flash when you’re making a counterargument, the sneer in your retorts to his needling you—he wants to kiss you. He wants to kiss you so much it hurts.

His phone vibrates in his pocket again. He clenches his jaw, pauses. He wants to throw the damn thing against the wall and just continue looking for you, business be damned. But he also doesn’t want to leave Aidan in an awkward position. He fishes the phone out of his pocket and accepts the call.

“Boss, your hunter is making a strategic retreat again,” Kieran says breathlessly.

Sylus jerks to a stop.

“Repeat that?” he demands.

“They overheard us talking about the wager,” Kieran explains, sounding pained.

It takes Sylus a second to remember what he’s talking about. “The bet about how long it will take for kitten to realize that I want to date them?”

“Yeah.”

Sylus thinks. Why would you be spooked by a stupid bet between his henchmen and your driver?

“But they—well, they overheard us talking about it, and they don’t know what the wager is actually about. I am afraid that they might have misunderstood something,” Kieran says carefully, like he’s waiting for Sylus’s wrath.

Sylus immediately realizes what probably just happened.

“I left kitten alone for less than twenty minutes,” he sighs. Just his fucking luck. It’s like the universe or some cruel god wants to create obstacles in his path to winning your precious heart.

“Your bet is over,” he barks.

“Understood.”

Sylus ends the call and pulls up Mephisto’s app. You’re walking quickly, with purpose. He squints, trying to figure out which part of the house you’re in. It looks like you’re trying to get to the lift that leads to the underground garage. Sylus dissipates into red and black mist.

_______________

As you walk, you make your way to the garage, not even sure what your plan is. You have that hollow, manic feeling filling you—the feeling that always fills you when you’re hurt like this, when you just need to get out, to outrun your own body and the feelings it contains. This time though, through the noise in your head, you remember your promises to Sylus. About not hurting yourself, but going to him. If you have doubts about his intentions, to go to him. To ask him when you have questions, instead of making assumptions.

But how can you? What’s the point of honoring promises made to a man who thinks your feelings are fair game for a bet? 

You need to think. You don’t want to think. You’re hurting so, so much. You need time. Your body feels like you’re out of time. You miss Caleb. You miss your grandmother. 

It takes all of your self control to stop moving. You hear Mephisto’s wings flapping behind you. You close your eyes. You resist the urge to punch yourself, barely. If you’re just a bet to him, you should punch him instead. You open your eyes and realize you stopped next to a door with an electronic lock blinking on the handle. You turn and look at it fully, and you hear the lock click.

It recognized your face. Just as Kieran and Luke told you all the locks in this house would. Why would Sylus bother programming your face into his home if you’re just a bet?

You watch your hand reach out, grasp the handle. You pull, and the door opens easily. You slip inside and let it close before Mephisto can follow.

The lights flicker on.

You gasp.

It’s like standing inside an upscale jewelry store, built inside a bank vault. Except instead of sparsely filled display cases, designed to emphasize and showcase a select number of precious jewels, each glass case is stuffed with the things. Diamonds. Rubies. Emeralds. A mind-blowing variety of beautiful stones that you don’t even know the names for. Loose stones, as well as jewelry—necklaces, rings, earrings. Where most of Sylus’s house is the picture of meticulous order, this vault looks like a dragon’s hoard of priceless treasures, casually piled high without much thought.

Why would Sylus trust you with access to such wealth, if you were just a bet?

But more importantly, how much death must Sylus Qin sell, to afford such a vault?

How many lives in exchange for each gem?

You turn in a circle as you slowly process the fact that you’re standing in the middle of a sea of blood diamonds.

What are you doing?

What the actual fuck are you doing?

You were just marveling at the luxury of the rooms he designed, filled with the thrilling possibility that he had built them for you. You had thought about the cost of the heating in the hot tub, the pool. And yet you were willing to overlook such expenses. Why? Because at least the pool, the lovely architecture are useful? Because they provide some value to the human experience, even if only a select few will ever get to experience them at Sylus’s house?

But what value do diamonds have? Shiny clumps of compressed carbon. You can’t burn them for warmth. You can’t eat them. Okay, so maybe they’re used in some industrial processes, but for fuck’s sake, artificially created diamonds could serve that purpose. And you’re absolutely sure that the diamonds Sylus has hoarded in this vault are real, products of millions of years of pressure, and not made in some lab.

You sink to the black marble floor. It’s cold. You draw up your knees and hug them.

There’s too much happening in your brain right now. Your grief. Your uncertainty about Sylus’s intentions—the question of who his beloved is. The bet.

The realization that you’re falling in love with a man whose life’s work is bringing misery to others.

You hate yourself. Here you are, thrown into a tailspin from the idea that Sylus may have spent all this time on you because of a bet with his minions, when you should be in a tailspin about the fact that it’s probably already too late for you to stop falling for a man who not only praises the mutilated world, but is one of the people shoving the knife in deeper. 

There is so much you don’t know about him. But what you do know is that Sylus is too busy pouring salt into the wound of the world to dedicate so much time and resources to something as frivolous as a wager about how long it will take for him to get you in the bag. It’s pure, self-pitying hubris to assume otherwise.

You’re focusing on the wrong things, again. You’re forgetting what’s important, again.

What do you want? What can you live with? Why do you feel a connection with this complicated, cruel, ruthless man, as if you’ve known him for more than a few months? What kind of person are you, if despite sitting in a sea of diamonds paid for in other peoples' blood, you still want this merchant of death to come find you, to hold you in his arms, tell you that he wasn't placing bets on how long it would take to have you in the bag?

You begin to rock, somehow resisting all of your terrible urges: to hurt yourself, to run, to set this awful room on fire. You rock, and you hurt, and you wait for the terrible man you’re falling in love with to find you, as he always does.

______________

Sylus finds Mephisto pacing on the floor in front of his gem vault. He caws in distress when he sees his owner re-materialize in the hallway. Sylus finds the fact that you’re in the gem vault, and not currently trying to procure a getaway car, to be a source of hope—a strange feeling for him. What use does he have for hope? He has plans. Plans with contingencies, alternatives, backups. They either succeed because he planned well enough, or they fail because he did not plan well enough. 

Hope has no place in his world.

People suffer and die. Deals are made and broken. Fate is cruel, inflexible. He knows this all too well, no matter how much he’s struggling against fate this time around.

Hope has no place in his world.

But.

You could have kept running. You could be in any one of his vehicles right now, trying to break land speed records to get the fuck away from him, convinced that he was involved in a bet about the biggest gamble of his life.

But you’re not. You’re in his gem vault, for some reason. You strange, unpredictable, delightful creature.

He finds himself hoping that this misunderstanding hasn’t just caused you to retreat beyond his reach again. 

Your fingers in the dip of his clavicle.

The yearning look on your face, that he doesn’t think you even knew you had, when he bit your lip—the closest he’ll allow himself to a kiss until he’s one hundred percent sure you’ll welcome him while awake.

He opens the door.

He pauses, struck with the strange sensation of viewing his greatest treasure surrounded by so much of his material treasure. You belong here. The value of all of these precious stones nothing in comparison to you, shining like a beacon to him at the end of a long and winding road from the marble floor, dimming everything else in this room by comparison.

His house shoes whisper along the cold marble floor where you’re sitting, curled in on yourself.

He has watched you take down wanderers the size of an elephant. All that strength, contained in your huddled body. You look so small to him. He wants to protect you from all the horrors of the world. But of course, he’s the biggest horror of all. Is it any wonder that he keeps hurting you instead?

A better man might keep his distance in an effort to protect you. Like your partner. A better man might know when to quit. Like your dandy artist friend. A better man might be content with loving you from afar. Like your fucking doctor. 

But Sylus is a terrible man, because he’s not going to stop trying to get it right, even as he hurts you in the process, until you order him to stop and mean it.

You don’t look up at the sound of his footsteps, but you also don’t retreat as he approaches.

He sits on the floor next to you, wraps an arm around your shivering shoulders. He pulls you into his arms, feels the rush of hope when you let him.

He cradles your head in his palm.

“The twins bet on everything. Which snail is the fastest on a leaf. Whether it will rain or snow tomorrow. How long it will take someone to bleed out. Whether the traffic light will change in five versus ten seconds,” he says softly into your hair.

“About how long it will take to get your pathetic hunter in the bag?” Your voice is small, just as your body feels in his arms.

“About how long it will take for my beloved to realize how I feel about them,” he sighs.

You stiffen, and he feels a moment of paralyzing fear, before you melt into him. He breathes again.

“What did you bet?” you ask, and Sylus feels the sorrow in your voice like a gunshot in his chest.

You ran, but you stopped. You assumed, but you’re asking questions now. You’re allowing him to touch you, to hold you. The hope in him surges again. 

“I didn’t place a bet in this particular wager,” he manages through the unfamiliar feelings. “But if I had, the gamble would be my whole heart.”

“Does a man who has a dragon’s hoard of wealth, bought with the blood of the guilty and the innocent alike, have a heart?” you ask, finally looking up, your eyes hollow in a way that he doesn’t like.

Sylus is a terrible man. He has never lied to himself about this, or to you. He showed you the worst of himself, the day you met. He has to hope that the fact you’re still here, still asking him questions, means that he hasn’t lost you yet. An unpleasant feeling of doubt slithers through him. Is it the bet upsetting you, or something else?

“Even dragons have hearts, darling.”

You close your eyes. He wants you to open them again. He wants you to look at him. He never wants you to look away from him. Even if you’re looking at him with doubt, or hate, so long as you’re looking at him, that means you’re not leaving him.

“What do you want?” he asks.

You open your eyes again. He is terribly tempted to use his aether core on you, because for once, he can’t read how you’re feeling.

“You offered me time.”

He leans forward, rests his forehead against yours. “And I will give you time.”

“I want to see your favorite part of the greenhouse.”

“And I will show you my favorite part of the greenhouse,” he whispers, breathing, breathing. He can’t tell how you’re feeling, but you smell like home, a door at the end of a long road. The hope grows.

“I want to see Luke and Kieran and Noah play the remake of Silent Hill 2.”

The hope shifts, dissipates. There is no need for hope, once it is fulfilled. You want to stay, for now. He can work with that. Whatever damage learning about the bet caused, he can work with your willingness to stay. If that look in your eyes isn’t about the bet, he has more time to dismantle your walls, to pull it out of you. Just two nights ago, you were running barefoot through the dark. Tonight, you stopped yourself and waited for him to find you. “You’re in luck. They’re still playing.”

You watch him, as if you’re weighing something behind your hollow eyes. “Will you watch with me?”

Of course, he thinks. Of course. You could ask for so much more, and the answer would be the same. “Do you want me to watch with you?”

“I want you to want to watch with me.”

He smiles, his mouth a breath away from yours. You smell like popcorn. He wants to throw a piece in the air, catch it in his mouth, feed it to you. “Again, you bring me luck. We have a win-win deal.”

He stands. Carries you out of his gem vault.

“Why do you have so many jewels?” you ask, quietly.

“In case the authorities freeze my accounts, physical currency will be useful. A sort of insurance.”

You gaze at his face, and he wonders what you see when you look at him. “You’ll escape with a truck full of precious stones?”

“Something like that,” he says.

“No other reason?”

He tells the truth. “I’ve always been fond of shiny things.”

“Do you have a favorite stone?”

He laughs softly. “Whatever stone you’re wearing.”

Instead of looking at him with suspicion, a helpless look crosses your face. Like you’re in pain from his admission. He doesn’t like it. But then you lean forward, press your face into his neck. He tells himself that he has time. He’ll figure out what’s bothering you, and he’ll fix it.

Outside the theater room, he pauses. Looks down at the pieces of shattered sculpture. "If you didn't like it, darling, you could have just said so."

You just mumble that you're sorry.

"We've talked about your apologies," he says, frowning down at you in his arms.

You huff. "Fine. I'm not sorry. That sculpture was edgy and ugly. You should replace it with something beautiful."

"Deal. But only if you come with me to choose something," he says.

"Deal," you say softly, and he still can't tell what's going through your head.

When you enter the theater room, Luke pauses the game. “We’re really sorry for hurting your feelings and shit. The bet was about boss’s rizz, not about you. Please don’t leave.”

Kieran nods in approval, as if he had helped Luke compose this little speech.

Noah just looks at you, face unreadable, as you rest your head on Sylus’s shoulder.

“I had planned to give you a lot of shit. But I think I would’ve lost anyway,” she says, not looking apologetic at all. “It’s only been two days and you’re practically merging into one person.”

Sylus carries you to a loveseat next to the twins, with Noah on their other side.

“Thanks,” you say. “No worries.”

Everyone is awkwardly silent for a moment after your brief response. You seem to notice, and smile a little. “Can we hang out while you play?”

“Fuck yeah,” Luke says, and Kieran groans as the game is unpaused.

After a while, you, Luke, and Noah start discussing the difference between the remake and the original. What everyone likes, what they don’t. Sylus leans back, draws you onto his chest. His relief remains intense as you let him. The discussion moves on to which Silent Hill games are the best in the franchise, which are the worst. Luke and Noah have a good-natured clash about Silent Hill 4: the Room, with only a few insults flung at each other. You and Kieran share your admiration for Bloober Team's Layers of Fear, which Kieran liked because he didn't think it was scary, and which Luke hated, because he thought it was boring. Sylus doesn't give a shit about video games, and certainly not horror games. Life itself is already horrific enough, he doesn't have the patience for manufactured terror. He just listens, feeling your heartbeat against his chest, breathing in your comforting scent.

A feeling of wholeness settles in him, as unfamiliar as hope. As unfamiliar as the happiness from your movie night, just last night. You, Luke, and Noah have moved on to animatedly arguing about some character’s outfit changes between the original and the remake.

He feels like he’s been standing, left behind in the dark for so long, and he’s finally being allowed home. Whatever is bothering you, he’ll fix it. He’ll destroy the world if he has to, to preserve the scene in front of him, so that he can offer you this, so that he can experience this with you, again, and again, and again. His gentle light that strays and vanishes and returns.

End notes: I had planned shenanigans for the twins and Noah to increase their odds in winning the bet, but this story is already out of control with how long it is, and some of the things I thought of were really manipulative and fucked up even if I personally thought they were hilarious, but my brain is craving a softer vibe for this story I guess (lmao if this can be considered soft), so I hope this isn't too much of a let down for the resolution of the bet subplot. I've given up hinting at what's coming next because it turns out I'm very bad at guessing what's next.

[confusedshades]

I'd like to raise a point here. In the changed timeline, each of those changes would have further ripple effects, right?

So you've got Joker dead. Which means that for once the people of Gotham can breathe a sigh of (less polluted air now that things were finally turning around) relief. Yes Two Face, Penguin, etc. are still around, but Joker is gone. Even the Rogues didn't enjoy it when he got out and tried staying out of way. So everyone is relieved when Joker's dead. The worst is gone. Harley is obvious extremely distressed and needs to be incarcerated for a bit. Eventually between the lack of the constant back and forth with Joker, with actual help in Arkham* and support from Selina and Ivy she starts leveling out. Eventually she gets much better and starts a niche practice with rogues and retired capes with a focus on helping them deal with things they've experienced and done.

A lot of the Rogues enter into uneasy truces of sorts. Pamela Isley gets to oversee a lot of the green revolution of Gotham and a say in the chemical clean up in the wake of disasters. Edward Nygma is given the opportunity to create escape rooms and design toys. Henry Dent gets admitted into anlong term care program with surgical and psychiatric help to help him return to normal. Harleen Quinzel's practice is extremely niche.

RH and DP clean out Gotham. They go after Rogues, they go after institutions where people are hoarding power and money instead of helping the people they've been elected to, and they go after the rich elite. The result of all this? There's a sudden influx of new people in positions all over. New Mayor, new lawyers, new defense attorneys, new cops, new detectives, new social workers, new health inspectors, new doctors, psychiatrists*, etc.

Yes, Arkham is one of those places that basically gets 75-80% of it's employees replaced. The new people working there are actually motivated to change things and with others around who are driven to do the same are actually able to drive change in policies and procedures.

The sudden drop in criminals and rogues who pull others into crime because it gives them power (like Black Mask and Joker) in addition to the new opportunities for hiring meant a lot of people no longer had to rely on crime to make ends meet, were able to get jobs they'd wanted and were qualified for, and in an environment where pushing for better changes is not only the norm but encouraged. So things were looking up from all sides.

The letters in green signed by DP also brought closure and started the healing from the years old grief and anger. That kind of fed into the emotional changes that were going on in Gotham. Danny had found the old Lazarus Pit under Gotham and started purifying it which somehow was feeding the various curses that were laid on the city and inadvertently affecting the weather. (There's a reason none of the magic users like going to Gotham.)

A lot of the crime that's now normal for Gotham is the usual hold ups, robberies etc. that the police can handle. That's not to say there weren't crimes committed by organised crime and Rogues but those were on a steady decline.

Which means Jason gets to start playing ALL kinds of tricks on Batman.

Glitter bombs. Paint bombs. (In the Batmobile, in unexpected places, on top of buildings, you name it)

Danny was the one to come up with the whole ridiculous photos of Batman on patrol sent to news and social media. (Batman's expression just after a glitter bomb went off. Tripping off a building because of the cape. Slipping off a slanting roof on winter nights.)

The poll that went up comparing Bruce vs Batman and who had more ridiculous shenanigans was not any of their ideas but neither Jason nor Danny were about to turn down serendipity.

Dead on Main time travel with a mom Danny twist.

Jason calls in a favor from someone on the justice league dark team for help with a case that got magical. the person sends him Danny. it goes well. they're both working very professionally. something happens and they end up back in time in their younger bodies.

Both of them are in the same city that they were working the case on. They are far away from home but Jason is 15 a few months before he finds out about his bio mom and Danny at this time is incubating Dan and Ellie's cores.

Neither of them quite realize the repercussions of what's Happening. The two of them team up to try and get back home. What the two of them don't realize is Danny's friends and family have no idea where he is though they are less worried than the bat family who fully believe Jason is kidnapped.

The two of them go on adventure trying to dodge any local heroes or villains. Eventually the two of them are able to get into contact with Clockwork and Clockwork tells them that they have altered this timeline too much for them to go back. 

The two of them angst about that until they have to get forced out of that because they run into a local hero. I want to say one of the Titans that work with Nightwing because then they recognize Jason but have no reason to know that he's missing.

the two of them then realize that because they're in their younger bodies everyone has no idea where they are. This is when Danny realizes that at that age he is incubating Dan and Ellie which makes him try to split off from Jason.

As Danny's trying to figure out a way to tell Jason what's going on Jason realizes that Danny is getting really sick or at least he thinks is really sick. He's getting tired more easily than before and keeps throwing up. Jason originally thought it was due to stress of the situation but it becomes more and more clear that it is not. They end up having a confrontation which leads to Danny telling him that they are basically pregnant. 

Jason tells Danny that they are not leaving them, especially not after everything that happened. The two of them decide together where to go. The two of them end up deciding the only places that they can go are Amity park or Gotham because of the ambient ectoplasm.

They can go to Amity Park except last time Danny was there it was a bad Fenton parents reveal which led to both Dan and Ellie dead with jazz wheelchair bound as well as Sam and Tucker in comas.

 Or

they could go to Gotham except Jason is probably presumed missing. Having Wayne and bat family connection is probably best for them except for Jason having a falling out in the last timeline as well as knowing that he is supposed to be dead in a few weeks. Jason knows that his death is a major turning point for his family as well as many other things in the timeline.

[misspelledwordswizard]

the chain reacts to reader dancing belly dance like Shakira

that's all

aIt would be a good way to earn some rupees now that I think about it

Oh yes, that was so much fun to write! some were a little platonic, others not so much, Wind's completely, of course. Thank you for the request, I hope you like it!

The Chain needs money. That’s the problem we’re currently dealing with, and everyone thought of something they could do to make up for our lack of rupees. Some offered to search for rupees in the grass, easy but time-consuming. Others thought of offering their services in the village near where we were. The lack of money is so worrying that we can’t even pay for the inn, so we’re camping nearby. 

I wanted to help too, of course, but when I tried to say something, they didn’t listen, saying that I didn’t need to worry, that they would deal with it. While everyone dispersed through the village, leaving me to “explore”, I decided that I would go against what I was told and get the money myself. Stubborn? A little. 

In the end, there wasn’t much I could do anyway, I would get bored quickly. Rummaging through my things, I found the perfect object to use, which would allow me to at least try to get some rupees, while I could still have fun.  I found a place where I could change into a belly dancing outfit that would also help to attract the attention of others. 

While looking for a place to perform in the center of the village, I came across a man who was doing something similar to what I wanted to do, but with music. Taking advantage of this opportunity, I asked him if I could perform alongside him, using his music to dance to, which he agreed to. 

Soon I was performing a belly dance, the sound of the coins on my waist synchronized with the music being played, and my surroundings began to fill with curious people, some of whom gladly helped by leaving a few rupees. Everything was going well, until I saw a familiar blonde approaching. 

Four 

The shorter man approached where I was performing, squeezing through the crowd with great difficulty. Finally, when he could see me clearly, his eyes widened in surprise. 

I thought about stopping to explain myself, it was a bit embarrassing, but I was already very focused on this whole thing, and in the end, it was working. He moved closer to me, until he was right next to me, so I could hear him more clearly. 

— What are you doing? What’s all this for? – He asked, so that only I could hear. 

— I’m getting rupees! I had to do something to help with this, so I’m using one of my skills. – He opened his mouth, but nothing came out, his cheeks taking on a pink hue as he looked away. 

— That’s... pretty clever, actually. But you don’t have to put yourself out there just for the money! 

— It’s okay, I like it! And it’s been a while since I’ve been able to do something like this, so I’m having a great time. 

He looked at me for a moment, looking almost indignant, but then he smiled and sighed. 

— Okay, but I’ll stick around then, to make sure everything’s okay. 

Hyrule 

The boy walked through the crowd, confused about what all the fuss was about, until his eyes landed on me. The poor guy turned so red he looked like a tomato, he stood there, motionless, staring at me while I was still dancing. He stayed like that long enough to worry me, if he hadn’t reacted soon, I would have had to stop the dance to check on him. 

He blinked rapidly, coming out of his trance, then approached me shyly, embarrassed by the attention he gained from the others for doing so. He used such a low voice that I had difficulty understanding. 

— Hey, why are you doing this? Not that you don’t look amazing! You’re very pretty, I mean, you’re very talented, but why do this now? 

The poor guy looked totally nervous. I imagine that in his era it wasn’t common to see women with such “vulgar” clothes, especially dancing in such a different way in front of several strangers. Or maybe that was only done by a certain type of women. 

— Oh, I’ve managed to get us some rupees! Don’t worry, this is just an artistic performance. 

That seemed to calm him down a bit, still without reaction, he went to a more secluded corner, where he could stay and wait for me to finish, so that I wouldn’t be alone. 

Legend 

— What the hell is this? 

The blond man complained, not caring about the attention that was turned to him, he looked at me with a sullen face, judging me to the core, with his arms crossed, waiting for an answer. 

— A belly dance performance. – That was all I replied. 

— And for what? Are you trying to get the attention of the entire kingdom? 

— No. I’m trying to make some money. 

— Hasn’t it been made clear that you don’t have to do anything? 

— But I wanted to, it’s fun, I was bored and wanted to help. 

He snorted, but didn’t respond again, contrary to my logic. I thought he would leave in a huff, but to my surprise, the hero just stood there, watching me as I continued to dance. Well, I guess it’s okay to tease him a little more. 

— Are you enjoying the view? – I said, with a mischievous smile on my lips. 

— I am. 

He said, making me gasp in surprise and even making me lose focus and stop for a moment, while I processed his answer, which made him laugh. 

Sky 

The hero of the skies emerged from the crowd, his eyes wandering until they stopped on me. He was visibly confused as to what I was doing, tilting his head to the side in doubt, until he approached and asked. 

— What are you doing? – His tone was not judgmental, just curious and somewhat enchanted by the movements my body was making. 

— It’s belly dancing, I’m performing to try to earn some rupees. 

— Sounds fun! Can I stay and watch? – He asked, seeming excited about it. 

— Sure, I’d love to have you here! – I replied smiling, his support made me want to continue even more, the activity that was already fun in itself became even better, because now my dear friend was there, praising and having fun with me. That thought made me blush, something I hope Sky doesn’t notice. 

Time 

One felt butterflies in my stomach when I saw the tall man there, in the middle of all those people, watching me while I danced without any shame. I automatically thought I would get a scolding for doing this when I was explicitly told that I shouldn’t. However, it had been more of a suggestion than an order per se. 

The man in armor remained there, standing, watching me with a serious face while I continued dancing, trying my best not to lose focus with his gaze and end up making a mistake in some movement, which didn’t work out as well as I had hoped. 

I considered the idea of ​​stopping and getting out of there as quickly as possible, dragging the Old Man with me to avoid confusion, maybe that was what he wanted. Before I could finish this line of thought, I heard a muffled laugh coming from him, which caught my attention. 

Time smiled at me suggestively, as if laughing at my nervousness, knowing very well that he was to blame for it.  He then just walked over, bent down, leaving a few rupees in the small box I used for that, and left, without saying anything, leaving me more confused than before. 

Twilight 

I could see, out of the corner of my eye, the Rancher looking at me among the others, his gaze fixed on me, but he didn’t seem surprised or bothered, just interested in the dance. 

Without worrying too much about it, I continued with my movements, following the beat of the music, moving my hips fluidly just as I had learned. But a part of me couldn’t help but ignore the presence of the blond right there, watching me like a predator watches its prey, which started to distract me more than I would have liked. 

Twi approached, smiling sideways, getting closer and closer, until his lips were close to my ear and he could whisper something for only I to hear. 

— It really is a mesmerizing dance, I would love to see it more often, in a more private way, though. 

He spoke, sending shivers down my spine, and then walked away, leaving me standing there, frozen. I stopped the dance, too shocked to concentrate on it, as I watched him walk away from the place as if it were nothing. 

Warriors 

Shortly after seeing the Captain’s neatly styled blond hair, I could hear whistles and cheers coming from the crowd, with the voice easily unidentifiable as his. He continued to compliment me and act like I was some kind of celebrity, while giving me suggestive looks and laughing. 

I just rolled my eyes, holding back my laughter as he continued to do his provocative antics, drawing even more attention to himself, leaving those around him not very happy with him. 

Wars kept up this repetitive and annoying way, motivated to get my attention, but it was fun to watch him try, so I just let him continue while I danced. 

It wasn’t long before the others started to get annoyed with the blond, telling him to be quiet, which didn’t do much good, so soon he was being kicked out of there, which he couldn’t help but get a good laugh out of me. He whispered things like “you’re killing it!”  as he walked further away being pushed away by some men, which made me just shake my head, rolling my eyes with a smile, and continue dancing. 

Wild 

The Champion’s long golden hair came into my field of vision, drawing my attention to him, who seemed fascinated by my movements. He smiled, excited to see me dancing, and seemed to have quickly understood why I was doing this. 

He applauded along with the crowd, when a song ended and I stopped dancing to catch my breath, then he approached me, with difficulty as other people did the same to leave their rupees. 

— That was amazing, I didn’t know I could dance so well, that sounds hard. 

— Yeah, a little bit, but once you learn it feels natural. 

— Okay, you have to teach me how to do that later. I’d rock it in a gerudo outfit, and I’d make money on top of that. Oh, we could even dance together! – He suggested, excited about the idea, making me laugh. 

— Sure, I wouldn’t mind having company. If you want to stay and watch, I’ll do it for a while longer. 

He nodded excitedly, very interested in the dance itself and how majestic I looked while I was doing it. 

Wind  

The boy looked at me with a sparkle in his eyes as I danced, making me laugh. He approached me without caring about the others who were watching, very motivated to know more about the dance itself. 

— Wow, that’s so cool! Can you teach me? Can I dance with you? What’s that called? – The blond asked me a lot of questions, while I kept dancing and smiling at his excitement. 

— It’s called belly dancing, yes, I’ll teach you, and if you want to dance with me now, I’m sure it’ll be a fun addition, kid. – I joked, answering his questions and ruffling his golden hair. 

He got excited, soon standing next to me and trying to copy my moves, of course, it wasn’t very similar, but he was having fun, and that was more than enough for both of us. And the people watching thought it was cute too, which earned us a little extra money, so it was all profit. 

[lemotmo]

Yeah let's not do this for 3 months people. He's not leaving! We're at the beginning of Buddie!!!

Q. I'm so confused by all the excitement, and I admit that I struggle with facial awareness, but all we got was Eddie saying he's leaving so that feels way more like a Ryan exit than a beginning to Buddie. What did I miss?

A. Okay I'm going to say this once, and only once. We are not spending 3 months on a nonstarter spiral. Ryan is not leaving. It's not an exit story. It's the beginning of a feelings realization story, only Eddie hasn't quite arrived at the starting point for his part yet. Lots of people struggle with facial cues, anon, and there's nothing wrong with that, but it's not an exit storyline. It's drama set up to kick start Buck's spiral and to bring Christopher home. That's why I loved that they had Buck on the couch and Eddie in the kitchen. The couch has kind of always been used to symbolize a romantic relationship between Buck and Eddie, both of them being home when they're on that couch, so putting Buck on the couch in that scene basically puts Buck in position. Buck has arrived at the start of his realization arc. The box has been opened (the box being his long unexamined feelings for Eddie) and he won't be able to put the lid back on it this time. The moment we see Buck have at the end of the episode was not his 'oh Eddie's my person' moment but it was the start of Buck's journey to that realization. Buck was devastated in that moment, but for the sake of Eddie, he attempted to fake enthusiasm. Eddie being happy means more to Buck than his fear of being left behind, again. But that fear will come out when the season returns in March. Tim basically confirmed that Buck will spiral and he will throw himself into a distraction to try and block his pain. That distraction will inevitably fail, as Tim also already spoiled (they learned their Tommy lesson and they won't be repeating it), and that will force Buck to once and for all have to confront and figure out why the thought of losing Eddie sends him spiraling. The end of the episode was the beginning of Buck's journey.

Eddie hasn't reached his starting point, yet. But having him in the kitchen, the other big Buddie room, was a way to show that he is close. Framing the shot the way they did, Eddie having a straight line of sight to Buck on the couch, was intentional. Eddie is close but he's not there yet. He's distracted by the whole Christopher thing, as he should be. Eddie won't be able to arrive at his starting point until he gets the Christopher situation settled. That entire scene was LOUD. Buck letting himself in using his key. Eddie not being able to look at Buck when talking about moving. The flirty way Buck asked what he was watching on the iPad, fully believing it was porn. And again the way the entire scene was framed and shot. The close up of Eddie's face when he realizes he's not alone in this moment and that he does have someone in his corner. Then the close up of Buck's face when he allows the mask of enthusiasm to slip and we see the real sadness that he is feeling. It was very clearly the beginning of their storyline. It was in no way shaped, framed or written as the beginning of an exit storyline. It's happening, anon. Let yourself enjoy the build up 💗

Thank you Nonny! Much appreciated!

YES to all that Ali talked about here! Let's be happy you guys. We are finally here after 7 very long years of ups and many downs. This is the first time we've actually gotten real confirmation that the Buddie slow burn is on!

Let's enjoy this break before the show comes back, because I anticipate a lot of drama in 8b. And once the show is back on? Let's just sit back, relax and watch Buddie's story unfold. It'll be glorious!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[karikitdemonrp]

Kari looked up at Adam and listened. She frowned slightly when Adam said he wished Moxxie was dead but when the angel clarified she calmed down a bit.

"I don't want him to be dead... I want him to be alive." She sniffled and rubbed her eyes, looking down. "I... I don't like not helping... but I guess there isn't really any other option right now." She muttered sadly and let out a heavy sigh. "I... I guess staying alive right now is the best plan. The moment we can safely leave to look for other survivors, including trying to find Moxxie and the scientists, then we take it... please?" She asked with pleading eyes. She wouldn't be able to stay here long and watch idly as people died. She hated that feeling of helplessness this whole situation brought. The child moved to lean on Adam, trying to find some form of comfort.

"This whole thing is kinda scary..." Kari muttered sadly, rubbing her eyes as she tried not to cry again. "And very frustrating."

Adam sat on the edge of her bed, his wings folding close as he exhaled deeply. “Kari,” he began softly, his voice uncharacteristically tender, “I get it. You want to help. You’ve got this crazy, burning need to fix everything, to save everyone. It’s a good thing—it really is—but you’re just one kid. One stubborn, scrappy, badass, loud-mouthed kid with more heart than sense.”

He reached out, resting a hand gently on her shoulder. “But here’s the thing: you can’t help anyone if you’re dead. Pushing yourself too hard, running straight into the fire without thinking, it’s just gonna get you killed. And then? No one benefits. Not Moxxie, not me, not the people you want to save.”

Adam’s tone shifted slightly, a tinge of regret slipping through. “As for Moxxie… Look, I liked the guy. For a shitty little Imp, he wasn’t half bad. Got a good head on his shoulders, even if it’s a little big for his body.” He smirked faintly, though it didn’t reach his eyes. “I hope he’s dead.” He held up a hand before she could protest. “And I mean dead dead, not shambling-around-like-one-of-those-zombies dead. No one deserves to go out like that. Least of all him.”

Adam leaned back, looking at her seriously. “You did what you could. You’re still doing what you can. But sometimes, helping doesn’t mean running into the fray right now. Sometimes it means sitting still, fortifying your spot, and living to fight another day. You’ve got a good head, Kari. Use it. We’ll find Moxxie if we can, but right now, you’ve gotta focus on staying alive and sane.”

He gave her shoulder a light squeeze. “That’s not giving up. That’s strategy.”