#and not necessarily in that order

[eddiebabygirldiaz]

i want sex love and tacos

[tooranges]

side order dooodle 🪸🪽

(from 01/2024)

[pocketgnome]

Gnomes in Art🎨 #Halloween edition 🎃

[there-was-love]

I’m curious so (please) reblog and put in the tags what your top three Doctors are… I wanna see something

[humans-are-tasty]

[dykenav]

okay hear me out. tlt animated adaptation BUT it starts with harrow the ninth. we have a desperate housewives-esque voiceover narration speaking in second person. the audience doesn’t know about anything that happened in gtn and doesn’t know that the “flashbacks” didn’t actually happen. first season ends with harrow finding palamedes in the river and the voiceover saying “you never could have guessed that he saw me.”

SECOND SEASON. we’re following the events that happen in gideon the ninth. there’s no more voiceover. nothing that happened in the first season is even mentioned. it’s not explicitly clear that we’ve gone back in time but it becomes more clear as the season progresses. lyctorhood wasn’t really fully explained in the first season either, but there were clues that become more obvious as the mystery unfolds. season ends pretty much exactly like the book ends, bringing us to the moment that the first season started.

THIRD SEASON. starts where the first season left off, follows the end of htn. Gideon desperate housewives voiceover is back.

fourth and fifth seasons would follow nona and alecto, obviously, but the format of them would have to be equally confusing and weird so I need to wait and see what alecto is like before I theorize on that.

or the show could just end after the events of harrow finishes and leave nothing wrapped up or explained. I honestly kind of like that better

[dailypokemoncrochet]

Okay. I have crocheted 728 unique pokemon at this point and each of them is an absolute banger piece of art, so it's hard to narrow down which ones to copy to a specific "portfolio" of sorts. Also for many of them there are multiple pictures in terms of type of picture like FOTH (fresh off the hook / just made, me holding them in my hand for scale) or pokeamidex (pokemon posed with a background), and different angles.

I have very few people I would talk about this project with irl, but recently I mentioned it to a professional tailor and ofc she was genuinely interested in it and asked to see pictures. Fortunately I had just taken a bunch of nicer looking pokeamidex photos and had a good bunch she could scroll through. Unfortunately the first thing she saw because it was the thumbnail for my gallery's pkmn folder was. This:

Foth photo of Impidimp. Which multiple people have reacted to (understandably, lol) with "scary" "HES SO SCARY LOOKING" "straight out of a hyperrealistic creepypasta" and "WHY DOES HE HAVE HUMAN EYES". And it made me realize that perhaps I should have a separate folder of especially cool crochet pokemon. But due to the aforementioned numerous crochets I've made and my own personal biases about their awesomeness, it's hard to curate a smaller set of them.

So! This is mostly for fun/my own curiosity: Are there specific crochet pokemon or photos of them that you thought were particularly memorable or striking? What made it special?

[slingbats]

you had your chance but you turned your eyes away again

happy birthday, Oswald (26/7)

[typing-catastrophe]

I have been so cooked for this man lately that I need to talk about him— I genuinely think that with a ADHD/autism/AuDHD partner Ford takes notes on your stims and quirks, even before any serious relationship. Just little things like “waves hands when excited :)” and “prefers baggy sweaters” just like a little way of understanding you better 🥺💖

yesss definitely! as an AuDHDer who stims a lot myself, this is everything!! jfskhfshsk

--------------------------------------------------

"Aaaahhhhh oh myy-" the rest of what you were saying was incomprehensible because the words slurred together in an excited squeal. A gleeful expression upon your face, you waved and shook your hands in front of your body, then pressed them over your mouth, to stifle another squeal.

Ford smiled to himself as he watched you from the other side of the room, where he propped his notebook open to scribble something down.

"Heeyyyyy Grunkle Ford, watcha got there?" Mabel's voice rang out right beside him.

He snapped the book shut and whipped his head around.

"Mabel!"

"Waves hands when excited." she cited what she had just read, "Were you talking about-"

"No, I was certainly not!" Ford said, while his cheeks started to turn a deep red colour.

"Are you suuuure? Because to me it looks like you diiiid." she said, a cheeky grin on her face and dragging some of the vowels.

"You are mistaken, dear child. Now, if you'll excuse me, I've got work to do." he excused himself and stood up, holding the notebook close to him.

Without letting her get another word in, he moved past her and made his way into his study.

There, he propped open the notebook to the page he'd just added a new note onto.

- likes to hum when no one is around - seems to prefer more loose fitting clothes. possibly because the don't restrict movement as much - will subconsciously play and fidget with any jewellery they're wearing - sorts and eats their food in a particular order - would rather not eat at all than something not appealing - skin irritating clothing causes great discomfort. remove tags!! - wants to talk but holds back. encouraging them has positive effect - avoids eye contact but will look at faces when the person isn't looking at them - do not touch without warning and do not force contact! expressed great discomfort to me after being forced to physical contact by someone else - repeating phrases and noises (quite endearing) - easily startled by sudden and loud noises, as well as irritated by high pitched ones, almost too quiet to hear - shows behaviours similar to felines. has stated that they would be delighted to posses the ability to purr (he would be delighted too)

Ford smiled as he looked up and leaned back. He really hoped Mabel hadn't seen too much, otherwise she might figure out how interested in you he really was. And we wasn't sure if he was ready for that.

For now he would be very much content continuing to dreamily gaze over at you and notice all the little things, so he could understand you better.

Maybe one day he could work up the courage to ask you out.

-------------------------------------------------- thank you for reading <3 reblogs are appreciated

[gingermintpepper]

So, one of the most interesting things that's come from my recent exercises in writing the Olympians as young deities is all of the very fun and somewhat painful conversations that come from the young deities acquiring and consequently settling into their domains.

Apollo and Artemis especially have been really fascinating under the microscope. They start off identically, with extremely similar interests and similar domains over the hunt and wilderness. They spend their days under the stars and foraging for fruit and dancing and singing in the fields, two rustic god-children exploring and learning together. Then Apollo goes off on his own to slay Python.

Now, a lot of things change when Apollo kills Python. That is the act which transforms the bow from a tool of survival and sport to an instrument of murder, bloodshed and ultimately war. It is Apollo's first act of wrath which separates him from Artemis - both spiritually because she has not yet shed blood herself as a goddess and physically because it leads to his exile. Most importantly however, the slaying of Python is the act that grants Apollo his knowledge.

If violence is what first separates Apollo from Artemis then it is knowledge which keeps them apart.

This can refer to a lot of things; that Artemis continued to be at home with the wild beasts of the forests and mountains while Apollo grew to prefer the domesticated sheep and cattle, that Artemis continued to avoid mortals while Apollo grew to know their ways and endeavoured to teach them more. The point that has been the most interesting to me however has been Artemis, who remains free of slaughter, and thus remains pure and Apollo, who becomes acutely and entirely too aware of it, and thus must be constantly purified.

Apollo's infatuation with medicine specifically is the place where this becomes most apparent. When he leaves for his exile to travel as a mortal, without nectar or ambrosia, without power, Apollo is without the privileges of the divine for the very first time. He sweats, he smells, he grows weary when he travels, he grows hungry and thirsty. He experiences fatigue and nausea, the fever of sickness, the chill of infection, the delirium of poison. The blood Apollo shed does not only make him impure spiritually, it strips him of the purity of his birth and station. Likewise, medicine is not a divine practice. What use do the unkillable immortals have for something as finicky as medicine when they have nectar and ambrosia? Apollo however, knows of the pains of the flesh and the suffering of the mortal coil. He pursues medicine in all its horrors and difficulties because of the knowledge he gained with blood.

Artemis then, cannot understand the medical Apollo. When her brother returns possessed by this spectre of ill-gained knowledge, she does not recognise him. Who is this boy who scores the deer and studies the shape of their intestines before he cooks them? What good is there in rescuing a chick with a broken wing? The Apollo-of-the-Wild in her memories would have done the correct thing and left the thing for dead - let the forest take what is its due. Who is this Apollo whose hands are always stained to the wrist in the blood and gore of the living? What is his fascination with the mechanics of mortal bodies? Artemis does not know and Apollo does not tell her.

That has, by far, been my favourite effect of the whole Python watershed moment to explore recently.

[rikerssexblouse]

It just occurred to me that when Nadja of Antipaxos met Laszlo Cravensworth, she decided to fuck, marry, and kill him.

[aleebeesplats]

Human horror AM

Revisiting an idea I had of AM’s human form being just a messed up mockery of the average body. I tried my best to make him look somewhat creepy or at least intimidating but honestly I think he came out looking a bit goofy😭

I think he wouldn’t reveal himself to all of them at once, rather picking on them one by one. He’d still want them to think it’s all in their head and that there’s definitely not a body staring at them in the distance.

It’d be like he’s taunting them in a way, trying to make them think that they’ve been in here for so long that their own minds are betraying them and showing images that aren’t there, because no way that AM “#1 mankind hater+destroyer” would take up a humanoid appearance.

[baberoe-archive]

top 10 insane bucky moments?

god where do i start.

perhaps basic of me but getting drunk and then saying he's fine then asking curt to punch him in the face and then howling. perhaps number one bucky moment for me. just absolutely falling apart. i hear that brother. do you ever think about how eps 1-3 he never really lets buck see this side of him. and its only when curt dies that buck is privy to it. yeah i dont think about that either

"maaaaaarge...." is to me far more insane than scissoring in the yard. like at least when he's provoking fights it can be written off as restlessness, but mocking your best friend for taking comfort in his sweetheart's letter with the most sickeningly jealous expression in the world AND right in front of everyone's salad.......... this man is a medieval peasant self-flagellating in the street.

trading his sheepskin that buck hated to go on his first mission after buck went down. he didn't even think about it he just saw jack and ran over and did it. and then when brady asked him about it. he just straight up said "buck always hated that jacket" bitch WHAT

provoking col harding for no reason unprovoked. in front of the men!!! his self destructive tendencies and distaste for authority compel me

also when he starts yelling at that nazi guard on the march. that's such a good moment i get the impression that most of what bucky does is (to some extent) calculated like he knows hes being a dick he knows he flying too close to the sun and thats what he wants yknow he wants to egg people on but this moment he just completely lets go thats the pure thoughtless rage thats been simmering the whole series. god.

offscreen moment (forgive me) but not letting them send bucks footlocker back to the states. and then the 100th kept it for a full year like what did he say??? how desperate was he that no one could bring themselves to move bucks footlocker after a year???

stalag baseball scene. when you put on your off-putting and hard to be around-sona because you feel yourself to be so abandoned and abused that any semblance of gentleness would make you bare your teeth and bite. when you want to bite. when you dont want to bite.

willingly got a dart thrown at his face so he could give his boy best friend a bike so they could bike around together. ohhh my god bitch. down so bad its pathetic

whatever the hell he did to get on the regensberg mission and also the regensberg mission in general. pushing one of the gunners out of the way cause they were going for buck. "reserve command pilot" or whatever. i know what you are.

i dont remember the scene exactly but before the mission when they are getting their gear and hes like "call me sir" and crank goes "none of the people we're bombing today shot down buck" and then he just goes. absolutely silent. nothing to say to that. outline in the shape of a person moment.

[timetravelstudies]

This got long and annoying so its under a cut now

The way in the fight w the museum director insul gets the same big injuries he has given trianon (so far), aand particularly the ones that T thinks back on often as specific sources of fear/humiliation/control (pepper sprayed in the eyes; kicked in the balls; choked with smth small and thin ((wire / car window)))….. im too tired to formulate a proper Thought abt this but the fact this all happens right in front of tjat one painting of dante & virgil in hell + insul and the director are in the exact same pose right as insul is about to die* is obviously so meant to evoke the idea of contrappasso….. at this stage trianon isnt “””strong””” enough (doesnt understand Insul enough and most importantly doesnt fully inhabit himself and his own strengths) to be able to pay back Insul’s violence (as he does later, though not in such a literal way anymore) so tje director will do for now🥰 bc they both need to descend into hell they both need to be subject to physical and psychological violence in order to strip down layers……. so its cool how the director serves that purpose for this phase 1 both in story for insul himself (who eats shit in this fight) and also as a sort of alert for the reader like make no mistake they are BOTH gonna get put thru the ringer. even the top has to wade through cocytus! or smth

[existingingrey]

More passengers have boarded the ship. 🙄

KBR: I think the director sent a screenshot to our group chat," and added with a laugh, "It said something like, 'So, are the two of them going to kiss soon?'

LGS: "I didn’t expect Jungwoo and Sangcheol’s bromance to become so intense. At one point, I even thought, 'Are they going to kiss later?'. I started to think that they were truly 'real'.

BYH: Meeting someone like him feels both pleasant and a bit awkward and I wonder, 'Is it okay to like someone this much?'

BYH: Even though he mentioned that we weren’t close at the beginning. But to me, he was such a warm partner.

We both share these complex and mysterious emotions. If we get to crown it with the Best Couple Award, it means we'll be connected forever."

BYH: I watched the finale together with him(GJ), and the two of us connected through our eyes. If we win the award, I'll dance 'La La Land' with Go Joon.

[licapitano]

Law and Order