#and media analysis videos

[bontwisty]

What ur thoughts on the new trailer??

Pre TLDR: The animation is hands down incredible stylization and I absolutely am in love with these turtles I think they're so cute and can't wait!!

Now for my mini essay on my thoughts under the read more

Still on animation it's amazing to see how more and more animated films now have more 2D animated stylization. Spiderman: Into the Spiderverse (just saw across the spiderverse too!!), Arcane, Puss In Boots: The Last Wish and so many more animated films even if it's 3D animation have 2D animation mixed in usually for textures or sfx like explosions, smoke, or my favorite action lines or impact frames.

The trailer showed just how beautiful the work that went into this movie is. The sketch and rough scribbles of backgrounds and shapes and during action scenes or fast paced objects the scribbles are more prominent giving it a more chaotic movement. It just gives it so much style and don't get me started on the lighting!! Incredible and really brings out the mood and colors of each scene showing off all the textures in there.

Next up I'm being 100% serious when I say this iteration is such a treat to the franchise. I can feel the passion and love for this franchise alone from the work the team put in. The small nod with the turtles having white eyes made me lose my mind and I can tell this will be amazing for old and new fans alike.

The cast of different villains besides Shredder is a breath of fresh air because it gives these new take on old villains some life and something we haven't seen a lot of without Shredder being the big bad behind it all.

The turtles are young maybe they aren't completely trained (they're still kids too! Babies even!) And so we can see them grow and learn another thing I like about this and Rise. People love rooting for underdogs. The turtles also act so much like younger children and it warms my heart plus really helps with the "teenage" part of the franchise title. I've seen people (myself included) say how some iterations don't seem like teens at all or eventually don't act like ones so it's sweet to see it be done properly.

Splinter being voiced by Jackie Chan made me feel so happy and nostalgic so that was wonderful.

Overall theres a lot of changes but in the end it's kind of the same. Admittedly I didn't like the turtles in the concept art but the trailers and promotion material changed my mind. Theres heart behind this movie and these turtles are a welcome addition to all the other ones we have so I'm absolutely going to be in theaters when this movie comes out. ❤️🧡💙💜🐢

[bixels]

I watched Starship Troopers tonight.

[swampjawn]

What happens when you let a film nerd make an anime?

Fuuga Yamashiro (山代風我) joined Science Saru in 2017 as an Assistant Production Manager during production of "Night Is Short, Walk on Girl." He was essentially Studio Co-founder Masaaki Yuasa's secretary, but he worked his way up to assistant director on "Keep Your Hands off Eizouken" and finally got to direct his own first full Anime series, Dandadan.

Having worked so closely with one of the greatest living auteur directors, you might think he would share that overpowering individual creative influence, but as he has pointed out in interviews himself, it's much the opposite.

Instead of relying on his own creative voice, which he doesn't seem confident about in interviews, he literally collects techniques from his favorite movies, breaking them down into storyboards and adding them to his arsenal to re-contextualize later. And as you may be able to tell from watching Dandadan, his biggest influences aren't anime and manga, but live action film -- something he seems to have studied obsessively.

And when you compare the anime to the original manga (which itself is already filled with references to old movies and TV) subtle adaptation choices make the deft application of techniques borrowed from other storytellers very clear. Every choice is made for a reason and furthers the story being told in some way; nothing is there for no reason. like the simple, controlled camera pans and tilts that make the serpoian spaceship feel cold and sterile, or the crazywackysilly, un-predictable wide-angle camera movements that intrude on that cold sterile world when turbo granny shows up.

In one interview during the production of "Keep Your Hands off Eizouken" Yamashiro pulls out his notebook where he had collected all these techniques and gives an example:

"There's a technique called 'Dolly Zoom', which is a technique that changes the perspective of the background while keeping the size of the subject." […] "In 'Cult of Chucky,' which I saw recently, there is a scene in which a long passageway is filmed in telephoto, while a wheelchair moves forward. The character is 'getting closer, but the viewer feels farther away'. This is the kind of thing I collect." […] "I'd like to combine these things in various ways and do it in animation." (I took some liberties with this, the translation was pretty rough)

And sure enough, that exact same type of dolly zoom rears its head in Dandadan as Okarun sprints away from Turbo Granny and the mouth of the tunnel stretches impossibly into the distance.

It may seem counterintuitive to ascribe too much importance to the creative vision of one person who specifically talks about his own lack of strong creative vision, (and to be clear, he's far from the only person playing a major role) but I think it's precisely that encyclopedic knowledge of film techniques and that pragmatic, meticulous attitude that may have acted as a stabilizing force for Yuasa, and that also provides some needed structure to a ball of pure energy like Dandadan, while still preserving its essence and the eclectic influences that it wears on its sleeve.

Also, mad respect for using the seventh installment of the Child's Play franchise as your example of a dolly zoom instead of, like, Vertigo, Jaws, or Goodfellas.

This is just a sliver of what I talk about in this full video! A minuscule piece of the pie! Some tiny little crumbs for the peasants! So if you consider yourself worthy, go watch the whole video. I think it's good.

Uhh also reblog! I spent way too long on that intro animation, so I need it. Bad.

[fruitsofhell]

My other fun addition to the Hbomberguy video stuff is not just that you need to start checking everyone's sources just to make sure you aren't being duped, but to not use them as a stand in for media consumption/experiences either. Like I'm not gonna lecture you on reading sources cause I am the first one to not and that's my laziness, but like sometimes more important than checking the original analysis of something is just to... see tge thing being analyzed yourself. That's not even about misinformation or lying, sometimes people's opinions just SUCK ASS.

Like there are youtube video essayists I overall kinda respect but they have dogshit opinions on things. I used to love Jack Saint's bad faith overly critical analyses of throwaway kids films, until I realized he also saw films that in my opinion had a lot of merit, and it turned me off from him. Big Joel is cool as hell, but anytime he gives his opinion on animation save like a few points, I completely glaze over and find him annoying. The other day I watched a video essay about the "Magical Negro" trope, and the first movie sourced interested me, so I watched it and I hardly understand why they put that in, it framed the movie as something it wasn't.

Just in general, it's good practice to make sure your opinions on media are your own and experience it yourself. MY biggest takeaway from the Hbomn video wasn't to throw rocks at Somerton or start obsessively fact-checking every essayist I watch, but to make sure I have a baseline of what they talking about myself and not letting anyone throw around media examples without reckless abandon. The Celluloid Closet and Tinkerbelles and Evil Queens is on my watxh/read list now, but the first thing I did from the words he stole from Celluoid Closet was watch Rebels Without A Cause out of curiosity of this gay subtext in a 50s blockbuster. And it was a super interesting experience that has given me my own unrelated opinions. Not to discount whatever important queer reading and historical importance the film has, but I'm happy I also have more than just that cause I Watched It Myself, not someone's specific and unavoidably biased reading of it.

The video isn't about cultivating suspicion but cultivating appreciation for the skills of analytical/informative/opinion writing. So even when people aren't being lying grifters, it's just good to be your own critic and media analyst. Maybe you'll even contribute to that world yourself, or maybe you'll keep all your cool opinions in your heart and die, who cares. The point is that unlike some people, your opinions and words are your own. It's a beautiful thing to have your own creative voice.

[theweeklydiscourse]

I’m sick of people passing off patronizing and condescending commentary about how naive and impressionable women are as useful and educational. These people will base their analysis of fiction on sexist notions about how easily women are “tempted “ by malevolent villains and then act as if that’s some revolutionary take. They’ll unironically construe the narrative in a way that takes away all agency from the female heroine and frame her decisions as entirely the result of the villain’s manipulation.

They wring their hands about how dangerous it is for women to be exposed to these stories and moan about how terrible it is that hot villains appeal to the “baser instincts” and tempt female viewers further (Yes, I actually saw someone make this argument) It’s truly bizarre to see people agreeing with such patronizingly sexist rhetoric and saying things like “I miss the days when villain romances were cautionary tales and not encouraged.” As if women thirsting after attractive fictional villains is some epidemic that threatens society.

It’s especially irritating when women are the ones saying these things. They want to believe that they are a rare exception that, unlike those other brainless girls, can understand that liking hot villains will threaten their morals and lead them astray…OH THE HORROR!! Please save your dramatic preaching for the next purity conference and stop pretending that your sanctimonious commentary has any substance whatsoever.

[hildegardladyofbones]

One of the best things about Disco Elysium by far is that it does not fear ugly women. The world is full of ugly men, but ugly women are so hard to come by.

[courtrecord]

honestly i hate how that “maybe the curtains are just blue” post has become shorthand for anti-intellectualism and shit bc as someone who has an utter passion for media analysis now, I WAS THAT PERSON IN HIGH SCHOOL ENGLISH CLASS.

english class never taught me how to analyze stories, it taught me how to remember what things the teacher said were “symbolism” and how to take quizzes where we had to match a quote to the character who said it. i didn’t give a shit about any of it, bc literally why should i. it was bullshit.

there’s this idea online that people are forgetting or rejecting what they learned in english class when they’re bad at media analysis, and maybe that’s a little bit true, but i think the much bigger problem is they never learned it in the first place. cinemasins & “maybe the curtains are just blue” aren’t convincing people to abandon an intellectualism they already had, they’re filling a void.

when all you learn in high school is to write on the test “blue = depression”, why is it surprising that so many people don’t give a shit about the curtains.

[fox-teefs]

Guys, people are allowed to like Jimmy 😭 Do not act like we weren’t all simping over William Afton who literally MURDERED MULTIPLE CHILDREN and is responsible for the deaths of his own children, and then go and hate on other people who think Jimmy is a well written villain. I don’t like him for his actions, I like him cus he’s a well written villain and it’s silly to bully him, he’s like a little rat and I love him in that way-

I think it’s absolutely insane that we are like, criminalizing people for enjoying characters that are designed to be hated. Why are we allowed to love William Afton? What about the AM lovers? The sentient robot that killed / enslaved all of humanity?

“B-b-but it’s different!” It’s actually really not… 😭 All these characters are horrible individuals and are still loved by many, yet Jimbalya gets mass hate and people get harassed for liking him, how is that fair?

And technically, if Jimmy is a terrible person, and needs to be hated, so does Curly! He was an accomplice. Anya told him what happened, she confided in him, and he just said he’d “take care of it.” And did nothing, stood by and just let Jimmy keep doing all the horrible shit he did. “Oh, but C-C-Curly is hot…! And… h-he didn’t know..!! He had mental health issues!” So did Jimmy? But that doesn’t excuse him literally doing non consensual shit to Anya, and being mentally ill doesn’t excuse not standing up for your crew members AS A CAPTAIN OF THE SHIP, WHO IS SUPPOSED TO PROTECT HIS CREW. But apparently you people don’t know how to like, handle representation. 😭

“M-media literacy!” People who use this as a means to make harassing other people over a CHARACTER, clearly don’t fucking know what media literacy means. PLEASEEEE let me enjoy a character in peace.

Have a silly picture of “my baby” pregnant because of two other Jimmies. Have a good day.

[randomalistic]

MY MINI ANALYSIS IS READY !?!??! it's about disability rep and also trans shit

Put it on in the background lemme know if you Enjoy :) (also turn on captions if you want some extra silliness)

[doomdoomofdoom]

Apparently there's currently discussion in science (humanities in particular) about whether video essays could be accepted as academic writing on par with the academic papers we currently have

I think that's awesome as fuck tbh

[frottinggg]

i finally was able to upload my video response to lily orchards dunmeshi video! this is only about dungeon meshi because i had no idea who she was until i started writing this. if you watch tysm :3 i was nervous but put a lot of effort into this since its my first video essay!!

[sapphic-boyfriend]

this analysis completely understands everything i want to say abt S2.

[pop-punklouis]

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[swampjawn]

Like the goofy horror crossover that inspired it (Sadako vs Kayako) Dandadan's identity is all about smashing together the identities of its many eclectic inspirations. (most notably of course, ghostststs vs aliens)

So how does its opening embody that identity? Well of course the song itself is swarming with references to everything from a couple Japanese creepypastas from 2chan to Demon Slayer and other popular shounen hits, to M. Night Shyamalan — but not to be left out, the formal elements of the animation combine not only the bold and sharply contrasting color schemes that are characteristic of the show, but also three completely different animation styles into one strangely cohesive piece.

Directed by "Scott Pilgrim Takes Off" director and one of Science Saru's original creative voices, Abel Góngora, the opening sets the stage with the contrast between these close-ups of the syllable "dan" shown mostly on various digital screens, and these character shots that give the impression of analog film with soft edges between highlight and shadow, and overlaid grain, scratches, and imperfections.

These cuts are not exactly realistic per se, but they reflect a version of the world of the show that's very grounded in live-action cinematic techniques, like I discussed in my previous video. Many of them mimic a wide-angle perspective and give the impression of a real camera filming the characters.

Soon though, we jump into these highly stylized cuts in which bold, textured silhouettes stand out against saturated painted backgrounds.

This style in particular feels very characteristic of Góngora, who has worked on many of Science Saru's opening sequences, and seems to love these stark, stylized, and textured silhouettes:

Many of these shots are direct references to the 1967 Ultraman TV opening,

but they also generally draw inspiration from 60s and 70s pop art and cut-out animation. Slight imperfections in the credit text and slight camera wobble even give the impression of hand-cut paper being filmed with an old 60s camera rig!

Turbo Granny gets up in the mix with a third totally different style: these loose, chaotic, and gestural scribbles where clean line-work gives way to pure organic energy with very little consistency between frames.

These cuts are mostly done by Kyouhei Ebata (江端 恭平) (who you might recognize from his crazy painted frames on Dungeon Meshi) and Genta Ishimori (石守 源太) who has relatively few official credits so far, but has done some extremely impressive (if quite disturbing) independent work on his youtube channel, and whose own personal style seems to have primarily created the vision for how Turbo Granny would be portrayed in the show!

And finally, the three art styles and two major opposing colors all come together in this climactic cut as this slick, detailed illustration goes from clean, detailed blue, to bold, chaotic red in an instant as Okarun smashes through it, and is interspersed with these three demonic frames that find a middle ground between the bold textured silhouettes and the loose scratchy turbo granny scribbles.

This is all just a sampling from this video, where I go more in depth on all these elements, and lay out way more of the direct references, so go watch it! (If you're not too scared… Maybe you can't handle it…)

[flamevbirdv]

video essayists for these trying times!

I watch a lot of youtube so I thought I could round up some recs!

verilybitchie my favorite of the list. bi, trans lense on queer media. expert on calling out lazy representation. famously known for their video "good lgbt representation is boring" but my favorite is a bisexual history of dracula

The Morbid Zoo incredibly smart and sharp commentary on movies and social media. horror fan, clown fan, twilight apologist. my favorite video of hers is the pale man:physical fascism

Maggie Mae Fish powerhouse of the media analysis sphere. I learn so much every time I watch any of her videos. very clear spoken and funny. if you haven't checked her out yet this is your sign. some of her greates hits are "LGBT in fantasy" "superman won't save the cat" "fight club, an analysis" but loki, stalker & the war on terror blew my mind

Princess Weekes bi black icon. the place to go for videos on pop culture, race, feminism, etc. her video how true crime reveals the corruption of the legal system changed my life, no hyperbole. also check out her video on "purity culture & fandom"

Rowan Ellis queer media and history. recently tackles cultural issues like "the infantilization of millenial women" and "corporate queerbaiting" the problem with activist characters is a personal favorite of mine

Ladyknightthebrave a channel with less videos than most of the folks above but you need to watch her video on holocaust cinema

Quality Culture channel shared by two people who love movies (and music!) and research the shit out of their videos. some I really enjoyed are "death note: finding meaning in a meaningless world" "the iron giant: a study in heartfeel film making" and the conflicting ideals of hayao miyazaki

The Princess and the Scrivener it's been a while since they uploaded a video but if you are a fan of disney, these are your gals. however I have to reccomend their videos on dissability and ableism "the wonder of misscasting" and the shape of ableism a joke on the shape of water, yes this video is that old

BONUS!

Elliot Sang he talks about the real world with probably the most nuanced view I've seen from a youtuber ever. another list of greatest hits: "ADHD: a nightmare under capitalism" " is tik tok ruining music?" and "the problem with video essays" LMAO

[shyjusticewarrior]

Jason be like "hey Tim I can get you into a bar"

Batman and Robin Eternal #1

Gotham Knights video game