#and making that active choice to believe

[ai-manre]

Cant believe there are still people calling Arya unkind and implying she's somehow less moral and less heroic than other characters. When she is TEN years old and does this:

As they were running toward the barn, Arya spied the crying girl sitting in the middle of the chaos, surrounded by smoke and slaughter. She grabbed her by the hand and pulled her to her feet as the others raced ahead. The girl wouldn't walk, even when slapped. Arya dragged her with her right hand while she held Needle in the left. Ahead, the night was a sullen red. The barn's on fire, she thought. Flames were licking up its sides from where a torch had fallen on straw, and she could hear the screaming of the animals trapped within. Hot Pie stepped out of the barn. "Arry, come on! Lommy's gone, leave her if she won't come!"

Stubbornly, Arya dragged all the harder, pulling the crying girl along. Hot Pie scuttled back inside, abandoning them . . . but Gendry came back, the fire shining so bright on his polished helm that the horns seemed to glow orange. He ran to them, and hoisted the crying girl up over his shoulder. "Run!"

Rushing through the barn doors was like running into a furnace. The air was swirling with smoke, the back wall a sheet of fire ground to roof. Their horses and donkeys were kicking and rearing and screaming. The poor animals, Arya thought. Then she saw the wagon, and the three men manacled to its bed. Biter was flinging himself against the chains, blood running down his arms from where the irons clasped his wrists. Rorge screamed curses, kicking at the wood. "Boy!" called Jaqen H'ghar. "Sweet boy!" [...]

Going back into that barn was the hardest thing she ever did. Smoke was pouring out the open door like a writhing black snake, and she could hear the screams of the poor animals inside, donkeys and horses and men. She chewed her lip, and darted through the doors, crouched low where the smoke wasn't quite so thick.

A donkey was caught in a ring of fire, shrieking in terror and pain. She could smell the stench of burning hair. The roof was gone up too, and things were falling down, pieces of flaming wood and bits of straw and hay. Arya put a hand over her mouth and nose. She couldn't see the wagon for the smoke, but she could still hear Biter screaming. She crawled toward the sound.

And then a wheel was looming over her. The wagon jumped and moved a half foot when Biter threw himself against his chains again. Jaqen saw her, but it was too hard to breathe, let alone talk. She threw the axe into the wagon. Rorge caught it and lifted it over his head, rivers of sooty sweat pouring down his noseless face.

Arya literally threw herself into a burning shed with falling roof, to rescue complete strangers. The worst she's risking here is not a beating or anything, she's risking her life and that too by making the active choice to go in and rescue people she does not know. Are you kidding me?? You see this and still Arya Stark isn't the kindest heroic character?

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[thebisexualwreckoning]

Listen guys I know this fandom like to make fun of harry for only ever using one spell but like the last time the poor boy tried to use a different spell during a duel Malfoy almost ended up bleeding out to death so like, can ya really blame him?

[wardensantoineandevka]

wait, wait, wait, are some people SO upset about the Those Across the Sea stinger that they're offhandedly framing it as a matter of debate about whether Meredith is awful and horrific as a narrative agent? yeah, like, the oppressive systems of the Chantry is the real root cause here, but one part of the material expression of the awfulness and evil of those systems within the narrative is in how it enables people like Meredith to do all that and pursue her prejudices in that manner without resistance? like, DA2 isn't really presenting Meredith herself with a lot of nuance and is kinda landing simply at "Meredith is kinda evil / doing evil things (for whatever measure of evil even is)". what drove her to develop this perspective and what ALLOWED her to do and accomplish all this harm and enact all that violence because of her prejudices and fear is where a bit more complexity comes in, but the fact that she is doing awful shit is not really, like, that up for debate, and I'm kinda baffled that this is something that's being put out there by some because they didn't like the stinger.

[foreverppl]

I so appreciate authors who really stick to their guns both in terms of characterization and overall narrative decisions.

[viktorarcanedeservesbetter]

i have so many THOUGHTS but i would get eaten alive for those thoughts so instead i will just say : ) and rant in the tags

[whitmore]

charlie slimecicle slash lore very clearly knows codeflippa isn’t juanaflippa somewhere inside of him. the specific avoidance of questions with codeflippa points us in that direction and is further confirmed by the direct questions he asked juanaflippa today during dia de los muertos— are you safe? are you in a happier place? he’s not in any level of denial barring performative, he’s just willing to settle for a codeflippa rather than no flippa at all, and that’s paraphrased but he’s said something very akin to it out loud. plus today he realized that if the missing eggs don’t have ofrendas they’re likely still alive, and i think to some end even after really processing that his current flippa isn’t the original juanaflippa, he’d still want her around emotionally to cope with the possibility of bearing witness to everybody else’s real egg reunifications. mariana isn’t around, his entire family was fundamentally gone at one point. he doesn’t want to have nothing again. and if codeflippa leaves, he’s left with nothing. again.

[chiropteracupola]

come and sit with me by candlelight

[flowermist7432]

Conversations you have with your parents can truly be eye opening. I told my Grandma once that I really enjoyed stories where you have an unreliable narrator because you can get wrapped up in what they are thinking. And other people's experiences- and her response was "I dont like stories that put me in other people's shoes. I like being me." And my response internally was like "Hm. That explains so much about you."

[queerpyracy]

"op i get what you're saying but--" blocked. nobody asked

[thatrandombystander]

Just got back from watching a production of Les Mis and yeah man to love another person really is to see the face of God 😭😭😭

[nightingaletrash]

Okay I think my first playthrough will be a Dark Urge Monk. I've still got to decide on the race and design, but I think I'll save that for launch day and play around in the CC until I like what I'm working with.

The Dark Urge just appeals to me so much, maybe its just where I'm at mentally or because of the characters I'm enjoying at this point in time, but the idea of someone wrestling with this inner darkness and the constant, draining battle against it... it'll either end with them finding people who help them control it and provide the support they need to keep it at bay OR it'll go pear-shaped and they'll be worse than ever :3

[angorwhosebabyisthis]

i think it is probably a sign of the process of healing from the trauma of having every word out of my mouth ripped apart, mocked, and treated as an unforgivable offense warranting Extreme Rage and Vitriol, and having it explained to me in excruciating and hateful detail why my thought processes and basic turns of phrase and the things i thought were worth expressing were stupid worthless gibberish, unbearable to listen to, and the root of everything wrong with society, by redditor-ass faux-intellectuals in my life growing up for being awkwardly phrased/not concise enough/mildly whimsical, that some days i'm proud of my meta and some days i can barely stand to look at it. but god that does not make the second one more fun.

[eastgaysian]

he's so casual about the fact that dozens of people died it actually endears him to me. well it was less than ideal that you killed a woman we just met in cold blood but hey, pobody's nerfect

[hotsugarbyglassanimals]

I hate talking about how men act like online . like we overcorrected man hating feminism so hard that i feel like we gotta just tiptoe around expressing any disdain for the common behaviors that men choose to engage with 😭

[moths-in-a-coat]

and when i mean i believe in inherent human rights, i mean i believe human rights are non conditional too. everyone is deserving of what i believe to be the bare minimum (again, the right to housing, food, water, healthcare, etc.). there’s nothing an individual can do that will make then underserving of those rights

as much as i say i believe certain people should die, i don’t think they should be stripped of their human rights. i don’t believe they should be starved, i don’t believe their access to seeing a doctor should be stripped away, i don’t believe they should be tortured. i genuinely wouldn’t wish that on anybody

when i get to the point in which i think some people are better off dead, it’s because i think they’ve caused so much damage, and they’ve proven that they’re not going to stop or have just never even shown genuine remorse for their actions with the intention to do better. it becomes a matter of this person has proven time and time again they have no problems deliberately harming people and not caring that their actions are leading to many, many deaths and misery. it is at that point that i honestly see death as a hope that those actions will stop because i genuinely cannot see those certain people changing their ways in the future

and with my belief for inherent human rights, i also believe that everyone has the capacity to change. i believe everyone inherently deserves to be given the chance to be better. this doesn’t mean they should be forgiven, but it means i would rather the world gain a person who is actively trying to atone for their actions and is actively trying to be better to the world, then someone who continues to cause harm, or even someone who does die with a legacy of harm