#and literary drama

[cult-of-the-eye]

right so who's gonna do the pretentious shakespeare tma fic?

[chthonic-empyrean]

أنت ذلك الـ "لا شيء" عندما يسألني الناس عما أفكر فيه

You're that "nothing" when people ask me what I'm thinking about."

[k-wame]

I should have nailed her to the floor. But I let her go. ↳ The Guernsey Literary and Potato Peel Pie Society 2018 · dir. Daniel Calparsoro

[amicus-noctis]

"Dionysus is a god, a god of transformation. To be in his presence is to lose oneself, to become one with the primal forces of nature."  

― Euripides, The Bacchae

Painting: "The Bacchanal of the Andrians" by Tizian

[realbeefman]

house is all id, impulse and reckless behavior and selfishness, and wilson is all superego, overthinking and moral judgement and selflessness, and together they act as the other's ego. house wants to biopsy a patient to stop his own pain, wilson tells him he's going to cross a line if he does. wilson wants to tell the world how he's justified the taboo of euthanasia, house steps in to tell him he'll ruin his life if he does. ultimately, this is why they fall apart when separated from each other, why wilson is miserable when he tries to cope with amber's death without house.

wilson will always try to be more selfish, to care less, wish that he was more like house, and house will always wish the inverse, that he is capable of caring as deeply as wilson does, that his own empathy ran as deep as wilson's. but in the end, they are both incapable of embodying those traits they admire in the other on their own. they can only truly function together.

this is the point in the show, for me, where it becomes clear that house and wilson have been set up as star-crossed lovers. it's only here, in 8 x 21, that they both accept fully who they are to each other. they have both accepted that they will only be able to be happy together, that only through acknowledging how they complete each other will either of them be able to be fulfilled in life. the tragedy is that they have only been able to find life at death. the price for their happiness together is the looming inevitability of wilson's death

anyways. rest in peace sigmund freud you would’ve loved analyzing house md yaoi

[rhcenyra]

PERIOD DRAMA APPRECIATION WEEK 🎞️

day 3 – favorite costume design

[entropy404]

You cannot, sir, take from me any thing that I will more willingly part withal: except my life, except my life, except my life.

William Shakespeare, Hamlet

[citrusai]

i don't wanna knock on bioware's crew or w/e but damn maybe you guys shouldn't have fired half your fucking production team and left the game partially unfinished just to beat an arbitrary deadline thinking you can compete with larian cause you got mad fans were showering bg3 with love. but whateveerrrrr

[gennsoup]

Oh why am I not sitting in the shade Of forests?

Jean Racine, Phèdre

[checkoutmybookshelf]

Anyone who has been personally victimized by Hamlet, please raise your hand...

[ouijabard]

WC Fandom Callout/Hot Take Time!

(I would like to preface this by saying that I am a member of the Warrior Cats community myself; I love it here and there are so many amazing and talented people. This post is by no means saying that everybody here is guilty of this, nor is it meant to be an attack or show of ill will on those who are. <:])

Okay, so I have a small grievance to air:

Never, in all my years on the internet, have I ever seen a community that matches the sheer amount of negativity and petty spite the WC fandom has, especially towards its own creators.

Exhibit A:

WC fandom:

The Erins: *actually give us the most pretty, fun, and unique canon design we’ve ever gotten, which CLEARLY IS A CHIMERA AS THEY INTENDED DUE TO HOW HER BLACK FUR IS LONGER THAN HER ORANGE FUR (LOOK AT HER CHEEK FLUFF)*

WC Fandom:

LIKE. Y’ALL.

(I would also like to mention that while yes, the inbreeding is gross and warrants criticism, when you have such isolated populations interbreeding, it was always bound to happen, especially with such complex and forgettable lineages (of feral cats, no less (y’know, animals that form family trees like that naturally?)). Honestly? It’s been an issue for so long that I really think we should just stop pointlessly whining about it, accept it (as long as they aren’t too closely related/it isn’t immediate family incest), and move on.)

I get constructive criticism and civil discourse is healthy in a fandom, but there’s no need to be so blatantly and endlessly petty and spiteful, especially towards the people who try so hard to give you the thing you enjoy in a consistent and timely manner and live up to its legacy. I agree that there are definitely things they’ve messed up on or could do much better with and that they should prioritize quality over quantity more, but c’mon. Honestly, y’all will just find anything to bitch about. 😭 Besides, enough with the pessimism and belittlement! Fandoms are supposed to be fun, and trust me, you will have much more fun if you just let yourself be excited and see what happens. Even if it does feel somewhat like toxic positivity to say so, there's no joy in just being a critic all the time. :]

Anyway, sorry for the exasperated ramble, and thank you for coming to my TEDtalk. 🙏

[chthonic-empyrean]

لقد استنفد العالم، والثروة الوحيدة المتبقية لنا هي الحب.

The world is exhausted, and the only wealth we have left is love.

[herigo]

[420joee]

I love me enough for the both of us

-joe

[sentiniel]

hbomb's blast of james somerton really makes me think back to other older youtubers who have been doing their good work, performing critical research and analyses into niche fields who then had their work plagiarized from their videos and henceforth wanted to stop making content.

yeah and also they got pushback from the internet saying the degree of plagiarism they'd experienced is a made up problem.

this is a sideways post.

[hesbuckcompton-baby]

Underrated historical pieces (for when you're looking for recommendations)

I don't know if it's just me, but historical movie rec lists have become supersaturated with the same few titles lately (yes I have seen Hacksaw Ridge, yes I have seen Little Women, leave me alone) - so I thought I'd come up with a shortlist of my own! Below the cut are a few titles I haven't seen anyone talk about anywhere NEAR enough in my opinion, in case you need something new to watch!

Summerland (2020), dir. Jessica Swale

Summerland is set in Devon, England during the Second World War, and follows Alice Lamb as she is forced to take in Frank, a young evacuee boy, against her will. As their relationship develops, Alice learns to open herself up to others, and her budding friendship with Frank leads her back towards another relationship she thought was lost forever. If you're looking for an LGBT period drama - THIS ONE RIGHT HERE!!! Alice Lamb, you are my favourite grumpy lesbian academic. Seriously though, this movie is so so lovely - definitely a good one if you're looking for a happy-cry.

This is England (2006), dir. Shane Meadows

This is England follows Shaun, a young boy struggling to fit in in 1980s England, who finds support and friendship among a gang of local skinheads. At once gritty and sensitive, it provides a personal look at the darker side of British culture and the process of indoctrination into racist ideologies. This movie arguably receives the attention it deserves within the UK, but falls into the underrated category everywhere else. Despite being almost 20 years old, it remains alarmingly relevant, and every single member of the cast puts in an incredible performance. (I'd recommend checking for content warnings before giving this (or its subsequent TV shows) a watch)

The Guernsey Literary and Potato Peel Pie Society (2018), dir. Mike Newell

Set in the aftermath of the Second World War, this movie follows writer Juliet Ashton as she travels to the island of Guernsey to meet a group of locals who found solace in her book during the Nazi occupation. However, as she grows closer to the group, she begins to uncover the tragedy at their core. This is such a perfect comfort movie. Every character is so so lovely, and honestly I've wanted to visit (/live on) Guernsey since the first time I watched this. It's a really wonderful watch, and sheds a nice insight into the experiences of the Channel Islands during WW2, which isn't something I've seen covered in other films set during this period.

Small Axe (2020), dir. Steve McQueen

Small Axe is an anthology series documenting the lives and experiences of London's West Indian population as they struggle through and fight against racial discrimination. I feel like the hype for this show died as soon as the year's awards season finished, and that's a CRIME. Britain's history of racial activism is generally overlooked in popular media, and this series did a wonderful job of showcasing both the pivotal and personal events that shaped the experiences of the Windrush generation. My personal favourites from this series were Education and Mangrove, but every episode is unique and well worth the watch.

Detroit (2017), dir. Kathryn Bigelow

In Detroit, public outrage is sparked when a police raid is carried out against black patrons of a local club, which grows more violent as the night progresses. This movie is terrifying. Every performance is excellent and harrowing, but Will Poulter's in particular has stuck with me since I first watched Detroit because it's just horrifying to watch. It's intense and brutal, but an important representation of the kind of violence that acted as a catalyst in the American civil rights movement.

Gosford Park (2001), dir. Robert Altman

Gosford Park follows a group of 1930s English aristocrats as they gather at a country estate for a weekend of socialising. However, when a member of the party is murdered, suspicion is cast upon everyone, and illicit secrets begin to come to light. Think Downton Abbey with murder. But then again, both were created/written by Julian Fellowes, so it makes sense. Almost painfully British, Gosford Park is a quick and clever indictment of the English upper classes that is thoroughly entertaining the whole way through.

Alias Grace (2017), dir. Mary Harron

Alias Grace follows Irish immigrant Grace Marks as she sits down with a doctor to attempt to recall the details of a murder she was accused of committing a decade prior. Based on Margaret Atwood's fictionalised retelling of a controversial, real-life case, this series offers an interesting insight into the oppression of Victorian working-class women, and the enduring cultural fascination with female violence. It's been a few years since I watched this show, but GOD I was so obsessed with it, so it's definitely time for a rewatch. Sarah Gadon is an absolutely brilliant lead, and Grace's recounting of events will leave you forever wondering what truly happened in this story.

Pride (2014), dir. Matthew Warchus

Set amidst the 1984 miners' strikes, Pride follows a small LGBT group from London as they raise money to support a small Welsh mining town, whose lives are badly struck by Thatcher's threats to close the mining pits they have built their lives around. Through their efforts, the group finds an unlikely community of supporters, breaching social barriers to lift each other up in times of hardship. Evidently I believe in saving the best for last, as Pride is definitely my personal favourite on this list - hell, it's one of my favourite movies EVER. Surprisingly niche despite its excellent cast (Andrew Scott, Bill Nighy, Imelda Staunton - to name a few), this movie is just utterly wonderful, and I guarantee you will spend the entire time either grinning or sobbing - trust me, I always do.

(not-so-subtle letterboxd plug, but for anyone interested, I've compiled a larger list of movies about British history HERE)