#and like who is that helping except the ego of the op? | Explore Tumblr posts and blogs

sideprince · 11 months ago

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I wrote a reply to this post but OP has deleted it and even though I should probably leave well enough alone, it got to me that I could have sworn I saw this post months ago and then realized it was actually from yesterday. This is a long reply so I'm putting it under a cut, but after I went to OP's blog and saw a post from them complaining how mean everyone was to them on this post, I replied to say I'm sorry if they got any anon hate I don't know about but otherwise none of the comments on this post were mean or hateful, they just disagreed with OP. I pointed out that this is partly because they cited non-canon events as canon, and OP immediately blocked me (this may be why I can't reblog the post even from another user, though that's not how tumblr usually works so who knows). I can't help but feel that OP's post was made in bad faith, as a result, and I've seen enough people on this hellsite who are more interested in protecting their egos than admit when they could have been approached something more thoughtfully, so I'm diving in. If you're going to say a character "is very interesting to study" while doing the exact opposite, then you'd better have the critical analysis skills and textual evidence to back it up.

I think OP has some misconceptions that are frustratingly common, and seem to stem from people not having read the books, or not read them for a long time, and conflating the movies with canon. While I mostly agree with the replies above, I want to take this opportunity to cite the text to refute some of OP's points. I often forget details from the text, but I choose to either look them up before asserting unconfirmed points as fact (Potter Search is a great tool, or you can just do a ctrl+F search if you have the books digitally), or else I usually state clearly that I'm not sure if I remember something correctly and don't have the spoons to look it up.

I saw OP say in the comments in response to someone arguing their points:

"that's your interpretation, I have mine, I think both can coexist within the material we are given."

It doesn't sit right with me that so many people think that referring to their subjective memory of what the text meant to them is the same as actually citing it and offering an explanation. OP's interpretation can't exist within the material given, because some of it doesn't exist in the material at all, and you can't interpret what isn't there. OP is essentially claiming to have done critical analysis, and although no one is required to always critique a text analytically on a tumblr post, I find it upsetting when people claim to do so while failing to cite a single source to support their argument. To me it sounds like someone trying to pass off a creative writing essay as an academic research paper, and in an age of rampant propaganda and knee-jerk reblogs that eschew critical thinking, I feel an almost compulsive need to go through OP's reply and argue it with the textual evidence they conveniently avoided, if for no other reason than to show why it's important to discern between loosely formed opinions and informed ones.

I also want to explain why I don't accept the films as canon, because while I do think that canon can exist across several mediums (such as with Good Omens, in which at least one of the writers of the text is directly involved in writing the TV series), I don't think that applies to Harry Potter because the original author was only marginally involved in the films, in only a consultant role, and had little input on the writing. The HP films are an interpretation as written from the perspective of Steve Kloves, except for OoTP, which was written by Michael Goldenberg. I've gone into it on other posts, but suffice to say these interpretations did not prioritize story and character development and were often influenced by pressure from the studio to prioritize marketing opportunities over storytelling. Important elements like foreshadowing and themes were not carried over from the text to the screen. These changes affected the storytelling significantly and left out crucial elements. This, combined with the films having been written with little to no involvement from the original author, is why I feel the films can't be taken as canon. This doesn't mean they can't be enjoyed by any means, just that they scenes that appear in the films but not in the text, or are presented differently on screen than in the text, are not a reasonable basis for character analysis.

And now, on to OP's ask:

"I think he is a very good representation of a man who felt insecure in his manhood; his male ego was permanently wounded by James' bullying and he decided to make it everyone else's problem by being the most insufferable teacher at Hogwarts."

The first thing we have to establish is that the books are told from Harry's perspective, so we have to take narrative bias into account. Calling Snape "the most insufferable teacher at Hogwarts" is a subjective statement and I can only assume it's based in Harry's biased perspective as narrator, given that he and Snape have a bad relationship from the outset. I have a brief analysis here about how Snape dislikes Harry because in their first class together he interprets Harry's ignorance of the course material as a lack of curiosity and appreciation for his gifts as a wizard, while also recognizing something of his own experiences with childhood poverty and abuse in Harry. Harry, being ignorant of these factors, just feels singled out for hate by a strict teacher, and their relationship deteriorates throughout the rest of the series, until the end of the final book.

To pull back from the narrative bias, let's look at some of the other teachers are Hogwarts:

McGonagall:

“Miss Granger, you foolish girl, how could you think of tackling a mountain troll on your own?” Hermione hung her head. Harry was speechless. Hermione was the last person to do anything against the rules, and here she was, pretending she had, to get them out of trouble. It was as if Snape had started handing out sweets. “Miss Granger, five points will be taken from Gryffindor for this,” said Professor McGonagall. “I’m very disappointed in you. If you’re not hurt at all, you’d better get off to Gryffindor Tower. Students are finishing the feast in their Houses.”

Philosopher's Stone, Ch. 10.

“I’m disgusted,” said Professor McGonagall. “Four students out of bed in one night! I’ve never heard of such a thing before! You, Miss Granger, I thought you had more sense. As for you, Mr. Potter, I thought Gryffindor meant more to you than this. All three of you will receive detentions — yes, you too, Mr. Longbottom, nothing gives you the right to walk around school at night, especially these days, it’s very dangerous — and fifty points will be taken from Gryffindor.” “Fifty?” Harry gasped — they would lose the lead, the lead he’d won in the last Quidditch match. “Fifty points each,” said Professor McGonagall, breathing heavily through her long, pointed nose.

Philosopher's Stone, Ch. 15

In just the first book we see McGonagall punish Hermione for successfully defending herself against a troll and take house points, then sends her back to her common room without getting medical attention, as if a ten year old can be responsible for assessing how badly they're hurt. A few chapters later McGonagall takes several hundred points from students in her own house (more than we see any other teacher do at one time throughout the series), and assigns the students detention on top of it. As we later see in the same chapter, the detentions aren't even served with her directly, but instead the children - again, ten years old - are sent into the Forbidden Forest at night with only Hagrid to protect them, to hunt down whatever creature is vicious and cunning enough to kill unicorns.

Although it's said that Snape favors the students in his own house, he doesn't seem to be the only one:

“Potter's been sent a broomstick, Professor,” said Malfoy quickly. “Yes, yes, that’s right,” said Professor Flitwick, beaming at Harry. “Professor McGonagall told me all about the special circumstances, Potter. And what model is it?” “A Nimbus Two Thousand, sir,” said Harry, fighting not to laugh at the look of horror on Malfoy’s face. “And it’s really thanks to Malfoy here that I’ve got it,” he added.

Philosopher's Stone, Ch. 10

Not only did McGonagall make an exception to school practices and allow Harry on his house Quidditch team despite being a first year, she used either school funds or her own (unclear) to purchase a first-rate broom for him. We know the school has brooms, as first years are not allowed their own and they are provided for flying lessons, and because “Harry had heard Fred and George Weasley complain about the school brooms” (PS ch. 9). And yet, McGonagall ensures Harry has his own broom, and an expensive one, new enough to be the show model in a shop window in Diagon Alley a few months earlier:

“Several boys of about Harry’s age had their noses pressed against a window with broomsticks in it. ‘Look,’ Harry heard one of them say, ‘the new Nimbus Two Thousand - fastest ever -”

-Philosopher's Stone, Ch. 5

If we're discussing which teachers are Hogwarts are the most "insufferable" then we also have to talk about Hagrid, who might mean well and be affectionate, but is also irresponsible and dangerous.

In Philosopher's Stone, Hagrid:

Punishes Dudley, a child, for his parents' offenses, the final straw being his father insulting Dumbledore (Ch. 4). While Hagrid acknowledges that he shouldn't have lost his temper, he also admits that his intention had been to turn Dudley fully into a pig.

Hatches a dragon in his cabin (Ch. 14), tries to raise it illegally and against the animal's need of care, and Harry, Ron, and Hermione (again, ten year olds) have to fix the situation and get Ron's brother to find some friends to take the dragon away safely and prevent Hagrid losing his job (Ch. 14). In the process Hagrid endangers himself as well as the children, and it's because of this that McGonagall gives them detention and deducts hundreds of house points. Hagrid not only allows the children to endanger themselves for his sake, but to be punished and subsequently ostracized by their peers also for his sake.

The reason he even has a dragon is, as we find out in Ch. 16, because he was foolish enough to accept it from a faceless stranger in exchange for unwittingly divulging the secret to getting past the three headed dog guarding the Philosopher's Stone (and the stranger later turns out to be Quirrel/Voldemort).

In Prisoner of Azkaban, Hagrid:

Starts his first lesson with a volatile creature (Ch. 6) and, although Malfoy acted irresponsibly, Hagrid was nevertheless the teacher and responsible for providing course material consistent with the experience level and maturity of his students' age.

Gets drunk and has to be taken care of by Harry, Ron, and Hermione (again, children) (Ch. 6)

Skipping ahead to Order of the Phoenix ch. 30, we find out Hagrid

Compromised his return from the mission Dumbledore sent him on by bringing a giant back to England.

Brought said giant into the school grounds and left him in the Forbidden Forest.

Asks Harry and Hermione (still children) to look after him if Hagrid is sacked.

Although Hagrid means well, his actions are consistently thoughtless and irresponsible, requiring those around him - often Harry, Ron, and Hermione - to fix the damage he causes. Although I think it remains subjective which teacher at Hogwarts is the "most insufferable" I think Hagrid is a strong enough candidate to qualify OP's interpretation of Snape holding that title as extremely contestable. Of course, since the books are presented through the lens of Harry's narrative bias, and he's fond of Hagrid, respects McGonagall, and dislikes Snape, an uncritical reading could lead one to OP's conclusions. However, a more objective analysis of the text shows that many teachers at Hogwarts are strict, punitive, biased, and wreak havoc on students in ways that make the Snape's actions look fairly tame, or at least the norm. And this is excluding an analysis of various DADA professors like Lockhart and Crouch/Moody, who were insufferable in their own rights (Lockhart was smarmy and dishonest to the point it risked students' lives; Crouch/Moodly transfigured a child into a ferret and humiliated him with torture as a disciplinary measure and deliberately triggered Neville's trauma in class).

OP continues their reply to say:

Add to this that he is a halfblood and only his mother was around, iirc?

They don't recall correctly. Snape, whose father was a muggle and whose mother was a witch, was indeed a half-blood (as is evidenced by him being revealed to be the Half-Blood Prince - I assume I don't need to cite a source as this is a pretty well-known fact and the literal title of an entire HP book, but should you need a reference it's in Ch. 28 of HBP). Both his parents were around in his childhood:

Snape staggered - his wand flew upwards, away from Harry - and suddenly Harry’s mind was teeming with memories that were not his: a hook-nosed man was shouting at a cowering woman, while a small dark-haired boy cried in a corner …

-Order of the Phoenix, Ch. 26

‘How are things at your house?’ Lily asked. A little crease appeared between his eyes. ‘Fine,’ he said. ‘They’re not arguing any more?’ ‘Oh, yes, they’re arguing,’ said Snape. He picked up a fistful of leaves and began tearing them apart, apparently unaware of what he was doing. ‘But it won’t be that long and I’ll be gone.’ ‘Doesn’t your dad like magic?’ ‘He doesn’t like anything, much,’ said Snape.

-Deathly Hallows, Ch. 33

We know that Snape's father was around because he's mentioned both in Snape's memories in OoTP that Harry accidentally invades during an Occlumency lesson, and when we see in Snape's memories that he gives Harry as he dies. Lily asks about his home life by referring to both his parents, implying that his dad is a consistent presence at home. We also know from JK Rowling that Snape's father "didn't hold back when it came to the whip" but this is supplementary and not mentioned in canon, so I don't expect anyone to refer to it when analyzing the text, I'm just adding it as bonus material.

Continuing on with OP's reply:

Snape, Voldemort and Harry all act like foils of each other in that sense, but whereas Voldemort fixated on his blood status as the main reason for his insecurities, Snape fixated on Lily.

So much to unpack here. Firstly, all of this should be backed up by examples from the text, as they are subjective readings that have significant bearing on character analysis.

Snape, Harry, and Voldemort don't act like foils of each other. For one thing, a character doesn't act like a foil, a character either is or isn't one. That being said, I don't know OP's background and there could be a language barrier because English isn't everyone's first language, I'm just being pedantic. Even with that in mind, the statement remains incorrect. A foil is a literary device - a character who contrasts with another character, often with the protagonist. It is not a choice a character makes or an action they take.

In Philosopher's Stone Snape is set up as a foil to Harry in order to misdirect the reader from suspecting the real villain, Quirrel/Voldemort. Snape is presented as secretive, sneaky, and nefarious, contrasting Harry's role as a protagonist who is outspoken, honest, and brave. As the series progresses, Snape, along with Voldemort, are eventually shown to have more parallels than contrasts with Harry. Snape and Voldemort were born into muggle poverty, and although Harry was raised in a middle class home by the Dursleys, they thrust poverty and neglect onto him in a way that parallels his childhood of neglect and want with that of Snape and Voldemort. Snape's father was abusive, as was Harry's guardian, Vernon Dursley. Harry, Voldemort, and Snape all had traumatic experiences growing up in muggle environments. If anything, Snape and Voldemort might be foils to Harry in that they both harbored resentment for their muggle fathers in ways that signified the separation between the wizarding and muggle world, while Harry's experiences with the Dursleys didn't color his image of muggles in a comparable way.

The contrast between Harry, Snape, and Voldemort is in the way each of them deals with their trauma. As Dumbledore says:

"It is our choices, Harry, that show what we truly are, far more than our abilities."

-Chamber of Secrets, Ch. 18

This becomes one of the overarching themes of the HP series, Harry, Snape, and Voldemort are all examples of how their choices took them to such different places in life from their comparable childhoods.

At school Voldemort was a handsome boy with talent, intelligence, and the recommendations of his teachers, but he chose to pursue power instead of success:

“He reached the seventh year of his schooling with, as you might have expected, top grades in every examination he had taken. All around him, his classmates were deciding which jobs they were to pursue once they had left Hogwarts. Nearly everybody expected spectacular things from Tom Riddle, prefect, Head Boy, winner of the Special Award for Services to the School. I know that several teachers, Professor Slughorn amongst them, suggested that he join the Ministry of Magic, offered to set up appointments, put him in touch with useful contacts. He refused all offers. The next thing the staff knew, Voldemort was working at Borgin and Burkes.”

Half-Blood Prince, Ch. 20

Snape chose to become a Death Eater for reasons we can only assume. We know he was in Slytherin during an era when Voldemort was in power and many of his allies had children in Slytherin house. At least two of Snape's dorm-mates, Mulciber and Avery, are canonically acknowledged to have become Death Eaters (both are present at the Ministry when Harry and his friends fight the Death Eaters in the Department of Mysteries in OoTP Ch. 35). It's unclear whether Snape chose to become a Death Eater out of admiration for them or out of peer pressure, or perhaps a lack of other options, while at school:

'… thought we were supposed to be friends?’ Snape was saying. ‘Best friends?’ ‘We are, Sev, but I don’t like some of the people you’re hanging around with! I’m sorry, but I detest Avery and Mulciber! Mulciber! What do you see in him, Sev? He’s creepy! D’you know what he tried to do to Mary Macdonald the other day?’ Lily had reached a pillar and leaned against it, looking up into the thin, sallow face. ‘That was nothing,’ said Snape. ‘It was a laugh, that’s all -‘ ‘It was Dark Magic, and if you think that’s funny -‘ ‘What about the stuff Potter and his mates get up to?’ demanded Snape. His colour rose again as he said it, unable, it seemed, to hold in his resentment.

-Deathly Hallows, Ch. 33

It's unclear what Snape thinks of Avery and Mulciber, as his reply to Lily is downplaying but doesn't defend their actions. We see Snape's indecisiveness later in the argument he has with Lily after he calls her a Mudblood:

'It’s too late. I’ve made excuses for you for years. None of my friends can understand why I even talk to you. You and your precious little Death Eater friends - you see, you don’t even deny it! You don’t even deny that’s what you’re all aiming to be! You can’t wait to join You-Know-Who, can you?’ He opened his mouth, but closed it without speaking. ‘I can’t pretend any more. You’ve chosen your way, I’ve chosen mine.’ ‘No - listen, I didn’t mean -‘ ‘- to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?'

-Deathly Hallows, Ch. 33

Although Snape does ultimately choose to become a Death Eater, we see in his reply to Lily about both Avery and Mulciber and later her assumption that they all want to become Death Eaters that Snape doesn't argue for or against her accusations, but instead is evasive and unsure of himself. He opens his mouth to speak when she accuses him of wanting to become a Death Eater, but then closes it again without saying anything - he can neither argue against her point, nor state clearly, let alone with any kind of conviction, that this is indeed his ambition. It can be argued that it's the passivity of his choice that lands him with a Dark Mark on his arm, and it's the active choice he makes to risk his life in order to defect from Voldemort's ranks and turn spy that defines his character and without which Harry could not have defeated Voldemort.

Harry, as the protagonist, is also significantly defined by the theme of choice:

'But, sir,’ said Harry, making valiant efforts not to sound argumentative, ‘it all comes to the same thing, doesn’t it? I’ve got to try and kill him, or -‘ ‘Got to?’ said Dumbledore. ‘Of course you’ve got to! But not because of the prophecy! Because you, yourself, will never rest until you’ve tried! We both know it! Imagine, please, just for a moment, that you had never heard that prophecy! How would you feel about Voldemort now? Think!’ Harry watched Dumbledore striding up and down in front of him, and thought. He thought of his mother, his father and Sirius. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat. ‘I’d want him finished,’ said Harry quietly. ‘And I’d want to do it.’ ‘Of course you would!’ cried Dumbledore. ‘You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal … in other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you … which makes it certain, really, that -' ‘That one of us is going to end up killing the other,’ said Harry. ‘Yes.'

-Half-Blood Prince, Ch. 33

There's a clear point made by the author through Dumbledore as her proxy here, that choice is what matters, not fate. It's Harry's choices that make him the person he is and lead him to eventually defeat Voldemort. While Snape, Voldemort, and Harry all can be contrasted through the lens of their choices, this does not make them foils, as it is the the theme of choice and how it is exemplified by each character that makes them unique, but their experiences and many of their character traits (boldness, bravery, a personal sense of conviction) that make them parallels of one another. Each of them occupies their own place on the spectrum between the light and dark that the series establishes, Voldemort at the dark end, Harry at the light, and Snape in the grey area between them.

OP goes on to say:

His character is all about male entitlement, he was obsessed with her at Hogwarts and then showed to have no boundaries as he went into her house to cradle her dead body in front of her traumatized kid.

There's a lot to unpack here, and it's particularly challenging because you can't provide textual evidence for something that didn't happen in the text. After the above scene from Ch. 33 of DH in which Lily ends her friendship with Snape, we never see them interact again:

'No - listen, I didn’t mean -‘ ‘- to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?’ He struggled on the verge of speech, but with a contemptuous look she turned and climbed back through the portrait hole … The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colours until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone …'

-Deathly Hallows, Ch. 33

The scene in the corridor in front of Gryffindor Tower between a fifth year Snape and Lily leads directly into the scene where Snape begs Dumbledore to protect the Potters (which I wrote an analysis of a few months ago but is too long a subject to derail this post for). We see no more interactions between Snape and Lily, and therefore there is no canonical support for the idea that Snape behaved obsessively or failed to respect her boundaries.

There's also no mention of Snape going to Godric's Hollow at all after her death. Snape holding Lily's dead body is only shown in the film version of Deathly Hallows, and as mentioned, the films are not canon. That moment doesn't exist in the text and can't be considered in an analysis of Snape's character. The scene on the hilltop leads directly into the scene of Snape crying in Dumbledore's office:

The hilltop faded, and Harry stood in Dumbledore’s office, and something was making a terrible sound, like a wounded animal. Snape was slumped forwards in a chair and Dumbledore was standing over him, looking grim. After a moment or two, Snape raised his face, and he looked like a man who had lived a hundred years of misery since leaving the wild hilltop. ‘I thought … you were going … to keep her … safe …’ ‘She and James put their faith in the wrong person,’ said Dumbledore. ‘Rather like you, Severus. Weren’t you hoping that Lord Voldemort would spare her?’ Snape’s breathing was shallow.

-Deathly Hallows, Ch. 33

This is the only depiction of Snape immediately following the Potters' deaths. The scene of him cradling Lily's dead body was Steve Kloves' invention and has no basis in canon. If anything, Snape's actions in canon can be interpreted to show that he respected the boundaries Lily set, and that even when her life was at risk he chose to go to Dumbledore - who he thought might kill him on sight - rather than talk to her directly after she ended their friendship. In addition, in all the information the text gives about the night Voldemort fell in Godric's Hollow and Hagrid collected Harry to take him to Privet Drive, there's no mention of Snape whatsoever.

There isn't much in the text to support the interpretation that Snape exemplified male entitlement either. So far we've seen him being as strict, if not milder, than other teachers at the school, his favoritism is also comparable to that of other teachers - implying it's more of a norm than an example of entitlement - and there are no canonical examples to support the argument that he was obsessed with Lily or violated her boundaries. Snape struggles to argue with Lily when she accuses and berates him, and the usual markers of patriarchal entitlement - silencing women, gaslighting, dismissing women's opinions, talking over them - are all nowhere to be found in any of their interactions. The only time we see him lash out at Lily is when he calls her Mudblood (OoTP Ch. 28) which, while inexcusable, he does under traumatic duress, and is not indicative of his usual interactions with her, as exemplified by the fact that she ends their friendship over it. As cited before:

'No - listen, I didn’t mean -‘ ‘- to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?’

There's a clear implication that Snape has never called her this before. An argument can also be made that it speaks volumes of Lily's own biases, or perhaps her own affection for Snape (who, not long before this, was still her best friend), that she excused this behavior from him when it was directed at others, and only took issue with it when it was directed at herself. That, combined with Lily's own acknowledgment that they were "best friends" shows that Snape's relationship with her was a balanced, consensual one even when it became strained, up until their friendship ended.

Continuing with OP's points:

He only saw Lily as a trophy to be possessed, which you can see from the way he hated Harry, because Harry reminded him Lily wasn't his and that Lily had sex with another man.

There's no support for this in the text anywhere and is pure conjecture. I can appreciate it being OP's headcanon, but it's certainly not a result of studying the text and relying on it to form opinions, but rather seems to be OP projecting pre-conceived notions onto Snape as a character and trying to find justification for it. I've written a whole post extrapolating Snape's first class with Harry, but the tl;dr is that Snape, who grew up in muggle poverty and knew Aunt Petunia enough to guess that Harry didn't fare well in her care when he showed up at school bearing signs of neglect, likely expected Harry to have the same hunger for learning that he himself did at Harry's age. Instead, Harry couldn't answer a single one of his questions and showed no curiosity or enthusiasm towards being a wizard as far as Snape could tell.

Nevertheless, even though Snape did seem to dislike Harry, hate is an awful strong word given that it is revealed at the end of Deathly Hallows that Snape has risked his own life to protect him. This isn't particularly surprising when you consider that this goal was established as early as Philosopher's Stone, when Snape protected him, which Harry initially interpreted as Snape trying to kill him:

Harry couldn’t take it in. This couldn’t be true, it couldn’t. ‘But Snape tried to kill me!’ ‘No, no, no. I tried to kill you. Your friend Miss Granger accidentally knocked me over as she rushed to set fire to Snape at that Quidditch match. She broke my eye contact with you. Another few seconds and I’d have got you off that broom. I’d have managed it before then if Snape hadn’t been muttering a counter-curse, trying to save you.’ ‘Snape was trying to save me?’ ‘Of course,’ said Quirrell coolly. -Philosopher's Stone, Ch. 17

Again, the story is told through the lens of Harry's bias, but that doesn't mean his opinions of Snape reflect Snape's character. As another example, there's an implication in OoTP that Snape, having seen some of the Dursleys' abuse of Harry through his memories during Occlumency lessons, passed this information on in an effort to protect Harry, and that this is the reason why several Order members (Arthur Weasley and Moody in particular) show up at King's Cross at the end of the schoolyear and threaten the Dursleys to stop mistreating him. There seems to be no other explanation in the text for why these adults are suddenly aware of the abuse Harry experiences, except that Snape, who was abused as a child himself, and who is an Order member himself, is the only adult in the series who we see witness Harry's mistreatement firsthand. At no point in the narrative do we see Harry complain about the Dursleys to the adults he trusts or ask them for help, merely to spend his holidays away from them without explanation.

While Snape did indeed dislike Harry and often compared him to his father, his dislike for James had much more significant roots in bullying and trauma than in his concern for Lily's relationship with him. It's established in canon that James Potter and Sirius Black dislike Snape from the outset (as in the scene on the Hogwarts Express in DH Ch. 33). In their fifth year, Sirius - annoyed that Snape is so curious about where Lupin goes each month - tricks Snape into following the tunnel under the Whomping Willow to the Shrieking Shack, as Lupin tells Harry:

'Professor Snape was at school with us. ... Sirius here played a trick on him which nearly killed him, a trick which involved me -‘ Black made a derisive noise. ‘It served him right,’ he sneered. ‘Sneaking around, trying to find out what we were up to … hoping he could get us expelled …' 'Severus was very interested in where I went every month,’ Lupin told Harry, Ron and Hermione. ‘We were in the same year, you know, and we - er - didn’t like each other very much. He especially disliked James. Jealous, I think, of James’s talent on the Quidditch pitch … anyway, Snape had seen me crossing the grounds with Madam Pomfrey one evening as she led me towards the Whomping Willow to transform. Sirius thought it would be - er - amusing, to tell Snape all he had to do was prod the knot on the tree-trunk with a long stick, and he’d be able to get in after me. Well, of course, Snape tried it - if he’d got as far as this house, he’d have met a fully grown werewolf - but your father, who’d heard what Sirius had done, went after Snape and pulled him back, at great risk to his life … Snape glimpsed me, though, at the end of the tunnel. He was forbidden to tell anybody by Dumbledore, but from that time on he knew what I was …'

-Prisoner of Azkaban, Ch. 18

From this we can deduce that Sirius intended for Snape to die, or at least get severely injured, and that even as a grown adult Sirius doesn't regret trying to mete out this punishment to him as retaliation for curiosity. We can also deduce that Lupin was unaware of Sirius' intention and did not consent to be used as a weapon. For his part, Snape never did reveal that Lupin was a werewolf while at school, or even during that school year, until after Lupin ran amok on Hogwarts grounds, endangering others' lives, including Harry's.

There are other meta posts that go into Lupin's insecurities and vulnerabilities, but in short, he was grateful just to be allowed into the school as a student, let alone to have friends, and was in no position to challenge James and Sirius. Even as a prefect he didn't curb their behavior, as we see when he allows James to bully Snape later that year after their O.W.L.s:

'Leave him alone,’ Lily repeated. She was looking at James with every sign of great dislike. ‘What’s he done to you?’ ‘Well,’ said James, appearing to deliberate the point, ‘it’s more the fact that he exists, if you know what I mean …’ Many of the surrounding students laughed, Sirius and Wormtail included, but Lupin, still apparently intent on his book, didn’t, and nor did Lily. ‘You think you’re funny,’ she said coldly. ‘But you’re just an arrogant, bullying toerag, Potter. Leave him alone.’ ‘I will if you go out with me, Evans,’ said James quickly. ‘Go on … go out with me and I’ll never lay a wand on old Snivelly again.'

-Order of the Phoenix, Ch. 28

James acknowledges that he has no real reason to bully Snape and uses violence as a bargaining chip to coerce Lily into going out with him (James' behavior reflects much more entitlement than Snape's, in my opinion). He also chokes Snape with a bar of soap and then assaults him by dangling him upside down and removing his trousers (threatening to remove his underwear but we don't see it happen).

Lily herself refers to James as arrogant, and it's this trait, along with the trauma from James' bullying of him, that Snape perceives in Harry. He doesn't resent Harry for looking like his father because it reminds him that Lily had sex with another man, he resents him for it because of all the trauma James inflicted on him. The conflict-laden relationship between Snape and the Marauders is a significant driver of the story through several of the books and OP seems subjective to the point of being problematic in ignoring it completely and instead focusing Snape's dislike of Harry onto an invented idea of sexual jealousy that doesn't exist in the text.

It's never stated whether Snape had romantic feelings for Lily, or vice versa, only that they were friends. The closest we see to a hint of this is when “The intensity of his [Snape's] gaze made her [Lily] blush," or when “The moment she [Lily] had insulted James Potter, his [Snape's] whole body had relaxed, and as they walked away there was a new spring in Snape’s step …”

Lily's blush could be interpreted as implying she was attracted to him, or conversely that she didn't and felt awkward thinking he might be attracted to her. Similarly, Snape's relief at her insulting James can be interpreted as indicative of his attraction to her, or of him simply being worried about a friend hanging out with people he perceived as dangerous and was relieved to learn she wasn't putting herself in the way of danger by becoming friends with them. Although JK Rowling has said that her intention was for Snape's affections towards Lily to be romantic, and that she may have returned his affection had he not chosen the path he did, this is - like the note about Snape's father whipping him - extratextual and more of an interesting fact than a bit of canon to be extrapolated from the text.

Finally, OP says:

His interest in the Death Eaters was only secondary to his obsession with Lily and I think Lily rejecting him pushed him toward joining the Death Eaters, because, once again, his male ego was bruised and he needed to replace it with something else.

We've already seen that Snape's interest in joining the Death Eaters was a big part of Lily's reason for ending their friendship. Therefore, logically, Lily's decision didn't push him towards becoming a Death Eater, but rather isolated him from having any support system outside of the DEs. She didn't reject him, because rejection is the refusal or dismissal of another person's advances or proposal. They were friends, meaning they had a mutually consensual platonic relationship. Lily therefore didn't reject Snape, she ended their friendship and, as already stated, nothing in canon implies he didn't respect her boundaries.

As we have also seen in canon, Snape was bullied at school and had, at best, a neglectful and dysfunctional home environment in his childhood. In addition, he shared a dorm with students actively interested in becoming Death Eaters, and his one social lifeline away from them was cut off when he called Lily a Mudblood. What OP interprets as Snape's male ego being bruised is actually a much more complex set of social and emotional factors being described throughout the series to eventually reveal the profile of a character - young Snape - who was a vulnerable youth primed for radicalization by a violent faction of zealots. Although the enforcement and upholding of patriarchal norms is often a huge element of these kinds of social movements, that didn't seem to be the driving force for Snape based on everything we learn about his character. Instead, what we see is a boy who comes from abuse, lives in abuse at school, who loses all the support systems that might give him an alternative to the fascist cult he's being radicalized into which - if it's like most hate groups - would have been more than welcome to both take him in and help him cut his ties to anyone else in his life he might escape from them to.

It also goes against the argument that Snape was sexually obsessed with Lily that he continued to risk his life in order to protect her son an defeat her murderer for almost two decades after her death. He knew it would neither bring her back from the dead nor bring about forgiveness, and it goes without saying that sex was no longer an option. Framing Snape's motivation as obsession dismisses the realities of the complex and meaningful relationship we form as people, and the lasting, transformative influence we can have on each other, which is what Snape and Lily's story illustrates.

Finally, OP concludes with:

He remained mysterious up till the end and his back-and-forth with treason was very compelling to read about. So I hate him (as a "person") but he is such a good character narrative-wise and he is very interesting to study

OP openly admits to hating Snape, ie. having a bias against him, while stating he is "interesting to study" - except no part of their answer has shown that they've actually done so. Their arguments are unsupported in several ways, one being that they don't offer any evidence, and the other being that none can be found in the source text. What's ironic is that OP seems to resent Snape's subjective bias against Harry (and misinterpret his reasons for it in baseless ways) while also showing the exact same kind of bias against Snape themselves. You don't have to like a character by any means, but claiming that the kind of unfounded, superficial, and unsupported opinions that OP stated in their response have a basis in any kind of study of his character is ludicrous and an insult to the intelligence of anyone reading it.

#long post #I'd say sorry to OP for ripping into their post like this but they think people disagreeing with them politely is mean and hateful so #but yeah sorry not sorry when your argument is so unfounded that it can be shredded with an entire cited essay then maybe #reconsider the claim that your opinions have any basis in study #and look I don't think OP is stupid by any means I think they knew exactly what they were doing and that's why I decided to argue them #even if they won't see it #I usually don't tend to argue with haters and prefer to spend my allotted hellsite time delving into meta but this one got to me

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saintmeghanmarkle · 10 months ago

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Eh? by u/Economy-Alfalfa-2241

Eh? Someone is going to have to explain posh branding to me - the nearest I get to posh is if we've got those carrots in that still have green stuff attached. They're all sneery, those carrots - because Lordy, where do I start?Most importantly: why is Megdusa wafting around in a huge frock and how hard were the camera crew laughing? Why is it so yellow and bleary? Did she dip the camera in the chip-pan? Are we supposed to think she's the long -suffering ghost of Casa Dumbarse: ancient seat of the House of Gobshite?Chip-pan Ghost™? Oh God help me sinners, I can't breathe 😂😂😂Is this Archfail? Or new shiny Sussex? Is one part of another? I mean, ChipPan Ghost is....something, but is this The Brand™? I'm almost expecting this to be some weird psy-op and Ari E is going to pop out from behind the huge skirts of the poshfrock with "ta-da! This is why you need our branding services!" complete with a whole new glo-up and we find out this strange, incoherent mess was all part of how to make a mahoossive SPLASH. Except Ari noped out so we just have a sort of sad.... "blop..."And what if I want Numbnut? Which of these variable organisations is him? This is the most incoherent launch I have ever seen and it leads to nowhere. No products, no services - it's the ultimate "jam later!" but it's posh jam? Say for a minute that I were utterly mental and I wanted to support Brand Suckarse: Reject Royals, then how do I...? Where do I....? Who do I...? There's no overall brand, just these placemarkers each with ill-defined lines.This is their need to stick it the monarchy; Dimbo *will have* the equivalent of the Duchy. But that not only grew up and created an entire market doing so, it's also intricately linked with the Crown and public holdings. You can't just replicate the entire thing elsewhere then try and force it into a business model that didn't even exist when the power structures of the UK were set and yes, the Duchy of Cornwall is private but it's certainly not extant just to feed a product line nor is it a straightforward company holding. It shows how little he really does know of our history that he doesn't understand why he doesn't get his own duchy to play with, waaaah.All that aside and assuming we do the usual bugger-all to stop them, even with everything working out and their keeping this, who will it even serve? Those who want tradition have a billion options, the lifestyle-gurus are selling a curated image based on themselves at least but this looks like it's trying to be BritainLite™ With no disrespect, do they have a target audience in the numbers, with the disposable income and of the strata of society to be buying The Lifestyle? There are plenty of middle-aged mums doing the whole beige thing, the younger ones have different dreams coming up....I just can't see the niche? And don't things like this rely not just on branding, but in repeat sales? Just.....who is this *FOR?* (Well, other than him, her and their egos 🙄)How many vanity projects can they support? post link: https://ift.tt/zLk4K86 author: Economy-Alfalfa-2241 submitted: March 15, 2024 at 03:36PM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

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princessnijireiki · 3 months ago

Note

The other thing is... totally separate from however much or little faith you have in individual issues around this presidential race.

In nearly 300 years of existence as a formalized nation, the United States has never voted out a genocide. Not one.

And for as long as the United States is run as the specific kind of imperial power it is, Israel in some way, shape, or form, will continue to exist, because its establishment as a formalized nation was specifically so Allied powers post-WW2 had a place to jettison "undesirables" to while forcing Palestinian "undesirables" out, so they had a built in labor and military force to man Israel as an imperial outpost. And when you turn civilian populations against each other, then turn half of them into a military base, and instruct them to "hold the line" against the rest of the world under an imperial framework (under very plausible threat of that same framework being turned against them), then yeah, within one or two generations you have willful and consenting colonial oppressors in the truest sense of an imperial neo-colony.

There is not a ballot that lets you pick the gun boss of the executive branch of guns, who is going to deviate from that model, in some clean & easy hardline way, that every other political power in this country or within its imperial allies will allow to proceed without interference, at this sociopolitical point in time.

I wish there was.

But in the same way that "everything looks like a nail to a hammer," the problem is bigger than a nail, and what we're voting for is a hammer.

It's still a tool. Depending on the force behind or opposing it, a hammer can do a lot, or it can be rendered fucking useless. A hammer can build things or tear things down. A hammer can be part of dismantling an old structure or establishing something new. But you will never tear down the master's house with the master's tools.

Doesn't mean it's not worth voting for a hammer. It's fucking important. It's limited in scope, the conversation is always made out like it's the one biggest and only thing you "need" to engage with politically, when it's very much not the end all or be all. But I'd still rather see if there's a hammer that might be more for me than against me in some kind of way, even if it comes down to "lesser" issues like climate and food related safety regulations, reproductive justice, anti discrimination law, educational access, and union rights, that are also life or death matters for a lot of people.

Obama was, like every US President, a war criminal, a deporter in chief, and so many other things. He was also able to make positive changes despite that. Both things can be true. Because all his scope was, was a fucking hammer. And it is not a bad thing or a moral failure to still pick a hammer less likely to fuck you up, or one less likely to fuck up a whole lotta people who aren't you, just because we acknowledge ceasefire is not actually an issue I get to vote for and win, any more than I got to vote against the genocide to begin with.

That one's gonna have to be a different tool. But abstaining from picking a fucking hammer just means you've decided in advance to be unarmed when other people want to use their hammer against you, and who have you helped with that decision except your own ego?

I don't need to reverse psychologize or play chicken with politicians, and I don't need to play games with my own safety to psych them out when there's actually pretty basic social media psy ops people are falling for every day just saying that none of it matters anyway. When that's an awful lot of effort and an awful lot of money spent on something that apparently doesn't matter... when if it also doesn't matter, what's five minutes to just do the thing, then, since it shouldn't matter either way?

I don't need to entertain or humor the idea that I'm even engaging on that level. I don't give a shit if the politician has faith in me. I don't give a shit about your nihilism. I definitely don't give a FUCK about anybody selling the idea that I should give up some scrap of agency in terms of voting to... prove a point about somebody else's career insecurity. It's not a game.

I don't need to act above being earnest about myself and my community or above caring. I give a fuck and will continue to do so.

So if I have shitty option A or shitty option B, it is not weak to choose harm mitigation for yourself and others, or to choose self interest, if that's the only difference between the shitty options. Because ALL these people who can be or will be harmed still matter, and people need to start acting like it. And then you keep it pushing and REMAIN politically engaged & active BEYOND this bullshit the other 364 days of the year. Y'all getting too lost in the sauce for me. Pick your hammer, then continue the rest of the fucking fight, and pick up a new weapon when the hammers are useless.

while i completely agree with your assessment of realistically what a trump vs harris presidency will look like, i think the issue me and a lot of other leftists have is that there is no need to tell people (and effectively tell harris) that oh ofc we are gna vote for her despite these issues because trump is THAT bad and if you say you don't want to vote for her because her party is pro-war, pro-genocide, then you are condemning americans to a trump presidency. we know trump is worse! i don't want him to win AT ALL, but why would harris even consider even changing the language she is using (i'm looking at the absolutely stupid speech she was giving in michigan, given the large arab & muslim-american population there and given its a battleground state) if she thinks she is going to win on a not-trump basis? i know who i'm voting for on nov 5th if it comes down to it, but we need the democrats to THINK they are going to lose until the very last minute, we need them to feel like they can't just rely on being the lesser of two evils if we want any chance of a shift on palestine. because they very well might lose, for this exact reason (and i'm speaking again more to the votes of the arab & muslim-american population which is far more demographically meaningful than the votes of leftists) and if that happens, they have no one to blame but themselves.

So I'm going to tell you something important: You don't have the leverage you think you have.

Political campaigns are a machine that's been operating the same way for a long time on the Democratic side. The Republicans may have abandoned a lot of the old ways of doing things, but the Democratic party hasn't. And you've got people running these campaigns who are steeped in the "wisdom" of how you win.

And when a block of voters says they're not going to vote for their candidate, they tend to believe them. So they decide to go court the people who they think will vote for them. That's why you've seen the Harris campaign trying to court moderate Republicans who might be iffy on voting for Trump a third time.

Right now one of the reasons Netanyahu is refusing to commit to a cease fire is because he thinks Trump can win. If Trump wins, he has no reason to ever agree to one. One of the reasons he thinks Trump can win is because the polling is so close.

If you want to know why they've gone to the right recently, it's because they think they've lost the left. And since a lot of those leftists are claiming there's a line in the sand that they don't have the power to appease (because -- again -- they can't get Netanyahu to do shit right now), they're going to go for the centrist Republicans.

Also, there seems to be this weird notion that the only way to move the Democrats is during the election. That's not how you move people. You keep pressuring them during their term and it works. Like Biden is continuing to work on forgiving student debt even though he doesn't have an election ahead of him. Because they know that what he does reflects on the future of the party. Voting doesn't end this game, it's the start of it.

But none of it will matter if Trump wins.

#imma try not to say too much else on this subject but I swear for a site full of grown mfs y'all piss me off so bad with the childishness #grow up. this is not rupaul's best friends race.#politics #long post //#sorry everybody #gotta clock in for my calling idiots fuckin stupid shift

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chiclet-go-boom · 2 years ago

Text

Pulling this out as a screenshot so I don't clog up the OP's feed with a dissenting take, but.. this is a dissenting take.

(all "you's" are the "group you" and are not specifically aimed at OP, only the ideas expressed.)

So you know where I'm coming from, I am Fandom-Old™. Do not cite the deep Magic to me, Witch, etc. I watched it start on the internet on geocities pages, on webrings and e-mail lists and yahoo groups.

I am pretty much against posting works-in-progress that are, in fact, works in progress. Unwritten. Unfinished. Unplotted, undrafted and unreliable. The author has an idea, a scene in their head, a bullet point of 'what if' and they post it. And there's some interest. Or they've got a cheering club of three on a social media, or a good friend, or a discord group that buoys them up. Or maybe they have none of that and are hoping to acquire it.

So they post a couple of more chapters, usually 2,000 words each which go nowhere and do nothing but reiterate the first chapter's ideas some more, only with a thesaurus in hand so the words don't repeat too much and then - it stalls. Forever. And AO3 is filled with 3/? and 5/? works that clutter up the entire place like peanut shells.

(The other side of that spectrum is the 200k monstrosities which are 119/? because that author can definitely type more then the first guy but still doesn't know what they're trying to say, so they keep ploughing forward in the hopes they'll trip over an ending somewhere.)

A story should have a point. A thing to say. A situation to highlight. A specific feeling to evoke. It is very obvious when a story has no such thing as it rambles everywhere, one word in front of the other and dying even as it stumbles forward.

Works in progress are (with rare exceptions) words in search of a story, looking for something worthwhile to say which is why so many of them never complete. It would be fair to say that I find them annoying because they are everywhere like potholes, and they are either boring because they are unplanned or they are frustrating because the author is a good writer and might actually be onto something but my god, you can tell they're flailing and wanting other people to get enthusiastic about it so they hopefully get inspiration to keep going.

my cousin in christ, if you don't have the inspiration to start with, trying to crowd-source it is not a path to success. if you throw a story into the mosh pit, its going to get trampled and i don't know what else to say about that. yes, people filter out incomplete stories and they filter them out for a reason.

works in progress should be worked on privately, passed around your book club, shared with like-minded individuals who can help flesh it out with you, give you that sounding board for what might or might not work as you refine your point and distill its essence - but posting it for public consumption when its still raw dough is wasting everybody's time. back then it was get thee to a forum geared to your fandom and talk to people about it, work on it in stages in a forum thread maybe, or more usually email your chapter drafts to your besties for feedback. nowadays its get thee to a discord and… do the same, i guess.

i very particularly dissent to the sentence in the middle of OP's post which states "…why would anyone write fanfiction if no one was going to interact with them until it was done."

what? its not worth writing a story unless at least three hundred random strangers get their fingerprints on it first? really? are you writing a story, or are you looking to get your ego stroked because you're performing the act of writing where people can see it?

everybody likes a cheer-leading section but you shouldn't require one to write Your Story. it comes from you, it is born by you, it is shaped by you and you alone are its shepherd.

fanfiction is not "an experience" in that regard. its a shared place and you bring your somewhat crumbly, slightly burnt cookies to the table along with everybody else, NOT a bag of ingredients and a sign up sheet for volunteers to man the oven.

find your people, let them help you surely, but needing others for 'participating in the process' is divorcing the author from their responsibility to bring their point of view to the world intact - trying to dilute a story through the lens of peer approval even as its being built is something that, today at least, I am going to push back on.

#fanfiction

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hangezoeenthusiast · 4 years ago

Text

God(hcs)

c!multiple x god!reader

notes: the reader will be the god of death to make it a little bit more spicy :). c!punz’s pronouns are he/they, i’m not sure about the others, but i know theirs. also why does ranboo take away my gender? /j

word count: 1,672

warnings: arson, violence, cursing, yelling, mention of death, voices in technos part, spoilers for wilbur if you haven’t watch tommy’s lore stream, revival for wilbur, making a religion, time travel, egg, prison, stealing, anarchy, playful name calling

Sapnap

so obviously y’all would be a great match :)

you have creative mode, so when sap would ask you to give him a lighter and tnt, you would GLADLY give it

also, can we talk about him being a nether hybrid

fire squared

like fires left and right, hide your mom and your children in your house lol /j

but besides the whole arson thing, you favor him above anyone else on the server

like if he asks for diamond blocks, well here’s a whole inventory of it, also, here’s some ancient debris and some netherite

if someone asked, you would probably grant them with poison and curses, just because you can’t be “unloyal” to snapchat

wouldn’t be lonely anymore

Dreamwastaken

this duo is less chaotic, but chaotic enough where people avoid you

he still asks you for stuff, but most of the time, you don’t give him it because he annoys you too much about giving stuff

“hey y/n/n, can i pretty please get some emerald blocks.”

“nope bitch, get it yourself.”

but sometimes, you grant him some op shit, when it’s your good day

“because i’m being nice, here’s some diamond, now, don’t ask me again you little piss baby.”

“shut your trap y/n.”

“or what homeless teletubby, what are you going to do to a god like me?”

“you hang out with technoblade to much.”

Georgenotfound

maybe the least chaotic duo

you guys keep on relaxing and relaxing until the point where you don’t do anything

he barely asks you for anything, but only when it’s really really important, like a house or build

especially when he was building his little cottagecore house, he needed your godly presence to help

“y/n, what should the roof be made of?”

“i suggest brick, it makes it more aestheticy if that makes any sense.”

also barely any drama or tea with you guys

never arguing and never betraying each other is a must

Tubbo

also another least chaotic duo

literally help him with his bee farm, he will (platonically) love you forever

gotta be close to ranboo, that’s the rule

gives him SO much stuff, he’s a precious boi 🙄

also gotta be close to tommy, but not as much unfortunately

you help him pick out things for builds, like what material clashes with another, etc

“do you think that the wool and the netherite blocks look good together y/n?”

“nah, what i suggest is the wool with the gold, it looks perfect.”

sometiems, gotta put him in check because he gets a little ego built up

you definitely yank his horn a little too hard because of your IMMENSE STRENGTH

“OW, WHAT THE HELL WAS THAT Y/N.”

“calm down sunny, you were just getting a bit over your head a little.”

Tommyinnit

chaotic duo like sapnap

snaps at anyone who annoys you and vice versa

you give him EVERYTHING, obviously except op and creative

he tries to persuade you to do something, but dreamxd wouldn’t allow it, since he is the main boss

“come on y/n, give me op.”

“no tommy, xd will kick my ass.”

“pweaseee.”

“no.”

you would DEFINITELY help him with the Big Innit Hotel, making the whole layout and color palette.

both of you have an intense hatred for ranboo, since he “stole” tubbo away from tommy

Ranboo

least involved in everything

just stay in the tundra and drink some tea, and you’re good for all of your life

helps him get netherite all the time so your boii can get the good stuff 😬

when he mines to get diamonds, he literally prays to you

“y/n, if you’re listening, please give me a 6 vein, i desperately need it for my collection of diamond blocks.”

and THERE IT IS

more than a 6 vein actually, a 12 vein

guess he needs to pray to you more

daily tea sessions, to talk about the good stuff, and NO, and i repeat NO skipping

threatening to flick water on him check ✅

Wilbur Soot

literally you spoil him

not to be angsty, but when he died and lost his last canon life, you revived him instead of Dream

now he’s practically at your knees

like he’s thinks that he owes you, but actually that’s the opposite

he was revived because you were lonely, and wanted your best friend back :(

prays to you when he goes to bed

“hey y/n, hope you’re having a great day, (platonically) love you.”

“love you too mortal.”

sometimes, to be at the peak of godness, you shower upon wilbur as gold to symbolize blessings, like zeus did before

“omg y/n, what are you doing?”

“i’m trying to bless you, shut up bitch.”

just saying, he would make a religion about you :/

Karl Jacobs

omg don’t get me started on this

first, you wouldn’t codone him going back in time

he would definitely forget your name a lot, so that’s why you hated it

“hey karl, how are you doing?”

“i’m sorry, but do i know you?”

ANGST IS TOO MUCH FOR ME

you were definitely the one to push him towards sapnap and quackity

this is also another spoiled boi

give him the entire world while you’re at it pwease

he wants a few diamonds, nope, give him a chest full of them

Quackity

why are there so much chaotic duos in here?

literally chaos times infinity

energy to the max

literally, did you take an energy drink

grants him every wish he can randomly think off

“can i get a bucket with lava and a fish in it?”

“weird choice, but ok man.”

gotta be close to sap and karl or he isn’t your friend anymore /j

helps with las nevadas a lot, and definitely tries to rig the machines so you get money

“hey big q, i got 10,000 dollars.”

“that’s impossible... y/n, did you cheat?”

“nooo 😊”

help him preen his wings, and he goes “I LOVE YOU, MWAH MWAH.” obviously in his mind 🙄

Awesamdude

definitely helps him maintain the prison

you both love setting up red stone contraptions and pistons and all that giz

“hey sam, do you know where the redstone torches are?”

“yeah, there behind the pistons in the back.”

also you helped build the prison, since he could do that by himself

“are you sure that lava wall will work y/n, your calculations seem inaccurate.”

“i’m sure sam, this will add some more security to this goddamn server.”

nerd squared lol

BadBoyHalo

wouldn’t condone the egg

you warned him multiple times to get away from its grasp, but most of the times he’ll decline

“i won’t y/n, the egg is the future.”

he still, even after all the advancements, even after everything, he tries to ask you to join the eggpire

“come on y/n, you’ll like being with us.”

“i don’t wanna be on a stupid egg side, like let me crack the egg, i wanna eat it and turn it into a omelette.”

he doesn’t like that joke :(

but before he discovered the egg, both of you were joint at the hip

sight seeing was a must

languages being thrown around everywhere, since you were the little language muffin

Punz

steals stuff from everyone

hide your stuff, because the punzo-y/n team is unstoppable

definitely they can be really stubborn and indecisive

like one day, he will be like, “i need gold blocks.” and the next, “nevermind, i need netherite actually.”

like hon, stop switching

also anarchy buddies

burning down forests and buildings are your guys’s specialty

when you give him gold when they doesn’t ask, his heart goes brrr and his brain goes, “pog pog, they’re so cool, lets hug them.”

Technoblade

now this is the most deadly duo in the entire Dream Smp

better not piss you guys off 😐

he’s the Blood God, and you’re the God/Goddess/God being of Death

so if some occasion where you need to battle someone, like Techno’s enemies, *clears throat and murmurs Quackity*, you will obviously back your boy up :)

help him with enchanting and potions and he’s set for life

also you got have to be close to the great Philza Minecraft since him and Techno are buddy buddy

anarchy squared

helps with the voices since you have some of your own

“so what you’re saying is that i need to pay attention to them?”

“yeah, when i first learned that the voices were in my head, i tried to ignore them, but that sucked. so what i did was try to distract myself with various tasks, and that sucked.”

“so what do i do, you’re saying that i should listen to them, but how do i do that when they literally shout at me.”

“just embrace it, obviously when they do their little chant of blood for the blood god, you have to ignore them.”

“you suck at advice.”

Philza Minecraft

so since both of you resemble death, him being the Angel of Death and you being the God/Goddess/God being of Death, y’all are fucking best friends, platonic soulmates if you will

death squared

watch out, because if you piss them off, prepare to d-

gotta be close to Ranboo and Techno, and obviously others who he platonically likes

he doesn’t need to ask you for stuff, he’s the fricking Angel of Death, but he will ask you to preen his wings :D

“ow, not there y/n.”

“oh shut up grandpa, let me do it.”

“I’M NOT OLD DUMBASS.”

Dream XD

two gods at once, damn there is so much chaos

left and right, you guys are noticed by everyone, like purrrr

y’all would be in some fancy shit, to show your power

you would get jealous of him hanging out with george

“why are you jealous y/n?”

“you’re hanging out with george to much, hang out with me please :(.”

gifts are a must, even though both of you have access to creative

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astraldoesart · 2 years ago

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Pinned Post!

Hello! I'm Astral. I go by it/its pronouns. I am very deep within the Markiplier and Jacksepticeye fandoms. Alongside others. I sometimes talk about important world issues but this is mostly a blog for my art and aus. I will also write on here.

Read this post for a laugh :)

[AO3] - [WATTPAD] - [DISCORD SERVER] - [VENMO] - [PATREON] - [COMMS] - [CARRD]

All the Blogs

@sinful-reblog - A blog for me to reblog things of all varities. Contains nsfw.

@dabis-loverboy - MHA writing blog, contains nsfw.

@nixie-writes-aot - Attack on Titan writing blog. Contains nsfw.

@nixies-op-imagines - One Piece writing blog. Contains nsfw.

@fivenightsatsins - Fnaf writing blog. Will contain nsfw (god dont look at me jdmdkdk).

@sinful-decaf - Smaller fandoms/generalized writing blog. Contains nsfw.

@ask-ego-manor - Ask blog for Markiplier egos, mostly Dark and Actor.

@ask-the-septics - Ask blog for Jacksepticeye egos, mostly Anti.

@ask-caretaker-mael - Ask blog for my irissona, Caretaker Mael.

@ask-hurricane-twist - MLP next gen AU blog following the story of Hurricane Twist.

@ask-the-warriors - Attack on Titan Warriors ask blog, including an oc.

@wc-endless-dreams - Warrior cats original comic blog.

@the-sinful-collective - System and vent blog. TWs will be both tagged and under general read mores (I sometimes forget tho).

All the AUs

Ego AUs

Megamind - Antihero au, Anti is Megamind and Jackie is Roxanne.

Werewolf - Antiaverage au, Chase is a human and Anti is the alpha of his pack. Anti protects Chase and his kids from dying after targeted by an enemy pack. Stacy died to a wolf from that pack when Anti first discovered Chase and his kids. Mostly Anti's perspective.

Mer - Schneeplebro and danti au. Dark is trying to wake up a god and Henrik is trying to stop him, Chase gets caught in the middle when Stacy makes and breaks a deal with Dark. Several perspectives.

Skyrim - Dark x Anti x Henrik x Chase au. Chase runs an inn, dealing with the hijinx of what eventually is his three boyfriends (mostly Dark and Anti). Chase's perspective.

Dragon - Marvin x Anti. Dragons have been hunted by humans for decades since the accidental murder of most of the royal family. Now it follows Anti, looking for his dad Chase who had been dragges off by humans. Too trusting, humans target him and almost hurt him until Marvin saves him. Marvin agrees to help. Anti's perspective.

Avian - Several ships. Several avians deal with the world they live with and the evil humans are capable of. Several perspectives.

Crossover - Still in concept. The mers and avians having a crossover where they could meet and what not. Probably won't have a real story or plot. Sub au of the mer and avian aus.

Bird Boys - Chase x Marvin x Henrik. Follows the story of the avian au except Chase doesn't end up dating Anti and Jackie. Chase's perspective.

Gods - The Iplier and Septic egos as gods. So far, no real story except gods go brr.

Undead - Anti x Henrik and Jackie x Chase. Set in the universe of the walking dead, main four boys handle a zombie apocalypse. Starts as Chase's perspective but follows Jackie, Henrik, and Anti.

Sparklecats - I have no explanations. Just the egos as sparklecats. There are two clans even. Septicclan and Iplierclan.

Five Nights at Sam's(FNaS) - Very early conception. Basically fnaf and ego crossover with Anti as William Afton.

IRIS Pokemon - Early concept. The JSE egos(+ Caretaker Nix) in the Pokemon universe.

Attack on Titan AUs

Bertholdt Survives - OC x canon au. Inspired by the song "I Know Those Eyes/This Man Is Dead" from The Count of Monte Cristo. Bertholdt survives the Battle of Shiganshina, switching sides. Chaos ensues when he sees the Warriors again in season 4.

Band - OC x canon. Inspired by the song "Guys Don't Like Me" by It Boys. The Warriors, minus Annie, make up a band. Eren, Mikasa, Armin, and Zakai make up another band. Zakai is dating Armin but meets Bertholdt in a club. She ends up cheating on Armin with Bertholdt's help.

Traitor - OC x canon. Zakai makes a different choice, siding with Paradis instead of Marley when she is reunited with Reiner, Bertholdt, and Annie. Her loyalty is grey until its revealed that Reiner and Bertholdt are the Armored and Colossal titans. She ends up running into Armin's arms specifically. Angst heavy.

Warring Pokemon - Early concept. AoT characters(+ ocs) in the Pokemon universe. I just want more pokemon brainrot to be shared.

My Hero Academia AUs

Hero - Where the LoV + ocs have different upbringings, resulting in many to be heroes instead. A "fix it" au of a sort. LoV and the Big Three aged down to fit into UA (with the Big Three being in 2A instead of 3A).

One Piece AUs

If You Died - An au where Lenna dies instead of Lila. Early concept.

19 Total AUs

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cecilysass · 1 year ago

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I think I disagree with this a little, maybe because I view Amor Fati through the lens of Last Temptation of Christ, which DD was thinking about when he wrote it. I’ve never read the book by Nikos Kazantzakis. But if you’ve seen the end of the 1988 Martin Scorsese film, you know that the dream sequence in Amor Fati is really, really inspired by it. Like, really. It’s very much the same.

In Last Temptation, Satan presents Jesus with a vision of the life he might have had: an everyday life with a family, marrying Mary Magdalene, growing old, etc. Then at the very end, everything is on fire, and Jesus is an old man dying, Judas comes in and says, “get up, get up, you weren’t supposed to die like this, in a comfortable bed, you were tricked by Satan, this isn’t how it was supposed to be.” (I am wildly paraphrasing.) Then Jesus realizes his mistake, that he can’t be a normal man, and chooses to make the sacrifice and dies on the cross. Here’s the end of the Judas scene.

I do think part of Mulder craves the domesticity and peace and intact family life he is offered in Amor Fati. One important point about this sequence is that it is not supposed to be literal in any way. But I think like for Jesus in LT, it is supposed to represent aspects of meaningful temptation to Mulder. It is a bit of a fantasy for him. Not because he loves Diana or wants to play son to CSM or live in the suburbs, but because he’s had to choose an often lonely, alienated and anxious life. And here is a dream world that represents love, respect, a secure place in a family and community, complete ease and comfort. It’s a world where the dead (Deep Throat) are not lost to him, and a world where he is absolved of guilt. Not to mention he’s achieved what some people would consider healthy and reassuring markers of adulthood. He’s loved. He’s normal. This is a big deal for a man who has had so few people in his life who care about him.

With the big exception, of course, of Scully. And her absence in the dream world does worry him, does make him think something is off. I would say that, comparing Last Temptation and Amor Fati, Mulder is more aware than Jesus that his vision is not quite right. So in this I agree with OP. There’s a current of unease in Mulder’s temptation. He seems bewildered by the speed of his dream relationship with Diana, for example. And it’s symbolically significant that the domestic bliss he’s offered in his dream is with Diana, not Scully. Diana in the dream is some exaggerated, allegorical version of real Diana. She offers Mulder complete agreeable ease, no uncomfortable challenge, a woman who makes a fire and lays a table (as she says in her dialogue), walks around in seductive lingerie and bears sons. It’s not really consistent with Diana’s real life tough, career-minded character (okay, maybe the lingerie), and it is meant to represent the promise of false flattery, false ego-building that requires very little of him. Although he is eventually lulled by the experience, he does ask questions, including “what the hell am I doing here?” It has some superficial appeal for Mulder, who has been lonely and attention-starved, but by the end of the episode, it’s clear that’s not what he really wants. The reminder of this is what ultimately unravels the dream.

Scully plays the role that Judas plays in Last Temptation, which is fascinating. It makes sense given the role Judas plays in LT’s version of the story. He’s not the villain. Judas, in that story, is a faithful “partner” to Jesus in carrying out the fated pageant of the cross and the resurrection that will lead to saving the world. He betrays Jesus because it’s his part to play. So like Scully in Amor Fati, Judas is the one to tell Jesus he’s supposed to make the harder choice, to walk the more difficult path. To remind him that more is asked of him.

Scully comes in at the end of the vision to be the reality check, to help Mulder see where he belongs and what he has to do. To let him know what truth is— to be his touchstone. Like in Last Temptation, he has to reject the “normal life” because he’s fated to walk a more difficult path, to fight the good fight with her. He’s being asked for more because it’s right to do more.

The interesting difference between Amor Fati and Last Temptation is that LT requires Jesus to give up all worldly comfort, all personal connections, simply to die. The dream sequence culminates with his death on the cross. Whereas Amor Fati ends with a fairy tale rescue (the heroine’s tears reviving the sleeping prince) and wedding vows. Well, not exactly wedding vows, but the “touchstone” speech in the hall makes clear that the difficult path Mulder has to walk isn’t necessarily going to require utter loneliness and self-denial. And Scully’s partnership isn’t a false, misdirecting one like Diana’s in the dream: Scully tells him the truth. She expects the best of him.

Now that I have written all of this and reread what OP wrote, I am not sure I disagree very much after all. I might be essentially saying the same thing. So yes, OP, I took a long ass time to basically say I agree: sorry, and I thank you for your patience. I love this episode.

Sort of. Except that I hate the Mulder Christ imagery really. It’s complicated.

amor fati is not some fantasy of mulder's. it's a dystopia if he didn't dedicate his life to the truth and followed the path of ignorance. becoming like his father (whoever you believe it is) in terrible ways, doing what csm wanted him to (believe his lies).

and as soon as scully is near again, he can see through fog & lies his brain is telling him. because he bears north, scully is his true north who tells him the truth and fights with & for him. she would never tell him pretty lies over a hard truth, no matter how hard it is.

#I love Amor Fati #but it also bothers me #so much that I sometimes write long multichapter fanfics about it #and sometimes I apparently go on long meandering tumblr rants about it #sorry everyone #x files meta #the x files #meta

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softcallofdutyimagines · 4 years ago

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any safehouse crew x bell!reader headcanons? can be fluffy or angsty, whichever you prefer to write 🥺 i adore your work!

Aw, thank you!! Yeah, I'd love to share to some headcannons! These are sort of a mixed bag regarding fluff/angst, but I think they're mostly nicey-nicey :)

Sorry for your wait, but I hope you enjoy 💖

Adler

His relationship with you is such a tangled mess

He shouldn't even be doing this, not after all he's done to you and is still doing, but...

He just can't help but fall for you

Your memories of being with him during the war may be fake, but to you they're all too real

You know him better then anyone else, maybe even more then Sims

This whole thing started because you wanted to get to know him, to fill in the gaps and to continue growing the bond that only exists in your mind

Every day he struggles with the knowledge that what he's doing is wrong, along with the constant badgering about it from Hudson, Sims, and Park

But he's never felt this close, let alone wanted, by someone in his entire life

There'll come a day when the lid blows right off all this and explodes in his face for sure

Just... Not yet, he hopes

Hudson

If there's one person here who should not be getting involved with you... It's him

Adler and Park may be your handlers, but he's the one overseeing the entire operation

You wouldn't even be here if he hadn't passed down the orders from the higher ups

If there's nothing else you take away from this, he would have you know that there is much, much more at risk here then his mere job if he was found messing around with you

Hudson tried everything to resist you

You and your charming voice

You and your beguiling looks

You and your kindness and patient soul

His will was strong, but the flesh is oh so weak

No one has ever treated him like you do

Just an ounce of respect and a surprising, never ending stream of kindness...

What else is a lonely man to do?

Adler and Park know nothing, this is a term you both agreed on

And they never will, because as soon as your work here is done...

He will stop at nothing to keep you safe

Lazar

He knows, he knows...

He should be doing this

But damn it if you aren't just so... Loveable

Lazar has a big heart that just bursting at the seams with love to give

You'd think such a friendly fellow would be popular in the dating pools, but...

It would seem not so

He'll be honest, he was going to make moves towards Park...

Mostly because, between the two of you, she wasn't strictly off limits

But you were his first choice

And when Helen shut him down, well...

Why not at least try?

He never expected you to actually take to him

He deals with constant reprimands, but he dismisses them every time

No one knows what it's like to be so full of love and have no one to give it too

And now that he has you...

He'll be damned if anyone tries to take you away from him

Mason

Geez... All Mason wants is a stable relationship with someone who loves him and has the grit to see past his flaws

He's been taking his meds and seeing his psych, but the numbers and mind jacking still bother him

In fact, they very well might for the rest of his life

He feels so broken

So unlovable and far too damaged to even be an option for anyone else out there

So... Why are you so interested in him?

At first he brushes it off as a star struck kid, and maybe, at first it was, but then...

Things start to get serious

He meet up with you after work hours

You both get to talking and relating to one another through your memories of warfare and the current mission

You tell him you've seen plenty of things just as crazy as what's going on with him, and people that are twice that bad

He doesn't scare you, not one bit

Acceptance is all he's ever wanted, and to have found it in you feels better then anything he ever could've dreamed of

He falls for you so hard, he rarely let's you out of his sight and tries to get on as many of your missions as possible

Park

This whole op is a well oiled machine and she's the one driving it

Hudson and Adler may act like they're in charge, but they'd be nothing without her helping to hold them and you in line

She's a woman of rules, decorum, and conduct

There's a way to do things and a way not to, simple as that

And yet for all that, she still cannot understand how she's fallen in with you

She should be holding you at arms length at best, and yet here she is stealing kisses and playing with your hair when no one is looking

Maybe she's too much of a sucker for a good forbidden romance story

Or maybe there's always been something in you that's spoken to her from the beginning

A certain way you carry and conduct yourself

So brave and strong...

The kind of person she aspires to be, deep down...

Soon she starts saying things like "what's the worst that could happen" and "no one has to know"

And before long, she knows she could never let you go

When this mission is over, she swears to set you free from the mental prison and living hell she helped put you in, no matter the outcome for your relationship

She loves you too much to see you suffer

Sims

He has the exact same problem as Adler

You know him too damn well

Except... You don't really know him at all, huh?

It takes him so long to wrap his mind around that one...

But the more and more you keep coming to him, asking about things like 'Nam and his time in the war...

The more and more that line becomes muddled

How much have you been programmed to know, and how much did you learn naturally, just from getting to know him?

It's hard being a Vietnam vet you know...

Everyone blames you for the loss of the war, and no one wants much to do with a soldier in general, he guesses

Too much of a headache when you could just get a nice, normal person, right?

But old Vietnam vets get lonely too you know...

So you know what? Who gives a damn

This whole thing with you and mk ultra was screwed from the start, and who knows where the end will take you

If nothing else, if not even for his own benefit, he may as well give you the respect enough to enjoy a little fling

He treats it seriously. Very seriously.

He even grows to truly love you

Maybe that's why he's so scared for you

Woods

Here's a man who'd go his whole life proclaiming he'll never settle down and had no interest in doing so

He's a lone wolf, a life long solider, and far too fucked up for a stable relationship anyhow

At least... That's what he'll say

The truth is he yearns for what Mason and Hudson have

A happy little family and cozy home to protect and care for

He wants to feel needed, wanted even

And he'll never get that from long hours at the practice range and lonely weekend nights spent in his living room

He takes the same approach as Mason would at first

He brushes you off as a starry eyed fan and nothing more

But you know... He's never had anyone care enough to be a "fan" before

Alex laughs at him and keeps saying he's letting his ego get to his head, but what the fuck does he know?

He's got all that shit with the numbers and reznov stuck in his head, and yet he still has someone to go home to each night

So he does it, he gets involved with you

And it's the best damn feeling in the whole world

He loves you relentlessly and soon finds he can't bear to be away from you for too long

Mason will never let him life it down, but you know what?

He's just fine with that

#black ops cold war #call of duty #russell adler x reader #jason hudson x reader #lazar x reader #eleazar azoulay x reader #alex mason x reader #helen park x reader #lawrence sims x reader #frank woods x reader #bell!reader

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noneatnonedotcom · 3 years ago

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ways jaune should have been used in the atlas arc

it's basically fact that jaune's now the strongest character in the show. but rwby seems determined to not acknowledge that the man with

infinite aura! THE ABILITY TO BUFF ANY FREAKING HUNTSMAN AROUND HIM! AND THE ABILITY TO HEAL ANY INJURY AND PREVENT THEM FROM GETTING TIRED!

might be relevant to an ongoing war. so with that all said how could the atlas arc have handled something as broken as jaune's semblance? 1 cinder realizes that jaune's got to be taken out or avoided at all costs. even if he's not personally skilled enough to hit her with his infinite aura he can boost others who are and she lacks anything to take him out besides assassination. and she has to kill him before his aura has a chance to heal him because again infinite aura means he can heal basically anything and block basically anything.

this leads to her taking a divide and conquer strategy. pretty simple, she starts making people fight over jaune rather than work with him by keeping the pressure up and making sure jaune's too busy to help. constant terrorist attacks would work perfect for that.

2 have the ace-ops recruit him and have one of them not like it.

leading to fighting in the team as they take issue with losing a medic that can keep them fighting forever and heal any wound over some hurt feelings.

have blake and weiss take issue with jaune being brought onto the elite team due to their own egos (maybe bring up the fact that weiss never thanked jaune for SAVING HER LIFE) and blake take issue with jaune being a human and being fast tracked. bring up whether or not it's racist that jaune's getting special treatment when it's his semblance that makes him so valuable.

3 inter team jealousy.

have oscar feel like he's not doing enough and start pulling stupid shit to try and make himself as important to people as jaune. have him want to be a hero. hell it would give him an actual motivation to be there in the first place.

have ruby be worried that she's losing her friend but have no idea how to bring up this issue.

have nora and ren arguing about whether they should fight to keep their leader. maybe with ren blowing up and saying he never saw jaune as a leader only a team mascot (it doesn't matter if it's true only that he says it in the heat of the moment and they have to deal with it)

all of these options have one thing in common though. THEY DON'T EVEN NEED JAUNE TO BE THERE! hell it would probably make it more poignant that they're not actually fighting over jaune the person but his semblance instead. (except for ruby and nora but they're outliers) and it would let all the characters have a little more characterization as you see how they react to one of the previously weakest characters now being a highly sought after force multiplier

#RWBY #jaune arc #Rant #[email protected] fics

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chainofclovers · 3 years ago

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Ted Lasso 2x3 thoughts

Brendan Hunt confirmed on Twitter that the writers wrote the first three episodes of the season with the intention of releasing them on the same day, just as they dropped the first three episodes of season one on the same day. Having finally watched the first three over three different weeks, I really wish they’d been able to launch all three on the same day. I really liked the first two episodes of the season, but the third episode really puts a lot of things into context. Between the political storyline, the return of Sassy (and a bit of a level-setting conversation between Sassy, Rebecca, and Ted) and Rebecca’s navigation of her professional life as an all-in club owner and her experience reconnecting to Nora...all of that feels like we’re done setting up the season now. Exposition complete—and to the writers’ credit, all three of these episodes are far more than exposition. A lot of story has happened.

So much so that this week’s installment has categories.

Sassy and Ted and Rebecca

Hahahahahahahahahaha

No, seriously though, I love that they are mature adults about this and I also love that Ted is Uncomfortable and, to be perfectly honest, I like that Sassy’s aggressive unfilteredness becomes an opportunity for the show to venture into more sexual references and humor about characters other than Keeley and Roy. It was a lot of information!

I’ve seen a couple of people express disappointment that Ted seems weirded out by Sassy discussing Nora’s impending first period, but I didn’t get the impression that he was grossed out by periods. There is a lot going on! Nora is right outside the room with the door open and Sassy has run through a lot of very personal topics! I felt like his reaction was more about the proximity issue in specific and the personal nature of the conversation in general more than anything else.

So many thoughts about the intersection between the biscuits and this conversation that it had to go in its own post.

Nora!

I LOVE Nora. I want every episode of this show to be about her. I want this sitcom to be called Nora Collins.

I love that Nora’s a little bit sassy (pun on her mother’s nickname only lazily intended) in the way a thirteen-year-old can be, but also enthusiastic about spending time with Rebecca and genuinely interested in meeting everyone her godmother knows. Rebecca genuinely hurt Nora, but Nora can clearly see that Rebecca is all-in on their mended relationship, and that gives her the space to be a bit teasing. She knows Rebecca’s weaknesses and has a little fun (the cooking joke when Rebecca offers to make popcorn?!) but also isn’t going to manipulate her or take advantage.

The British doll company and all the riffs on American Girl dolls, OMG. So good.

Like literally everyone, I am extremely into Rebecca and Roy actually being friends and exchanging words with each other this season. Now everyone in the group of four mains have had some great conversational moments with each other this season (I count Ted and Keeley being into Sharon’s bike as a great conversational moment, OK?!), with the exception of Roy and Ted. Cannot wait for that.

During the photo op with the team, Sassy and Rebecca remark on how Nora is loving and hating having her picture taken with Sam and the rest of the players, and that is THE experience of being thirteen years old, and Kiki May does an incredible job infusing all of Nora’s moments with the right proportions of enthusiasm to cringe. Thirteen years olds are constantly cringing but still full of spirit and life, and at constantly changing ratios, and Nora is the perfect embodiment of that.

My heart melted during the email-writing scene. Rebecca’s writing the email on Nora’s computer! In the guest room where her goddaughter is staying! They’re wearing pajamas! And Rebecca’s smile is so genuinely huge and delighted when she signs it “boss ass bitch.”

Led Tasso and Jamie’s Redemption

This was so stupid and I loved it so much. I love that Ted’s angry alter ego is absurd rather than scary, kind of like a parody of how worked up some men get over sports. I wonder if Led Tasso’s appearance in some way foreshadows a more uncontrolled, genuine anger from Ted in a later episode, because this Led Tasso dude is ridiculous.

Tentative kudos to Led Tasso for being able to point out the, ahem, clit of the soccer ball even from within a fugue state.

The entire Chuck E. Cheese exchange with Sharon was so hilarious and wonderful.

When Ted has the idea to bring out Led Tasso, Nate assumes he’s going to suggest that Jamie talk to Sharon. I absolutely adore the implication that Jamie’s growth over this episode is attributable to both Led Tasso and Sharon Fieldstone. Because while some players are still unmoved by Jamie’s willingness to stand up to Led, it didn’t go unnoticed! And then I was so proud of Keeley for refusing to take on the emotional labor of listening to Jamie when she was too busy with her actual job, and I felt that Jamie’s pretty immediate willingness to see what the therapy thing was all about was extremely in line with his character. He’s always seeking out Keeley to talk, and sometimes he actually means “talking” when he asks to talk with her! Jamie feels like someone who’s standing at a wall of doors, knocking on each one, trying to see what sticks. He really lacks foundation. I’m curious to know what he and Sharon spoke about in their session, but I like that the writers left the session private. The knowledge that he’s started seeing a psychologist is valuable information in and of itself, and Jamie’s decision to act in solidarity with Sam and the other Nigerian players is the perfect evidence that he’s thinking in new ways.

Sam and Dubai Air

Toheeb Jimoh is always great, but he’s so great in this episode. It’s cool to see his demeanor, pacing, and confidence shift as he becomes more at home with the team—and it’s also lovely to see that he, unlike Jamie, very much has a strong foundation in his home country, his supportive parents, his own moral center.

I like that Sam didn’t spend a bunch of time and emotional labor on teaching Jamie why caring about other people (and the environment!) matters, because that would’ve undercut the other political messages in this episode. Sam’s leading by example and everyone can either catch up or stay out, and it’s really great.

I really like the way they handled the press conference with Ted and Sam. I like that Ted gave the floor to Sam but prefaced that with very brief (for once!) remarks of his own. And I appreciated that Ted acknowledged his position of privilege, and that the angle isn’t that bad things never happen to white dudes but rather that when bad things do happen to people like Ted, it gets attention with so much less effort than when bad things happen to people who aren’t white men. Because that’s how privilege works—it’s not a shield that prevents bad things from happening to you, but it’s a safety net that ensures people will notice and address and even pitch in to take care of your bad things, often at the expense of the people who lack that privilege.

There’s probably lots of other stuff I could talk about, like the hilariously and realistically bad usernames on Bantr and Keeley brushing her snacks off the desk and into her purse and how things between Beard and Jane are clearly very, very bad and I’m worried about Beard and how it was soooo fun and lovely to see Shannon teasing Ted again (little coffee and football rituals before work are the kinds of details I absolutely live for) and HIGGINS PRETENDING REBECCA SENT HIM A BRILLIANT AND HEROIC EMAIL (which she does for real with Nora’s help just a couple scenes later!) and how delighted I was to feel that by this episode this season has really hit its stride and feels like a fully lived-in portrayal of the energized, loving, imperfect, busy, full place that is the whole AFC Richmond community. Honestly, Higgins pretending Rebecca sent that email because he wants to make her look good in front of her granddaughter is kind of the perfect encapsulation of what this episode felt like. This is a show about a bunch of imperfect people who want each other to succeed.

Edited to add: I was delighted to find out Ashley Nicole Black was writing for the show and the writing here did the opposite of disappoint! ❤️

#ted lasso #ted lasso s2 spoilers #a lesbian watches ted lasso #meta by me #ted lasso 2x3

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bakugoukatsuki-rising · 4 years ago

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I'm. The new covers, op. The new covers. Gosh. Both of them hold so much symbolism. And technically they both are canon, they are both original ideas that could perfectly be valid. Horikoshi simply found something better. But anyways, I'm going to go ahead and ramble about it because Im- Op, prepare for a long ask! Hope you like it!

So!

On the one where Katsuki's the one in the picture, he's not on his knees like he is in the other two covers. Instead, he has his face down, body forward, one hand on one leg, the other one holding out for something...He's bowing. Bowing in Japanese culture is a pretty big deal. Hes not just tilting his head a bit, his head and body are on full on commitment.

Such a tilted bow means a LOT, specially from THIS guy, Mr dont let anyone walk in front of me. Even more when hes not just bowing, but accepting such an open display of given help, Mr shonen anime lone wolf. Accepting something he always has trouble admitting to. Accepting the past, accepting the wrongs. Accepting Izukus help means so much, and that's what these three covers have in common.

His hand is sctretching out. He's ready to say yes to that hand out in the air.

(Ps. I wonder if he's watching his own reflection on the water in this panel, as well?)

Hes in middle of the picture with those childhood friend at the back, which means audience. It means letting people see what hes done, what he's sorry for. He is being open and exposed and vulnerable. That's no fighting stance.

Remember guys, in case you haven't noticed before, Horikoshi puts lots of metaphorical value in his manga and on his covers. Sometimes you've got to dig in deep and think to get the bigger picture. And in this case, the bigger picture screams regret and wanting to make things right from the start.

This cover occurs in the past, at the moment where everything started, and Katsuki fully remembers this. Katwuki has thought of this, is thinking about this. He's had eye bags for gods sake, he's clearly troubled by all of what it means.

These three covers are the visual explanation of what's going on inside Katsuki's head, because this is clearly focused on him and his perspective.

(Ps. Rivers symbolise the massage of time. If that doesnt add to everything else, I dont know what to tell you.)

So! Next!

Wow, if this isnt one of my favourite things ever. Okay. Christ.

I have two options here. Scratch that, three options. Scream into the void, scream into this post, or actually make a good presentation of my inner turmoil. I'll have to go by the third option. (Haha. Just like horikoshi did. Dont # me, I'm funny in my head.)

This cover melted my insides, froze them all over, and hit me with them like a hammer.

I know they're kids, but let me get this straight-so kids seriously look at their friends with these looks in their eyes and think "ah, yes. This is my very good friend. This gentle smile and kind look I'm giving him as if he was my whole world? Well, hes just a very good friend."

I looked at my childhood crush this way, I dont know what to tell you.

Anyway, let's actually jump to the information at hand.

This panel seems like it's making a reference to what Katsuki wishes could have been. And if that's not absolutely soul-crushing...this cover is Katsuki's feelings, guys. These are probably his very thoughts. This scene has gone through Katsuki's head at some point.

We've got Izuku in his stuck up pose all over again, in just an awkward angle. It's like katsuki isnt looking AT this katsuki right now, but at the spot where the actual past Katsuki, at some point, was. As if this Isuku is frozen in time. Dont believe too much in this paragraph, I still have my doubts about that, but I feel it's a possibility. Izukus eyes seem to be focused on the water, while Katsuki is just the tiniest bit back, reaching for Izukus hand. And gosh.

I dont think I've ever seen older NOR child Katsuki have this look plasted into his face before. He's...sheepish. Kindly, awkwardly sheepish. No hate, no anger, no shame, no nothing. His face is clear and sweet and has this "Whoops. You got me. But thanks." kind of expression on.

The hand behind his head, just the tiniest but embarassed? That little smile? It's all so soft.

Rambling about softness though- I really liked the hand scene in this particular panel. If you close up your view, you realise that theres no effort to pull anyone out of nowhere. In this panel, they are simply holding hands in frozen time for no purpose at all.

Katsuki has his hand around Izuku...simply holding there.

Again, because the angle is awkward, it's kind of messy, but you get the point.

It's all simply beautiful. Horikoshi clean likes give me life.

And lastly. The actual cover.

I screeched so hard when I saw this. My first instinct when seeing this for the first time was to straight up go trigger happy fingers and write about it to my friends. Christ.

Everything is so...SOft. horikoshi made a good decision by mixing both previous drawings in one. We have parts of the two covers in one, which is amazing. In this one, Katsuki isnt alone, as Izuku's there too. But we dont have the audience either. Probably because the main focus on this panel is no one else except them two.

Again, Katsuki looks like he's bowing, but instead of looking all the way down, he's in the middle. Not looking at Izuku nor looking at the ground, like it shows in the previous covers. Instead, Horikoshi found a middle ground. He's looking at his hand. At the gesture.

Hes not holding hands quite yet, but his hand is there. At arms reach. Not close enough but there. Wanting.

Theres so much regret and again, softness.

Again, like you Op said a bit bad, the angle is off here. This is present Katsuki remembering his past. The angle is off because this Izuku isnt holding out for our Katsuki. This is a memory. A wish. Katsuki's wish.

(Ps. Izukus trousers drenched in the rivers water. This detail was so nice. It's a subtle action that describes Izukus characterization so much. Izuku went in the river with Katsuki in mind, not caring if he got his clothes soaked in the process too. For Izuku, only Katsuki was there. And for Katsuki, only Izuku is.

As a plus, I can't believe the cover of this is literally called Bakugou Katsuki rising. They named the entire thing after that one chapter. Actually, I very much, totally believe it. It's the moment so many people have been waiting for, after all. The moment so many scenes have been amounting for, little by little.

*dreamy sigh*

Thanks for reading, I hope you enjoyed this little thing, I had to get it out of my system and dont want to bother my dear friends anymore than needed.

Have a good day, OP! I'll stay updated!

You kinda just...took my heart and curb stomped it, not gonna lie. Your observations are so beautiful and so accurate. The sketch with little Bakugou taking Izuku’s hand is so...raw, and yeah, that expression is definitely one of love. Those eyes, the way he is HOLDING Izuku’s hand, not TAKING it. He isn’t taking it to stand up, he is literally just...holding it.

That isn’t the way you take someone’s hand when you’re trying to pull yourself up. It’s an awkward angle and just...wouldn’t work right. No, he is literally just holding his hand, and that’s exactly what Bakugou wishes he did all that time ago. He wishes that he not only took Deku’s hand, but held onto it. Held it as if it were something precious, something to be cared for and protected.

These are Bakugou’s true feelings expressed in these drawings, and I think Horikoshi released them on purpose, to show us more of what he wanted Bakugou to be feelings through all of this. Since after all, we know that Bakugou expresses himself in action, not so much words. And because Horikoshi is an absolute genius, he thought to give us these other glimpses in how he feels through these actions.

And the other sketch with him bowing his body to Izuku, and the way the log looks like it’s on his back with his ‘friends’ on top of it.

The pressure of needing to be the coolest, the strongest, the best. Those kids put that kind of pressure on him, even if they never realized it. They encouraged his behavior and fed his ego, and it never allowed him to see how he was wrong. But now he is realizing it, and he is bowing himself in light of that acknowledgement. He is lowering his head and putting his pride away, so he can get back what he lost all those years ago; the opportunity to take Izuku’s hand.

To take the hand of the only one of those kids that ever loved him unconditionally. Who never pressured him or expected him to be invincible. Who saw all of his flaws and was completely prepared to support him despite all of it. The only one.

I’m just a mess over all of this, and I am so incredibly thankful to Horikoshi for creating this beautiful relationship. AND IN A SHOUNEN MANGA, NONETHELESS!!

Thank you friend, for your beautiful thoughts. I think they’re spot on, and I am so emotional all over again because of this.

#bnha spoilers #bnha #mha #bkbk #bakudeku #midoriya izuku #bakugou katsuki #kacchan #deku #bnha meta #bnha analysis #blackiee-is-heree #asks #basketball idiot #basketball idiot replies

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