#and its kind of good?

[venom-ass-daily]

From Symbiote (Venom: Sinner Takes All issue #5)

[stil-lindigo]

lighthearted.

if this comic resonated with you, please consider donating to this palestinian escape fund (vetted by @/nabulsi and @/el-shab-hussein) as it is less than $7,000 away from it's goal.

i turn 24 today. To celebrate, I made this comic to be a spiritual successor to lead balloon, a comic in which I talked about the darkest period of my life so far.

A lot has changed since my 23rd birthday and this one. My priorities have shifted a lot, in ways that I think are mostly good. But i think the best part about today is that suicide has gone back to being a far away notion. I'm really lucky, and I'm grateful for that.

[eydilily]

would you bite the hand that feeds you?

[hinamie]

I don't want to regret the way I lived

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[bluegiragi]

learning moment (part 1)

early access + nsfw on patreon monster!AU masterpost

more explanation under the cut

I think that so far, Soap has clearly demonstrated himself to be the more emotionally intelligent one of the pair, but it doesn't mean he doesn't still get frustrated at times. He's also just an emotional guy, and is working himself up a bit. This is a difficult topic for him to want to remain calm over, and there's a lot of factors contributing to his reaction.

One big factor is that he is a werewolf and he sees things through the eyes of his human side and wolf side. The shades of grey that Ghost sees in the Mexico operation just isn't there for Soap - to him, Ghost's 'pack' was under attack and he successfully defended it (this 'pack instinct' is something he shares with Price). The fact that his wolf now considers Ghost his in some way also contributes to his upset over having to read about what happened to him in such a clinical way. Werewolves can be kind of irrationally territorial, and although Soap is used to reading reports just like this, the fact that it's concerning Ghost (in probably the most vulnerable state of his life) is raising his hackles.

It's not a fight, because at the end of the day, Soap isn't mad at Ghost, just at his circumstances. But he's basically just asserting some emotional boundaries here with Ghost (who is, for what it's worth, I'd say a bit surprised and mostly bemused here.)

[corkinavoid]

DPxDC Al Ghul Twins, Only Not Really

I have this vague idea that I might or might not turn into a fic, but it's been in my head for weeks now.

So Bad Ending with Fentons happens, after which Danny is traumatized beyond repair. Sam and Tucker find him, and for the lack of any other possible solutions, yeet him in the Zone and destroy the portal. Clockwork finds him, and Danny, desperate for a safe place, time to rest and heal, and afraid of becoming Dan, asks him for help. Clockwork obliges and tells him he will take care of everything and for Danny to sleep and not worry about anything.

"It's going to be okay," Clockwork tells him, "You will wake up, and all this will feel like a distant dream."

So Danny sleeps. The trick is, he doesn't sleep for a day or two - Clockwork, together with Frostbite and Nocturn, put him into something equivalent to medical coma. And then, Clockwork finds a dimension where no one's ever heard of Danny, Amity Park, GIW, and everything else, and he hides Danny in there.

Danny sleeps for three centuries, in depth of the mountains where no one can find or bother him. Yet, his mere presence in the world causes some ectoplasm to start accumulating around him - he is the Ghost King, after all.

He sleeps under Nanda Parbat.

When he wakes, his past life with Fentons really does feel distant and foggy. He remembers it, but it's like a childhood memory: the details have faded away, the faces have become blurry, and it doesn't hurt anymore. He doesn't forget anything, but it becomes... less important. Less meaningful.

But the first thing he feels just a few minutes after he wakes is a soul. A soul of a child, crying in pain, and its lifeless body being submerged into Danny's ectoplasm (Lazarus Pits have all come from Danny's excess ecto over the years of his sleep, so he can feel them and he can control them to an extent, albeit Ra's has really badly polluted them over the years).

Danny is a hero, that didn't change even after his very long sleep. So he tries to help, but in the process, he accidentally gets roped into the Pit, since a) it's corrupted ecto, b) he has zero ide what he's doing, c) he is the Ghost King and he might put more power in it than he intended, d) he just woke up, cut him some slack.

Talia, who put Damian's body into the Pit, is very damn surprised when two Damians emerge, and that's putting it lightly.

At least they are both very much alive.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[abyssal-ilk]

thinking about sten again. thinking about him calling the warden kadan and never explaining what it means. thinking about him offering to take the warden back with him to par vollen, but it's never actually an option the warden takes, even if you agree. thinking about how sten responds the best to a warden who stands their ground even if he doesn't agree with them. thinking about how he loves sweets and art, and how he plays with kittens. "it's training," he says. but come on. he's playing. thinking about what else he's had to justify to himself for liking.

and he calls alistair kadan! shale as well! do you think it was ever extended to the other party members? just,, agh

[heartorbit]

figure skating set right now please. thanks

[heynhay]

mercy, are you still with me?

[from where the apple falls by europa_report]

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[bittsandpieces]

I don't have a caption for this one tbh

[hinamie]

in spite of everything, I had fun <3

[poorly-drawn-mdzs]

The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.

(for @frummpets)