#and it's just. genuinely an entire mess. at some point i'm just gonna write a fic about it i think

[fidenciocryptidcreechur]

Note: this is me just making a wonderland post about the canonical character in twisted wonderland based on translations, vignettes and manga. everyone has differing opinions and interpretations and I'm not gonna bicker about someone's version of Trey in their writing or their au.

I feel like some folks in twst fandom are realizing that canonical Trey isn't really like early/previous fandom Trey, who was characterized as a sweet completely normal bakerman who's also the heartslabyul mom, but instead of just going "oh yeah no, Trey can be petty and mischievous sometimes. usually in situations where there are others also being petty and mischievous while still keeping on top of his duties and engaging in his hobbies" some of the fandom seems to have swung to the other side of the spectrum and are like "oh? so trey has been living a lie this entire time! He actually HATES baking and he's got a ✨secret agenda✨ and he probably is a mastermind and is part of a heartslabyul shadow government!!!!"

And while i know that there's a good chance many are just being silly and making memes and jokes, i have seen the way fandom genuinely boils down characters and strips them of all nuance. Notable with the leech twins, sebek and rook who are all canonically dorks and goobers with their passions and interests in both the games and mangas. They're all intense but most are just awkward and passionate/invested in their interests. Like Sebek being boiled down to shouty malleus fanatic and ignore his various interests and hobbies. he can and will question Malleus notable in the recent chapters and also times when Malleus acts in a way that makes Sebek confused<- mainly in manga and vignettes. Like Floyd being boiled down to unhinged and unpredictable, when most of his actions and activities happen because he got bored of something being monotonous or tiring or repetitive and goes to look for something more interesting like drama or someone with strong reactions to mess with. Guy just gets bored and goes to look for something interesting. Or Rook who gets extremely invested in whatever is his current interest/passion to the point of ignoring everything else. Jade also does this. They're all goobers tbh. Just guys, just folks.

Trey Clover is also just a guy. He is just conflict avoidant tbh. Trey just wants to keep the peace, to make sure people aren't fighting, people are following the rules and aren't making messes. Like that's something he mentions often and that many of his actions reflect from how he checks in on all the students and makes sure they're following heartslabyul rules but doesn't tell Riddle about any rule breaks so as to keep peace, to holding back in activities so he doesn't draw attention and not mentioning stuff he might know specifically so that he doesn't get asked about it (notably when Jamil wants to read ancient texts and trey only reads it upon finding out it contained an ancient tooth paste recipe). He seeks convenience, peace and calm. He's not exactly a schemer, out to get something specific or complete some goal in life like those such as Jamil, Leona or Azul. He's also not necessarily someone solely attempting to coast by and only seek stimulus/fun like with Kalim and Cater.

He's not secretly cruel and not the secret mastermind behind heartslabyul. Yes, He's mischievous and sometimes petty. Notably he gets this way when other petty and mischievous people are around him and it's usually in response to those that were acting like that (messing with ace, messing with Jade, etc). He does care and he does look out for his dormmates and peers. Honestly if he truly didn't care about Riddle or Ace and Deuce then he really wouldn't have helped them, plus he doesn't necessarily go out of his way to help every person anyways. If he truly didn't care then he could've abandoned Riddle when he was at his lowest like the rest of the dorm, or even just let Ace and Deuce carry out their punishment instead of helping them bake tarts and pies to try to help out with Riddle's anger.

As for if he likes baking? Imma be real, that guy can't not like baking. If he hated baking then he's a masochist (joking) because fucker is baking everyday with a smile and trying get everyone to eat his baking and constantly sharing all the goodies he's made (genuine). He's baking constantly in both the game and in manga. There are so many instances where he bakes experimentally, he bakes recreationally or bakes for his dorm. There're so many instances where he just carries cupcakes and scones and cookies everywhere. He bakes some to share with his Science club members, shares some type of goody with every iteration of the Yuu's (mangas and game). He goes out of his way to buy new recipe books with his own money to bake more things. In one vignette he bought an entire recipe book specifically so he can learn to bake this one (1) type of dessert he saw once because he liked the way the dessert looked so much that he wanted to make it and went and BOUGHT AN ENTIRE NEW RECIPE BOOK just to make that one dessert. That guy likes to bake. Yeah sure, he says "i don't bake with love 😏" but that doesn't mean anything in the context of NRC which is "emotionally repressed anti-feelings" central where nearly everyone can't be genuine and blunt with their feelings and emotions (even the more blunt and jovial characters have some deep sadness or deep trauma stuff that gets hinted at several times like with Cater, Kalim, Silver and Sebek). Folks in NRC are emotionally repressed and hate admitting connection with each other. Seriously, check out Yuurei20's post on how often the term "friend" is used in the original Japanese, there's very few canonical mentions of them calling each other friend EXCEPT WHEN ENGLISH TRANSLATION ADDED IT otherwise they don't normally actually acknowledge their connections and some never actually say friend at all. They'll call each other classmates or something but in JP they don't really like to acknowledge closeness.

Trey clearly likes to bake and invests a significant amount of time into it beyond just occasional cooking duty and he also shares his goods with practically everyone. Yeah sure he's from a family of bakers and I've seen some people say that "oh but he's just baking because of his family job" but it's not like they urgently need their son, who's in class and currently at the magic boarding school, to bake everyday for their baking needs and i guarantee that he doesn't need to go out of his way to get experimental with his baking and wouldn't bake that often if it's just cause of family business or practice. Plus if it's just that then why would he go out of his way to buy recipe books just cause he saw a single dessert that inspired him. He's not just baking for family business reasons. Trey likes to bake.

Honestly, I'm not surprised he says that he doesn't bake with love especially in a place like NRC. As mentioned earlier, everyone gets so weird and pressed about connection and also makes fun of each other for expressing care. Some even get anxious about another's intentions if given unasked for help (notable when Kalim helped Azul get his hat in the manga and Azul stresses about trying to repay this favor). Also baking is just a hobby, similar to crafting, drawing or writing and sometimes people just take satisfaction and joy in simply doing those things. When someone makes something, they don't always have to put in heartfelt feelings in it per se. When someone draws, sometimes it's cathartic or you just felt inspired and just wanted to draw. Sometimes it is specifically to destress or to get out feelings. Sometimes drawing is just because you can do it so you did. Similarly, baking can just be because you wanted to and you like baking. Plus it makes sense Trey wasn't like "i put all my love and feelings in my baking<3" because in the context of that line he seemed to be referencing baking for his peers and strangers. He's baking for people in his school or for events. So Honestly yeah??? Of course Trey wouldn't say he puts love in his baking. He's baking for his friends, for his club and for dorm stuff and also bakes experimental recipes. He isn't stirring that bowl of batter and going "now to put in all of my love and dedication <3" during those times because it would be kinda odd for most of those scenarios tbh. For experimental recipes, you're low-key kinda just fucking around and taking notes to see what works and i imagine trey would be doing the same and wouldn't be emotional over his bowl of batter during this time. For his club and dorm stuff, Trey isn't super close with EVERYONE in there and he's just trying to make sure there's enough so again fitting that he's not going "made with love". If he's making treats for his friends then he certainly tends to put in more effort, usually in regards to taste and diet (notable with vil and Cater as he tends to make things that they will actually like) and seems to like compliments on his cooking especially from those he's closer to. While he does put in that extra care which implies closer bonds, i do think most of the nrc boys would still be put off if trey was like "for you, made with love <3" (i think Ace would make fun of him so hard and even cater would be thrown for a loop). I will also note that in several vignettes as well as in several scenes in the manga, he gets genuinely put out if someone doesn't want to eat his cooking (notably in the manga if people were too busy to eat though this also happens in game) and in a few vignettes he even tries to adjust what he makes and what he pairs it with specifically so they will eat more of what he makes (notably with Vil and trying to make light desserts and pastries as well as pairing it with certain preferred teas) which to me shows he does put care and thoughtfulness into his baking even if he doesn't say it outright.

Long story short: Trey is not uncaring (he looks out for his dormmates and friends even baking treats specifically for their taste when he can), he likes baking (he wouldn't be so invested in trying new recipes, looking for inspiration or going out of his way to experiment with his baking if he wasn't), he's not really scheming so much as he's trying to keep the peace and avoid conflict to the point of either keeping quiet, thwarting shenanigans (notably with ace and deuce), or hiding his abilities (he's not like Azul, jamil or Leona who are aiming for top spot and in fact trey dislikes added fuss and dislikes the spotlight), and he's mischievous and petty at times though notably with those that are also mischievous or petty (he will mess with his younger dorm members though will try to stop them from actually messing up like with the oyster sauce joke for the chestnut tarts, and sometimes messes with others)

[clowndensation]

trying to explain charoum cries during sex like okay so it's not that charoum has never felt an honest emotion, it's that he's just inherently disinterested in contextualizing his emotions in an authentic way, and so the single time he genuinely feels something and is unable to sublimate it into a performance to further an agenda, he immediately gets so overwhelmed by the experience he collapses in on himself and it all ends up leaking out of him.

and it just so happens that this happens while astarion is attempting to seduce him.

so by the time charoum settles back into himself again, and is better able to channel his emotions into something productive, he now has one single core memory of feeling something, genuinely, as himself, with absolutely no ulterior motive behind it. and he links that experience with astarion. which does (un)fortunately link them together tighter than charoum has ever been bound to anyone else in his life. which should be fine for them.

[heliomanteia]

Kind of adding on to my previous analysis bit about Davrin's arc, but I'm gonna say I'm concerned about media literacy within the DA fandom if Davrin's arc was hard to comprehend for people.

A little rant-like so I'm putting this under the cut:

VG has a strong and consistent narration that is mirrored or reflected within each companion's quest line: it's all about the bigger picture of personal choices and regrets and change and the inevitability of alteration and the need to live with the consequences — it is also somewhat about mortality and carpe diem. Pretty much every companion's line has something to do with death, coping, trauma, fear, and a big and important personal choice that would alter them as a person — it's always a "neither is better" choice and it calls upon your personal judgement to be made. There's room for criticizing the necessity of the black-and-white nature of some choices (i.e. Taash's culture question, for example) but overall they all have a consistent and equally important narrative line.

Claims that Davrin's arc is about Assan are actually hilarious. I assume people saying that have never in their life encountered a story where the main character had an animal companion, or just less sentient companion, that reflected their personality or some of their inner conflict. You know, the staple Disney/fantasy trope. This is an incredibly common narrative tool, it's bizarre to me that people saw that Assan has a lot of screen time and immediately assumed it's no longer about Davrin just because of that. I guess I could say it's not particularly shocking to me that DA fandom of all places had an issue of keeping their focus on a Black man's story. Moving on.

As for the claims that Davrin's arc is about Isseya, I'm a little shocked that was even a talking point. Because just as "animal companion reflecting the character's struggle" is a narrative tool that's up there among the ten most frequently used in media, "antagonist that reflects the main character's pathway in an inverted, perverted manner" is just as frequently applied. In fact, it's concerning that people missed Davrin vs. Isseya mirroring in the game based around the concept of recognition through the other and mirrors of self (Solas vs. Rook). I think it's safe to say that if someone did not catch anything about Davrin's arc and how it's entirely about him, I don't trust their general opinion on DATV overall. Because they're fucking stupid/didn't pay attention.

I don't think it's any surprise that at certain points VG gets a little too exposition-heavy, because apparently just giving people a good storyline with consistent and repetitive narrative that breaches the same narrative points but reflects it differently depending on the character it's about is not enough? Some people will be given the most direct mirror narration there could be without spoon-feeding it and they will still miss the whole fucking point? I'm not shocked that a large bit of "criticism" on VG writing/narrative/what was kept and what was omitted from being mentioned has been genuinely shit. And has consistently offered "fixtures" that would just make the stable narrative of VG a mess without a main theme.

Anyways, Davrin's storyline is very directly about him in every aspect mentioned; every person within his story reflects back on him and fleshes him out.

[am-i-the-asshole-official]

AITA for pretending my original fictional characters are my "friends" for the purpose of asking questions online?

Alright, so hear me out: I'm a writing hobbyist, I run a long-term D&D campaign, I like writing characters a lot and sometimes do it even outside of any stories, you could even say that it's my passion. Whenever I create a character that would have experience with something that I don't, I try to experience that thing myself, or if I can't, I ask others online about their experiences to make sure I can write my character accurately.

Here's the problem: back when I used to ask questions online from a writing/creative perspective, I felt like a lot of them concerning more controversial topics were getting dismissed and I got a lot of unsolicited writing advice unrelated to the original question. The most infuriating were always "You shouldn't write a character like that." or "You should change this integral part of the character to remove the issue that you're having."

Now, you can have whatever opinions you want about writing certain aspects of characters, but I would kindly ask you to shove them up your ass. I firmly believe that you can't judge a character accurately merely by their character traits written down in a vacuum, the execution is what really matters. One trait that could be seen as problematic when written badly can really enhance the character, story and it's themes if incorporated correctly. I'm not going to remove integral story-relevant characteristics of my OCs, and I sure as hell am not gonna delete them entirely just because an internet rando didn't believe that I could do them justice. Literally the entire reason why I'm asking these questions in the first place is because I'm trying to be as respectful/accurate to your culture/ethnicity/sexuality/gender/religion/disability/anything else. I GENUINELY want to learn and understand, so why don't you at least try to give me the benefit of the doubt instead of assuming it'll be done terribly?

Anyway, to give some examples of the questions that I've asked that were met with this kind of response:

"How would you write an autistic character who uses ASL but doesn't like to emote with their face?" (Was told to simply "make" the character like using their face even though it would go against how their other symptoms interact with each other, plus it would change how other characters view them and thus the story itself)

"What kind of slang would a black character raised in Brooklyn use?" (Was told to not write a black character using slang as a white person.)

"How would a Muslim character go about leaving their religion after losing their faith?" (Was told that the mere idea of an ex-muslim person was offensive)

I don't know if other writers also struggle with this, or if I'm just the unluckiest and always attract those kinds of people somehow, but after having to deal with it way too much I simply started lying and pretending that my characters are real so people would stop questioning my writing choices and just focus on answering my actual questions. For example, instead of the three questions above nowadays I would ask:

"Me and my Autistic friend are learning ASL together, but she doesn't like making expressions for sensory reasons. Is there anything else she can do?"

"What are some examples of actual slang used by black people in Brooklyn? My friend is from there but he likes to mess with me by coming up with fake words and pretending like they're slang, at this point idk what to believe."

"My friend lost their faith and is planning on leaving Islam. They don't have access to internet due to their parents so they wanted me to ask about what could be the possible consequences and how go about the process, or even where to start."

Also, obviously, I do way more research than just these questions, but I also really want to know the opinion of people in these communities about these topics and the discussion that develops from it. That's not something that simply reading a book or an article on a topic can give you and I believe that interacting with the community itself is an important part of properly portraying characters that belong to them as well. Still, a few of my friends told me that it's kinda shitty of me to lie in this way, especially when the end goal is to be respectful about certain traits yet me lying to these people is a sign of disrespect in their opinion. Personally I don't see it that way, I simply want people answering my questions to treat them seriously and if presenting them as real scenarios is what gets them to do it I feel like I have no choice, it has nothing to do with the respect I have for the communities in question.

Also, if this matters at all: 90% of my writing is entirely personal and will never be published in any way at all, the other 10% being the writing that I do for my D&D campaign which only my players get to witness.

So, with all of that out of the way, AITA?

What are these acronyms?

[f1nalboys]

hey bestie! may i pls request something that is tod from final destination x reader? maybe some fluff headcannons, what it’s like having a sleepover with him? thx u sm! <33

hi bae!!!! i had sm fun writing this >:)) i do think tod would be one of the better characters to have a sleepover with he serves so much genuinely!!! hope you enjoy <3 first request to start out >:)))

Tod Waggner x GN!Reader

WORD COUNT: 651

WARNINGS: none

TOD LOVES SLEEPOVERSSSS

listen this guy wants to spend 24/7 with you, he is clingy as all fuck

like one of those shelter dogs, you know the vibe

anyways so regardless of whether or not him coming to spend the night is common or not, he’s ECSTATIC!!!! 

bro is jumping for joy up and down like yippee!!!!! YIPPEEEE!!!

he prefers going over to your place because then it feels like a vacation almost

but if you want to come over to his place you have to give him a day’s notice so he can clean up (he is MESSY i'm sorry to say)

he packs a bag and has a smile on his face literally until he has to leave

in my opinion, tod loves a good movie marathon and he is going to want to do classic sleepover shit with you to the point of almost annoying you LMFAO

he's like haha we should order a pizza… we should watch scary movies… pillow fight babe?? wanna gossip and do a face mask? let's talk about boys!!!!

and if you point out that he is the boy in question youd talk about, not only is he getting smug as fuck, hes going to go ‘ill pretend to be someone else!!!! go on and be so honest about how you feel about me babe ;)’

he's a great sleepover guest though, at least the first few times

he's awkward the very first one bc he's sitting on the edge of the bed bag on his shoulders hand in his lap like o-0 so…

its endearing 

and overall he's very chill and will stay by your side or in your bed the entire time

once he's comfortable though… loudest stupidest dumbest mfer!!! he is doing reckless shit and messing with you and trying to prank you and stuff

once he's settled down though, good luck getting him out of your bed for ANYTHING, a fire could break out and tod is staying put

he has to cuddle. it's a rule.

and he has no preference for being big or little spoon honestly, he has pros and cons for both, he just needs you literally right next to him

he does not care what movies you guys watch but he DOES want to watch some shitty stoner comedy like (ignoring the fact devon plays in this movie) he wants to watch idle hands and harold and kumar go to white castle LMFAO 

he's wearing your pajamas…. even if he cant fit he’ll find something to put on his body from slipper to an eye mask to your pjs to a robe to a bonnet, etc etc, you leave that room for longer than 2 minutes and he's playing dress up

you go to shower (and yes he's gonna try and join you he's handsy though so choose carefully) and come back into your room and he's wearing half your wardrobe and going through your jewelry and shit

and when you're like uhm… hello?? he stands there like oh… you're back sooner than i thought…. LIKE UR IN MY ROOM???

he's a popcorn snack guy, plus sour candy. sleepovers are for pigging out and he takes that SERIOUS he’ll sneak his own candy in if he has to

if he falls asleep at like 10pm-12am, then you will have a peaceful night where he sleeps until 8:30am and is well rested and so sweet

and he might even make you breakfast

but if he sleeps before then or later…. good luck

he's going to be LOUD and OBNOXIOUS (positive) and he's going to keep your ass up as long as he can

you're laying in bed in the dark with your eyes closed and he's steady talking trying to remember some obscure tv show from his childhood 

great guy though, love him

and you would have a ball, just don't plan on sleeping much

[dorylinae-supremacy]

Taking a break from writing striped hat so I can ramble about fae AU's again they're one of my fav things ever.

Tags: DSBI, dark Techno, dark Phil, dark Kristin, mentioned Kristin, kidnapping, impersonation, usual fae stuff tbh, its like 600 words of me rambling about fic ideas below the cut, read more if thats your jam.

Idk if I've mentioned it before but I've been toying with the concept that fae take the face of the first human they've tricked and then it slowly morphs into something thats more their own.

This isn't rooted in any actual folklore as far as I'm aware but I like the vibe it adds. It adds another layer of terror to every interaction with them. Each time you come across a fae, you're looking into the eyes of their first victim.

Maybe they tweak it a bit here and there so they can lure other humans better but I like to think it stays mostly the same. It also adds another layer to things from the fae's perspective as well.

A fae close to their family might deliberately pick out and push a human into a deal if they think it'll make them look similar to their other families faces.

It can also add a layer where fae bloodlines might literally just prey upon entire human families purely for aesthetics. The worst part is a human might not even know that thats the case, they might just chalk it up to a generational curse or bad luck.

Something like this wouldn't apply to four seasons since they werent born fae and thus already had their faces but that wouldn't apply to Phil. The dude they see could genuinely just be the face of some unlucky traveller centuries ago.

These faces could also be used as lures for other humans who might've known the tricked person before. All the fae has to do is look a little scuffed up and beg for help in a hidden circle and they've got a steady supply of victims.

It also means that if any of the humans they steal do get out somehow, the people they knew might turn away from them and assume a fae is tricking them.

I know I'm rambling but its such a tasty plot device.

But anyway I wanna try it eventually. I have one fleshed out fic in my head where fae!Wil tries to trick human!Techno but kinda messes up the order that you're meant to do things.

Fae take the face after as a trophy of sorts, he took it before making any deals to try and be more relatable to him since they're both kids.

Human!Techno is, of course, a very well adjusted prince and naturally decides that this fae is his twin and that he has to have him. So with the help of years of training against fae, he's able to trick Wilbur and steal him.

The rest of the fic is Wil being terrified because the yoink has been reversed but even after he reveals the fact that he's a fae Kristin and Phil have already decided to keep him. No running for him :)

But I have another in mind where twinsduo end up taking the faces of two princes in a kingdom but then get mistaken for actually being them.

Maybe the princes were playing in the forest before getting yoinked but either way a royal guard comes and just drags them back to the castle.

They can't really do much about it since they're super young fae and there's a lot of iron around but things only get worse when the antarctic empire invades and takes them hostage, still thinking that they're the actual princes.

Originally they were just gonna bide their time until they can go back into the woods again but now they're being kept as hostage and Phils getting more and more interested in how odd they keep acting.

Obviously it ends in them getting surprise adopted but I'm not sure how to get from point A to B yet so more brainrot will be scheduled for when I work it out.

[positivelybeastly]

X-Men #1

So. The big day!

Let's go.

Absolutely adore that it takes Hank the space of one panel to get Chief Robbins to go from shouting in surprise to smiling at him. Hank is honestly just effortlessly charming, and it really shows here.

This entire first issue is very Morrison in terms of continuity, with what I'm pretty sure is even a direct callback to New X-Men #115.

Feral bash brother and sister Magik and Juggernaut will never not make me smile. I'm genuinely so here for them to be a chaotic gremlin BrOTP in this series.

So jazzed for Idie to get some spotlight again. Outside of WatXM and her role in the Krakoan Exiles, she really hasn't gotten a lot of love, and I very much enjoyed her turn as the Storm of the team, deploying ice cover for the combat landing.

Glob Herman, you will always be iconic. Also, Hank, you're enjoying yourself entirely too much.

"B-But my husband lost his job at the Lockheed Martin factory where they make the bombs that cut children into a billion pieces! Won't you please think of our jerbs?!"

No.

Jesus Christ. Literally taking it out of him in chunks. Last time I saw Logan fucked up this badly by someone with a knife, it was in X-Force, and it was - oh. Oh yeah. Oops.

Well, anyway!

Always here for telepathic relay bullshit. There's something really just delightful about the sentence 'Dumping them into the common knowledge pool.' It's just very Morrison.

John Sublime and the U-Men . . .

I love supportive, nurturing Scott. Legitimately one of the best hats that Scott gets to wear. Also, rebound shots are always fucking cool.

That refraction is cool shit. There's just a lot of really neat visual flair going on in the combat, and it shows rather than tells us that Scott really is just as good as Hank hypes him up to be.

Cute.

One: who the hell put that needlework up on the wall? Because that's brilliant. I desperately want to see a "Bless this Mess," or a "Live, Laugh, Love," at some point.

Two: Hank bakes! He bakes Jewish shortbread! I wonder if MacKay knows that Hank speaks fluent Yiddish and decided to expand that to a wider interest in Jewish culture and food? Fucking cool shit.

OIHEPOAIGHSDAP[OUIHGOUHG

ADE[OIGHJEADPOUIGHSGOIUH

YESSSSSSSSSSSSS.

This is so good.

That one-two punch of Hank's burning, bristling fury at his previous self for denying himself the pleasure of Krakoa as well as denying him his memories of it, and the meaningful nod in the direction of X-Force, is so fucking good.

This is exactly how I figured Hank would react, and, like, I'm not gonna go ahead and say Jed MacKay is an amazing writer just because he writes Hank like I do, but fuck, it sure as hell makes me happy!

I also really like Stegman's art here because it evokes a simple fact of Hank's appearance - he's meant to be slightly uncanny and scary and able to switch from cuddly teddy bear to beast on a dime. The Morrison is strong here, the pleasant, bubbling layer of frothy cultured genius hiding a whirlpool of complicated emotions and self-hatred, and I couldn't be more enthralled.

I can't believe I'm actually getting acknowledgement of the fact that the rest of X-Force was just as complicit in what Beast did as he was, and that they do not, in fact, get a free fucking pass for being shitheads who did morally bankrupt things on a whim.

Giggling. Squealing. Kicking my feet.

Hims.

Hank is so deeply tired of Max's shit, I love it. "This is the fourth time this week you've pulled the intimidating hover chair flex on a passing human, Max, are you going to get tired of it eventually?"

Hank is rolling his eyes at this. God, what a good voice for Magneto here, honestly, and a decent continuation of the whole Ewing retcon about how 60s Magneto's characterisation fits into the wider whole.

Hank is the open hand. Scott is the fist. Max is the sleeping dragon. God, what a fucking good trinity, I adore it.

"Henry has a soft touch. He always has."

I've run out of image space, but Magneto's, "Tell me he will die on a mission soon," in response to Quentin is hilarious.

Genuinely adore the quiet moment on the roof between Hank and Scott. It's so nice to see these two as friends again, like it all never changed. I'm deeply curious to see if the knowledge of X-Force and everything that happened will change how the rest of the team views Hank, or if Hank's the only one who holds that against himself, but regardless, it's nice to see these two just kicking it with some beers.

Love the power move of leaving the Sentinel looming, midway through powering up its laser, over the town for a bit. "Don't forget, you owe us, we don't owe you."

That teaser is nice and ominous, even if it doesn't mean a ton just yet.

Overall, really good #1! I'm intensely excited to see where the rest of the run takes us, even if we do have to wait until August to see the next part.

Now, to go make caps . . .

[direwolfrules]

EAH Glee AU

I do not have time right now to work on my actual writing- midterms are done so now we're just jumping right into final papers- but have an AU outline post.

Professor Pied Piper, taking inspiration from some of his best high school memories, gets Headmaster Grimm to reinstate the school glee club.

Meanwhile, Madame Baba Yaga fears the new activity will steal away talent from her prize cheer-hexing team, the Ever After High Cheerios (I can’t think of a good fairytale-ification for this, I will accept suggestions). To rectify this situation, she sends in three of her girls undercover with the goal of sabotaging the glee club.

Basically, Pied Piper is Will Schuester, Baba Yaga is Sue Sylvester, and chaos ensues.

Glee Club Members:

Apple White: She joined because 1) she's good at singing 2) she genuinely enjoys singing 3) her mom was in the Glee Club and led them to winning Nationals. I'd say she's the Rachel Berry or the Quinn Fabray, but I'm not gonna do that thing where I entirely change a character's personality to make them fit into the role of another character...for the students anyway. Look, Apple's got enough drama in her life, she doesn't need me making her crazy enough to send someone to a crack house out of jealousy.

Raven: Uh, in the books Headmaster Grimm won't let her take Muse-ic because it's not an evil class. Luckily, because of a bizarre loophole in the school guidelines for competitive teams, Headmaster Grimm can't ban her from Glee Club. Everyone say thank you Giles.

Daring: He joined because he was told it would give him extra credit for the serenading skills portion of Advanced Wooing. Also, Apple asked him to join because they didn't have enough boys in the club and Daring's been trained to never ignore a request from a damsel.

Dexter: He’s there cause Raven’s there? And also cause he is a genuinely great singer and unlike Daring needs the Advanced Wooing extra credit? Also, I just kinda want him there.

Darling: Her mom made her join. Queen Charming really said “I’m gonna take a page from Snow White’s book and live vicariously through you, offspring of mine”.

Briar: She really likes the idea of a team competition where she won’t put her teammates in danger if she falls asleep. Also, she checked the competition rulebook, as long as they don’t all leave the stage when she has a narcoleptic episode they won’t be disqualified.

Humphrey: Every Glee AU needs a white-boy-who raps and Ever After High has one already built-in in the form of Humphrey Dumpty.

Maddie: She’s there cause Raven’s there. It’s utterly hattastic!

Kitty: She’s there because she remembered her mom talking about how some of her fondest memories of high school revolves around messing with the glee club, and Kitty wants dearly to be like her mother.

Lizzie: We’re completing the Wonderland ensemble. Lizzie joins because she needs an extra curricular and the Invisible Tree Situation has gotten so out of hand they had to disband the croquet team. Great voice, ngl.

Justine: Not the strongest singer in the room, but she’s capable of choreographing numbers like nobody’s business.

Meeshell: Listen, canon’s pretending her singing in that webisode was something amazing. So like, we’re pretending now too.

Duchess: I picture her as a Sugar Motta-type character. Cannot sing, massive diva, but they gotta put up with her cause her family’s donating to the club budget.

Melody: Listen, it’s her dad’s club. She can’t just not join. She’s banking those supportive daughter points for a rainy day.

Lawrence Bonecrusher III: Listen, I just it'd be funny if Professor Piper says the ever-insane "You're all minorities, you're in the glee club" line and there's the one orc student in the school just sitting there with his eyebrow raised. He's also the Matt of this AU. For some reason never speaks when in a scene.

Faybelle: Captain of the Cheerios, totally not here as part of a scheme by Madame Yaga to DESTROY THE GLEE CLUB!!!!

Nah, but seriously, this whole AU was born of me going "What EAH character would say the iconic 'I'm a closeted lesbian and a judgemental bitch' line?" and her face popped into my mind.

[the-kr8tor]

OOOO IM EXCITED TO READ COWBOY HOBIE Daily Hobie HC! Imagine going in a mirror maze with him as a date- He'll practically blend in and stand out with the neon lights due to his texture-changing-ness from his dimension, and it'll be pure chaos Because on one hand, his spidey senses are switching on and off due to how close either you or him have been deadly close to bumping into a mirror, so Hobie just decides to ignore the entire thing as a whole.. Bad idea on his part.. The amount of times he's bonked his head against the mirrors has you cackling, unable to even try and conceal your real laugh. Although he playfully scolds you for laughing, he loves hearing you laugh, vowing to himself to always try to do so, even in the worst moments. And when you bump into some mirrors, he will often retaliate teasingly with a 'yeah that sucks doesnt it? imagine how I feel'. However, he's unable to even finish his sentence before chuckling at your dazed expression. At one point, you guys will lose each other in the mess of mirrors, people and neon lights flashing everywhere. Hobie attempts to retrace his steps, but he doesn't even know where he last stepped because of the confusion of mirrors. Funnily enough, you both find each other by bumping into one another, laughing at the fact you both thought you were each other's reflections. From that point, Hobie holds onto your hand, not wanting to let you be lost in the maze of high. Little does he know, you're praying to not panic at the way he held your hand. Or maybe he does..you can't exactly see his face half of the time among the neon lights. Once you guys are out of the maze, eyes adjusting to the sudden weird haze of reality, you joke towards Hobie about having 'learnt a new texture', to which he immediately turns into something close enough of the mirror maze neon lights with a smirk on his face. A smirk that makes you want to snog it off immediately. When he drops you off, no doubt you both have stickers all over your faces, from when you were rewarded with for completing the maze, attacking Hobie immediately with one as he was drinking some fancy glowing fruit juice in a lightbulb cup. Once you return to your room, your eyes light up upon seeing a few little gifts from the place where the mirror maze was. With a closer look, you notice one of them has Hobie's signature on it, with the date and, in his writing 'Can't wait to see you again. Already planning where I'm gonna take you for my turn' You genuinely wonder when or even how he has the time to quickly make you these gifts from him dropping you off to you entering your bedroom. However, it doesn't seem to concern you much. Maybe murderer or not, he knew how to make your heart swell. I wanna go on a mirror maze date with someone:( Idc if its with a friend or partner at this point- I want to crash into mirrors and laugh -🐦‍⬛

Thank you! Chap 1 will be out in a few hours!

Daily Hobie HC!!! 🎉

Oh I'm so normal about this 🥰🥰🥰 I love love carnival dates!! Like it's in my top 5 dream dates of all time!

All the thrill carnival rides that Hobie now has an excuse to hold on to you bc "you might fall, love." Citing that the rides look rickety and all the scummy carnival games that he always wins for a reason and now you have a ton of plushies that you and Hobie have to start giving out to kids bc it definitely won't fit on the motorcycle! Ofc you'll keep a few for the memories 😍

Me too!!! Let's go together! (Watch me hit a mirror so hard that I break it ����)

[lumine-no-hikari]

Dear Sephiroth: (a letter to a fictional character, because why not) #100

This will be my 100th generic letter to you. Imagine that! Assuming you can hear me somehow, we've been on a very unorthodox journey for a while now, no? How marvelous!

I spent some of today checking on my epoxy spheres. It needed a few small adjustments. I made another mess. But I'm feeling pretty good about how these are gonna turn out, and I'm looking forward to showing the finished spheres to you very soon!

I spent the bulk of today writing up descriptions for various items, though. I'm pretty excited about it, actually! But I can't tell you what it's for; sorry about that. With any luck though, my intentions will become clear in maybe a decade or so, assuming I can maintain my focus and my faith in my own efficacy. I suppose we'll see.

Along the way, I made myself a couple mugs of jasmine green tea! I was surprised, though, to find that we were out of milk. I improvised with whipped cream for the first cup, and ice cream for the second cup!! And I gotta say, these were THE BEST improvisations!! 11/10 stars, absolutely would recommend! I'll show you a couple pictures!!

At 4pm today I went for my orthodontics consult. I went to go see an orthodontist because I've got some weird jaw issues on my right side because of the way I gotta move my face when I try to chew things. And also, my dentists have been bugging me about getting orthodontics done for the last couple years, because there are certain teeth in my face that can't be cleaned properly because they got confused and wandered off, presumably to chase butterflies.

I was hoping that I'd be able to get away with using Invisalign to avoid needing to get teeth removed, but… well… the fact of the matter is that I simply do not have enough jaw to work with, and I am WELL beyond the age when things like palate expanders would work. So 4 of my teeth need to come out in order for the inside of my face to be aligned properly.

…And this really fucking sucks, because if my parents had given even a fraction of a genuine shit about me, this ALL could have been prevented. My jaw could have developed properly with upper and lower expanders. I could have avoided the crowding and the overbite and the crossbite and the resulting damage to my jaw joint if this had been taken care of like it should have been when I was a little girl. But, no. Instead, my parents were too busy being in denial about the fact that they wish I was not born. So here we are.

The reality that is, "because of my parents' negligence, I now have to get body parts removed and pay lots and lots of money because insurance doesn't cover it past a certain age" is just… fucken… it's WILD, man. Admittedly, I'm struggling with it. And I'm struggling with the resulting VERY angry thoughts. But that's okay. I can feel angry. It's allowed. And thoughts are just thoughts - passing noise that is not reflective of who I am or who I wanna be:

…I can make use of my coping skills. The technique outlined in the video above is one of them, and I make ample use of it on a near-constant basis.

Admittedly, I don't really understand why we can't just use the Invisaligns to scooch my molars back to where my wisdom teeth used to be (I thought being able to move teeth backwards was the ENTIRE FUCKING POINT, but I could be mistaken, so whatever). But I forgot to ask. I'll call them up tomorrow and find out.

Anyway. Wanna see my skull? And my weird-ass teeth? Of course you do. Why not. But I'll put it all the way at the end, after the part where I put my name, just in case you don't. Hahaha…

…Ya know… Sephiroth… admittedly… some days I get real tired of this meat-mech I'm piloting. I've got a host of rather unpleasant genetic issues. The defective collagen thing sucks; it impacts literally my whole body. The misshapen skull thing sucks. The misshapen eyeballs and misshapen lenses thing sucks. There are other things - lots of them; it'd be a long list if I wrote 'em all out. I'm really not gonna be sad when the one I've got can't clunk around derpily anymore. But I'm not gonna rush the process, either; I've got shit to do - I've gotta make sure someone I love is safe, even if it might take me a long time to get it done.

But ya know. Maybe when it's time to go get a new meat-mech, maybe by some small miracle, I'll get to visit you for a bit until it's time for me to cycle into something new! Tell you what - if that happens, I'll bring you some matcha ice cream or something, okay?

For now… I'm gonna get back to writing up lists and descriptions of items; if you're not gonna make sure you're safe, then someone's gotta, and if someone's gotta, then I might as well, right? I mean… what else am I gonna do while running around confusedly in a capitalistic hellscape on a dying planet? Aside from eat cheese directly from the refrigerator like a weird little goblin, anyway…

I'll write again tomorrow.

Your friend, Lumine

P.S. Weird pics of my skull and teeth below, if you wanna see!

[applestorms]

GOOD OMENS.

CLENCH UP BITCHES WE'RE DOING THIS. SPOILERS SPOILERS SPOILERS READ WITH CAUTION my hands are still shaking from finishing season 2 approximately 13.420 minutes ago so everybody clam the fuigk up/down. we're getting IN to this one. 10 sections.

okay, before i get into anything specific, i just wanna say: this series has had some of the best writing i've seen in a tv show & it's really fucking gratifying to watch. this season in particular had some really clear, distinct themes that were evolved upon and executed pretty much perfectly imo, to the point that i almost feel like i can guess what a good deal of season 3 is probably gonna look like (see section 12). this is great!! it means the writers are really paying attention to what the story is doing & what the characters are feeling/going through at any given moment in the story, & it just makes the series that much stronger on a rewatch. this season in particular really hits that sweet spot for me of being overt & clear w/ its themes w/o treating its audiences like idiots, it just. works.

i'm not going to touch on season 1 as much here since it's not as fresh as s2 for me rn, but hopefully this post can help bring some additional analysis/reflection to the new season. not sure how much of this will be totally crazy wild & new, but perhaps some interesting points will come outta the process. hope you enjoy the read!! there's 13 sections so feel free to skip around.

1. aziraphale as the beautiful execution of a flawed protagonist (ft. crowley's pining)

one of the best parts of this season by far comes from the character writing, particularly for the main two & especially for aziraphale. aziraphale was my personal favorite to watch for this entire season actually, he & crowley are both such a fucking mess but aziraphale in particular hides it in such a fascinating way to me. it's not just like watching a car crash, it's like sitting on a park bench watching a man drive a bus into a stoplight, like full on crunch the vehicle in half squish, and then just get out & carry on walking like nothing is wrong & he isn't dripping blood & scraping broken bones across the concrete.

on a broader scale, there is something incredibly appealing about how aziraphale & crowley are presented, even at a very base level. even w/o the fantastic acting of michael sheen & david tennant specifically, it's a pretty common thing that fandom will default to shipping Narrative Foils, & these two are the epitome of that. a demon who can't stop being a nice guy & an angel who keeps cutely being an asshole- this is a great base to work off of, & again the execution thus far has been excellent.

what i like about aziraphale in particular is how complex his character ends up being while still fitting into a very particular role. while crowley to some degree fits into an already pretty popular & well-loved character model (that of the grumpy nice guy), aziraphale has to hit a couple of very important & precise traits, being both outwardly very likeable & endearing while simultaneously constantly fucking up & doing increasingly egregious shit. i really can't commend michael sheen enough for his acting in helping to get the balance right- it would be STUPIDLY easy to make aziraphale the most obnoxious character to ever grace the screen if performed or written incorrectly, the kind of outwardly-kind asshole that does horrific shit w/o reflecting since the show runners seem incapable of seeing the character for what they are & it all just ends up driving viewers up the wall (e.g. emily in paris).

what i think makes aziraphale work is the fact that he is just genuine enough in his actions that when he does something legitimately horrible, it's both so subtle you almost don't even pick up on it, too distracted by the emotions you feel in following his perspective, & just motivated enough that it's easy to write him off w/o thinking any deeper. as much as crowley calls aziraphale out for being a bad magician, i think it's spot on that the one thing he is quite skilled at is misdirection. you spend a lot of time in this show following very closely with either aziraphale or crowley's POV, but in s2 especially the contrast between those two views is quite overt. while crowley's perspective is often a lot quieter, more reflective & also overtly anxious as he throws himself into stressful situations purely for the sake of supporting az, aziraphale's POV is always very loud & chaotic as he runs around, finding pubs & fighting demons & doing whatever the fuck else he wants to at any given moment.

the main flaw of aziraphale in this season is, imo, selfishness, a direct contrast to crowley's continual self-sacrifice when it comes to aziraphale. in both cases though, this is (pushed to become) a flaw that i think ultimately leads to their inability to connect at the end of the season. but in order to understand that more, we're going to have to take a closer look into the circumstances that have thus far shaped both aziraphale & crowley's characters.

2. denial as a defense mechanism: heaven & hell as life threatening danger

if there's one thing s2 has not forgotten when it comes to a&c, it's the circumstances of s1 that led them to their current emotional/mental states.

slight tangent to lead back into this point: in my work as a librarian, i end up dealing w/ a very particular set of clientele when it comes to the kinds of people that regularly use a public library. parents w/ young children, older gentlemen & ladies looking to escape the more extreme weather, and (for my city, at least) lots and lots of people who no longer have stable housing. since an often forgotten about goal of a public library (well, to the general population) is social services, as a part of my training i've recently been working through a book on what is essentially trauma-informed customer service, which has led to a lot of insight.

one point in particular that i want to highlight here is the idea that traumatic instances are both common & intensely significant in how they can change a person's behavior. defense mechanisms that may make sense in the context of a traumatic event will often stick w/ people even as the context they're in changes & the instincts are no longer useful, instead making the individuals' life even more difficult.

if there is one trauma that defines a lot of the current problems that a&c are going through, it's the fear that originates from the constant surveillance and, in turn, threat of complete eradication that comes from both heaven & hell.

significantly, crowley & aziraphale both respond to this threat in distinctly different ways: where crowley clings to the idea of escape, of creating a place where it's him and aziraphale against the world (alpha centauri), in part idealizing aziraphale as both his only friend ("friend") & the only person he could ever truly trust (crowley also likely has some trauma from the fall but we'll get to that), aziraphale viciously denies that they even have a relationship, all the while simultaneously relying on crowley heavily to do a lot of his dirty work for him. (see this post for the endgame twist on that idea.) it's significant to me that a good chunk of aziraphale's earliest morally dubious actions involve lying- since he's been doing it for so long, it's probably one of the easiest things for him to write off as not that bad, so it's natural that he would default to it as a defense mechanism here too.

to clarify, crowley does engage in denial too, though it's obvious from the emotional climaxes of both season 1 & 2 that he is much less committed to it, likely doing it for the sake of easing aziraphale's mind and/or giving himself something to fall back on so he doesn't attract too much attention from the people that can really hurt them. overall though, these are both basically just fight/flight responses- crowley ultimately wants to run away from or fight everyone that can hurt them (& betrayed him by letting him down in the past) and aziraphale ultimately just wants to deny that the problem even exists.

if we see aziraphale's later stated goal of, "Let's change heaven for the better," as an evolution off of his earlier mindset, this is also basically what their final argument in ep6 comes down to: crowley wanting to run away and aziraphale wanting to go & fight for change. what's so aggravating about this conversation is that they also want the exact same thing: EACH OTHER. (idiots.) (maggie & nina were spot on, of course. it's not just nightingales missing in that silence.) this is not even to mention the fact that they are utilizing these defense mechanisms not just in an attempt to protect themselves, but ultimately to protect one another. think about that one late at night if you wanna get up the motivation to key mr. gaiman's car.

it's also interesting to note that in s1 crowley basically wins this argument, getting the chance to settle down (albeit, still under pretty questionable circumstances) as he & aziraphale (supposedly) create their own little corner of the world away from everyone else. it still doesn't work though as neither of their solutions really get at the core of the problem, which is 1. the horrific bureaucratic systems of heaven & hell that Don't Give a Shit about People at all, and 2. their own unspoken fears & feelings (romantic & otherwise).

3. good, evil, & narrative foils: crowley edition

since i extrapolated on aziraphale's character in section 1 and a&c's relationship in 2, i think it's only right that i look into crowley more for 3.

for all the pain & agony & tears that it brings, i really do think that ep6 is the best ep of s2. specifically, i think that ep6 is the one that shows the primary issues of a&c that have been plaguing them throughout the season (& even previously in s1) the most overtly, and this is especially true of crowley.

there are two things that aziraphale gets wrong about heaven in their final argument: 1st, the idea that heaven is necessarily better than hell, & 2nd the idea that crowley would ever want anything to do w/ it again.

i've seen some people talking about crowley like he's the voice of reason this season, but i don't necessarily agree, or at least not entirely. he's completely right when he says that heaven & hell is toxic in their final argument, yes, but i don't think his motivation in saying that is purely from observation either. remember that point i mentioned earlier, about crowley also having trauma from his initial fall? where aziraphale naturally trusts people to a fault (see: gabriel, but also picking up shax, the graveyard, etc.), crowley is plagued by a complete inability to trust anyone around him, & it's my opinion that a lot of this comes from the trauma of his initial fall.

the one exception to this is, of course, aziraphale, who we can see attempting to be a friend to crowley both before & long after his fall, but aside from him crowley Does Not trust anyone else around him & honestly for good reason. while we can write off hell as just being Like That, even if crowley didn't initially want to fall (as is heavily implied in a few flashback scenes), he certainly doesn't want to be dragged back into a supposedly great position that he knows he could lose again at any wrong comment. this is also (in part) why i think crowley reacts so strongly to aziraphale's "Nothing lasts forever," comment- after going through the horror of losing his divinity & all the stress of the last few seasons, the one thing crowley probably wants is stability, & he's been relying on aziraphale as the source of that. you're both doing the dance for this one, boys.

to reiterate: don't forget the graveyard scene when it comes to crowley doing absolutely anything for aziraphale to the point that it hurts him, both in terms of the supposed punishment he got from hell (that az skips over real fast in his narration) & how aziraphale continues to deny both the reality of their relationship & how much his denial hurts crowley.

4. beelz & gabe the weirdest couple imaginable. good for them. good for them. also: heaven & hell as two equally controlling/toxic sides of a bureaucracy

the Big Bads of the last few seasons took more of a backseat for this one which makes sense considering the focus on a&c and all of the parallel couples, but i do think the one point that was emphasized for them is very important, and that's the ways in which both heaven & hell parallel each other as shitty bureaucratic pyramids of power.

if we consider this meme to be true, i think crowley really is right when it comes to his analysis of heaven & hell, though we're probably just gonna have to wait until s3 to see the exact route the show decides to take.

a big running thread w/in either of these two groups is the fight for promotions, both in terms of people clawing their way up to get more power & in terms of people being replaceable. crowley & gabriel getting kicked out of their positions is just a vacancy of power to the companies that are Good Omens Heaven & Hell, and there is a very clear parallel between shax & michael & their desire for control. what's notable is how that parallel might also now extend to aziraphale what w/ his new promotion. all very fitting concepts to cover in a post-covid, writers-strike context, which i have seen our resident mr. gaiman posting about.

5. yuri on ice, hannibal, & the beauty of acknowledged romantic tension

if there is ONE thing i am disgustingly grateful for in this show it's the fact that we finally have some concrete follow-through on the romantic tension between a&c that permeated through s1. there's only so many times a man can call his best bud "Angel" completely unironically before it gets fucking stupid (cough cough dean winchester cough). but also, to put it in the words of another text post around here: I love how the kiss was awful.

even if there wasn't a kiss, the fact that this fucking entire season fucking revolved around love & featured all kinds of parallel couples should be enough to clue you in on the romantic tension between a&c, if you somehow were blind enough to miss it before. that being said, i'm really glad that the kiss was executed the way that it was, essentially summarizing all of the tension & anguish that had been built up over the last few seasons in an explosion. the state of aziraphale & crowley's relationship hurts more because they kissed, because the tension finally overflowed & it still wasn't enough to stop him from getting in the stupid elevator & running away again.

sorry had to take a break to aggressively listen to the better call saul theme song again. anyways, while i know there are some other shows that have set precedent for this in acknowledging the romantic development between their leads, i can't stop thinking about two in particular in comparison to good omens: yuri on ice, for the literal cinematic parallels between the kiss, and nbc hannibal, for the creator acknowledgement & slow lead up to the climax.

what i am desperately hoping & praying for w/ good omens is season 3, since it feels like all too often when we finally get a good, Gay:tm: show it's always this big, flashy thing right at the end that everyone freaks out about & adores (around these parts, at least) but is never evolved upon. i think gomens has a good chance since we've got more precedent now, the creators/actors/etc are more open about it, & the season is clearly unfinished w/ a ravenous fanbase, but something something supernatural trauma i'll trust it when i see it. can't always believe these corporate fuckers. at the very least though they probably wouldn't write this kind of ending if they didn't think they had a good case for another season, so.

ok, a couple shorter sections cause i'm undoubtedly gonna run out of space if i keep at this pace:

6. the resurrectionists was a really good arc that i enjoyed a lot

exactly what it says tbh, the writing for this arc in particular really stood out to me.

i mentioned earlier that s2 has some really good character writing & i think that's in part because it's necessary as a kind of transition season, reflecting on the chaos that happened w/ the first go at armageddon & setting up for the next apocalyptic event that is likely planned for s3. it's for this reason that i think the resurrectionists arc is really strong, establishing in particular all the flaws of aziraphale's character that i went over previously in a very interesting way that still manages to weave into the previously established, albeit quite sparse flashback timeline established in s1. the morally dubious nature of grave robbing for the sake of science & medicine is the perfect context to put characters like a&c in, and the more overt look into class w/ a character like elspeth works really well in helping to ground the more abstract social commentary associated w/ heaven & hell.

7. ramblings about sequels & whatnot

it can be really difficult to write a sequel, especially when the first go at the story cleaned up its plot so well by the end, but where s2 is strongest imo is in establishing the ways that crowley & aziraphale still need to grow.

i almost think that this season had to end horrifically tragic, in a similar way that i think book 2 of the simon snow series wayward son had to end on a pretty dour note. in order for 1 & 3 to have decently high notes, 2 just often has to be pretty miserable to balance it all out.

this is also why i think the maggie/nina storyline is so important overall. not only do those two establish the most overt romantic parallel to a&c, helping to transition the story from s1 & set up for ep6, but they also end on a distinctly hopeful note that's in direct contrast to the scene that comes immediately after they leave. the parallel plants at least the tiniest seed of hope that a&c can sort their shit out if given some time & communication, similar to maggie & nina. it also makes a lot more sense in establishing why crowley chooses that moment of all times to bother w/ a love confession- i genuinely don't think the kiss would work if m&n didn't have a little sit-down intervention w/ him beforehand.

8. SPECULATION: aziraphale vs. crowley apocalyptic fight, dissolving of the current organization of heaven & hell, affirmation of the beauty of humanity & morality?

a list of my speculation about what may or may not happen in s3:

apocalypse part 2 only this time aziraphale & crowley are actually gonna be fighting each other & it's going to be fucking agonizing to watch especially in direct contrast to s1

there's probably going to be some sort of attempt to get crowley into an equal/parallel position to aziraphale in hell. whether or not he actually decides to take this position is kinda up in the air, but either way he's going to fight it at first out of a hatred of both sides. if he does eventually agree it'll be under some sort of condition to save aziraphale, and/or a fake out trick that also is to save aziraphale.

i just don't think i can see a happy ending where heaven & hell stay in their same structure. w/ such big characters as gabriel & beelzebub just fucking gone into the middle of nowhere there's gotta be some kind of re-establishment of the two sides & their relations. the only way it might not change is if the Religion Lore gets in the way, but w/ the established politics of this show & mr. gaiman i can't see an ending that just allows the status quo to continue on exactly as horrible as it's been.

crowley back in his apartment? (plsplspls.) also something really heart-wrenching & emotional related to the car & the bookstore after a&c have been separated from them because of course. personally requesting additional exploration of the car as a symbol of crowley himself/able to be influenced by aziraphale e.g. scooting towards az, yellow is so pretty, etc. etc.

more flashbacks, maybe more from crowley's pov this time? like something to do w/ that period where he was supposedly being punished for helping aziraphale, more about his experiences w/ hell & the fall, etc.

something something affirmation of the beauty of humanity & the world, ft. a&c bonding over their mutual love of it again. they were each others only real friend for how many thousands of years, if they're gonna be fighting OR attempting a romantic bond that's going to be significant.

when the actual romantic reconciliation happens is kinda up in the air, but it depends on what the Big Bad ends up being, an external force of heaven & hell or a&c themselves. personally, i think that heaven & hell are just gonna keep getting weaker but w/ aziraphale in charge maybe that'll change (or maybe it'll be the catalyst lolol). if it's external they'll probably get together earlier in the season, if it's more internal probably not til the end, though there might be a momentary reconciliation for the sake of fighting something else.

i'm a bit more up in the air about this one, but maybe something more w/ satan & god as the top of the pyramid when it comes to heaven & hell? good omens is all about that kind of contrast so it might make sense. this also assumes that s3 is the presumed end of the series, which may or may not be the case.

if this does end up being the end of the series: i really, really, really, would not be surprised if crowley & aziraphale end up fully human. it's quite the obvious answer but it just makes so much sense for their characters, w/ their love of the world & whatnot. then again a lot of their relationship has also been related to immortality, but also then again there's a lot of stories out there about immortals hating their long lives & wanting to just settle down like normal people so. ehh. oh speaking of settling down,

9. they're NOT married, that's the PROBLEM: thirteen seconds.

thirteen. full. seconds. of the Most Awful Kiss. known to contemporary tv.

they're not married that's th eentire fuckigngggng proble m.,,..,,..,.

10. "I forgive you."

this is such a nonsensical line it makes me so absurdly angry. what the fuck are you doing aziraphale. well, presumably the exact same thing crowley was trying to do by kissing you, but i digress.

bonus edit, i thought of this literal seconds before falling asleep & now i can’t get it out of my mind: crowley needs aziraphale for stability, aziraphale needs stability to have crowley. mic drop

[bozawarriorsposting]

I had an absolute blast reading the introductory chapter! It's great to see how this whole mess started and I can't wait to see more!^^

It's probably obvious, but are some of Clear Sky's many titles self-imposed? And what does he mean by Overseer of the Great Above? Is where the ghosts are brought in the chapter the Great Above or is it just the sky in general? Or is it something else?

Also going back to the Rootpaw situation a little (I'm sorry I just get very excited at any crumb of content with him). I imagine Needletail is not happy with one of Violetshine's kits going missing because of her ghostly companion, is she?

And lastly, I'm just very curious about what you have planned for the ghosts' future missions. I recall you saying Shadowsight will be involved in one? Do you have any other mission ideas? Or is it too soon to ask that?

1. To his credit, Clear Sky's titles are all genuine... In the way that at some point someone called him that and he added it to the mental list of titles he has. The 'Overseer of The Great Above' specifically is from when the founders really got abstract in the mythos of Starclan, and became less ancestors than embodiments of natural phenomena and the spiritual symbol of a Clan. Cats nowadays refer to Starclan as a whole more than any individual of the 5 but Clear Sky is a sort of Minor God more than anything in the religion.

2. "Silver Pelt" or the Starclan that most cats walk around is something very malleable, it can twist and change depending on who is around and what are the emotions running high. Clear Sky is able to mold a small section of it according to what cats believe and attribute to him. Essentially, he is powerful enough to etch out a small domain to suck in the cats so he can screw with them in private.

3. Oh, she would be pissed upon finding out, she would probably check on Violetshine to make sure the person she actually cares about isn't hurt, and finds her desperately looking for Rootpaw. From there she might ask the group and then find out what happened after a back and fourth. Massive argument happens, the conflict resolution of the Four kicks in, ie. everyone does what they want as long as it doesn't get Clear Sky involved. And she maybe goes to find Rootpaw. I might actually make a story out of that, so thanks for contributing another piece of writing.

4. For the future.... I am gonna be real. This au was always more about the setup and the characters with the resulting possibilities more than any good ideas of where the story goes.

In terms of missions, all sorts of things are possible. I am mostly fishing for ideas as is. For Shadowpaw, I am honestly thinking that a mission focusing on him is essentially the Four using their powers to try and gaslight him into interpreting a prophecy a certain way. But like in a dark comedy way, where it's essentially all of them playing director and influencing shit to get him to think a certain thing, and failing. Because for all their powers, getting a cat to think a certain way of their own volition without raising the suspicion of the Clan or Starclan is still very hard.

But yeah, honestly I am just developing the base concept, from here I am currently working on some refs for the Four, and otherwise either think of a fun concept or have more of the four interacting with each other in that pocket dimension directly following the events of the introduction. Probably something from Needletail's point of view.

I always take suggestions of any kind, this entire AU is essentially just going "Hey wouldn't it be funny if." And thinking about the results of that.

[aeliussaionji]

Scattered thoughts on my relationship to media

I often muse "since criticism is subjective, how do we confidently asses a thing? Who decided what makes something 'good'?". hbomberguy's "RWBY is Disappointing" video is making me do just that.

Going in I expected him to reveal things I overlooked, as I can be pretty bad at noticing inconsistencies in media. But to the contrary, in the first half of the video, he focuses on talking about aspects of the show I don't care about, or even find endearing. The latter half(ish) focuses more on how the writers drop the ball in trying to tackle the subject of racism. In the rest of these scattered thoughts I am not referring to that- largely because I didn't watch it all at once, and much of my thoughts happened following my first intermission.

But first- something else entirely:

Some years ago, friends and I discussed our thoughts on the new star wars trilogy. The movie where Kylo and Rey team up for the fight in the throne room is easily my favorite of the three. The first entry was boring and the third one is a crime. But the second- it explores new ideas about the Force not being binary, has amazing visual scenes (some of which everyone hates for the lore implications), it has that friggin' amazing throne room fight where Light and Dark team up, after which there's a very compelling "we should join forces" moment. Given how much the movie had broken off traditional star wars thus far, I was genuinely uncertain what Rey would do, and in that moment I was more engaged than I had ever been with any star wars content before.

People who dislike that movie counter with "but why would the commander do X in scene Y? Makes no sense!" or "the whole sequence with the casino was bad". And to me that's… I literally don't remember those things exist until people complain about them. I am laser focused on what I enjoyed and tune out what didn't work for me. In the discussion I was having among friends, the primary complaint they had is how the second movie breaks continuity of the trilogy. As I see it, the first movie is unobjectionable and technically good, I never hear passionate criticism for that. It's also just a nothing burger. I've near forgotten the entire thing. Nothing happens in it to pique my interest. It seems that's true for others as well, given that any discussion of the trilogy I've heard very quickly becomes about what the second movie did wrong. Would the second movie be "better" if it were as unobjectionable as the first? Would the trilogy? Many seem to prefer simpler works with competent execution, which, I can get into as well! But when shards of creativity capture my attention, I find myself either forgiving flaws, forgetting them, or filling in blanks where no details were provided. So: I don't give a damn that the trilogy is now incoherent as a whole! I really, really, like certain scenes of the second movie and give zero thoughts to the rest.

To which my friend responds, "do that in a different story!" But does that mean they'd prefer something competently constructed and less creative, like the first movie was? After all, I see plenty of energy spent dressing down sloppy execution of the second movie, but hardly any energy is given to criticizing how creatively bankrupt the first movie is. In this dichotomy I've constructed, I feel I'm in the minority for preferring a creative mess.

(Also the reality of capitalism in Hollywood is that writers don't often have the freedom to just make new IPs; existing IPs are what's on the table and writers make due. That's how it's gonna be, might as well consider such stories to be standalone. Blame capitalism, not the writers.)

Back to RWBY: hbomberguy keeps complaining that RWBY's animation, writing, voice acting, songs, etc are all amateur. And, yeah man, it's literally a first work by amateurs. Halfway through his video, the point he keeps returning to is that the show has good ideas but the amateur efforts holds it back. And… yeah man, amateurs have good ideas sometimes? Ep1 pretty firmly establishes the level of quality the creators are bringing to the table, and I calibrated my expectations accordingly.

More than just calibrating my expectations, I can find the amateur aspect endearing, and I enjoy seeing the voice actors and animators and writers improve as the series goes along. It's like its own meta narrative- we the viewers get to witness the voice actors grow more confident over time. They come a long way from their early shy and clunky performances.

Now, I don't necessarily think that criticism should be "calibrated" to expectations, or that media should be graded on a curve. It's completely fair to judge what's on the table no matter who made it. I agree with basically all of hbomberguy's criticisms, I'm enjoying the detective work he has done to outline how and why the quality may have suffered, I'm laughing along with his jokes, and certainly his criticisms could help the team grow as creators. It's just that his delivery leaves me wondering if he's playing up his reactions for comedic effect, or if he genuinely can't engage with amateur efforts. This leads me to an introspective thought spiral- there are many examples of media I quite like where the execution is fumbled in some way. There are many examples of media with stellar execution, but I'm simply bored by the content. If I were to ever try and formally criticize something, what form should my criticism take in this framework? Should my criticism value execution over creativity? Excellent execution can be an art in of itself and I often do enjoy a job well done, but in general I don't derive much enjoyment from how technically well executed the art is. Should I, though? Are my media recommendations to friends worse off for my tendency to forget that which doesn't interest me? Should my critique spend time grading creators on form, even when the mistakes don't bother me personally, or is it enough to simply expand only on what I personally experience? Does loving content with poor execution mean I have mid taste in media?

There is another more personal layer to my thought spiral reaction. hbomberguy spends some time demonstrating that certain concepts in RWBY are not explained well and would be confusing to first time viewers. This leads me to think that I'm so accustomed to being out of the loop that I don't blink when something doesn't make sense, and in fact I might not even notice ¯\_(ツ)_/¯.

There are many works which avoid directly stating authorial intent, instead (hopefully) leaving enough information for the audience to arrive at the conclusion themselves. This is often stated as "respecting the intelligence of the audience". Problem is, I may not have enough context to work it out, and I'm not always on my A-game while consuming media. Probably most of the time I am very much not! I think I've come to assume that when I encounter a point of confusion, the failing is mine.

Me, enjoying a show as much of the subtler meaning flies over my head:

[morballs]

Write a 10 page APA format essay on the TWDG character that you hate the most.

You have until Friday to submit this 🙌🏾

professor Everett i'm paralyzed on my deathbed i cannot do this!!! anyways, sorry to the three Jane fans that exist, but I DO NOT LIKE HER!! AT ALL!!!! Maybe this is biased given my very normal attitude regarding Kenny, but you can obviously see that her role as a character was extremely rushed in the last episode; I don't even think she was supposed to survive! Outside of budget problems or interpersonal bullshit happening in TTG, I just genuinely fucking hated her in the last episode. ANNNDDD IM GONNA RANT ABBOUT ITT GRAAAAAGHHH!!!!

When Jane's introduced to the story she's intriguing, and in general a character that I really wanted to see develop in my first playthrough; She KNEW what she was doing on a completely different level compared to every other character then introduced in the season 2 roster, because as opposed to let's say Kenny or Luke, she's been treading in the shoes of a walker for roughly two years at that point, she knows the enemy in a way that only Clementine (and Lee (LMAO)) knows, if that makes sense. You can see her as an ally in some strange form only based on shared experience. Her character is a bit intense, but she carries herself like she's more important and above the others, extremely self assured and all that bullshit, which is quite the comparison with Nick, Alvie and Luke where they prefer to keep themselves at ground level, and in a way that's more personal and opens their character and personality up for us to explore. It makes her somewhat like a big sister stand-in for Clementine, and its extremely obvious that she see's all her own flaws inside Clem and tries to snuff it out before she makes the same mistakes she did (Any scene revolving around Sarah, and how she was trying to convince Clem to leave her alone to get eaten alive and then SULKING when she doesn't). It's interesting, and I wont deny I deeply enjoyed the scenes where she's teaching Clementine some of her survival tricks! But it all really falls apart by the last leg of episode 4, with the whole Luke thing. It's strange, their entire dynamic and relationship is strange because frankly by the second time they interact they're already mapping eachothers insides dawg... completely fucking shocked me man... Her "leaving" the group didn't really create any swell of emotions inside me (neither did her returning), if anything I felt relieved and neutral as her character had mostly served its purpose in Clementines' story; but that's where the problem begins, she's exhausted her use as a character.

In episode 5 her character is dull and useless until she slowly tries to convince Clem that Kenny is a liability, in which yes, she's not WRONG but if she opened her two eyes and compared to his one functioning fucking eye she'd realize that "Hey the kid that he's beating the FUCK out of and the reason why my little fuck-buddy died was because I STOLE A BAG OF SUPPLIES THAT?? ULTIMATELY?? DIDN'T EVEN MATTER IN THE END??"

I have to accept the fact that actions in the ttg series often don't matter at all. Like NADA. NUH UH. And alot of shit doesn't get mentioned ever again despite the fact that it was a serious part of the story (Omid and Christa, Ben dying, Carlos/Sarah/Nick dying, ETC), But to have shit like that be ignored? completely? no one held her against herself for stealing the bag? ever? like ever ever? Clementine steals the pills, which would've been enough in the first fucking place. (bag is never seen again after that btw). But that part does also show us how deceptively selfish Jane is, in a way that is almost fucking messed up; because it isn't petty, it's straight up murder in some cases (Arvo's group, Luke/Bonnie, Kenny/herself, ALMOST AJ.)

But the part that drove me up the wall with her was the final scenes, where she manages to corrupt an 11 year old's brain into thinking, "WOW Kenny's going off the deep end and MIGHT theoretically KILL ME all because this FREAKY white woman told me so!" Fuck man, her hiding AJ while not even being SURE that she'd live to tell them where she hid him? Her witnessing Kenny getting beat up until a part of his skull got crushed for his adoptive kid and then being able to look Clem in the eye and go "he's a selfish monster"? when her selfish actions is what caused the ENTIRETY of the ep5 events? (sans Rebecca dying) She got into that fight not because she WANTED Clem to be safe but because she WANTED to be proven RIGHT!! ARRGHHH!!!!! (SHE COULD'VE CALLED IT OFF TOO BUT SHE JUST WANTED SO BADLY TO BE THE "SAVIOUR")

Don't get me started on her shitty "ending" either...

ANYWAYS, kenny dickrider alert... wow i got heated bruh ion fw this mf at all anyways thanks for the ask, russ!!! appreciate it :)

[bonesandthebees]

i hadn’t cried at a fic since the last chapter of stars but this chapter of glass… i have tears rn

tommy and wilbur’s relationship has been so cool to see develop. i’m not sure on timeframes, but wilbur’s murder attempt is still fresh in my mind and seeing how close they are is so interesting. although jack and niki are good friends to wilbur, tommy is really the only person who can ground wilbur, and i’m guessing is the only person whose ever been able to do that in wilbur’s entire life. technos surprise when he sees their small gestures of touch and the bickering just like reaffirm how quickly they’ve grown this easy rhythm they have with eachother. i’m so terrified that something is going to mess their friendship up (i am still haunted by chapter 19 of stars)

and the scene was phil. i do think he is genuinely trying to help wilbur by planting these seeds of doubt. and it could be a ‘it gets worse before it gets better’ situation, but i’m just not sure that wilbur is stable enough to process them. but really what else is phil supposed to do? if tommy brought up these points it would just result in a disagreement between the two, when wilbur is depending so heavily on tommy rn. i had said about how similar they were near the start, but this chapter really emphasised how differently they see their religions and it’s so interesting to see.

one of my favourite chapters yet

- 🦔

I've been having such a good time developing wilbur and tommy's relationship in glass. as far as time frames go, chapter 11 I'd say takes roughly... 2 weeks after the murder attempt? maybe a little more? like, it's still extremely fresh. their closeness has no good explanation and they don't even really understand it either. it just happened somehow.

techno was definitely a bit confused seeing how close the two of them had gotten in such a short timespan. like, he's glad it doesn't seem like the pythia is gonna try to kill tommy again, but he's also really confused wtf is going on there

yeah the thing with phil is that he often has good intentions but is bad at judging how to execute them. he came into that conversation just wanting to get a better understanding of what was going on with the pythia, but quickly changed gears when he realized how screwed up the pythia is mentally with his view of clara and wanted to plant some seeds of doubt like you said.

I'm so glad that was interesting!! I love writing glass!sandduo in this because they're great contrasts of each other. they both play similar roles in their respective religions and they both hold an extreme devotion to their goddess but the way this devotion works and how their goddesses interact with them individually is so different. not to mention, phil largely learned everything regarding kristin worship on his own, while wilbur had an entire government institution forcing him into a specific mode of worship. that's what accounts for most of their differences.

ty i'm so happy you enjoyed!!

[fangirleaconmigo]

I may be entirely too TWN critical, but with things like Burn Butcher Burn, I believe the writers genuinely don’t bother looking that deep into it. They don’t recognize just how messed up some of their choices are because they only understand the characters and themes (and especially the source material) as much shallower, more simplistic versions of what they are. They only see “butcher” as a petty, mean name that can make another catchy song to show off how much pain Jaskier feels rather than how deeply racist and triggering and out of character it is to us. And what’s annoying is, it ends up feeling like they’re phoning it in. Like they don’t care.

PLEASE MUTE TWN CRITICAL IF YOU DON'T WANT TO SEE THESE POSTS

I'm catching up on asks, and Nonny, this was in response to my Burn Butcher Burn post. (I've taken so long to answer you may have forgotten lol)

Yeah there is literally no other explanation for me on that one. They just must not see that word the way I do. I don't know if it's just that they don't look at it 'that deeply'? Maybe? But I'm gonna tell you something, I just think that there is a vision of what love is, internal to that specific storytelling style, that I just don't vibe with.

The showrunner used to write for Daredevil, which I adore, but wrote the Matt/Electra eps, which I do not vibe with.

I just say that I do not vibe with, because I acknowledge that a TON of people like to read or watch that kind of relationship and I do not mean this as a knock on it, it's just that thing when you know something is not for you.

And that vision or idea of love specifically I think is not my cup of tea. And I think that radiates out to the other relationships, not just the romantic ones.

I'm being a little vague I know, because if I start assigning adjectives to those relationships, people are going to argue with me and that's not the point. The point isn't how I see those relationships, but just that they are not for me personally. And that just is what it is.

I don't liked to begrudge anyone their enjoyment of something. Life is short, love what you love. But it isn't for me.