#and it's cool to wait a bit too

[meatballlady]

Don't slow down to "let" someone merge! They are in charge of entering the space, they are going slower than you even though they're in front of you, and the only thing slowing down will accomplish is causing traffic. Also, if they were planning to get behind you (to be considerate to you instead 🙄), they might just slow down too and get behind you anyway.

Furthermore, the rules of the road are there because we can't communicate to other drivers. Slowing down isn't "being considerate" it's "breaking the rules of the road and causing traffic so you can feel better about yourself". It costs nothing to thank a service worker or to say "hey why don't you go ahead of me in line, I have more things anyway." It causes traffic and trains people to be more aggressive when you slow down and give them space they don't expect.

Offer to let other people go ahead of you in line, especially if you're approaching the line at the same time. This is double applicable if you're in a store and the other person has fewer items than you.

This is a small gesture of kindness that in most cases will cost you very little time or effort. It shows consideration for other people's time. Especially in the case of being in a store and letting someone with fewer items than you go first, there is no sense in making someone else wait for you who would otherwise be able to get in and out much quicker.

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[libr-0-cubicularist]

hey, hey. you. mhm. you. This is your sign to go read Stories We Share, Secrets We Keep by @bittirsweeteer

[ganondoodle]

(zelda comic rough draft)

im still unable to draw anything ... except for really slowly getting the chapter 2 rough draft further for some reason, another screenshot from page 59

[kyouka-supremacy]

(˶ᵔ ᵕ ᵔ˶)

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[xbraveheartx]

Suddenly smacked in the face by the implication of Romeo's message where he says "I remember you, so there's no reason for us to fight. I suppose."

I always thought the wording was weird, but didn't think too much on it... Until recently after we discussed some datamined stuff in the Carmeo/Promeo server. There's a scrapped line (where P was supposed to speak) that says "I may not remember, but I'm still your son" during the NP fight, and while the scrapped lines are their own can of worms, let's focus on the memory parts.

I had always thought that once a puppet woke up, they would just get their memories back. But the fact seems to be this: There are select memories that come back to give bits and pieces of their past that "wake" them up-- cause them to change, as we see with P and the necklace; As we see from the spliced memories at the Black Seaside. However, it might not be all one's memories that come back. Whether those spaces stay blank or come back over time, who knows.

What I'm trying to get at here is...

Romeo's memories might only consist of Carlo at the time of waking. Carlo was what woke Romeo-- "I remember you"-- He had the necklace, he knew from who it was; He recognized the face P was modeled after. "So there's no reason for us to fight, I suppose"-- there's a lack of confidence in the wording here. Friends aren't supposed to fight, right? That's what his memory tells him, at least.

And the only memories P tends to get in regards to his past? Those in relation to Romeo, his aspirations, and of his own death. Seemingly, these are the things most important to him.

They were the most important people to each other; They remembered each other, just one too late than the other.

[monkiinart]

silent broody cool dude + hyperactive adhd gf my beloved

[iamamythologicalcreature]

Sentences or Sketches or Something... Sunday

Hello strangers! It's been a long time since I last did a progress post of any kind - thank you everyone who's continued to tag me so I don't get left behind! And thanks to @noblecorgi, @alexalexinii, @you-remind-me-of-the-babe, @blackberrysummerblog, @thewholelemon, @mooncello, @monbons, @prettygoododds, @shrekgogurt, and @youarenevertooold for tagging me, today. (I feel so loved! <3) I'm looking forward to seeing what everyone's up to.

It's still Sunday in my neck of the woods, though just barely. And yes, I've used my "sentences" banner, but... It's a bit more chaotic than that. Honestly, I wasn't sure about doing a post today because I'm a bit all over the place, but then I figured... eh, why not? I am all over the place LOL.

So here's your snippet from the collective efforts of Jo's creativity, lately, under the cut. (Because I ramble...)

On the Haunting of Simon Snow... I haven't forgotten about it! Nor is it abandoned. As I keep telling anyone who will listen, I have a rough draft, which basically amounts to an outline, meaning I have way too much figured out to just let the story fade away. XD I attempted to work on Chapter 2 earlier this month, and ran into some roadblocks - of the architectural variety.

So I've started to research manor houses and English estates like mad. I'm going to do the thing. I'm going to figure out Pitch Manor. Why? Because my brain won't let me gloss over paltry details such as the location of Simon in the grand scheme of the house, or how and where the roof attaches and where that tree is going to be. It's annoying, but I figure... This is a fun puzzle, too. One I hope to be able to share with the fandom at large once it's complete.

This little snippet is from an early design I've since scrapped (but you never know what might come around, again.)

"That's great, Jo, but how about some sentences?"

Okay. Ahem. Here's... some Simon sentences... that have just been scribbled out. *cough*

I sit there and listen to the man on the other side as he blathers on about extra fees associated with estate deliveries due to distance and blah blah bloody fucking blah. I wish he’d just say it. Just say 'this is the Pitch Manor tax.' No one ever does. But everyone charges it.

I HAVE WRITTEN SEE THERE'S PROOF.

Okay, moving on...

The other thing I'm working on is illustrations for @mooncello's beautiful fanfic, "Lost Boys." I just posted art from Chapter 1 here, and I'm working on art for Chapter 2, now. The story is stuffed to the gills with absolutely gorgeous imagery, so choosing what to illustrate is a challenge. Hopefully it all works out, and in the meantime, here are a couple doodles.

(I was telling Heath last night... this morning...? about how all illustrations start out as baby sketches XD These are the little babes in the creative nursery, basically. Also I have never posted baby sketches before and I'm kinda nervous about it. But. Well. >.> )

THERE YOU HAVE IT. A couple of my reasons for being so entirely absent from all other aspects of the fandom. (Also I got hit with the flu super hard, but doing better now!)

Tags for future wipsdays/hello's! @leithillustration, @artsyunderstudy (thank you for listening to me ramble about Pitch Manor), @erzbethluna, @nightimedreamersworld, @cutestkilla (thank you for also listening to me ramble about Pitch Manor sorry I'm reworking it again XD), @angelsfalling16, @fatalfangirl, @hushed-chorus (thank you for being my secret-garden-enabler XD), @rimeswithpurple, @best--dress, @whatevertheweather, @ileadacharmedlife, @scribble-tier, @imagineacoolusername, @brilla-brilla-estrellita, @alleycat0306, @ivelovedhimthroughworse, @tender-ministrations, @katmiscellanious, @anxious-m3ss, @bubble-gumhead, @ebbpettier, @facewithoutheart, @bazzybelle, @theimpossibledemon, @aristocratic-otter, @ic3-que3n, @palimpsessed, @raenestee

[sysig]

I have an idea for the requesttober, could you make Scriabin like an endermen? I feel that Scriabin would be an endermen if he were in Minecraft's world

Day 11 - No eye contact >:(

[janewindsorcollage]

Crimson and Clover

10x14

Hand-cut, mixed media collage

2024

[catlliecal]

I think what’s interesting to me about Yor is that Yor Briar/Forger isn’t just a front to hide Thorn Princess, that Thorn Princess alone isn’t her “true self,” nor is Yor Briar/Forger alone her “true self.” They both make up her. She’s compassionate. She may be a bit aloof, but she’s also very intelligent and knows the best place to attack someone to kill them as quickly as possible. I think that makes her a very wonderful character.

[catboy-jupiter]

hiiii uh this is a little awkward bc we've never interacted before but I saw in the tags of one of your posts that you liked nitescen's wilting?? dude i am OBSESSED with nitescen it's actually a problem-- me and one of my irls literally talk to each other about her all the time and this irl is the only other person ik who knows her music. idk if you're still into her considering the post you made was back in june but like. aughh she's so good I needed to reach out just to see if you're a fan too

omg no worries!!! i love her stuff ^^ i don't consider myself a super fan (but also i've been deep in the kpop trenches so idk how skewed my view on what constitutes as an actual fan is lol), and i dont remember what i shared abt my thoughts on WILTING, but that song literally motivated me to pick up writing & drawing more often, after months of doing nothing abt either! and then i went to hear her other songs & they just resonated very deeply w/ me (WILTING and atlas baby have been my faves). but like, i rely on shuffling my youtube playlist to listen to songs so i hadnt seen her stuff in a while...

actually, tysm for reminding me to check out her stuff again, bc i just found out she's released more since then??? hello!!! youtube why didnt u notify me i thought i forgot to subscribe but i just got no notifs???? either way thats so exciting!! going to listen rn actually

anw, feel free to reach out if u wanna!! i adore her voice and her songwriting is sooo good. i can at the very least be a very willing listened even if idk how much i'd contribute lol

[to-be-a-dreamer]

Every time I see a little newsboy fanart on my dash I have to take an extra 0.5 seconds to figure out if it's Gay Dancing White Boy #27 or Conrad Schintz and that is 0.5 seconds too long