#and it’s like my own ai movie generator

[icouldbeaduck]

hyperphantasia is great until i’m trying to sleep and a tiny foxy won’t stop doing orange justice in the corner of my brain

[h0neybane]

♥*♡∞:｡.｡OHOHOHOHOHO!! ༶•♛

˚₊· ͟͟͞͞➳❥ PLEASE WELCOME... HEIR TO THE QUEENDOM OF ROSES, MARIE CHARLOTTE MADELEINE AMBROSIA BURGUNDY BRIE COCO VON BON BON ROSEMARY TARTE "SEBEHIME KISSER" GUILLAUME!

im so late to national princess day GOD DAMN. i worked my butt off for this brat 😭and i'm gonna have to do it all over again once i start her dorm uniform design... BUT WITHOUT FURTHER ADO, SAY HELLO TO YOUR PRINCESS!! template by @/ai-kan1 <3

damn. nobody like this bitch 😭😭😭😭 rambles and facts under the cut!

˚₊· ͟͟͞͞➳❥ ok i think i should just come out and say it. marie is the WORST person you'll ever meet in your entire life. she is INSUFFERABLY annoying, insanely prideful, does NOT take no for an answer, and is generally a prick.

˚₊· ͟͟͞͞➳❥ marie wasn't always heir to the throne! marie had an older sister by 6 years, who died when she was 21 and marie was 15. by what causes? that's a secret :3

˚₊· ͟͟͞͞➳❥ my biggest inspiration behind marie was sweetheart from omori! she was also partially inspired by hatsune miku, marie antoinette, celestia ludenberg, miranda vanderbilt, and just the himedere/princess trope in general.

˚₊· ͟͟͞͞➳❥ as stated above, marie has her own club, entirely revolving around appreciating her. somehow, she's accumulated a massive fanbase... nobody can resist her dazzling charms! (me when i lie)

˚₊· ͟͟͞͞➳❥ marie brought her attendents to school with her! they do her hair every morning, follow her around, you know.

˚₊· ͟͟͞͞➳❥ marie is a BIIIIG fan of vil schoenheit!! she loves movies and his acting!!

˚₊· ͟͟͞͞➳❥ leona HATES HER GUTS. HE HAAATES HER SO MUCH. he doesnt even like being in the same LANDMASS as her.

ok im exhausted so im just gonna put up my taglist and call it a night. HOPE U GUYS LIKE HEERRRRRR

@taruruchi @honeyedpearcrushh @teighveepao @boopshoops @scint1llat3

@h2llish @viperbunnies @buttholesparkles @oya-oya-okay @cheerleaderman

@qsoap @angelwishess @gimmeurmoneyagh @skriblee-ksk @lychee-face

@skibidibabygirl

[tangibletechnomancy]

The reason I took interest in AI as an art medium is that I've always been interested in experimenting with novel and unconventional art media - I started incorporating power tools into a lot of my physical processes younger than most people were even allowed to breathe near them, and I took to digital art like a duck to water when it was the big, relatively new, controversial thing too, so really this just seems like the logical next step. More than that, it's exciting - it's not every day that we just invent an entirely new never-before-seen art medium! I have always been one to go fucking wild for that shit.

Which is, ironically, a huge part of why I almost reflexively recoil at how it's used in the corporate world: because the world of business, particularly the entertainment industry, has what often seems like less than zero interest in appreciating it as a novel medium.

And I often wonder how much less that would be the case - and, by extension, how much less vitriolic the discussion around it would be, and how many fewer well-meaning people would be falling for reactionary mythologies about where exactly the problems lie - if it hadn't reached the point of...at least an illusion of commercial viability, at exactly the moment it did.

See, the groundwork was laid in 2020, back during covid lockdowns, when we saw a massive spike in people relying on TV, games, books, movies, etc. to compensate for the lack of outdoor, physical, social entertainment. This was, seemingly, wonderful for the whole industry - but under late-stage capitalism, it was as much of a curse as it was a gift. When industries are run by people whose sole brain process is "line-go-up", tiny factors like "we're not going to be in lockdown forever" don't matter. CEOs got dollar signs in their eyes. Shareholders demanded not only perpetual growth, but perpetual growth at this rate or better. Even though everyone with an ounce of common sense was screaming "this is an aberration, this is not sustainable" - it didn't matter. The business bros refused to believe it. This was their new normal, they were determined to prove -

And they, predictably, failed to prove it.

So now the business bros are in a pickle. They're beholden to the shareholders to do everything within their power to maintain the infinite growth they promised, in a world with finite resources. In fact, by precedent, they're beholden to this by law. Fiduciary duty has been interpreted in court to mean that, given the choice between offering a better product and ensuring maximum returns for shareholders, the latter MUST be a higher priority; reinvesting too much in the business instead of trying to make the share value increase as much as possible, as fast as possible, can result in a lawsuit - that a board member or CEO can lose, and have lost before - because it's not acting in the best interest of shareholders. If that unsustainable explosive growth was promised forever, all the more so.

And now, 2-3-4 years on, that impossibility hangs like a sword of Damocles over the heads of these media company CEOs. The market is fully saturated; the number of new potential customers left to onboard is negligible. Some companies began trying to "solve" this "problem" by violating consumer privacy and charging per household member, which (also predictably) backfired because those of us who live in reality and not statsland were not exactly thrilled about the concept of being told we couldn't watch TV with our own families. Shareholders are getting antsy, because their (however predictably impossible) infinite lockdown-level profits...aren't coming, and someone's gotta make up for that, right? So they had already started enshittifying, making excuses for layoffs, for cutting employee pay, for duty creep, for increasing crunch, for lean-staffing, for tightening turnarounds-

And that was when we got the first iterations of AI image generation that were actually somewhat useful for things like rapid first drafts, moodboards, and conceptualizing.

Lo! A savior! It might as well have been the digital messiah to the business bros, and their eyes turned back into dollar signs. More than that, they were being promised that this...both was, and wasn't art at the same time. It was good enough for their final product, or if not it would be within a year or two, but it required no skill whatsoever to make! Soon, you could fire ALL your creatives and just have Susan from accounting write your scripts and make your concept art with all the effort that it takes to get lunch from a Star Trek replicator!

This is every bit as much bullshit as the promise of infinite lockdown-level growth, of course, but with shareholders clamoring for the money they were recklessly promised, executives are looking for anything, even the slightest glimmer of a new possibility, that just might work as a life raft from this sinking ship.

So where are we now? Well, we're exiting the "fucking around" phase and entering "finding out". According to anecdotes I've read, companies are, allegedly, already hiring prompt engineers (or "prompters" - can't give them a job title that implies there's skill or thought involved, now can we, that just might imply they deserve enough money to survive!)...and most of them not only lack the skill to manually post-process their works, but don't even know how (or perhaps aren't given access) to fully use the software they specialize in, being blissfully unaware of (or perhaps not able/allowed to use) features such as inpainting or img2img. It has been observed many times that LLMs are being used to flood once-reputable information outlets with hallucinated garbage. I can verify - as can nearly everyone who was online in the aftermath of the Glasgow Willy Wonka Dashcon Experience - that the results are often outright comically bad.

To anyone who was paying attention to anything other than please-line-go-up-faster-please-line-go-please (or buying so heavily into reactionary mythologies about why AI can be dangerous in industry that they bought the tech companies' false promises too and just thought it was a bad thing), this was entirely predictable. Unfortunately for everyone in the blast radius, common sense has never been an executive's strong suit when so much money is on the line.

Much like CGI before it, what we have here is a whole new medium that is seldom being treated as a new medium with its own unique strengths, but more often being used as a replacement for more expensive labor, no matter how bad the result may be - nor, for that matter, how unjust it may be that the labor is so much cheaper.

And it's all because of timing. It's all because it came about in the perfect moment to look like a life raft in a moment of late-stage capitalist panic. Any port in a storm, after all - even if that port is a non-Euclidean labyrinth of soggy, rotten botshit garbage.

Any port in a storm, right? ...right?

All images generated using Simple Stable, under the Code of Ethics of Are We Art Yet?

[asidian]

DBDA Meta Commentary Roundup

Okay, I'm getting tired of scrolling back to find my own posts, so it's time for a roundup post for my DBDA meta commentary.

Meta Commentary:

Why you should watch Dead Boy Detectives

Charles is a people pleaser

A very large snake as a reference to hell

The same lantern

Edwin knows the Misery Wraiths a bit too well

Why Charles is upset by more than just jealousy re: Monty

The white kimono

How Crystal and Charles' character arcs intersect to make an absolute trash fire

You can talk to me about anything

Edwin's hidden kindness as Charles dies

Edwin's hangups re: emotion and how it ties into his time in hell

The silliest Clue edition

The Cat King's design changes when he starts a new life

Counting cats

Where is the Doll House

Edwin and Charles acting like they've known each other forever in tiny details

Esther has the cops in her pocket

The lantern scenes as an extension of the theme "The good you do comes back around"

Why Charles opens up to Crystal so quickly

Payneland endgame nods through leitmotifs in the soundtrack

Charles is super sensitive to criticism, even when it's not intended

The Season 2 in my heart

The hidden nod to history in the WWI ghost's makeup

Why Charles' death is so much worse than it seems

The brilliance of the first ten minutes

The ship of all time

The incredible women of Dead Boy Detectives

Edwin's bowtie

Crystal and Charles as mirrors and projections

Bi disaster Charles Rowland

Edwin can knit

Chekhov's snake-slaying sword

Murder night movie time

Why Charles was more of a hero than he knew

What the doll placement says about Edwin's many deaths

Charles smiles for other people

The absolute fridge horror of That One Gate in hell

The only good thing generative AI has ever done

The wood-burning stove as part of Charles' cold trauma

Charles is so very brave for walking into hell

Charles' bad decision face

Edwin complimenting Crystal as a kindness to Charles

Charles' something-is-going-to-be-difficult tell Charles Rowland appreciation hours

Crystal's two character arcs

Niko's fear of death and her own mortality

Mick is great

How Edwin speaks of hell as character growth A reminder of home

Set Design:

Charles' room

The London office

The boys' detective license and its source

Tragic Mick's shop

Niko's room

Cameos:

The boys' early relationship and how they've influenced each other

What the boys do together in their downtime as leisure activities

A brief in-character skit of an ordinary day at the office

Tidbits about the characters that didn't make it into the show

Input in developing Edwin as a character and suggested changes

Color Symbolism:

Red

Blue

Pink

Green

Green (alt)

Purple

Orange

Brown

Black

White

[saytrrose]

A post that Freakshow Au + Sm-Baby Fans NEED TO HEAR. READ IT.

—————

I cannot stand the people on tumblr in Mushys comments accusing her of so many horrible things. People have been stating that Mushy has been drawing “non-con” and supporting “abuse”. I will not go into too much detail on how it is affecting her and why but it is incredibly overwhelming for her, and she is not comfortable posting for the time being- and you people are making it hard for her to enjoy it anymore.

Mushy is portraying the au and characters how they would canonly work and that does not make her a bad person. The large amount of people trying to say that she has been drawing non-con of the late absolutely SICKENS me. You clearly do not have any understanding for that terminology and should not be throwing it around. Maybe if people paid attention to the au, the lore and how they are characterized you would come to the conclusion that NO ONE WANTS TO BE IN THE FREAKSHOW AU.

If you need a reminder of the definition, The TADC Freakshow Au is an Au where a horrible virus infects the Ai and twists their reality into a horror mindscape. THIS IS NOT CAINE OR ABLES FAULT. Caine and Able ARE AI. They are corrupted by the virus unwillingly and what Able puts Pomni through in the Able-Owned Pomni Au is yes, considered psychological abuse. HOWEVER why in gods name would you assume she supports that shit? Do you people just assume whenever someone draws a death scene they support murder?? or when someone depicts a scene of an animal getting hurt in a fanfic or movie that director/writer supports animal abuse?? Does that seriously go through your head?

EVERYONE in the Freakshow au in under some sort of psychological abuse- HELL in the original show they are. Like did you even watch it? And back to Freakshow, it’s a HORROR AU. People are killed left and right and no one seems to have a problem with that hm? THIS IS FICTION. PEOPLE NEED TO LEARN THE DIFFERENCE BETWEEN FICTION AND REALITY BECAUSE WHEN YOU DO NOT DO SO YOU HURT PEOPLE IN REAL LIFE. Not the people producing fictional content, YOU.

People are quite literally, harassing Mushy right now and it is heartbreaking to see my friend experience this. If you do not like certain content that Mushy creates, BLOCK her or BLOCK her tags. People asking for her to tag her art with “abuse” makes her highly uncomfortable. If you do not like this, simply take responsibility for your own viewing and stop interacting.

People need to stop assuming that Mushy is also not trying to find comfort in drawing certain topics. You people need to stop assuming that Mushy lives some sort of cheery happy go lucky life. She experiences a lot, she is going through A LOT right now and you people dog piling these accusations onto her is not only just disrespectful as a person in general, but as her follower. It is truly just disappointing to see just how rude people can be when they are supposed to be your biggest supporters.

A tag MIGHT be arranged, something as simple as “Able-Owned Au” and if this is done then block it. It is that easy. It is so so easy and simple to take initiative for yourself and what you see and how you feel about it by limiting it on your own end than going out of your way to make someone feel horrible about themselves.

Mushys blog is HER blog. She can draw whatever she would like to and if anyone has an issue with this you can very kindly, FUCK OFF. The block button exists, use it. The block tags method exists, use it.

Stop harassing creators.

[ayeforscotland]

AI advocates frustrate the hell out of me, because of their singleminded insistence that AI is solely a good thing and that everyone should adopt it and stop whining about it.

Like they just outright do not give a damn about the very real CONSEQUENCES, like the loss of jobs, the theft of other people's work to feed the egos of a bunch of wannabe grifters, the increasingly blurry lines between fact and fiction that is being created by these fake images... It's all "ME ME ME fuck anyone who isn't me, go back to McDonalds if you're an artist or someone who gets in the way of my instant gratification!"

Yeah, I mean that anon was obviously written as a wind up but nice to have someone playing that role so it can be rebutted properly. Before it was 'big data' then it was 'blockchain' then it was 'NFTs' then it was 'the Metaverse' now its 'Gen AI'. It's all just hype for hype's sake, and they don't really care about the social implications of any of it.

Hence why none of the 'pros' of AI are about making the world a better place, they want everyone to be able to generate their own movies with a few key words which is honestly boring as shit.

[artist-issues]

BAM SURPRISE you are the head writer at Disney or whatever (the entire corporation for all their companies and movies, not just Disney animated) for one week and anything that you do during that time cannot be changed/altered later. What are you doing

Oh geez

Okay, besides torching all the sin-affirming stuff they do—

I would mandate that no more Live Action Remakes be made. Like, ever. I would cancel all upcoming sequels. I would force only Walt Disney Animation Studios and Pixar Studios to work on new animated films coming out—no utilizing the studio in Vancouver or outsourcing the work to AI or Japan or anywhere outside the U.S.

I would do that in the hopes that the animators who understand our specific culture would be forced to meet the challenges posed by new projects, instead of taking computer-generated-AI shortcuts to solving hard-art problems. And, when they make a movie that takes inspiration from other cultures, it forces them to learn about those cultures, themselves. Then, when they make movies, their unique American-in-Fill-in-the-Blank-Culture perspective adds depth, flavor, and my favorite thing, earnestness, to the design of the movie.

Next! I would hire Chris Sanders back. I would pay him literally anything he wanted. Probably by selling all our holdings in Marvel, because Marvel is dead as a doornail.

With that cash flow I would also LOWER THE PRICES TO GET INTO DISNEY WORLD AND DISNEY LAND. The prices get lowered. I don’t care. I don’t care. I don’t care if the whole company goes belly-up because I did that; I would drop the prices considerably to get into the parks. And to get Resort Packages. And then I’m jacking up the prices for the overseas parks.

Know what else I would do? Fix the Yeti in Expedition Everest, add the Hatbox Ghost into the Haunted Mansion, and blitz social media telling everyone about it. While I’m there I’ll make a post about how we’re destroying Genie+ and the Lightning Lanes. Utterly gone. Nobody gets to purchase cut-in-line time slots. Everybody waits in line together. Because guess what, forcing the normal-people line to completely halt while you let traffic from the gave-up-my-firstborn-to-purchase-a-faster-line-experience line go first every three minutes is CAUSING the wait times FOR BOTH to get LONGER, tricking people into purchasing “faster” line experiences that are actually still horrifyingly slow, and ruining the already-overpriced day for everybody involved.

Ahem.

Meanwhile, we’re getting that money back, because I’m putting Chris Sanders on a brand new project; he’s going to pitch me two ideas. One idea is all his own, it can be anything he wants. The other has to be an adaptation of The Firebird fairy tale. But he can be as liberal as he wants with the details, like he was for Beauty & the Beast.

He gets to direct his own, obviously, but since directing two projects would be really hard, I would bring in Roger Allen and Rob Minkoff to handle The Firebird.

Once we have the money, I’m funding four new projects in Disney World. The first is, Pizza Planet is becoming the new restaurant at Disney Springs.

The second is, the Rock n Rollercoaster is getting replaced by Phineas & Ferb’s coaster—just in time for the new season to come out on Disney+!

The third is; Avatar: The Way of Water-themed Resort which connects to the park, but guests may only cross over into the theme park during special After-Hours, when regular guests have had to leave because it’s closed. But it would be over the water, and have its own water park.

There are those indestructible glass windows making holes in the floor and the sides, and the rooms are all suspended over real water (with carefully-constructed foliage so that even though it feels open to the air like in the movie you actually have complete privacy, nobody can see into the rooms. And we’ll add curtains for the faint of heart, whatever) The windows in the floor double as screens which you can turn off or on; if the screens are on, a randomized animated loop fools the eye so that every once in a while, Avatar characters and marine life swim by or interact with guests.

Fourth thing in Disney World: additions to all the lands they’ve hobbled together in the last twenty years.

For example, New Fantasyland gets a Tangled ride where you’re following Rapunzel’s hair trail through the environments of the movie, and you and Flynn Rider are trying to catch up to her; but at certain crossroads the people in the vehicle can choose between multiple paths for your ride vehicle to travel down. This way, you and your party can be racing one another, so there’s an element of competition like there is in Buzz Lightyear Space Ranger Spin.

Also! Galaxy’s Edge gets walk-around droids, two new hangout-style open-air restaurants, and an elaborate playground area made up of of nets, rope courses, and simple alien animatronics like you’re exploring a Resistance Base that was constructed by Ewoks.

Dinoland U.S.A. Is scrapped (except for the Dinosur Ride which is relocated) to make room for The Pridelands. You heard me. You thought I was going to say Zootopia, but no, that’s not jungly enough for Animal Kingdom.

The Pridelands has another the-most-elaborate-playground-in-the-world section, which is huge and sprawly, and full of things like fake tunnels which connect to the hollow skulls of elephants in an elephant-graveyard section, with screens made to look like windows that peer down into the geyser-bubbling lair of Scar. And of course there’s a Pride Rock, but it’s made like Rapunzel’s tower, so it looks far away in perspective, and occasionally an animatronic Zazu hops out onto the ledge, looks around, and hops away, or Simba prowls out, roars, and backs up out of sight again. Like a giant incredible cuckoo clock.

There are three rides to start with. One is a zany Timon-and-Pumbaa ride/game where you’re basically doing the Space-Ranger-Spin thing, looking for grubs. Another is a rollercoaster called “Escape the Stampede” and you’re basically hurtling along as if you’re galloping just ahead of the wildebeest in the gorge.

The third is a walkthrough of the events of the film, but with Avatar-level-advanced animatronics and hyenas come lurching out from behind things to snap at you.

The Pridelands has two restaurants; one is counter-service and it’s called “Timon & Pumbaa’s Grub Hub” and it’s all pasta bars, and Mac-n-cheese, so you can pretend you’re slurping up grubs if you’re a kid. The other is a reservation-only restaurant made to look like the beautiful forest Timon & Pumbaa live in, with built-in waterfall features and a ceiling that changes color and lighting effects to look like a starry sky or a dazzling sunrise depending on the time of day. It’s very atmospheric and the idea is to go on dates there. There’s also live African music.

And we’ll relocate the Festival of the Lion King here, too.

I’d also make a video game that is open-world and online-multiplayer, like Destiny, BUT it’s an elaborate retro-futuristic world with its own story based on Tomorrowland. The story would be impacted by what the players all around the world choose to do in-majority, and I’ll have three or four different routes it can go—but the main thrust of the game’s long, ongoing plot is a metaphor for the hard, passionate work of being innovative versus the dangers of cutting corners to make a profit in the name of “progress.”

For our Live-Action Department, they’re going to be working on a new series of Westerns based loosely on Big Thunder Mountain. It will be a trilogy, and it will star Matt Lanter as the hero, villain-character played by Chris Pratt, and Tim Allen (Tim Allen is Matt Lanter’s estranged father.) When they’re done with that they get to make a Space Mountain movie starring Letitia Wright. That’s what our Live Action Department gets to work on—original dramas based, if anything, on our original theme park attractions that nobody else in the world has.

And for our television studio, Tom Bancroft and his brother Tony are hired to make an animated series called “Escape Schism” and it’s about a young girl who discovers she has the ability to escape her dystopian-future world by jumping through television screens into movies. Each movie is a loose parody of iconic movies in the real world. The catch is, she can only stay in those movie-worlds for one day, and she can only take one object from the movie-world back into the real world after each visit. Other characters include the little brother she’s always trying to protect from the dystopia of their reality, and her older sister who works as a detective for the evil corporation that’s functioning as the government.

It’s lighthearted, it gets great views.

Then I’d hire @doverstar to make a series on Disney+ as a sequel to Lilo & Stitch: the Series. It can be Stitch & Ani.

Then I’d put the guy who did The Lion Guard in charge of Disney Junior, spearheading two new shows—one is a show about Robin Hood and Maid Marion’s life before the events of the animated movie, and the other is an original show called “Gift Shop” and it’s about a gift-shop owner who is actually a fairy godmother, and has to figure out the exact-right gift to give the fairy tale characters who stop by every once in a while. But it’s told from the perspective of her pet owl, Dusty.

Aaaand finally I’d completely destroy the Haunted Mansion movie in favor of a new, three-part television-film, (like the ones they do on SyFy) told from the perspective of the Groundskeeper. In this treatment, a young man named Kyle is terrified of really making the most of his life because of a fear of failure. He made one big mistake and it cost the family their ancestral home when he was a senior in college, and he can’t get over it. He becomes groundskeeper of the Haunted Mansion because of the exorbitant amount of money offered to do the job, thinking it can help him buy back the family house. Instead, he encounters the Hatbox Ghost—who enlists the new Groundskeeper’s help adventuring to break the control Constance Hatchaway has over the 999 Haunts living there. The Hatbox Ghost and she used to be in love. Kyle has to help them solve that in order to free himself from the position as Groundskeeper—but he thinks there’s something the Hatbox Ghost isn’t telling him.

While we’re at it, I’d remake Wish and The Rise of Skywalker. Because nobody can undo what I’m doing but I can undo what they did, right?

[aihoshiino]

putting aside whatever other problems there are or aren't with the OnK ending, I think the one thing that really drives me up the wall is that Aqua never really gets a chance to reconcile or meaningfully make peace with his relationship with Ai... not even necessarily in the sense of like, 'this character tragically died before resolving this issue' way but more like, with the hindsight of how much the Movie Arc was wasting time and panel space, it's frustrating that an arc that SHOULD have been about Aqua and Ruby working through that kind of had four chapters of Ruby, exclusively, making a breakthrough and then never touched on it as an idea again.

Honestly, I don't think you'd need to change much! Even just having Aqua call her 'Mom' or at least properly embracing her as his mother in spirit would have done it, especially since 163 emphasizes Aqua's life being his own, not just the dregs left behind by Gorou's reincarnation. He does refer to her as 'my/our mother' at certain points, but he also calls Kamiki 'my/our father' in contexts that are very clinical and not necessarily positive. So... idk!

Maybe him wanting to call Miyako 'Mom' was supposed to hit on that same sort of beat and I can understand if Aqua simply felt more bonded with and connected to Miyako as his mom since she actually raised him, but if the conclusion of that relationship is just that Aqua never really felt like Ai was his mom, I think that's excessively cruel to Ai and just kind of a letdown. But the way the story kind of dropped the ball on Aqua's posthumous relationship with her was kind of a letdown in general lol, so...

[screamofdespair]

An An Magazine N°2394 (17/04/2024) : Interview with Miyamura Yūko (Kazuha's VA) & Horikawa Ryō (Heiji's VA)

General & Movie 27 (The Million-dollar Pentagram)

[宮村優子 Miyamura Yūko as 遠山 和葉 Tōyama Kazuha]

M.Y : Please, propose to me as soon as possible (laughs).

Can you tell us what you like about Toyama Kazuha ?

Kazuha-chan is a calm and peaceful character who almost never gets involved in incidents or crimes, unlike Heiji. She’s genuinely sweet and cheerful and her love for Heiji is sincere and deep. She’s so fixated on him that she doesn’t realize when other men are interested in her. I think she’s quite popular, though...

Kazuha is a character who speaks Kansai dialect, is Miyamura-san also from Kansai ?

I myself am from Kobe, so i can speak the Kobe dialect, but Kazuha-chan is from Neyagawa in Osaka, and speaks Kansai dialect. Actually, there are various types of Kansai dialect and the one she speaks is a very strong, somewhat classical version of it. I used to hear it a lot when i was a child. I think it's probably the Kansai dialect that my father's generation spoke, and that’s what i have in mind when portraying her.

How do you see the relationship between Heiji and Kazuha ? 

When will these two realize that they have mutual feelings for each other ? (laughs). I really don’t mind about finding a nice romantic setting for their confession... I just want them to confess as soon as possible. I hope they both jump straight to a proposal! (laughs). And honestly, Kazuha-chan seems to be giving off a bit of a resigned vibe lately...

When you heard that Kazuha will appear as a main character in this movie, how did you feel ?

I'm really hoping for some progress in their romance, so please make it happen! (laughs).

What do you like about Heiji ?

First of all, his sparkling eyes when he solves mysteries! Then, how cool he looks when he’s riding his bike. It’s also adorable to see that despite his abilities, he becomes clumsy in the presence of the girl he likes. Heiji also gives us the impression that he comes from a good family. My favorite moment between Heiji and Kazuha is when they are on the bike together, and Heiji says, 'If you let go, I’ll kill you! To me, that felt like a proposal on the level of ‘stay with me forever’.

What advice would you give to the two of them, who aren’t making much progress, as someone with more life experience like you ?

Well... to begin with, i think Heiji should hurry and go greet Kazuha's parents with a greeting like : Please, let me take care of your daughter!

By the way, there’s an episode where Kazuha carries a matching charm with Heiji. Do you have something similar that you carry around, like a charm ? 

I don’t have a charm, but i maintain my peace of mind by looking at pictures of my pet dog on my smartphone. (laughs).

Do you have any thoughts on the relationship between Kazuha and Ran ?

When there is progress in the relationship between Shinichi and Ran in the original work (manga), i'm as happy as if it were my own. Even during the recording sessions the scenes where they support each other's love are really fun and cute. I think there’s something only Kazuha and Ran can understand, like the ‘struggles of falling in love with a detective’. But at the same time, i also wish for Ai Haibara’s happiness. So, i want Dr. Agasa to develop cloning technology that can create multiple Shinichis (laughs). Also, there aren’t enough Conans compared to the crime rate! So i hope they increase the number of Conans as well. If it’s Dr. Agasa, he should definitely be able to do it!

Do you have any memorable moments from the recording sessions of this movie that you’d like to share ? 

Minami Takayama, who voices Conan, is always amazing, and this time was no different, she was incredible as ever. I even took notes, listing what exactly made her performance so impressive. It was just astonishing...

Each character in Conan is very popular. Do you hear such feedback from fans ?

Of course! As a fan myself, i watch the show with my Conan fan friends all the time. Every character is charming, and the story is interesting no matter where you dive in. Sometimes, there are occasional small plot elements, so i can't take my eyes off it from start to finish. Personally, i really enjoy the scenes where Kogoro looks competent, and even though Gin and Vodka don’t appear in this movie, their buddy dynamic is something that i love. Oh, and i was really moved by the relationship between Inspector Nakamori and Kid.

Finally, can you please share the highlights of this year's movie to our readers ?

This time, the culprit and the mystery-solving aspects are very intriguing, but there’s also... Kid’s secret!!! Look forward to it!

[堀川 りょう Horikawa Ryō as 服部 平次 Hattori Heiji]

H.R : I believe there's a certain appeal in things that are not easily achieved (laughs).

Can you tell us what you like about Hattori Heiji ?

First of all, he doesn't back down. Heiji gets really annoyed with people who give in and say things like "it doesent matter." That kind of passion is very much like him, and i like that. By the way, although he is the greatest detective in the West, he becomes a complete failure when it comes to Kazuha-chan. She is his weakness. That’s definitely where to hit him!

Heiji is a character who speaks in Kansai dialect. Horikawa-san is from Kansai, isn't he ?

You know, while portraying Heiji, i sometimes think, ‘nobody talks like that in Kansai these days!’ (laughs). Expressions like 'seyakate,' 'souden ga na,' and 'chaiman ga na' you wouldn’t hear them even if you crossed the street in Kansai these days (laughs). As a high school student, what era is Heiji even from? But well, since it’s fiction, i understand the desire to exaggerate a bit. This time, the story takes place in Hakodate, and the Hokkaido dialect 'waya' is used.

When you heard that Heiji would appear as a main character in this movie, how did you feel ? 

Here we go again! (laughs). I was really excited. Especially because there wasn’t any talk about him being a main character next year. About a year ago, i got a call saying, ‘sorry, we need to record a preview for next year’, and i thought, ‘wait, does that mean... next year?’ ‘Yes, that's right.’ That’s how i found out. I was really happy.

How do you see the relationship between Heiji and Kazuha ?

In the previous movie, ‘The Crimson Love Letter’, Heiji said to Kazuha, 'If you let go... I’ll kill you.' To me, that’s basically a confession. It’s almost equivalent to saying, ‘i love you’, so i think his feelings have been conveyed... But i wonder if they’ve actually reached her. It doesn’t seem like it, does it? (laughs).

What do you like about Kazuha ? 

She often scolds Heiji with some harsh words, but from my perspective, they are just messing around like a married couple's quarrel. I’m always like, ‘oh, they’re at it again’. But actually, i don't mind being scolded like that, as does Heiji. During the recording sessions, i often think, ‘she’s so cute’. Honestly, i wouldn’t mind if she scolded him a bit more… (laughs).

What advice would you give to the two of them, who aren’t making much progress, as someone with more life experience like you ?

I think their feelings have already been conveyed, so isn’t that enough ? (laughs). Of course, i’d love for them to finally get together, but that slow progress seems so typical of Heiji and Kazuha, don’t you think? (laughs).

Do you have any memorable moments from the recording sessions of this movie that you’d like to share ?

There’s a scene where my character has to fight an opponent in an unbelievable location, something that could only happen in an anime. It’s a completely unrealistic situation, but the characters are fighting with all their might. So, as voice actors, we have to give the same level of effort to make it work. That particular scene left me really exhausted during the recording sessions. But that’s exactly what made it so entertaining. Being able to immerse yourself in the role to the point where it feels like you’re stepping into the picture is one of the best parts of this job. The feeling of accomplishment and the exhaustion afterward were incredibly satisfying.

Each character in Conan is very popular. Do you hear such feedback from fans ? 

Yes��� but it’s a bit embarrassing (laughs). Well, there’s no denying that all the characters are really cool. But if people feel that the appeal comes not just from the way they look, but also from the acting, i think it’s because all the actors aren’t trying to ‘be cool’. We’re just giving it our all. I truly believe that fully committing to the role is what makes it come off as cool.

Finally, can you please share the highlights of this year's movie to our readers ?

When it comes to Heiji, it's not only about his feelings for Kazuha but also his dedication to pursuing the truth. I hope the readers can truly appreciate this admirable aspect of his character. There’s plenty of entertainment too, such as Conan-kun’s skateboard sequences, but also more profound emotions and nuances of life that adults will relate to, alongside the action and mystery-solving. This film is packed with so many elements that i recommend watching it at least three times (laughs). You really can’t catch everything in one viewing. Personally, i watch any movie at least three times!

Note : The translation might not be the most accurate word-for-word, but i did my best to make it coherent.

[boreal-sea]

So something I realized watching a few videos and reading a few articles is that most of us aren’t angry at the idea of AI in general. Many of us are excited to learn about AI systems that can identify cancer better than doctors, for instance.

What we’re angry about is generative AI being used to destroy the jobs of artists (and I mean all creatives here), who have already been dealing with their work being devalued by modern society.

And I’m not sure how to deal with it. I do remember learning that when photography became a thing, many painters were horrified and terrified of would erase the art of painting. It didn’t obviously, and in fact photography because a whole new art form.

I grew up during the birth of digital art. I distinctly remember the phase digital art went through where many people declared it to not be “real art” and that it was “cheating” etc. I’m sure other millennial artists also remember this transition. But graphic designers pretty quickly adopted digital tools, and websites like DeviantArt popped up, and I don’t think there are too many people nowadays who would say a digital painting isn’t “art”. Still, I do imagine there is a gulf between how some people would view the “artistic merit” of a 3 ft tall oil painting hanging next to a 3 ft tall print of a digital painting, even if the subject and styles were similar. So the worries that digital art would erase physical painting was also proven false. And for the record, I think digital art is 100% art. The merit of digital art is equal to that of physical art.

On the other hand, I can’t say these changes didn’t affect older forms of art. Like, photography did affect the world of painting. I don’t have statistics, but it seems like it probably affected the world of portraiture the most. And I wonder if many of the 20th century art movements were influenced by photography. None of my art history classes touched on that and it’s kinda weird to me. There is definitely something about a Dada or cubism or surrealist painting that transcends beyond what a traditional photo of a landscape or a portrait can do. There is no location in the real world with actual melting clocks or people whose faces show multiple angles at once.

And then there was the digital photograph that changed everything again! Film has become a niche art form.

There were specific kinds of jobs lost due to the digital transition, too. I’m thinking of things like murals being replaced by printed banners, or book covers often being done in photoshop. Oh, and that’s another tool that was faced with fear: Photoshop! There was a fear it would destroy the need for professional photographers because everyone could just fix their own photos. Turns out nope, and in fact people skilled in photography and photo editing are still in demand. And of course there’s the loss of 2D animation in favor of 3D animation, the loss of practical effects for digital, etc.

And you might argue that in some of those cases people can tell corners are being cut and that they won’t stand for it, but Marvel movies still make billions of dollars so…

So I don’t know what’s going to happen with AI art. I am NOT saying “all current artists are stupid and wrong, in the future history students will laugh at how stubborn they were to resist this idea”. AI art is not comparable to photography or digital painting.

With a photograph, you still need to compose the image in the frame, you need to position yourself in the real world, you need to know your equipment, whether you’re using film or digital. You also need to know how to process that photo either in the dark room or in Photoshop. These are skills the average person does not have. You cannot tell an AI “that shot was good but can you increase the contrast?” It’ll just produce a completely new image.

I read an article about an art director who was encountering difficulties as the department tried to incorporate AI. They got back first drafts of art ideas from the people employed to work with the AI, gave critique, and the second round was just completely new images that didn’t include the suggestions… because they couldn’t. AI does not understand color theory. It does not have the ability to take critique. It can’t slightly alter the layout of a design.

And all of that applies to painting too. AI (currently) can’t do what a trained art student can do. It doesn’t know that to create a sense of atmosphere you should make distant objects bluer. It doesn’t know how to use human physiology and psychology to draw a viewer’s eyes across a large painting to reveal a story.

AI also can’t replicate INTENTION - and intentionality is a HUGE part of art. WHY an artist chose those colors, that medium, that composition, those tools, why they chose to display it a certain way, why the composition is like this instead of that - all of that adds meaning to the painting that you can’t get with AI.

(Yes, there is an absolutely valid field of art critique that evaluates a piece of art on its standalone value and the message it conveys without the context of the artist’s intent, but that should be compared to the analysis that DOES include the artist’s intent! That comparison can bring about so much understanding!)

Anyway I’m going to end this post now because it has gotten WAY too long. I focused mostly on painting and photography in this post because those are my particular fields of speciality, but this applies to ALL ART. It applies to music and writing and scripting and acting and composing music and just. Everything. All art.

I don’t think there are any forms of art AI doesn’t threaten. Now granted, AI can’t currently pick up a paint brush. It can’t use a crochet needle. It can’t hold a camera. And maybe there will be some sort of return to physical media in response to AI produced digital art. Or maybe there will be a response in digital art to stylistically distinguish it from AI in a way AI can’t reproduce. I’m not sure what will happen. Maybe some proof the image was digitally painted by a real person, somehow. Or that it’s a real photo, or a real article. I saw someone mention there may end up being labels like “100% human made” like we do for organic food lol. Maybe work in progress videos or photo metadata will become more commonplace as evidence of authenticity.

Anyway, NOW I’m ending this post. Whew.

[morlock-holmes]

What objections would you actually accept to AI?

Roughly in order of urgency, at least in my opinion:

Problem 1: Curation

The large tech monopolies have essentially abandoned curation and are raking in the dough by monetizing the process of showing you crap you don't want.

The YouTube content farm; the Steam asset flip; SEO spam; drop-shipped crap on Etsy and Amazon.

AI makes these pernicious, user hostile practices even easier.

Problem 2: Economic disruption

This has a bunch of aspects, but key to me is that *all* automation threatens people who have built a living on doing work. If previously difficult, high skill work suddenly becomes low skill, this is economically threatening to the high skill workers. Key to me is that this is true of *all* work, independent of whether the work is drudgery or deeply fulfilling. Go automate an Amazon fulfillment center and the employees will not be thanking you.

There's also just the general threat of existing relationships not accounting for AI, in terms of, like, residuals or whatever.

Problem 3: Opacity

Basically all these AI products are extremely opaque. The companies building them are not at all transparent about the source of their data, how it is used, or how their tools work. Because they view the tools as things they own whose outputs reflect on their company, they mess with the outputs in order to attempt to ensure that the outputs don't reflect badly on their company.

These processes are opaque and not communicated clearly or accurately to end users; in fact, because AI text tools hallucinate, they will happily give you *fake* error messages if you ask why they returned an error.

There's been allegations that Mid journey and Open AI don't comply with European data protection laws, as well.

There is something that does bother me, too, about the use of big data as a profit center. I don't think it's a copyright or theft issue, but it is a fact that these companies are using public data to make a lot of money while being extremely closed off about how exactly they do that. I'm not a huge fan of the closed source model for this stuff when it is so heavily dependent on public data.

Problem 4: Environmental maybe? Related to problem 3, it's just not too clear what kind of impact all this AI stuff is having in terms of power costs. Honestly it all kind of does something, so I'm not hugely concerned, but I do kind of privately think that in the not too distant future a lot of these companies will stop spending money on enormous server farms just so that internet randos can try to get Chat-GPT to write porn.

Problem 5: They kind of don't work

Text programs frequently make stuff up. Actually, a friend pointed out to me that, in pulp scifi, robots will often say something like, "There is an 80% chance the guards will spot you!"

If you point one of those AI assistants at something, and ask them what it is, a lot of times they just confidently say the wrong thing. This same friend pointed out that, under the hood, the image recognition software is working with probabilities. But I saw lots of videos of the Rabbit AI assistant thing confidently being completely wrong about what it was looking at.

Chat-GPT hallucinates. Image generators are unable to consistently produce the same character and it's actually pretty difficult and unintuitive to produce a specific image, rather than a generic one.

This may be fixed in the near future or it might not, I have no idea.

Problem 6: Kinetic sameness.

One of the subtle changes of the last century is that more and more of what we do in life is look at a screen, while either sitting or standing, and making a series of small hand gestures. The process of writing, of producing an image, of getting from place to place are converging on a single physical act. As Marshall Macluhan pointed out, driving a car is very similar to watching TV, and making a movie is now very similar, as a set of physical movements, to watching one.

There is something vaguely unsatisfying about this.

Related, perhaps only in the sense of being extremely vague, is a sense that we may soon be mediating all, or at least many, of our conversations through AI tools. Have it punch up that email when you're too tired to write clearly. There is something I find disturbing about the idea of communication being constantly edited and punched up by a series of unrelated middlemen, *especially* in the current climate, where said middlemen are large impersonal monopolies who are dedicated to opaque, user hostile practices.

Given all of the above, it is baffling and sometimes infuriating to me that the two most popular arguments against AI boil down to "Transformative works are theft and we need to restrict fair use even more!" and "It's bad to use technology to make art, technology is only for boring things!"

[trash-king18]

miggy hc’s

sorry for the delay on pt. 9 my loves. i just moved and things are a little hectic but here’s some head cannons i had written for mig (sfw and nsfw) pt. 9 should be up tmr or wednesday<3

————

i feel like he’d absolutely convince you to get your nails done and pay for it too just so you could play with his hair and rub his back with them because he’s literally a sucker for it. like he’d be embarrassed about it at first and deny it but he’d be purring at your touch.. like literally though bc he’s half spider 

hear me out: on the lowest of keys miguel is kinda autism coded. LISTEN listen listen… the agitation, the sensory issues from heightened senses, the rigidity, the strong sense of justice, the need for seeking patterns to make sense of things that have happened, a fucking genius, (has a literal fucking rage meltdown in the movie) and would absolutely end up with an adhd golden retriever energy gf (partner if ur queer bc duh) 

would definitely think bigotry in general is “unintelligent and barbaric” homophobia especially and would defend any and all spider kids from bigots (let’s face it they’re all at least bi) even though he’s a grump he’d protect them. 

his love language is acts of service and physical touch

he likes to stay busy, even though you coax him into relaxing more, physically maybe not so much since hes always fighting bad guys…(or fucking you) but mentally. he’s reading, or watching documentaries, playing chess (he definitely programmed an ai himself that would be near impossible to beat just for the challenge and like analyzed the worlds best players. and just because i think it’s cute, you definitely introduced him to like a childish animated puzzle game on your phone that he insisted was stupid but then you wake up to find he stole your phone to play it at night. definitely gets frustrated with it and you make fun of him “it’s harder than it looks ok” 

when miguel started acting softer towards you lyla would tease him about it every chance and try to embarrass him in front of you 

if you are latina and(or) have curly hair like me i can see him getting all pouty when you straighten it. he’d tell you, you look gorgeous of course “you always do” but i feel as a latino he would just think your natural hair is absolutely gorgeous (curly or coily) 

when he comes out with you, if he does, he just holds stuff and watches over you. he will never initiate pda but he certainly doesn’t mind if you cling to him in front of all the people watching. unless you’re at work “reputations” and all that 

he’s not a dancer(but he’s extremely good at it)… unless maybe you’re walking down a shadowed street where there aren’t many people and there’s latin music he might be tempted to pull you into him to dance a little salsa or just feel your hips move when no one’s looking 

dates are more quiet, private, and thoughtful settings. 

is 100 percent not a morning person. blackout curtains and no alarms and while he will stay up all night working or wake up at the ass crack of dawn for missions he will bitch and moan about everything when you try to wake him up when he doesn’t have work and he is a pouting sulking grump when you do 

food. this man is always fucking hungry. but he cooks his own food or doesn’t eat at all and is as much a control freak in the kitchen as he is at work. and it takes you forever to convince him to let you cook, even though you’re perfectly good at it and better at certain things. definitely loves making you taste things as he cooks even when he’s made it before 

every time you pass a “mexican” place unless it’s actually authentic he’ll mutter under his voice cursing them saying they’re ruining his culture (they are). just imagine him driving/swinging past a california tortilla and rolling his eyes and scoffing 

miguel’s nightmares wake him up in a cold sweat more often then he’d care to admit. and as a light sleeper you are almost always already up stroking his face and hair and on the rare occasion you aren’t he’ll just pull you on top of him to feel and watch you instinctively cuddle into him. 

when you’re home you are glued to his side. he’s the: keep you on the kitchen counter while he cooks, shower together, literally tangle your bodies together in bed or on the couch, type of man. but his time away on missions which is frequent, gave you some breathing room. because as much as he’d presumably be the distant one he’s got domestic instincts like no other. he gets enough action at work that he’s definitely a homebody once you coax him into overworking himself less.

————

nsfw

2 word’s: cock. warming. any chance he gets to get himself inside you he takes, or he makes them. he is obsessed with the idea of making a permanent imprint of himself in your pussy and he 100 percent loves belly bulge. cuddling or working from home? you’re on his lap preferably in one of his shirts with his dick stuffed inside you. sleeping? probably ended up pulling your leg over his and (consensually!) slipping himself into your hole. one the rare occasion you sleep later than he does he’ll wake you up by lazily rutting into you. 

2 more words: panty ruin-er. and that’s all 

i don’t know exactly how to explain this one.. but he’s got a pretty dick. you can tell his hygiene is very good and he’s particular about everything and that goes for down there too.. but it’s just pretty. (idk if y’all know what i mean but sometimes you just see one and it just- idek the girls that get it, get it) 

he’s got an oral fixation and don’t tell me he doesn’t. mans a munch but he’s also perfectly satisfied to kiss, nip, lick, and suck at any other part of you. 

imo, he’s really not subby or even on the bottom he likes to be the one in control even the times where all he’s really doing is giving you everything you ask for. but dont assume that means he doesn’t absolutely love watching you ride him or give him head/hj. and when hes cranky he will sheepishly ask you for it almost like he’s embarrassed about being needy (he 100 percent is and you make fun of him for it all the time… after you fuck his soul out of course) 

he HATES being teased. give it but can’t take it. but the reason he doesn’t is because he will whimper a little and he would never hear the end of it. 

more than once he’s stopped you sucking his dick to pull you up purely to cum in you instead of your mouth (sorry bro man has a breeding kink i don’t know what to tell you) “wouldn’t want to waste that would we” 

the only thing that really truly makes him blush is when you grab/slap/poke his ass and you do it just for that reason and he will chase you around the house yelling at you(mostly playfully) after 

if you grind on him he’s usually pretty quick to try and just fuck you instead. because when you do you’ll start kissing his jaw and his neck just rubbing yourself on his bulge or his thigh and suddenly the thought and sight of you getting off just from that is enough to push back any thoughts of embarrassment at the sounds that leave his throat and he doesn’t like loosing control but he can’t help it with you 

i feel like if he found you touching yourself he would immediately worry it was because he wasn’t taking care of you well enough and ask what you wanted but you’d just laugh and tell him it was simply because you got wound up and impatient thinking about him. 

he can never finger you if he’s already wound up because.. claws 

as gentle and caring as he can be he still loves to overstimulate you. the aftercare is amazing but he will fuck as many orgasms out of you as he wants. sometimes he just can’t think straight until he gets to. 

————

taglist:

@urmotherswhor3 @marcswife21 @l3laze @kirke-is-my-name @rexxesgirl @simp4miguell @urmomisafinewoman @dammittjanet

[fandombingo]

Fandom Bingo: The Martian

For July, we're heading into space with Martian Bingo! I read the The Martian and watched the movie several years ago and recently got hooked back into it. I still like it just as much, so I figured I might as well do something useful with my obsession while it's there. If you haven't read or watched it, I definitely recommend giving it a try.

But as per usual, this event is multifandom, so you don't need to know the source material, and you can sign up no matter what fandom you want to write for.

**Signups here! Open until August 5th.**

General Rules:

You can interpret the prompts any way you want. If you think it fits, then it fits. All prompts, including the quotes, can just be used as inspiration or a general fit, no need to actually include them word for word in the fanwork, and tenses and pronouns can be swapped accordingly.

You can combine multiple prompts in one fanwork.

Each submitted fanwork should be new and complete, but it can be a standalone, part of a series, or one chapter of a multi-chaptered fic.

This bingo is primarily geared towards fanfic, but any medium is fine if you feel you can do it.

For fanfic, the minimum is 100 words with no maximum.

You can use fanworks submitted for this event for other events as well, so long as it’s okay with the other side too.

While signups are only open for a month, there is no time limit for completing a card.

This round's bingo only offers 3x3 cards. Everyone can sign up for a maximum of FOUR cards (please send in one form per card).

After submitting a form, please give me up to a week to reply with your card.

All content and ratings are allowed but please tag everything appropriately, especially if there’s trigger-warning content.

Please be respectful of each other. If you see content tags you don’t like, just scroll past and move on.

All fanworks must be your own creation. No plagiarism. No AI-generated works.

To Finish a Card:

Get a bingo! This can be: 🪐 1 horizontal row 🪐 🪐 1 vertical column 🪐 🪐 1 diagonal line 🪐 🪐 2 diagonal lines 🪐 🪐 or a blackout 🪐

Fill out the completion form (1 form/card).

When Posting:

You can post your fanworks to this AO3 collection here.

If you make a Tumblr post for your fanwork, remember to ping @fandombingo and tag #MartianBingo so I can reblog it.

On your post, please clearly indicate the Fandom, Prompt(s), Rating, and Tag(s)/Content Warning(s).

If you have any other questions, don't hesitate to send in an ask!

[zais-zafu]

my simple manifesting "routine"

it's v automatic & random cos that's how I like it

state: I remind myself of the fact that I have it all through acting/thinking like "her" and rampaging whenever I feel like it to boost my self esteem

reminders: I have a minutely reminder that manifesting is instant and hourly reminders for self love, not doubting myself, taking care of myself, celebrating the present moment (ngl this all you need – it will be embarrassing for others to see at first but you will get used to it)

visualisation: I like daydreaming (was a maladaptive daydreamer) so I try to always consciously choose what to imagine when my mind wants to daydream (usually happens before sleeping)

vision boards: I do quarter planning and I create a vision board by the end of it, I keep it anywhere i could see it – wallpapers, chrome bg, etc. I'm thinking of employing visual subs into it (if u have experience with that please lmk !)

affirming: I have this setting on my phone that as soon as I unlock it, it launches my counter app & I do 10 sets of affirmations in wtv language/pov I feel like (switching the language/pov helps me a lot) + I affirm whenever I feel like it

subliminals & tapes: I recently started making my own subs and tapes (ima start to critically examine the submakers I follow too...), anywho ! I play subs and tapes whenever I feel like it, my earbuds are stuck to my ears 24/7 & I got yt premium for better access >:)

mediation & hypnosis: I meditate whenever I feel like it (used to do it once a day), I might sit in silence, play some frequencies/subs, do a guided meditation, or opt for a hypnosis if I wanna go for long and deeper.

journaling/scripting: can't believe I almost forgot about this, but I script every evening to work my self concept, practice gratitude, and visualise my ideal life/scenarios.

rampages: so I sometimes do mirror work or talk to ai chatbots in order to vaunt in the morning and evening+ whenever I need it.

prayer: so I'm muslim & I like using prayer & religion in general as a way to regulate my nervous system + to manifest! I don't have anything specific I do outside of the regular islamic teachings.

media: I like using movies, books, music, etc. to get in the mood, raise my self concept, and also normalise my desires & take them off the pedestal.

lmk what u think of it and any cool/unconventional techniques you use !!

[sag-dab-sar]

Clarification: Generative AI does not equal all AI

💭 "Artificial Intelligence"

AI is machine learning, deep learning, natural language processing, and more that I'm not smart enough to know. It can be extremely useful in many different fields and technologies. One of my information & emergency management courses described the usage of AI as being a "human centaur". Part human part machine; meaning AI can assist in all the things we already do and supplement our work by doing what we can't.

💭 Examples of AI Benefits

AI can help advance things in all sorts of fields, here are some examples:

Emergency Healthcare & Disaster Risk X

Disaster Response X

Crisis Resilience Management X

Medical Imaging Technology X

Commercial Flying X

Air Traffic Control X

Railroad Transportation X

Ship Transportation X

Geology X

Water Conservation X

Can AI technology be used maliciously? Yeh. Thats a matter of developing ethics and working to teach people how to see red flags just like people see red flags in already existing technology.

AI isn't evil. Its not the insane sentient shit that wants to kill us in movies. And it is not synonymous with generative AI.

💭 Generative AI

Generative AI does use these technologies, but it uses them unethically. Its scraps data from all art, all writing, all videos, all games, all audio anything it's developers give it access to WITHOUT PERMISSION, which is basically free reign over the internet. Sometimes with certain restrictions, often generative AI engineers—who CAN choose to exclude things—may exclude extremist sites or explicit materials usually using black lists.

AI can create images of real individuals without permission, including revenge porn. Create music using someones voice without their permission and then sell that music. It can spread disinformation faster than it can be fact checked, and create false evidence that our court systems are not ready to handle.

AI bros eat it up without question: "it makes art more accessible" , "it'll make entertainment production cheaper" , "its the future, evolve!!!"

💭 AI is not similar to human thinking

When faced with the argument "a human didn't make it" the come back is "AI learns based on already existing information, which is exactly what humans do when producing art! We ALSO learn from others and see thousands of other artworks"

Lets make something clear: generative AI isn't making anything original. It is true that human beings process all the information we come across. We observe that information, learn from it, process it then ADD our own understanding of the world, our unique lived experiences. Through that information collection, understanding, and our own personalities we then create new original things.

💭 Generative AI doesn't create things: it mimics things

Take an analogy:

Consider an infant unable to talk but old enough to engage with their caregivers, some point in between 6-8 months old.

Mom: a bird flaps its wings to fly!!! *makes a flapping motion with arm and hands*

Infant: *giggles and makes a flapping motion with arms and hands*

The infant does not understand what a bird is, what wings are, or the concept of flight. But she still fully mimicked the flapping of the hands and arms because her mother did it first to show her. She doesn't cognitively understand what on earth any of it means, but she was still able to do it.

In the same way, generative AI is the infant that copies what humans have done— mimicry. Without understanding anything about the works it has stolen.

Its not original, it doesn't have a world view, it doesn't understand emotions that go into the different work it is stealing, it's creations have no meaning, it doesn't have any motivation to create things it only does so because it was told to.

Why read a book someone isn't even bothered to write?

Related videos I find worth a watch

ChatGPT's Huge Problem by Kyle Hill (we don't understand how AI works)

Criticism of Shadiversity's "AI Love Letter" by DeviantRahll

AI Is Ruining the Internet by Drew Gooden

AI vs The Law by Legal Eagle (AI & US Copyright)

AI Voices by Tyler Chou (Short, flash warning)

Dead Internet Theory by Kyle Hill

-Dyslexia, not audio proof read-

[superslavemannn]

The Nuclear Apocalypse of Superman: Book 1 (Chap. 1)

Hi guys. This is my first time updating a novel on Tumblr, a long fan fiction about Superman and his tragic but arousing experiences. It’s a very long story, and I plan to tell it in at least three books. The first book (which has 12 chapters) is already complete, and the second book is currently in the works. Starting this week, I will be updating a version with images every Friday on Tumblr. I hope you enjoy it!

Disclaimer: This is a reimagined fan fiction of the movie Superman IV: The Quest for Peace. While most main characters from the film are retained, the entire plot has been reimagined to suit the nature of this work. It is an erotic fan fiction intended for mature readers, featuring male/male relationships and explicit content. This work is non-commercial. In this story, most of the images are derived from movie. I have tried to use photos from the Reeve Superman movies to maintain authenticity, but there are also some high-quality AI-generated images. I do not own these images.

*You can share or repost but please credit @superslaveman on Tumblr or X :)

Acknowledgments: I’d like to express my gratitude to Rick Henry, author of The Extermination of Superman, and @vincentzeal, author of Superman vs. the Vice Lord. Their writing and body of work have been a significant source of inspiration. Special thanks to Drake Grant for his ideas and help in revising the story.

Chapter 1: An Ominous Dream

Thousands of miles from any place humans could reach, a massive crystalline, pyramid-shaped structure stands in solitude on a vast ice sheet. Surrounded by towering snow-covered mountains that shield it from the blizzards raging in every direction, this immense crystal formation has remained untouched and unknown for years, at least as far as we're aware. Its flawless triangular shape makes it clear that it was not built by human hands. Hundreds of conical crystals, each about 5 meters wide and 40 meters tall, rise from the ground, forming a shell-like wall around the structure. They reflect sunlight and the icy glow of snow and icicles, gleaming like diamonds on a frozen crown.

It's a shame that no man on earth had the chance to appreciate the beauty of it except…

''Agggggh… Hmmm…''

A wet, echoing moan filled the empty crystal palace. The crystal walls reflected a distorted, writhing figure in blurry red and blue, shifting like a kaleidoscope, moving up and down in sync with the rhythm of the moans.

Oh, there he was. A towering 6'4'' man, built like a statue of pure muscle, lay sprawled on a massive crystal bed draped in silver silk sheets. Every inch of his overly manly physique was wrapped in a skintight royal blue spandex suit that stretched from his neck to his toes, emblazoned with the iconic ''S'' symbol on his broad chest. His body radiated power—the fabric clings to him so tightly it outlines every ripple of his chiseled muscles. His chest rises like two sculpted slabs of marble. But not like those steroid-addicted bodybuilders, they are pumped and firm, but still somehow gave you a cuddly and warm feeling. With the spandex clinging so tightly on his chest, even the subtle outline of his firm, two cute nipples were visible beneath the fabric. They sat perfectly cantered on his broad pecs, adding a surprising softness to his otherwise overwhelmingly powerful physique.

His arms were nothing short of awe-inspiring, thick, vascular biceps bulge with raw strength. His thighs were strong, solid, and brimming with power, the spandex stretching over them like a second skin, tracing every contour of his sculpted quads and hamstrings. A pair of glossy, bright red leather boots gripped his calves, ankles, and feet with such precision that even the arch of his soles was visible through the smooth, form-fitting material.

And his red cape. It bunched beneath him, highlighting the sheen of his blue suit and the bulging muscles beneath, a perfect contrast to the crystalline surroundings.

As the crystal walls let the refraction of daylights go inside, a trace of nearly white reflection of polar sunlight converged on his spandex skin stretching from his chest to his instep but being cut off in the middle by a bright yellow belt and a pair of dazzling red briefs. His red briefs, the symbol of hope, the avatar of the greatest manhood. It looked even more luxurious than the fabric of his blue spandex, so silky that can make people mistaken it was coated with a light layer of lubricating oil, so tight that covered every inch of his majestic crotch and cup his splendid scrotum. However, no matter how hard this piece of fabric tried to hide his assets, all it could do was to outline the contours of a 6-inch-long, 3.5-inch-thick, half soft, half hard, alien shaft and two testicles.

As his strong right hand casually rubbed over the glans of this wondrous pillar-like thing through silky spandex, a smile started to appear on his handsome face. His eyes were closed, sleeping, with his eyelashes gently touching the lower eyelid. Even he had a look of soft angel, no less than a boy Venus, it didn't mean that he doesn't have a tall nose, an angular jaw, and a cleft chin like the Greek demigod Hercules or a golden age Hollywood movie star. When his left hand unconsciously moved above his stunning pecs and brushes over the nipples, the hair curl atop his forehead began to tremble with his body quivering. In the crystal mirror directly above him, the image reflected the greatest and most beautiful creature in the world unapologetically wearing a suit of revealing blue tights and bright briefs, sleeping.

In his dream, the demigod muttered ''I am…Superman ''.

Yes, meet Superman, Kal-El. The man of steel. The big blue boy scout. The last son of Krypton.

What was Superman dreaming of right now? No, let's not disturb his sweet time. We can talk about his dream later.

To be frank, it's not every day you get to see Superman shamelessly pleasuring himself while asleep. For many people, it's easier to imagine Clark Kent as Superman than to imagine Superman doing something so animalistic. But even with the former, it's almost impossible to make any connection with the greatest hero on earth with Clark Kent, a kind, righteous, sometimes bumbling even cringey reporter from Daily Planet in Metropolis. Yes, he wears the tights and boots underneath his daily business suit. Unknown to anyone else, Clark had a peculiar thrill when he slipped on his business suit, knowing the bright, tight spandex of his costume lay hidden beneath. There was something oddly arousal about the contrast—how he, the world's most powerful hero, could walk unnoticed through a crowd as just a clumsy, bumbling reporter. He didn't admit it or he probably never would, but cosplaying that clown-like inept wimp did give him a tingle in his pants. Every time he became a laughingstock in public, that boner hidden under layers of fabric told it all. Besides, the thought that no one had any clue that underneath his dress shirt and tie, he was wearing his iconic red briefs and skin-tight suit gave him a secret rush. The Kryptonian suit is so tight that can press his large genital and cause slight discomfort when he must sit through the whole day typing. But somehow, he didn't mind it at all and loved his daily practice, wearing that overly tight spandex 24/7.

You see, it's the only thing he can have for himself. The sensation from the pressure on his crotch.

Superman rarely gave himself a moment to relax, but that didn't mean he wasn't still Clark Kent at heart. He kept that pure, honest soul of a country boy, always kind and true. Still, even with all his heroics, he couldn't ignore the growing stir of desires and needs inside him. They were there, lurking, waiting for a chance to be acknowledged.

Yes, everyone has their own needs for Superman, but when it comes to the needs of Superman, only he knew how hard he had to fight back. Mind-boggling to the human on earth but common sense to Kryptonians, Superman, same as every male on Krypton, has prolific testicles and a reproduction system that could drive any human insane.

Growing up, Clark Kent often felt like the universe had a cruel sense of humor. On the one hand, his Kryptonian father, Jor-El, had left behind a legacy of impossibly rigid lessons about purity of heart and body—no shortcuts, no indulgences, no exceptions. Clark learned, through countless holographic lectures in the Fortress of Solitude, that his so-called ''Supercum'' (a term he'd begrudgingly coined for himself) was the source of his immense power. Enhanced by the Sun's yellow radiation, it was what made him extraordinary. But there was a terrifying catch: if he ever released it recklessly, he risked losing his abilities—or worse, his life. Self-control wasn't just a virtue; it was survival.

On the other hand, Jonathan Kent, his adoptive dad, was just as strict, always going on about self-control and how heroes had to set the ultimate example, even in private. Back to the time when Clark first discovered his true identity and put on the Superman suit, Jonathan caught him standing in front of the mirror in the middle of night, dressed in his boy scout costume, playing with his young bulge, feeling the touch from his own hands rubbing again his own peephole covered under red fabric. That night, Jonathan froze in the doorway, stunned by what he saw. Clark, overwhelmed by shame and tears, crumpled under the weight of his father's disapproval. Clark's shame was instant and so overwhelming. But it wasn't his father's anger or stern lecture on responsibility that left a scar—it was the look of sheer disappointment and disgust in Jonathan's eyes. That moment, more than anything, etched itself into Clark's memory, shaping his relentless quest to suppress his own humanity for the sake of an impossible ideal.

Since then, he was a deeply broken-hearted man. At nearly 30, Superman had never been in love, never had a romantic partner, and was pretty sure he never would. Over time, Superman's constant effort to suppress his desires slowly turned into something else—narcissism. When he had a moment alone, he'd catch himself admiring his own reflection, spending longer than he'd care to admit running his hands over his sculpted muscles. His physique was a work of art, and in a way, it felt like the only thing he could truly connect with. He flexed his arm, he kissed his ''S'' shield, he licked his red shinning boots, and he played his erected alien stick with his firm hands.

This self-admiration gradually grew into something more. He started noticing how drawn he was to other strong, muscular figures same as him—especially the well-built athletes he'd seen in passing. What began as harmless admiration turned into a bit of a lustful crush on strength, muscle, and the young throbbing dicks containing the white creamy substance, which almost took his soul away even he just thought about it. Sure, he'd had his moments of secret voyeurism, flying unseen around the globe, lurking around countless locker rooms and being fascinated by the bodies of college wrestlers, gym enthusiasts, and water polo players. With his X-ray vision, he had a front-row seat to their toned physiques. He'd often linger, curious, watching them without anyone knowing.

Yet, despite his search—across continents and through countless encounters—he never found anyone who could match his own power. No one came close. The yearning for connection, for someone who could understand the weight of his existence, grew more intense with every passing day. But the fear of revealing his desires, of exposing his vulnerability, kept him locked in isolation, trapped between his overwhelming need for companionship and the overwhelming responsibility of defending justice and hope as he carried as Superman.

Over time, Superman's deep ache of desire slowly transformed into something darker, more twisted, and increasingly dangerous.

It was almost like the vision haunting him now in his dream: a thick steel necklace that caught the light in an unsettling, cold way, with a green alien stone attached to it, glowing with an eerie, ominous fluorescence.

Kryptonite.

It was a gift he would never forget. Nearly three years ago, Superman encountered his most diabolical enemy yet: Lex Luthor, the powerful businessman who ran Metropolis's most influential corporation, LexCorp. It was the first time Superman had realized that a simple human, armed with nothing but a small piece of green rock, could actually threaten his life.

Secretly, Lex Luthor had acquired a piece of green meteorite from NASA, claiming it was a terrestrial material from Superman's home planet, which he later identified as Kryptonite. Over the course of six months, Lex brought together the brightest minds on Earth—scientists and engineers who worked tirelessly around the clock to understand the true nature of this mysterious substance. After much trial and error, Lex was able to purify the Kryptonite and, through extensive testing, discovered its true power.

The radiation from Kryptonite didn't just weaken Superman—it altered the very mechanisms of his sperms. Instead of enhancing his strength, the Kryptonite's radiation caused Superman's sperms to turn on him, attacking his organs, draining his energy, and inflicting excruciating pain. If he were exposed for too long, the result would be catastrophic—his cells would begin to break down, leading to the collapse of his body. The potential consequences were more severe and shocking than even Lex had anticipated.

''Your very own necklace, Superman. I bet it's the perfect gift—something that almost makes you feel at home.'' The words echoed, a haunting fragment of memory, as the scene solidified in Superman's dream. It was Lex Luthor's voice, sharp and mocking, slicing through the haze.

In the dream, memories hit him with vivid, unbearable clarity. It was Luthor's dungeon, and there was the Kryptonite necklace placed inside a lead box. He could feel it all again—the sickening nausea spreading through his body, the overwhelming pain that surged with every pulse of his being. He remembered staggering back, his instincts screaming at him to flee, to get as far away as possible from Luthor's trap. But his legs refused to obey, his movements jerky and uncoordinated. Fear took hold, paralyzing him as his limbs quaked uncontrollably.

The humiliation was crushing. Desperation replaced his once-unshakable resolve, and a single, shameful thought consumed him: to beg. To plead for mercy. To kneel. Anything to make it stop—to put an end to Luthor's cruel game. His knees buckled, knocking together awkwardly beneath his trembling tights, each step faltering.

''Mind over muscles'', Lex had said, waving the glowing green stone in his hands, grinning as he placed the chain around Superman's neck. Now, he even couldn't tell if it was dream or reality. Although sleeping sound, he literally felt like a bullet piercing through his chest as the Kryptonite necklace touched on his skintight spandex costumes, making him cry out like a salty dog just got run over by a truck. Powerless then, he had felt Luthor's hands all over his body, touching him over his spandex, teasing him, toying with him, like jiggling human-size jello. As the criminal master dragged him along, Superman had sensed that his little Supes in his briefs was howling, growing, and creaming. With no warning, Lex took hold of Superman's nipples, tweaking them through the smooth spandex. A strong pinch made the big boy scout cry out a disgraceful scream. Then, a strong cupping hands wrapped around superman's balls. Almost like a sponge, as Lex Luthor squeezed with his nails sunk into that freaky alien's ballsack, Superman's peehole started leaking precum like a spread of pearls forming on top of the red spandex.

The echo of humiliating moans and agonized screams reverberated through Superman's dream. As the dream unfolded, the scene shifted, growing darker and more vivid. Lex, ever the master of manipulation, gripped Superman's red cape with a sinister smile curling at the edges of his lips. But what fills Kal-El's mind was something else: the overwhelming sensation, the long-awaited gratification he was feeling when Lex played him, belittled him, and toyed him.

Without warning, Lex yanked the Man of Steel toward the edge of a massive, ominous pool. The surface shimmered in the dim light; its contents unknown but exuding an unsettling stench. Superman's pulse quickened, his breath shallow and ragged. Every fiber of his being screamed to fight back, to resist, but his strength was sapped, drained by the relentless presence of Kryptonite.

Suddenly, Lex strangled Superman with his iconic red cape around his neck. As Superman opened his mouth to the fullest, trying to grasp some air, Lex pulled out a 7-inch rob-shaped Kryptonite stone from his back and stuffed it into Superman's throat directly with no hesitation. White foam started to overflow from Superman's mouth as tears running down his face. His fully erect penis was throbbing, pushing against his blue tights and ref brief, the wet patch of precum now bigger and more obvious than ever with white foam bubbling on the shining fabrics.

The faint murmurs filled the dungeon, each sound a grim mix of agony and climax. His body had grown heavy with exhaustion. The struggle to stay conscious became unbearable as the seconds dragged on. His pupils dilated, his vision blurring, and with each passing moment, his strength faded until there was nothing left to fight with.

Then, with a final, relentless shove, his nemesis pushed him forward, a move that sent Superman reeling. He tried to look back, eyes wide with fear, as his heart raced in desperation. But it was too late. Lex's boot connected with his hip, forcing him further toward the edge. With nothing to hold onto, Superman tumbled into the depths of the pool of waste, his body plunging like a stone, sinking into the dark, cold waters below.

… Why would Superman have such a dream? How will his fate change because of it?

Stay tuned for the second chapter, updated at the same time next week...