#and it would work fine

[stairset]

I think Star Wars the Clone Wars Republic Heroes (2009) should be canon cause of the level where the heroes have to work with Cad Bane and they roast the shit out of him

[artistic-cocoon]

Saw someone on twt say they wanted to see Percy drawn like Yusuf Dikec and I couldn't help myself

[hinamie]

10 years later

[ispyspookymansion]

BOO!

oh sorry….come in…..hello…welcome to my halloween party ^_^ feel free to take a piece of candy and a goodie bag before you go okay? have a fun (and nostalgic) halloween season!!

[demaparbat-hp]

Hey, Spitfire! Try not to kill your brother ahead of time!

.

Looking for Ursa right after being banished had some...wildly unexpected results. One: Zuko actually found her. Two: she wasn't alone. Three: leaving her children behind in order to protect them was, apparently, just something she did.

Looking at the bright side, Zuko now had a three-year-old younger brother to look after. Looking at the dark side, Zuko now had a three-year-old kid he needed to parent while also keeping him a secret from his father because—may Agni help him—the Fire Lord would have to go through Zuko first if he dared to even look at Lu Ten II.

(AKA an AU in which Zuko is a good big brother and doesn't want another kid to grow up like he did.)

[nadiajustbe]

One of my favorite parts about the writing of Howl's Moving Castle is how easy it is to write off all the things from our world at first as him just being a weird wizard™ (also thanks to bestie @jutenium for spotting this I wouldn't put it like that without you!!/pos). Sure, Sophie uses weird descriptions, but readers have every reason to believe them because of the way Howl is presented as a character. When Sophie says he wrote with a quill that doesn't need an ink, you wouldn't think it was actually a ballpoint pen, you would think Howl had just enchanted his quill so that it wouldn't need ink! When she adds that she can't make out a single word, you think he has matchingly terrible handwriting, but in fact Sophie has simply never seen a pen writing. When she sees the mysterious labels on his books, you think he's keeping a lot of obscure magical literature, but it's really just an encyclopedia and a guide like "Top 10 Rugby Tips." When Sophie notices the bottles in Howl's bathtub, you think they're some kind of magical jars where he keeps girl's hearts, but I'm almost certain that they're just 'Dove' and 'Head and Shoulders' that he's enhanced with his spells and put silly labels on. When you read Calicifer singing a song in a language Sophie doesn't understand, you think it's some kind of ancient cipher or code, but it's actually just a rugby song in Welsh that Howl sings when he's drunk. And finally, when you see the terrifying black door, which is completely shrouded in darkness, you imagine a passage to an eerie, mythical place, similar to what Miyazaki showed us - but it's just fucking Wales.

[friendlyneighborhoodghostpal]

i’m just gonna say it i love how kaos handled orpheus and eurydice. i really did, im a huge greek mythology nerd and that story has always been about the refusal to give someone up even when you should, its not a love story its a story about grief. and i just- ah they did something really cool there didn’t they? i’m gonna rewatch the season and like properly form my opinions but i really like it.

[shepscapades]

Maybe now would be a good time to mention that Etho doesn’t technically join hermitcraft until after the start of Double Life… which means. Yeah dbhc Etho is still in reset-mode for the entirety of Double Life (this is about equally upsetting as it is genuinely hilarious)

(Despite being explicitly told not to force Etho to re-deviate by Xisuma and Doc, and after roughly a month of no luck, I’m sure you can imagine the impatience and desperation that went into Bdubs’ decision to sign Etho up for the next life series, considering the last one was the last time Bdubs really saw Etho. Or. As himself anyway.)

[poorly-drawn-mdzs]

Unsolved Mysteries.

[First] Prev <–-> Next

[manyrepulsivethoughts]

that one post comparing ruin's and LN2 endings altered my brain chemistry so now have this

[televisionenjoyer]

Your plan? Getting everybody safe? That's good, okay, but it won't last forever.

Supernatural as a visual novel — 15x18 "Despair"

Based on my merlin as a visual novel gifsets.

ok so like. i have a lot of thoughts about all this. about what spn would look like as a game, about my creative process and whatnot so I'll put that on a reblog.

[choccy-milky]

older seb and clora on a job as curse-breakers💖 seb likes working with clora bc it means he can always spend time with her & keep her close, but it also still stresses him out bc of how dangerous it can be LOL. and i love worried + overprotective seb, so ofc i had to draw one of their close calls 🥺💖💖

[rystiel]

idk what we’re all calling the concept of fiddlestan working together but i’m calling my version the portal partners AU 🙏🏼

[hinamie]

i mean he's got all the outfits now might as well show them off

bonus:

jjk atla!au with @philosophiums

[uncanny-tranny]

The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.

Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.

[crossdressingdeath]

You know what? I think a lot of DAV's biggest plot weaknesses ultimately come back to DAI, because a lot of them can be summarized as "Why didn't they get into [thing that DAI set up]" and... the answer is that Bioware was never going to be able to meaningfully engage with those things, and they should've known that when they wrote them into DAI. The Divine, Kieran's existence, Urthemiel's soul, the Well of Sorrows, all that stuff DAI set up that people are mad DAV didn't focus on? All of those should have led to pretty big alterations in the worldstate, and the worldstate has to remain roughly the same for everyone. We were never going to get the massive impact those choices should've had, for the same reason the Warden's boon at the end of DAO was quietly forgotten about as soon as Dragon Age became a series instead of a standalone game: the writing just can't support choices that would create such massive divergences. Like... take Urthemiel. Whether or not Mythal got Urthemiel's soul (and by extension whether or not Solas potentially had the chance to take it) should have been a huge deal! It should've led to two pretty different paths! Except... it can't. Because Bioware can only write one story for each game they make, which means the critical path can't really change beyond flavour text and occasionally which character gets a cameo slot; Mythal didn't get Urthemiel's soul in every worldstate, so Urthemiel's soul can never be relevant to the main plot. And the thing is, they would've known that going in! DAI was the third game, they must have known that worldstate variation could never be more than flavour text and cameos! Hell, you can see Bioware scrambling to make all the Divine options more or less the same in terms of impact on Thedosian society in DAI, which was definitely done to make writing sequels feasible. So why did they write Mythal getting Urthemiel's soul into DAI? And it's the same for all those other big, story-changing choices. People have differing opinions on the merits of including variable flavour text just to say it's there but that's not what this is about; in terms of the actual plot the variables cannot be relevant (unless it's something like the Warden ally choice where every option is ultimately the same in terms of plot impact, and even that one's pushing it; it never is explained how Hawke ended up friendly with Loghain). I think when talking about choices from DAI that DAV didn't engage with it's important to take a second to ask yourself if Bioware could have written a version of events that worked equally well with every possible outcome of that choice and could be tweaked to engage with every variation without having any major impact on the main plot. If the answer is no I think it's better described as a DAI problem than a DAV problem, because it's not actually DAV's fault that DAI wrote checks it couldn't cash.