#and it wasn’t just validation

[rawkinks]

it’s 3am and i’m crying about how much i love my boyfriend.

[chloesimaginationthings]

There's doomed yuri... in my FNAF ruin?

[turtleblogatlast]

[ cw: death mention / family death mention / ]

Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.

I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.

Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.

[valewritessss]

Listen I can take a joke or two but if multiple people are questioning whether your editor has a piss kink, you definitely did something questionable

[the--last-great-american-dynasty]

i think we need to remember that sexuality and labels mean something different to everyone. what lesbian means for me is different for others. i identify as a lesbian but finn wolfhard is fucking gorgeous and i giggle a bit watching kit connor, and jake johnson being all grumpy as nick miller does something to me. but i also can confidently say that i will never date a man. i absolutely don’t want to. like some men are fucking gorgeous and i can totally appreciate that and still have no interest in dating men and identify as a lesbian. and like, that’s ok. but also for some people maybe they feel like that but identity as bisexual. and that’s totally fine because it’s their fucking decision how they choose to identify. and it’s the same for gender identity. just because someone presents femme or masc doesn’t mean they follow that binary. a trans masc can present feminine. a non-binary person can present however the fuck they want and they’re still fucking non binary. the whole point of the queer community is acceptance and defying labels and being just who we want to be. if you’re trying to push labels as a queer person on another queer person it’s so hypocritical. let people live their lives, whether they choose to label themselves or not and whether their labels make sense or are the same way you think of labels. it’s not about you. it’s about them. let people live.

[leverage-ot3]

okay I’ve seen a lot of posts about sterling just being crowley and. guys. the implications just hear me out 😭😭😭

bending lore slightly here BUT let’s say crowley’s body was once inhabited by a human and crowley is possessing the body (maybe he kills the initial inhabitant bc he doesn’t care)

but he still has the guy’s memories. he doesn’t bother keeping up appearances with his ‘ex wife’ because he is too busy building up his hell empire. BUT for some reason he can’t quite identify, he still feels something towards his ‘daughter’. he lets the divorce happen and doesn’t feel the need (or desire) to fight for custody, but he can never quite forget her, to cast her out of his mind for good

some hijinks ensue with the leverage team. it’s mostly because even a grind culture demon wants some off time every once in a while, and for him the insurance investigator stuff is more of a hobby. interacting with the leverage crew is very low stakes for him, and honestly, quite amusing. they aren’t on his level power-wise, but that ford character gives him the mental exercise he hasn’t experienced in, well, he can’t even remember

he can feel their frustration and anger when they learn he has become employed by interpol and feeds off it. it’s great, and relaxing in a way he is never able to achieve while conducting hell-related business

one year he gets wind that olivia is in a really bad situation associated with his ‘ex wife’s’ new husband. he’s selling vital hardware to terrorists, and while that might actually be the kind of chaos he would normally support or be entertained by as the king of hell, something feels wrong about letting olivia stay anywhere near that man

he calls upon the body’s adversaries. he wouldn’t admit it, even under duress, BUT he feels slightly fond of them. nate for the three dimensional chess they play, sophie for her ability to charm and disguise, parker for her chaos and slightly unsettling nature (it’s the autism swag and being bad with human interaction but he doesn’t know that lol), hardison for his unapologetic intelligence and eliot for his hardened violent past and take-no-shit persona (he’s fun to tease)

they perform exactly as he expected, right into his carefully crafted plan. and then olivia is under his care and things get more complicated. he keeps her FAR, FAR away from anything related to the supernatural (heh). no one can find out about her, ESPECIALLY not those imbecile hunter brothers (if for nothing else than the embarrassment in revealing he has a weak spot)

not sure how to work it into this post but I also want to add that somewhere along the way he develops feelings for nate and sophie. the frame up job is near and dear to my heart and you can’t convince me that isn’t fighting as flirting behavior. his interpol persona is more of a side hustle so to speak, but he finds it fun (relaxing, even) to fill that role. there aren’t any obligations of other demons, bothersome hunters, or anything like that. nate and sophie are low stakes, except, they aren’t, really. they make him feel things he can’t ever really remember feeling. his heart beats fast when sophie sat in his lap and cradled his face, his hands sweat when nate gives him that certain smug look. he’s exasperated by the way they can run circles around him like no one else has ever before. they annoy him and get under his skin in a way no one else can and it’s infuriating. but also not, at the same time. maybe he likes it

and then the long goodbye job happens

hear me out and suspend your belief here for a second, because I can’t remember if crowley supernaturally knows when ppl die/are dead or not.

so nate is in interpol custody and the interviewer is obviously out of her depth. (most people are, when it comes to nathan ford.) he walks in and pours the man a drink, but he’s fuming. somewhere along the way he came to care about the team. hell and suffering is literally in his (official) job description, but he can admit (only to himself) that he admires what they do. it’s not for him, not anything close to where his passions and interests lie, but he respects their drive and purpose. he is also aware enough to acknowledge that they are a family, a group of misfits that never belonged quite anywhere except to each other.

and nate fucking blew it up, ruined it, because his vice is being so obsessed with the end game that he is apparently willing to let his team, his family, the people that anchor him to reality, die because the ends supposedly justify the means.

not this time. not to sterling crowley

he is enraged. he can admit within the confines of his mind that he cares for nate, for sophie, even for the other three (though nate and sophie have somehow made it a hierarchy where they are more important to him. which he will dissect later in private. maybe.)

nate let them die, he let sophie die, and for what? the black book? hell below, crowley would have made things easier somehow, if he knew that this was where nate’s sights had lied. he would have prevented this somehow. he wants to have prevented this. he doesn’t want any of them dead and is too afraid to check and verify because that would make it real. the idea of sophie (or any of them) somehow making it to hell instead of heaven would probably break something in him he might not be able to reapir fully.

he yells at nate- he’s angry. hellfire burning in his heart because everything is ruined. the deaths aside (however hard it is to set them aside in his mind), nate will not recover from this, not ever. this will be the start of the end, he is sure. a miserable, guilt-ridden existence where he drinks himself to death and nothing will save him. it plays out in crowley’s mind in a thousand different ways that are beyond painful to conceptualize, even in theory.

the story starts to unravel and there is a game afoot. a solemn, miserable, infuriating game because the con is still in session because parker is alive and in the building- which sets another fire alight in his chest. ‘parker even know you got hardison killed?’ he rages for her grief when she finds out. he knows it will double when she finds out eliot has perished, too, because he isn’t fucking blind.

but nate is a brilliant man, lest he forget too quickly. they are all alive, and somehow still the entire crew slips through his fingers. he’s not even angry (he never would have been- he doesn’t actually try too hard to catch them. it’s about the game, not the consequences). he lets them keep the black book because he’s fucking exhausted and honestly, they more than earned it.

‘now we’re even. tell sophie to drive carefully’. they will never be even, not really. crowley would never admit or agree that being human is the superior state of being, but that have made him feel human in a way he doesn’t actually mind. they keep him on his toes and match him in a way unique to them, they remind him that there are other things than the realm of hell. not necessarily bigger than hell, but maybe just as important in a different sense.

watching the van drive away, something inside him settles. when he walked into the interrogation room that day he thought this was the beginning of the end. it’s not the end at all, not an end to anything. it’s a continuation of their story. maybe, he thinks, a beginning to a new era in it

[cherry-waves66]

everyone who absolutely fucking VILIFIED and demonized Steven Lim, and reacted to Ryan (and Steven) with such visceral racism don’t deserve to watch their new content btw 🥰🥰🥰

[lattuce]

shoutout to media with only one female character that’s just a vessel for a sexual assault and/or pregnancy plot line with very little or no characterization beyond that

[fumifooms]

"Toshiro’s love for Falin is fake and impure! He only started liking her after something about her intrigued him and hooked him in, and only then started wanting to know her better and finding out he loved everything else about her too!" Buddy I have something to tell you that you won’t like about how falling in love typically goes…

[legally-allowed-to-slime]

sl!scott is kinda tragic when you think about it from his perspective. like his ally wanted to team up with someone he saw as disloyal, and he was kinda powerless to stop it even though he was trying to protect gem throughout the season, while gem was down bad for the singular person scott did not trust. so.

[marimbles]

i miss carpisuns sometimes </3

[oddly-casual]

Fiona and Cake spoilers seriously

(Something I noticed abt Betty and Simons relationship)

I love Betty and Simon’s relationship, I think their back story is so cute and romantic and all that lovely stuff don’t get me wrong.

But there’s this under tone of Betty constantly giving things up for Simon and we don’t really talk about it a lot???

Like, Betty let Simon have his moment with the artifact and the pubic, she also doesn’t go to her trip in favor of going on an expedition with Simon. Then when she goes to leave again she stays for Simon.

Even Fiona is like “you went with her on the bus?” And Simon just looks all confused like “what? No, why would I do that?” Like- hello???

Then after that she gave up her entire life and mind to get Simon back to the point where she literally says “I don’t know who I am without him anymore.” And that just sucks! Since the beginning Betty has been the one giving up the most, her mind, her own possible career, and it’s a story of love of course and it’s very sweet but it’s also a story of sacrifice.

Their love wasn’t a perfect solution, it was already sort of imbalanced when it started and I lowkey love how we see those cracks even before they’re together.

Again, I love their relationship and I think it’s sweet. I just think we should talk about Betty’s side more, especially when she tells a story of what most women do in relationships, sacrifice.

[theicarusconstellation]

another day another post about regulus expressing his feelings being filled with comments invalidating them and saying that by expressing his hurt and anger he and op are “villainizing sirius”

[universescreaming]

Sometimes it is so clear that some people only watch this show for Buck and Buddie and it’s like THIS IS AN ENSEMBLE SHOW THIS IS AN ENSEMBLE CAST! other storylines are going to happen!!! This show is not the Buck and Eddie show with some funky sidekicks!! Like please, I understand wanting to see more Buddie, trust me I have been waiting YEARS to see them, but like … one, it’s not going to happen in 2 episodes??? (Nor should it but that’s a WHOLE other conversation) And two, this show is NOT about them! They are an Intercal part to the show and storyline, yes, but they are only a part! And in recent times things have been very Buck, Eddie, buckandeddie, and Buddie focused (yes those are ALL different) so it was bound for an episode to premiere where they are not the focus! Like can we please just enjoy the show and the story it’s telling and stop being all ‘what a flop of an episode’ ‘this was such a let down’ ‘I’m gonna stop watching until Buddie goes canon’, like y’all enjoy the show you want, watch for what you want, whatever, it’s your viewing experience but before you start yelling at the show and it’s creative team for making a “bad” episode simply because there wasn’t enough Buddie in it please, I implore you, to remember that that is Not the point of the show

[aalghul]

I don’t think it makes sense to assume that Jason was mocking Mia’s past. At all. The thing that got jason painted as violent back in the 80s was his anger against rapists…how does that turn into mocking a victim? and that entire story was written by winick. Do we honestly think winick intended to communicate that? The same writer who made Jason’s first kill a man who was trafficking children? Who had Jason pause in his mission of madness to make sure those kids were found by the right people so they wouldn’t be in further danger?

[adelinamoteru]

purely fanon jason vent below so feel free to ignore

every other fic in the jason todd tag whether its romantic or platonic or whatever just has to include something about the no kill rule or him giving up killing like is it not enough ! have we not hashed out this argument enough already ! can I not read some jason content without having to be randomly bombarded by the morality police and how “oh jasons not killed anyone for x amount of months thats great! we knew u could do it jay”

and I wish I was just joking like I really do but I have scoured the tag almost from top to bottom and it always, without a doubt, has to come up at some point. its his fucking defining character trait apparently. mind u he’s not even the only dc character that kills but yall just won’t let it go! I do not need jason giving up his stance on killing to be written out for me to be able enjoy content about him

and whether its included so that his relationships with other characters can be viewed as ‘realistic’ is just so. what does it matter. its already fan-fiction who the hell cares about justifying the universe that you’re choosing to write him in