#and it maybe doesn't matter
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acowardinmordor · 2 days ago
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You know our beloved Steve Goes to Eddie to Check if He's Actually Bi trope? Usually post S2? What if the next step was Eddie refusing to play along bc he assumes its a trick or setup, so he says he's straight and acts offended and disgusted. Quotes everything that's been hurled his way to make it believable. And Steve is hurt by it, but he still needs to know this about himself, so he makes a more dangerous choice, and gets himself outed and kicked out a few weeks before graduation. Maybe a little beaten up for his troubles, and when Eddie sees him, his first thought is that Steve tried that game on someone else and got what he deserved. Then he hears the gossip, and refuses to believe it. It has to be bullshit, ironic payback for someone trying to setup a gay guy. Because there is no way someone vulnerable came to him, came out to him, thought that he was safe with him, and Eddie abandoned them.
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eklmrlos · 1 year ago
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not responsible for my actions
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iamespecter · 8 months ago
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Please forgive me for my sins and crimes against humanity for I cannot stop imagining the Jester and the Dentures making out sloppily in my Puppet AU (+bonus harlequilt/showtime in the cut!)
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I also see the ragdoll in the mix half of the time because they share her equally (Healthy poly relationships, YIPPIEEEEE!)
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cup-o-stars · 2 months ago
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Last part for old GF sketches
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(Actually, most of these aren't old at all, but their average is brought down by the last picture, which I drew back in August and kept forgetting to post)
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a-most-beloved-fool · 22 days ago
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spirk using telepathy to keep each other alive. kirk, desperate, psy-null and untrained, reaching clumsily into spock's dying mind and pulling, dragging spock's essence into himself, wrenching him forceably from the very jaws of death and holding him there through sheer strength of will, saying you can't die, i won't let you, you can't leave me, i need you, and binding him to life and to himself until it's impossible to fully separate them. spock, more skilled, carefully managing each one of kirk's vital signs - keeping his heart beating steady, his lungs drawing breath, his temperature within a safe range, all while suppressing kirk's pain, and at the same trying, vainly, to keep their minds from tying themselves inexorably together, but they're pressed too close and he can't, and he hopes that kirk will forgive him, for bonding them like this (he will, of course he will), but the alternative, letting kirk die, was - unthinkable.
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uncanny-tranny · 2 years ago
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Periodic reminder that unless a person specifically and clearly tells you it is okay to tell others they are trans or queer, you should err on the side of caution and assume they do not want you to tell people (especially random people!) about their transness or queerness.
You have no idea, generally, why somebody doesn't talk openly about their trans or queer status, and you have no idea, truly, how somebody might react to that information. The most progressive person out there is still capable of harbouring incredibly negative thoughts about somebody's queer status.
#lesbian#gay#bi#bisexual#trans#transgender#queer#lgbt#lgbtq#ally advice#inspired after somebody at work outed me (again ×3)#i don't care how 'safe' you assume they will be! you cannot TRULY guarantee their safety!#you are effectively gambling with somebody's safety by assuming you can out them#also even if their safety was somehow 100% guaranteed it is still not your place to dictate what others know about THEM#like it isn't your own information you are giving out. the other person is a real human being with real thoughts...#...and there are real ramifications to your actions! this is like... real life and like... real people#anyway. i'm still fucking horrified at how cool people are (at least wrt me) with outing others 🙃🫠#and it just... further reminds me that others see me as like... a thing to be talked about/over and i'm not seen as an autonomous human#maybe that's not their intentions 9/10 times but that still doesn't justify it nor does it change how i interpret that behaviour 👍#it's just dehumanizing imo to be reminded 'your comfort DOESN'T MATTER. i think you should be talked ABOUT not TO.'#clarification for the first tag: this is the THIRD time somebody has outed me. i NEVER talk about being trans to... pretty much ANYBODY irl#it's shit like this that i have to resist taking the 'doompill' over#because it's scary and dehumanizing every. single. time. i feel so fucking scared each time#because - AGAIN - i know my safety will NEVER be guaranteed because i am trans and queer
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aingeal98 · 25 days ago
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More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.
So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.
There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.
However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.
And then what? Jason asks.
In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.
The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.
The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)
And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.
Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.
#dc#cassandra cain#batfam#dc rambles#Jason Todd#In terms of the larger meta narrative ultimately whether the Joker dies or gets locked up is irrelevant#But Cass will never be willing to just let someone die without trying to the very end to make her case for their life#And I think it's entirely possible Jason would reject her proposal and we're back to square one#But I think the two main reasons to me that he'd accept is one. Cass betting her career on this. She doesn't need to do that.#She could save the Joker and fail Jason's personal test and that would be that. Her actually reaching out#Being willing to risk something precious just to try and compromise with Jason. It would be more than he expected#From a family that he understandably believes he does not matter enough to#And secondly is the long term consequence of the Joker fading into irrelevancy while Jason maintains his prominence as a character#A reverse of his death where he was turned into nothing but a footnote and a memorial for Batman angst#While the Joker went on to gain even more narrative power as Batman's Greatest Enemy#Now he is nothing. And Jason is alive and a solid part of the mythos#It would take time obviously but ultimately from a Doylist sense to me it's the most satisfying resolution#Maybe after like 10 years Cass can die again briefly the Joker gets out and Jason gets to kill him to give Maps some fun Robin angst#But ultimately it's very important to me that if Cass becomes batman the Joker must become irrelevant#He's just not useful enough thematically to be worth his current narrative weight when she's running the show
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marikodraws · 2 years ago
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equipping Akechi’s tie to fight Shido 👊🚢
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shorthaltsjester · 1 year ago
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the mighty nein - critical role
this is a place where i don't feel alone. this is a place where i feel at home.
#also with softer vibes. i offer They#every silly little brainheart found family deserves a to build a home edit#the mighty nein maybe most of all. thats my family#also the lyrics deliciously well suited to m9.#when jester pulls that. stupid tarot card for fjord. home or traveler. and there's a carnival wagon. and veth says Thats Us! . them#i just think about . the tower is their home the xhorhouse is their home the lavish chateau is their home the balleater. the mistake.#the nein heroez. veth and yezas apartment. the dome. fjord and jesters living room floor.#a bar with a silly name on rumblecusp#also like. the song has stone and dust imagery. gardens and trees.#the inherent temporality of life and love and how that holds no bearing on how greatly people can love. im losin it okay.#ive been making this edit for days straight with my computer screaming at me for trying to shove 143 episodes of cr into a 2min20sec video.#crying becuase. theyre a family do you get it. they were nine lonely people and most of them had given up on seeing their own lives#as something that might be good. something that might make the world a better place. and in the end they're heroes.#and it doesn't matter if no one else knows because They know they're heroes. and they wouldn't've believed that was true when they met.#rattling the bars of my enclosure. to be loved is to be changed#posted on twitter and want to get in the habit of posting here too bc.#general reasons but also bc . i have noticed some of the ppl liking/sharing it are also ppl who shit on my ops by vaguing about my posts#which is in general whatever but does leave a funny taste in my mouth.#critical role#the mighty nein#cr2#caleb widogast#caduceus clay#jester lavorre#fjord#veth brenatto#yasha nydoorin#beauregard lionett#mollymauk tealeaf#my posts
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marypsue · 20 days ago
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Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.
However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.
#hear yourself. for the love of whatever you cherish.#'but they only kill bigots so ACTUALLY they're the GOOD GUYS -' your metaphor of monstrosity is entirely premised on the question of#'what if what you went around righteously killing; believing your actions to be justified;#were actually people and it was not in fact righteous or justified to just kill them'#'what if the world isn't neatly split into 'good guys' and 'bad guys'#who gets to decide who or what is 'bad'? because that's the original problem of monstrosity-as-metaphor-for-marginalisation#(if as a creator you say 'oh my intention with this was X' cool!#if instead you go with something like. well.#'well in this setting monsters are so rare it doesn't matter that they kill people and you'd have to be a homicidal sadistic psychopath >#< to hunt them; but sure I guess if you want to play a Bad Person' well I might have#but if you're going to explicitly judge me for wanting to engage with the moral question of 'how justified is this and who would do it#versus how justified are these monsters if they do have to harm or kill people to continue to exist'#then maybe I just don't want to play your game at all)#anyway I'm sick to death of poor uwu cozy vampires who are SO marginalised so I'm not Allowed to care about all the people they murder#it being fucked up is what's fun about it! do all the other shit but let me take the murders seriously!#and inb4 someone accuses me of being a bigot for saying 'actually I don't think you get a free pass to kill and eat people if you're gay'#remember when the CW's famously reactionary and conservative Supernatural tried to just gloss over the part where every time its heroes >#< killed a demon with a magic knife it also killed the person the demon was possessing#and say 'oh no it's fine we don't care about those killings; they don't matter; don't bother caring about them either'#but they were doing it to glorify exactly the kind of people that these 'monster as metaphor' stories are trying to cast as expendable?#I have other examples that are like. real dramas. but That Paranormal Show is the one that's in the same niche that I'm talking about here#it feels more insidious when it comes through a fantasy show where there are monsters involved#so you can say 'no it's not real so it doesn't matter'#but then ALL of it is equally not real. and vampires are not actually an oppressed group. because they don't exist.#you can say 'these vampires are a metaphor for an oppressed group so this fiction matters in real life'#or you can say 'don't care about the murders because they weren't actually real'#but you can't say both and then get mad at ME for treating the murders as seriously as the vampires#let me engage with your premise and don't waste my fucking time#or just set your fluff in the Sesame Street universe where vampires drink cherry Kool-Aid and help kids learn to count
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shit-talker · 9 months ago
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The only way I can rationalise people accepting literal children going out and fighting crime as Robin is if they don't think Robin is a real child.
I think it would be fun to see how Bruce would use that to his advantage in protecting his kids. Like, if people think Robin isn't human, if they instead think he's a spirit or a ghost, they are less likely to shoot at him, less likely to try and physically attack Robin because they think it would be no use.
The fun part would be deciding HOW they would do this. I like to think that Robin's domino mask doesn't have a hole for his eyes but instead is glazed over so that he can see out of it, but you can't see in. Maybe they install small lights in it so it looks like his eyes glow in the dark, because can you image how fucking scary it would be to just see these two sentient light-like eyes and just know the Batman must be lurking somewhere close by?
Maybe Bruce installs super strong magnets in their gloves because on the chance that someone does pull a gun on his kid close range, it would be a lot easier for them to grab the gun away if they had the force of magnetism on their side. Also, grabbing onto poles and other metal materials would make all the scaling on tall buildings a little safer. Obviously, they'd need a way to turn it on and off, but still. Can you imagine, you're in a warehouse and there are steel frames fucking everywhere and you look up and suddenly there's a child gripping onto one effortlessly? Horrifying.
Maybe they have a voice box. Want to scare people? Play this really ominous recording of a child's laughter that echoes just a bit too loud to be normal. Play this ominous screaming that seems too silent to be real. Play this ticking that seems to never end that induces stress and increases the chance of them messing up.
What would be even funnier is keeping this act up with the Justice League and other teams.
Batman doesn't bring Robin to these meetings at the beginning because he sees no need to involve a preteen in such matters, but at some point the subject does come up and it's sort of like; So, Bats, what exactly is the kid? Like...is he yours?
And Bruce (paranoid as fuck) doesn't want to admit to these people that yes, Robin is my son because hello? That's gotta be his biggest weakness, he would do anything to keep that kid safe and fuck them if they ever tried to hurt him to get to Bruce.
So, he tells them that he's a spirit sent to haunt him and remind the city of it'd failures and the Justice League just... believe him?? Because this is Batman, and why would Batman ever lie about something so, frankly, strange? And it's not a huge deal, like they're a team comprised of metas and aliens and literal godesses, so what if the one normal human guy has a weird little ghost child? Who cares if he cares about it like it's a real boy? Maybe the baby spirit has rights, too!! They don't know!
So, when the JLA gets more popular and becomes an actual, legal part of the American government, they're required to list all of their members. And they class Batman as a human, because that's obvious but next to Robin, they don't really know what to say or how to ask Batman about it, ao they just put "Unknown Child Spirit - TBD"
And then just... never change it?
So, they don't question why a few years later Robin seems to look entirely different, or why after that he changes again, or why Robin is suddenly a girl for a while before going back to a little boy. That's obviously just some weird spirit thing they don't understand, and it's not like Batman is going to explain it!
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foureverbrave · 1 year ago
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Red, White, & Royal Blue + Heartstopper title cards
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lady-corrine · 8 months ago
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I do think people forget that when Rhaenyra walked the castle battlements of Duskendale weeping, refusing to eat or sleep, she was, in all the ways, heartbreakingly alone. She was a mother with five children lost, a widow too (for some reason people forget this aspect?), a dragonrider who had her dragon with whom she had shared her cradle killed (the canon literally tells us that Syrax's death left her inconsolable). It's just very interesting how for some people everyone else is allowed to suffer and their losses are blown out of proportion, but Rhaenyra isn't, and her total losses (which were devastating) are of little to no value to some.
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horsechestnut · 4 months ago
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Anyway, if you're a fan of Bruce and Steph having a father/daughter relationship you should probably go read about Oliver and Mia.
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that-butch-archivist · 7 months ago
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A beautiful friend of mine has finally stepped out of the closet as a radiant she/her. Score one for women, huzzah, we have another win for women! ... And now I am even more frustrated with my college workload lol. It was bad enough being behind on reading & archiving in general, but to be busy when I ought to be getting a friend resources and examples of people like herself by the dozen???
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cheecats · 1 year ago
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In light of how grossly disrespectful and dismissive some (not all) DC voters have been, here is something for a lovely lady who deserved better. [X]
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