#and it doesn’t make anything better

[crybaby-bkg]

I hate pmsing like it just makes me feel so deflated and sad and thankfully it’s not as bad as it used to be when I was on birth control (ie suicidal every month) but it’s like. I just feel so hollow and empty. I hate this ☹️

[lilislegacy]

i’m just gonna come out and say it

if luke comes back in a future book, i hope percy is taller than him now.

[ciderjacks]

despite Laios low self esteem making him think that if he’d been eaten, Chilchuck and Marcille wouldn’t have helped Falin,

theres a small part of me that thinks the reason Chilchuck stayed with the party and went back in the dungeon in the first place was because he didn’t want to leave Laios alone. That Laios was moreso the reason he stayed.

[puppetmaster13u]

Prompt 207

Danny does not come out of the portal. 

In fact, he’s lost. Very lost. He just wants to go home and is getting scared of everything around him because he doesn’t know what’s going on. But! But he’s found an (admittedly also terrifying) castle or keep or whatever they’re called that all the ghosts avoid!

It never exactly enters his mind that they might have been avoiding such a place for a reason. 

In unrelated news, the first thing Fright Knight sees after his sword was (accidentally) knocked free from its prison is not a blob ghost- they’ve done it a few times over the eternities- but a ghostling. A newborn ghostling, who promptly bursts into tears to his genuine horror. What did he do?!

[maddymoreau]

Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.

When asked, “Do you wish to see your father?”

Diavolo responds:

“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.

Along with how Diavolo describe his father.

It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.

Diavolo can tell when others are lying but is unable to understand his father’s intentions.

Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.

His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.

The isolating childhood he experienced riddled with his strict father constantly scolding him.

Despite everything MC is so important to him he wants to see his father again so we can meet.

[ceratedfish24]

(This post has been altered to be more general. Please respond to replies and reblogs accordingly. Thank you.)

If I see one more post that villainizes Scott for attacking Joel, or anyone else, for that matter, I’m going to flip my lid.

First of all, it’s a death game. They don’t need a reason to kill each other. Scott and Joel are very close friends outside of the game. They used to be neighbors. The people who are closest tend to go after each other the hardest, because they’re the most comfortable with ending each other’s seasons.

Secondly, it’s not at all unreasonable. Joel’s whole thing is being a menace. He was upset when someone on reddit said that he’s “lawful good” in the Life Series. He said that his goal is to be “chaotic evil”. Joel is a constant menace to Scott and many of Scott’s allies. As a Joel viewer, you might see that as Joel being clever or powerful, but he is just a menace to almost everybody else and that is literally his goal. Of course Scott would want to push back a little.

Third, sure. Joel often doesn’t effectively do much to Scott. This is NOT due to a lack of effort. Joel tries incredibly hard to irritate Scott. It’s his love language. Joel and Scott are close, and Joel thinks it’s hilarious to get Scott riled up. It’s like targeting your brother in a game for the crime of being your brother. Joel failing to do harm to Scott is not the same as Joel doing nothing to hurt Scott. Joel has repeatedly made his intentions clear.

Fourth, the poster specifically mentioned that Scott killed Joel in Secret Life “without a reason”. Joel spent a whole episode of Secret Life recruiting three people to kill Scott. I think their rivalry is a pretty good reason, but, again, they don’t really need a reason. It is a death game. They are friends. They were on different teams. They are bound to attack each other. That’s how the game works.

Joel fans, you don’t ever have to defend Joel from Scott. If you were a real Joel fan, I think you would know that Joel loves Scott dearly and that’s why he’s such a menace to him. Don’t attack Scott for his mutual friendship with Joel. They know each other’s boundaries and have never stepped on them. The members of the Life Series have stated again and again that everyone in the Life Series shows a healthy and mutual respect and love for everybody else in the series and that, if it made it into a video, everyone is okay with it. Joel and Scott literally take time out of their day to excitedly talk about their sessions with each other by themselves. Take a chill pill. Scott and Joel are just fine.

[shower-phantom-ideas]

Danny is just a kid ya know? Like he is just a little guy. A baby really. 14? Tiny child! Look at him, he needs to be protected. Someone has to help this poor little dude. I mean he forgets to use his own powers to avoid attacks all the time.

Anyway cut to Batfam not knowing all of Dannys power set cause the lil dingus keeps forgetting he can do that stuff in the heat of battle.

Danny uses his invisibility all the time… to avoid being followed. But in a fight? Oopsies hes too busy thinking of funny one liners to realise he could do that.

Intangibility? Give the guy a break. I mean who calls themselves condiment king. Even he was stunned.

He so rarely actually uses his biggest advantage powers that the League doubt he actually has them. He, like any naive child, trusts them and reported fully on his power set. Instead of just asking him to demonstrate his powers they instead start watching him and try to find evidence of his powers.

At least they know duplication was true since they watched him make a copy of himself to go to the bathroom and not miss any of his fav tv show.

[coffeeecatss]

Post-TRoS fluffy fix-it art

[dykedvonte]

Honestly a sorry from Curly would mean nothing to Anya.

I’m not saying she wouldn’t want to hear it, it’s a hollow vindication. She told him and he couldn’t hear her. He saw it and he couldn’t understand it. They both experienced it and he should apologize that it took that for him to get it. She already knows he’s sorry but what’s the point if neither of them can do anything about it? It’s earnest but at the same time what she wants an apology for is what Curlu can’t apologize for.

He can’t be sorry for what happened to her even if he is. Even if he carries that guilt with him until the day he dies it’s not all his to bare. The most heinous parts aren’t his weight even if he tries to balance it. A part of her bitterness is the fact he can’t be sorry for it all. She can’t just direct it all towards him even if she wants to. She was failed in so many ways by all of them. It hurts with him the most cause he had the power but they all did nothing in the grand scheme of things.

The one person who should apologize would never and could never, it’s not something you can be sorry for. She wants an apology, she needs one but what would it fix?

[sparkp18]

Took a stab at turning the command trine into some ✨girls✨inspired by the bishoujo designs :D

I’ll do my real bishojuo redesigns at some point soon I’m sure, but for now this was a fun little exercise :))

[burningtheroots]

A common question and critique, both in feminist literature and in (online) feminist spaces, is ”Why aren’t the good men doing more for women? Why are they still so passive despite being the 'good' ones?”

Okay, so the answer is actually pretty simple.

At best, these self-proclaimed or so-called "good men" don’t care as long as it isn’t inconvenient for them personally.

At worst, they either secretly or openly enjoy women‘s oppression, humiliation, violation — both due to mere sadism and due to the fact that they actively benefit from it, personally as well as systemically.

That‘s why "good men" are nearly non-existent. Some might be allies when it comes to certain topics (though probably not for genuine women-oriented reasons, and yes, intention matters), however, they‘ll still be misogynistic and oppressive in other ways, or tolerate those who are.

And the concept of a "good men" who‘s "passive" is completely ridiculous. If you, as a member of the oppressor class who‘s advantaged by our systemic & worldwide oppression all the damn time, think that not doing anything makes you "good", you‘re merely a bystander, and hence a (silent) enabler. Not a "good man who‘s just being passive".

Silence is complicity.

They don’t deserve to be labelled as "good". Not harming us with their own hands is the barest minimum. And we deserve to raise our standards, and we also deserve that our sisters raise theirs.

Women for Women. That‘s it. That‘s the only way.

[itspileofgoodthings]

one big thing I’ve learned by 29 is that the Plan, the God’s Plan of it all I mean, is bigger than me and not just bigger than me but also bigger than my understanding of narrative threads and their limitations. And it’s bigger even than just a simple paradox, turning-on-their-head thing way of being bigger. It’s just so vast. And there is so much room for surprise and possibility and hope in that reality.

[ninkaku]

“they had something” and it’s gihun and frontman ?? im sick

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[wickmitz]

you know rereading the comic got me thinking and i feel ur the best person for this. im very intrigued by mitzi and asa's dynamic pre, during, AND post atlas. i really wish we saw more of what happened before atlas' passing bc mitzi herself said asa used to be so nice to her and i'm just like YO WHAT HAPPENED anyways hi hello love ur blog

hi! i’m flattered you love my blog! and even more so by the fact you think i’m the best person to go to for this question! i’ve briefly talked about mitzi and asa before when analyzing the lunch scene in my long analysis for mitzi’s and wick’s relationship, where i said this on the matter :

to touch upon asa’s treatment of mitzi, even from as early as the phone call we see that mitzi is forced to have a conversation with asa on his terms rather than her own terms. mitzi sets out with a clear goal in mind -- learning why asa sweet would attack the lackadaisy in the way that he did -- and she's repeatedly talked over and threatened, with her questions remaining unanswered. it’s very clear very quickly that asa doesn’t respect mitzi nor view her as someone worthy of his time like atlas was, and almost appears to approach her in a misogynistic manner. he demeans something as simple as her ukulele as a ‘teeny little guitar’ and acts as though mitzi’s tears would be bothersome to him, some sort of burden he’d be forced to deal with rather than a valid emotional response to threats, degradation, and the likes. while asa is by no means wrong with some of his observations, he’s certainly rude and uncaring with how he goes about it. when he tells mitzi that he’s here to suggest that she step down, because he so generously has her interests in mind, she doesn’t buy it ; once again bringing up last nights events, where asa willingly armed the pig farmers with the lackadaisy’s arsenal and sent them over her way without so much as a warning. asa dismisses this coldly, once again dodging any fault and claiming it was ‘happenstance’ and entirely mitzi’s own doing. even now, when he’s actively threatening her and making it clear they won’t stay friendly if she keeps trying to make it in this business, he still won’t fully admit to any sort of responsibility for the disastrous night he helped put her through. while this seems rather typical of asa given his disrespectful streak ( something even mordecai, as valued and as useful as he is, suffers because of ) it’s worth noting that this side of him is new to mitzi and not one she was at all expecting. she even says as much here, in heartstrings.

we also know that mitzi only met atlas due to her performing at the marigold speakeasy first, and it’s likely asa was rather present in her life due to his bond with her now husband. asa even admits that mitzi may be confused because they’ve ’managed a friendly coexistence for so long,’ once again hammering home this idea that up until this point, asa was indeed kind to mitzi, or at the very least cordial. but with atlas out of the picture and mitzi trying to take his position, suddenly asa is more than okay with getting her killed or taking all she has left -- even his plan is nothing short of apathetic and cold, an afterthought, expecting her to give up something important to her and only offering a one time offer to play at the marigold room ‘sometime’ with that ‘old band of hers.’ what’s important here is that mitzi is ruthlessly betrayed by a man who used to like her and is treated as a lesser thing due to his view that she’s too incompetent to run a rumrunning business. he also brings up atlas to, in mitzi’s eyes, ‘intimidate ( her ) into agreeing with him,’ and towards the end of the lunch, she looks particularly kicked and undoubtedly hurt. she leaves this meeting that could’ve stayed a phone call with a potential enemy made and with the world on her shoulders, now more determined than ever to be someone people like asa would be forced to respect. instead of being dissuaded, she’s been encouraged, and it’s not hard to realize why.

so, i suppose those are my very brief thoughts about them post atlas! but as for pre and during, i don’t think there was ever anything really there outside of peaceful coexistence. as atlas’s wife, mitzi garnered respect she probably never had before as a traveling musician! asa wouldn’t dare insult her or belittle her once she became atlas’s wife and probably felt no need to do so in the first place. especially since, after all, asa’s the reason atlas found mitzi at all, back when she played for the marigold room where i assume she was treated well enough given asa’s rather friendly mask. he’s a jokester! he’s well meaning and goofy, always smiling and his eyes permanently upturned looking due to the patterns on his face … mitzi wouldn’t ever really see the asa that many other people deal with, and even when comparing asa to her rather quiet and eeire husband, well, he’d still seem leagues impressionable by default. asa purposely acts like he’s approachable and harmless, and while mitzi definitely knew he wasn’t some angel, i do think she fell for that mask more than she’d like to admit.

how i’ve always viewed their relationship is that the very nature of it was dictated by atlas may simply existing and owning her. his mere interest in mitzi was something phenomenal, and by default, something people had to respect. asa sweet was kind to her because she likely didn’t linger in the marigold room for too long before atlas snatched her up. he’s then very cordial to her, probably armed with compliments and generous gestures of interest because she’s atlas’s wife and asa can respect that role wholeheartedly. it’s only when atlas is removed and mitzi begins putting her paws where they ‘don’t belong’ that asa seems to drop the ruse, because there’s no need to keep it up anymore. even though mitzi isn’t harming anyone and hasn’t tried to step on asa’s toes once, he still steals from her and puts her in danger without care -- not once burdened by any real guilt as he continues to threaten her when she doesn’t back down immediately. with how clinical the removal of affection is here ( because even mordecai hasn’t managed to remove viktor, mitzi, or ivy in such a careful or ruthless way despite his awful actions and words ) i find it hard to believe he ever truly cared for mitzi as an individual person outside of atlas. the way he so casually oozes disrespect and belittles her without blinking an eye is … interesting!

all of this is to say that i don’t think asa and mitzi were ever personally close. they probably never knew each other deeply nor made any real steps to try. they’d see each other because asa had a habit of appearing in the lackadaisy just as much as atlas had the habit of being at the marigold room, and so they’d greet each other and asa would be excessively kind in that bumbling fool way he keenly presents himself and mitzi would be pleased by his presence. very simple ‘this is my friend’s wife’ vibes and nothing more. i doubt asa would even be interested in cozying up to mitzi due to atlas’s implied possessive behavior lol … but it was kindness and it was caring to an extent. it just wasn’t as deep or loyal as mitzi might’ve hoped it would be.

[theshadowsingersraven]

I had this drafted around elaingate, and now that my fever has finally broken, I can piece together my thoughts on the absurdity that is this fandom and the rhys week tamlin and rhys' sister piece debacle. Because, of course, no one has learned anything from elaingate to now, and it's time to wake up and smell the coffee.

If there's one thing about this fanbase that I've noticed so far, it's that people will accidentally tell you exactly who they are in the most embarrassing way possible. What's the main takeaway in the overlap of the rhys week drama and elaingate?

Art, purity culture, and "victimhood." And people deciding who does and doesn't get to fall under the latter.

The thing that I appreciate about elaingate (and I guess Rhysgate??) happening is that it outs the people in this fanbase who don't see art that doesn't cater to them as having same rights as the art they do like/are comfortable with to be celebrated and appreciated in a community event about a character.

It outs people who only care about "protecting survivors" if their trauma conveniently matches what SJM believes to be abuse or trauma. It outs people as having the same performative inclinations of "protecting victims" as pro forced-birth/anti-choice pundits do. Rhysand’s sister, a nameless character, is the perfect "victim" to create an upheaval about because, like Elain, no one actually has to sacrifice anything or do any difficult self-reflection because fictional characters will never ask anything of you.

Remember this quote from Pastor David Barnhart? It's pretty relevant.

"The unborn are a convenient group of people to advocate for. They never make demands of you; they are morally uncomplicated, unlike the incarcerated, addicted, or the chronically poor; they don’t resent your condescension or complain that you are not politically correct; unlike widows, they don’t ask you to question patriarchy; unlike orphans, they don’t need money, education, or childcare; unlike aliens, they don’t bring all that racial, cultural, and religious baggage that you dislike; they allow you to feel good about yourself without any work at creating or maintaining relationships; and when they are born, you can forget about them, because they cease to be unborn. You can love the unborn and advocate for them without substantially challenging your own wealth, power, or privilege without re-imagining social structures, apologizing, or making reparations to anyone. They are, in short, the perfect people to love if you want to claim you love Jesus, but actually dislike people who breathe. Prisoners? Immigrants? The sick? The poor? Widows? Orphans? All the groups that are specifically mentioned in the Bible? They all get thrown under the bus for the unborn."

Rhys' sister and Elain are the perfect vehicle for people to feel like they're "morally just" for "protecting" from...Tamlin. And people creating specific dynamics between these fictional characters, too, I guess. Because they're evil or whatever, I suppose.

"But, Raven!" I'm sure some of you are already scrambling to say. "There are real people in this fandom triggered by Tamlin, and they were hurt! They were so upset/disgusted that they left the fandom because people cared more about fictional ships than their triggers/feelings!"

And I'm going to hold your hand while I say this as a fellow survivor of DV.

No one is responsible for my triggers and caring for my own mental health other than me. And that applies to everyone else in this fanbase, too.

It's my responsibility to curate my online experience as much as possible to my own needs. This space is voluntary to be a part of, and if I no longer feel as though it's conducive to my mental health overall, then yeah, it's probably best for me to leave. Same with everyone else who felt like they shouldn't be in this fandom space because of the elaingate upheaval.

If people rightfully pointing out that this fanbase is extremely conservative and aligned with purity culture and morality policing to the point where art is policed in relation to celebrating a character during their own week is too much for someone because of the narrative around one of the characters involved...then yeah, it sounds like this isn't a good environment for them anyhow.

There's no judgment to be passed on the side rightfully saying this fandom is fucked up, whether or not people are ready to hear that. People saying art that features Tamlin in relation to another character event still has a right to be celebrated so long as that character in the event is depicted has no bearing on whatever real person Tamlin represents to the people that were triggered.

There's only so many ways people can actually be realistically protected from content that triggers them, and tagging is the most consistent way to do so. If the protection of tagging triggering content somehow still isn't enough for people when they might happen upon art depicting a character for one day out of a one-week period maybe is also still too potentially triggering for them, then maybe being in a fandom space isn't the best for their overall mental health and stepping away from it isn't a bad thing.

(And that's all without getting into why its totally fair for peoppe to question how true that ""stance"" of "protecting survivors" actually is when the Elain Week event's tagging system is consistently ignored and not used to actually protect survivors from triggering content. It's interesting how people spent more time angry at people who were adamant about the right to celebrate art instead of the event itself for not having a remotely thorough tagging system. How are you "protecting survivors" from triggering content, including yourself as the event runner, without tagging anything from character names to triggering content/events someone might view? Let's not forget how wide-spread triggers are, too. People have trigger warnings for content involving eyes or spiders due to phobias, not just events that they might have personally experienced, like violence.)

Back to the main point, however.

Issues like these out people as not understanding that creativity means bending the rules of canon however you want, because these are characters, not real people. But real people are making this art, and its value and worthiness of being celebrated is not up to anyone's personal discretion (including event runners) even in situations of discomfort.

It's a shame that the first upheaval happened regarding Elain since she's rarely appreciated outside of her ships anyway, but this Hell-hole of a fandom has had this coming for a while now. This is an absurdly conservative, rigid-to-canon, puritannical fandom, and unfortunately, Elain Week was the match that started this fire.

As a writer, I'm always going to have a hard stance on this because appreciating and celebrating art does not end where my personal likes and comforts do. Appreciation does not look the same for everyone, and just because it's not how you would personally celebrate a character does not mean it stops being appreciation or celebration. Your preferences are not and never will be the end-all-be-all of artistic appreciation in a fandom space. If you don’t see that, the block button is right there, and I've been using it very liberally.

You either stand for all of fandom integrity and creative works, or you don't deserve to be in this space. And I will very happily remove you from my space here since, as far as I'm concerned, you don't deserve to be in mine, either.