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bi-writes · 6 months

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the lamb experiment

a body is given. and it cannot be taken back.

pairing: ghost (+ tf141) x curvy!fem!reader word count: 6.3k summary: the 141 are not known for their pliancy. in an effort to take back control, they send a lamb to slaughter.

cw: (18+) mature language and content, suggestive language and content, dark!tf141, military criticism, unhealthy power dynamics, graphic descriptions of violence + gore + torture + murder, themes of dubcon (but reader is consenting), piv, cumplay, fear play, size kink, praise kink, curvy!reader with hair long enough to hold

You don't think you've ever been the object of anyone's affections, not really. Although you are blessed with many gifts, even physically, you do not see yourself that way when you look in the mirror. How you feel inside betrays you when you look in one, and instead of staring too long, you always turn away.

This time, you stare. Because her ass looks nice, and her skin looks soft, and her face isn't disagreeable.

This reflection almost terrifies you. In front of you lies a woman you do not know.

She looks good. Your clothes are a size too snug, and it squeezes all the parts of you that normally you attempt to hide. Your thighs, the cinch of your waist, every curve you cover up with your uniform normally is on display, and instead of your hair in a standard bun, it lays free. You are anything but the soldier you always see, and just when you think about running, there is a knock at the bathroom door.

You open it, straightening out your outfit, and you look down shyly when you see the face on the other side of the door.

"It's...a little tight," you say, tugging at the waistband of your pants, but the woman tuts, crossing her arms over her chest as she steps back to look you up and down.

"It's as it should be," she responds, very matter-of-fact. "Now follow me. Need to debrief before your flight."

Her name is Laswell. You have not been graced with any other name, and you suspect it is because she wants you to call her Laswell and nothing else. She is blunt and intelligent, and there is no room for anything but the truth with her. If you answer her with a lie, she waits until she hears what she knows is expected.

When you sit, she spreads a few files out in front of you. Four manila folders, three packed with documents and pictures, one with documents only. You reach for one, eyeing the labeled name.

MacTavish.

You open it, and you're overwhelmed with the information. You see a man with pretty blue eyes and a military history that would put your old squadron to shame. Flicking through the pages, there are numerous confirmed kills, no small list of disarmed explosives, reports written by others and himself that even at a quick glance exude something impressive, utmost intelligence and extensive knowledge. You take note of his unique hairstyle; shaved sides of his head and tuffs of dark waves that run down the middle. You acknowledge how much you like when it gets a little long, falling in curls over his forehead.

The next file is equally as large. You flip it over, and you tilt your head to the side when you see a picture of him. He isn't posing, but his stature is one of confidence, and he's gorgeous. A strong facial structure, dark eyes. He keeps his hair short, and his skin is dark, and as your eyes roam lower, you notice the strong muscles of his forearms as he grips a rifle. His skill sheet is no less impressive than his sergeant counterpart. He has been in so many dangerous situations, and he comes out with nothing but scratches; and he seems to be deadlier with nothing but his hands than any small firearm could be.

Kyle. It's fitting.

You look away from his pretty face to their commanding officer. There is a picture of him with the other two sergeants, and you notice how he stands taller than them, but just as broad, and you think military fatigues suit him well. He wears his sleeves rolled up to his elbows, and you can see the expanse of his strong arms and his large hands, and you take note of his carefully sculpted beard and the hat he wears. When you flip through the history, you are overwhelmed with the amount of ops he carries under his belt. This man is a war machine. You suspect there is a number on his head somewhere, in some distant country, and it makes you shift in your seat when you realize this isn't someone easy to kill.

He does the killing. And that's all that matters to the Crown.

John. That is the one that has to matter most.

"He's the one who calls the shots." Laswell's voice cuts through your heavy thoughts. She takes the last folder and opens it for you, and immediately you notice the lack of photos here. "But this is the glue."

Ghost. That is the name that sits on the official documents, but there is a dirty sticky note pasted next to it with Laswell's chicken scratch.

Simon Riley.

"His name is redacted," she says simply. "And so is his face."

"He has no face?" You ask, and when you realize how you worded it, you think it a stupid sentence, but Laswell only stares.

"Not one that matters," she responds. You look back down at the documents. He is tall, and you observe that he's most skilled with a sniper rifle, although he doesn't lack confidence or efficacy in any other form of combat. Hand-to-hand, smaller firearms, rifles, he uses them all with a terrifying accuracy, and you pull the papers closer to you as you read more.

"The glue," you murmur, not quite understanding. "And what am I supposed to be?"

"The solvent. The hammer. Whatever the fuck I need you to be."

The thing that breaks it apart. The thing that tears. The thing that makes them bleed.

And so you lie. It is what you do, what you are taught. Laswell is good at it, and you are a fish to water with it. You lie until it comes as easy as breathing, you learn to pretend until it is all you know, and when you create your second life, it is easy because it is the only one Laswell tells you to know.

You are a soldier, and you do as you're told. When your orders are to forget who you were and become something else, you do it, because that is how it works. And you know what you are in Laswell's eyes--you are a weapon, and you gave your body to the state, and she can do what she pleases with it.

And you know, really, what she expects you to do.

It isn't spoken of. She never says it out loud. But when you study the files she gives you, you notice there are more details that what is necessary. You learn more about them, in ways that feel intimate, that feel secret.

That John's favorite color is red. That MacTavish likes a traditional meal. That Kyle has a sweet tooth and likes jazz. That Ghost downs two fingers of Kentucky bourbon to unwind.

They are things to help make them agreeable, you think, but agreeable in what way is up to you.

But red looks good in lace. You've been told the stomach is the way to the heart. Chocolate is supposed to be an aphrodisiac. And alcohol is the perfect enabler--and armed with this information, you will divide and conquer.

Break and tear apart. Separate. Sever the bond. That is your mission, that is what you've been told to do, and you will do it because that is what a good soldier does, and this is all you are.

Laswell's pet. Her pretty little soldier. The hammer to her nail, the bone for her dogs, the string that will mend the ones snapped by her own puppets.

She wants control, and she isn't stupid, and neither are you. When you look in the mirror again, you understand why she picked you. No matter how far her men stray, they cannot change what they are at their core.

Men.

And men are fickle.

You suspect, you hope, even these ones are. They are not gentle, and Laswell makes sure that you learn well why it is they need supervision. She shows you pictures, videos, eyewitness statements of their spiral into violence.

It's not that they weren't war criminals before, but they were her war criminals. Unsanctioned ops, sure, but they toed a line that was drawn for them. But then the red tape became too much, even if there wasn't very much of it for them.

They began to ignore orders. When they were told to stay put, a sergeant would slip off, and under the guise of protecting them, all four would end up in a firefight. And when this became a frequent excuse, they stopped coming up with them. They simply showed up in manila folders like the ones you held, enemy casualties sometimes in the hundreds, and they did not appear even when required.

Debriefing? Their connection was bad. A hearing in front of their superiors? They're on a mark, and they cannot move. And then it was just silence. The occasional response to real crisis, and then back underground, until all Laswell could get from them were limbs taken off the enemies they weren't allowed to kill just yet.

They knew how to disappear. They knew how to hide. They knew how to stay put, come back up overground, and then scurry back underneath where no one would find them.

But that wouldn't do. Not for the CIA, not for SAS, not for either of their governments who soon realized they had let loose a group of soldiers-turned-mercenaries who hold valuable secrets that could put their politicians at the forefront of Congressional hearings, NATO violations, and then in the right mess of breaking off relations with a numerous amount of countries they already held fragile relationships with.

The 141 is a liability. They need to be the ones pulling the reigns again, no matter the cost--and they tell Laswell to do it, and to spare no expense and to pull back the curtain on what she believes might be crossing even the lines she has drawn before, to go beyond it.

She draws this line around you. A circle, a fence, wrapping around you as she molds you into what she needs you to be. She is honest. Not always kind, but honest, and because she is, you want to succeed.

Finally, you can be of use. Finally, there is something that will give you purpose. Even if it hurts, even if it kills you, you want to give her what she needs, because it isn't fair.

You have already given them everything, and you have nothing to show for it. So you paint your face, and you zip up the tight pants, you lie and you learn and you listen, and when she tells you that they will not be gentle, all you reply is, "I won't be either."

Men are fickle. And they fucking deserve this.

You are wearing red when John sees you for the first time. It is in your hair, a bright red scarf that keeps it out of your face, and you know he looks right at you and not through you when your eyes meet.

When he eyes the open door of your room later that evening, you pretend not to notice his gaze when he drinks in the sight of you in red lingerie.

It is the first morning you are with them that Johnny wakes to the smell of something in the rec room. You stand there, at the stove, stirring a wooden spoon in a warm pot, and when he steps in, you turn to see him, and you smile. You exchange no words, but when you hold a tasting spoon out to him with a soft potato and a spoonful of wonderful broth, he can't help the way he closes his eyes. There's a beautiful woman cooking stovies in the rec room, and when he opens his eyes, you are looking right back at him.

And then it's the music that plays in the evening that catches Kyle's attention. They are trailing back to their rooms after drills, and he catches sight of you in your room, and he can hear Ella Fitzgerald, and when you look over your shoulder, he is there, and he doesn't shy away.

And then--fuck--it is so easy.

Wherever you go, they follow. Unconsciously, you suspect, but they do, and you live the lie, and it feels fucking euphoric. You know you've won when you run your knuckles down John's cheek for the first time, and he keens, nuzzling the side of his face into your hand and chasing after your touch.

They are animals. You watch them when you join them on ops, rifle in front of you as you follow them, and you keep a neutral face as you observe them wreak havoc. They kill and they maim, and they sleep like the dead at night, as if the heinous ways they kill do not bother them at all. John points, and Kyle pulls the trigger. John nods his head, and Johnny detonates, nothing but a dull reflection in those blue eyes. John clicks his teeth, and Ghost sweeps.

He sweeps, and he kills, and if it wasn't so fucking terrifying, you would have admired the way he did it. The elegance that he took on an entire room of moving targets, how he never let himself be pinned down in one spot. Whenever someone gets too close, he goes hand-to-hand, and it's fucking brutal the way he finishes them off. He keeps throwing knives in his boot, and they sink into eye sockets as if running through tender meat. He puts blades through their mouths and doesn't let them go until the light leaves their eyes.

You hate that it makes you warm. That there is something deep in your belly, that twists there, that tells you that you like it. When he turns around and meets your eyes, wringing the blade out of someone's neck and letting them drop on the floor at your feet, you don't flinch. You simply kick them to the side and step over them, and Ghost watches as you lick over your teeth as you pass by him.

Insatiable. Fucking hungry. He eyes the sway of your hips, and when he finds his next target, he uses his hands again just because he needs to feel flesh under his gloved hands, needs to tear it apart. And when he feels you watching him again, he grunts as he stands to his full height. He's a fucking bear, and you leave him with a hint of a smile before you turn the corner.

You are not sure if you are pretending that day.

They ravage, and then they go back to their beds, and they wash the blood from their clothes with ease--and the worst part of it all is that you do it, too. You come out of the same places that they do, and your face is splattered with their targets. Your jeans have flecks of brain matter, your hands are dirty with someone's singed flesh. When you finally stand in the light back at their base, all John does is sit you in front of the bathroom mirror and wipe at your face with a warm towel.

He tells you how good you've done. How special you are. How he has never seen a woman keep up with them so easily, fit into their pack like she was meant to be.

He says that you belong, but he doesn't say to who. You wonder, for a second, if he means that you belong to them all.

When you report back to Laswell, you tell her this. What you don't tell her is what you've had to do to gain this status. You don't tell her about the blood you spill. You don't tell her about the bodies you see or the men that lose their faces or how worked up the boys get after an op and how it takes them hours between your legs to lose the adrenaline.

You don't tell her this because this is for you. It's all for you.

They tell you things you aren't supposed to know. When you're in their beds, they talk, and you listen. Kyle tells you about the man they are keeping in the cellar. That he's been there for 29 days, and he hasn't said a word, but that Ghost will be next to speak to him, and he will talk then.

Kyle tells you that it is a mercy that Ghost hasn't visited him yet, but they are done playing nice. When he says this, you have the image of Ghost standing over a man who pulled a gun on you in your head, and you remember watching him with a sickening relief as he pressed his thumbs into the man's eye sockets and pushed they were nothing but squished matter. You squeeze your legs together; and this time, you don't feel bad about it.

Johnny begs for you, his bonnie lass, to keep close to him on the next op because you strayed too far today. He fucks you to make you say yes, his lips on your ear as he tells you to promise him that you'll do as he says, and that if you promise, he'll let you come. So you promise, and he fucks you boneless, and the next day, you are glued to his hip when you raid a foreign embassy for nothing but answers.

You know they know. They don't say it out loud, but you know that they all know where you go at night. One night, you are kneeling under John's desk, kissing the pearly tip of him before taking him down your throat for what feels like hours. The next, you are letting Kyle bend you over his desk, rattling it against the wall as he tells you how pretty you are. And in the morning, you are pressed against the shower wall, Johnny holding your wide hips in his hands as he fucks into you, begging you, bonnie, please--give it to me, tha's it, right there, ye can do it, good girl--

Good girl. That's what you are. You're a good girl, and you do as you're told. You smile, and you keen, and you give them big, soft eyes, and you let them have the illusion of control. Maybe they think they're pressuring you. Maybe they think they scare you. Maybe they think this is why you get on your knees for them or let them pool your pants at your ankles or allow them to have you whenever they want, but the reality is that you want it, and you need it, and this is working.

They don't even realize you've fucked them into submission because they're too busy showing off.

A domino effect. You expect them all to fall once you have the captain, but there is one chess piece that does not move willingly.

Ghost.

He is an unmovable object. He stands still and rigid, and he is a statue that refuses to be pushed or pulled in any direction but one he deems. Even in the middle of the nights, when you notice he is awake, he never joins you when you drink his favorite bourbon outside. He doesn't ask for a cigarette when you smoke one, even though you never actually take a puff of it. He passes by you, and he doesn't look at you, and you are invisible.

You want to be content with what you've accomplished, but it isn't enough.

This is the glue. He is the glue, and without him, everything falls apart, and you cannot fail. There isn't room for it. And maybe you feel bad for preying on the parts of Ghost that you think he prefers to keep hidden, but you need to catch him before he gets too far away.

A kitchen accident. A knife that plunges too deep, that draws blood and makes you cry. You are in the bathroom, tears coming down your face, blood in the sink, and your hands are shaking as you try and patch yourself up. You are loud enough to draw the attention of the lieutenant whose door is only just across the hall, and when he sees you there, he doesn't leave you.

One moment there is nothing, and the next, he is behind you, a pervasive warmth at your back, and you whimper when a gloved hand wraps around your injured hand. Wordlessly, he turns the faucet on, running your hand under the water, and you hiccup, looking away and breathing deeply.

He wraps your hand in his room. You sit on his bed, and he works to cover the wound, and you know he has done this before. Soothed another's tears, quieted soft cries, covered up cuts and bruises and things that will scar.

He kneels in front of you, and when he stands to his full height, you tip your head back to look up at him. You think you will meet a soft gaze, but he glares, and he seems angry. When you open your mouth to speak, he tsks, and your tip trembles as you close it.

"Y'can fool the others," he says lowly, finally. "But not me."

You frown, confused. When you sniffle, he snarls.

"I know why y'r here," he murmurs. "Isn't the first time Laswell has sent one of her little...toys."

You clench your jaw. For a moment, something envious rattles you. You aren't like anyone else. You are certain no one has accomplished what you have, that no one has gotten this close to rock the fucking boat or pet the beast. He doesn't get to demean the progress you've made like this, even if he's figured you out, because you aren't going anywhere.

Not until you get everything you need.

"Excuse me?"

"Y'r a spy. You're CIA's whore, and I don't like y'here, puttin' y'r bloody nose where it don't belong," he kneels, his voice low and gruff, and he reaches over and grips your chin hard. "Y'may have fooled them. In their fuckin' beds...in their heads--" He draws you closer, and you swallow. "But y'r not in mine."

You meet his eyes. They are dark, and they are meant to scare you, but the feeling that runs through you isn't one that terrifies you. He is a magnet--and you can feel the field of his presence, and it has you. This is supposed to be your show. They are men, and they are stupid, and you hate them, and Ghost should be eating out of the palm of your fucking manicured hand, but there he is, spitting against his mask, and it is you that aches to see what is underneath the cotton.

"So, little lamb..." Ghost rumbles, and it is with his entire chest that he speaks. "Wot is it you're here to do, eh?"

You shake your head, "N-Nothing. She...all she told me was that this was a joint operation...CIA and SAS--"

"Y'r on the piss, I know that," he hisses, clicking his teeth. "Joint operation," he laughs, but it is without humor. "Is that we're calling this now? Being barracks bunny for the 141?"

"Fuck you," you snap, shoving his hand off. "You're a fucking bastard, and if you think--"

"If I think wot, eh?" He stands, and you choke as he grips you by your throat, lifting you off of his bed and forcing you against the wall. You grip his wrist, but it is useless, because he's a brute, and you are nothing to him. He holds you there on your toes, and you grip him tighter, but he doesn't budge. Even digging your nails into him doesn't make him flinch. If anything, he seems amused. "Wot kind of trainin' she make y'do, eh? Did ya have to practice? Who'd y'shag to get y'r stripes?"

"Eat shit," you spit, and he snickers. There is fire in your eyes, venom on your tongue, you are a fighter, and when the world is so quiet, fighting feels good, and he knows this feeling well. He understands what it means to be nothing and then something, what it means to worthless and then useful in the eyes of government and government alone.

Because you are useful, but only to Laswell, and only as this, whatever this is. Whatever you are. Pet, prize, toy--it doesn't matter what the name is today, but it will stick tomorrow, and you wonder, sickeningly, if that is your destiny.

To be unknown. To be used. To be the property of what you do not know. To be given, to be taken, to not know and to be content with not knowing.

To accept it because it is still better than whatever you were before.

He sees this. He looks into your eyes, he breathes in, and he hums, and when his grip loosens just enough, you put your toes on the ground, and you lean in, and there you are.

One and the same. Bitten, chewed, spit out, two people who are products of their suffering and the culmination of their sheer fucking will to live, even if the living is miserable.

Maybe that is what it is. Maybe it's what's broken that will put you together. Ghost is the glue, you are the solvent, and you will make it so.

Because I can't fail, I can't do it, I won't go back, I can't go back--

"I'm here for me," you whisper. "I'm here for me, and no one else--" You gasp, and it isn't a lie, not really. You are here for you, this is for you, even if it is at the downfall of someone else. If you need to step on necks to get ahead, you will.

Ghost is the last piece. The last one you need to move. He is stuck, but now you know what it is you need to do, you know how to set the game into motion.

"Ghost," you breathe, and it's soft, it's quiet. You meet his eyes, and you lean close, and he feels your breath on the front of his mask. "It's not what you think."

"You're a lamb."

"I don't wanna be a lamb."

"It doesn't matter what y'want, y'are a lamb," he growls, and you whine, and he hums, and you can see the crinkle of his eyes, and you know he must be smiling. "Tha's wot y'are, and y'can't run away from tha'."

You blink, and he stares, and there is understanding. You are prey, and you belong, but you don't know where. But then you remember you are a soldier, and it isn't your job to know. Your job is to lie still and let them have you.

And to not tell my handler how much I like it.

"It's what they made me," you whisper, and when there are tears in the corner of your eyes, he is gentle. He smooths his hand down your throat, rubbing a thumb over your trembling lip, and you know that he understands you. "It's not what I wanted."

"It's never what we want," he murmurs. "Never."

You hold your breath when he cups your face with a big gloved hand. Dark eyes on soft ones, and you wonder what it would be like to have him. He doesn't keen the way John does, doesn't kneel the way Johnny kneels, doesn't follow and listen without objection the way that Kyle does. No, he's a brick wall, and you need to be what knocks him over. You need to shake the foundation, split it in two.

You need to sever the fucking bond and do your fucking job.

"So when can I have what I want?" You ask him softly. "When...when is it my turn?"

He tilts his head to the side, curious, and you slide your hands up his forearms, over the muscle of his biceps. He is everything you cannot have.

And he is everything that you suddenly realize you want.

Forbidden. Unrelenting. The oxygen to a raging fire. He isn't the glue, he's the catalyst to whatever the fuck you bring to the experiment, and even though you know this will be disaster, you want it. You want it so badly.

Destruction tastes so good. Control is victory. Sex is power, and you want him, you want this, you want him to have you, to own you, to make you see what he sees, because it will be familiar because you are the same.

"Y'r a soldier," he says lowly. "Not about what we want. 's about what they want."

"Fuck what they want," you groan, looking away, and then a few tears slip down your face. "Fuck what they do with us. If I die for them, they only tick some fucking statistic. It means nothing. So why can't I do what I want with the time I get before...before I'm just...before I'm nothing again?"

And there it is. The mirror you hold up. The common ground. The level playing field. The two paths that cross, this is it, I have it, I have it, I fucking have it, I have him, he's mine--

He kisses you. You don't get to see his face, but his lips are there, a precious amount of skin that you're blessed with seeing until your eyes are closing.

His bed is warm. He fills it well, the breadth of him almost too much for its size, but it doesn't matter because he fucks so well. He eats your cunt because he's hungry, your thighs on his shoulders shaking as he laps at your wet folds.

He does this different. John is soft and slow, Kyle takes his time, and Johnny is always eager and sloppy. But Ghost watches. He slides his tongue in soft motions, watching, and when your thighs twitch and shake, he does the motion again. He flattens his tongue and drags it, and when you whine and arch your back, he revels in the way you move. He drinks what you spill, he fucks you with his tongue, and this is different because this isn't just attraction.

There is something about him. Something underneath the layers he covers himself with, under the mask, something that you can see that others cannot even though he doesn't take those layers off.

You know this is true when he's inside of you. His mask hasn't come off, but his mouth is on your ear, and he groans, and he talks, and you feel like he spoils you this way. Ghost never talks. You wonder often if maybe he has a limited amount of words, and he never says more than he has to lest he runs out of them. His eyes speak, and it's more than enough, but now, he talks, and it is a gift, and now you know.

He cradles your head as he fucks you, and he kisses you until you can't breathe, and then when he talks, it takes everything in you not to beg for more.

"Such a nice cunt...'s so nice..."

"Fuck--y'feel me, luv? Right there--" And he presses his palm down on your stomach, and you cry when he grabs your face and forces you to look at him, because he's cruel and he's mean, but his cock feels so good--

And you think it can't get better, and you think he can't go any deeper, and then your thighs are wrapped around his waist, and he's leaning over you, and you think you're forgetting your name.

You forget yourself. You forget the reason you're here. It's so hard to think when you're not yourself, when your mind is in the stars, when everything feels far away and so close all at the same time. There is a place for him inside of you now, and you know that even though he will ruin you, even though he already has, you will never be rid of him.

You've severed the bond. You've made your own.

When he kisses you again, and when he grinds his hips down so nice that your clit aches, you know suddenly what it feels like to have real control. The feeling that Laswell chases, the feeling she wants so fucking badly that she's made your body a weapon, your cunt a tool, your brain the hivemind that will make her every wish come true, you understand now.

You will make the sky blue, the birds sing, but you did not realize the power you held until you had Simon "Ghost" Riley buried so deep in you, that you aren't sure you're even really here anymore.

You gnaw on his arm, your tongue tracing the tattoos there. You taste sweat, and you swallow it, and you go numb thinking about having more of him inside of you. You want to bite and eat and take as much of him that he will let you--no.

You will bite and eat and take as much of him that you want, because he's yours, and you get whatever you want.

Your fingers grasp the cotton of his mask, and your grip is enough to pull his lips off of you, and when your eyes meet, the gaze is different. He's desperate. For once, there is something disorderly there, and he pants, and he wants something from you, and finally you have something to give him.

You fuck it out of him. You lay him on his back and let him look at you, and you fuck him because it feels good, because you want it, too, because it's all that matters. You cry into his mouth, sob, "please--! please, please, please--"

And he tugs on your hair in response, guiding your hips as he loses his composure, "'ve got you...y'r mine...'s olright, yeah--nggghhh, fuck, luv, th's it..."

You do want it. You do need it. You need them, but you want Ghost the most, because he is the piece that does not move. He is not willing to do anything except for the sake of his pack. Ghost is impenetrable, even your pretty cunt isn't enough to change his mind, but that isn't what this is.

This is mercy. Ghost, he is the product of all of his misery. You, you are the result of every man to ever betray you, the outcome of your unwavering desire for revenge. You are the same, somehow, and he knows this, and that is why can't help himself. That is why Ghost is underneath you, that is why he bares his mouth to you and lets you lick into it and allows you to taste the forbidden fruit.

Because he thinks you are him, and he thinks you think so, too, and all he's ever wanted in his life is just for someone to see him the way he saw himself.

When he comes, he paints your cunt and fills you, and you collapse, your body on fire as you come down from a high that takes your breath away. His big hands cradle you against his chest, and you don't move, too afraid to let go, and he kisses your face when you whimper. You can taste yourself on his tongue, and when he pulls out, you gather it up on your fingers and suck. He groans, and he kisses you, and then he sinks back to his knees because he doesn't hear the ringing in his ears when his mouth is on your pretty pussy.

You're just a lamb, it's all you are. Handpicked by Laswell to head into the lion's den, a scarred animal that has no one to protect her, straight to slaughter.

He knows what it feels like. He knows what it feels like to be used and forgotten, to have nowhere to go, to be backed into a corner with no way out, and he pities you.

Ghost pities you because there is nothing behind your eyes except fear. But it's a lie. You're so good at it now. It's a lie, and you tell it so well, and you're warm inside. Not from taking the last moving piece, but from the satisfaction of knowing you have done what others cannot. What others never could.

It's late when you finally settle beside him. He leaves you when you ask for something to eat. You watch him slip clothes on haphazardly and leave, the door swinging shut behind him as he shuffles to get what you need.

To provide. To protect. To shield. Ghost is good at those things, you knew he would be. A man does not nurse a brother back to health without it, does not protect his mother and defy his father without being good at being a dog.

He's a good guard dog. And when he goes, and the door is closed, you smile because the dog is mine, all fucking mine--

You reach for your phone, and you pull up the only contact in it. You type a simple message, and then you send it, and for good measure, you shut the device off, tossing it into the pile of your discarded clothes.

>> we have joy.

You are good at pretending. You can tell a lie without blinking. You have been taught to be this thing, and you do it well, because you are a soldier, and this is your mission, and you cannot fail, and you didn't fail.

When you see Laswell again, many weeks later, she is not surprised to see you covering up with long sleeves and keeping your hair down. One tug on the collar of your shirt, and she gets glimpses of the love bites that have marked bruises all across your skin. She lets you go, tells you to sit, and she smirks.

You smile back this time.

Men are fickle. And they fucking deserve this.

"Good girl," she takes out another manila folder, but it's different this time. When you open it, you have schedules of upcoming ops, intel the boys are working, evidence of their reckless abandonment of order in favor of the chaotic success of getting the job done. You have seen this first hand, you know what they do and how they do it. But now there is another factor, another subject, right in the middle of it all. It is you.

Laswell takes a seat, spreading out the papers, and you meet her eyes. This time it's different. This is the truth, and you want to feel bad for your betrayal, but you don't. The fact of the matter is that you and Laswell, together in this room, have more power at your feet than you know what to do with.

A lamb to slaughter, and yet you sleep with the wolves.

"Alright," she says. "Now let's get to fucking work."

#simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!simon #dark!soap

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novaursa · 25 days

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The Last Dragonslayer (1/2)

- Summary: When young Luke came to Storm’s End as his mother’s emissary, Aemond wasn't the only one there to greet the young Prince.

- Paring: female!reader/Rhaenyra Targaryen

- Note: Reader is a Dragonslayer (a warrior) that saves Rhaeyra's child and fights for her. This is based on the request below, with my own twist in it, and it's the result of the votes that ended yesterday:

- Rating: Mature 16+ (last part will be rated higher)

- Word count: 8 000+

- Next part: 2

- Tag(s): @sachaa-ff

- A/N: male!reader/Rhaenyra Targaryen is currently under construction. It will be posted once the second part of this work is out. Also, for more of my works visit my blog.

The storm rages fiercely over Storm's End, the winds howling through the stone walls of the castle like a restless beast. You stand in the shadowed alcove, your eyes tracking the young prince as he dismounts from his dragon, Arrax. The creature’s scales gleam wet in the flickering torchlight, its eyes wide with agitation. The beast feels it, the looming presence of something much older and much deadlier. You know without looking that it is Vhagar, the monstrous she-dragon that casts her shadow over the stormy skies.

Lucerys Velaryon, the boy prince, has the look of a cornered deer as he glances around the courtyard, his gaze inevitably drawn to the dark silhouette of Vhagar looming ominously in the distance. His heart beats wildly in his chest, his breath coming in shallow gasps. The dragon he rides is no match for the ancient beast that waits, almost as if it hungers for the boy’s fear.

But it is not Vhagar that makes Arrax twitch nervously, shifting its massive claws on the slick stone ground. No, there is something else—another presence that unnerves both dragons. A primal fear ripples through the air, a fear that runs deeper than any rivalry between dragonriders.

You know what they feel. It is the Banshee, your mount, your companion. She lies in the caves beneath the castle, her leathery wings folded, her shriek an unspoken warning to all dragons that a Dragonslayer is near. You’ve ridden her across the skies of Essos, and now you have brought her to this cold, storm-battered land, a place so different from the sunlit shores of your origin.

As Lucerys is escorted into the great hall, you follow silently, a shadow among the guards, your steps barely a whisper against the stone. The hall is dimly lit, the flames flickering in their sconces as the storm rumbles outside. Lord Borros Baratheon sits upon his chair, his face a thundercloud of displeasure, while Aemond Targaryen stands off to the side, his single eye gleaming with malicious intent.

“Prince Lucerys Velaryon,” Borros announces with a voice as heavy as the storm, “sent by your mother, the Queen.”

Lucerys takes a breath, standing tall as he faces the Lord of Storm's End. His voice is steady as he presents his mother’s terms, but you can see the tremor in his hands, the boy struggling to maintain his composure under the weight of the situation.

Aemond steps forward, his presence dark and threatening, a cruel smile playing on his lips. “You’re a brave boy to come here alone, nephew,” he sneers, his hand hovering near the hilt of his sword. “But bravery only goes so far. You owe me an eye.”

The demand hangs in the air like the threat of lightning. Lucerys’ eyes widen, his breath catching as the terror grips him. He steps back, his hand instinctively moving to his sword, though you can see he knows it is futile.

Aemond’s voice drips with venom as he draws closer, reaching for the sapphire in his empty eye socket. “Don’t be afraid, boy. It’s a simple thing, really. Just a payment for what was stolen from me.”

Your movement is like a shadow across the floor as you step out from your place against the wall, your boots making soft, deliberate sounds against the stone. Aemond’s attention snaps to you, curiosity flashing in his eye as he sees a figure unlike any other in this hall.

“Who are you?” Aemond demands, his voice tinged with both suspicion and interest. The hall seems to quiet, even the storm outside pausing as if to hear your reply.

Lord Borros rises from his chair, turning his gaze to you, and his expression is a mixture of awe and unease. “This is the emissary from the Free Cities,” he says, his voice uncertain. “She arrived a few days ago, from across the Narrow Sea. An emissary, she claimed, from an ancient order.”

You tilt your head slightly, regarding Aemond with those eyes of yours, eyes that many have said carry the weight of ancient knowledge, of secrets lost to time. When you speak, your accent is thick, your voice smooth, yet carrying a hardness beneath it, like a blade wrapped in silk. “The boy will return to his mother,” you state, your tone leaving no room for argument.

Aemond’s eye narrows, his curiosity turning to annoyance. “You think to order me around in my own land? I am a Targaryen, the blood of the dragon. And you—what are you?”

“I am Y/N,” you say simply, letting the name hang in the air, as though it should explain everything. And to those who know, it does. “And I have no interest in your games, dragonrider. The boy leaves. Now.”

Lucerys looks at you with wide eyes, relief and confusion mixing on his young face. He knows not who you are, nor why you would intercede on his behalf, but he knows better than to question the chance at survival you offer.

Aemond, however, is less easily swayed. “You do not command me, woman,” he snarls, his hand finally gripping his sword hilt.

Your eyes lock onto his, and there is a cold, ancient fury in your gaze that makes Aemond pause, just for a moment. “Do you hear that?” you ask softly, almost a whisper.

He frowns, confusion crossing his features. But then he does hear it—a low, keening wail, barely audible over the storm, but there nonetheless. It is a sound that twists something deep in his chest, a primal fear that is older than his bloodline, older than even the dragons themselves.

“That,” you continue, your voice never rising, yet commanding all attention, “is a Banshee’s call. Do you know what it means, dragonrider?”

Aemond doesn’t answer, his grip tightening on his sword. But you see it, the flicker of doubt in his eye, the instinctive fear that his ancestors would have known all too well.

“It means,” you say, taking a step closer to the prince, “that the Dragonslayers are near.”

Silence falls heavy in the hall, the only sound the storm raging outside and that distant, eerie wail of your mount. Aemond’s confidence wavers, just for a heartbeat, and you seize the moment.

“Return to your mother, boy,” you say to Lucerys, your tone softening slightly as you address the prince. “And tell her the Dragonslayers have not forgotten.”

Lucerys doesn’t hesitate. He turns and strides from the hall, the guards parting before him. Aemond watches him go, his eye flicking between you and the retreating prince, torn between pride and the icy fear that grips his heart.

As the doors close behind Lucerys, Aemond turns back to you, but you are already gone, melted back into the shadows of the storm. The Banshee’s wail echoes in his ears, a sound that will haunt him long after this night has passed.

And in the distance, through the storm and the dark, Lucerys Velaryon rides his dragon into the night, the words of a stranger echoing in his mind as he returns to his mother—a warning, a promise, and a name that will not be easily forgotten.

The storm's fury is unrelenting as Vhagar takes to the skies, her wings cutting through the tempest with the power of a creature that has lived through centuries. Beneath her, the world is a blur of rain and lightning, the roar of the wind nearly drowning out the beat of her wings. Aemond’s eye is fixed on the smaller silhouette ahead, the young prince Lucerys and his dragon, Arrax. His pride, his rage, they drive him forward with a singular, furious intent.

"Do you think you can escape me, boy?" Aemond mutters to himself, the thrill of the hunt coursing through his veins. His grip on the reins tightens as he urges Vhagar onward, the ancient beast responding to his will, her massive form gaining on the fleeing dragon.

But then, something shifts.

It begins with Vhagar. The she-dragon, who has known no fear in over a century, falters mid-flight. Her great head swivels, nostrils flaring as if sensing something that doesn’t belong in this world. A deep, rumbling growl escapes her throat, a sound of unease that Aemond has never heard from her before.

"What is it, girl?" Aemond calls out, his voice straining against the storm, frustration creeping in as Vhagar slows her pursuit. He yanks at the reins, but the dragon resists, her great body twisting in the air as if trying to turn away from something unseen.

Then it comes—a sound like no other. Piercing, shrill, it cuts through the storm with an unnatural clarity. A cry that chills the blood, a scream not of any living thing, but of something that should never have existed. Aemond feels it like a knife in his gut, a primal fear that shakes the core of even a Targaryen prince. Vhagar responds with a bellow of her own, but this is not a sound of defiance—it is one of terror.

Through the torrential rain and flashes of lightning, Aemond sees it. Emerging from the swirling clouds above, the Banshee appears, its form massive and menacing, a creature out of nightmares and ancient legends. It is larger than any dragon, its wings long and leathery, resembling those of some dark, twisted bat. Its body is sinewy and powerful, covered in scales as dark as midnight, its maw filled with razor-sharp teeth that seem made to tear through dragon flesh. Eyes that glow with a sickly green light fixate on Vhagar, and in that gaze, there is nothing but hunger.

A hunger that could swallow the world.

The Banshee shrieks again, and this time, the sound is closer, more intense, reverberating through the storm as if the very heavens themselves are crying out in fear. Vhagar roars back, but her voice wavers, no longer the dominant force of the skies. She tries to pull away, her vast wings beating furiously as she begins to ascend, desperate to escape the horror that has locked its gaze upon her.

And there, atop the Banshee, you sit. The storm whips around you, yet you are steady, your body moving fluidly with the creature’s every motion. Your eyes are fixed on Aemond, a cold determination set in your features as you close in. The distance between the two monstrous creatures shrinks with every heartbeat, the Banshee’s speed unnatural, as if it is not bound by the same laws of the world as other beings.

"Vhagar, no!" Aemond shouts, desperation creeping into his voice as he feels his mount’s fear, her once obedient nature slipping through his control. He pulls harder on the reins, but the ancient dragon does not heed him. She banks sharply to the side, attempting to flee, the instinct to survive overpowering all else.

"Stay and fight, damn you!" Aemond roars, but his voice is lost to the storm and to Vhagar’s terror. For the first time, Aemond realizes that he has lost control. Vhagar, the greatest of all dragons, is fleeing like a hunted beast.

From behind, Lucerys and Arrax, seeing their chance, dart downwards toward the safety of the clouds below. The boy doesn’t look back, but his heart pounds with both fear and gratitude, his only thought now of returning to Dragonstone and the safety of his mother’s arms. The storm swallows them, the smaller dragon vanishing into the darkness, seizing the slim opportunity for escape that has been granted by the terror you’ve unleashed.

You see this, the boy’s escape, and though you could chase, though you could end him as well, your focus remains on Aemond. This is a message, a warning, and it is Vhagar who must carry it back.

Aemond’s face twists with a mix of rage and helplessness as he feels Vhagar’s massive body turning, wings beating harder now, not in pursuit, but in retreat. You let out a command, your voice carried by the storm, not in words that Aemond understands, but the Banshee does. She dives, a predatory speed that belies her size, closing the distance between them in seconds.

Another scream from the Banshee, and this time, Vhagar shudders violently, nearly throwing Aemond from her back. The ancient dragon, who has seen countless battles and burned entire cities to ash, is utterly broken by the presence of this creature from a bygone era. She dives desperately, fleeing into the clouds, seeking any refuge from the horror that chases her.

For a brief moment, as you pull back, allowing Vhagar to escape into the storm’s embrace, your eyes meet Aemond’s. In that gaze, he sees something that shakes him more than the sight of the Banshee or the fear in Vhagar’s eyes. He sees the cold, unyielding power of an order thought extinct, a legacy that has returned from the shadows of history.

And then you and the Banshee vanish into the storm, your form melding with the darkness as if you were never there. Only the lingering echoes of that terrifying scream remain, fading into the storm, a sound that will haunt Aemond for the rest of his days.

Vhagar continues her frantic flight, the once-proud dragon now reduced to a fleeing beast, her rider clinging to her, his pride shattered, his mind reeling. Aemond’s thoughts are a whirlwind of anger, fear, and humiliation. He came to these skies with the intent to prove his dominance, to assert his strength, but now he returns with the bitter taste of defeat and the knowledge that there are forces in this world even dragons fear.

And far below, Lucerys and Arrax race through the storm towards the safety of Dragonstone, the boy’s heart pounding with relief and terror. He will make it home, but the memory of this night will stay with him—the night he was spared not by his own hand, but by a mysterious stranger on a creature of nightmares.

The Dragonslayers have returned. And the dragons of Westeros will never be the same.

The skies over Dragonstone are dark, heavy with the remnants of the storm that raged over Storm's End. The air is filled with unease as the guards and retainers of the castle stand vigilantly on the battlements, their eyes scanning the horizon. They know who they are waiting for, though they dare not speak of the dread that gnaws at them.

Suddenly, through the mists and rain, a shape emerges. A dragon, smaller than most, with wet and weary wings straining to keep it aloft. Arrax lands heavily in the courtyard, his scales slick with rain and his breath labored from the flight. The beast's eyes are wide, pupils darting in a way that betrays its fear.

Atop him, Lucerys Velaryon sits slumped in the saddle, his small form trembling, soaked to the bone. He barely has the strength to dismount, nearly collapsing as his boots touch the ground. His hands are shaking uncontrollably, and his eyes—those eyes that should be bright with the fire of youth—are wide and haunted, filled with the terror of what he has just endured.

From across the courtyard, Queen Rhaenyra breaks from her retinue of Queensguard, her heart seizing as she sees the state of her son. “Luke!” she cries, her voice cracking with fear and relief as she rushes to him, her skirts billowing as she nearly stumbles in her haste.

“Mother,” Lucerys gasps, his voice a whisper against the wind. He’s shivering violently, his teeth chattering as the cold and fear clutch at him.

Rhaenyra reaches him, wrapping him in her arms, her grip firm and protective as she pulls him close, heedless of the rain that soaks through her own clothing. Her heart pounds in her chest as she feels the tremors racking his small frame. “Gods, what happened?” she whispers, her hand cupping his face as she tries to meet his eyes, searching for any sign of injury, any indication of what has terrified her son so deeply.

Lucerys buries his face against her shoulder, his breath hitching as he tries to find the words. “I—I saw him, Mother,” he begins, his voice shaking as badly as his body. “Aemond was there… at Storm’s End. Vhagar was with him.”

Rhaenyra stiffens, her blood turning to ice at the mention of Aemond and his dragon. “Did he harm you?” Her voice is fierce, though a mother’s terror lies just beneath it. “What did he do to you?”

Lucerys shakes his head frantically, clutching at her arms as if grounding himself in her presence. “He… he wanted to take my eye, Mother. He said… he said it was a debt. But…” His words trail off, his breath catching as he struggles to explain the horror he witnessed.

Rhaenyra’s grip tightens, her eyes narrowing with a mixture of rage and fear. “But what, Luke? What happened?”

Luke pulls back slightly, his wide eyes meeting hers, filled with a confusion that mirrors his terror. “She… she saved me, Mother. A woman… a stranger. She stopped Aemond.”

Rhaenyra blinks, her mind racing. “A woman? Who was she? What did she look like?”

Luke swallows hard, his voice trembling as he continues, “She… she wasn’t from here. She looked… different. Like no one I’ve ever seen before. She had an accent I didn’t recognize. Lord Borros called her an emissary from the Free Cities.” His voice drops to a whisper, as if saying the next words might summon the creature back. “And she had a… a beast with her. Not a dragon, but something else. It was… it was terrifying, Mother. The dragons, even Vhagar… they were afraid of it.”

Rhaenyra’s heart pounds faster as she listens, trying to make sense of her son’s words. “A beast? What did it look like?”

Luke’s eyes glaze over slightly as he recalls the image burned into his mind. “It was… huge, bigger than any dragon I’ve seen, with wings like… like a bat’s. And its scream, Mother… it was like nothing I’ve ever heard. It made the storm itself seem quiet. And she was riding it… commanding it.”

Rhaenyra’s blood runs cold, her mind racing through the possibilities, but nothing matches the description her son gives. A creature that could frighten Vhagar, the largest and oldest of the Targaryen dragons? It sounds like a nightmare given form, a horror from ancient times.

“Are you sure of what you saw, Luke?” she asks gently, her tone softening as she brushes his wet hair from his face. “Could it have been… something else? A trick of the storm?”

Luke shakes his head vehemently. “No, Mother. I saw it. I heard it. She told me to go, to return to you. And when I left… Aemond was chasing me, but then the creature came after him instead. Vhagar fled, Mother. She was terrified.”

Rhaenyra’s eyes widen, a shiver running down her spine at the thought. If Vhagar, the mightiest of all dragons, could be driven to flee… what manner of beast had her son encountered? And who was this woman, this stranger who had saved her child from a fate worse than death?

A feeling of unease settles over her, a realization that something far greater and more dangerous than she had anticipated is at play. The knowledge that ancient powers, long thought to be myths, might have returned to the world shakes her to her core.

But for now, all that matters is her son. She pulls him close again, holding him tightly as if to shield him from whatever darkness lies out there, whatever force has set its sights on the Targaryen bloodline. “You’re safe now,” she whispers, trying to convince herself as much as him. “You’re home, and you’re safe.”

But even as she says the words, her mind is already racing ahead, planning, fearing, wondering what this new player on the board means for the future of her house, for her claim, and for the survival of her children.

The night is still and heavy with the remnants of the storm, the winds howling softly through the dark corridors of Dragonstone. Rhaenyra is deep in a restless sleep, her mind troubled by the events of the day, her dreams haunted by the image of her son, drenched and trembling, speaking of a beast that defied all she knew of the world.

But suddenly, her sleep is shattered by a sound so primal, so raw, that it feels like the earth itself is tearing apart. The roar of dragons, rising in a cacophony of fear and fury, echoes through the stone walls of the castle. It’s not just any dragon’s roar—it’s the sound of dragons in terror. Rhaenyra bolts upright in her bed, her heart pounding in her chest as the walls seem to tremble around her.

She hears another roar, louder this time, unmistakable in its ferocity—the Cannibal. The ancient, wild dragon’s scream is so powerful that it seems to shake the very foundations of Dragonstone. The deep, guttural sound reverberates through the castle, making the torches flicker as if the flame itself is afraid.

And then, cutting through the night like a blade, comes another sound—a wail, high-pitched and unnatural, unlike anything she’s ever heard. It’s the cry of the Banshee, echoing through the skies above the island, a sound so filled with dread that it makes her blood run cold.

Rhaenyra leaps from her bed, pulling on a robe as she rushes toward the door. Her heart races, a mix of fear and adrenaline driving her forward. She flings open the door, her voice breaking the silence of the corridor. “Daemon!”

As if summoned by her cry, Daemon Targaryen appears, already dressed and armed, his face set in a grim expression. He doesn’t need to ask what’s happening—the screams of the dragons and the wail from the skies tell him all he needs to know.

“They’re afraid,” Daemon says, his voice rough with tension as he strides toward her, his eyes blazing. “The dragons are terrified, Rhaenyra. Whatever it is, it’s here.”

Rhaenyra nods, her breath coming in shallow gasps as she hurries to follow him. The two of them rush through the castle, Daemon’s men falling in around them, their faces pale as they hear the screams that fill the night. The ground beneath their feet seems to tremble as if the very earth is trying to recoil from the presence that has arrived on its shores.

They reach the courtyard just as another roar shakes the air, but this time it’s different. This time, it’s a sound of submission, of retreat. In the distance, high atop Dragonmont, the dragons that make their home in the ancient volcano are pulling back, their massive forms retreating into the dark, smoke-filled caves, away from the open sky. Even the Cannibal, the most feared and untamed of all the dragons, has gone silent, its defiance turned to fear.

Rhaenyra’s eyes follow the direction of the retreating dragons, and there, near the rocky coastline, she sees it—the Banshee. It stands on the blackened sand, its vast wings partially spread, casting an ominous shadow that stretches out over the churning waves. The creature is even more terrifying than she had imagined from Lucerys’ description, a monstrous form that seems to absorb the darkness around it, its eyes glowing with that sickly green light that cuts through the night.

And before the Banshee, standing with an air of calm command, is the woman—Y/N. She stands tall, her presence as formidable as the beast behind her, her eyes fixed on the castle. Even from this distance, Rhaenyra can see the confidence in her stance, the ease with which she controls the horror at her side.

Daemon’s hand moves to the hilt of his sword as he stares at the woman and her beast, his eyes narrowing in a mix of fury and awe. “Is this the creature the boy spoke of?” he asks, his voice low and dangerous.

Rhaenyra nods, unable to tear her gaze from the sight. “It is,” she whispers, her voice tinged with fear and a growing sense of foreboding. “And that… that is the woman who saved him.”

Daemon takes a step forward, his gaze shifting to Caraxes, who is visible in the distance, his great head peeking out from the entrance of his cave. The Blood Wyrm, who has faced down dragons and men alike, recoils, his body pressed low to the ground as if trying to melt into the rock itself. He refuses to come forward, his instincts telling him that this is not a foe he wishes to face.

Rhaenyra watches as Daemon's knuckles turn white around the hilt of his sword. “Even Caraxes is afraid,” he mutters, almost to himself. “What manner of beast is this? And who is this woman?”

Before Rhaenyra can respond, Y/N takes a step forward, moving with a grace that belies the danger she embodies. Her voice carries across the distance, strong and clear despite the howling wind. “I come not as an enemy, but as an emissary.”

Rhaenyra feels a shiver run down her spine at the sound of the woman’s voice. There is something in it, an authority, a power that feels ancient, something that commands respect and fear in equal measure. She steps forward, placing a hand on Daemon’s arm to still him, her eyes never leaving Y/N.

“You saved my son,” Rhaenyra calls out, her voice steady, though her heart is pounding in her chest. “Why?”

Y/N’s gaze meets hers, and for a moment, Rhaenyra feels as though she’s being weighed, measured by a force that sees far beyond the physical. “Because the time has come for old debts to be paid, and old alliances to be rekindled,” Y/N replies, her accent unfamiliar, each word carrying an air of inevitability.

Daemon steps forward, his posture rigid, every muscle coiled with tension. “What are you?” he demands, his tone edged with suspicion. “And what do you want from us?”

Y/N regards him calmly, her eyes as unreadable as the stormy sea behind her. “I am the last of the Dragonslayers,” she says, her words cutting through the air like a blade. “And I seek what was lost to time—an alliance, forged in blood and fire, that will reshape the fate of the Seven Kingdoms.”

Rhaenyra’s breath catches at the mention of the Dragonslayers. The name is one of legend, spoken of only in whispers, a myth more than a reality. Yet here stands proof, undeniable and terrifying. “An alliance?” she echoes, her voice a mix of intrigue and caution. “With whom?”

Y/N’s gaze sharpens, and a ghost of a smile touches her lips. “With House Targaryen,” she says, the name carrying weight as if it alone could alter the course of history. “If you will accept it.”

The words hang in the air, filled with promise and threat alike. Rhaenyra and Daemon exchange a look, the gravity of what is being offered sinking in. The roar of the dragons has died away, leaving only the sound of the wind and the waves crashing against the rocks.

The Banshee shifts behind Y/N, its wings rustling like the ominous whisper of death itself. Rhaenyra takes a deep breath, stepping forward, her voice firm as she speaks. “Come inside,” she says, a queen’s command, but also an invitation. “We will speak more.”

Y/N inclines her head slightly, a gesture of acknowledgment, before turning to her beast. With a simple, fluid motion, she mounts the Banshee, the creature responding to her touch with a soft, almost affectionate growl. “I will come,” she says, her voice carrying across the distance. “But know this, Queen Rhaenyra—what I bring is not just an alliance, but the power to change the very destiny of your house.”

With that, the Banshee lets out one last, bone-chilling wail that echoes across the island. The creature takes to the skies, its massive wings beating against the wind as it rises into the air, carrying its rider away from the shore and into the stormy night.

Rhaenyra watches as the dark silhouette disappears into the clouds, her mind racing with a thousand questions, her heart heavy with the knowledge that whatever comes next, it will be like nothing Westeros has ever seen.

Daemon stands beside her, his eyes still fixed on the sky where the Banshee vanished. “We must be ready,” he says quietly, his voice laced with both determination and unease. “Whatever she brings, it will not be easily controlled.”

Rhaenyra nods, her gaze steely as she turns back toward the castle, already thinking of the steps she must take, the alliances she must forge, and the preparations she must make. “Then we shall be ready,” she replies, her voice firm with resolve. “For House Targaryen will not be brought low, not by dragons, and not by beasts.”

Together, they walk back into the heart of Dragonstone, the weight of their decisions pressing heavily upon them, the storm outside now a mere whisper compared to the storm that is yet to come.

The great hall of Dragonstone is eerily quiet, the only sound the occasional crackle of the fire in the hearth, its flames dancing in the dim light. The storm outside has settled into a steady, rhythmic beat against the stone walls, as if the very island holds its breath, waiting for what comes next.

Daemon Targaryen stands by the fire, his eyes fixed on the flames, deep in thought. The warmth of the fire does little to chase away the cold unease that has settled in his bones since the arrival of the stranger and her beast. Rhaenyra sits at the head of the table, her posture regal and composed, though her gaze is sharp and searching as it rests on the woman before them—Y/N, the self-proclaimed last of the Dragonslayers.

You stand before them, calm and composed, the flickering firelight casting shadows across your face. Your expression is inscrutable, your eyes reflecting a depth of experience and knowledge that stretches far beyond the walls of this ancient castle.

Daemon finally speaks, his voice low, but filled with the weight of old memories. “When I was a boy, I used to sit at my wet nurse’s feet as she told me the tales of old Valyria. Stories of dragons soaring above the world, of their might and majesty… and of the terror that once threatened them.” He turns his gaze from the fire to you, his eyes narrowing slightly. “She spoke of the Dragonslayers, warriors from an ancient order, born from the fear and hatred of those who had no other means to fight back against the dragons. It was said their beasts were as fearsome as the dragons themselves—monstrous creatures that could strike terror into the heart of even the most battle-hardened Targaryen.”

He pauses, his lips curving into a wry smile that doesn’t reach his eyes. “But those were just stories. Tales meant to frighten children and remind us of our place in the world. When the Doom of Valyria came, the Dragonslayers were said to have perished along with the dragons. Swallowed by the same flames that consumed the Freehold.”

Daemon’s smile fades, replaced by a hard, calculating look. “So you must excuse me, Lady Y/N, if I find it difficult to believe that I now stand face to face with a ghost from those old tales. A Dragonslayer, here to negotiate with the very people her kind once hunted. It seems… unlikely, doesn’t it? Like a dragon holding court with a woman who eats dragons.”

Rhaenyra watches you intently, her fingers lightly drumming against the arm of her chair as she waits for your response. The tension in the room is felt, the air thick with unspoken questions and unvoiced fears.

You meet Daemon’s gaze without flinching, your expression unreadable as you consider his words. When you finally speak, your voice is steady, carrying an authority that demands attention. “You are right to be cautious, Prince Daemon. The tales of the Dragonslayers are shrouded in myth, and much has been lost to time. But make no mistake—those tales were born from truth. My order existed long before Valyria rose to power, and our purpose was never simply to destroy dragons.”

You pause, your eyes flicking between Daemon and Rhaenyra, measuring their reactions. “Our purpose was—and still is—balance. The world must be in balance, or it risks falling into chaos. The dragons of Valyria were a force of nature, powerful and wild. But when they were allowed to spread unchecked, to conquer and dominate, the balance was threatened.”

Rhaenyra leans forward slightly, her brow furrowed in thought. “And now? What is your purpose here, in Westeros? You say you seek balance, but what does that mean for my house? For my children?”

You turn your gaze to her, your expression softening slightly as you consider your words carefully. “The balance is delicate, Queen Rhaenyra. It is not my intention to see the dragons of Westeros wiped out. That would tip the scales too far in the other direction. The dragons are a part of this world, just as you are, just as I am. But if they are allowed to overwhelm this continent, to destroy all in their path, or if they are allowed to die out entirely, the balance will be lost. And when the balance is lost, it is not just the dragons that suffer—it is the entire world.”

Daemon’s eyes narrow as he considers your words, his hand resting on the hilt of his sword, though he makes no move to draw it. “So you would see yourself as some kind of guardian, then? A protector of the balance? And what if that means turning against the very dragons you claim to protect?”

You meet his challenge with a steady gaze. “If it comes to that, Prince Daemon, then so be it. But understand this—my purpose is not to hunt dragons for sport or to seek vengeance for old wrongs. My purpose is to ensure that the world does not fall into chaos. If that means working with the dragons and their riders to maintain the balance, then that is what I will do.”

Rhaenyra exchanges a glance with Daemon, her expression one of deep contemplation. “And what would you ask of us, then?” she inquires, her tone thoughtful, though there is a note of steel beneath it. “What role do you see House Targaryen playing in this balance you speak of?”

You take a deep breath, your gaze steady as you address both of them. “House Targaryen is at the center of the storm that is coming. The dragons you command are both a weapon and a symbol, and their power must be wielded wisely. I offer you an alliance, a way to ensure that power is used to preserve the balance, rather than disrupt it.”

Daemon raises an eyebrow, his skepticism still evident. “And if we refuse?”

You smile faintly, a hint of something ancient and knowing in your expression. “Then the balance will be lost. And I will do what must be done to restore it, with or without your cooperation.”

Silence falls over the room, the weight of your words sinking in. Rhaenyra’s eyes flicker with a mix of emotions—fear, determination, and something akin to respect. She finally rises from her chair, stepping toward you, her gaze unwavering.

“You speak of balance, but know this—we are not easily swayed, and we do not take threats lightly,” she says, her voice strong and clear. “But if you are truly here to preserve this balance, then we will consider your offer. For the sake of our children, and for the future of this realm.”

You incline your head slightly, acknowledging her words. “That is all I ask, Queen Rhaenyra. Consider my offer, and know that I am not your enemy. Not unless you make me one.”

Daemon watches you closely, his hand still resting on his sword, but for now, he remains silent, his thoughts unreadable.

Rhaenyra turns to him, her expression one of quiet resolve. “We will speak more of this, Daemon. But for now, we must be cautious. This alliance may be what we need to ensure the survival of our house.”

Daemon nods slowly, his gaze still locked on you. “Very well,” he says, his voice low and thoughtful. “But know this, Lady Y/N—if you betray us, if you threaten what is ours, you will find that dragons are not so easily tamed.”

You smile slightly, a knowing glint in your eyes. “Nor are Dragonslayers, Prince Daemon. But I hope it does not come to that.”

With that, the tension in the room begins to ease, though the underlying unease remains. The fire crackles softly in the hearth, and the storm outside continues to rage, a reminder that the true storm has only just begun.

The night has settled over Dragonstone with a profound stillness, the earlier storm having finally exhausted itself. The air is cool and crisp, carrying the scent of the sea, and above, the sky is a vast canvas of stars, twinkling like distant, forgotten fires. The castle itself is quiet, the flames of the torches flickering softly in their sconces, casting long shadows across the ancient stone.

Rhaenyra finds herself drawn to the open balcony, her steps light as she moves through the corridors, her thoughts still heavy with the weight of the day’s revelations. As she approaches, she sees you standing there, your back to her, gazing up at the night sky with a stillness that almost seems inhuman. The soft light of the stars bathes you in an ethereal glow, and for a moment, Rhaenyra is struck by your presence. There is something otherworldly about you, a beauty that is both mesmerizing and unsettling, even to one of Targaryen blood, who is no stranger to the idea of beings who are not entirely of this world.

Your figure is tall and graceful, your hair catching the faint light as it moves gently in the breeze. Your clothes, simple yet elegant, seem almost to blend with the shadows, as if you are a part of the night itself. There is an air of timelessness about you, something ancient and enduring, and it stirs a deep curiosity within Rhaenyra, a need to understand the enigma that is Y/N.

You speak before she can announce her presence, your voice soft but clear, carrying the weight of knowledge and memory. “It is said that my people came from those stars,” you begin, still gazing upward, your eyes tracing the patterns in the sky. “Long ago, when the world was young, their ship crumbled down in fire, crashing into what would become the Valyrian Freehold. Can you imagine it, Rhaenyra? A ship that sails among the stars, crossing the vast emptiness between worlds?”

Rhaenyra pauses at your words, her breath catching as she considers the image you’ve painted. The idea is both wondrous and terrifying, something beyond the scope of anything she has ever known. She steps closer, her eyes moving from your figure to the sky above, trying to see what you see.

“It’s a beautiful thought,” she says softly, “but also a frightening one. The idea that something so vast, so unknowable, could exist out there. Or worse, that there might be nothing at all. We would be so small… so insignificant.”

You finally turn to face her, your eyes meeting hers with a look that is both kind and ancient, as if you hold secrets that span the ages. “That is the truth of it, isn’t it? The vastness of the universe, the endless expanse of stars… it can make one feel so very small. All the battles we fight, all the kingdoms we build… in the end, they are but whispers in the wind compared to the forces that drive this world and all the others.”

Rhaenyra’s gaze softens as she looks at you, the intensity of your words resonating deep within her. She takes another step closer, her voice tinged with gratitude as she speaks. “I wanted to thank you… for what you did for Lucerys. You saved my son’s life. For that, I am in your debt.”

You incline your head slightly, acknowledging her thanks with a faint smile. “What I did was just,” you reply simply, as if there could be no other course of action. “The boy’s life was not meant to end that day.”

Rhaenyra studies you, her curiosity growing, fueled by the mysteriousness that surrounds you. She has faced dragons and men alike, but there is something about you that captivates her in a way she does not fully understand. “You said you were the last of your kind,” she begins, her voice gentle but probing. “Does that mean you have no family left?”

You turn back to the sky, your expression unreadable as you consider her question. “There are a few others of my order,” you say after a moment, your voice touched with a hint of melancholy. “They are scattered across the world, trying to survive as best they can. But they are not of my blood. My true family… they are gone.”

Rhaenyra feels a pang of sympathy at your words, a sudden connection to the pain you carry. She knows the weight of loss, the emptiness it leaves behind. “I am sorry,” she says quietly, her voice filled with genuine compassion. “To be the last of your kind… it must be a heavy burden.”

You nod slightly, your gaze distant as you continue to stare at the stars. “It is,” you admit, your voice softening with the weight of memory. “But it is the burden I was born to bear. The last of my bloodline, the last of those who once stood against the might of dragons. My family was everything to me… and now, they are nothing but memories and dust.”

Rhaenyra steps closer, standing beside you now, her gaze also turning upward to the stars. She feels a strange sense of kinship with you, this woman who has seen so much, who carries so much pain within her. “I understand what it is to lose those you love,” she says quietly, her voice filled with a sadness that mirrors your own. “I have lost many, and I fear I may lose more before this is over.”

You turn to her, your eyes searching hers, seeing the strength and sorrow within her. “That is the way of the world, Rhaenyra,” you say softly, your tone both comforting and resigned. “We are all bound by the same fate—loss, pain, and eventually, death. But it is what we do with the time we have, the choices we make, that define us. We must find the strength to carry on, even when all seems lost.”

Rhaenyra nods, her heart heavy with the truth of your words. She takes a deep breath, trying to steady herself, to find the resolve she needs to face the challenges ahead. “I will do what I must,” she says, her voice filled with quiet determination. “For my family, for my children… for the future of this realm.”

You give her a small, understanding smile, a flicker of something almost like pride in your eyes. “You have the strength within you, Rhaenyra Targaryen,” you say, your voice firm with conviction. “I see it, just as I see the stars above. You are meant to be more than a queen—you are meant to be a force that shapes the world.”

Rhaenyra feels a surge of emotion at your words, a mix of fear, hope, and a deep, unspoken bond with this woman who seems to understand her better than anyone. She looks back at you, her gaze filled with both gratitude and a growing respect. “And what of you, Y/N?” she asks softly. “What is your place in this world, now that you are the last of your kind?”

You turn away from the stars to meet her gaze once more, your expression resolute. “My place is wherever I am needed,” you say simply. “I will do what must be done to preserve the balance, to ensure that this world does not fall into chaos. Whether that means standing beside you, or against you, remains to be seen.”

Rhaenyra nods slowly, understanding the gravity of your words. She feels a deep respect for you, for the strength and resolve you carry, and she knows that your path and hers are now intertwined, whether by fate or by choice.

For a moment, the two of you stand together in silence, gazing up at the stars, each lost in your own thoughts, yet connected by the shared understanding of the burdens you bear. The night is a vast and heavy dread of what lies ahead, but in this moment, there is a sense of calm, of quiet resolution, as if the stars themselves have blessed this fragile alliance.

The morning sun has risen over Dragonstone, casting a warm, golden glow across the ancient stone walls and the restless sea beyond. The storm of the previous night has left the air fresh and crisp, with only a few lingering clouds on the horizon. The castle is stirring with life, as servants go about their duties and the guards stand watchful at their posts.

You are standing in the courtyard, the early light catching in your hair, giving it a strange, almost ethereal sheen. You are calm, composed, your posture relaxed as you watch the sea, seemingly lost in thought. The events of the previous night, the tension, and the conversations have left their mark, but you show no outward sign of it. You stand there, a figure of quiet strength, almost as if you belong to another time, another world.

Luke approaches you cautiously, his small feet making soft sounds against the stone. He is dressed in simple, practical clothing, appropriate for the heir of a noble house, but his expression is one of nervousness and gratitude. His young face is still pale from the fear of his encounter at Storm's End, but there is also determination in his eyes, a resolve to confront what haunts him.

He stops a few paces away from you, hesitant at first. “Lady Y/N,” he begins, his voice small but earnest. “I… I wanted to thank you. For what you did at Storm’s End. You saved my life.”

You turn to him, a gentle smile curving your lips as you look down at the boy. There is a kindness in your eyes that seems to ease his nerves, though the depth of your gaze still holds a mystery that he cannot quite grasp. “You owe me no thanks, young prince,” you say softly, your voice steady and warm. “I did what was just.”

Luke swallows, glancing down at the ground for a moment before looking back up at you. “But… Aemond,” he continues, his voice trembling slightly at the name. “He won’t forget what you did. He’ll come after you. He won’t stop until… until he gets what he wants.”

You regard him with calm assurance, unbothered by the warning. There is a quiet power in the way you stand, as if the threats of men and dragons alike hold no sway over you. “Let him come,” you reply, your tone even, as if discussing something as mundane as the weather. “Aemond Targaryen is not the first to seek revenge against me, nor will he be the last. I have faced dragons before, and I have survived them. If he wishes to challenge me, then he will learn that some battles are not so easily won.”

Luke looks at you with a mixture of awe and confusion, struggling to understand the depth of your confidence. He is young, and the world is still a place of fear and uncertainty to him, but your words carry a weight that he cannot ignore. “But… aren’t you afraid?” he asks, his voice barely above a whisper.

You tilt your head slightly, considering the question with a faint smile. “Fear is a natural thing, young prince,” you say gently. “But I have learned that there are things far greater and more terrifying than a man or his dragon. We are all small in the grand scheme of things, and what we fear today may be forgotten tomorrow. What matters is how we face that fear—whether we let it control us, or whether we rise above it.”

Luke nods slowly, taking in your words. There is a wisdom in them that speaks to him, even if he doesn’t fully understand it yet. He looks up at you with a newfound respect, feeling a little braver, a little stronger in your presence. “I’ll remember that,” he says softly, his voice filled with a quiet determination.

As you and Luke speak, Rhaenyra watches from a distance, her eyes flicking toward you every so often. She stands near one of the arches that lead out to the courtyard, her gaze following the interaction between you and her son. There is something in the way she observes you—a mixture of curiosity, admiration, and perhaps a touch of something more that she doesn’t fully acknowledge, even to herself.

Rhaenyra notices the ease with which you speak to Luke, the way your presence seems to calm him, to give him strength. There is a grace in your movements, a calm assurance that draws her attention, almost as if you are a beacon of light in the chaos that surrounds them all. She sees the way Luke looks up at you, his young face filled with awe, and she cannot help but feel the same pull, the same captivation.

She remembers the conversation from the night before, the way you spoke of balance, of the vastness of the universe and the insignificance of their struggles in the grand scheme of things. It had left her feeling both humbled and intrigued, as if she were standing on the edge of some great revelation, something that could change everything she thought she knew.

But now, as she watches you with her son, she sees another side of you—a protector, a guide, someone who understands the fears of a boy and can ease them with nothing more than a few well-chosen words. It is a quality that Rhaenyra cannot help but admire, and it deepens the connection she feels toward you, a bond that is growing stronger with each passing moment.

Luke takes a deep breath, standing a little taller now as he looks up at you. “Thank you, Lady Y/N,” he says, his voice more confident this time. “For everything.”

You nod, giving him a reassuring smile. “You are a brave young man, Luke. Never forget that. The world is a dangerous place, but you have the strength within you to face whatever comes. Trust in that.”

Luke smiles, a small, genuine smile that lights up his face, and then he turns to go, feeling a little more at peace with the world. As he walks away, he glances back at you one last time, as if to hold onto the strength you have given him.

Rhaenyra steps forward as Luke leaves, approaching you with a mixture of caution and curiosity. “He admires you,” she says softly, her voice carrying a note of gratitude and something more, something she does not name.

You turn to her, your expression thoughtful as you meet her gaze. “He is a good boy,” you reply. “He will grow into a strong man, one who will carry the weight of his name with honor. But he is still young, and the world is full of challenges he has yet to face.”

Rhaenyra nods, her eyes lingering on your face, taking in the details of your features, the way the light plays across your skin. There is something almost hypnotic about you, something that draws her in, and she finds herself feeling a connection that she cannot fully explain. “I can see why he admires you,” she says softly, her voice tinged with both respect and something deeper, something that stirs within her like the rising tide.

You hold her gaze, your expression unreadable, but there is a softness in your eyes, a recognition of the connection that is forming between the two of you. “And I can see why you care for him so deeply,” you reply, your voice gentle, almost tender. “He is your son, your legacy. You have given him strength, Rhaenyra, just as you will need to give him guidance in the days to come.”

Rhaenyra nods again, feeling a surge of emotion at your words. There is a bond forming between you, something that goes beyond mere friendship or alliance. It is a connection born of shared understanding, of mutual respect, and perhaps even of something more, something that neither of you is ready to name just yet.

For a moment, the two of you stand there in the courtyard, the world around you falling away as you share a quiet, unspoken understanding. The sun continues to rise, casting its golden light across the castle, and in that light, the bond between you and Rhaenyra grows stronger, deepening with every passing moment.

And in the distance, the sea continues to churn, its waves crashing against the shore, a reminder that the world is vast and full of challenges. But in this moment, on this morning, there is peace, and there is a connection.

#hotd rhaenyra #house of the dragon #hotd #hotd x female reader #hotd x y/n #hotd x reader #hotd x you #rhaenyra x y/n #rhaenyra x reader #rhaenyra x you #rhaenyra x female reader #rhaenyra targaryen

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psalidodont · 3 months

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Flightless, a bit awkward at galloping and incapable of breathing fire. This sure is an easy dragon to tackle down, right? that's what some novice hunters said before they got their brains blown out after a loud, imposing bang. The dread inducing Blasting Pyroruptus, a dragon that lost its wings and fire in favor of a much deadlier weaponry. These horrid beasts use a similar method akin to Pistol shrimps, on land it translates in a different way though. Water is collected from nearby springs, these dragons enjoy living in fields full of sulphur and exposed pools of boiling thermal waters. Their scales have grooves that allow said water to travel towards their massive, fleshy wings; and thus is stored in a little cavity that fits the shape of the thumb or ''trigger''. A well aimed shot is enough to put another dragon out of service, so its recommendable to find a place where to take cover and take its head down first!

#artists on tumblr #digital art #art #dragon #dragon art #monster #monster art #creature design #creature #unnamed worldbuilding project

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wiisagi-maiingan · 1 month

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Tornadoes are becoming more and more common outside of the "tornado valley" area and hitting areas that they used to be much less common in, like mountains.

"Tornado season" has gradually faded away and tornadoes are a deadly threat no matter the month or season.

Tornadoes are becoming stronger in general and doing more damage.

Tornadoes are more likely to form in groups, so instead of one tornado forming, we're seeing multiple form in close proximity to each other.

This is not going to get better any time soon. No matter what we do now, climate change is going to get worse and even deadlier before things get better.

Please, if you live somewhere with ANY significant risk of tornadoes, do research on tornado safety using reputable and reliable sources. Tumblr posts are not reliable sources for emergency protocols and if you cannot verify someone's claims with official and professional sources, do not trust it. There is so much available information from governments and emergency services, you do not need to rely on tumblr posts and you SHOULDN'T be relying on those posts, especially when they strongly contradict things you've been told irl by professionals.

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yakutarts · 3 months

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Video process:

Soo.. Cross is now a furry. If you would like to draw this design (first of all bless you and god have mercy on your hands, second of all I’m sorry I made the design so complicated, I got carried away) please tag/credit me! I really love seeing fanarts!

I made him a African Painted Dog and a Border collie mix because I think it is what fits him best.

Painted Dogs are really social creatures, and extremely skilled in the hunt, the base of it’s strength is the pack, the family and friends. A pack of Painted Dogs are deadlier than a pride of lions and much more dangerous than a pack of wolves. However, take it’s pack away and it cannot survive. Family is everything for a Painted Dog, it is survival. If I’m not mistaken, there have been cases where they die because the anxiety separation gets so bad, that it causes an hormone imbalance in the dog’s system and it kills them (Also I do not know if this is legit, take my words with a big grain of salt, I am not a biologist or a zoologist). Cross is depressed and being alone in that white void for so long, knowing that everything is his fault, that he killed everyone that he loved for no reason, almost drove him mad (XChara was not helping), but Ink was there, he helped cross not die of a broken heart. Cross is strong, but he would be even stronger if he had the rest of the royal guard by his side, he would fight better.

I also chose a Border Collie because they are really smart working dogs, loyal and obedient, with a need of someone telling them what to do. Cross kinda always needed for someone to tell him what to do, he was always following someone, first he was serving royalty, then XFrisk as his bodyguard, then Nightmare, and now possibly Dream. He was always told to do something, almost never acting by himself. He needs it, if he doesn’t have it, how is he going to save his friends? His family? He can’t fight XGaster when he can control Cross’ body at will, how he is going to get that independence if everything tells him that he needs to serve someone to even do something?

Oh, how I love angst and making characters suffer… :)…. Reminder that I put a lot of personal headcanons in my interpretation, this should not be taken as a source of canon material, but feel free to use it as inspiration!

Also if the quality is kinda shit it’s because all the images are glazed.

Ink belongs to @comyet

Cross belongs to @jakei95

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eydi-andrius · 1 year

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Cruel Existence (Gojo Satoru x Reader)

summary: Gojo broke up with you a week ago. Trying to forget him, you invited your friends to a night out. It was fun while it lasted, until you realized that you never went home to your own place. In fact, you were sleeping soundly on his bed.

cw/tw: angst, hurt, pain, mentions of break up, regret, mentions of drinking until one passes out (please don't do this), trespassing

a/n: this was fun to write. I hope you like it. Again, as much as I appreciate likes, comments and reblogs motivates me better. Thank you!

🐈

It is wild how the stranger you once met becomes the most important person in your life.

Then for one day, life decided to make that person a stranger again.

Some may argue that no, they're not strangers anymore.

However if you think about it, a person who isn't in your life is nothing but a mere stranger.

His memories may be there, and it must have been your greatest treasure. Yet, it doesn't erase the fact that it wasn't them anymore.

Each day, the knife twists deeper, sharper and deadlier the more you think about the what ifs and the whatnots.

It's like a deadly poison slivering inside your vein. Memories turn lethal and invasive. You begged for them to just stop and let you breathe.

You prayed every night for it to be over. As you close your eyes, you wish that the morning will make you feel renewed and the person you once were.

How cruel life can be when all you wanted was to be loved.

Gojo had found you first. Maybe that explains a lot why he ended it in the first place.

"Look at this girl. She called us to drink her sorrows away but she was just holding her beer and staring from afar." Iori called you out. Then, rolled her eyes in annoyance. You gave her a chuckle and muttered an apology.

If she did not call your name, you will probably think about what you did wrong and why he ended your relationship that way. He looks tired, fed up when you ask why. He wasn't the same Satoru to whom you knew. It was true that he could be cold-hearted at times but he never acted that way towards you.

That should have been a red flag but that action had made a swarm of butterflies in your stomach. You almost thought you were special.

You bit your lips as you felt another tear wanting to come out and spill your pain in front of your friends again. Shaking your head and blinking your eyes, you tried your best to stop it.

You called and invited them to forget him. It has been a week. It shouldn't bother you as much anymore. He probably had been enjoying his single life. The pain of being pursued and being rejected after achieving your goal was something you had been trying your best not to overthink about. It might be true, but it wasn't healthy to soak through the scenarios and what ifs you knew nothing about.

It will just kill you inside and there will be no reprieve for it.

Attention and awareness finally came back to what you were doing, and so you looked around. The bar was loud. Blinking lights and the alcohol were giving everyone a false sense of confidence as they danced and socialized on the crowded dance floor. Everyone looked like they were having fun. Now, you kinda felt bad that your friends were just sitting inside the private booth with you. Especially, when all of these independent ladies had been through a tough week doing their work. You felt bad wasting their time to watch you mopping and crying over a man they already told you to be wary about.

"I know what you were thinking. And no, I'd rather sit here and join you into drinking your heart out than be with those strangers. Drink up!" Mei mei raised her eyebrows and tapped your pint. She's always so impressive at reading people. Sometimes you wonder if you had said your thoughts aloud with how accurate her words were, at times.

Heart filled with warmth, with how loving your friends were, you stood up and hugged them all. Shoko who remained quiet and sitted patted your back in reassurance after returning your big hug.

It was probably harder for her to hear what happened. She was close to Gojo. You just hoped she wouldn't be planning his murder though. She may be quiet but when angry, she can be more intense than these two.

Anyway, enough thinking about your ex-boyfriend now! These hot ladies gave you their precious free time so might as well use it wisely and to full extent.

You basically had dragged the three in the middle of the dance floor and showed them your moves, which was nonexistent, so you earned a mocking and hysterical laughter from them. Yet, it did not take long for them to follow suit and even challenge you to a dance battle.

The night was filled with laughter, and for once, during that grueling week, you forgot why you were crying and had to lie about your puffy eyes.

🐈

The pain in your head was intolerable. You had been awake for quite some time now but you cannot even lift your eyelids on how painful it was. You groaned. You moaned. You breathed in and out to make it better but the beating of the unbearable pain seems to get worse.

Well, it was true what they said, it had been fun while it lasted.

Last night was a blast. No one can stop the four of you as you claimed the stage and did your greatest night out. You felt the rush of freedom and so you did not stop taking shots after shots. The consequences were pushed back in the deepest part of your brain. And for once, you let your wild side out in public.

You were probably so wasted but at least managed to get home safe. The proof was the soft mattress of your bed. Your fresh sheet enveloping your exhausted body to a warm embrace while the air conditioner blows the perfect amount of cold. This atmosphere should have pulled you back to sleep, if it weren't for this godforsaken headache. Gosh, you wanted so bad to go back to sleep. But you are in pain, needing to pee and calm your growling hunger. You can even feel the vile gastric threatening to come up due to your empty stomach.

"How long do you plan to sleep on my bed?"

Familiar voice had spoken close to you and your body reacted way too fast. You sat up and opened your eyes. Leaning on the doorway was your ex-boyfriend Gojo Satoru. His blue eyes are neutral but his face says he was pissed.

His hair was damp. Droplets were even falling from it but he wore a white towel around his neck to prevent it from cascading further down to his body. He was half naked, only wearing an untied sweats that was hanging way too low for your comfort. Normally, you would say he was hot. But that was not the most important thing right now.

"What do you think you are doing inside my room-!?" In surprise, you yelled but were met by your very hoarse voice. You even ended up violently coughing and wheezing with how dry your throat was. It was as if you did a 24 hour karaoke with your friends or you competed at a screaming contest.

"Maybe before you groaned and moaned to someone else's bed, make sure you were actually on your bed." He tuts and moves towards where you were sitting. You felt a cold metal placed on your forehead and you sighed in relief. Even though it gave you a quick relief, it only happened for a second.

The pain, forgotten for a moment of shock, was now back twice ruthless. Your head was swimming in pain and you felt lightheaded. You left out a loud burp and you felt the hand, holding the can on your forehead, maneuvered fast to pick up the bucket placed methodically on his bedside. The respect you had for this man for preparing this much so he would be able to stop you if you plan to puke all over his place as revenge.

You wretched as if there was no tomorrow. All contents from last night probably had been vomited earlier because you felt only the acid of vile as it pushes whatever was still left inside of you. Heaving, you accepted the water he provided and gargled the last remaining content of puke in your mouth. You cleaned up using the back of your hand and leaned at the nearby chair while you were still sitting on his bed.

This is probably your year's nightmare. Drinking a lot for the first time, losing your friends by walking to someone else's house and worse, sleeping on your ex's bed and thinking it was so comfortable and homey earlier.

While you were thinking and regretting what you had done, you heard the scraping of the table being pulled closer to where you sat. His presence near you again. The clang of utensils, the sound of the lid being opened and plastic wrappers being crumpled and thrown had almost lull you to sleep when you felt a soft tap of his familiar hand on your shoulder.

With a blink, you straightened up and looked at the store bought food, placed in front of you.

It was cup noodles, a bottle of water and ibuprofen, placed on the side. The cold can of coffee just above it.

"Eat up or you will feel shittier than you are right now." He said more like an order and just stood in front of you with arms crossed.

You gulped and tried your best to eat but your hair kept on falling down and dipping on the cup noodles. You were already aware that you smelled like vomit, who could even imagine you can also smell like cup noodles. With a groan of frustration, you collected your hair on the side and was about to eat again when you felt his hand run through your hair.

He mumbled a soft "Let me." and with practiced moves, he was able to tie your hair with a hair tie. He used to do this a lot when you decided not to cut your hair shorter so you can donate it. He was so sweet and attentive when you were still together and this action of concern was not helping your case.

You sat and ate in silence while he stood there for a while and decided it was too awkward and he left you alone. He closed the door as softly as he could. Once you were sure he was gone, you gave out an empty scream and slapped your face multiple times. The pain, embarrassment, and anger were all mixed up as you felt it rise within you.

With a frustrated groan, you bite your lip and pray that this nightmare was all a dream. But you know better. Eyes staring at the familiar ceiling, you sighed. The room is engulfed with quiet except for your ragged breathing, indiciating, how sick you are.

The silence did not last long when you remembered your phone and frantically looked for it. You saw it placed properly on the nearby stool and almost cried when you saw the numerous texts and calls from your friends. Ranging from the early hours of the day and right now, it was asking for the same thing; where were you? or are you okay?.

Nervous, you tried your best to reply even with shaking hands and once you hit send, they immediately saw it and called.

The call was filled with screams of terror and relief that you were okay. But once they calmed down, you were able to talk to them properly. They even answered the gnawing question you had been wondering about when you saw Gojo in front you.

Around 3 am, you four had decided to book a room in a nearby hotel, instead of getting a cab and going home. You all were too wasted to even trust yourselves that you can all recall how to go home.

They never remember much after that but they were sure you were the first one to sleep on the bed. But later, after around 5 or 6, Iori woke up and saw you weren't there. They were filled with panic and terror because there is no way you can stand up after having that short sleep and being too drunk.

They tried to rationalize that maybe you did go home and tried to call you. But when you were still not picking up, they almost trashed the hotel room. Luckily, the cleaning lady was kind enough. When she saw their panicked and disheveled appearance, she asked the security to check if you left the hotel in one piece. It turns out, she had seen you four together and was also worried that something happened to you too.

They had seen you walking out of the room and through the lobby, up to the entrance. You obviously looked still drunk as you tried to wobble and walk straight ahead, outside of the hotel.

Since then, they have been blowing your phone with texts and calls. They could hear it ringing so they suspected that maybe you accidentally turned it to silent mode or you were kidnapped.

Grateful, you reassured them that you were fine. You made up a story that you booked a new hotel room, in another hotel, probably because you were drunk. Currently, you informed them that you were staying in that room and having breakfast. You reasoned out that you were not able to answer their calls and texts because you can barely open your eyes. It uproared another wave of panic but you told them firmly that you were fine and will call them once you take care of your too drunk ass. To stop them from asking further, you hung up the phone with an excuse that your battery was dying out.

There is no way that you will share to them that your drunk ass went to your ex's huge condominium and you thought as you woke that it was yours. You had been staying and visiting this place that your body immediately thought of this place as your other home.

After finishing your meal, and feeling the medicine taking effect. You psych yourself up to face the inevitable. There is no way you can just walk out of this place without confronting him about what you did and what he had to witness.

You walk to the restroom and try your best to look presentable and not a crazy person.

Once done, you slowly crept towards the door and opened it ajar, you scanned the place and looked for him. He was wearing a black fitted plain shirt, as he sat on the couch, sipping a cup of coffee as he typed something on his laptop. Probably, for work.

You walked slowly towards him and coughed to get his attention. His piercing blue eyes stared back at you, as he removed his glasses and closed his laptop. He grumbled and again, crossed his arms to his chest. His lips were abit pouted and the creases on his head showed a frown.

"I'm really sorry for trespassing. I promise I will never drink that hard again." You promised and even did a pinky swear in front of him. He looked unamused though as he replied with a doubtful "hmmm" and still had the same frowning face.

"Do you remember what you did then?" He asked.

"To be honest, no. I only remember being in a hotel with the girls and sleeping. I don't really remember much about what I did." You gulped when you saw him raised his eyebrow and sighed.

"See those keys?" He pointed at the keys placed on a bowl. "You used that to enter my condo. They were my spare keys that were still hidden in the same place. You were so drunk that you thought you went back home and even slept beside me. I thought I was sleeping with my pillow the whole morning, so imagine my surprise when that pillow turned out to be you." He shared with a firm voice, as if he even cannot fathom what happened.

However, something's amiss with that story.

"No way! Don't lie to me. I agree that I may have done the trespassing but sleeping beside you? Nahhhhhhh! I doubt that. Remember, you're a light sleeper! There is no way I can sneak up on you and sleep." It was now your time to raise your eyebrow and cross your arms at him. You even sounded smug for someone who owed him big time.

You do not believe that other accusation at all. That is so unbelievable and he was probably messing with you so you will feel guiltier from entering his home without permission.

"My new doctor prescribed effective sleeping pills for insomnia this time. I have been sleeping better and on time ever since. I never felt any movement at all." He smirked. And you know, you lose. Gojo never lied about these things and you also knew that he was struggling to sleep.

So if this was true, then for the whole morning, you were sleeping together!?

Who would even do that with her ex? Oh god you are stupid!

His smug look had made you feel ashamed even more and you know that you're red as a tomato. You feel hot all over and even at the end of your ears.

Let's end this humiliation and be done with this asap!

"I- Thank you for taking care of me. I owe you one. I'm so sorry again and will promise not to drink again and disturb you. Again, I am so sorry." With a deep bow, you sincerely apologize and you just hear him say "look up."

"It's alright. I'm glad your safe. Hangover but safe. " He taunted and you just wanted to slap that smirk out of his face. He was obviously implying how humiliating your shenanigans were. And they were, but he doesn't have the right to judge.

"Well then, if there's nothing more, I'll go back to the hotel and meet my friends." A bow again and you were on your way out.

You blinked when he slapped his hands on his thighs before he stood up and used his head to tell you to go first.

You frowned a bit in confusion but followed regardless.

This whole interaction was so awkward but familiar. He does this a lot whenever you visit his home. He usually drives you back home or if he can't, he will see you out to the entrance.

The elevator did not come sooner, however. It was creating unnecessary drama and tension between you two. As you just stood there, holding your bag for dear life. You hugged it for comfort and distraction on this growing awkwardness by standing near him. He looks fit. You imagine running your hands over him again. It was more tempting now than before.

"Please take care of yourself." You heard him speak first, breaking the ice. Your head whipped so fast in his direction when you heard his voice break a little when he said that. But when you looked at him, he titled his head to the side, confused at your action. Maybe you imagined it.

Embarrassed, you used the ping of the elevator as an excuse, thank god, and immediately rode the lift.

He was standing there on the other side, he was staring at you. It feels like someone was looking into your soul. You cannot help but feel vulnerable and open in front of his eyes. He looks solemn, calm.

If you stop me, I will forgive you and run back to your loving arms.

It was too late before you realized that you opened your mouth to speak and called his name.

"Satoru." His first name rang smoothly on your mouth. It feels comfortable and your heart twinged in pain when you realized that it may be the last time you will ever see him.

As the door closes slowly, you have seen his mouth move from your peripheral and he uttered your name softly, like how you say the name of the ones you treasured the most.

You do not know if you were just seeing things but his eyes look emotional, somewhat sad for a second. Before the elevator door finally closes and your name echoed when he said it.

"Y/N."

There were no tears as the lift started going down. You expected that seeing him one last time, you will feel the pain worse than before. Yet, that did not happen.

Staring at your reflection, your eyes look tired. The way those eyes bore at you speaks volume on how your soul truly feels about this.

You had a moment of acceptance when the doors closed in between you two.

A new chapter of your lives will arise. He will have his own world without you. He will be happy. He will be truly madly deeply in love with someone else.

And now, the hurt and pain became numb and cold.

Just imagining that he would love someone much greater than what he had given you was soul crushing to the point of rude awakening.

During those times, you will be happy for him. But you wish, as selfish as it sounds, that he will not be as happy when you were still together.

🐈

Gojo doesn't need to get up to know it was you who entered his condo without notice. He was a bit concerned that you kept on stumbling around and cussing his furniture out that managed to trip you, even though it was clearly your fault.

When he felt the bed dipped and your arms automatically hugging him from behind, it made him a bit nervous. He has to pretend to be asleep or else…….or else what? He never knew.

You smell like alcohol and you're even slurring your words. He never saw you this drunk before. In fact, you never liked alcohol. You have a terrible experience of living with an alcoholic, so a mere smell of alcohol repulses you. He never expected to see you drunk and barely kept together.

He was about to confront you, when he felt your arms tighten around him and your breath tickling his back when you said, "I'm home." with a sigh of relief before passing out.

Gojo had never felt more at peace hearing those words coming from your mouth.

🐈

When he woke up, he was just staring at you. He never had any proper sleep since the break up but knowing you were beside him, he was able to sleep well.

Maybe something inside him had been comforted when you said you were home. It actually warms his heart that you felt at home beside him.

He sat up and, a twang of pain rushed inside his chest. He shakes his hair in annoyance using his right hand.

He doesn't have the right to be sad about it when he was the one who broke it up with you.

Gojo never really knew why he did it in the first place. Sure, his family never approved of you but he never really cared about their opinion. He actually wishes for his old folks to die soon so he doesn't have to pretend that he cares about their words. He grew up without them being around.

Or maybe it was because he felt insecure that someone as kind and loving as you chose him. You were so different to the people he usually surrounds himself around but you were warm and he felt safe around you.

With a frustrated groan, Gojo stood up and was about to walk towards the door when he thought of an idea.

He slowly walked towards where you were asleep, bent down and whispered, "Welcome home." before kissing your forehead.

For the first time, after a week of him trying to justify that he made the right choice, making Nanami, his friend, worry that he was working too much, he felt at peace and happy.

Just for a moment, he wanted to pretend that he did not let you go for something so stupid and you were actually home with him.

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demonic0angel · 1 month

Text

Haunted Paintings Sketches!

Part one

I hope you enjoy the sketches I made of the paintings!

Also! You’re free to use my ideas (please give credit ofc) if you’d like, bc I REALLY don’t think I’ll write this one, no matter how much I want to. It’s just too much and I’ve already got 3 unfinished fics and several other series to write for. If you have any questions, feel free to ask or send me a submission! You can also DM if you’d like!

TW: mentions of suicide, murder, depression, mental illness, just really dark, creepy stuff bc these are haunted paintings and they torment people :/ no scary drawings tho! I only described them (click for clarity)

Jazz:

Description: Jazz is sitting at a table in the middle of a flower garden with a book in one hand and a teacup in the other. She looks tranquil and is dressed formally. On the table are a few plates, a plate of cookies, a bookmark, an opened envelope and a bloody butter knife, and a teapot that is slightly out of view.

Use of mediums: gouache paint, watercolor, and pencils

Focus: Jazz amidst the flowers

Inspirations:

• The Queen of Hearts from “Alice in Wonderland”

• Galna from “Mairimashita! Iruma-kun”

Location: She used to be in the home of a random crime lord in Gotham for intimidation purposes. She was kept in the crime lord’s office before being relocated into Wayne Manor, where she sits in the hall across from the library.

Extra facts:

+ Her scary form would be one where her tea is filled with blood and the roses would be replaced with decapitated heads. The sky would turn dark red and the ground would be a pool of blood. Jazz would smile and look at the viewer with shark-like fangs and hollowed out eyes.

+ The tea she drinks is Darjeeling and the cookies are chocolate chip.

+ Although Jazz is the weakest painting, her effects are deadlier, more painful, and longer lasting than the others if her victims survive.

+ She causes paranoia and dizzy spells. Her effects are rather weak compared to the others, but when spending enough time with her, victims can also display symptoms of scurvy, which cannot be cured.

+ She was the first one I drew and also the easiest to plan. I just love her so much, she’s one of my comfort characters so it’s not hard for me to find ideas for her 😭

Valerie:

Description: Valerie stands in the middle of a dark, foggy forest, wearing a long dress and pressed close to a tree as if she is about to hide behind it. A branch covers her face and the trees around her curve into a circle with multiple holes within them. There is a Fenton thermos in the background on the floor and an axe in front of Valerie, sticking into the tree and oozing something.

Use of mediums: pencils and watercolor paint

Focus: Her hidden face

Inspirations:

• The Son of Man by René Magritte

• The Beast from “Over the Garden Wall”

Location: She was kept in the back of an art museum, but the director has been hoping for someone to buy her and get rid of her, since he cannot handle the strain of having her inside of the gallery. Now she stands near the door to the entrance of Wayne Manor, a silent and deadly sentry.

Extra facts:

+ Her scary form would have her surroundings to turned into the entrance to a mouth or an intestine, red, fleshy, and bloody. There would be bones littering the floor everywhere and Valerie herself would become bloody and stained, with her face still hidden. Tortured faces would be seen through the fog.

+ The holes on the trees sometimes leak a mysterious substance.

+ Valerie is not the weakest, but she is not that powerful. However, she does amplify the others’ effects to fatal degrees.

+ She causes paranoia and auditory hallucinations, often causing her victims to feel as though they are being watched relentlessly, which cannot go away. Eventually, her victims will shut themselves into their rooms and starve to death from the fear.

+ She and Tucker had switched ideas, but I had to trash them. I never got the opportunity to draw those ideas because I struggled so much with Tucker that when I eventually got inspiration for Valerie, I just went with it. I’m quite happy with Valerie’s portrait now.

Dani:

Description: Dani, dressed formally, sits at the head of a table with a large painting and curtains behind her. She holds a fork and a knife over a pig head. Her gaze is downward and she looks like she’s frowning softly. The dinner table is messy with three other dishes and a knocked over bottle of wine.

Use of mediums: oil paint and oil pastels

Focus: Dani holding the fork and knife

Inspirations:

• Rosie’s Tea Party by Mark Ryden

• “Spirited Away” (specifically that one scene where Chihiro’s parents eat the food)

Location: She was hidden by Vlad and kept safe with him. He keeps her in his office, where he can watch her. He only recently found her again, and he was determined to watch over her. Now she stays in the Wayne Manor's dining room, but often changes her position to be next to everyone else in the bedroom hallway.

Extra facts:

+ Her scary form would be one where all of her food dishes would be replaced by very obviously human parts, especially with the pig head becoming a human head. The curtains would turn to blood dripping down the wall and Dani would be smiling, taking a direct bite of the human head that was in front of her with her fork and knife.

+ The dishes she eats in the painting are: pig head, vulture thigh, lamprey eels, and sheep brain.

+ Her at the dining table is meant to signify greed and gluttony, 2 of the most simplest sins.

+ She causes great feelings of hunger and paranoia in others. When spending too much time with her, some victims turn to self-cannibalism to sate their never ending starvation.

+ Originally, both her and Dan’s ideas were switched, so Dan would’ve been the one feasting and Dani would’ve been the one looking at her reflection. However, I switched them around because I felt like it would’ve been spookier. I even finished the drawing with Dan and everything, but then I just erased him and drew in Dani 😓

Dan:

Description: Dan is standing in front of a mirror, glancing behind his shoulder, while his reflection shows something different: him looking at everyone else and the door behind him by looking at the mirror. The party guests are all wearing masks and there are chandeliers on the ceiling. The party looks vaguely fancy, but messy with secrets.

Use of mediums: Oil paints

Focus: His reflection

Inspirations:

• Jeff Lee Johnson and his art

Location: He was kept in a locked safe within a rich person’s house in Italy. He had to been wrecking havoc on the nerves of everyone around him, but he is now safe and happy in Wayne Manor, where he is kept in the office to the entrance of the Batcave.

Extra facts:

+ His scary form would have all of the party guests dead, but their eyes would face the viewer. Dan's reflection would also be dead, but his actual self would be the same, only with an eerie smile as his eyes follow the viewer. In the doorway would be the figure of Danny. Blood would cover the entire floor and walls, but nobody would react to it.

+ Dan keeps his own masquerade mask in his pocket.

+ The woman who is directly staring at him is supposed to look like Maddie.

+ He causes viewers intense mood swings and long, often violent mania episodes or mind-numbing depression episodes. Those who keep staring at him will gain the feeling of being watched and haunted, often with visual hallucinations, resulting in losing their mind from fear and then killing others in their terror and panic.

+ I tried so hard to make Dan as handsome as possible. I think I pulled it off bc I’m a little bit in love with him ong, but I also kinda have to be bc I draw him so often

Tucker:

Description: Tucker is in the back shot of a desert, with his back towards the viewer, staring at a large skeleton that is seemingly climbing over a large sand dune. The skeleton has flowers in its eyes, and its hand reaches over the horizon. There is a single sun in the sky and an arm holding a pocket watch sticks out of the sand close to the viewer.

Use of mediums: gouache paint, pens, and pencils

Focus: The large skull

Inspirations:

• JT Music (specifically their JT album covers)

• The Giant God Warrior from “Nausicaa of the Valley of the Wind”

• “Dune”

Location: He was originally kept in one of the rooms within the GIW headquarters. Now, he is kept within Wayne Manor, and stays in the theater room, where he whispers to the Wayne residents what movies he wants to watch. Sometimes, he moves to the garage.

Extra facts:

+ His scary form is one where the skull becomes covered in meat and flesh, oozing blood and tar while the sand turns red. The scene turns to darkness, and more limbs would sprout from the ground. Tucker would be nothing but a pile of flayed skin, crumpled into the sand.

+ GIW agents were unable to experiment on him, since he would purposefully cause machinery to misfire and slowly corrode his surroundings.

+ His painting is meant to be a little comic book-esque with one of his mediums being ink, but I felt like that wouldn’t be a PAINTing, so nvm

+ He causes visual hallucinations, hypovolemia, headaches, blindness, and osteoporosis :). Often, when his victims are autopsied, sand and salt can be found within all of their organs. He emits so much radiation that he can wear down the materials of the place he is stored in.

+ I DREW HIM THREE DIFFERENT TIMES OML, FIRST IT WAS HIM IN A WORKSHOP, THEN IT WAS HIM IN A MARSH, THIS IS THE FINAL PICTURE I CANNOTTTT IM DONE

Sam:

Description: Sam stands on top of a small, grassy hill with a path leading to a grave and an angel statue on top of it, close enough that she is blocking it. Around the hill are pomegranate trees and hanging corpses. There is no sun, but there are clouds as Sam stands with her back to the viewers in a long goth-styled dress.

Use of mediums: paper, glue, acrylic paint

Focus: Her standing on the hill

Inspirations:

• This Reddit picture of a liminal garden

• A mix of weirdcore and dreamcore aesthetics

Location: She was tossed into the ocean by her parents when they first saw her, but she later washed up on an island and now the animals and plants there act erratically and strangely. Finally, she was relocated to Wayne Manor, where she hangs on a wall within the greenhouse, happily watching over the plants there.

Extra facts:

+ Her scary form would be one where eyes would replace all of the pomegranates, staring at the viewer. The paper used to make her would become flesh textured and bloody, and Sam would appear abnormal, broken into pieces and cracked, turning around and smiling at the viewer with shark-like teeth. The grass would become hairy skin and the sky would become red, with swirls and more eyes.

+ Sam's "painting" is actually made of mostly paper, since it is a collage. It is a bit touched up by paint and all of the materials used are vegan and ethically sourced, though they do change.

+ The flora and fauna in the island she landed on have mutated so much that they’re basically mindless. They protect Sam relentlessly.

+ She causes general insanity and relentless symptoms in her victims, such as paranoia, intense episodes of mania and depression, itchiness that can result in self harm, and violent, unexplained behavior in animals and plants. She also emits so much radiation that she can cause sporadic DNA mutations, resulting in several forms of cancer and mental instability, often resulting in victims becoming inhuman and monstrous forms of themselves.

+ Originally, Sam’s portrait was supposed to be in a garden, but I wanted it more “liminal space” themed, and I think I got it right. I think it’s really simple, but I also feel like if I was able to create it in real life, it would be more interesting because it is a collage of paper and paint.

Danny:

Description: a picture of black blotches and scribbles with muddy and red stains. Any features besides the ornate frame is hidden underneath the stains.

Use of mediums: pencils, ink, charcoal, tar, blood

Focus: His crying

Inspirations:

• SCP-035 (“The Possessive Mask”)

• The Anguished Man by an unknown artist (it’s a haunted irl painting!)

• Bendy and the Ink Machine

Location: He was cloning himself in order to jump through universes to find his family. In the current universe, he was with the League of Shadows before he was found and brought back to the Wayne Manor. He is in the hallway with the bedrooms of the Wayne residents.

Extra facts:

+ His scary form is technically his normal form because he cannot turn it off. Once he is happy again, his normal form would be one with him and his family, smiling and happy. Until then, he haunts the minds of others and ravages their sanity.

+ He’s been traveling all over the multiverse in order to find his family. Coincidentally, they’ve all been in the same world for some time.

+ He screams all day and night for his family. It’s so bad that Danny has destroyed thousands of worlds in his grief.

+ He causes the worst of all symptoms, often causing the viewers who look at him to go insane and kill themselves or others, even if it is only a few seconds. Even those who stay in the same room next door to him are consumed with suicidal thoughts and intense moments of psychosis. Those who have survived encountering him and have some semblance of mind left say that he “cries” relentlessly. His paintings leak a black substance that corrodes the place around him.

+ Literally all I did for this picture was scribble in my notes app, take a screenshot, and then scribble some more on photos LMAO

Extra notes:

+ Jazz, Dani, and Dan showing their face while Sam, Tucker, and Valerie hiding theirs is intentional. Danny is a mix of both, because he actually IS showing his face, but you can’t see it past the black and red.

+ Every painting has a flower inside of it, specifically a carnation, which are often funeral flowers, and can mean gratitude, remembrance, love, and affection.

+ Every painting also has a mention or appearance of Danny in it.

+ I also tried to put hints of bad omens or signs of death within every painting. Some examples are Dani’s painting with the chopsticks sticking out of the bowl (a sign of bad luck and death), or Dan’s painting, where a woman is being strangled in the background and another is being killed.

+ All of the paintings generally have an ability to teleport to places nearby and can actually snatch up viewers to shove them into their domain. This can be a defensive mechanism (the paintings protect the Bats) or an offensive ability (they pull victims in and kill them). They also all have weapons on them that are hidden or not so hidden.

+ I struggled a lot with ideas and how to get started on some characters because I just had so many, and I wanted it to be creepy, but not noticeably creepy, like most paintings. I’m sad to say that I wasn’t able to use some of my planned ideas from inspirations of actual haunted paintings.

+ Discarded inspirations: The Rain Woman by Svetlana Telets (my favorite!! Please look it up if you can!!), this picture I saw on Reddit of a sheep being stuck under ice with its back exposed, a workshop idea with Tucker, and Dani and “Daughter of Evil” with mirrors and everything.

+ The world where Danny and co., come from is different from the world they’re currently in. It’s like a world where some people are the same, but others are not. Example: the GIW, Maddie, Jack, and Vlad exist, but Danny and Jazz never made it past their childhood. So basically a What-If world or something.

+ Their backstories are somewhat undecided, but basically, something dangerous happened to them in their home dimension and it was so bad that Danny captured all of their souls and put them into paintings so they would live (with the help of Clockwork). However, by doing this, he scattered their souls and paintings throughout the universes and he went crazy from it, and turned himself into a painting too so he could find them. Now his cloned paintings travel and sends itself to other worlds to find his family again, often leading to their destruction from his power.

Or something? Lol

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