#and im sorry for rambling but if youre still reading its on you

[thedisablednaturalist]

I dont know if it’s something youve been asked before, and i dont know how to really phrase my thoughts. But whats it like working in like environmental things well disabled? Have you met many, or any, other disabled people in the field? I’m 16, and ever since I was little I’ve had so much passion for environmental education in particular, and it was a field I wanted to go into for a long time. Sadly it seems like my body has other plans, I’m currently at a point where I might have to drop out of highschool because managing class and disability is too much, and so college feels impossible. And when it was mostly mental stuff I had thought about maybe joining americorps or something because it looked like they’ll take people with a ged and then I could still do work I care about, but I’ve only ever met one physically disabled person doing anything related to the environment and stuff (there’s a person with leg braces and a service dog who works at the local aquarium) so I never really get a chance to ask about this stuff

so idk, sorry if I’m rambling a lot and hard to understand. If it makes you feel any better I’ve cornered every environmental educator I’ve met the last year or so (and I go to a project based environmental charter school thing, so I meet a lot) and asked them a lot of questions too. Especially since my school encourages us to think about future careers and what skills we need

so idk, I want to know. What’s it like? Is it hard? What did you have to do to get the job you have now? Do you regret it, would you choose something different if you could go back? Do you have any advice?

I hope you’re having an ok day, and that I’m not too annoying, and thank you if you even took the time to read this far. -🌱

no no don't apologize, this is exactly what this blog is for. When I started my journey I couldn't find any outspoken disabled environmentalists or any resources for people like us. So I started this blog to compile resources and share what I've learned as my career has progressed. I want everyone regardless of physical or mental state to be able to pursue their passions in environmental science and conservation.

Honestly, this field has a long way to go still. Even big institutions like the Smithsonian haven't quite figured it out yet. But there is definitely a shift happening. I've been seeing so many more disabled young people interested in this field and its amazing. I saw another physically disabled student at the Smithsonian conservation biology institute when I visited as an alum a few weeks ago, and I believe I was one of if not the first person to attend as a wheelchair user (yeah they didn't know what to do with me 😮‍💨) I had a professor who directly singled me out for being a wheelchair user so you will unfortunately run into some bigots in this field.

However the federal government (im assuming you are in the US so apologies if you're not) especially during the Biden administration has been ramping up its hiring of Schedule A employees. Schedule A allows you to circumvent the competitive process through the WRP (workplace recruitment program) once you've graduated college (or GED). Schedule A can be provided by a doctor or disability counselor (My DARS office did mine, love DARS: it's free and every state has one). My manager is HOH as well as one of my new coworkers and I was of course recently hired by the EPA as well. The EPA is probably the most disability friendly place to work in our field, if not anywhere. It has its issues but I've been pretty much over-accommodated instead of under (sad I consider the minimum accommodations to feel excessive).

Here's some of the things I've learned so far:

1. My biggest advice to anyone your age wanting to get into this field is to volunteer volunteer volunteer!! You are most likely at a time where you can afford to work for free. Most environmental internships are unpaid unless you have prior experience with the organization. Try out a bunch of different experiences to find out what you like the most. I never would have thought I'd be a bug person until I did my first invertebrate stream assessment. I got into environmental science late in my college career so it took me a lot longer to figure out what I wanted to do. Get as much experience as you can while you are still supported by your parents and don't have to worry about things like rent or bills. Some organizations are trying to change this so people from lower incomes can still have the same opportunities, but it still has a ways to go. Notably zookeepers have to work either for free or for dirt cheap for a couple years before they get hired full time.

2. Be prepared to lose out on your dream job due to your disability(s). I'm going to be frank and not spout any of that "you can do anything you put your mind to" bullshit. Yes, most things CAN be done by anyone with the right accommodations, but in a field where a large percentage of the work is done physically, you will be unable to do some types of jobs. I'm not saying it's impossible to get your dream job with disabilities, but it's a very common experience for us. For example, I looked into working on a boat. In a perfect world, I'd be given limitless accommodations and time to rest but on a boat that is extremely difficult. You can't take sick days whenever you need them. This was the same thing I had to realize when I was offered my dream job in my dream location: A stream specialist field technician for the USGS in Portland Oregon. I absolutely loved working in the field, and yes there are many of us who do/did fieldwork using mobility aids. I miss fieldwork everyday. But I had to turn it down. I knew deep down I couldn't handle it, having scheduled in advance field excursions that I couldn't postpone, having to hike in difficult terrain in remote locations, even moving across the entire country, at least at the time, was improbable. I was barely holding on at my field job where I did have safety nets. I just couldn't justify the financial and physical strain as well as the risk if I wasn't able to do the job and became unemployed. It broke my heart to give it up and I'm still grieving. But I do enjoy my current job and it lets me prioritize my health. No longer do I just work and sleep because work would take up all my spoons. I've been drawing and gaming and spending more time with loved ones. It is an unfortunate fact of life that sometimes what we want isn't what we need. Being disabled means that sometimes we have to make hard decisions that abled people don't ever have to think about. It's part of the grieving process for those of us who were abled at some point. I can't speak on what it's like for those with lifelong disabilities from birth, but I know its hard for them too.

3. Ok yeah 2 was a huge bummer, but here's where it gets better: When one door with stairs closes, a door with a ramp opens. There will be other opportunities. This field isn't just fieldwork despite what most people think. You don't have to be a super strong ranger that can hike 20 miles in a day without breaking a sweat to do environmental work. The field needs people who take what the guys outside collect and analyze it, research it, visualize it, present on it, take care of it, write about it, archive it, make art of it, etc etc etc. There are so many organizations that need people who can do data analysis and administration. Working at a desk doesn't make you less of an environmentalist. Plus that's not all, you can work in a lab or work with smaller creatures like bugs or herps or fish or you could do botany or geology! You don't need to be able to go out and get them yourself to work with them. Being able to save energy during my workday allows me to pursue my passions like collecting bugs and swimming. I can volunteer with citizen science projects or conservation orgs and still do fieldwork, but because its not a job I can do it when I feel up to it, I don't have to push myself to keep going because I'm worried about being fired. I currently work as a data analyst for the EPA and I work mostly from home so I can do my work without suffering. Yea data analysis isn't my favorite thing in the world but your job doesn't have to be. Sometimes a job is something that makes you money so you can do your passions outside of it. But I am happy the work I do supports something I am passionate about (supporting states so they can clean up more sites and thus have cleaner water).

4. You'll have to learn how to advocate for yourself. Push against boundaries. Explore your options. Especially with doctors. You know yourself best, don't let anyone else define your boundaries for you, even me. If someone says you can't do something because of your disability, but you know that you actually can, tell them and be assertive about it. Many of us are seen as abrasive and rude, but to be a disabled person in a very abled centered world you gotta be. Don't let anyone hold you back because THEY feel uncomfortable. My coworkers at my old job were worried for me when I showed up to work with my crutches for the first time. But it actually made me BETTER at stream assessments (having four legs means you don't slip as much). I could do it even if I needed to take breaks and use mobility aids. Nowadays it's too much for me to be doing that but at the time it was within my limits. And sometimes, you'll overestimate yourself and end up flaring or hurting yourself. It's okay to make mistakes, it doesn't make you a bad person. At first you'll push through too much but as you learn your body's limits you'll get better at managing your disability. And sometimes a great memory is worth a week-long flare up. Its for YOU to decide what you can do.

That's all I can think of for now, I should probably get ready for bed soon. But just remember, there are more of us than they think and we can be capable, productive, and a benefit to the environmental movement no matter our ability or skills.

If you have anymore specific questions, or just need to talk, I'm always available (even if I might take a while to reply).

[sampilled]

context for this question: i see a lot of posts talking about how popular queerbait ships (destiel, sterek, johnlock etc) would have become cannon if homophobia wasn't an issue buttttt i can't help but feel that in a less homophobic society people would not have pushed for these ships at all.

EDIT: oh no grammar mistake :( i meant: people would not have shipped them at all sorry

[bamsara]

being an adult means we can buy or make as much self-indulgent shit (as we can afford) and unironically have trinkets of our fave things cause our teen years was bullied for liking things and hiding/denying we were ever neurodivergent to the point of suicide. sucks for anyone that thinks its weird cringe but I'm going to try and allow myself to love myself in little ways now

[grif-hawaiian-rolls]

Is this canon? Technically no.

Is it even In character? Absolutely not!

Do I care? Not really!

Locus is my blorbo and i can put him in annoying situations, like having a small squad of annoying but just-good-enough-to-not-kill-them Feds, if i want to

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[queer-pagan-witch]

One day I will learn, that just because the bottle is low, does not mean I need to finish off the bottle.

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[tei-to-tei]

me, writing: I'm gonna be nice to everyone in this chapter

also me: whoops oh god oh fuck my hand slipped

[skittlespizza]

i cant relate to 99% of jirai kei stuff bro

[gongedtornado]

.

[welcometoteyvat]

"the narrow eyes of Asians would be true purely because of the region"

my good brother in christ, DIE.

[totallyblooktacular]

Heh, thank the old Spider Riders blog for that haha. Not a lot of folks remember the, even up here in Canada, where we dubbed it and aired it constantly; though everyone remembers the old game, which people are trying to revive. I've been revamping my own fic on AO3 for a while now, and I think I'm the only person currently writing new content for the show both there and on FFNet lol.

some of this feels a little vague so im worried im not thinking of the same things youre actually referencing, but i still definitely agree.

its a shame not very many people made their own dedicated blogs for it here (i only know like 2 ?) but theyre definitely very helpful for general access to content (official and otherwise), especially when pretty much anything of substance about it is so obscure, so i would say i do owe a lot to at least the one that was kept up here until.. i think just right after i started getting more into it myself, coincidentally enough lol

nice to be able to hear from a fic writer too though!! and that ur still kicking, as well. i havent read a majority of the ones out there, but i’ve been trying to stay pretty on top of some more recent ones being updated, so i think ive been reading it too, good job there!

[allovertheplace-writing]

Shroom 😭 ilysm <33 thank you, thank you for being my friend!

@nordicbananas (ty for tagging me! i didn't know i was your first friend on here - i'm very much honored <333) @omkookie @azxremoon @astrxealis @meltingblue

i may not have many friends, but i love each and every one of you so so much. you guys have always motived me to keep writing and to keep being here on tumblr. without a doubt, i wouldn't have gotten this far without any of you. So thank you ♡

2023 is coming to an end so this is my annual I love my online friends so fucking much you wouldn't believe me if I told you post.

[afterthelambs]

.

[ayngels-sunbook]

Chat I have to wear these nighttime braces but they hurt my feet. More specifically they hurt the incisions made at my Achilles tendon but it's either this or wear day braces that give me blisters, granted I'd take the blisters. 😭

Also I just straight up vented in the tags Don't read them if you don't wanna know Abt my life drama, I'd argue it's interesting though. Here's popcorn if you do 🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿🍿

Anyways I'ma go take two Melatonin, take off these braces & sleep. Goodnight >-<

[todayisafridaynight]

Since you mentioned it, what did you think of Speak No Evil? I was thinking of watching it myself :0

i really liked it ............ my friend scoffed at me when i told her i was watchin it so take my opinion with a grain of salt tho </3