#and if you cannot recognise that people who used to

[villainessbian]

I am on twitter, though I'm planning to leave that cesspit for good because the muskrat's gone and turned it into a shitshow of a mirror for the loosest minds of parler, truth social, and mumsnet.

Yes, crystals can store a lot of information using a femtosecond laser. But it's just an improved microfilm that is even harder to make and read. It's not a revolution, it's an expensive toy.

By the way, the trump administration doesn't exist yet, so it can't look into anything. It's not doing anything because there is no such thing. The current administration is biden's, and it's the only one.

To be clear, you cannot digitise people's consciousness. That has never happened and no one knows how to do it. The main issue with this is absolutely not lack of storage space. If you had a digitised consciousness on your hands you could also not put it back inside a human body.

It bears noting that the trump clique's definition of "wrongdoers" includes queer people (defined as porn which is to be made illegal inside project 2025), non-white people (defined as borderline animalistic illegal immigrants in many many speeches of trump's, regardless of legality or immigration status) and does not include those who actually do wrong, such as causing harm (as with trump's rapes) or endorsing genocide (as with trump's global positions) or putting the security of his own country in danger (as with trump's sales of intelligence in classified documents to foreign nations conducting genocide). Side with their views, side with genocide and rape.

Relatedly, all of trump's projects for all of society are very obviously murderous or very obviously stupid. His victory has already negatively impacted USAmericans' pay cheques this year as all companies had to spend a lot on foreign orders before he can apply tariffs that will gut them long-term, and his previous presidency had the very moronic goal of stopping a pandemic by pretending hard enough it was already over: "no testing means no new cases" was his actual belief. You think that kind of stupidity is able to manage plans that last millennia? Even if the cyberpunk dystopia of putting you in thousands of years of sharingan illusions to manipulate you into his perfect drone worker were possible, it would be the most hellish thing ever to be designed.

Also, elon musk is not one of the top minds of the 21st century, nowhere near the 4 billion top minds at least, he's a loser who spent inherited blood emeralds to buy companies and rename them after his fixations. He bought other people's ideas and only succeeded at running them into the ground more times than anyone could do on purpose. He's been fired as CEO from Paypal for incompetence. He's destroyed twitter's market value, userbase, ad revenue, use frequency, standing, credibility, public image (in the exact way he tried to do to Paypal before being fired), and future.

Furthermore, no "top mind" aligns with trump at all. Trump is a nepo baby who can't organise a meeting properly, let alone the politics of a global power. Anyone with half a mind recognises that the only thing he's good for is making a profit by betting against all the moves he does. He says the pandemic will be over soon? Invest in Zoom. He says his tariffs will save the US economy? Bet against the dollar.

Where the fuck did you get the idea that Trump is putting people in crystals??? Did the voices tell you that???

It's been very extensively discussed on X.

That's where the real conversation is happening... and you leftoids are missing it.

[anchorandrope]

.

[blackwaxidol]

the kneejerk response, the idea or belief that when Israel as a state ceases to exist, that its settlers will become second-class citizens or outright killed is not only repetition of the same hysterical argument that has existed—yet never coming to pass—in other apartheid states but it is also indicative that the speaker has not been listening to what has been said over and over and over again by Palestinians, or perhaps that he refuses to listen entirely.

liberal or proclaimed leftists showing that they do not understand or support anticolonialism as much as they purport to be should not be unexpected, it is much easier for a person to lie back and say "oh yes i am of course an anticolonialist" without ever bothering to learn of what it is, because they believe it is simply a matter of common human decency and not an extensive history that must be learned from to be understood. the liberal believes many things for the sake of being courteous, rather than having any real interest in the matter. it is why they are shocked or appalled by its violence, and it is then that they will appeal to "both sides". the solution in such a mind as theirs is voting, or patience. anything else to them is barbarism. they are eager to buy lies about what is to them the wrong way of "going about things", so that they do not lose sleep at night.

[ventbloglite]

I think we need to sit down and talk about malgendering.

Not misgendering, malgendering.

We all know what misgendering means. Misgendering is when a trans person (or to be honest, even a cis person) has their gender denied to them in some fashion by implying, suggesting or outright stating that their gender is actually Something Else and not the one they identify as.

e.g. A trans woman being told she cannot attend a certain class because it's 'just for women'.

Malgendering is when the trans persons gender is not questioned or denied and may even be affirmed - but only in a context in which it can be used against them in some fashion (to make judgements on them as a person, to exclude them from something, to incite bigotry towards them etc).

e.g. That same trans woman taking her shirt off on a hot day and being arrested for indecent exposure.

This is misgendering;- "You're not a woman, you're a man." This is malgendering;- "Trans women are women, so obviously they exist to serve men."* *obvs it is also transmisogyny and all malgendering is transphobia.

But what you don't want to hear is that malgendering is a form of transphobia mainly used against trans masculine people and nonbinary people.

Most people recognise malgendering when it's;

Using the term 'theyfab' to ridicule an agender person or making jokes about how an agender they/them user looks (to you) to be a completely cis woman.

But you need to look out for how;

Malgendering is treating trans men like their transition has turned them into women-hating predators because of your own predjudices towards men/trans man were always inherently women-hating predators because maleness is what makes you those things not your actual thoughts, words and actions.

Malgendering is not listening to how trans masc people are marginalised 'because men aren't oppressed though' as if that's not ignoring a huge part of their identity (the being trans part) and how that works.

Malgendering is telling trans men 'this is just what it's like to be a man, people treat you like shit and you have to take it or not transition'.

Malgendering is insisting that any trans man who calls any attention to the fact that he is indeed, trans, and has/had female anatomy and faces misogyny due to being raised and still perceived (by transphobes) as a woman is misgendering himself, all other trans men and 'weaponising his AFABness'

All of this is transphobia. All of this is bigotry. This kind of predjudice and bullying doesn't magically become 'OK' once you find the 'right' group to do it to. You either want to end bigotry and transphobia and identity-specific targetted hate or you want to perpetuate it. But you can't call yourself a trans ally, or escape the bigotry allegations whilst malgendering people. And no you're not being sneaky by slipping in your hateful predjudice comments and actions whilst validating their gender.

Malgendering is transphobia.

[stil-lindigo]

"Kamala Harris has earned an eleventh-hour show of support from Palestinian, Arab and Muslim community leaders."

On October 24th, a collective statement titled "Arizona Palestinian, Arab, Muslim, and Progressive Democrats and Community Leaders Statement on Presidential Election" was published.

The 100+ signees include current or former leaders of Palestinian, Arab and Muslim organisations, the leader of Phoenix, AZ's largest mosque, Jewish activists and other elected officials. All of them have been listed at the bottom of this post.

You can read the whole statement here but I've also copy-pasted it's entire contents below.

Read. The Whole. Thing.

It is concise and will only take you a few minutes. While you read, recognise that these words are not representative of every single person belonging to these demographics. Palestinians, Arabs and Muslims are not a monolith, and have a right to feel any way they do about this election. To those who do not belong to these groups - refrain from adding your personal commentary in the tags, and understand how excruciating of a place this statement must have come from for both the authors, signees and the communities they represent.

---

Arizona Palestinian, Arab, Muslim, and Progressive Democrats and Community Leaders Statement on Presidential Election

As Democrats and leaders in the Palestinian, Arab, Muslim and Progressive communities in Arizona, we the undersigned make the following statement, published on 10/24/2024:

This past year has been very difficult for all of us. With over 42,000 Palestinians killed by Israel using American-supplied weapons and no end in sight despite all our struggle for a ceasefire, we approach the presidential election heartbroken and outraged.

We know that many in our communities are resistant to vote for Kamala Harris because of the Biden administration’s complicity in the genocide. We understand this sentiment. Many of us have felt that way ourselves, even until very recently. Some of us have lost many family members in Gaza and Lebanon. We respect those who feel they simply can’t vote for a member of the administration that sent the bombs that may have killed their loved ones.

As we consider the full situation carefully, however, we conclude that voting for Kamala Harris is the best option for the Palestinian cause and all of our communities. We know that some will strongly disagree. We only ask that you consider our case with an open mind and heart, respecting that we are doing what we believe is right in an awful situation where only flawed choices are available.

In our view, it is crystal clear that allowing the fascist Donald Trump to become President again would be the worst possible outcome for the Palestinian people. A Trump win would be an extreme danger to Muslims in our country, all immigrants, and the American pro-Palestine movement. It would be an existential threat to our democracy and our whole planet.

When we think of Trump in power again, we recall that even a genocide can get much worse. Trump just said that Netanhahu must “go further” in Gaza while criticizing Biden for “trying to hold him back.” His biggest donor, Miriam Adelson, who demanded in 2016 that Trump move the US embassy to Jerusalem if elected –– which he then did –– is now telling Trump to allow Israel to annex the entire West Bank. Netanyahu, Ben Gvir, Smotrich, and the entire far right in Israel want Trump to win and grant Israel total free reign. We cannot give them what they want.

Trump must be defeated. The only way to defeat him is to elect Kamala Harris.

Voting for Harris is not a personal endorsement of her or of the policy decisions of the administration in which she served. It’s an assessment of the best possible option to continue fighting for an end to the genocide, a free Palestine, and all else that we hold dear.

We are deeply frustrated that Harris has not yet met our movement’s demand that she break with Biden, defy the powerful extremists enforcing the status quo, stand with the majority of Americans, and pledge to uphold US law and international law and condition aid to Israel. Still we believe there are clear reasons to hope that we can win positive policy change with a Harris administration and a Democratic Congress.

Multiple media reports state that Harris’s national security advisors are open to re-evaluating policy and conditioning aid to Israel. On October 13th, the same day the administration threatened to re-evaluate military support if Israel did not improve humanitarian conditions in Gaza and reduce civilian casualties in the next 30 days, Harris tweeted: “Israel must urgently do more to facilitate the flow of aid to those in need. Civilians must be protected and have access to food, water, and medicine. International humanitarian law must be respected.” In Michigan the other day, Harris expressed clear empathy for the suffering of the people of Palestine and Lebanon and the impact of this devastation on Arab Americans. She pledged to do “everything in her power” as President to end the war in Gaza, end the suffering of Palestinians there, and achieve “a future of security and dignity for all people in the region.”

Beyond Harris’s statements, we know that her decisions as President will be shaped by the larger Democratic Party coalition that includes a growing force pushing for Palestinian human rights. Our Arizona Democratic Party passed a resolution calling for a ceasefire in January. Every single member of Congress who has publicly called for a ceasefire in Gaza or for an arms embargo is a Democrat. The major national unions, civil rights groups, and progressive organizations that have called for a halt to military aid to Israel are all working to elect Harris.

On the other hand, the Republican Party coalition offers zero opposition to unconditional support for Israel and zero support for Palestinian human rights. Instead Republicans urge the US to join Israel in bombing Iran, call to “bounce the rubble in Gaza” and “kill ‘em all,” and would likely support the Israeli far right’s drive to annex Gaza and the West Bank.

What about a third party? Many in our communities believe this is our best option. Unfortunately, there is not a single third party member of Congress or even state legislator in America. In our electoral system, no third party candidate can win this election. But voting for them could make Trump president.

The polls show the presidential election is extremely close and that it will be decided by 7 swing states, including Arizona. While voting 3rd party may be strategic in non-swing states as a protest of the current US Israel/Palestine policy or as a step to qualifying the Green Party for public funding in future elections by winning at least 5% of the national vote, doing it in Arizona or other swing states in such a close election could bring disaster.

Some argue that if Palestinian, Arab, and Muslim voters and our allies vote for a 3rd party candidate and intentionally throw the election to Trump, taking credit for defeating Harris, it will prove our power to decide a close election and “punish Democrats” for complicity in genocide. Unfortunately, this is not how power, politics, or change works in our country. When Ralph Nader helped throw the election to Bush in 2000, he was rejected by millions for whom he was once a hero, banished ever since to the political margins. When Jill Stein helped throw the election to Trump in 2016, she remained relegated to the political fringe, becoming less powerful not more. If our communities ally with the Green Party to defeat Harris, we risk marginalizing ourselves as they did by alienating the tens of millions of voters who support the cause of Palestinian freedom and are fighting to defeat Trump by electing her.

Instead, by helping to elect Kamala Harris, we can say, “Despite it all, we gave you another chance and helped put you in office to defend democracy and uphold our highest American values. Now uphold them: end the genocide and secure Palestinian self-determination. We will fight every day to hold you to it.” If Harris and Democrats win, we will wage that fight with more allies among the American people, Congress, and the White House than ever before. If they don’t deliver, we will have a mandate and mass support to hold them accountable through every nonviolent tool of democracy, including protests, resignations, civil disobedience, primary election challenges, and even potential mass noncooperation. It’s a difficult path, but the one that offers the most hope.

The first step –– and our best choice in this horrible situation –– is defeating Trump by electing Harris. We urge you to join us.

Signers (affiliations listed for identification purposes only):

Maher Arekat, Founder, Palestine Community Center of Arizona

Usama Shami, President, Islamic Community Center of Phoenix

Fadi Zanayed, Vice President, American Federation of Ramallah, Palestine - Arizona

Shams AbdusSamad, Secretary, Maricopa County Dem Party; ADP Exec Cmte Mmbr - At Large & SCM

Samir Mufarreh, Palestinian American Christian Community Leader

Jordan Harb, Lebanese American Youth Leader

Stephen Mufarreh, Attorney, Palestinian American Christian Community Leader

Misaal Irfan, Pakistani American Community Leader

Samara Hamideh, Palestinian Youth Organizer

Mohamed El-Sharkawy, Palestinian American and a Muslim leader

Ala Rumah, Syrian American Activist

Dina Hamideh, Coordinator, Arizona Palestine Film Festival

Salauddin Choudhury, Bangladeshi Community Leader; DNC Delegate CD 5; LD 14 SCM

Hani Hani, President, American Federation of Ramallah, Palestine - Arizona

Dr. Navid Khan, Pakistani American Community Leader

Deena Mufarreh, Chair, American Federation of Ramallah, Palestine - Arizona

Syed Nasir Raza, Progressive Pakistani-American Community Leader; AZ Progressives

Ashraf Elgamal, President, Arab American Organization

Salina Imam, Charity Program Leader

Sawsan Tannous, Chair, American Federation of Ramallah, Palestine - Arizona

Saher Afzal, Pakistani American, Arizona Education Association member, and Exec board AEA local

Nathan Mufara, Chair, American Federation of Ramallah, Palestine - Arizona

Dr. Jaffrey Khazi, Community Leader

Hashim Hamid , Palestinian American Community Elder and Retired Businessman

​​Ameena Arekat, Palestinian American Health Care Worker

Mo Al Hwan Bahu, Palestinian American Christian

Deanna Dabbah, Former President, Arab American Anti-Discrimination Cmte, Fountain Hills, AZ

Dr. Hazem Jabr, Palestinian American Dentist

Jack Saba, Syrian American Entertainer & Democratic Voter

Ramzi Arikat, Palestinian American Business Owner in Phoenix

Shaikh F Shams, LD13 PC & State Cmte Member, Bangladeshi American Community Leader

Hussein Jabr, Palestinian American Doctor

Md Ibrahim Faisal, Bangladeshi American Progressive Democrats

Dean Dabbah, Community Activist, Fountain Hills, AZ

Mazen Arekat, Palestinian American Business Owner

Sujat Jamil, Bangladeshi American Progressive Democrats

Rocky Francis, Iraqi American Businessman

Hazem Arekat, Palestinian American Businessman

Arif Mahmud, Volunteer

Qumrul Ahsan, Precinct committee member LD13

Shahriar Anwar, LD13

Menassa Abinader, Lebanese American; Owner, Mejana Restaurant

Charlotte Hosseini, Sedona Resident ; Concerned citizen and voter

Tan Jakwani, Muslim Community Leader

William Havel, Iraqi Refugee

Jennifer Loewenstein, Jewish Voice for Peace - Tucson ; Arizona Palestine Network (AZ PAL)

Jessica Burke, Jewish Community Member & Progressive Activist

Bob Lord, Former Arizona Congressional Candidate, Jewish Community Member

Rachel Port, Jewish Voice for Peace -  Tucson

Laurie Melrood, Jewish Voice for Peace - Tucson; LD 20

Rep. Mariana Sandoval, LD 23

Rep. Quantá Crews, LD 26 ; State and Precinct Committee Person

Martín J. Quezada, Former State Senator

School Board Member Patti Serrano, PC and State Committee Member LD 13, 2020 Delegate

Kai Newkirk, Co-Chair, Arizona Democratic Party Progressive Council

Erika Andiola, Immigrant Rights Leader & Bernie 2016 Latino Outreach Press Secretary

Mikkel Jordahl, Attorney

Belén Sisa, Former Latino Press Secretary for Bernie 2020 and DACA Recipient

Salil Deshpande, LD18 State Committee Member; DNC Standing Committee Member

Dan O’Neal, Progressive Democrats of America - Arizona State Coordinator

Armonee D. Jackson, President, Young Democrats of Arizona

Eva Putzova, Former City of Flagstaff Councilmember

Emily Kirkland, PC LD 8; Former Executive Director, Progress Arizona

Melissa Galarza, Chair, LD12 Democrats

Cameron Bautista, Youth Organizer & School Board Coordinator, KeepAZBlue Student Coalition

Nick Collins, LD 12 State Cmte Member, Progressive Council Interim Steering Committee

Ken Kenegos, LD 18 PC, member Progressive Democrats of America

Michael Bradley, Arizona Palestine Network, LD 4 PC

David Higgins, Co-Founder, Arizona Palestine Network (AZ PAL)

Natacha Chavez, Precinct committee person LD 22

Sarah León, Community organizer

Elizabeth Hourican, CODEPINK Phoenix

Emily Verdugo, Community Leader

Kyle Nitschke, LD 6 State Committee Member

Barbara J. Taft, Leadership Team, WILPF US Middle East Peace and Justice Action Committee

Nicole Gutiérrez Miller, State and Precinct Committee Person, LD 12

Dianne Post, International Human Rights Attorney

Lindsay Love, Owner & therapist at TherapyLuv, PLLC ; former CUSD school board member

Joan Etude Arrow, Founder, Arizona Progressive Action Community (AZPAC)

Elizabeth Ogren, LD5 PC and State Committee Member

Jenise Porter, PC and State Committeeperson AZ LD18

Dave Wells, United Campus Workers of AZ, PC LD9

Andreas Clayton La Grow, Community Organizer

Robert Flamida, Palestine Community Center of Arizona, Member

Dr. Marannagan, Autistics for Peace

Bonnie L Lynn, State Committee Member

Frederic Artus, LD 5

Isabel O’Neal, State Committee, PC LD 14, CD 5 Immigration Advocate

Deborah Arekat, Democratic Voter

Asfandyar Khalid, Na

Kathy F. Yontz, PC LD12

Pardis Baradar, LD 12 PC

Grace Wagner Democrat LD8

Laiken Jordahl, Community organizer/advocate

Kathryn Soderquist, Constituent, AZ LD 9

Jana Rose Ochs, Progressive Democrats of America, Progressive Activist

Victoria Eloisa Ramos, Community Leader

Aaron J Essif, LD17 PC & SCM, PDA, Indivisibles

Judith Hilton Coburn, Member, CodePink Phoenix, PDA, Phoenix Anti War Coalition

Dev Gautam Dogra, Progressive social democratic student from The University of Arizona

Peggy Thomas, Progressive Democrats of America activist

Anne Khoury, Concerned citizen and voter 

Emily Williams, Democrat LD 12

Molly Donnelly, PC LD 12

[sharoo]

Self-knowledge as a theme in STP messes me up so bad, bros.

This all starts with how little the Princess can tell you if you ask her about herself. How little you can say about yourself, more often than not. Most of the time Quiet doesn't even know what they look like!

The Narrator makes it a point to make the Princess' cluelessness, her lack of self-knowledge, into deception, but really, both the protagonists don't know themselves. How could they?

The concepts of bounds, of something that isn't you, the distinction of "self" and "other", "you" and "I", the concept of something being not like yourself... this is the first time this deity which is now two has ever experienced it.

The Shifting Mound and the Long Quiet did not exist until the Narrator tore a whole into parts.

Now, this deity in twain has to reorient. It has only begun existing, it's not yet known itself. A toddler has to develop a self-concept, and the concepts of others.

Now imagine, for the first time in your solitary existence, that there is something that you are not. Unknowable, foreign.

What are they like, you think? Are they a friend? Should I get to know them? Are they a foe? I do not know them, I cannot trust them... Or can I?

This brings to mind, of all things, Contrapoints' video on Twilight, where she speaks about the concepts of Union and Division in relation to love. And while she speaks of it in terms of eros, it can apply here just as easily, romantically and platonically.

Love is the union of two beings. We love because something outside of us allows us to be more than ourself. In others, many seek that which they lack. We seek out people so that we may develop through our similarities and contrasts with them, to change an be changed.

We seek out people because there can be no I without a You. To exist in a void is not a fulfilling experience.

We cannot discover ourself if he have nothing that allows us to compare ourself. The mirrors elude us throughout the game, always leading to the princess - she is the only way we may know ourselves, the mirrors tease as they disappear. And at the end of the route, only then, can you see yourself, now that you have a complete knowledge of yourself in a given scenario, with a given persona.

Was the princess someone you decided to trust? Or to betray? Was she a foe? A friend? A nightmare? A victim?

You both try to find out who you are through your relationship.

The princess assumes many faces and attitudes in response to you, you assume voices and attitudes in response to her. You're two batches of clay shaping each other at the same time. It's almost like knowing someone your entire life, seeing them go through different phases as they try to find out their identity in the world, their place. The 5 routes, whatever they be, are your "adolescence".

And growing means you will hurt each other, intentionally or not. There will be fights, disagreements, there will be heartache, and comfort and love.

And everything will pass.

Shifty, before she's complete, before she discovers her godhood, makes this point so clear.

How could she not be kind to you? You are the only thing in this place that is not her. What reason could she have to hate you? To make the only friend she could have into an enemy?

That's why, at the end of every route, all hurts are forgiven. All the heartache is acknowledged, understood, and then she moves on. So that you may continue being together, so that she may see what else you do.

Even godhood can become a phase. The Shifting Mound recognises what you both were, but it need not be you unless you accept it. Because self-knowledge is unending. You are always changing, and you can always change.

You can accept being a god, and that becomes you.

You can reject being a god, and that becomes you.

You are by that point an "adult". The figure trying to dictate who both of you are is gone, and you can decide for yourself.

I think this is partially why I love the Leave with Stranger ending the best of all the endings. You begin it by avoiding knowledge of yourself and of another. The self can only exist as far as it is not like the others.

And you meet the Stranger, this being who knows so little about herself, because she too has been deprived of another. The route is quick. It really cannot amount to much, because if you don't know yourself, it's so hard to build a relationship.

But at the end, they've matured. You gave each other time to become fuller beings. You met this person again and they seem so much happier with themself than they were in youth.

I love how they say "We're just a stranger.", and the voices point out how it needn't be sad that you don't know her, unless you make it out to be. You can get to know them, the real them, and they can do that with you.

The way the Stranger speaks if the position of a God only underlines how much the heart of the Shifting Mound can understand self-knowledge.

They speak of how they feel themself be pulled towards taking the position of godhood, of being everything, yet find it confining. Restricting.

"We want more. We want whatever might be on the other side of this door. Something new, that we'll experience together. With someone who exists outside of us. Someone who can see us in a way we can never see ourself."

Self-knowledge through relationships and reflection on how you impact other people.

[tpwrtrmnky]

exposition

[ID: Four panel comic with crudely drawn stick people.

Panel 1: A blue person with sunglasses and dog ears is talking to an orange person with dog ears.

Blue: "Ah, young Orange."

Orange: "I, uh, aren't you younger than-"

Blue: "I understand that you have approached me to discuss an issue. As is the doctrine of our anarcho-caninist commune, we shall conduct this meeting in expository form, speaking as if intent on being observed by an unknown third party in need of being spoonfed everything we, as individuals, are already aware of."

Orange: "Wait-"

Blue: "Let us begin by stating our medical histories: I am on gel that makes you blue and have had dog ear implants."

Orange: "I uh. I know. You told me yesterday."

Blue: "It is your turn. State it!"

Orange: "…You can look at me and tell that I'm-"

Blue: "You cannot rely on the third party knowing how you became orange!"

Orange: "…Gel. It's gel."

Panel 2: An extremely tall, hot pink person with fluffy bits around their chest and extremities, as well as floppy dog ears and a bandana worn as a mask, interjects into the conversation between the two.

Hot Pink: "I sense that this discussion is at risk of becoming an argument. Let us recite the Acknowledgment of Legitimacy, as per the doctrine."

Blue and Hot Pink: "We recognise that opinions are held by individuals and do not represent everyone of their chromatic alignment. We understand that if any individual is found to be in the wrong, it does not delegitimize their identity, only their viewpoint."

Orange: "I uh. Does anyone not believe this? Who are we disagreeing with here?"

Hot Pink: "I am on injections that make you hot pink and have taken topical fluffy fur gel. Now we may proceed."

Panel 3: Zoom in on Hot Pink and Blue as they continue spoonfeeding unnecessary exposition to you, the reader.

Blue: "Before proceeding we must also clarify that the doctrine is an idiosyncracy of our commune, and not reflective of wider anarchist nor caninist movements."

Hot Pink: "Indeed. Furthermore, I would like to establish that we exist in the context of the past affecting the present, as individuals with personal histories that affect our present state, and have established this doctrine in response to said history."

Orange: "I- how- what history- are you explaining that the past exists??

Who is this for?

How did you decide to talk like this?"

Panel 4: A green person with a tail and long, pointy dog ears appears opposite of Orange to make it all make sense.

Green: "You bring up an excellent question. I am on a combination of pills that make you green and pills that block my naturally occurring red, which I do not personally consider a medical condition but which is often pathologized as such. Before proceeding and getting to the point we must go over the historical context in which this conversation is taking place."

Orange: "Wait, no, I know history, please-"

Green: "Caninism, as formulated by Barx in the 1800s…"

End ID.]

Bonus panel:

[ID 2: Presumably sometime later, the green dogperson is still talking.

Green: "You see, the Expository Doctrine is primarily a performance art critique of the tendency to demand that media explains everything to the viewer, and how pandering to this demand causes dialogue to be unnatural, stilted and unnecessarily verbose."

Orange: "I know. You say this every day."

Green: "Indeed, part of the performance serves to emphasize how in a serial but episodic medium, such mandatory exposition quickly becomes frustrating and repetitive!"

End ID 2.]

Start - Previous - Next

[bm-pancake]

Sorry do you think that condemning all people who ever held fascist or right-wing beliefs IN THE PAST as a PHASE perhaps while they were impressionable teenagers, while valuing only those who have always stayed on the virtuous path of "normalcy" is NOT purity culture?????

You're an adult, it's about time you learn how to read.

white lgbt westerners will make endless excuses for their ignorance, for their racist and sexist and homophobic behaviour because they were never taught anything in school, they’ve never seen a world map until they were 23 years old despite having access to the internet their entire lives, because they grew up in a conservative family and everyone has a nazi phase as a teenager so really what’s the big deal? but if someone living in the largest concentration camp ever built has a homophobic thought in their head that’s grounds for them and their entire people to be genocided. you people treat yourselves like adult infants who should be given endless amounts of second chances while baying for the blood of Palestinians. genuinely you make me sick. I want no part of your homonationalism, you are a fascist and your quirky little queer identity does not in any way take away from that

[eamour]

method · using subliminals

today, we are talking about subliminals. believe it or not, subliminals are what actually brought me to the law of attraction and later on the law of assumption. they are already used by a large number of people, even those who don’t necessarily believe in any law.

definition

subliminal (adjective) refers to something that cannot be recognised or understood by the conscious mind but still manages to influence the subconscious. a subliminal message, for example, can only be perceived by you without you having notice or being aware of it.

in a spiritual context, subliminals (noun) signify sounds, often music with underlying positive affirmations.

intention

the purpose of subliminals is to sway your beliefs in a certain direction or change them entirely. a subliminal that purposely tries to persuade you subconsciously into believing something which you find hard to believe in consciously. in short, listening to subliminals helps you "reprogram" your mind.

how to listen

you can listen to a subliminal with your headphones, your earphones, on your phone, on your laptop, on your tablet,… all variants are just as influential.

when and where to listen

when and where you listen to a subliminal is entirely up to you. it depends on your beliefs. the moment you think you need to listen to them for them to help you manifest or materliase your desire, that’s when you should listen to them. there is no fixed time or place. you can listen whenever you want, wherever you want.

how often to listen

how often you listen to a subliminal is also entirely up to you. you can listen to one subliminal the entire a day, two subliminals at the same time, listen overnight, while doing your chores, make a playlist for the day, create a time frame for when to listen or listen to it only once — you decide! again, there is no fixed amount of times. you listen as many times as you wish to.

what to listen to

you can find subliminals on various platforms! mostly, they are free and on youtube. there, you can follow your favourite subliminal channels, create playlists and listen/loop them. you may also find subliminals on spotify, apple music, soundcloud, etc.

why it works

it doesn’t matter how many times you listen to a subliminal, how intense you listen to it or where you do it. the only thing that matters is your overall mental attitude. while listening to the sub, all you have to do is to accept its promised results to make it "work" for you. keyword: belief. belief creates and helps creating. your only job is to decide you have your desire and persist in that. for example, you could assume that you get your desires while listening to the sub and full results after listening to the entire playlist. or maybe you get full results by just listening to the first second of the sub? your rules apply only.

with love, ella.

[loveinhawkins]

It’s the last period of the day, and in his peripheral vision, Steve can see Eddie Munson fighting sleep, elbow repeatedly slipping off his desk.

They’re not usually in this class together; a good handful of teachers are on a ‘field trip’—which had been sold to the principal as an educational experience, but was really an excuse for both students and staff to while away the last remaining days of the semester.

So most classes have become an assortment of students who haven’t gone on the trip, odds and ends who usually wouldn’t cross paths.

When Steve had entered, he saw that the room was sparse, people dotted about the place with no regard to a seating plan—he’d headed straight for a desk by the window, hadn’t even noticed that Eddie Munson was in the seat right beside him until he’d already sat down.

And then it turned out he couldn’t even reap the benefits of choosing a seat near said window. The room was stuffy, unbearably so, and Eddie had beaten Steve to it, actually raising his hand and asking, perfectly politely, if he could open the window.

But the substitute teacher had just sneered and replied haughtily, “No, Munson, you cannot.”

Condescending ass, Steve had thought, and he was almost looking forward to one of Eddie Munson’s infamous diatribes.

But Eddie just wilted in his seat and didn’t say another word.

That’s when Steve noticed that he kept looking down at his desk. There was a piece of paper on there, an end of year test—Steve recognised Mrs O’Donnell’s handwriting making comments in the margins. The top right hand corner was folded over in such a way that just made the hiding of the grade all the more obvious: it was clearly an abject fail.

As Eddie stared at the paper, he started to blink rapidly, and for a horrible moment it seemed like he was going to cry, so Steve quickly looked away.

By the time he dared to look back, it was a quarter of the way through the period, and the heat of the room must’ve been getting to Eddie, his eyelids fluttering as he tried not to doze.

And now Steve’s stuck with a teacher who’s clearly immune to every pointed look he shoots his way. He gets to the point where he’s glaring daggers at the dude—seriously, where does he get off, keeping the window closed just to prove some bullshit point about authority?

Every so often, Steve finds himself catching a paper airplane—what are they, five?—that had been heading for Eddie’s face, made by some meathead junior. Steve either swats them away or, if he’s feeling particularly pissy, crumples them up with one hand, throws them back at the junior’s head.

Eddie’s repositioned his elbow so it’s no longer in danger of slipping off the desk—eyes totally closed now, like he’s accepted defeat.

Steve is too late to catch the next paper airplane as it hits the side of Eddie’s head, and when Eddie stirs, blinking blearily at him, he says, defensively, “It wasn’t me.”

“Relax, Harrington,” Eddie says, yawning, “I know.” He unfolds the paper airplane with a tut. “No structural integrity to this thing at all. You’d give me quality.”

Steve doesn’t think of a barbed comment to reply with, because Eddie starts refolding the paper and uses it as a fan—and it’s not even for a bit or anything; Steve can tell that he’s just genuinely suffering.

Movement draws his eyes to the front of the room; he watches as the teacher makes his way to the door and leaves.

“Thank God he’s gone,” Steve mutters. He stands and lifts up the window as far as it will go, hears Eddie’s quiet sigh of relief as the fresh air comes in.

Steve glances over at the door; the paper airplane-throwing junior has gathered a little group, and it looks like they’ve locked the teacher out. There’s no footsteps or furious knocking yet, so Steve figures he’s got a bit of time.

He jumps up onto the window sill to better enjoy the breeze, stretching his legs and idly looking outside.

He just catches Eddie scoffing, the little aside he makes: “Oh, for fuck’s sake.”

Steve turns his head to him. “What?”

Eddie rolls his eyes, but the corner of his mouth twitches like he’s fighting a smile. “Just… you,” he says.

And it’s said with a kind of reluctant fondness, almost like they’re friends—which is bizarre, Steve thinks, since this is definitely the longest conversation they’ve ever had.

But maybe the approaching summer break has Eddie all sentimental.

“What about me, Munson?”

Eddie gestures at him, as if to say uh, everything, but it somehow doesn’t come across as an insult.

“Just… the way you do things sometimes. Like you’re in a goddamn movie.”

Steve raises an eyebrow. “Dude, I’m just sitting. Anyone could do this.”

“Nah, Harrington. It’s all in the execution, y’know?”

Steve snorts. “Bull.”

“And not all of us have the hair for it.”

Steve tilts his head, drawls, “Oh, I dunno.”

Eddie huffs out a laugh like he’s been taken by surprise.

Steve turns back to the window. It’s not all that great a view, really, the sun only highlighting the dried unkempt grass around the track. Still, there’s an undefinable something to it that gives Steve pause.

Maybe it’s because graduation is right around the corner. Even just walking down the school corridors feels like a series of goodbyes.

“Hey, Harrington. You heard of mise-en-scène?”

And Steve finds himself grinning at the French accent Eddie slips into.

“Bless you,” he says, just to be annoying, though he has heard of it, remembers it from when they looked at some plays in English. Then overheard it, really, while the aspiring film students fretted over their college applications in the library, and he listened with a jealousy he didn’t care to analyse. “I’m seeing some movie shot stuff here, is all.”Steve looks over again, in time to see Eddie adopt an over-the top trailer voice. “The fallen King—”

“Oh, fuck you.”

“—looks down at what remains of his Kingdom, setting his sights on pastures new.”

A wistful edge creeps into Eddie’s voice, something separate from the theatrics—confirming Steve’s suspicions that he won’t be graduating this year, after all.

“Not exactly pastures new,” Steve says. “I, um, didn’t get into anywhere so.” He shrugs vaguely. “Gotta hold down a summer job and then… I don’t know. Not thought that far ahead yet.”

Eddie seems to consider him. “Nothing wrong with that, Harrington,” he says quietly.

“I know,” Steve replies. Because it’s true; he knows he’ll be far from the first high school graduate staying in Hawkins, working a minimum wage job all summer.

His parents had said as much. But then…

He doesn’t know how to explain that it’s the tone in which they say things rather than the things themselves that sets him on edge. That sometimes just the way they shut doors around him inexplicably prompts a feeling of nausea.

But they’re out of town for the whole summer—already left this morning, thank God. So he’s hardly going to get into all of that with Eddie Munson, of all people. Barely addresses it within himself, honestly.

“It’s just… not really what I pictured,” he says instead. “You know, like…” And maybe Eddie’s theatricality has made him a little bolder, because he looks out at the view, and slips into a brief understated impression with ease: “I'm shakin’ the dust of this crummy little town off my feet and I'm gonna see the world.”

When he turns back, Eddie’s lips twitch again, and this time the smile wins. “Well okay, George Bailey.”

Steve smiles back. Shrugs once more. “It’s for the best, really. Means I can keep an eye on—”

And he stops himself, realises he was about to say the kids.

Eddie’s eyes light up with interest. “Oh? So you’ve found someone worth staying for.” There’s a teasing lilt to his voice when he adds, “S’awfully romantic of you, Harrington.”

Steve rolls his eyes. “Not like that. But… yeah, you could say so. They’re all worth it.”

“Huh,” Eddie says thoughtfully. “What happened to you, Steve Harrington?”

Steve laughs. Shakes his head. “Life. And, uh, got a thump to the head.”

Eddie whistles lowly. “Damn. Maybe I should try that.” He glances down at his test, frowning.

“Hey, come on. Everyone loves a comeback kid.”

“Hmm. Not everyone.”

Eddie sighs and stuffs the test into his bag. As he does so, there’s a sudden pounding on the door, and Steve hears some of the students break out into whispers that are so loud they might as well be shouting: discussing their plan to pin the blame on Eddie for locking the teacher out.

Perhaps it’s the fact that he’s soon leaving high school behind that has Steve viewing all of this with a clarity he can’t remember having a few years ago. They’re just mean, he thinks, just plain mean for the sake of it. Jesus Christ, you don’t kick a guy while he’s down.

Eddie’s eyes dart over to the group. He’s clearly overheard them too, but he seems resigned to it, like he’s got no more fight left in him.

A girl unlocks the door, and the teacher storms inside, apoplectic with rage.

And before anyone can get a word in, Steve says, “It was me. I locked the door.”

He can feel Eddie staring at him. He leans more into his lounging on the window sill, pretends to check his nails.

The teacher’s eye twitches. “And may I ask, Harrington,” he seethes, “what would even possess you to—”

“Oh,” Steve says, faux brightly, “that’s easy. I don’t like you.”

Eddie’s hand subtly rises up to cover his mouth. Steve bites back a grin; he knows a hastily stifled laugh when he sees one.

“Out you go, Harrington,” the teacher says, pointing at the door.

Steve stands up, unbothered. He’ll just ditch, head home early before the dick’s had any time to step out into the corridor and scream at him. That mall’s almost done being built; he could finish filling in a job application for one of the stores there before the day’s out.

He makes sure the window’s pushed up so far that it’ll be more of a pain to try and close it compared to just letting it be.

Then he swings his bag over one shoulder, says in a little aside, “See you, Munson. You know, Class of ‘86 has a better ring to it anyway.”

“I’ll, uh, take your word for it, man,” Eddie says, and he sounds a little taken aback.

Steve glances over his shoulder just before the door shuts behind him, and he sees Eddie’s hand raised in an uncertain wave, like he can’t believe he’s even doing it.

And if you ask Steve, that’s a movie shot all of its own.

[youremyheaven]

Venusians: The Cult of Exclusivity

In my research, I have stumbled upon Venusians either being drawn into cults or being cult leaders. It did not surprise me particularly. All Venusian nakshatras (Bharani, Purvaphalguni, Purvashada) are ugra nakshatras known for being "violent". Venus is in itself, a harsh planet. In fact, all the benefic planets (Jupiter, Venus, Mercury & Moon- in that order) are harsh and for good reason; its natives have to be "purified" by the working of those planetary energies to earn its blessings. Venus values exclusivity and separatism. There is a reason why Venus attracts Venus. It is a kind of elitism. We talk about how rare beauty and glamour is these days and we fawn over the nonchalance and effortless cool of low key & mysterious celebrities. If someone or something is plastered everywhere, it loses its "special" feeling, Venus does not mingle with the masses, Venus sets the standard, its THE blue print but it does not involve itself with anything directly, they like to sit back and watch others ape them.

All 3 Venus nakshatras have yoni animals that point to a highly sexual nature and high libido. Bharani with its elephant yoni signals an immense sexual appetite (elephant being the largest land animal and yoni animal), Purvaphalguni and its rat yoni points to freaky deaky sexual behaviour and Purvashada and monkey yoni ,,, well,, monkeys are known for their lovemaking and how human like it is so..

Sex is a big focus of all 3 Venus nakshatras, with Bharani's themes of birth and death and its symbol literally being the yoni, Purvaphalguni representing the pleasures of the bed and being symbolised by the front legs of the cot and Purvashada with its connection to water, where life originated. Venus is more than just beauty and beauty itself is more profound than "looking good". Venus is beauty, romance, love, creativity, harmony, values etc.

I have talked about Venusian men and their tendency to be drawn to violence before. If we think of sex, it is a kind of violent act in itself, there has to be a back and forth of domination and submission. If we look at animals, male animals often kill other males to eliminate competition and establish themselves as the alpha that the females pick but even in coitus with female animals (literally watch any nature documentary) the male takes on a very aggressive, dominant approach and they often look like theyre trying to kill each other (people say things like "making love like animals" for a reason, sexual courtesy is a humane, civilised approach but animals are not wired that way). In Venusian men, this kind of aggressive erotic sexual persona is very apparent and Claire said these men embody "big dick energy".

Occult knowledge is gatekept and one literally cannot access it until one is initiated into it. Regardless of whether or not we recognise it as such, there are cults of knowledge all around us and we do not even know of their existence unless we've made it past their barrier and can access it. even explaining things defeats the purpose because only someone who's ready to understand it will be able to. Its nature's way of shielding itself from the unwise or the unworthy. you can be surrounded by this knowledge and still not be able to tap into it, if you do not have the discernment. this is a kind of Venusian exclusivity.

If you think about it beauty is pain. These days we see people literally endure pain to be beautiful via cosmetic procedures but this has always been the case, victorian women used arsenic to keep their skin pale and glowy and ammonia in their hair. footbinding was a common custom for Chinese women. but even beyond enduring pain to be beautiful, if you're beautiful you will have to endure pain, be it in the way others hurt you and ostracize you out of jealousy or in how people just assume crazy shit about you. Venusian women NEED to remain lowkey bc they're more susceptible to evil eye.

(im thinking of the song pretty hurts by purvaphalguni sun beyonce 👀)

anywaaayys (me going on a random tangent exhibit 62772). we know that Venusians value and need exclusivity, they're the most clique-y in some ways and this is what makes them drawn to cults lol. A cult is as exclusive as it gets. nothing screams "im not like the others" than being a part of a cult lol

Osho- Purvashada Stellium (moon, mercury and venus)

Osho was an Indian spiritual guru and mystic. His commune and the crazy shit that went on there was the subject of the docu-series Wild Wild Country.

Sadhguru- Purvaphalguni Sun

he is an indian guru. i think its interesting how cults have to have a physical existence by way of a commune that people gather in or live in, its not just conceptual if ykwim. i think this is another manifestation of Venusian exclusivity. entering into a cult means entering and inhabiting a different world. Osho had Rajneeshpuram, Sadhguru has his Isha Centre.

Sun Myung Moon- Bharani Moon

He was the leader of the Unification Church, a famous South Korean cult and he claimed to be the Messiah

Moon was intent on replacing worldwide forms of Christianity with his new unified vision of it, Moon being a self-declared messiah. Moon's followers regard him as a separate person from Jesus but with a mission to basically continue and complete Jesus's work in a new way, according to the Principle.

Nirmala Srivastava- Bharani Moon conjunct Mars

aka Mataji Nirmala Devi, she was the founder of the religion called Sahaja Yoga. She claimed that she was a divine incarnation, more precisely an incarnation of the Holy Spirit, or the Adi Shakti of the Hindu tradition, the great mother goddess who had come to save humanity. This is also how she is regarded by most of her devotees. she has said that she was born "self realised" and spent her life "helping" others do the same

The Venusian urge to start a new religion 😤😤😤lol

Religion is exclusive and if you do not have the discipline to endure its rules, you cannot gain access to its blessings. Religion esp eastern religion is extremely Venusian af, there are wonderful blessings for those who devote themselves to it and cruel sickening punishments for those who disobey. thats as Venusian as it gets

Anandamayi Ma- Bharani Sun, exalted Venus in Revati as her atmakaraka

She was an Indian saint, teacher, and mystic. She was revered as an incarnation of Hindu goddess Durga.

Her life was suffused in Bhakti Yoga and she was considered an epitome of "divine grace" that inspired the societal cultural milieu to lead the path of service, love and constant remembrance of the divine. Her followers experienced her spiritual attributes including precognition, faith healing and miracles. Paramahansa Yogananda translates the Sanskrit epithet Anandamayi as "Joy-permeated" in English. This name was given to her by her devotees in the 1920s to describe her perpetual state of divine joy.

she wasn't a cult leader or anything, just a guru even though she rejected even that label (spiritual gurus are a dime a dozen in india, no one who's actually worth their salt will label themselves as a guru)

i think Venus' connection to religion, cults and the occult is underexplored af. the highest form of love is devotion and religion/cults demand it of their followers making it a very Venusian experience. sex, love and religion are all closely connected, people experience trance like states when they're orgasmic or during periods of intense meditation (it can also be artificially induced via drugs etc but euphoria is naturally experienced through either prayer or sex) if you look at paintings of Hindu gods and goddesses, their eyes always seem so blissed out? same goes for truly spiritual people, you can immediately sense the tranquillity of their energy and the dreaminess of their gaze, like they're not of this world.

even the word "Ananda" which means joyous, etymologically means "without end" (Ah- meaning "without in Sanskrit and nand- meaning end) so the goal of any spiritual pursuit is self realization/actualisation and a person who achieves that seems joyous all the time. Many spiritual gurus have Ananda as part of their name as well.

Swami Vivekananda- Purvashada Rising

He was a monk, philosopher and religious teacher who is widely credited with introducing Hinduism to the West.

“All love is expansion, all selfishness is contraction. Love is therefore the only law of life. He who loves lives, he who is selfish is dying. Therefore love for love's sake, because it is the only law of life, just as you breathe to live."- Swami Vivekananda

Paramhansa Yogananda- Purvashada Sun

Paramahansa Yogananda was an Indian-American Hindu monk, yogi and guru who introduced millions to meditation and Kriya Yoga through his organization, Self-Realization Fellowship / Yogoda Satsanga Society of India.

Mother Theresa- Bharani Moon & Saturn, Mars in Purvaphalguni

Mother Theresa was an Albanian nun who came to India and helped the poor and the needy. She established charitable settlements that have come under fire for mismanagement and misappropriation of funds.

Now I'll talk about some people who've gained a cult-like following or were revered in their time and considered akin to God.

Eva Peron- Bharani Sun

Known by her nickname Evita, she was an Argentine politician, activist, actress, and philanthropist who served as First Lady of Argentina from June 1946 until her death in July 1952. She was revered by the lower economic classes and helped enact a number of reforms and policies to their benefit. She also helped bring about the passage of Argentina's women's suffrage law. even decades after her passing, the grip she has on people in Argentina is crazyyy.

fun fact: Madonna, Purvaphalguni Moon & Rising played Evita in the movie of the same name in 1996.

Tito- Bharani Sun

Josip Broz, commonly known as Tito, was a Yugoslav communist revolutionary and politician who served in various positions of national leadership from 1943 until his death in 1980

He was a popular public figure both in Yugoslavia and abroad. He remains a popular leader in the former countries of Yugoslavia. Tito was viewed as a unifying symbol, with his internal policies maintaining the peaceful coexistence of the nations of the Yugoslav federation. his legacy lives on and he was a VVV popular

Rasputin- Bharani Moon

He was a quack with no actual powers but man did he have a following

Rasputin was a Russian mystic and holy man. He is best known for having befriended the imperial family of Nicholas II, the last Emperor of Russia, through whom he gained considerable influence in the final years of the Russian Empire

Historians often suggest that Rasputin's scandalous and sinister reputation helped discredit the Tsarist government, thus precipitating the overthrow of the House of Romanov shortly after his assassination.

Taylor Swift- Purvashada Rising

Taylor's chokehold over her fandom is insane. I think it's due to her PA Rising bc wheww

There is a reason why Venusian influence is sooo common in the charts of it girls and icons. Venus is THE blue print, it makes others want to be like you and imitate you and also claim they hate you or dont know you all in the same breath.

Trisha Paytas-Bharani Sun & Jupiter, Ketu in Purvaphalguni

Trisha has a cult like following whether u want to admit it or not. Girlie has been doing this for a decade and a half and is still somehow relevant?? literally most of her contemporaries have been cancelled or left the platform and she's still standing?? despite a gazillion controversies that too lol

Now I'll mention some famous celebrities who are in/have been in cults

John Travolta- Purvaphalguni Moon

He was/is a Scientologist

Park Bogum- Bharani Moon & Venus

Bogum is part of Jesus Centred Church which is a cult and he was apparently even given his name by the founder/leader of the cult. There have been rumours that Bogum left the controversial church/cult and joined a normal church but there isnt enough info to confirm this

Nazanin Boniadi- Purvaphalguni Moon

She is a former Scientologist who was "trained" to be Tom Cruise's gf before he met Katie Holmes. read about the crazy and torturous stuff she was subjected to and you'll wonder why tf scientology hasn't been shut down by the government yet

Ruslana Korushnova- Purvaphalguni Moon

She was found dead at 20yrs old under mysterious circumstances. i do not think she committed suicide at all but she spent some time at the Rose of the World which is a culty organisation.

British TV producer and filmmaker Peter Pomerantsev has theorised that Korshunova's suicide was related to her involvement with Rose of the World, a controversial Moscow-based organisation which describes itself as "training for personality development". While researching for a documentary into Korshunova's death, Pomerantsev learned that the model spent three months attending training sessions at Rose of the World. These sessions—which encourage participants to share their worst experiences and recall repressed memories—are modelled after Lifespring, whose controversial methods were the subject of multiple lawsuits for mental damages in the US during the 1980s. Korshunova attended training sessions with a friend, Ukrainian model Anastasia Drozdova, who committed suicide under similar circumstances in 2009. Friends of the two women reported changes in behaviour after several months at the Rose. Korshunova became aggressive, while Drozdova experienced violent mood swings and grew reclusive; both lost weight. After three months of training, Korshunova returned to New York to look for work, where she wrote of feeling lost and doubting herself. Rick Alan Ross, head of the Cult Education Forum, argues that organisations such as Rose of the World "work like drugs: giving you peak experiences, their adherents always coming back for more. The serious problems start when people leave. The trainings have become their lives—they come back to emptiness. The sensitive ones break." Only months after leaving the Rose, Korshunova was found dead.

Michelle Pfeiffer- Bharani Sun, Purvaphalguni Moon, Rohini Rising

She was involved with Breatharianism, a cult that believes that you don’t need to eat food (Say what?!). She joined after moving to Los Angeles and looking for a group to feel comfortable with. They focused on diet and exercise but believed that people could live by sunlight alone at the highest level of the cult. She actually realized that she was in a cult after helping her first husband Peter Horton prepare for a movie role where he played a cult member. She said, “We were talking with an ex-Moonie, and he was describing the psychological manipulation and I just clicked.” (crazy to me that the not eating real food did not click??)

Rose McGowan- Purvaphalguni Sun & Mercury, Mars in Bharani

She spent her childhood in the Children of God cult and her family fled from its clutches after they started advocating for adult-child sexual intercourse🤮🤮🤮

Sharon Tate- Purvaphalguni Moon

Sharon wasn't a member of a cult but a victim of one :((((

Sofia Hayat- Purvaphalguni Moon

Sofia was a model, then she quit the industry to be a nun, now she calls herself a shaman and a healer and posts weirdly sexual vids on IG

Zaira Wasim- Purvaphalguni Moon

she quit acting to devote herself to religion and because she felt that being in Bollywood made her lose touch with her faith.

This is a very Venusian experience imo and one of the reasons why Venus thrives in keeping itself hidden or taking away other people's access to it is because otherwise Venusians feel contaminated almost?? other project onto them heavily and they feel clouded by it, unsure of their own identities. they feel like they're losing touch with themselves. many Venusian celebs are known for frequently changing their persona (Bella Hadid, Ariana Grande etc come to mind) the more time they spend exposing themselves to others, the more confused they become about who they are, they lack a stable self image.

Religion and faith can act as stabilisers and help these natives feel more grounded.

A reason why Venusians (idk if you noticed by most of the gurus were Purvashadas and most of the followers I mentioned were Purvaphalgunis, with an equal mix of Bharani natives in both) are drawn into cults is also because Venusians can only thrive in Venusian environments?? Otherwise they feel desolate and lost, a lot of people join cults because they don't feel understood or connected to people in their normal life. cults look for people who need help, and give it to them on predatory conditions.

Purvashadas are often spiritual leaders/gurus but seldom blindly devoted followers because being the final Venus nak, it transcends this toxic grip of Venus. Purvaphalguni is the height of Venus and these natives are constantly seeking spiritual truth and belonging but never quite ascending, as it is Venus at its most indulgent. Bharani is the first Venusian nak and I have found that the first nak of any planetary dominance is in some ways its "softest" manifestation, its the baby among the naks. The nak in the middle is the peak/height of that planetary energy and thus, the most cruel or harsh manifestation of that energy along with the concluding nak but the concluding nak also kind of transcends its influence??

high fashion/luxury etc is also very Venusian bc theyre the ones who covet having things others dont have. anywayyys this is just a stray thought lol

hope this was informative!!

[dark-night-hero]

hi :'D man your writing of tragedy makes me want to cry and i love it

the first one i read from your works is zhongli losing y/n his mate because he wasnt there when a god wrecked havoc, so i got an idea.

neuvi's old old, and focalors invited him to be the iudex of fontaine right? during his early days in fontaine he struggled so much with interacting with humans. what if, he meets a human (y/n) who doesnt care that their new iudex had come from nowhere, and completely aids neuvi with communicating with humans and they form such a close bond that he doesnt understand, but right as he decides to go for it and ask yn he receives news of a new case ; yn's murder :D

i swear i did not mean for this ask to be long i am so sorry 😭

Humans can be cruel ang cunning creatures. If not then crimes and wars would have never happened. They are beings who are capable of hurting each other for the sake of their own gain. They would not hesitate to use each other and kill each other.

That is the human on Neuvillette, the new iudex of Fontaine. He does not even know why he accepted such invitation. In the first place, his hesrt was distant from the people. His imagine of them was quite... bad. Maybe that was just his discrimination, but the more he get to stand on trial, then more distorted his imagine of mortals become.

And then he met you. You who was a human, but different from the humans that the knew. You were just... different. You do not look at him with fear nor do you look at him with indifference. The way you act around him, you just act like yourself.

He met you in a rainy day, a rainy day after a trial. He was walking unbothered under the rain, when a figure with umbrella started walking towards him. "Ah- Ah! Mister-!" At first, he ignore it despite the softness of the voice whom was talking to him. "Wait-!" He was avoiding people as good as he can. He saw no good in interacting with them.

"Hey!" He was getting pissed to be honest, the rain was getting heavier and once in a while a thunder could be heard. He was ready to brush the person off when suddenly, the rain stopped. There was an umbrella over his head. "Are you crazy! At this rate you're going to get sick!" What? Neuvillette was stunned, letting himself get dragged by this mortal who does not seem to recognise him or did they? "Iudex or not, what are you thinking walking under the pouring rain? Here! Take this umbrella!" After going under some shade, he watch you left him out much thought, he was holding your umbrella as you only have your hands protecting you from the rain.

You are weird. Weird in a good way that does not make sense. Maybe it was a coincidence, but after thatm he kept bumping into you. In his walk in his way into the court and when he was coming back from the court. In the path he talk, you were always there talking to him even though he does not reply. Still, it was strange how with you, he felt comfort.

"It's raining again, and here you are walking under the rain. Seriously, what's with you?" ... "Rather than that, what's with you?" "Me? What's wrong with me?" "You're different from other." "What makes me different from them?" He did not answer after that, for he too does not know what to say. How weird.

You were pretty close to him. He does not know how, but many all those walk together with you was working. In the end, he found himself completely relax and comfortable around you. "Now that I think about it. I'm your only friend, no?" ... "gasp! For real?" "Humans... I found them rather hard to communicate with." After all those trials, he does not know what to think about humans anymore. That is why he found you weird. "Why? Why is that?!" You pout. "Well..." He stopped walking and ponder for a while. "Maybe it's because I have seen mostly the dark side of humans that I cannot seem to know what to think and say to them." He replied after a little while. "Hey! That's totally unfair! If you try hard enough to know more about us there is more than the dark side there is to see!" "Hmmm. I doubt..." "No! Seriously, you jut have to open up your heart to the people and you will see the goodness in their heart." You laugh. To be honest, he does know that. After all, there was no other ways he could describe you but a good person and perhaps, maybe even more than that. But to open his heart to the people other than you... "Right... I'll think about it."

Neuvillette always find it difficult to interact with people. Most of the time he had this instinct to stay away from them. Maybe it has something to do with their origins, he was a high being after all and humans. Humans are just... humans. Nevertheless from the moment he have met you, he knew he was doomed. Doomed to understand humans. From the moment he get to know more of you, the more he mindset starts to change. Maybe... maybe humans are not as bad a he thought them to be.

"Are you okay?" The cafe was not crowded. It was almost midnight when the two of you decided to go into one. "Of course! Why wouldn't I be?" You asked with a smile on your face. Nevertheless Neuvillette did not fail to notice the way your eyes quickly scan the surroundings, the way you seemed to be anxiously playing with your fingers. But then, you are looking at him dead in the eyes telling him you are fine. Maybe it was nothing. "It's getting dark, shall we go?"

That night, Neuvillette decided to give it a try. Maybe just as you said, humans are not bad as he thought they would be. Maybe just like you said, all he need to do is to open his heart to the people and see things in a different perspective. Thinking about it makes his lips curl up, thinking how joyful you would be if he were to tell you that in person. But.

Humans can be cruel ang cunning creatures. If not then crimes and wars would have never happened. They are beings who are capable of hurting each other for the sake of their own gain. They would not hesitate to use each other and kill each other.

"What is this?" His hands were shaking. "Earlier a citizen named (First name) (Lastname) was found mur-?! Monsieur?! Where-" He rush out the room. He run and run and run until he was under the heavy rain. Hands still clenching the piece of goddamn paper with such gruesome, unbelievable concent. No, he would not believe it. He could not believe it. You were just walking with him earlier this day, your smile as too real for it to be unreal. He had just seen you earlier so why? Why are you there sitting in your own pool of blood soaked under the rain?

He could not even approach you, he just watch there along with the other people watching the crime scene get cleaned up like it was nothing. People were looking at you with interest like yu were some kind of entertainment after all. It was the very first case of murder in Fontaine.

Neuvillette could hear nothing under the rain, he just stood there under the same spot even after tour body was taken away. Countless thoughts running in his head. Why? Why does it have to be you? Why do humans never change? Why does t has to be you? Why? Just fucking why you? You asked Neuvillette to give humans a chance. But how could he do that now that he knew humans were the very same being that took you away from him?

Neuvillette did not cry but he just stand there, eyes bloodshot as his lips leak blood from bitting so hard, hands curl into a fist. He was mad, so mad that he wanted to end things right now. He was starting to blame everyone, the world for taking away the only good thing that ever happened to him. In his eyes were those full of hatred and is ready to explode. He would never forgive-

Neuvillette felt a weak thug on his pants, for a moment, he looked down. The first thing he noticed was the blood stained water right in front of him before the child that was holding on into him. "Ha-hydro dragon. Do-don't cry." The child sniff, tears rolling down his cheeks upon saying so.

Neuvillette does not like humans. They are a cruel and cunning being who took away the love of his life before he could even realise it was love. At the same time, these humans were the being that his love one loves very much. "Don't worry." He slowly reach out and pat the little boy's head and magically, he was suddenly dried despite the pouring rain. "The hydro dragon doesn't cry." Just like that, the rain that seemed to be drowning in sadness stopped.

[ⓒdark-night-hero] 2024°

: I think I fucked up. Na bobo ata ako sa sunod sunod na quiz at exam kanina HAHAHA IT'S SO HOT IN THE PH HUHU

: No but seriously I think I fucked up making this asked. HAHAHAHHA did I do it right? Imma delete this na lang charot.

[tarotwithavi]

How do people view you/your energy? Pt1

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

MASTERLIST

PAID SERVICES

THANK YOU SO MUCH FOR YOUR LOVE AND SUPPORT 💕

Pile 1

Alright so welcome to your reading and I hope you are having a great day. So the first message I'm getting is that people view you as someone who has grown a lot. I see that people see you as somebody who has been to a lot of transformations, a lot of deaths and rebirths. They view your energy as victorious. You may be well recognised among your peers or you may be famous for your work. They view your energy as really sacred and hard earned. I see that you do not give out your energy to people easily and people feel as if they need to be worthy of your energy. I am also getting the message that a lot of people may get obsessed with your energy or they may want to fight for your energy and want to fight for your attention because people seem to get obsessed with you easily. It may be the reason why you have High boundaries. I am also getting the message that people view you as someone who can heal them, someone who can uplift them from their darkest Times. I also see that people may want to use you for your energy, the vibe that you give off. I see that people just want to be in your presence so that they can feel the high vibrational energy you have. That may be the reason why people seem to return back to you no matter what has happened between you. But sometimes your energy can also attract a lot of competition and I'm talking about toxic competition like people want to compete with you no matter what. People may want to show you how they can do things better than you and how they are better than you but that is just because they know deep down that you are doing better than them. I also see that you may remind people of birds, how birds are not restricted to one place and how they migrate from one place to another for a suitable environment. People see you as a bird because you will move on if you feel that the environment you are offered is not suitable for you. People are also confused by your actions because they cannot seem to put you in a certain box because when they feel like they know you you show them something they don't know. they are always in a state of confusion about you. People are always asking themselves “who are they?” , “what are they hiding?”. You may have Scorpio in your big three or 8th house placements.

Pile 2

People see you as someone who has worked really hard for what they have become and what they have achieved in life. I am getting the message that people see you as someone who is really work driven, someone who is really work oriented, someone who knows what they want in life and someone who is always working hard to achieve success. You seem to have a really rich energy. I am picking up on the message that you are surrounded by the energy of abundance and prosperity. People can literally feel that you do not have a lack mindset and that you do not have a victim mindset. People find your energy really wellcoming; they can feel that you will welcome them with open arms if they prove themselves. Your energy makes people feel appreciated and understood. You may find yourself listening to people's problems, or you may find yourself in situations where people open up to you easily. I feel as if sometimes people want to protect your energy and I am also getting the message that people stand up for you, people stand up for your beliefs for what you believe in. If Somebody is talking bad about you in front of others, there will be somebody to stand up for you because they believe in you. People view you as an angel sent from above. You have a really friendly, cheerful and outgoing energy to you that attracts a lot of good people in your life. I also see that people feel as if they can be themselves around you, people do not feel judged in your presence. I see that you may have Aquarius placements or 7th and 11th house placements. But sometimes you may feel as if people are using you for money or people are using you to get things done. You need to be really protective of your energy because there are greedy people out there who do not think twice before using somebody for their own good. People see you as someone who has a lot of friends, someone who has a big social circle or people may feel as if you are connected to a lot of people and that you have really good connections. People feel really inspired in your presence. I see that you are a lot of people's muse. People see you as Somebody they can trust for true and genuine guidance. They feel as if you have a solution to every problem.

Pile 3

Alright pile 3! The first message I'm getting is that people view you as someone who has a lot of control. They see you as someone who controls the environment and people around them. This may come naturally to you but you seem to have some kind of power over others, you exclude this energy of authority and others seem to submit to it. You may have a lot of masculine energy or you may embody masculine energy so when you are around others people feel dominated by you. People can feel that you are meant for something great in life and they view your energy as a power that is constantly inspiring you to take the next step to run after your dreams to do the things that you need to do in order to become a better person. A lot of people can feel that you have been through a lot of difficult and negative situations where you felt as if you had nobody else around you so you became your own savior. People can feel that you do not need anybody in your presence to make you feel appreciated or to make you feel worthy. They know that you are fine by yourself, you are fine in your own company and they know that you have faced your darkest nights alone. However, your nonchalant energy is what makes them more interested in you, in a sense that they want to be somebody to you; they want to offer you the love and care that you deserve. Some of you may have Saturn & venus conjunction or Venus in Capricorn or Aquarius. I am getting the message that people want to serve you, people want to be somebody you can lean on, people want to be somebody you can trust because they want to make you feel loved. I see that a lot of people may see you as their soulmate or they may feel a deep soul connection with you. People see you as someone who is a bit misunderstood. I don't know why but you give off Beauty and the beast Vibes and here you are the beast. People view you as someone who has put up a wall around them so that nobody can see their real self.

If you see a typo/spelling mistake please comment. I will fix it as soon as possible.

[vashtijoy]

Thinking more about Akechi's rank 3, and about its flow into rank 4 at the jazz club—where Akechi begins to open up to Ren, by taking him somewhere special to him that he hasn't shared with anyone else.

Don't you think it seems off, on a first glance? Like it doesn't work? Because Akechi does not seem to entirely appreciate Ren's intervention. If you look at their phone call afterwards, it seems like Akechi lost control in the café, and is trying to take that back from Ren. He threatens him with what Ren "took" from him!—"I'll be dictating everything, from hair to accessories". Ren dictated the hair and accessories in rank 3, and now Akechi needs to do the same!

Make no mistake, this exchange, while cute as a button, is also Akechi struggling to regain some control that he feels he lost. He needs payback; he needs to meet Ren's challenge; he needs more.

So what's going on?

always in chains

As Akechi mentions in the engine room:

This line, of course, suffers in translation, so let's take a closer look:

Akechi 君は、今までの自分とか、人間関係とか⋯そういうものに囚われない。 kimi wa, ima made no jibun to ka, ningen kankei to ka… sou iu mono ni torawarenai You don't allow yourself to be enslaved by such things as human relations or past selves…

Did you understand this line on its first pass? Or at all? "Past selves"? What is this, Akechi, are we bringing in reincarnation now? What do you even mean by "human relations", is this a biology class?

Let's rework it a little. ima made no jibun—that's "the you until now". We might say "who you've always been". And ningen kankei—well, that is "human relations", translated very literally. But nobody would ever say that—it just means "relationships"! When you talk about your ningen kankei, you're often talking about your skills with relationships—how you get on with people. And Akechi gets on with people very well.

So what is he actually saying?

You don't allow yourself to be enslaved by such things as human relations or past selves… You're not a slave to expectations, or to how others see you.

Akechi will later tell us that these chains have bound him since his earliest days:

Those chains are the core of the resentment and envy he feels for Ren. More than anything Shido could potentially do to him, the expectations of others are what bind and torment Akechi. And this difference in how Akechi and Ren respond to outside pressure is one of the most important contrasts between them.

back to rank 3

So what does all of this tell us about rank 3, when Akechi is spotted by celebrity hunters?

In this situation, Akechi can't do anything but leave. He has to be the good boy everyone expects. He can't just sit there soaking up the adulation, and it seems clear that he isn't so inclined—look at the way he cringes away in his seat, and more to the point, look at his face:

Before he's accosted, his sprite and model match—he is probably genuinely pleased! But afterwards, though the sprite is sad, the model looks angry. Akechi can't confront his fans and ask them to leave him in peace. He can't dare to be angry with them, even though he's spitting tacks. He is chained—he can only ever do what people expect "Goro Akechi" to do.

Not just as a celebrity, but in every sphere of his life, even when he's carping to Sae or showing off for Shido, he is a slave to his public image—to the expectations others have of him. He cannot act outside that box. Society put Akechi in chains from babyhood—and his response was to own them, to build a bigger, better cell for himself. That he understands—he tells us how it works repeatedly!—and that he recognises, but can never escape.

So what is it that Akechi learns about Ren, in rank 3? It's that if you dare put Ren Amamiya in a cell, he'll tear it down.

Akechi could only dream of acting the way Ren does in this moment. Ren takes a huge risk here—on how Akechi will react, on how the crowd will react—and it pays off. Rather than submitting to the chains others place on him, Ren refuses to be bound. Ren is ungovernable.

Of course that's catnip to Akechi. Of course, even though it unnerves him, he wants more. He's drawn to Ren like a moth to flame—and this is the genesis of the bitter envy that will become so toxic by rank 8.

revision history

Click here for the latest version.

v1.1 (2024/10/06)—clarified some pronouns.

v1.0 (2024/10/06)—first posted.

[mellosdrawings]

Aight, the Yuusona is done and posted, now my Pomefiore Oc!

Hayeli Callem

17 years old, 2nd year

Pomefiore, based on the Evil Queen's mirror

Originally from a border of the Scalding Sands

He/him

Signature Spell : Kaleidoscope Divine

-allows Hayeli to reproduce any kind of magic (even other Signature Spells) for a maximum of 15 seconds

-the stronger the magic, the shorter the time

-for other Signature Spells, Hayeli must have already seen said SS used in full without interruption

-for other Signature Spells, the original user must be in Hayeli's field of view

-Example: Hayeli can use Riddle's Off With Your Heads for about 10 seconds while Riddle is around, before the collar gets dismissed entirely.

-so far Hayeli has only ever managed to use Kaleidoscope Divine on others' Signature Spells on 5 different occasions only (one of which being Riddle's Off With Your Heads)

-Hayeli usually only uses it to copy regular spells he hasn't yet mastered, or to confuse his opponents long enough for him to run away

-Hayeli thinks his Signature Spell is useless because it has too many strict requirements

Originality? Don’t know him.

If you ask him, Hayeli will say he was probably cursed as a child, because he is simply unable to do anything on his own without having seen someone else doing it first. He always needs to copy others to achieve anything, and became so good at it that he can replicate someone’s mannerisms or handwriting in a glance. If he is around someone long enough, he can even replicate their accent. (To Vil’s horror, he is able to replicate both Epel and Rook’s accent, and he can even do mashups!)

Unlike for his Signature Spell, he doesn't need others to be around while he copies things. Once he’s replicated the skill once, he can do it again whenever (but always the very way he’s copying. Should he learn to draw from one specific person, he won’t be able to draw in any other style.)

He hides it a lot but he is constantly angry that he can never be his own person. He isn’t even sure who he IS! As far as he knows he’s just a walking, talking mirror.

OFF/ON modes

In Hayeli’s words : “The OFF mode is just when my stupid gimmick finally lets off.” When nobody is around for him to copy, Hayeli reverts back to his “natural state” which tends to be quite pessimistic and cynical. He grumbles a lot and gets frustrated regularly but at least he gets to be “him” (whoever that is) for a night. When in OFF mode he tries to do as little as possible, usually just reading novels or meditating, because every other skill he has comes from copying others.

The ON mode depends on whoever he spends the most time with. Pomefiore has a rather unique effect on his behavior. Should he stay around Savanaclaw students for any prolonged time for whichever reason though, he will naturally shift his attitude to match the more rugged and sporty behavior of beastmen. Hayeli has little to no control over his copying and regularly gets upset about it.

These days, since Pomefiore is taking a huge place in his life, he will be obviously (and obnoxiously) acting like a cliché Pomefiore student even when spending a lot of time with others.

The copying comes gradually the more time he spends with someone and takes as much time fading once he stops frequenting that person.

Random facts:

-Despite Vil's best efforts to improve Hayeli's skin, he is cursed with a heavy bout of acne and very red cheeks. Hayeli learned all his makeup skills by copying Vil and the contrast between his usual face and his makeup-ed one is so staggering people tend not to recognise him. He actually has a lot of fun with it.

-Hayeli gets regular headaches when there are too many people around him because his gimmick cannot decide on who to copy and makes ridiculous mashups.

-He has absolutely no shame cheating for tests by copying others. He was once caught by Trein.

-His pupils are naturally white and strangely shaped

-Vil has forbidden him from frequenting Azul and Sebek because he becomes the worst version of them with his copy gimmick

-He and Epel act like older/younger siblings

-His Signature Spell doesn't work on Ortho due to his robotic nature, and he has a hard time using it on Faes

-Hayeli is very eloquent and has a lot of vocabulary. Sometimes he speaks in rhymes without realizing

-He has a grand total of 16 moles on his body

[hatsukeii]

think fast / childhood bsf!tsukshima kei x reader

genre(s): childhood best friends x soulmates???? past lives and normal people by sally rooney coded im a sally rooney MEATRIDER!! angsty, gut-wrenching longing, bittersweet / hopeful ending so it's not all bad!! nostalgia is going to carry this fic so hard it's going to be a fun, fun time...

warning(s): eventual smut!! all characters are aged up to 21!!MDNI (at least up until the observatory)!! unprotected sex here remember to wrap it before you tap it!! (sorry kids), female leaning anatomy because smut but pronouns are gn all throughout and honestly you could read it as gn anyways:)) dead dad warning (my dad is NOT dead this was just convenient to kick off the thing), i fw the timeline of the world??? pretend flip phones were still in use in like 2012 or something idk

wc: ~6.3k

tldr; time has a way of reminding Kei of its presence, and its escape. you are the reminder it has been sending to him for six years.

Fate: A power believed to cause and control all events, so that one cannot change or determine the way things will happen. 

It is a sunny afternoon when you step foot into Sendai, Miyagi. A beautiful day of golden warmth beaming onto petals of pink, red, and white, wrapped in coffee-stained newspapers and tied together with a spool of twine. The bouquet lies on browning grass, a contemptible reminder of the time that has passed since your last appearance here, six years ago, and you crouch down to the ground. Now face to face with the engraving of a full name on a slab of polished granite, you hesitate. Your father lived in a language that you can no longer speak, died in a country you no longer call your home. When you whisper blessings and apologies at the gravestone in broken Japanese and slurred syllables, you sound like a stranger. A stranger who sits in a graveyard at noon, with nothing but a bouquet from the nearby florist in hand, and a promise, stuttered out in half-decent Japanese, to return again the next year. 

When a second bouquet falls to the ground behind you, and you turn around, Tsukishima Kei thinks this is what English speakers like you would call fate. He’s a little taller now, and bulkier too, and you have to crane your head higher than you remember just to meet his eyes. You don’t recognise the glasses he dons anymore, the black rectangles from his teenage years swapped out for rounded squares and silver frames. But he has a towel in his hand, a towel that has his initials poorly stitched into the corner with red string. You wonder if the matching one he made you, eleven years ago, is collecting dust somewhere in your dormitory, halfway across the world. 

“You’re back.”

“It’s been a while, Kei.”

You can no longer differentiate Japanese syllables clearly, and your statement jumbles into nonsense in your head. Kei hears the English woven into your accent in the way you roll your tongue like foreigners do, and in the odd intonations that don’t exist in your mother tongue. You don’t even remember your father’s dislike for white flowers. London has truly done a number on you. 

“Why? Why now?”

You bite your nail, a persistent habit that Kei frowns at. He picks up his flowers, and steps towards the gravestone, just close enough for your knee to brush against him for a moment. The bouquet in his hand is wrapped in plastic and filled with red and pink, the white from your own sticking out like a sore thumb when he places his flowers gently on the grass beside yours. He tosses the towel in his hand, opening it up against his palm, and you take it from him. If you cannot get the language right, or the flowers, this is the least you can do. Cobwebs stick to the fabric as you sweep at the granite slab, watching soot and dust fall to the grass. The curves and dips of the gravestone are familiar once again, and you dig the towel into every nook and cranny. You feel Kei’s body shift, before his knee is touching yours and his face is finally level with your peripheral vision. He glances at you, waiting. His knees bounce in anticipation. 

“Never had the chance, college has been a lot.”

Your phone rings as you finish cleaning. The ringtone is familiar, unchanged from when you used to have a flip phone, in fact. Kei hums along to the jingle for the four seconds that the call is left unanswered, before it cuts off into a flurry of English. He catches something about research, and a thesis, his shabby English unable to fill in any more than that. He’s never known you were interested in research, let alone what it is that you’re researching. All he’s known is your aspiration of becoming a librarian when you were six, and his promise to borrow books from you for the museum that he swore he would one day work at. Now, he works at the museum, sorts antique scripts and yellowed books into cabinets and display shelves. He does not borrow books from you. Now, you talk, but nothing makes sense to him.

You end the call, mumbling foreign curses as you shove your phone back into your pocket. Clicking your tongue, you turn to Kei, who stares at the flowers on the ground. He pushes his glasses up when they slide down his nose, and you resist the familiar urge to nag him about buying the right frames for his face. 

“Yeah, college has been mostly phone calls like that.”

He nods, a half-hearted chuckle huffing from his nose. He’s forgotten what it’s like to sit at a graveyard with somebody else, the annual reminder of a lonely death replaced by another this year as you dust off his towel, and drop it onto his thigh. He swipes it from his leg, folding it into quarters and sliding it into his pocket. 

“So you choose to come now, without a word? Not even a heads up? Six years after leaving?” Kei’s voice rises at each question, the same way it did six years ago when you broke the news of leaving Japan to him. This hurts him to ask, that much you can still recognise.

“I would have come sooner if I had the chance. I’ve missed everyone so much.”

You pluck a petal from a white flower in your bouquet, then another, until all that remains is the naked bulb, and scatter them onto the ground beside you. Perhaps the next person that’s been buried under six feet of dirt used to have a liking for them. Kei remains unmoving, throat bobbing as he swallows thickly. His knee stops bouncing. 

“How long will you stay for?”

“Today, then Friday and Saturday too. Flight back is Sunday night.”

Six years of waiting, and this is what it amounts to. A weekend and a bit. Despite that, Kei still thinks this must be fate, in all the languages that it exists in. Six years of life, and love, and hurt, all to be condensed into four measly days. Yet as Kei pushes himself off the ground, dusting his trousers off, he still thinks that this unlikely, yet conveniently timed visit must be the answer to his pleas for your return. That this must be some heavenly reward, good karma for visiting your father’s grave annually on your behalf. You watch him turn to leave, and he calls out to you as he walks away from your father’s grave. 

“Everyone’s at Hinata’s old place tomorrow. You should come by if you can.”

▬▬▬▬▬▬▬

Change: to replace (something) with something else, especially something of the same kind that is newer or better; substitute one thing for (another).

All it takes is one coincidental exchange of panicked glances at the first throw up of the night for you and Kei to leave together. Hinata slurs a drunken farewell, tries to embrace you as you slip your sneakers on at the door, and you make a note to yourself that you really do not miss most of the people here, spare for the volleyball team. Kei waits at the door, holding it open for when you finally shake Hinata off of your back, and step through. The night is chilly, the warmth in your skin from the indoor heating system emanating into the midnight air. You kick rocks along the pavement as you walk, scattering pigeons that remain awake and active at this time, and Kei smiles at your antics. You still hate birds, and you still remember the trick he taught you when you were nine for chasing away pigeons that flocked around you for food. 

“Who are you staying with?”

“My mom’s.”

The road leads the two of you to a high school. Kei has not come back to Karasuno since graduation. You squint in the dark, scanning the school, and you don’t recognise the new building that stands in place of the old auditorium. He watches you crouch at the plaque next to the front gate, tracing the letters engraved on it with the pad of your thumb. Some part of him blames Karasuno for being a bad place to you, the other parts blame himself for not being good enough to outweigh it.

“It’s changed.”

“Everything has.”

You rattle the locked entrance, the chain and padlock hitting against cold metal. It won’t open, so you look up through the gap of the gate. Six years ago, on that rooftop, was where you stood over a cold lunch box and emptied convenience store drinks, back against the wire fence, saying to Kei, I’m leaving tomorrow. On that day, you had packed yakisoba for his lunch, and nothing for yourself. He could barely respond to your announcement, only dropping his chopsticks and asking you, why? You told him something along the lines of being an expat, and a better school for what you wanted, all in the fluent Japanese you once spoke. Nothing made sense to him anyways. 

When you turn back to him, his hands are in the pockets of his jacket, and his nose is red from the cold air. You stand beside him, staring aimlessly at Karasuno from outside its barriers. 

“Do you still play volleyball?” 

“Yeah, Sendai Frogs.”

You hum, and then wonder why you only asked tonight, and why you’re surprised. He shrugs, clouds of white puffing from his mouth when he breathes out. He tries to blow a wisp of hair away from his face, and you suddenly realise that his hair has grown too, along with his height. It fails, and he tries again. You reach up to swipe at his bangs, before running your fingers backwards through his hair. It parts itself as you lift your hands from his head, and falls into place neatly. A cold breeze whizzes by, and undoes your work, sending strands of gold into his face once again. You snicker a little.

“You know, you could ask my mom to trim it for you like she used to.”

“Nah, I prefer this.”

It isn’t until you turn to look at him properly that you see how much time has passed. He likes his hair longer these days, the choppy hairdo of his teenage years now nothing but an old preference, and you wonder if he is still a loyal customer of your mother’s salon. When he pulls his hands from his pockets and blows hot air into them, calluses line the bases of his fingers, the blisters of his high school years hardened by trials of time and effort. There are bags under his eyes, eyes that are now a little rounder, and softer too. When he speaks, monotone and tired, you realise his snarkiness has dissipated into general frustration. You stare until his eyes dart to you, and turn away quickly, ashamed. Leaving Karasuno has taken your hand and led you to a purpose that you never knew you were capable of. You wonder what the hell it has done to Tsukishima Kei. 

“It looks good.”

He breathes in sharply, then exhales with a huff, shoulders relaxing as he stuffs his hands back into his pockets. You suddenly realise that your fingers have gone numb from the cold of the night, fingertips tingling like a million frost-bitten needles poking into your skin. You also stuff your hands into your pockets, rubbing your fingers against each other to generate some heat. Then, Kei’s looping his arm around yours, and pulling you away from Karasuno High School. He keeps on his straight path, and you stumble along behind his leaping steps. When you round a corner, the night breeze grows into something less imperturbable, and more vicious, pushing the two of you forward from behind in slashes of cold. The sea is near. 

“Is this the beach we used to go to?”

“You still remember it.”

He drags you down a flight of stairs to Fukanuma Beach, and the misty sea air rushes to your head. When he leads you to the shoreline, you hesitate. The sea has been off limits since the two of you were five, a regulation put in place in remembrance of the Great Sendai Earthquake. An earthquake that saw Kei and yourself hunched beneath the same table in the middle of class, huddled next to each other as you cried for your parents. Now, in your final years of college, as the water slips beneath the soles of his shoes, pushing and receding in layers of aqua and bubbles of white, it seems that time has slipped by just as easily too. Time, that saw the fading of the earthquake’s devastation, despite the loss of thousands, including your father. Time, that frayed the string connecting yourself to Kei as you moved through life halfway across the world from Japan. Time, that passes through you like sand spilling between your fingers on a beach you once thought you knew, but has changed like the unprohibited water that seems to push further up into the shore at each tidal wave. 

“They lifted the ban?”

“A few months ago, yeah.”

You step into the next wave that fizzles into foam, and the water crashes into the toe of your shoes. Crouching, you push mounds of wet sand into a cylinder, flattening the top and pushing divots in equal intervals. Kei joins, moulding shorter ones beside your own and drawing windows into the side. You finish, and he stands, smiling at the creation. You cover the top, afraid he will stomp on it, a trademark of Kei’s whenever you built sandcastles with him in childhood. Instead, he laughs, and walks further into the water. When you get up to join him, the hems of his trousers are soaked, shoes also covered in a sheen of wetness. You hop over the castle, and the next wave that comes sends its foundations crumbling back into the sea. 

“We used to do that. You’d destroy it every time.”

Kei chuckles, and looks back to see the half destroyed castle. Clicking his tongue, he returns to the rubble, and you watch his hands push mounds of sand towards what is left standing. 

“I’d always build a better one for you afterwards though.”

He dusts his hands off when he finishes, and the waves fizzle out just before they hit the two-tiered sandcastle. You sniff, holding your arms close to your chest. When Kei looks up, he feels like the summer of being seven years old again, smiling at you with his missing front tooth when you sniffle and laugh at the improved castle he’s put together for you. Now, it is winter. He only grins with the corners of his lips. You only sniff because it’s cold. 

“Kei.”

“Yeah?”

“It’s really been a while. How have you been?”

He steps over the castle towards you, careful not to break it. Your hair blows in your face from the beach breeze and your eyes squint from the sand that flies into the air, and Kei takes it all in when you’re face to face with him. When he opens his mouth, some selfish part of him thinks about casting his words into shackles of regret, so heavy that they weigh you down and keep you in Japan, in Sendai, on this beach, somewhere close to him.

“Do you want to stay the night? Like you used to?”

▬▬▬▬▬▬▬

Nostalgia: A sentimental longing, or wistful yearning for a return to or of some past period or irrecoverable condition.

Kei does not take you to his family house. He leads you up stairs that make no sense, and hallways that stretch on forever, until you finally reach his flat. He wipes his shoes on the doormat, throws his keys into a glass bowl upon entry, and hangs his jacket on a hook mounted to his front door instead of the coathanger that used to stand beside it. You look around, searching for the shells you once collected in a jar for his tenth birthday. When your eyes land on a jar filled with conches and cowries, you let go of a breath you were unaware of holding. They sit on the top of his bookshelf, above textbooks and file organisers. A knot forms in your throat at the realisation that the jar sits alone in its compartment, with nothing beside it. You’ve done the same to the jazz vinyl Kei gifted you at the airport before your departure. You don’t realise that he’s disappeared somewhere as you stare at the shells, until a shirt and a pair of shorts are thrown into your chest. He stands at the entrance to a hallway, donning sweatpants and an old hoodie, one that’s clearly a size too small. The pocket is lousily sewn on, a result of a mishap that occurred when you had borrowed it once. He doesn’t know that you spent the night learning to sew fabric just to fix it.

“Change. It’ll be more comfortable.”

You scurry through the hallway to his bathroom, pulling the shirt and shorts on hastily, before balling up your clothes and returning to the living room. Kei sits at his couch, now bound in leather instead of fabric, and clicks at the television. You join beside him, legs splaying across his own subconsciously. He doesn’t move. He stops at a movie, one you’ve seen hundreds of times before at his old house. It drones on in the background as he watches in silence, his arms now draped over your knees. The first time he watched this movie, it was in his old home, cross-legged on the carpeted ground with you on the couch behind him. Your hands used to press into his shoulders from above, shake them whenever your favourite scenes came on, squeeze them when you laughed until tears rolled from your eyes. Now that his new flat lacks a rug, he’s willing to settle with your legs on his own. Flashing lights illuminate the dark room in sequences that you can still recall perfectly from memory. He watches the movie. You watch him. 

“Have you been doing good, Kei?”

Turning to you, he pushes his glasses up into his hair, leaning further back. You shuffle closer, legs bending as your shoulder digs into the leather couch. A strand of blond falls into his face, and you lift his glasses to tuck it back, before smoothing your hands over his mess of hair, combing and pushing with your fingertips.The words from the television melt into gibberish when he hums in satisfaction, what is unspoken between you two is more glaring than ever.

“I’ve been okay.” He cuts off, then finds himself thinking of what to tell you first, amongst the recollections of life that rush through his head. “Started working at the museum a couple years ago.” He wishes that you still remember the building, where the marble floors squeaked beneath your slippers, and glass panels lined the walls, hiding away treasures and artefacts that have withstood centuries, maybe even eons of erosion and weathering.

You nod, mind filling with the many museum visits you had with him there. He’s always liked the dinosaurs more than the shells. When you breathe out a chuckle, he knows you’re recalling the time he almost pissed himself at a life-sized, moving tyrannosaurus rex model. 

“What about you?”

“Research. I’ve been doing research about…” you sign in the air, searching for the Japanese words that have slipped from your mind. Surrendering, you whip your phone out, searching for a translation. 

“Archaeology?”

“Yeah, that. No more librarian dreams for me. More dinosaurs, though.”

A smile finds its way onto Kei’s face, one that softens his cheeks and flattens his eyes into crescents. He wonders if amongst the silver plaques and digital displays, your work is engraved in there somewhere. If each time he explains something to some bright-eyed child, who scuttles around the museum as you and him once did, he is unknowingly speaking in your language, translated until he can decipher the thoughts that run through your mind in your research, your memories, your dreams too. 

“Maybe it’s in the museum somewhere. I’m willing to bet.”

“I hope it is.”

Your conversation fizzles back into silence, and the characters on the television do too. The two on the screen sit in a field, mere inches apart. The two of you look at each other, your knees now leaned into Kei’s chest and one of his arms draped along the back of the couch. When he pulls his glasses back to his eyes, and studies you all over again, it hits him that you really haven’t changed all that much, even after your six year separation. Six years older, with the exhaustion of a functioning adult, but you still gnaw on your cheeks, and tilt your head as you ask questions. Six years apart, and you are still you, who taught him to build sandcastles, and introduced him to his favourite movie, and fixed his hair whenever it stuck up in stubborn peaks of gold. When you let your eyes close, and drop your head onto his shoulder, you wait for lost time to tick backwards, until you’re on the rooftop with him once again. In this version of time, you blush when you tell him that you’ve chosen to stay in Japan instead. Pushing your head further into the crook of his neck, Kei’s chin reaches over to rest on the top of your crown. The credits of the movie roll in the background, and you mumble into the skin of his pulse. 

“Can you take me there? I’ve missed it.” Your words send vibrations down his spine, sending his head into a frenzy as he pushes his hands against the couch harder. 

“The museum?” It will be closed for the weekend, but Kei nods anyway. He’s sure he can find his way in through the back. Maybe he’ll take you to the fossils again, let you run your fingers along smooth amber and stone engravings. Perhaps he could show you the new exhibitions, ones that you won’t miss this time, as you have for the past six years. For now, he thinks he will let you sleep on his shoulder, listen to your soft snores, tremble at every hot breath that fans onto his neck. 

The credits roll to the end, and come to a stop. Kei removes his arm from the couch to grab the remote from his coffee table. He rewinds the movie to the start.

▬▬▬▬▬▬▬

思慕 [しぼ, shibo]: yearning; deep longing, especially when accompanied by tenderness or sadness.

On the final night of your stay, you learn that Kei still giggles when he breaks rules, as he drags you through the back entrance of the closed museum. He maneuvers through hallways of antique paintings and repurposed junk, slips into dark stairwells illuminated by the flashlight of his phone, traps your wrist between his fingers and chuckles to himself, shaking his head as he takes you higher, and higher, and higher. You’ve lost count of how many flights of stairs have gone by when he taps his keycard against a sensor by a backdoor, and pushes it open. The museum observatory, once a mess of bamboo scaffolding and green covers, now allows silver moonlight through its glass dome, boasting billions of iridescent stars nestled in a blanket of hazy midnight. A decade of your anticipation has resulted in a circular space, hundreds of plush recliners lining the circumference of the room, and you wonder how many eyes have watched the stars from those seats before you ever had the chance to. When Kei leads you further into the observatory, you step foot onto the north star plastered on the ground in the centre of the room, where nothing but a telescope remains in a ten-foot radius. He takes a spot on the ground, back pressed against the cushioned edge of a seat.

“I figured this is the best spot. Better than any of the seats, actually.” He plants his feet on the ground, bending his knees and spreading them just wide enough for you to sit in between. You cross your legs, wagging them up and down as your hands hold your shins, and he lowers his legs, stretching them out in front of him. Leaning back, your spine hits a spot between his ribs, the same way it did when you were thirteen, and fourteen, and fifteen, staring at stars from the grass of his backyard. You pity the visitors that have yet to discover the simplicity of stargazing from the ground, hands pushed into the ground for stability, dirt and moisture seeping into the fabric of clothing. Pushing further into him, his breathing is heavy against your back, chest rising in rhythmic ups and downs. For what feels like hours, you sit in silence, eyes trained on your fingers that pick and fiddle. At the realisation that you haven’t looked at the stars in years, something bubbles in your stomach, pervasive, relentless. When you finally loll your head backwards to fall on his shoulder, and the tip of Kei’s nose grazes your cheekbone, you wonder how long he has not looked at the stars for as well. 

“Why’d you stop calling?” His sudden question sends a haze rushing into your head.

You swallow thickly. If the passage of time were a sin, you’d burden it with all your explanations. Telling him that now would seem like some lousy excuse.

“It stopped going to your line a year after I left.” You pause, searching for the right words to use amidst the sea of Japanese and English that you must now sort out. “I only stopped trying after another month, the voicemail just said your number was no longer in use.” 

Kei wishes he could dig his fingers into his chest and rip his heart out. If only he hadn’t stupidly broken his phone that night, five years ago during volleyball practice. If only he had checked his pockets before entering the court, just as he has done hundreds of times before. If only he had this, if only he had that, he might just torment himself for the rest of his life. His breath hitches, shoulder freezing rigid. Time does not differentiate between the knowing and oblivious. It slips and leaks beneath the noses of all that it encompasses, and it is but the cautious few that know to grab it, and join in on its journey. He knows now that he is not one of them, not after he’s cursed at the passage of time over and over and over for his own blunder.

“I broke my phone in a game. Got a new one so the number changed as well, fuck me.”

You laugh dryly into the empty observatory. The occasional twinkling of the stars above do nothing to make his explanation any easier. You think you’ll blame it all on doomed fate that you’ve spent five years trying to find somebody that felt the same as Kei did, to no avail. Blame it on cursed luck that you’ve clawed and grabbed at anything familiar enough, archaeology, jazz vinyls, old DVDs of the movie shared between two, all to remind yourself that he too, was once within grasp. You say nothing, because you don’t see a reason to. Instead, you push your head into his neck, drown in the scent of his cologne, ease yourself into his now grown body. You don’t see him wipe a hand across his mouth, then rub his eyes with pinched fingers. 

When Kei decides to speak again, it is what feels like another hour later. He’s readjusted his posture about fifty times by now, arms removed from the ground and draped over your shoulders. The sensation of your hair against his skin is suddenly more prominent than ever when your hands find his own, holding them closer to yourself.

“If I didn’t find you at the grave, would you have looked for me?” His question is heavy, weighing his chest down as the words leave his throat in a hesitant cluster. You turn to look at him, and your eyes linger on his own when you squeeze his hands once, twice, then a third time. 

��I’ve been looking for five years. Nobody else could take me home.” Your heart rushes to your mouth at your confession, and the bob of Kei’s throat does not go unnoticed. One of his hands comes up to hold your shoulder, pushing it towards himself until your body twists, rubbing against his. You let go of him, pressing your fingers into the ground between his legs instead, and he breathes out shakily, his windpipe suddenly cleared of its uncertainty.

“You’re leaving tomorrow.”

“Yes, I am.”

His fingers slide down to grab your wrist, before going numb completely. His unoccupied hand peels itself from the floor and settles on the side of your waist. Your mouth goes dry when Kei breathes, hot and heavy, his eyes travelling to every inch of you. A bout of heat rushes from his chest to his head, and his legs, and his arms too. The air between the two of you is thick, and it sends your head into a feverish blur. The ground collapses beneath your knees as they shift to press into the floor, and you come face to face with Tsukishima Kei, who prefers his hair parted in bangs on the sides of his face, and wears silver frames instead of black ones. Tsukishima Kei, who has been visiting your father’s grave on your behalf for six years, and still plays volleyball even in his adulthood. Tsukishima Kei, whose eyes are finally finished with their ventures across your figure, that is pushed up against him on the ground of an observatory, and is learning whatever he can about you when his fingers tighten around your wrists and he kisses you without a warning. 

Once, at the young, innocent age of seven, Tsukishima Kei kissed you in this museum. You had run a little too fast, stepped on your loose laces and fallen onto the ground face first. You sulked at a bench facing some random painting of melting clocks, red dots scattered across a purple patch right beneath your eye. When he kneeled in front of you to grab your face, and pressed his lips onto the bruise for a fraction of a second, he must have kissed the pain away, mending the leaking capillaries beneath your skin as he separated from your cheeks with a pop. Now, he pulls against your wrists to push himself closer, traps you in the embrace of his legs around the back of your thighs, wheezes and stutters against your lips at the lack of oxygen in his lungs. His head is running in circles instead of straight paths, and everything is spinning. When your hands reach to grab at his shirt, and palm at his chest, he pulls away only to rip his glasses off and toss them to the ground. Beneath the glow of the moon from above, everything but your flushed cheeks and swollen lips is a blur. You take half a breath in, before it is interrupted by Kei’s palms pulling you in by the sides of your neck, and his mouth on yours again. At seven years old, he ripped bruising pain away from your face with a kiss. At twenty-one, he forces his pain, and grief, and regret rushing into your heart by pushing himself against you, fingers tangling themselves into your hair as he kisses you, desperate, almost distressed. Every tug at your lips is a confession left unspoken, every time Kei opens his mouth apologies spill out into you in choked groans and sighs. At the sensation of his hand leaving your neck, your arm searches for him aimlessly, before he’s palming at you through your pants. He swallows your sudden gasp, and your fingers grip his wrist until your knuckles go white. 

“Did you ever like me?” You can do nothing but choke out a question against his lips, one you’ve pondered about, day in and day out, since your departure from Japan.

By the way that Kei nods frantically, you’re certain that this is what six years of separation has amounted to. 

Sparing no time, your fingers tug at the hem of his boxers, pulling them down just enough to release himself from the fabric constraints. He does the same, hands roaming until they find the waistband of your pants to push them down, fingers tugging your underwear to the side with a flick. He grabs you by the waist beneath your shirt, yanks your body towards him until something feels right and he can’t help but let out a trembling sigh into your shoulder. And when you finally begin to sink yourself onto him, agonisingly slow, you wish that you had never left Japan in the first place. Your eyes roll to the back of your head, and you wish that you could spend the rest of your life in this observatory with Kei, your hands wrapped around the back of his sweat-slicked neck. 

When he pulls you down to push further, more pervasively, you fall into him, head hanging over his shoulder and arms squeezing around his neck. His inexperienced hands rock you back and forth against his hips, pulling a flurry of gasps and moans from your throat. He lets himself learn how you taste when his teeth tug at the hem of your shirt, pulling it down to expose your bare shoulder. His lips latch onto your collarbone, biting and sucking a trail of red marks up to the side of your neck. You shudder at his advances, and he studies the way your walls flutter around him, the erratic pulses that draw stars around his head, how your nails dig into his shoulders, and send his mind into a senseless orbit. 

When he pushes and pulls at you a little harder, you whimper his name into his ear, reduced to nothing but a babbling mess that nibbles at his neck and kisses up his jaw feverishly. First friend, first kiss, first love. The notion that this is another first that Tsukishima Kei has brought upon you sends your mind spiralling. He should have been your first prom date, first roommate, first dance too. If only you hadn’t left him first. You push your head off his shoulder, hands moving to hold his face instead. A wave of pleasure washes over you when his palm presses against your stomach, and you hang your head low again, a shaky sigh released from your chest. 

When you look up, there are tears in Kei’s eyes. He rolls his head back onto the plush seat behind him, hands lifting you off himself fully, just to push you back onto him again. You collapse into his body, palms pressing against his heaving chest. 

“I- fuck! I fucking loved you! I still do!” He speaks it into the glass ceiling as one hand reaches for his face. He wipes his palm across his eyes, only for more tears to form. They are uncontrollable, relentless as he turns his head away from you. He isn’t sure how he will live again tomorrow, not when he’s finally come to a reckoning with the pang in his chest at every thought of you. He thinks he could die the second you step onto that flight back to London, ripped away from him once again. The reality that he cannot stay buried inside you for any longer than the next couple of minutes haunts him to no end, the idea of being separated from you a second time unbearable to even imagine. When he turns back to see you, head on his chest and fingers gripping the fabric of his shirt, he decides that reality can wait until he’s finished with you. 

“I love you too- shit, Kei! I never stopped!”

You rut against his hips senselessly now, chasing some unfamiliar high as your vision fades to black and you scream his name until your throat goes hoarse. Kei barely gives you time to breathe, before he’s coming undone from right beneath you, shuddering and groaning as you relax against his body and go limp. He holds you against him, one hand pushing your head against his chest and the other wrapped around your back. He tucks your damp hair behind your ears, places kisses along your temple so he can hear the hums of satisfaction that sound from your curled lips. 

“Can you stay forever?” He mumbles into your hair, and you turn to press your ear against his chest. His heart pounds as he pushes his cheek into the crown of your head, and your hands crawl up his chest to wrap around his neck. When he looks up through the glass ceiling, the stars have not moved one bit.

“I’ll find you again, wherever you are.”

Time may slip away from Tsukishima Kei like petals that fall off the buds of flowers, water that seeps beneath the soles of his sneakers, stardust that hovers above the atmosphere. Yet he has learned that it has a way of always coming back to remind him of its presence, and its escape. You are the reminder that it has been sending to him for six years.

author's note:

ERM! never writing nsfw again that's for sure but this piece defs had some stuff that i was very, VERY proud of coming up with!! sorry to my minor moots who probably won't read this in its entirety bc of the big MDNI warning... but I honestly don't know how to feel about this piece as a whole... i was super excited to write it but i think i got a little impatient towards the end esp since im always writing at like 3am LOL but i hope you guys liked it anyways!!! i tried really hard to make the dynamic work and i hope it did!!!!!

also ps they exchange numbers again js a little extra bonus that i didn’t get to put into the actual thing

anyways tags!!

@staraxiaa @chuuya-brainrot @akaakeis @laughingfcx @writingsofanomnivore @t0rchknight @bailey-reeds @wyrcan @hiraethwa @fiannee @catsoupki @anonymity-222 @wishi-selfships @kuroppiii

ok love u guys thank u for being patient