#and i wrote the damn thing

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[inkskinned]

okay is she being actually immature or is it just a woman over 30 expressing a human experience you find to be immature.

like yeah. at certain ages... let shit go. im not defending the real immature shit. im not defending the karen you're picturing. i worked in retail i hate those people too. (once somebody got mad at me because she didn't like how our winter window decor was a snowman smoking a pipe. i wish i was joking).

but men at 57 will write books about how 17 year old girls are soooo sexy. they will invent worlds where women have to be naked for "armor reasons." they will write songs that treat women as objects. people rush to defend them. meanwhile a woman at 35 will be like "heartbreak is hard, actually" or "i feel betrayed by a friend" or "i am struggling with something emotionally." immediately people will say stuff like this woman is 35 by the way. by the way this woman is SO OLD to be experiencing this. BY THE WAY.

im 31, almost 32. the other day a poet was blasted online because at her "big age", she had written a poem about feeling unloved. top comment was "this woman is 29 by the way." this woman is too old to still be useful, by the way. she has to behave better . maybe if she was a good wife and mother she could stop existing loudly, and the story could continue on without her. this woman has served her purpose, by the way. she's so cringe, by the way. at 29 - so old! - she still hasn't figured out that her existence should be one of shame.

[claitea]

"The sweetness of her voice speaks to Volo's love for her."

Then perhaps he'd like to hear it himself when it matters most.

~

left it a little open ended because i couldnt decide how exactly this happens:

1) arceus straight up does give him the ability to understand pokemon. it does not consider this either a blessing or a curse. it is simply allowing him to hear what they've been saying this whole time.

2) going off how iris only understands the hearts of dragons as opposed to n's ability to directly translate, maybe understanding pokemon is some sort of hyper-empathy thing. volo gains such a strong connection with his pokemon through fighting god he can actually understand what they feel

3) his guilty conscience catches up with him and he's imagining this just based on what n told him

either way. get guilt tripped idiot

[paingoes]

whumper pushing whumpee to the ground, ordering them to get back up, and kicking them back down each time they try. repeat as many times as you like. especially w whumper getting more snippy each time.

“i said get up” while they’re making it physically impossible

physically and mentally exhausting them in addition to hurting them. forcing whumpee to participate in their own abuse.

[coddda]

Light's relationship with his father is such a heartbreaking multi-faceted tragedy to me I hate it so so so much.

Soichiro loves his son so much, and while he's certainly not a perfect father I know that he cares deeply about Light. He wants to prove Light's innocence so badly but he can't let go of the underlying doubt that he might really be Kira and it gnaws at him. He does not know that from the very beginning he was being used by Light, whether it was to obtain information about the investigation, or to get to L, or to strengthen the foundations of his own lie that he wasn't Kira, this entire time he was simply another resource. He'll hang onto this doubt for years, even after L is dead, even if he doesn't express it in the latter half of the series, until he himself is on his deathbed, with what he believes to be undeniable proof that Light isn't Kira. (It's a lie, of course.) He dies happy, but it's on the foundations of blissful ignorance. His own son brought him here, brought him to the point where he had to sacrifice half of his own remaining life span, to his own death march, and was still trying to use him even now to kill someone else, but he doesn't know that. Soichiro said that what was evil was the power to kill others, and that whoever used it was cursed. Light was that cursed man, of course, and he tried to bring that curse onto Soichiro too by making him kill in his last moments. Soichiro was happy regardless, because he didn't know. He'll never know. (In the manga/anime at least. More on that later).

Light loves his father but it's not enough to turn him away from the terrible decisions he's made, if anything it only fuels them. His idea of "justice" is a twisted model of what he parroted from Soichiro, and he uses his father as another pawn (and a powerful one at that) in his plans. If he can prove that Kira is justice then perhaps his father will no longer call Kira, and therefore Light, evil, so he just needs to ensure that Kira becomes justice, right? It's Light's own actions that land his own father in the hospital for a stress-induced heart attack and yet he says only a few minutes later that he's the happiest he's ever been in his entire life. Even after Soichiro denounces Kira by calling him evil, even after he calls the Death Note's power evil, even after he unknowingly tells Light that he is cursed. When Soichiro dies Light is too deep in his own plans to actually properly process the fact that his own father is dying past what it means for his goals, but at the same time he still cares enough that after the fact he'll genuinely cry, only to brush it all away later. (Personally, I don't have a single doubt in my mind that Light's crying in that scene was genuine and I Will die on this hill). Soichiro had unknowingly denounced Light one last time just before his death, openly relieved that he "wasn't Kira after all", which also reveals that he has had doubts about Light this entire time, even after L died. By the time he's caught at the Yellow Box Warehouse Light will have denounced his father too, seeing him as someone who was made to be a fool, someone who was naive, even, too earnest for his own good. He won't realize that part of this description of his father might have applied to Light himself, back when this all started. Light takes after his father so much in so many ways already, so why not in this way too?

Ough. And honestly the other adaptations never miss out on this tragedy either, and I love them for that. (spoilers for the musical and 2006 live action movies I guess?)

In the musical we see Soichiro express his doubts and conflicts about who to believe, Light or L, if the son he raised really is a murderer, if everything he knows about him is just a lie. Like, there's an entire song about this, and you can tell how torn he is about it all, how badly he wants Light to be innocent but about how he also needs to face the truth no matter what it is, but at the end of it all he doesn't even get the answers he wants. At the end of the musical the only thing he finds is two corpses, Light's and L's, with no answers. No last words, no closure, only dead ends and a dead son and a grieving daughter. It's so awful I hate it here.

And the live action movie is fucking Insane. Like, wow. Okay. (Spoiler for the ending of Death Note The Last Name I guess) In the 2006 movies/novels Light writes Soichiro's name in the Death Note himself, and it's such an inconcievable move that it leaves even Misa shocked; Light tries to make Soichiro give him the Death Note for the last part of his plans, seeing his death as a "necessary sacrifice" (insert tangent essay about why I think 2006 live action movie Light is actually the most "coldhearted" Light Yagami, despite how infamous anime Light is). It doesn't work, and Soichiro does end up finding out that Light is Kira this time, and they have a confrontation, but he doesn't even sound truly hateful towards Light for it. He Never seems to outright hate Light for it, even after Light calls the whole confrontation a waste of time and instead tries to continue killing with the piece of the notebook in his watch, even after he tries to get Ryuk to kill everyone. When Ryuk inevitably writes Light's name and he collapses, Soichiro still reaches out for him and holds onto him as he's dying. Light literally dies in Soichiro's arms, still looking for the validation that he was right, that this wasn't all for nothing, that he was doing the good thing, trying to make Soichiro understand that he was trying to enact justice based on what he learned from him in the first place. Soichiro not only learns but sees for himself what his son has become, and Light dies in his arms leaving no closure for either of them. Soichiro will announce Light's death in L Change the WorLd on the news without saying his name, saying instead that it is only Kira who is dead, even though he and Light are one in the same. Sachiko and Sayu will never get to know the full truth about what happened to Light, instead Soichiro will lie and instead tell them: "Light was killed by Kira."

And then holy Shit the jdrama. If I write about it here this post is gonna literally double in length and also I don't really wanna spoil it but. Man. Man. If you watched it you know. Holy Shit dude I Cried.

It's the fact that, canonically, Soichiro will die oblivious to what Light has done, but even in the instances where he does find out, it doesn't make it any better, and it doesn't make him love Light any less, it just gives him more to grieve.

It's the fact that there isn't a single universe where Light doesn't use his father for his own gain, whether to gain information, or to try and control him with the Death Note, or make him write in the Death Note himself, and not a single time will he realize just how far he's strayed from Soichiro's ideals, and not a single time will he not forsake him for it by the end of the story.

It's the fact that, despite everything, Light will always refers to Soichiro as "dad/my dad" (informal) rather than "father/my father", even after he has been "denounced" (and this is true in every language that Death Note has been translated in, as far as I could find. Man, isn't that so cool! :) <- Through tears).

Anyways that's what I've been thinking of how's your guys' days going

[ironunderstands]

Sunday’s worldview sucks, his outlook and perception of himself and others sucks… and that’s why he’s so interesting

In honor of his drip marketing releasing tonight (or maybe yesterday for you depending on when I get this out), I’d like to talk about why I think Sunday’s beliefs and perspective is very, very flawed and how his own biases rather than the actions of those who oppose him are what led to his downfall.

Sunday is entirely responsible for his own failure, and that’s exactly why he’s incredible.

This contains mentions of leaks and spoilers for the Penacony quest line… you have been warned

To start with, oh my lord do Sunday’s preconceived notions kick him in the ass. 

I think the best example of this is his conversation with Dr. Ratio in which Ratio pretends to betray Aventurine, selling out his plan to Sunday. Now, what’s incredibly interesting about this exchange is that Ratio doesn’t fully lie to Sunday once in this exchange, rather he says half truths and makes vague statements which Sunday himself interprets as being in support of him. 

Take what Ratio said the whole, “A scholar knows their position and wouldn’t forsake it for the sake of petty pride.” In retrospect, we know this line is actually referring to Aventurine- aka Ratio is saying he’s not just going to sell him out to Sunday for the sake of information about the Stellaron (which he would get anyways if the IPC attained Penacony, plus Mr. Incredibly Dedicated Knowledge Spreader probably has other means of gaining it then through The Family). 

However, since Ratio answered the invitation Sunday gave him, Sunday assumes that Ratio is on his side, believes his cause is righteous, and that he won Ratio over with offering him information about the Stellaron, therefore making that previous statement of Ratio’s null, because Sunday interpreted it as, “convince me this is worth my time + prove to me you’re correct,” when it really meant, “there is no way in hell I’m about to sacrifice my friend to you, and there is nothing you could offer me to make me do so you crazed lunatic.”

But why did Sunday not weigh the options? Why did he unquestioningly believe his perception of the situation was the correct one?

Well- partly it’s because Ratio and Aventurine were doing their damndest to make it seem like they hate each other and that their plan was going off the rails.

But the more important part is that even without Ratio saying a word or even accepting the invitation, Sunday already believes he’d be on his side. 

Let me demonstrate this through Sunday's perspective:

I am a righteous person, I am doing the correct things, my worldview is the correct one. Dr. Ratio is also a righteous person who seems to be doing the correct things. Therefore, since we are both on the side of good, and Aventurine is clearly not on that side considering his status as Stoneheart and his negative relationship to Ratio, then Ratio will naturally want to be on my side. After all, the good guys work together, do they not?- and together will vanquish this evil villain.

This perspective is a simple one, but Sunday’s unshaking belief (up until the end of 2.2) that he is 100% in correct and in the right, that any and everyone who he also perceives to be in the right (like Ratio) would believe/side with him without truly needing to be convinced. Sunday doesn’t come out the gate offering the Stellaron information- he only keeps it as a backup just in case. 

However, this is complicated because Sunday is also not an idiot, and he’s extremely paranoid, so he’s going to make sure that the way he views the world is 100% correct on the off chance he’s wrong which could foil his plans- which is why he invited Ratio in the first place. Nevertheless, this isn’t him hunting for new perspectives, but rather him desiring to prove himself right again, which is a bad thing because Sunday is very much not right. 

A perfect world is a perfect pris- *gets shot*

Reference that approximately 2 ½ people will get beside, Sunday’s ideology that he is fully confident in.. sucks. It sucks ass, it’s terrible, and let me explain.

I’m not going to try going over all the little intricacies to how the dreamscape works because I a) don’t know and b) don’t particularly care because they aren’t relevant to the argument I will be making- which is that Sunday’s ideology is inherently flawed and immediately falls apart under scrutiny.

Essentially, he desires to create the perfect fake reality, enveloping the whole galaxy in Ena’s dream and fulfilling their every desire and whim within it, with himself as the sacrifice to allow it to exist. The seven rest days, no illness, no pain, no challenge, you get the idea. 

And, this perfect world paradoxically sucks ass because of its perfectness.

Improving society is great, eliminating hardship is great, increasing quality of life is great.

But declawing reality itself- absolutely not.

I’m going to try to explain this through my favorite strangely specific anecdote- the process of obtaining diamonds in Minecraft.

Stay with me now.

You essentially have two options- go out and mine them yourselves the hard way, which takes hours, gives you less diamonds per the amount of time spent on it, and likely with you exhausting some of your resources like food, torches, and tools which you will need to replenish.

Or.

You can just.. get them from creative mode or commands, and you can get as many as your heart desires.

However, despite the fact that option one is harder, gives you less diamonds and takes significantly more time, I, as well as hopefully you, would pick it every time (at least in a survival world, although honestly idk why you would even need pure diamonds in creative).

And that’s because the first option is rewarding. 

You did not earn the diamonds you easily and magically summoned into your inventory, there is no struggle, no journey, no challenge to it, therefore it feels entirely unremarkable, as compared to the feeling you (hopefully) get from mining diamonds, which makes you happy because you earned it. Yeah, it was harder, but the process itself is fun- the anticipation of not knowing when you’re going to find them, if at all, the danger, the fighting and digging and mauvering you will have to do in the process.

And with this unconventional example, the fatal flaw with Sunday’s ideology is revealed- it’s boring. 

It’s boring as shit.

Yeah, for the first few months or even years it might be enjoyable- having everything you could ever want served on a silver platter. However, humans are a) inherently a bit greedy and b) desire challenge, and this scenario fulfilles neither of those things. Naturally having everything means your desire for more can never be fulfilled, leaving the wanter forever unsatisfied, whereas in the real world, things are truly out of your reach, meaning that even if you never end up getting them, they are still a tangible thing just out of reach… as strange at it sounds, we like being tantalilus-ed more than you think. After all, if what you want is so easy to get, you will never run out of things to want, and eventually that gets draining. 

Continually, if everything is easy, if everything is just right there whenever you want it- existence itself no longer has stakes. 

And that’s the problem, because much like how a story with no stakes is extremely hard to find compelling, a life with no stakes feels boring at best and downright pointless and meaningless at worst.

I’m just saying, there is a reason why the Nihility was such a strong presence and problem in Penacony.

Anyways, like with the diamond problem, a lack of stakes means that nothing you do feels rewarding, because you didn’t truly earn it. 

Which is where the Sunday’s idea of a “perfect” reality falls apart, because the most enjoyable reality for humans to live in is not one literally devoid of any possible flaw.

So why does he believe in it? When it’s so clearly flawed?

Well, it’s because Sunday doesn’t think a better alternative exists.

The world made you this way.. and you chose to continue what it started.

I’m sure I don’t need to repeat the story of the Charmony Dove all over again because trust me, we’ve all heard it before. Nonetheless, it reveals something important both about Sunday’s personality and his ideology- he’s fundamentally a defeatist.

He doesn’t believe that there is any alternative for the dove, that it could ever be able to fly again with its deformed nature, so instead of being “cruel” and letting it “inevitably fall to its death,” he’d rather keep it in a cage all its life where it has no freedom, but at least it would he alive and “happy”.

And this is where his defeatism reveals itself- Sunday doesn’t believe reality itself can get better because improving it when there are so many factors and things out of your control is hard at best and impossible at worst. Therefore, he resorts to creating an escapist, false version of it- a perfect golden cage, because constructing that is far, far easier than trying to help the dove fly again. 

The universe has endless possibilities, if Robin and Sunday had tried hard enough, they probably could have found a solution. Sure, they were both children, so the capabilities necessary to even attempt that were likely far out of their reach. However, it was still possible, but Sunday doesn’t believe in possibilities- he believes he’s right above all else, which is where that stubbornness and arrogance comes into play again.

Sunday doesn’t think better solutions than his exists, and he believes everyone would could possibly stand in his noble way are either villains, or horribly misguided; so it’s his job to show them the light.

This is why he lets the Express Crew + Firefly try to change his mind- Sunday wasn’t actually interesting in shifting his perspective, or really what they wanted to say. Rather, he just wanted to let them say there peace, because well, Sunday’s a good, righteous person (at least from his perspective), and good, righteous people listen to others. Good, righteous people will let these poor, ignorant souls offer their foolish words before exposing them to the harsh truth- or at least that’s how Sunday sees it. 

Moreover, this also explains his arrogance. If he believes his worldview is the sole correct one, then why listen to anyone else? He’s this world's savior, or at least he’s been raised to believe that- so why not relish in it? He enjoys punishing Aventurine, enjoys the bastard who stood in the way of Sunday’s plans, shrinks away in “defeat” and get what he “deserves.” Despite how miserable it sounds, Sunday also takes pride in having to be a martyr to bring about his beautiful dream. The belief that he is a selfless, good person is a selfish desire of his, even if a genuine one, and it’s what leads to his downfall.

Sunday could have actually listened. He could have reevaluated his loss to Aventurine and realized it was not through the others clever deception, but through his own biases. He could have actually taken the Express’s and Firefly’s advice. He could have looked for other avenues to help the people he truly does care about. 

Despite Gopher Wood’s manipulation- Sunday’s decision to go forward with the pain is entirely his own, because he truly believes- even with all the evidence for the contrary- that he is correct.

And that’s why he fails. Not because of the Express. Not because of Ratio. Not because of Aventurine. Not because of Gopher, or even the rest of The Family.

No, Sunday fails because he is flawed, and he is wrong, and he is the arrogant, selfish and biased one, and his worldview is wrong.

So what now?

This might have seemed like I think Sunday is pure evil and irredeemable, but I think it’s quite the opposite.

He has very good intentions, and he does genuinely care about it the well being of other people around him. He gives Aventurine a chance to prove his innocence, even if he never intended on changing, he does listen to what the Express + Firefly have to say. He pauses when Robin shows up, as she’s the one person (until the very end) he’s actually willing to accept the perspective of. The whole reason he ended up here in the first place is because Gopher Wood twisted Sunday’s good intentions into a fatal arrogance and utmost belief in a flawed worldview. 

However, what really sells me on Sunday’s goodness is when eyes widen at that final moment, the light draining from him as he realizes he is wrong. 

And once Sunday realizes he is wrong, those flaws that bind him can finally be examined and improved upon, as they all stem from that worldview he no longer believes in. 

His whole life, Sunday has been enacting out someone else’s plan for him, even if he’s come to internalize it over time, at the end of the day- it was never his, and without it, he’s empty.

Which is exactly why the only place he can go now is the Express, and the only thing left for him is redemption and growth.

Dan Heng is right- Sunday has a noble soul, and now that he has stopped believing in himself, he’s no longer shackled by the past either. Improvement or utter demise (in a likely nihility-flavored manner) are his only options remaining.

I understand a lot of people want to see him become a Stellaron Hunter, but imo, that just does nothing for him. He’d still be following someone else’s path/script, and Mr. I Will Sacrifice My Whole Existence To Become The Sun To Illuminate These Wandering Souls probably wouldn’t be so on board with the whole.. terrorism part of being a SH. Like yeah, they are our friends (kinda), but they absolutely kill innocent people and cause millions of dollars in property damage to people who don’t deserve it. 

Also, being on the Express Just Makes Sense. This is a game about choices, a game about accepting the mistakes of your past, but not letting them define you in order to move on and forge a better future for yourself and others- with the Astral Express + Trailblaze as a concept being the literal embodiment of it. There’s a reason when you switch to the Trailblazer’s POV in stories, it includes Kafka’s most important words to us- “When you have the chance to make a choice, make one you won’t regret.”

Therefore, I hope the choices Sunday will make in 2.7 are ones he’s proud of, and I can’t wait to see how exactly they get him on board with the crew, because there still is a LOT of development he needs to do before then. 

Anyways, thank you so much for reading, and if you have any thoughts I’d love to hear them. This was a stream of consciousness mess, but I hope it was still valuable nonetheless! Also if you are reading this on the day it was written, I hope we don’t get disappointed by his drip marketing!

[delta-piscium]

Steddie | 1.7k words it is (swedish) midsummer so I wrote this based on my favorite old tradition because I can and will make anything steddie, so like glad midsommar (happy midsummer)

“What are you doing?” Steve asks as he follows Eddie to the hallway where he’s frantically putting on his shoes. 

“I almost forgot,” he mutters under his breath not acknowledging Steve at all.

“Forgot what?” 

“I can’t believe I almost forgot.” 

“Eddie,” Steve says a little louder, more adamant.

He does look up at Steve then and almost looks surprised to see him. As if he’d forgotten he was there, as if they haven’t been hanging out for hours. 

“Oh,” he says. “Uhm,” he squints at Steve who waits for him to continue, to explain. He doesn’t.

“Yes?” Steve implores because he would really like an explanation. Eddie had just abruptly stood up halfway through telling Steve about some folklore he’s using in his new campaign, just cut himself off mid-sentence and walked off. Steve doesn’t think it’s especially weird or demanding of him to have questions. 

“Did you have other plans that you just now remembered?” Steve frowns, starting to feel unsure when Eddie still isn’t saying anything. It’s just past eleven at night and Steve doesn’t know what plans those would be but he had showed up unannounced earlier in the evening so it’s not impossible that Eddie had plans that Steve interrupted. 

“No, no, no,” Eddie assures him finally breaking his silence, “it’s- okay it’s a little silly but I read this thing researching and I want to try it.” 

And well, okay then.

Steve raises his eyebrows and waves his hand gesturing for Eddie to go on. 

Eddie’s cheeks turn a light pink and he resolutely looks somewhere above Steve’s shoulder instead of at him. 

“Midsummer, which is today, is supposed to be this magical night and there are all these traditions and old myths about it.” 

Eddie glances at Steve and he smiles. Tries to show he’s listening and wants to know whatever thing Eddie read about. 

“And well, okay so there’s this one tradition where you pick seven different kinds of flowers before you go to bed and then put them under your pillow and you’re supposed to dream about who you’re gonna spend your life with.” 

Steve blinks, wasn’t expecting that and doesn’t know what to say about it, so, he blinks again. 

“Maybe it’s dumb, but with all we’ve seen magic and folklore don’t seem so far-fetched and,” he shrugs, “I wanna try. And like, it’s close to midnight and I don’t know if that’s a rule but I don’t wanna risk messing it up.”

“It- huh,” Steve frowns slightly and looks at his shoes then back at Eddie. “Yeah alright, let’s do it. Can’t hurt right?” 

His voice is light, like it’s not a big deal and just a fun thing Eddie read about because that’s what it is, isn’t it? But something about it settles deep in Steve’s gut. Makes it feel important in a way he’s not sure he could explain if he tried. Maybe it’s just the fact that Eddie is getting so worked up about the possibility of dreaming about the person he’s gonna spend his life with when Steve maybe a little bit wishes it would be him, but like, only a little. 

Eddie looks at him with wide eyes like he didn’t expect Steve to want to join, like maybe he expected Steve to make fun of him for wanting to do it. But then something seems to switch in him and a slow smile spreads over his face and he gives Steve an exaggerated once over. 

“Looking to find your true love huh, Harrington?” 

“I thought you said it was the person you spend your life with, not the same as true love necessarily.” Steve quips back because technicalities are easier to argue over than answering that question, especially when Eddie is the one asking.

Eddie shrugs. “Different sources say different things, sometimes it’s true love sometimes it’s who you marry.” 

“Well, then I guess we’re both looking to find our true loves?” Steve hedges, drags Eddie down with him if they’re gonna go there. 

A soft look passes Eddie’s face before a responds, voice quieter. “Guess we are, yeah.” 

They pick their flowers in silence, something about the magic being broken if you speak. Walking around the edge of the woods behind Eddie’s trailer a couple of feet apart, every once in a while coming together or crossing paths. 

After, Steve stands in between Eddie’s trailer and his own car. Holding on to his bouquet of seven flowers unsure what to do. He could go home, he should go home, but he doesn’t want to. He did have some beers hours ago and if he was allowed to speak he’d use that as an excuse to not drive and ask Eddie to crash on his couch. Right now he can’t though so he sighs inwardly and turns to his car. 

He makes it about two steps before a hand reaches out and grips him around his free wrist stopping him. When he turns around Eddie is giving him a look that very clearly says ‘stop being stupid’ and jerks his head towards the trailer silently telling Steve to go with him. He doesn’t let go though and uses his grip on Steve to drag him along like he can’t be sure Steve will actually listen and follow. As if Steve would ever not follow Eddie. 

They quickly get ready for bed. And again when Steve walks toward the couch Eddie grabs him and shakes his head. He waves his arms around a bit like that’s supposed to explain anything but Steve isn’t too bothered about an explanation anyways and easily follows Eddie to his bedroom. 

They’ve shared a bed before but always when they’ve been drunk or high so this feels different. Steve is a little glad they can’t speak or he’s sure he’d blurt out something way too revealing about it all. 

He avoids looking at Eddie as he tucks his flowers in under his pillow, knows Eddie is doing the same next to him. Is aware of it only being an old myth from a region halfway across the world but there’s a weight to it. Something real and tangible. 

He expects it to take a while for him to fall asleep like it always does. For him to twist and turn and lay awake until the early morning. For once though, that doesn’t happen. With the weight of Eddie next to him and to the sounds of his soft breathing and small movements, Steve falls asleep.

And he dreams. He dreams of big brown eyes and bright laughter. Of wild hair and warm arms embracing him. He dreams of growing old next to someone and how every wrinkle on their face tells a story of their shared love. 

He wants to stay in the dream forever, desperately tries to hold onto it even as he floats into consciousness. He turns and groans, gets a mess of someone’s hair in his mouth and nose and that’s enough to startle him into full wakefulness. 

Eddie grumbles next to him, clearly also just waking up. Steve looks at him, with his wild hair and his big brown eyes that are slowly blinking open and of course. Of course, it was Eddie he dreamed about.

Their eyes meet and Eddie freezes. Eyes widening as he looks back at Steve. 

“Oh,” he says. 

And yeah, oh.

“Eddie?” Steve asks, unsure of how to bring it up, to ask about it. If he even should? 

He puts on a teasing smile, even though he feels like goo inside, but making it lighthearted is all he can think of because what if he’s taking this whole thing way too seriously? Jumping to conclusions? 

“Dream of anyone?” 

Eddie nods and looks away, “I did.” He says it simply, voice careful. 

And maybe it isn’t just Steve.

“Who?” He asks, dropping the teasing tone. 

Eddie swallows and looks back at Steve. “The person I wanted to dream of,” he says and it’s not really an answer but he’s looking at Steve so intently he thinks it still might be. 

He thinks about Eddie’s quiet but delighted surprise at Steve wanting to join him yesterday. About Eddie dragging him first into his trailer and then into his bed. How they’re so close on Steve’s side of the bed and Eddie must have drifted towards him in his sleep.

He bites his lip to stop his smile from spreading too wide, there’s still a chance he’s misinterpreting things, “yeah?” 

“Yeah.” 

“And who would that be?” Steve asks, leaning in even closer until he feels Eddie’s small puffs of breath across his face. 

“You,” Eddie whispers but Steve hears it clearly. 

He takes a moment to bask in it, to let it wash over him before he responds.

“That’s good,” Steve tells him eventually and Eddie’s eyes are so wide and open, and so pretty, “because I dreamt of you.” 

He knows it’s cheesy so he doesn’t give Eddie time to respond, just leans in and closes the remaining gap between them. Slots their lips together. Eddie gasps into the kiss, grabs Steve by the hair, and pulls him in. Makes all these cute noises that make Steve want and want and want. 

He shifts, goes to put his leg in between Eddie’s to move on top of him and get a better angle. But he only gets halfway before Eddie grabs his hips and twists them around. Pushes Steve flat on his back and straddles him. 

He grins down at Steve. 

“You think the Scandinavian magic worked or was it just dream psychology and wishful thinking?” 

“Does it matter?” Steve asks, way too earnestly. But like, they’ve just spent this whole time doing some true love magic so he thinks it’s fine, “got what I wanted.” 

“It’s forever though,” Eddie points out, bending down to bite at Steve’s jaw, “if we believe the old Norse people.” 

Steve hears the question there, thinks this might be Eddie’s way of asking what this means to Steve. His way of telling Steve this isn’t just a hookup for him.

“God yeah,” Steve exhales, “I fucking hope so.” 

He feels Eddie smile into his neck and grabs his hair, uses it to pull him back and steer him into another kiss. 

[molinaesque]

"You went against your word and defied our contract! In doing so, you brought the chaos of your world into mine! I will not abide it!" - Raphael (Baldur's Gate, 2023)

[radioactive-earthshine]

NGL I have STRONG opinions about digital releases omitting the letters to the editor section of older comics. I feel like the letters are a part of comic history and should be aggressively preserved.

[olberic]

thinking about what we lost when megatron stopped turning into a gun. like if you were made to be a weapon only aimed by other people would you not crave bodily autonomy. if you were made to be a show of force would you not find it hard to resist what you are. if you were made to be a pistol would you not miss being held.

[spitblaze]

Anyway I didn’t say anything at the time bc I was stressed out but I will now. I changed my pronouns to they/them publicly, no he/they unless we're good enough friends. He/him in the way I like (as opposed to 'this stranger cannot possibly know at a glance what my pronouns are and it's still more correct than the alternative, so') is reserved for closer friends, who I know for a fact understand that I am not a man and do not identify in the vicinity of the gender binary. It's a bit of a 'don't bro me if you don't know me' situation. I feel like there have been a lot more instances in the last year where he/him was used to either malgender or degender me by people less close than a certain degree so. He/him privileges revoked. I'm they/them only and please do not call me a man, because I am not one. I'm nonbinary and genderfluid but none of the fluid genders are binary either. Thanks 👍

[finallyaplaceformyrobots]

Who wants to read a piece of a crackfic that only lives in my head about tf animated megop?

Optimus wasn’t exactly paying attention to what Megatron was saying during their fight but that didn’t mean he wasn’t annoyed. It slipped out of his intake without any thought really.

“Ugh, nobody cares” Bumblebee giggled somewhere behind him and Megatron scowled.

“Be silent, keep your forked tongue behind its teeth, I have not passed through fire and death to exchange words with a witless worm”

“Blow me” was his equally eloquent response.

Megatron could tell it was an insult and Optimus knew he knew but he also knew megatron didn’t know exactly what it meant. It was a human insult, not a cybertronian one. 

None of the decepticons really got it. But all the autobots did.

Bumblebee was in hysterics, clutching his middle as he laughed ‘like a hyena’ Optimus believed the human saying went. He was laughing so hard Optimus would be worried about his need for air if they needed air. 

Bulkhead laughed too but Ratchets glare was enough to silence him and Prowl simply sighed. Face in his hand as he looked to the sky, as if asking Primus for patience. 

‘Fair’ Optimus thought.

Megatron was still glaring, likely trying to figure out what the insult meant while Blitzwing decided to go for a more direct approach.

“Vhat does that mean?” His icy personality asked. 

Bumblebee, still laughing, rose to his pedes to answer (he’d fallen during his laughing fit and hadn’t bothered to get up).

“Oh! C’mere, c’mere, it-hehe, it means” he whisper/laughed it to Blitzwing’s audial when he leaned down. Blitzwings face spun rapidly before settling on random.

“Ahahahaha!!”

“Ha! Hahahah!!” Bumblebee started laughing again and soon the both of them were on the ground, vents staring to kick in from their laughing fits.

Megatron looked at the two, fight fully forgotten for the moment. Blitzwing was hitting the ground repeatedly as he laughed and Bumblebee was practically rolling and kicking his feet. Essentially they were in hysterics.

Megatron wasn’t the only one, everyone had now stopped to stare.

“Blitzwing “ Megatron growled out “what does that mean?”

Oh he really didn’t want to know.

“He just told you to suck his spike!” Random yelled and then got back to laughing.

Megatron startled, staring at Optimus, optics simultaneously wide and glaring.

For his part Optimus merely shrugged.

Somewhere behind Megatron, Starscream started cackling and Lugnut gave an offended gasp.

Megatron looked very angry now and, well, Optimus was so annoyed that this fight was happening right now. At the same time as the premier of the first live tour of the world’s largest archival library. So what he said next also just slipped out.

“If it helps I wouldn’t actually let you”

“What” 

Okay, 1) why does he look offended? And 2 )how can he make it worse?

“Well, you’re old” 

Starscream trips over his pedes laughing, falling on his aft and ‘gasping for breath’ so to speak.

“I-! I am not old you insolent brat. I am experienced”

“Because you’re old?”

(important commentary in tags)

[krenenbaker]

Trick or Treat~!

Pairing: Che'nya x Floyd (could be read platonically or romantically)

Summary: It's finally Halloween night, but Floyd is in a bit of a slump. However, the arrival of a curious companion may just make the Halloween party a bit more interesting for him.

Notes: This is my first attempt at something following a prompt - specifically, "Trick or Treat" for the 2023 TWST Rarepair Halloween event. I'm trying to get more comfortable/practiced with writing prose (which is why this wasn't posted on the 30th... oops), and only vaguely ended up following the prompt. I'm fairly happy with how this little piece turned out, though!

Tags: @dove-da-birb, @azulashengrottospiano, @inkybloom-luv, @eynnwwyjth, @officialdaydreamer00 (please let me know if you'd like to be included or excluded from future writing of mine, or only want to be included in specific types of creations)

Floyd wanted to take a break. 

It was Halloween, and all he had done the entire week was work, work, work. Getting costumes ready, decorating, helping with their dorm's presentation, plus cooking and serving at the Lounge, all on top of normal classes? 

Sure, it was fun, especially getting to show off Octavinelle's cool setup, and 'taking care of' those misbehaving visitors. But now? Everything felt draining and boring, and Floyd simply wanted to leave, which sucked because the actual Halloween party had just started!  

Maybe he should just ditch and go back to his dorm; being in a funk when everyone else is having fun around you is not enjoyable.  He slumped down on a bench and unwrapped a sweet he had picked up earlier, before wrapping it up again. Ugh, not even in the mood for that candy he wanted only a few minutes ago. 

As he shoved the sweet back into his pocket and was about to get up from the bench to leave, Floyd heard a rustle behind him. Someone was quietly humming, and… laughing? The sound gradually moved to his side, towards the empty side of the bench.  

“Trick or treat~”

Floyd turned to face the voice. "Listen, man, I'm not in the mood to—” he froze, staring at the figure beside him. “Hang on a second, where's your body!?"

A toothy smile came to the face of the head that currently floated beside Floyd. "Oh, it's here.... or maybe it's there." A pair of hands materialized on either side of this boy's head, followed by the rest of his body. 

“I'm just kidding. Mind if I take a seat? I’d like to rest up before I keep purrowling around and startling people.”

Floyd blinked, then raised an eyebrow. “Uh, go for it.” 

This guy was... weird, and it was hard to tell if he'd be annoying, or interesting. "You don't go here, do ya? At least, I’ve never seen you before. And you’re no ghost, either.”

The cat-like boy shook his head, his jewellery jingling softly. "I'm just passing through for the festivities and collecting treats. Scaring some people, too. That’s loads of fun. And it's always nice to see my friends let loose." 

Floyd had a vague memory surface. "Ohh... you must be that RSA boy who's friends with Sea Turtle and Goldfishie." 

"'Sea Turtle' and 'Goldfishie', hey? Those are good names for my green and red friends. Cats are known for liking fish." He leaned forward, his grin growing. “Artemiy Artemiyevich Pinker. It’s a pleasure to meet you.”

Floyd nodded, “Floyd Leech. It's nice to meet you, too.” He looked curiously at the boy beside him, taking in his shaggy hair, piercings, and impish smile.

"You're not what I expected.” Floyd smiled, "But you seem fun, Catfish. I didn't think Goldfishie would get along with someone so... interesting."

Che'nya's eyes lit up slightly. "Catfish? Heh heh heh, most people call me Che'nya, but I guess that works. And I’ve heard some… interesting stories about you, too."

He stretched his legs out in front of him, leaning back with his arms behind his head as he sighed. "But yeah, I don't think Riddle could shake me if he tried." 

"I'm almost jealous." Floyd tipped his head slightly. "Most of the time, Goldfishie likes to swim away before I can play with him."

Che'nya laughed, "Well, if you're wondering, he 'swam off' that way." He pointed off to the side. “Just don’t be rough with him. I don’t like people mistreating my friends.”

Floyd looked off into the crowd where he had pointed, and let out a small laugh. “Alright, good to know. Maybe I’ll find him later, if I feel like it”, he smiled and sat back. “And Goldfishie’s stronger than he looks, but I guess you’d know that.”

Che’nya nodded, then leaned closer with a mischievous glint in his eye. "You know, I bet we could do something that would really surprise him.” 

Floyd turned slightly towards Che’nya, and flashed a smile. “Yeah, we probably could. I think we should talk more in the future, Catfish. You seem pretty fun.” 

Che’nya grinned, “You seem pretty fun, too.”

"Well,” he stretched his arms above his head. “I think I’m going to go and find some more treats… and play some more tricks tonight. I'll catch you around, Floyd." 

With a haunting giggle echoing in his ears, Floyd watched as the boy beside him faded into nothingness, just the same way he had arrived. 

What a weird guy.

Floyd unwrapped the candy he had pocketed earlier, then popped it into his mouth. Maybe this party was worth staying at after all.

[tazmiilly]

I don't know what's going on with you friend but I hope you're doing alright and having good days :) saw your recent post tags. I feel like I sorta understand some of why you like these gay scientists so much now. Fiddleford love forever

yayyy I'm glad you've noticed HHSDHHD. they're both a very strong comfort for me. fords situation definitely put a lot of things into perspective in regards to my past. it's a little embarrassing to say he kick started my recovery because he's a cartoon character, but I don't think that really matters so much. People are all so different that even the smallest things mean a lot to certain individuals.

[tennessoui]

Fix-a-Sith AU, my beloved. Does Obi-Wan attend Council meetings with his Sith glaring suspiciously at everyone over his shoulder?

honestly i feel like it's a watershed moment for sith anakin when he attends a council meeting with obi-wan (glowering over obi-wan's shoulder the entire time with Massive Bad Vibes shooting out from all corners of his force signature) and the council is like 'whoa obi-wan, sith in the middle of rehabilitation do NOT attend council meetings??' and obi-wan just shrugs and is like 'oh who is he going to tell? he's temple bound and his comm link is baby sith-proofed.'

and that bugs the hell out of vaderkin for most of the meeting but he can't put his finger on why.....at the end of the meeting, when they're back in their quarters, he's like 'you know i could still contact sidious and tell him everything i just learned. it wouldn't be easy but it wouldn't be extremely difficult. i AM good with technology, you know.'

and obi-wan is like 'oh yes dear, so you've said. i know you're very clever. but you see, what i couldn't say to the council at the time is that i trust you completely to not betray me the way you so easily could.'

and vaderkin bluescreens because trust??? obi-wan trusts him?? his husband?? trusts?? TRUSTS??? he trusts him?? him???

and obi-wan sighs and gives him a very fond only slightly sad smile and he's like 'i know you've been hounding me to fall in love with you, but which one do you think is more damning, darling - to love a sith or to trust one?'

[oumaheroes]

[8] + fruk? idk, it sounds like something they'd hardly tell each other but I figured it's a challenge you could enjoy solving. :) i love your writing btw. Thank you for sharing it with the world. <3

[8] 'I love you'

Both of these asks are so so old but I enjoy a challenge, Anons! Took me a while but I got there in the end. Hope you like!

Characters: France, England, FrUK

----------------------------------------------------------------------------

Love Is...

'You're not entirely intolerable.'

England says this to him in warm candlelight, yellows and orange hues dancing gently on his cheek and across his nose. On his back, no less, looking up at France with wine soft eyes amongst expensive coverlets and pillows of a borrowed palace bed.

France's hands are busy, one supporting him, one not, and thus he knows there is some bias to England’s words.

If it were darker, less candlelight and more masking cover, maybe they would be more true. England had always been gentler in the shadows, safer when he feels he can't be seen.

'Shame the same cannot be said for you.' France says in reply, and bites him hard on the shoulder.

-------------

'You can be useful.'

France sounds surprised.

England clenches his jaw. 'Fuck you.'

'I'm serious.' France twirls the pointed end of his share knife into England thick wooden table. 'There may yet be hope in regards to you being anything of value.'

It is France's own knife, at least, that he is blunting. Gilded- overly so, so it's almost more decorative than usable. Almost. France does so like to find those lines and tease them.

The remains of a meal are pushed aside, a map open and curling long between them instead like a dried up sea. England wants to grab the knife out of France’s hand and jab it in his eye but he doesn’t. He needs France, as much as he doesn’t want to admit it, needs his help sweet talking the French nobility and keeping his King in check and so refrains from lunging across the table. Swallows bitterness down and looks from the maimed table to the map.

The French coastline looks alien upside-down but England doesn’t ask France to turn it around.

‘So.’ France’s voice is silky and low, ‘Can you deliver on your end?’

England thinks of his own King, thinks of his endless envy that is great enough to engulf his nation’s pride. He nods.

France clicks his tongue, ‘What a surprise.’

-------------

‘Where have you been?’ A nation who will one day be England pouts and crosses his arms across his chest, ‘I’ve been waiting here for hours’.

‘It wasn’t hours.’ A nation who will one day be France looks about the bank of the tree where England is sat in distain, ‘The ground is wet.’

‘You’re late.’ England insists, ‘You said you would be here by noon. And wet ground is better to write in.’

‘It’s still noon. Couldn’t you have picked somewhere sunnier? The ground hasn’t dried here; where will I sit.’

‘Are you stupid?’ England holds out an arm and gestures to the shadow it makes upon the floor with another. It is slightly longer than noon would provide, ‘Does that look like noon?’

‘Do you want me to help, or not.’

‘No.’

France sighs, ‘Fine. Do you want me to do this the easy way or the hard way.’

England kicks at a small stone and it bumps a little ways down the small pathway along the edge of the wheat field he’s been biding his time in. This France knows, because there’s chaff caught in his hair and dusting amongst the mud of the dampened hem of his cloak.

‘I already know how to write letters,’ England grumbles, ‘Rome made me learn his, and they’re exactly the same as your ones. Why do I have to do this all again.’

‘Because after Rome, you learnt some barbarian ones, and now I want to make you presentable. These are things any decent, proper nation should know.’ France dusts down England’s hair, ‘And it’s very hard to bring you up to par when you keep avoiding my visits and moving from castle to castle.’

England shakes his head and looks away.

‘You should stay with the King,’ France says pointedly, ‘Not move about the strongholds like a vagabond. You shouldn’t show your earls too much favour.’

France sees England hold himself back from speaking. He knows what England wants to say and is relieved when he keeps the several possible and difficult arguments to himself. An improvement, but maybe only because there’s no one else to hear.

‘Move.’ England says suddenly. He picks up a stick that France had failed to notice, propped up ready to go against a thick root, and waves him out of the way and off the flat dirt road. He begins scrawling in the ground in rigid, sharp strokes. ‘If I write “go fuck yourself” in Latin, Norman, and French, will you do so?’

-------------

‘I don't always hate you.’

France says this so quietly that England almost didn’t hear him. He wouldn’t have done, if he didn’t know France’s voice and his habits so well. He halts, the quiet palace yawning open unseen down the darkened passage ahead.

From the corner of his eye, England sees France shift where he leans in the archway. He was so still that England hadn’t noticed him as he walked, his dark shape held like a statue in shadows. Now that he knows he’s there, England can almost see the glint of silver threads in the moonlight, fine clothes on a man made just as much from the dirt as he.

A shift of fabric as France moves again. England stares ahead and does not look at him.

‘You may not believe that, but it’s true.’ France offers quietly. ‘I don’t like to think that you believe otherwise.’

‘I don’t like that you make me believe so.’

A pause. England can hear the sounds of the evening: distant footsteps on flagstones, the rustle of trees in the orchard beyond the stone courtyard walls. The smells of thousands of past summers on the warm breeze, blurring the edges of the era and turning the night endless.

The moment stretches, full and expectant. Then, a sigh.

It passes.

France does not reply, and England walks away.

-------------

‘Are you coming with me?’

France snorts. ‘I am offended that you would ever think that I would.’

‘Oh fuck off. Come on.’ England’s eyes are dangerously captivating, ‘You’re just as bored as I am.’

‘Unlike yourself, I am able to find joy in the finer things.’

‘Francis, this is the worst fucking ball we’ve been to in centuries.’

France winces, ‘Yes, but the food is at least good. And the people here are-‘

‘All over fifty.’

‘We are over fifty. And they’re-’

‘Boring.’

‘Important.’ France corrects, ‘They are important, my dear.’

England scoffs and looks across the lacklustre and lethargic dancefloor, couples with outdated clothes and dour expressions stiffly moving in their formations. He swirls his wine in his glass and points with it shamelessly, ‘Important for what, exactly.’

‘To be seen by. To talk politics with. To encourage away from silly decisions that will ruin my skin for the next decade.’

‘And the younger important people? Or heaven forbid, any fun ones? Where are they?’

France shrugs with one shoulder helplessly, ‘The Viscount is... particular.’

England raises and eyebrow and France shrugs, ‘Fine. It is dull. He is dull, and these are all his dull friends. What do you want me to say, the money is here but the life is gone. I’m not blind, Arthur.’

England adjusts the lace of France’s collar, straightening it from where a point has curled under itself, ‘Well, I’m going to the inn on Perry street. That’s where the kitchen boy told me-‘

‘The one with the hair, or the one with the funny leg?’

‘The one with the teeth.’

France shakes his head, ‘Poor boy. Sugar is a terrible thing, I wonder when people will pick up on that.’

England rolls his eyes and downs his wine. France winces, ‘That was expensive.’

‘Good. I’m off.’ England kisses his cheek quickly, the powdered hairs of his wig tickling France’s neck, ‘Have fun somehow being the most interesting thing in the room for a change.’

‘Ha ha.’

France watches England carelessly drop his very expensive glass onto a passing waiter’s tray and tuts at him, ‘You’re too over-dressed for a common inn, you’ll get mugged.’

‘I’ll manage.’

‘I’m sure you will. When I find your naked corpse in a hedge tomorrow, don’t tell me I didn’t tell you so.’

‘I tell you your make-up makes you look like sun bleached fish every day, and yet you still wear it.’

France huffs and turns away. He hears the clip of England’s shoes as he slips behind a curtain until his steps soften, sights fixed on the dancers. The crowds in the edges of the hall, in the dark corners where candles cannot find them, have a low murmuring buzz that heaves itself above the orchestra enough to give life to the odd word of two. None of them give France any hope.

Once he is sure no one noticed England leave, France downs his own wine and pushes himself away from the wall to join him.

------------

‘Be careful.’

England blinks, confused.

It is dark, moonlight all they have to go by, and they are watching British soldiers pour out from and over French beaches into hungry, waiting boats. Months of planning, countless sleepless nights and hours held stressed and tense in the wait for scraps of coded information has lead them here, to this. To men running through waves, to home so close and yet so far, and a flight through the dark to get stranded soldiers home before France falls.

England feels hollow. His chest feels concaved, an empty feeling of something like relief rotting and curdling there at the thought that this momentous victory is in the grand scheme of things, nothing at all. A huge success merely only for how difficult any small victory is. And still a failure because... because-

France’s hand brushes his. England swallows and entwines their fingers together.

‘You’re the one who should be careful.’ He says.

France squeezes his fingers. ‘If-‘

‘Don’t.’

‘-If.’ France’s grip tightens, ‘If, Arthur. Just be careful. I’ll be fine. It’s you who-‘

France breaks off.

‘I won’t.’ England says. He takes a deep breath in. ‘Not me. Not yet.’

‘I would be deeply embarrassed for you, if you do. It’s shameful. To a child, and one raised by Gilbert, no less.’

England snorts and smooths his thumb over France’s knuckle before he breaks them apart. He tugs down his uniform, wishing for gold trimming and a deep red coat, and smooth wood of a longbow.

D-Day unfolds in the muddied, darkened shallows of Dunkirk beach, and two empires watch the world turn over and into something new.

------------

‘Move over.’

France wakes to a knee in the small of his back. ‘A.. Arthur?’

‘Francis, move.’

Bewildered, France obediently shuffles over and there’s a gasp of cold air as England lifts the covers to climb inside. ‘What are...?’

‘Shh!’

France hears the heavy drapes around his bed being rearranged, then gets another knee in his back as England burrows down next to him.

France turns over. In the darkened room and behind thick curtains, England is nothing more than a source of warmth and the feeling of being watched. ‘What are you doing here.’

‘This is my castle, isn’t it?’

‘It’s one of your King’s castles, yes.’

‘Well then.’

‘But you weren’t here.’ France whispers, When we arrived. ‘He is very upset. He says you shame him.’

‘He shames me.’ England’s cool hands find themselves under France’s back, ‘The grandson of a usurper has nothing to do with me.’

‘Arthur.’ France cautions, but then stops. It is not the time, nor place. Nor, he knows, his place, really, to say anything at all. He places his hand on the cool skin of England’s arm and squeezes it, ‘I’m happy you’re here now. Apart from all the dirt you’ve likely tracked into the bed.’

‘I haven’t.’

‘I can smell it. You smell like outside.’

‘Outside doesn't have a smell.’

It does. Brought in to a human space where it doesn’t belong, the night air that clings to England’s hair and skin is earthy and cool. Fresh and foreign amongst wood fires and the fresh thresh on the floors.

‘I changed.’ England insists, seemingly having taken France’s lack of answer as an argument, ‘I do have nightclothes, you know. I’m not a savage.’

‘Hmm.’

England wriggles his fingers under France’s back to the soft parts of his sides and France can’t help but yelp as they tickle.

‘I was in York but heard you were leaving.’ England says, ‘Did you want to go riding before you go?’

‘We go Tuesday.’ France whispers, conscious of the servants littered about the room asleep. How England crept past them all or even got into the castle so quietly in the first place, he’ll never know. ‘We’re almost ready.’

‘So, do you want to go riding, or not.’

It is Sunday. There will be a lot to do before he goes back to his own lands, lots of packing and planning and then talking to people and France is exhausted just thinking about how much of it he will be needed for, let alone the voyage back across likely windy seas.

‘I don’t want to share. I want my own horse.’

‘Fine.’

------------

‘Here.’

England looks up from his laptop to find a cup of what might be soup held aloft before him.

France waggles it, evidently deeming England too slow on the uptake, ‘Take it.’

England does, cautiously, and moves his laptop aside to safety. ‘What’s this for.’

‘You.’

‘I could infer that.’

‘Could you? I never want to assume.’ Before England can tell him not to, France settles himself in the seat opposite. The booth England has hidden himself in has a wide table down the middle which takes up most of the room, but France moves himself into the tight space far more dramatically than is needed.

The soup is hot. England pops the lid off- carrot and coriander. His stomach clenches at the smell, he hadn’t realised how hungry he was. ‘Where on earth did you get it? They stopped serving dinner hours ago.’

‘I know. You missed it.’ France shoots him a pointed look, ‘I went to a café down the road.’

England looks down and swirls the soup around the Styrofoam. It’s thick, good quality. ‘I’m not paying you for it.’

‘Ah yes, because that is why I went.’

England glances at his laptop. France shuts it. ‘Now, whilst you’re eating, listen to me. I have a story for you.’

England takes the spoon that France offers and stirs. He wonders if France has any chocolates in his pockets, ‘Is it about the look Antonio gave-‘

‘Yes.’ France leans forwards eagerly, ‘But shut up. Let me talk.’

-------------

‘It’s... it’s large.’ The scientist at the front of the room looks shrunken, weighed down and wizened. He runs a hand through his hair, glasses glinting in sterile, overheads lights. ‘It’s large.’

France looks up and catches England’s eye. He looks tired, old.

Scared.

Question lights flash on around the room, every national and political delegation with something to say or ask. The scientist seems to freeze, overwhelmed by where or who to turn to first, and then people start shouting all over each other, nations and their politicians alike.

‘What the fuck is this?’ France’s president holds her hands to her mouth and shakes her head slowly from side to side, ‘This cannot be happening.’

‘There is nothing we can do!’ France hears the scientist say over the braying clamour, ‘It’s too late, it’s-‘

‘Francis.’ England is there, at his shoulder. ‘Come on.’

-------------

‘What the fuck have you done to yourself?’

France sniffs and turns away, ‘That’s none of your business.’

England snorts and hangs his hat and coat on the stand, ‘You look like you’ve fallen off a horse.’

‘You look like an unkempt vagabond.’

England looks down at his finely pressed suit and trousers and then back to France. He is on his sofa, studiously reading a book and not looking at England making himself comfortable in France’s livingroom. His leg is before him on a padded stool, swollen at least twice the size, and there is a purple bruise blossoming upon one cheek.

England comes around the back of him and brushes soft golden hair away from France’s shoulder. ‘I could do better.’ he says, gently thumbing the fragile scabbing of France’s bottom lip.

France swats at him, ‘Go away. I don’t want you here.’

‘Wrong place wrong time? Or did you try to speak sense again to someone who actually has some.’

‘Arthur, stop.’ France catches England’s wrist and kisses the inside, ‘You’re too unsympathetic to understand.’

‘Hmm.’ England kneads at France’s shoulder and then heads to the kitchen, ‘Would it help you to know I’m planning on telling everyone you fell ice skating?’

France lets out a bark of laughter, ‘Oh? And who on earth would you tell.’

‘Anyone who will listen.’ He collects a glass and a bottle of wine, along with some bread and some of the expensive cheese that he knows France always squirrels away in his pantry whenever he can, and takes them back to the living room.

-------------

‘If you could be anywhere, where would you be.’

Soft music from a Spanish restaurant down the road, warm ocean breeze. Anywhere and everywhere, all at once.

Besides him, England sips warm ale from a can he smuggled through customs and shrugs, ‘Home.’

‘That’s a boring answer.’

‘That’s the truest answer.’

‘And where again would Arthur go, if he could leave England behind.’ Francis watches Arthur from the corner of his eye, sees the fragments of him outside of all else that they always are.

‘I can’t leave England behind.’ England says, ‘So there’s not much point entertaining it.’

‘I’m trying to have a serious conversation.’

‘Then don’t ask a hypothetical question.’

Francis sighs, and retreats. He takes a deep drag of his cigarette and watches the smoke drift away into the dark.

‘But if you’re asking time.’ England tilts his head, considering. Behind them on the seafront, students between bright club front lights in loud, drunken clusters, ‘Now, I think. Maybe a hundred years ago, at most.’

‘Really?’ France is surprised, ‘I would have thought-‘

‘Boring answer,’ Arthur says, and the rest remains unfinished.

-------------

‘Don’t you fucking die on me.’

Of all the places England expected to die, this was actually what he’d considered the least likely. In Calais, oft contested, right by the sea, and entirely calm. No war or battle to take him, no disease or crop failure to push him along. He can see Dover in the distance, his white cliffs so close he can almost feel them in the bones they represent.

But above them, burning and close, the sky roils.

France lies in his lap on the grass of his garden, eyes wet and smiling. ‘That’s not fair, you can’t say that to me. That’s what I was going to say to you.’

‘I’m serious.’ England swallows down something bitter and painful in his throat, and brushes the hair from France’s face, ‘You’re not allowed to go first unless I’m given that honour. Keep yourself awake.’

France freezes, eyes wide, ‘What-‘

‘I know you too well,’ England says, and dips his head to kiss him. There is a golden chain around France’s neck, old and reliable. On it hangs a much-used pendant, once again filled and ready. Still full, he hopes.

England fiddles with it in the hollow of France’s neck and sees the burning heavens reflected in his eyes. ‘We’ll go together.’

-------------

‘I love you.’

On a nameless bit of a terraformed Earth that might have once been a small kingdom in the northern sea, a man called Francis pauses at the hydro sink, half washed cup in his hands. A man called Arthur stands next to him with a dish cloth and when Francis turns to him, Arthur stares back, face inscrutable.

Arthur does not mince words. He has always spoken his mind frankly, regardless of how offensive or tactless his thoughts may be. He has never tailored himself to a situation, never presented himself as anything he is not. But softness and open vulnerability is not a texture he can wear upon himself. Not because he doesn’t have any, Francis knows, but because he expects that Arthur doesn’t know how. Some core part of his personality that gets lost from his heart to his tongue, or given spikes along the way.

Maybe that was what caught Francis’ attention in the first place, all those years ago on the transport ship to Earth. The parts Arthur kept to himself more than the parts he did not. Arthur spoke kindness and care in actions, not words, and words were what Francis had heard far too much of.

Francis looks away and makes sure to keep his face just as blank, just as unconcerned.

‘I love you too.’