#and i want to yap more about them

[wexhappyxfew]

carrie and dougie met in greenland and dougie immediately wanted to ask her to dance (but chickened out), while vivian and blakely met in greenland and they immediately exchanged stories of college (where they both attended university of washington, having no idea the other also went there)

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[popsicle-stick]

will you meet me halfway?

anyway i finished wolf 359 earlier this month and ive been insane ever since so i had to get this out my system. i Care for them so so Deeply

[paperglader]

they really put alicent in bridgerton blue on the reunion and genuinely expected me to think that she didn’t in fact march all the way to dragonstone to get wifed up? bfr

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[spkyart]

I am so normal about them

[bridge-arsonist]

This has probably been talked about before, but I love how Cold doesn't represent logic.

Normally, when you see a cold, uncaring sort of character in media, someone who just doesn't care, they're associated with logic or power. The stoic detective, the ice queen, the snarky assistant, you know the deal.

But not The Voice of the Cold. You want a logical character? That's Skeptic! But Skeptic isn't cold by any means: he's, well, skeptical, of the things that people tell him. He has the goal of finding out as much information as possible about this situation, and getting out of the hostage situation the Narrator has set up. He's not super expressive or anything, but he's actually pretty approachable/friendly with anyone not named 'The 'Narrator'.

And it makes sense. Skeptic is the voice you get by taking the most logical course of action. Take the blade just in case, but hear the Princess out and ultimately realize she's as much of a victim in this as you are before freeing her, and doubling down when the Narrator tries to control you.

Cold, on the other hand, is about apathy. The closest things to a 'goal' he has are:

1. Don't be bored.

2. Get revenge on the Narrator somehow.

And so, he really can't be logical, at least, not 'logical' in the way we perceive it. Our goal is to get out as unharmed as possible, and many of his suggestions directly contradict this goal.

But the Cold doesn't care about death. After all, it's already been established it's already temporary. His sheer apathy towards any and all harm that comes towards him fundamentally contradicts conventional logic, because conventional logic dictates taking the course of action that minimizes harm.

Now, that's not to say Cold doesn't care about anything. In his own way, he genuinely is trying to look out for the other voices when he urges them to numb themselves to pain, because it's easier that way, isn't it? He's clearly frustrated when they can't do that, urging the Player to just ignore them and listen to him instead during Moment of Clarity.

But at the same time, because of Cold's apathy, his typical 'logic' is just "whatever seems interesting". He's fundamentally a very impulsive character, not in spite of his apathy, but because of it.

Honestly... It's more like Contrarian than anything. I mean, think about it. An impulsive character who does whatever seems interesting and strives to make the Narrator as miserable as they can? The difference is in how that apathy presents itself, which makes sense, because they pretty much manifested in opposite ways.

That aside, though... The Cold acts based on a bestie to feel. Specifically, a desire to feel entertained. And, it makes sense, considering he's what you get from killing yourself due to agonizing numbness and boredom. Of course he's going to be apathetic, uncaring of his wellbeing, and impulsive. That's what you manifested.

Apathy, taken to its logical conclusion, is very impulsive. And I love just how well Cold represents that.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[thiinka]

[athina-blaine]

for my money, labru is head and shoulders above other ships involving them simply due to the unmatched yap potential, i imagine them feeding off each other's energy like they're slipstreaming in mario kart until they start going fast enough to break the sound barrier

[lyricsandpapers]

NEW WEEK MORE POSTS! Let’s talk about Home for Joke!

Joke has never had a Home; he lived in his parents house as an unwanted guest (his father quite literally says he thinks Joke isn’t his son because he isn’t smart enough). Then he lived in jail, where we know he was constantly harassed. He now has that small apartment next to Tattoo, that from what we’ve seen has like one futon and a chair in it.

However, from the jump we see how at home Joke feels at Jack’s place. He falls asleep in Jacks bed, helps tidy up. Constantly staying as long as possible. When Jack invites Joke back over after forgiving him he is ELATED to be allowed back. So when Grandma asks when Joke is going home….

Not only is it a reminder that his parents probably don’t want to see him.

But it also probably feels like a rejection, that they don’t see this as Joke’s home. That he DOESN’T have a home here. He’s a guest, he doesn’t belong there. He knows both of their kindness too, so I imagine he might be wondering if he’s ACTUALLY wanted there. Luckily Grandma and Jack catch on pretty fast

It’s the first time it’s really laid out WHY a rich boy has spent all his time there. Hoy brought up suspicion to Tattoo before (which i loved) but this is it spelled out to others. Grandma offering a place there, in such a calm collected way, and Jack backing it up must have been SO overwhelming. The feeling of being given a soft place to land for an indefinite time?

Yeah it would easily bring me to tears. Joke is clearly in his 20’s and this is the first time that not only he HAS a Home, but one was offered because he was WANTED there.

And I think the realization has occurred to Jack too

[mellohiizz]

Another Zam pretty pwease sir (gender neutral),,, I’m so hungry,,,,

starve/j okay, i'm not actually that mean, here you can have a sketch of what i'm working on rn <3

[gazumirei]

the pressure fandom right now

[sunsetsandsunshine]

Hey!! For your next fic could you do Leo and Mikey angst

It came be 2012, MM or rise

~ 𝚈𝚘𝚞’𝚛𝚎 𝚓𝚞𝚜𝚝 𝚋𝚎𝚒𝚗𝚐 𝚢𝚘𝚞 ~

💙🐢🧡 𝙵𝚒𝚌 𝚛𝚎𝚚𝚞𝚎𝚜𝚝𝚎𝚍 𝚋𝚢: @tmntalways 💙🐢🧡

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙷𝚒, 𝚃𝚞𝚛𝚝𝚕𝚎𝚑𝚎𝚊𝚍!!! 𝙸 𝚖𝚒𝚜𝚜 𝚢𝚘𝚞 𝚜𝚘 𝚖𝚞𝚌𝚑 𝚋𝚛𝚘 ☹️💔…𝙸 𝚏𝚎𝚎𝚕 𝚛𝚎𝚊𝚕𝚕𝚢 𝚋𝚊𝚍 𝙸 𝚠𝚊𝚜𝚗’𝚝 𝚊𝚋𝚕𝚎 𝚝𝚘 𝚌𝚘𝚖𝚙𝚕𝚎𝚝𝚎 𝚢𝚘𝚞𝚛 𝚛𝚎𝚚𝚞𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚢𝚘𝚞 𝚠𝚎𝚛𝚎 𝚘𝚗 𝚃𝚞𝚖𝚋𝚕𝚛 𝚋𝚞𝚝 𝙸 𝚑𝚘𝚙𝚎 𝚘𝚗𝚎 𝚍𝚊𝚢 𝚢𝚘𝚞 𝚌𝚊𝚗 𝚌𝚘𝚖𝚎 𝚋𝚊𝚌𝚔 𝚊𝚗𝚍 𝚜𝚎𝚎 𝚝𝚑𝚒𝚜 💖💕💘💞🩷!!! 𝙰𝚕𝚝𝚑𝚘𝚞𝚐𝚑, 𝙸 𝚍𝚘 𝚊𝚍𝚖𝚒𝚝 𝙸’𝚖 𝚗𝚘𝚝 𝚝𝚑𝚎 𝚋𝚎𝚜𝚝 𝚠𝚑𝚎𝚗 𝚒𝚝 𝚌𝚘𝚖𝚎𝚜 𝚝𝚘 𝚝𝚠𝚘 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚒𝚗 𝚊 𝚜𝚝𝚘𝚛𝚢 😅👍🏾! 𝙸 𝚍𝚒𝚍 𝚘𝚗𝚎 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛 𝚝𝚑𝚊𝚝 𝚠𝚊𝚜 𝚝𝚑𝚎 𝚖𝚊𝚒𝚗 𝚊𝚗𝚐𝚜𝚝 𝚜𝚘𝚞𝚛𝚌𝚎 𝚊𝚗𝚍 𝚝𝚑𝚎 𝚘𝚝𝚑𝚎𝚛 𝚌𝚑𝚊𝚛𝚊𝚌𝚝𝚎𝚛’𝚜 𝚊𝚗𝚐𝚜𝚝 𝚠𝚊𝚜 𝚒𝚖𝚙𝚕𝚒𝚎𝚍— 𝙸 𝚑𝚘𝚙𝚎 𝚝𝚑𝚊𝚝’𝚜 𝚊𝚕𝚛𝚒𝚐𝚑𝚝 🫠…˚*• ̩̩͙✩•̩̩͙*＊·̩̩̥͙

𝙶𝚎𝚗𝚛𝚎: 𝙷𝚞𝚛𝚝/𝚌𝚘𝚖𝚏𝚘𝚛𝚝

𝚆𝚘𝚛𝚍𝚜: 𝟹,𝟸𝟾𝟾

𝙻𝚎𝚎: 𝙼𝚒𝚔𝚎𝚢 🐢🧡

𝙻𝚎𝚛: 𝙻𝚎𝚘 🐢💙

𝚂𝚞𝚖𝚖𝚊𝚛𝚢: 𝙼𝚒𝚔𝚎𝚢’𝚜 𝚋𝚎𝚎𝚗 𝚏𝚎𝚎𝚕𝚒𝚗𝚐…𝚞𝚗𝚏𝚘𝚌𝚞𝚜𝚎𝚍…𝚞𝚗𝚘𝚛𝚐𝚊𝚗𝚒𝚣𝚎𝚍, 𝚞𝚗𝚌𝚛𝚎𝚊𝚝𝚒𝚟𝚎…𝚊𝚗𝚍 𝚊 𝚠𝚑𝚘𝚕𝚎 𝚋𝚞𝚗𝚌𝚑 𝚘𝚏 𝚘𝚝𝚑𝚎𝚛 𝚝𝚑𝚒𝚗𝚐𝚜 𝚝𝚑𝚊𝚝 𝚜𝚝𝚊𝚛𝚝 𝚠𝚒𝚝𝚑 '𝚞𝚗'. 𝙰𝚗𝚍 𝚝𝚑𝚎 𝚠𝚘𝚛𝚜𝚝 𝚙𝚊𝚛𝚝 𝚘𝚏 𝚒𝚝 𝚊𝚕𝚕? 𝙷𝚎 𝚍𝚘𝚎𝚜𝚗’𝚝 𝚔𝚗𝚘𝚠 𝚑𝚘𝚠 𝚝𝚑𝚎 𝚑𝚎𝚕𝚕 𝚝𝚘 𝚖𝚊𝚔𝚎 𝚝𝚑𝚎𝚜𝚎 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚐𝚘 𝚊𝚠𝚊𝚢…

𝚃𝚊𝚐𝚜: @shut-up-jo @someone1348 @saturnzskyzz

@savemeafruitjuice @rice-cake-teen10 @mistyandsnow

@skyloladoodles @itzsana-kiddingmenow @titters-and-tingles

(𝙰/𝙽: 𝚂𝚠𝚒𝚖𝚜 𝚒𝚗 𝚖𝚢 𝚜𝚎𝚗𝚜𝚊𝚝𝚒𝚘𝚗𝚊𝚕 𝚜𝚎𝚊 𝚘𝚏 𝚊𝚗𝚐𝚜𝚝…𝚋𝚞𝚝 *𝙰𝙷𝙴𝙼* 𝚖𝚘𝚜𝚝 𝚒𝚖𝚙𝚘𝚛𝚝𝚊𝚗𝚝𝚕𝚢: 𝙳𝚘𝚗’𝚝 𝚋𝚎 𝚝𝚑𝚊𝚝 𝚐𝚞𝚢! 𝚃*𝚌𝚎𝚜𝚝 𝚊𝚗𝚍 𝙺𝚒𝚗𝚔/𝙽𝚂𝙵𝚆 𝚋𝚕𝚘𝚐𝚜 𝙳𝙽𝙸!!!)

𝚆𝚊𝚛𝚗𝚒𝚗𝚐𝚜: 𝚂𝚎𝚕𝚏 𝚍𝚎𝚙𝚛𝚎𝚌𝚊𝚝𝚒𝚗𝚐 𝚌𝚘𝚖𝚖𝚎𝚗𝚝𝚜, 𝚊𝚌𝚌𝚒𝚍𝚎𝚗𝚝𝚊𝚕 𝚜𝚎𝚕𝚏-𝚑𝚊𝚛𝚖 𝚜𝚝𝚒𝚖𝚖𝚒𝚗𝚐, 𝚏𝚎𝚎𝚕𝚒𝚗𝚐𝚜 𝚘𝚏 𝚠𝚘𝚛𝚝𝚑𝚕𝚎𝚜𝚜𝚗𝚎𝚜𝚜, 𝚊𝚗𝚐𝚜𝚝 𝚊𝚗𝚍 𝚝𝚒𝚌𝚔𝚕𝚒𝚗𝚐. 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝚕𝚎𝚊𝚜𝚎 𝙿𝙻𝙴𝙰𝚂𝙴 𝚛𝚎𝚊𝚍 𝚊𝚝 𝚢𝚘𝚞𝚛 𝚘𝚠𝚗 𝚛𝚒𝚜𝚔!!!

𝚁𝙴𝙼𝙸𝙽𝙳𝙴𝚁: 𝚈𝚘𝚞 𝚍𝚘𝚗’𝚝 𝚑𝚊𝚟𝚎 𝚝𝚘 𝚑𝚊𝚟𝚎 𝙰𝙳𝙷𝙳 𝚊𝚗𝚍/𝚘𝚛 𝚊 𝚖𝚎𝚗𝚝𝚊𝚕 𝚍𝚒𝚜𝚘𝚛𝚍𝚎𝚛 𝚝𝚘 𝚛𝚎𝚕𝚊𝚝𝚎 𝚝𝚘 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌!!! 𝚃𝚑𝚒𝚜 𝚜𝚝𝚘𝚛𝚢 𝚒𝚜 𝚋𝚊𝚜𝚎𝚍 𝚘𝚗 𝚖𝚢 𝚘𝚠𝚗 𝚙𝚎𝚛𝚜𝚘𝚗𝚊𝚕 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚠𝚒𝚝𝚑 𝚒𝚝 𝚋𝚞𝚝 𝚒𝚝 𝚒𝚜 𝚖𝚊𝚍𝚎 𝚏𝚘𝚛 𝚎𝚟𝚎𝚛𝚢𝚘𝚗𝚎 𝚝𝚘 𝚎𝚗𝚓𝚘𝚢 ☺️💞💗💓💕

＊*•̩̩͙✩•̩̩͙*˚𝙰𝚗𝚐𝚜𝚝 𝚖𝚢 𝚋𝚎𝚕𝚘𝚟𝚎𝚍 🕺🏾✨💞🎶˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙

Mikey couldn’t do anything right now. Like…anything.

Well…perhaps he was being a bit too dramatic. He was breathing. And he was fidgeting with his squishy cube. So saying he wasn’t doing 'anything' wasn’t entirely true.

Right now he just…couldn’t do anything…productive. 

For example, the box turtle tried making his favorite dishes and deserts! But that endeavor just ended up being a huge mess in the kitchen…and leaving the youngest turtle with a bunch of unappetizing food. 

Which he fed all to Raph by the way. 

Some would call that choice of action cruel but Mikey would just call it 'using his resources'. 

Besides, it’s not like the eldest minded at all. He said, and I quote: 'It has a nice…crunchy feeling to it. Did you put some of Don’s inventions in this?'

Which honestly got a couple of chuckles out of the smallest turtle teen of the bunch.

Then, Mikey tried skateboarding! But for once in all his 14 years of living…it was just utterly boring. 

And after all of that nonsense, Mikey then finally tried reading a comic…but he was too unfocused to even get to the second page…

But what was really new? Mikey could never focus on jackshit even if said jackshit hit him right in the shell. 

His brothers and sister would always have to remind him to stay focused or 'not do this' or 'not do that'.

For example, a couple days ago Donnie had to kindly remind the box turtle (well…as kindly as Donnie could be anyway…) to brush his teeth.

To. Brush. His. Fucking. Teeth. 

And honestly? Having to be reminded to do that was really embarrassing. And the orange banded teen knew his brother didn’t mean to humiliate him internally…but…yeah.

And it’s not like the softshell was wrong either! The youngest turtle just couldn’t freaking accept that he himself couldn’t do such a simple task in the morning. 

But literally every task he completely fails to do is just utterly simple ones!

Like cleaning his room or not forgetting things or even keeping track of time! 

…And the sad part about all of it was Mikey just honestly could not understand how his family haven’t gotten sick of his annoying tendencies…

And let’s be for real here…that was basically all of his tendencies. 

The box turtle groaned loudly in his room, slamming his whole body on his bed as he screamed into his pillow. 

There had to be something he could do instead of just wallowing in his own self pity…

And one of those options could not consist of bothering his family with his random bad mood. They had to put up with him 24/7…the least he could do was give them some space.

The youngest then glanced at his drawing notebook hopefully…

…One little sketch of something random wouldn’t hurt, right?

The amber eyed teen reached for his notebook, grabbing a pen from his drawer as he started to sketch his desk because why the absolute fuck not? Based on the objects he’s drawn in the past…sketching a simple desk should and will be easy, right? Right. 

That was until the orange banded teen’s pencil tip broke. But it was fine! He could just re-sharpen it, right? Right.

That was until the youngest realized he had absolutely no clue where his sharpener was due to the fact his room looked like a pig stie. And there was no way he was looking for it in…that whole situation. 

…The situation he created in the first place. 

Michelangelo layed on his bed with his face staring at the ceiling in frustration, he ran his fingernails along his arms, not making really deep cuts with them but going deep enough for it to hurt a bit.

Like a reasonable turtle would, Mikey should probably get one of his stress toys…or better yet, another pencil!

But let’s be for real here…he’d most likely find a way to fuck that up too.

Suddenly, there was a small, quiet knock on Mikey’s door but…in all honesty? He just wanted to crawl into his shell and sob for the next hour and a half. Letting out a niiiiice and quick 'come in' would take way too much energy. 

The box turtle let out a soft grunt, letting whoever was on the other side know it was a-okay to come in.

Abruptly, Leo peeked in the room, a wide smile plastered on his face as he closed the door, “Damn, Mikester…it looks like every single natural disaster went through your room…”

“I’m cleaning it.” The youngest grumbled to his brother.

“Really? You sure about that, little bro? Because if my memory serves me correct (which it in-fact does), you said that last week. And the week before that…and the week before—“

“I SAID I’M FUCKING CLEANING IT!!!” The orange banded turtle snapped, sitting up on the bed to glare at his immediate older brother before slowly realizing what he just did. 

The youngest’s heart dropped as he looked away from his brother. The orange banded mutant’s eyed widened as silent and small tears ran down his face. He covered his mouth as his other hand turned to a fist, his nails unforgivingly digging into his palm.

“I-I’m sorry…I’m s-sorry…I-I’m so s-sorry…!” He started, rocking himself back and forth before stopping as he was met with a warm embrace. Leonardo hugged him gently but firmly, rubbing the other’s shell in a comforting hold. “Woah woah…! Bud, you have nothing to apologize for…” The slightly older teen said as he rested his chin on the top of his baby brother’s head.

“L-Like h-hell I don’t. I-I just screamed a-at y-you for no reason…” Michelangelo wobbly said. “You were just trying to lighten the mood but I just had to make everything harder like I-I always do…!” 

“Mikey—”

“I-I always do this. I-I’m so f-fucking s-sorry Leo…”

“Mikester…I-I appreciate the apology but it seriously isn’t necessary—”

“You’re probably so sick of me and so angry at me. I-I’m sorry I just—”

“Mikey!” Leo gently yelled to get the other’s attention, squeezing the smaller turtle’s hands as he stared straight at him with pleading eyes. “Do I look mad?”

“…N-No.”

“Do I sound mad?”

“…No.” 

The second youngest sadly smiled, “So what are you apologizing for, hm?”

“…I-I…dunno…I-I just…I just felt I needed to apologize…” The box turtle mumbled as he looked at his hands. The blue banded turtle sighed, slowly getting out of the hug so him and his little brother faced each other. The slider rubbed the other turtle’s palm with his thumb comfortingly, “…Do you wanna talk about it, baby bro?”

The leader in blue was just met with silence…which he could honestly work with.

“Angelo…you know you can tell me…anything, right? Like…anything. Although, it doesn’t have to be me you talk to about it. It could be Raph or Don or April or even Dad or Draxum! I just…don’t want you sitting here and bottling up the way you feel…” 

Silence. Leo continued.

“You’re always there when we need you, Angel. Whether it’s to vent or to just ramble about shit, you’re just…always there. We don’t tell you this enough but we appreciate you always being someone we can lean on…”

Silence. Leo continued.

“But…you do know you can lean on us too, right? Comfort goes both ways and I can see you’re hurting, buddy. So please…if you need to talk to me…I’m right here.”

Mikey sniffled, squeezing Leo’s hand, “I-I d-dunno. Today is just…weird. This whole week has just been…weird.” Leo nodded, giving his brother his full undivided attention, “How so?”

“I just…haven’t been able to do anything…” The smaller teen admitted.

“What do you mean?” The taller teen inquired. 

“I haven’t been able to do…anything. Like, I can’t draw, cook or even skateboard! Me!!! Not being able to skateboard— isn’t that crazy?!” The amber eyed turtle laughed bitterly.

“And it’s not like I can’t do it. I’m perfectly freaking capable of doing it in the right amount of time I want but my brain just. won’t. let. me!” 

“I keep procrastinating and not doing the stuff I want to do and I have no idea why! I’m tired of just putting things off and being this way! I want to do things without having to ask you guys for help or to remind me or to relate it with a hyperfixation that I have!” Mikey hiccuped, a new wave of tears rolling down his face as his hands shook. 

The amber eyed teen sniffled, refusing to look at his immediate older brother at all right now because…holy shit he just overshared a whole lot…

Like…a whoooooooooole freaking lot.

“…That sounds like you.” Leonardo shrugged. 

In a state of just shock and confusion, the box turtle pulled his hands away from his brother, looking up at him as lime green eyes met amber ones. “I…what…?” Michelangelo murmured.

“I said that sounds like you.” Leo said again casually as Mikey glared at him, “Yeah. I heard what you said but that isn’t helpful.”

“I’m just being honest with you, Mikester.” Leo said, “Just…let me explain, okay?”

“…You have five minutes before I kick you out of my room.” 

“Deal.” The lime green eyed mutant commented, “You can’t draw, cook or skateboard right now. You’re procrastinating and not doing the stuff you want to do in the time you planned…is that correct?” 

Michelangelo sent deathly daggers to his brother— which the other wasn’t phased by at all. This time was probably the best time to crawl in his own shell and just sob his eyes out because what kind of dumbass question was his dumbass brother asking him?!

“…Yes.” The orange banded teen mumbled. 

“And…why are those bad things?” 

“WHY?!” The box turtle huffed out a laugh of annoyance, “Pfft— you’re asking me why. Maybe it’s because it’s annoying?! Maybe because it’s frustrating to deal with and I don’t want to burden you guys with my problems?! Maybe because I don’t want to fucking feel or be this way?!” The youngest shouted, breathing heavily as he finished his rant. 

The box turtle looked away again, silently cursing at himself for getting annoyed so easily. “Mikey.” Leo started again, “Your being too hard on yourself, okay? No one is expecting you to be at your 100% all the time.” 

“What you just described to me; you being able to not focus or you getting bored easily or procrastinating with stuff is…literally you. You’re just being you.” The slider explained as he held his baby brother’s hand in his. “And I get it. It’s hard to deal with it sometimes and it’s going to be hella frustrating. Like…super borderline frustrating. But you can’t shun them away and just…try to ignore them, bubs…”

“Let’s take moi for example. I’m impulsive, I talk loud and lose things daily. Those three things don’t make up my whole personality but it would be super weird and off-putting if I just…didn’t do or have those three things, right?” 

The youngest giggled wetly, “Yeah…it would. A-And by the way, I’m still waiting for you to find that glittery pen kit I gave you…”

Leonardo groaned loudly and dramatically, causing the other teen to giggle louder, “I’m looking for it, okay?! It’s in my room…somewhere.” The taller mutant mused, “But anyways…back to you. You procrastinate, you relate things to your hyperfixations and you can’t do some of your favorite tasks from time to time…those are some traits that make up you, is it not?” 

Mikey sniffled, rolling his eyes playfully due to the fact he knew damn well where this was going, “Yeah…” 

Leo smiled softly, seeing his younger brother was starting to get his point, “I wouldn’t change a single thing about you, okay? I know sometimes it’s hard to deal with the things you described but you have us for that.” He said as his smile turned to a grin. 

“You can come to me— to us— anytime. We love you for who you are…your flaws and all and we just…I-I need you to know that we love you so so much—!” The slider was cut off by a sudden abrupt embrace from the box turtle. The orange banded teen sobbed into the other’s shoulder, clutching the taller turtle like a lifeline. 

“T-Thank you…” The box turtle wobbly said through tears.  

“Of course, Angel.” Leo said as he hugged his baby brother back, “I love you.” He said as he kissed the other teen on the head.

“I-I l-love you too…”

.

.

.

.

.

.

“Tell your thoughts to shut up.” Leo said as he lightly poked Mikey in the forehead numerous times. The two were sitting on the box turtle’s bed just simply…relaxing and enjoying each other’s company. Michelangelo was sitting in between his older brother’s legs as he had his shell to his brother’s plastron.

Leonardo hugged his brother protectively, resting his chin on the top of the box turtle’s head. “What do you mean?” The youngest giggled out. “I can hear your thoughts, man. You’re not bothering me or disturbing me in any way, shape or form, alright…?” 

The amber eyed turtle nodded, squeezing Leo’s hand, “Y-Yeah…I know...” 

“I’m choosing to be here because I love you. I don’t feel obligated to be here, okay? You’re not annoying and you, neither your problems are a burden…okay?” The slider said reassuringly, “It’s okay to ask us for help…and we don’t mind reminding you to do things…okay?” 

“You’ve said ‘okay’ like, fifty times…”

“Mikey.” 

“Mhm…yeah yeah…I gotcha…”

The elder looked at his brother skeptically, resting his chin on his little brother’s shoulder so they made solid eye contact, “I want you to say it.” 

“…Say what exactly?”

“I want you to say that you are an amazing person and you don’t need to change a single thing about yourself.” 

“You are an amazing person and you don’t need to change a single thing about yourself.” Michelangelo grinned smugly. Leonardo glared at the youngest’s interpretation to his statement, “Mikey, you know exactly what I meant.” 

“I said what you wanted me to say…so…” The amber eyed teen trailed off.

“Michelangelo.” The slider said in a warning tone as he poked the other’s side. The box turtle squeaked at the unexpected touch, trying to stop his immediate older brother from doing it again but his brother had a strong but gentle grip on him…

Then the smallest turtle came to recognition that he was stuck in a potential tickle hug with no way out…

…How wonderful. 

“L-Leeheeo…doohoo nahat.” The orange banded mutant warned through his giggles, said warning not seeming too threatening due to the fact he was already laughing up a storm. The leader in blue raised a brow, poking the other’s side repeatedly, “I just want you to repeat what I said…in the first person.” The taller teen specified.

The smaller turtle squirmed in the hug, small frantic giggles pouring out of his mouth. This…really wasn’t how he was expecting his day to go. Just about an hour ago, he was wallowing in sadness about the stuff he hated about himself, to talking about it with his brother, to now getting tickled by his brother.

…So could he really complain about how things turned out?

…Yes. Yes, he absolutely could.  

“Leeheeon! Plehease dohon’t!” The youngest squealed as one of his brother’s hands hovered over his stomach. Mikey held onto the other’s wrists, trying to stop his elder brother from tickling him but his small attempts ending up to be all for nothing as Leo effortlessly tickled his stomach with one hand.

“LEEHEEHAHAHA!!” Michelangelo laughed wholeheartedly, swatting at his brother’s arms. The lime green eyed turtle cooed at the gesture, now using both of his hands to attack the youngest’s plastron, “D'aww…look at you giggling your head off~! You’re my adorable little bundle of amazingness, aren’t you~?”

The smaller teen shook his head, a faint blush appearing on his face, “STAHA— squeal N-NAHAHA!”

“What~? What was that?” The blue banded mutant asked as he kneaded the box turtle’s hips. “GYAHAH— squeal SHIHIHIT! COHOME OHAHAN!!!” The amber eyed turtle cried frantically as he kicked his legs on the mattress slightly. 

The youngest squealed with laughter, curling in on himself as he slumped in his big brother’s hold. Leonardo just sighed fondly at the action, wrapping the other in another hug as he raspberried his neck. “LEEHEEHEE!! PLAHAH— squeak NAHAHAT THEHERE squeak PLEHEASE PLEHEASE— squeak!!!”

“Not there~?” The elder lightly mocked, “What about…here~?” He mused as he used his hands to scribble all over the younger turtle’s ribs. Mikey cackled, shaking his head to try and at least subside the tickly feelings.

“NAHAHA— squeal AHAHAHA!! NAHAHAT THEHEHERE EHE— squeal EHEHEITHER!!! LEEHEEO!!” The orange banded turtle squeaked as Leo stopped for a second, “I’ve tried sooooo many spots, buddy! How many times are you gonna say not there, hm?”

Mikey genuinely squawked louder than a firefighter siren, squirming so much it looked like he was actually being electrocuted. “PLEHEHAHA LEEHEEO NAHAHAT THEHEHE RIHIHIBS!!!” He cackled. 

“Not the riiiibs~? Why~? Is it because it’s your tickle spot~? Your tickletickletickle spot~? Because you’re ticklish~?” Leonardo asked as he lightly nibbled the crook of Mikey’s neck. 

Michelangelo screamed in laughter, scrunching up his shoulders as he dug his heels on the bed, a couple of his plushies sadly falling on the floor (R.I.P. man…) “EEEHEEHEEP!!! S-STAHAP BEEHEEING MEEHEAN!” Mikey said as he thrashed on the bed. 

The slider said nothing, his hands sneaking up to the box turtle’s underarms. “AAAAHAHAHA! OHO NOHOHO— squeak SHIT! SHIHIHAHAT!”

Happy tears slowly begin to appear in the smallest teen’s eyes, he weakly hit Leo’s arms as a last attempt to be set free, “LEHEHEMME squeal GOHOHOHO!” 

“Ohonly if you sahay it, bubs.” 

“IHIHI— SQUEAK!! LEEHEEHEEON!!!” 

“Yeeeees, baby brother~?” The elder dragged out as he kneaded the other’s hips.

“IHI’LL SAHAY IHIHAT I-IHIHI’LL SAHAHAY IHIT!!” The amber eyed teen squealed. 

“And you promise not to be a sassy little shit about it~?” The older teen asked.

“SQUEAK YEHAHAHA— SQUEAK YEHES YEHES I-I PROHOHOMISE!” 

Leo stopped tickling his little brother, hugging him protectively as the youngest caught his breath slowly but surely. “W-Wahait…whahat squeak wahas ihihat yohou eeheeven wahanted me squeak to sahay again?” 

The taller turtle pondered for a bit, thinking to himself before loudly groaning, “That’s…a good damn question. I don’t really remember exactly what I wanted you to say in the first place…” The lime green eyed turtle sighed, “Forgetfulness at its finest...” 

The red eared slider adjusted himself, making sure the other was comfortable before starting to speak again, “Well…based on what we talked about…could you maybe just…y'know…” Leo gestured with his hands before groaning, “Do you get what I’m trying to say, man?” 

“…I thihink I have ahan idea…” Mikey giggled as he fiddled with his hands, “I shouldn’t beat myself up so much because of some of my traits or quirks. And I’m allowed to feel frustrated and/or upset because things don’t go my way because of them. But…I shouldn’t allow those things to put me down...”

Michelangelo smiled softly, rubbing his palm with his thumb, “They don’t define me as a person but they make me a person. I don’t need to be at my best 100% and I’m allowed to have bad days. And if things get too overwhelming or difficult I can just go to you guys.” 

Mikey hugged himself, letting out a small laugh as his happy tears welled up in his eyes, “I’m just…being me. And there’s nothing wrong with that.” Leonardo teared up at his brother’s words, hugging him tighter than he ever had before and burying his face at the back of the youngest’s head.

“Never forget that, Miguelito…never forget that.” 

·̩̩̥͙＊*•̩̩͙✩•̩̩͙*˚𝙵𝙸𝙽˚*•̩̩͙✩•̩̩͙*˚＊·̩̩̥͙ 

(𝙿.𝚂.: 𝙸𝚏 𝚢𝚘𝚞 𝚎𝚗𝚓𝚘𝚢𝚎𝚍 𝚝𝚑𝚒𝚜 𝚏𝚒𝚌, 𝚙𝚕𝚎𝚊𝚜𝚎 𝚛𝚎𝚋𝚕𝚘𝚐!!!)

[spinostarz]

THE WELL AND THE LIGHTHOUSE PMV/ANIMATIC

very very jean valjean centric because i love him and he deserves the world <3 im not sure if pmv or animatic would apply better to this, but either way, i hope you enjoy it!

[thekittyokat]

Hi! Please please please, could you tell me more about your coffin chain ideas?/nf

I am obsessed but barely anybody has jumped onto the ship yet and I am VERY new to the fandom so I wanna wait with making it myself until I know more lol. You are lowkey fueling this entire operations and I wanna thank you for that either way.

(rubs my paws together) you have no idea what you've unleashed anon i've been holding onto this ask specifically bc i've been sapping dopamine from it like a little leech waiting until i had time to hastily doodle up a little dynamics timeline for different stages of the ot4

i REALLY hope this makes sense . i feel the need to say this every time i post abt coffinchain but my ideas are rly specific and i've had time for them to infect my brain like mold so i'm defo ready to accept this all being rly niche and really just for me and like 3 other people

buuut if this little peek into my mind speaks to ANY of y'all i absolutely encourage implore and beg you to send me asks and ideas and whatnot about these 4 bastards literally whenever you want!!

TL;DR one half of the trauma bonded couple reaches out and forms an immediate kinship with the big scary guy that no one likes & convinces his petty boyfriend to let him fw them. then he starts bringing his deranged fbi otter around they start double-dating only for it to become a situationship and then the worst polycule ever