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ozzgin · 1 year ago

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Yandere! Yakuza x Reader (II)

Reader is cozying up to her unusual home, and her new friend decides to surprise her with a romantic gift. Or at least what he considers to be romantic: a small reminder that no one else can mess with her. Continuation to the yakuza landlord idea!

Content: female reader, obsessive behavior, mentions of stalking, violence, death, mild gore

[Part 1] | [Part 3] | [Yakuza Masterlist]

You search for your keys and open the postal box, retrieving a thick envelope. You've been living at the new apartment for several weeks now and truth be told, you could get used to this lifestyle. Your commute to work is much shorter, the path is never devoid of people, and there are multiple bakeries on the way back with some of the best pastries you've tasted in your life.

You turn around and look for Daitou, somewhat distracted and dreamy. It really feels like a Hallmark movie. A peaceful, idyllic life. Ah, there he is! The scarred man is standing guard before one of the stores. The curtains have been pulled, blocking any glimpse of the inside. You walk towards him with a certain joyful bounce in your step. As you approach him, you can hear muffled screams coming from the building. He notices you and flashes you a smile.

"Don't come too close, I hear the owner's been avoiding his loan payment and getting all friendly with the neighboring Family. We're questioning him in the back."

"Don't you usually do the interrogations?"

"Only if we don't need them afterwards. I'm not too good at keeping them alive, ya know?" He scratches the back of his head and laughs awkwardly. "Do you need anything?"

You open your mouth to speak, but it's a little difficult to formulate a full sentence with the interrupted moans and cries occasionally making their way out. The door is ajar and you avoid glancing in its direction, fixating on the man before you.

"I...uh... just wanted to know if this letter is intended for me or the landlord. It looks like an official document."

You show Daitou the envelope and just as he is about to grab it, he notices the blood stains seeped into his glove. He quickly removes it, wipes his hand on his shirt, and nonchalantly plucks the paper from your fingers.

"That's for Boss. I'll pass it on, so don't worry."

You nod and bow slightly before hurrying back home. Well, doesn't make it less of a movie, you suppose. Just more of a thriller. Or something like that. You drop your bag, slip off your shoes and throw yourself onto the futon with a loud thud. The warmth of the sheets envelops you and the wails of the shop owner become but a distant dream.

Without the worry of stalkers, or finding a roof above your head, you can finally rest.

Tonight is rather dark, with the moon shrouded in heavy clouds. Daitou yawns silently as he observes the masked man testing out passcodes for the entrance. Every now and then he lets out a whispered curse, crossing out another number combination on his little crumpled note. It doesn't take a genius to figure out this is the famed stalker you'd complained about earlier. No one else currently lives in the building.

Eventually, the keypad lights up and the door unlocks. The mysterious man lifts a fist victoriously and reaches for the handle.

"Oop! Not so fast!" Daitou drops his heavy, sinewy arm over the man's shoulders, pulling him in a friendly embrace. Like two old pals meeting at an intersection. "Let's take a walk together, what do you say? (Y/N) sleeps until noon on weekends, no need to hurry."

With a grunt, the stalker tries to shove himself out of the tightening hold, but the yakuza doesn't budge. He towers over his new friend with an unfaltering, unbothered grin.

"Now listen, I don't blame you one bit, ya know? I ain't blind, at least not in this eye", he continues as he points to the real counterpart of his glass prosthetic, "so I'm damn well aware of a pretty girl when I see one. And (Y/N)? That's some good taste alright."

He gives the man an affectionate pat over the chest, pulling him away from the building into one of the side streets.

"If you want, we can have a drink before the deed, I know a good place five minutes from here. We can share some stories of our favorite girl, eh?" Daitou looks at his watch, feigning mild concern. "But I'm afraid you're not leaving this neighborhood either way. In one piece, that is."

His arm goes limp and the masked man is released from the iron hold, tripping over from the sudden lack of support. He crawls against a wall and fumbles for something, swiftly pulling out what seems to be a pocket knife. His breathing is erratic and he points the tip of the blade towards the yakuza, now with his features darkened by a frown. He sounds like an entirely different person and the instant switch to a ragged voice startles the stranger.

"See, the trouble is, I promised miss (Y/N) I wouldn't allow a fucking dog like you to be in her presence ever again. Sadly for you, I'm a man of my word." Despite the threatening tone, his posture is relaxed and he stands before the stalker with his hands bare.

"If I were you, I'd use that little butter knife on my own throat. I don't go easy on horny cockroaches. Especially the ones that mess with my woman." His final words spill out in a bitter growl.

A small animal in the trashing jaws of a predator. Blood splatters and pools in the asphalt cracks and drained hands claw at the walls, hoping for an escape. As despair sinks in, the alleyway becomes quiet again, save for the merry whistle of the remaining party. Daitou carefully ties the trash bags with the focus of a child wanting to impress the parents with a chore well done. Halfway through he stops and gasps, surprised.

"Oh man, did I really just say 'my woman'? How embarrassing." He blushes and shyly pushes the wrapped slabs away. "I haven't even asked her out yet, ya know? Better not rat me out, Mr. Stalker." He snickers at his monologue and continues the cleanup.

"Can you really not refrain yourself from smoking in here?" You try to fan away the puff of smoke, scowling at the young blonde man sitting across the table.

"Why do you even care so much?" Kazuya groans and stuffs the remains of the cigarette in the ashtray.

"I don't want my carrot cake tasting like tobacco. You're lucky the old man is afraid of you, otherwise you would've gotten your ass banned a long time ago."

"You know, I've been thinking about it lately - haven't you gotten quite the attitude? You have a big mouth for someone surrounded by dangerous gangsters. I could blow your brains out right now."

He lowers himself in his seat and briefly lifts his shirt, flashing a carelessly tucked in gun. He stares at you for a few seconds, as if expecting a reaction, then lets out a chuckle upon seeing your indifferent expression.

"Shameless. You could at least try to pretend you don't know I have a soft spot for you."

"Just a wild guess, but your Boss probably wouldn't appreciate you shooting civilians in the middle of a café. That's all." You respond with a shrug.

Your banter is interrupted by Daitou's heavy footsteps nearing in your direction. Kazuya waves, signaling your location, and kicks a chair out, inviting his friend to join.

"Where the hell were you last night? I thought you'd come with us for drinks after that long ass questioning."

"Sorry, I had to take care of something." Daitou returns an apologetic smile and tilts his head to gaze at you. "Which reminds me, I brought you this."

Your eyes widen in surprise and a faint red tints your cheeks. Was there some special occasion you didn't know about? He places a small box in your hands and leans back in his chair with a cheerful smirk on his face. Kazuya watches the interaction, equally curious as you.

You open the mysterious gift, giddy with anticipation. The nauseating smell abruptly invades your nostrils and you can feel the contents of your stomach bubble up and pile at the back of your throat. You gag involuntarily and slap your hands over your mouth, as the box tumbles down. A single severed human finger and some teeth glistening with moisture roll out.

"What the fuck is wrong with you?!"

Kazuya jumps from his seat, toppling over the table in the process, and lunges at Daitou's throat. The latter can only stare in shock, baffled at a reaction he didn't foresee. There's genuine confusion shaping his features.

"But-...I thought..."

"What the hell did you think, that you'd show up with fucking human remains over some tea and cake?! Jesus, Daitou, she ain't our Lieutenant!"

"But I did- I did tell (Y/N) I'd..." he tries to find you with a pleading, worried look.

Once the risk of vomiting on the floor has diminished, you shove yourself between the men and gently try to remove Kazuya's arm, still clawed around the other man's throat.

"Let him go, Kazuya. He didn't mean to scare me." You glance at Daitou reassuringly. "Does that mean the stalker guy is now a solved matter?"

The yakuza nods energetically, his eyes now sparkling with pride. He knew you'd understand. Once the tension is lifted, you quickly sweep the gory tokens back into their box and explain the situation to Kazuya. He collapses back in his seat with a frustrated sigh, facepalming himself.

"I'm so sorry, (Y/N), I should've told you he's being serious when he says shit like this." He glares at his friend. "She didn't actually expect you to go ahead and do it, dumbass. Couldn't you just mention it or something? 'Hey, I took care of that pervert following you around'! You think she would've demanded proof?"

Daitou is nervously fidgeting with his glass eye, as if searching for the proper words.

"But you always say women will like you more if you surprise them with gifts." He concludes with a pout.

There's a prolonged moment of silence and you burst our laughing, as the blonde simultaneously lets out an exasperated whine. You cannot get over the bizarre sight in front of you: someone as massive and imposing as Daitou, cornered like a punished school boy.

"See, this is what I've been telling Boss. You're a lost cause." Kazuya rests his elbows on his knees, closing the distance between him and Daitou and continuing with a lecturing tone. "If you got a crush on someone, you bring them flowers or something! What are you, a crackhead? Do I have to teach you basic manners?"

"More importantly, uh...what should I do with these? I guess jewelry made of teeth is a thing, but the finger? Won't it go bad?" you cautiously dangle the package next to your ears, listening to the rustle of its contents.

Kazuya rips the box from you.

"I'm starting to suspect you don't have all the tiles on your roof either. I'll get rid of it, so you better pretend nothing ever happened. Are we clear?"

Both you and Daitou nod obediently.

On your way back, the man can't help the excitement building up in his chest. You liked his gift, didn't you? He hasn't done anything wrong. Does that make it official, then? As he ponders the implications, he peeks at your small frame, barely managing to keep up with him. Would it be alright if he reached for your hand? Is he supposed to ask first? All these steps confuse him to no end.

Nonetheless, he couldn't be more thankful for you.

#yandere #yandere x reader #yandere x you #yandere x darling #female reader #yandere yakuza #yakuza x reader #yandere imagine #yandere imagines #yandere oc #yandere original character #yandere mafia #mafia x reader #original work #oc x reader #male yandere x reader #x reader

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dirichletttt · 1 year ago

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I really liked Oppenheimer. I know it's not for everyone, but as someone who is interested in STEM and STEM history, especially pertaining to physics, this movie pushed all of the right buttons for me. I think it did a good job at showing just how flawed and utterly human many of these mythologized historical figures were in real life, and how the Manhattan Project was riddled with internal and external political factors from even before its conception.

I also appreciated just how utterly fucking powerful and eldritch they made the bomb. Obviously a significant portion of the movie is dedicated to the creation of the bomb, but it's often sort of a looming figure in the background. It's the increasing number of marbles in the jar, it's the steady theoretical and experimental progress, it's the dropping of dates for those who know the historical timeline of events. And when it's finally revealed, it's Fucking Terrifying. You pretty much never see the full mushroom cloud in frame; it's always a small portion of it or the flash of light shining on our characters. And the sinking feeling you get when the screen is lit up and you just know, you're anticipating that deafening blast from the shockwave because sound travels slower than light. And you feel guilty in a way because you have the privilege of knowing what's coming, while in your mind you know the victims of such devices had no idea before they were either vaporized on the spot or severly traumatized. It conveys so well the perspective of the scientists on the project, that you've challenged god and, although maybe not surpassing it, made something equally as terrifying.

Character-wise, I don't really have much to say. I do like that the latter third of the movie slowed down a lot to focus on the accusations made against Oppenheimer, which helped to flesh out a range of characters who were sort of just set pieces to Oppenheimer himself before the interviews. And despite my previous statement about breaking down the idolization of historical figures, I was indeed excited like a Marvel fan whenever one of my physics blorbos showed up on screen. "Holy shit it's Niels Bohr!!" "omg Lorentz my scrunkly wunkly!!!" "ITS BONGO GUY OMG BONGO GUY I KNOW HIM" like yeah a lot of them turned out to be Not Great People in their personal lives but I can acknowledge that while also geeking out at their recognition in mainstream media.

All in all, very good movie. I intend to watch it with my mom when I get the chance.

#oppenheimer #christopher nolan #physics #science #movies #barbenheimer #barbie

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zyafics · 5 months ago

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PLAY FAKE | part twelve

MASTERLIST (series) | Rafe Cameron x Female Reader .ᐟ

Summary — When Rafe needs to secure a girlfriend for his father to see him as a viable candidate for Cameron Development, he enlists the help of a bartender who wants nothing to do with him.

Content — 18+, smut, angst, depictions of jealousy + aggression, emotional turmoil, mild descriptions of violence, and usage of drugs. Reader is hyper-independent, a people-pleaser, a smart mouth, stands on business, and mysterious past. Rafe is insecure, possessive, asshole, and has mood swings.

You had no choice. Newly orphaned with two acquired guardianship, on the brink of homelessness, you caved into desperation. You started to steal; pick-pocketing unsuspecting tourons and swiping valuables at island parties.

The latter is how you came across Aaron. He saw you stole from one of his clients and struck up a conversation. You thought you would be arrested, or done worse as retribution, but he gave you his number to contact. Said you could call him if you were strapped for some cash. When you learned more about him through JJ—and how Luke owed him money once, leading to a bad dispute that ended in the loss of his job and a black eye—you realized you were dealing with a bad guy.

The consensus was to stay away from Aaron because of his shady conduction of business and excessive use of violence. But you were in a deadlock. No one would offer you a loan because of your bad credit and you were on the cusp of losing your family's legacy. So, you did it.

Now, it's back to bite you in the ass. The reason why loan sharks are dangerous is their exorbitantly high interest rates and lack of regard for the law. If you're unable to pay them back within strict deadlines, they will double the initial amount you owe and go to extreme lengths to threaten friends and family for payback. It's a tactic that works best because you can't turn to the police.

When you finish your anecdote, the atmosphere falls into an eerily silence. You can hear the sound of a pin drop or the soft laughter of your sisters three doors down. You're perched on the end of Rafe's bed while he's leaning against his desk, back pressed against the counter, digesting your words.

Your throat feels dry. It wasn't even a long explanation but something about the way Rafe's watching you, his eyes never straying, and the lack of response afterward. You feel like you're burning under his gaze.

This must be how he felt when you were silent.

"Say something," you urge, voice smaller than intended. His eyes shift and observes the look on your face with an indiscernible expression.

"How much did you borrow?"

You pull your bottom lip between your teeth before answering. "30K."

"Jesus Christ," he mutters under his breath, exhaling sharply. Guilt gnaws at your stomach and your eyes pinch with a wave of sodden emotions. This is one of the reasons why you hesitate to tell him; you don't want him to take your burden as his.

You sigh tightly. "I told you it's bad."

"Does this mean you owe him sixty grand now?"

"No." You shake your head. "I paid back ten."

The numbers still aren't optimal. "So forty then?"

"No," You blurt out, before retracting. "I think. I–I don't know. He hasn't contacted me..." You trail off, not wanting to imagine your debt doubled. If you had paid the required amount, as scripted in your contract, within the due date, you would've been fine. Now, you're in an ambiguous grey zone with no clear direction on where to go next.

"But when he does?"

You look up from your crestfallen gaze to find Rafe's jaw set, his eyes searching your face. Frustration rolls off his strong demeanor, and you take it as a sign of his irritation—at your negligence—that you can't help but feel obligated to alleviate the feeling. "It's fine." You say evenly. "I'll figure it out."

"It's not that." He declares roughly, pinching the bridge of his nose, and exhaling another deep breath. Recognizing his own turbulent emotions are flaring, he doesn't want to take it out on you. "I offered you money. We could've avoided this. At the start of our deal, I offered you—"

You cut him off. "I know."

His expression is sharp. "Then why didn't you take it?"

"I—" You draw in shaky breath, fingers grabbing at the sheets beneath you and tightening them into fists. "I had a plan."

"You had a plan?" Rafe repeats, his voice dripping with disbelief. While he's trying to be patient with you, he can't gauge how your mind works. How it's so set on an independent mode that now—even now—you seem to want to do it all alone. "Does it look like your plan is working?"

This time, it came harsher than he intended, and he wanted to take it back immediately but it was too late. His words were laced with a certain venom that spewed onto you.

But instead of being upset, your own anger erupts.

"Were you going to drop 20K for a couple of fake dates?" You snap, standing from your own seat. You knew what you had done was moronic and you can't take it back but you did have a plan. When Rafe doesn't give you a proper answer, you take his silence as complicity. "Exactly. It would've been stupid on your end and I would've never agreed to such a ridiculous deal. I've already made that mistake once."

He knows you just called him stupid, but Rafe can't stop the rising smile on his lips. In your scorn, you're almost back to your old self.

"Why are you smiling?" You cross your arms, attempting to maintain your level of authority, but his grin broadens. "Stop it."

"I miss you."

Your heart stutters and all your momentum drops. Rafe uses the opportunity to cross the small distance and capture your face in his palm and you lean into his touch, shoulders sagging. You can't believe you're reduced to putty in his hands.

Trying to regain some sense of control, you avert your gaze from his face, and both your palms flatten against his chest. "You're mean, Rafe."

"I'm sorry, baby," he murmurs, running the pad of his thumb across your cheekbone. "What was your plan?"

Part of you didn't want to tell him, to withhold the information, but when he tilts your chin up to meet his eyes, the earnest look behind them shatters that desire. With your heart leaping in your throat, you explain slowly. "When you get Cameron Development, the plan was that I was gonna get a steady income as your regular caterer. Therefore, when payments were due, I would have a reliable source of income."

His breath hitches at the implication behind your words. Rafe's expression hardens. "That's dependent on me getting the company."

You keep his gaze. "I know."

"You based your entire plan on me?"

You can't exactly decipher the tone behind his sentence, and you feel the need to lower your gaze to his chest, grabbing a handful of his shirt. You mumble, "You make it sound like it's stupid."

"It's not—" He grabs your chin again, forcing your gaze up to his. Your eyes are soft and big, while his darkened one scans your face, trying to read your intent. He asks lowly, "You believe in me that much?"

Your voice is gentle when you answer. "Of course."

His heart sings. Rafe can't believe what he's hearing, or rather what he's not. It's the same subtle underlying language he's used to translating; the unspoken. Your entire plan is contingent on his success. That means your trust in him started since the beginning of our arrangement.

He never had someone who had that much faith in him that they would bet it all. It's an indescribable feeling, that's first met with doubt, before transforming into something else. To know someone is always in his corner, always rooting for his success, always believing in him.

Fuck.

He's in love with you.

His eyes stray to your lips and the urge to kiss you overwhelms him. His actions have always been better at demonstrating his emotions than his words ever can. But he resists with a couple of measured breaths. Then, he nods once. "Okay. We'll figure it out."

You're in a dazed state. "We?"

He doesn't want you to think you have to do this all alone. You have him now. "Yeah, but later. I can't focus right now."

Before you can seek clarification, his other hand cradles your cheek and Rafe slams his lips onto yours.

It catches you by surprise and a small moan slips out that Rafe swallows. He wants you. Mind, body, and soul. All of it—the taste of you, the feeling of your skin on his, your words against the column of his throat. He wants to feel you writhing beneath him with pleasure, to save all your best memories for him, and to know that you're completely and unequivocally his.

Rafe parts, just a breath of distance, and whispers against your swollen lips. "God, I miss you."

Your fingers thread through his hair. "I've been here."

His eyes are hungry. "Not what I meant."

He silences any reaction by resuming the kiss, forcing you backward against the bed, and your back lands on the mattress with a soft thump. Rafe hovers over you, his weight pressed comfortably against your body while he kisses you like a starved man.

Even if you don't say it, you missed him too. The feeling of him against you, your heart meeting his at precise beats. When Rafe moves to plant kisses along the curve of your neck, a small whine escapes you. You want to feel his lips on yours, to feel his warmth on your tongue, but he wants to satisfy every inch of you.

His hand starts to caress the hem of your shirt—his shirt—pushing up the fabric to reveal more of your exposed stomach to your bare breasts. With little words spoken, like a coordinated dance, you move enough for Rafe to pull the material completely off of you.

"Shit," he swears, taking a moment to take you in, "I'm never going to get used to this." Then, he descends to your nipples and captures one between his teeth.

You let out another moan, feeling his tongue swirl around your sensitive bud, clashing with the metal barbell. Your legs spread wider, allowing Rafe to slot between your thighs. The boxers he let you borrow are thin, and you feel his hardened erection rocking against your heated core.

Your fingers find the button of his jeans. "Rafe," you whisper, aching with desire. "I need this off."

"Need, huh?" He teases, his hot breath fans against the valley of your breasts and you shiver. "Tell me how much you need me, baby."

He wants to hear it all. Even if it's fake, even if it's just dirty talk spoken during sex. For a brief, fleeting moment, he wants to pretend you need him as much as he needs you.

You draw your hands up to cup either side of his face, forcing him off your tits and tilting his gaze to yours. "Rafe Cameron, I need you inside me. Badly."

Hearing the desperation behind your voice—and his name rolling off your tongue, Rafe removes his clothes and helps you out of yours. Before you have the chance to say anything else, Rafe's fingers are between your folds, spreading them apart, and a sound of satisfaction is heard from the back of his throat. "God, you're wet."

You are. Your arousal coats his digits, and with a slow stroke of his hand, your hips buck into his palm that rest against your clit.

"Rafe," you whine, knowing he's toying with you. His fingers stroke your pussy, but not enough pressure to give rise to your climax. "Inside, please. I'll be so good."

He grins and retracts his hand. When he lines his swollen cock against your entrance, he pauses for a moment. Rafe's eyes connect with yours. "Did you take your pill?"

When Rafe went out this early morning, with your sisters, he went to the pharmacy to pick up some birth control for you. It currently sits on his desk, opened and with one missing tablet. "I did."

"Good, I need to feel all of you."

Without another word, he thrusts into you, causing your back to arch off the mattress.

Rafe doesn't go hard and fast like normal but instead bends forward to capture your lips against his teeth. Your heart is hammering in your chest regardless, the feeling of your walls wrapped around him, the way he fills you—like a puzzle finding its missing piece—makes your head spin.

"Feel so fucking good," he whispers against your heated skin, his hand reaching out to take yours, intertwining with your fingers. "Can't believe I almost lost this."

You can't believe it either, but you couldn't say it. Rafe angles himself where his cock hits right against your cervix, causing your head to tip back and dig into the sheets, moaning wildly at the pleasure. Rafe easily kisses you to swallow the noise of your open mouth, reminding you that your sisters are just a couple of doors over.

You should care. You really should. But you don't. You need him. Closer. Harder. Faster. Your legs wrap around his torso, trapping him. "Need you," you whimper, as each thrust grows more choppy. "Need you so fucking bad, Rafe."

He can't control himself. Removing his constraint of trying to keep it sentimental, to keep it sweet. He loves how desperate you need him. How rough you want it. His pace quickens with the rut of his hips, and you feel the familiar white-hot pleasure searing through your body, climaxing.

"More," you beg, arms wrapped around his neck, fingers clawing against his back muscles. You're removing all the space between him and you, until there's nothing but skin-on-skin. "Please, more."

"Baby, I'll give you everything," he grunts breathily, scraping his teeth against the curve of your neck, hitting a sensitive spot that leaves you whining. "Everything and more if you'd let me."

Something about his words twists inside you and you come hard. Rafe feels you clenching around him, so tight, that it causes him to slow his thrust but the pleasure is unbearable. Easily, he follows after, coming inside you with the familiar hot cum filling you up.

Rafe lands on top of you, careful not to crush you under his weight. You welcome it, nonetheless, liking the way he presses against you. Both your breaths are heavy, clambering to catch up on missing air, and Rafe's still inside you. You like that too.

Your hands are still intertwined, and you're the first to retract from the hold to place your warm palm against the side of his profile, causing his head to lift to meet your gaze. He's settled between the valley of your breasts, his stubble tickling your skin, and you take the moment to lean forward and plant a chaste kiss on his lips.

It feels sentimental. Vulnerable. Almost too real.

"Okay, now get off," you say jokingly, undercutting the tension in the room. Rafe scoffs but listens, rolling off, slipping out of you. The loss of him makes you frown, but you quickly wipe away the expression as you turn on your side, facing him.

Rafe studies you. This time, the sex felt different. More. He'll never say it, in fear of it scaring you away, but he truly never felt as vulnerable as he did moments ago when he was inside you. The memories flooding through him could easily get him hard again, but he tries to distract himself, taking a strand of your hair between his fingers.

You smile softly, noting how mesmerized he is with your hair. Of the color and the texture. It draws you into your thoughts, and you're suddenly reminded of a question that's been stuck in your head for the past twenty-four hours.

You say his name, causing him to stop and look at you. "Why were you with Leila the other night?"

"She called me." He answers truthfully, and before you can question him further, he adds. "I was coming over anyways."

This surprises you. "You were?"

"Couldn't leave you like that."

"You didn't stop me."

"I know, I fucked that up," Rafe admits, eyes scanning over your face, trying to express his sincerity.

You study him, recognizing his truth, but you still have some doubts. Another question about your relationship hangs in the air, and as your lips part, Rafe recognizes the question before you even have the chance to ask.

"We're not broken up."

A sense of relief fills you, but there's also the remnant of heartache.

Your voice is soft. "I said a break."

"We're not doing that either."

You don't know if you can separate from him. You don't know if you want to. But you wanted this extra layer of protection, just in case. "If you were worried, I was still committed to doing all the things you needed with Ward—"

"I don't care." He sharply cuts you off. "If someone asks you who you're with, don't answer that it's complicated. It's not. You're with me, got it?"

He's addressing the moment when Kelce asked if you were in a relationship with Rafe and you answered vaguely. It must've been stuck in his mind. Rafe never set perimeters on who knows the truth behind your little farce, only that his father remains oblivious, but you guess it also extends to the rest of the Kook public.

You don't answer him, not wanting to taint the aftermath of good sex with discussions about logistics and labels. You want to enjoy the fleeting moment, even if it's all you get.

Rafe sees your silence and softens his voice. His hand cups the side of your face, brushing his thumb across your cheek. "You're mine, you know that?"

You do, but you don't think it's in the way Rafe realizes. The lines are so blurred, you don't know what's real or fake anymore. You don't know if this is a sentiment shared during intimacy or a parade with the public, or if he does want you. Asking for clarification has burned you twice and you'd rather not put yourself in that situation again.

You're silently asking Rafe to tell you more. To give you more words. To speak. If he reveals that he has feelings for you, telling you he wants you—truly wants you—beyond this arrangement, you would be his. All his.

But Rafe's never been the one to willingly talk and reveal things. You have to break an arm and a leg for him to consider giving you the time of day. You rather not break your heart too.

A banging on the locked bedroom door absolutes you from answering him. "Rafey!" Amara screams from the hallway, "You promised you'd see my dress!"

"Dress?" You turn away from the door. "What dress?"

Rafe says nothing, but the small smirk on his face reveals everything. "Rafe. What did you get them?"

You didn't go with your sisters on their early morning excursion with Rafe. You were too tired and were catching up on sleep. When you woke up, they were already back and had been gleefully locked away in the guest bedroom the entire afternoon.

"Don't worry about it."

Rafe slips off the bed and gets redressed while you watch. You admire the planes and ridges of his chest, and when he finishes, he picks your clothes off the floor and throws them at you, telling you to get up too.

You do, and after you're no longer bared and exposed on his king-sized bed, Rafe unlocks the door to reveal an impatient Amara standing behind the door. She's carrying a foreign doll between your arms; something handmade and name-branded, something she definitely didn't have before.

"Rafe..." You warn lowly, but it lacks the critical threat behind its tone. He just grins at your attempt, grabbing your hand and dragging you out of his bedroom. Amara leads you to the living room, where the registration of how much Rafe bought your sisters comes to light.

Scatters of large shopping bags, of various shops and boutiques you never heard the name of, litter across the floor. Leilani is sitting on one of the couches, messing with something in her hands. A phone. Amara’s ruffling through one of the bags, trying to find her dress.

You turn back to Rafe. "You got to be kidding."

"Just because you won't let me buy you nice things doesn't mean you should deprive your sisters of that opportunity," Rafe shrugs, taking a seat on the closest couch, and tugging you along. There's plenty of room on the cushioned chair, but Rafe decides to pull you onto his lap.

You don't even mind; you like your spot on his lap. His arm lazily wraps around your waist while your legs dangle off the side. While Amara recruited Leila along to search for their dresses—because they have that much stuff—Rafe playfully bites your exposed shoulder.

Finally finding their princess gowns and diamond tiaras, Amara grabs Leilani's hand and drags her off to the nearest bathroom. They're giggling while they skip away, bouncing on their feet, behaving the exact opposite of what you expected them to be after a traumatic experience.

"They're happy."

"Of course they are." He scoffs, "We spent the entire morning ransacking every store downtown, buying everything they set their eyes on."

You chuckle softly, and gratitude passes through you. "You didn't have to do that."

"Nah, I had to," Rafe slides you closer. "Got to stay on their good side, you know?"

You shake your head, hiding a smile. The sound of a door opening is heard and you turn to the source of the sound, expecting to see your sisters return with their costumes, but instead find the sudden appearance of Sarah Cameron standing in the middle of the foyer.

"Sarah." Rafe stiffens under you, surprise evident in his voice. "What are you doing here?"

"It's my house, Rafe," She says with the roll of her eyes.

"It hasn't been your house since you ran away three months ago," he snaps, a hardness to his words. "Where's your Pogue boyfriend now?"

She ignores her brother, shifting her attention to you. "Who are you?"

You feel like you're caught in the crossfire of their rivalry. Before you get the chance to answer, Rafe cuts in for you.

"She's my girlfriend," Rafe sneers, his arm tightening around your waist. "Which is none of your business."

"Gee, Rafe, really a great welcome home party," Sarah says sarcastically, adjusting the large bag over her shoulders, which you presumed is stuffed with her things. She looks back at you. "You're the Pogue my dad mentioned, right? The one who owns the bar near the docks?"

Something about the Cameron siblings minimizing you to a social class. Nonetheless, you nod. "Cool. Nice to meet you. I'm sorry you have to deal with that one," she points to her brother, who's shooting daggers at his little sister. She ignores the look. "Well, I hope you had a good... shopping trip. I'm going to go unpack."

Before you have a chance to correct her, she walks away, and Rafe shouts after her. "Don't unload too much, just in case you wanna run away again," he reminds, to which Sarah responds with a flip of her middle finger, turning onto the stairwell and disappearing.

You don't know how to deal with a Rafe post-Sarah, especially because you've heard of his long-winded rambles about the golden child. You don't even want to step into it, because what Rafe feels for his younger sister is none of your business. It's his complicated family. You can't fix that.

Instead, you pull him back to Earth, turning his head away and tilting his gaze back onto you. His heated eyes, darkened and full of resentment and anger, soften upon meeting yours, and you wrap your arms around his neck.

Leaning into him, the both of you say nothing, doing nothing, until Amara and Leilani emerge from the dressing room with glamorous princess gowns and a crown over their head. Then, they did a little show for you.

The moments spent with you make him forget about his issue with his sister. With her return and what it means to the company. Who earns in favor with their father.

She’ll be a problem for another day.

Not realizing how true those words will be.

★ part thirteen ★

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bekolxeram · 3 months ago

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The sheer number of times Eddie is mentioned when Buck comes out to Maddie has been pointed out time and time again. Some take it as a sign that Buck is subconsciously in love with Eddie, some see it as foreshadowing for these two to be romantically involved in the future, while others simply think it's an Easter egg left in by writers as a nod to shippers.

The way I see it, there is a reason why Eddie keeps being brought up in this scene, but it's not what you think.

If you've rewatched this scene as much as I have, you'd remember that Buck actually isn't coming out to Maddie on purpose in this scene. He originally goes there to talk and ask for her advice, because he feels bad about the hot chicks incident when Eddie walked in on him and Tommy at the restaurant.

In fact, he fully intends to keep the identity of his date hidden. He can't even risk Chimney getting wind of it, in case he or Eddie puts two and two together and figures the whole thing out.

Maddie is always there to talk things out with her brother, but she would never turn down a chance to gossip.

He completely dodges Maddie's question and quickly changes the subject. He needs to tell Maddie the full story of his disastrous date, but he can only refer to Tommy as his date, or "this person". The more he does this, the higher the risk of slipping up, Maddie would likely ask more questions about this mysterious person as well, so Buck frames the whole narrative around the only person he can safely refer to: Eddie (and Marisol, but she isn't important in this story).

Maddie picks up on Buck's secrecy, now she really wants to know who this person is and why Buck refuses to reveal their identity. Buck again immediately shuts it down, and brings the topic back to Eddie.

While I'm sure Buck feels bad for lying to his best friend, especially when there's no reason to expect Eddie reacting with anything less than acceptance, when Buck starts actually talking about his behavior and what upsets him the most, it isn't really about Eddie. He's ashamed of himself for lying right in front of Tommy. In fact, he's so upset over Tommy cutting the date short and leaving him on the curb that he accidentally uses a gendered pronoun.

Maddie "I am 9-1-1" Han makes a career out of being a good and thorough listener, so of course she notices the pronoun. From this point on, the subject of the conversation shifts from Eddie to Buck's newly discovered sexuality, and later, Tommy.

Buck knows he goes to Maddie because he feels bad, but he still hasn't fully processed the fact that he's into men too and what it means to him. He's still calling himself an ally, a supporter of queer people, but he's confused as to why it doesn't seem to apply when it comes to himself. Maddie correctly points out that he's no longer just an ally, and the recency of his discovery might have been the cause of his strange and panicked behavior during the date.

This is the prime example of acting turning the same line into different meanings. The first "wow" seems to me like Maddie is finally connecting the dots. She practically raised her brother, it's not unlikely that she has previously witnessed Buck having boy problems. I feel like it's a "wow, everything makes so much sense now" wow. It looks like Buck takes a little offence at it and asks Maddie to clarify what she means by "wow". Maddie tells him it's more like a "wow, this is a nice surprise" wow.

Oh, boy is completely clueless. Maddie is just trying her best to keep up with Buck's increasingly oblivious statements.

Buck suddenly brings up Tommy, probably because he hasn't been able to stop thinking about him since the kiss. Apparently, he's so attracted to Tommy both physically and as a person, it makes him realize his interest in men, something no other has achieved thus far. Maddie recognizes the name her brother has been harping on for the past few weeks.

Poor Maddie must be so confused. First her brother and husband-to-be keep talking about how cool this pilot who saved everyone is, then he becomes Eddie's friend and Buck gets all jealous about it. Most recently, Maddie is horrified by Buck's action on the basketball court, because he only has a history of hurting himself to get someone's attention, not the target of his attention seeking. And now Buck has gone on a date with Tommy? So Maddie decides, one step at a time, let's not get ahead of ourselves. Buck initially tells Maddie about lying to his best friend and how he feels like a fraud, so she tackles (no pun intended) this part first.

If you come into this scene with preconceived notions, the word "feelings" being in proximity to the name Eddie may seem like to you that Maddie is pointing to "Buck's misplaced romantic feelings towards Eddie". But if you put these lines into context, Buck simply isn't sure of how he feels about his bisexuality in general. In fact, the only thing he's certain of in this entire conversation is his attraction to Tommy. Maddie also isn't bringing up Eddie out of the blue because she thinks her brother is secretly in love with his best friend. Again, Buck originally does want advice about lying to Eddie, albeit partly using his name to avoid revealing his date's identity, so Maddie gives it to him now, no need to read too much in between the lines, especially after the "wow" exchange.

Now that the Eddie stuff is out of the way, Maddie can comfortably gossip about Buck's new hot pilot crush. And Buck looks absolutely smitten at the mere mention of Tommy.

Eddie is undoubtedly a very important person in Buck's life, and it must be killing Buck inside for lying about something so important to his best friend. Though in this scene, Buck seems to be mostly using Eddie's name to circumvent the necessity of mentioning Tommy's name and to deflect any probing question about his identity. Once he accidently lets it slip that he was on a date with a guy, he pretty much drops the whole Eddie act entirely.

#bucktommy #911 abc #evan buckley #tommy kinard #tevan #kinley #scene breakdown

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forthegothicheroine · 5 days ago

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I've made a post about great lesser-known noirs, but it occurs to me that some of you might not be familiar with the classics, and might want to know where to start. This is a ridiculously short list- I have a million more to talk about- but here are some of the big stars of the genre.

The Maltese Falcon: Sam Spade, a clever but callous private detective, gets wrapped up in intrigue relating to an artifact that is functionally cursed. If he's an unscrupulous character, just wait until you meet everyone else. The whole damn cast is electrifying, lending charm and cruelty in equal measure.

The Big Sleep: Philip Marlowe, a kinder and more poetic detective for Humphrey Bogart to play than Spade, is called upon to deal with a wealthy, dysfunctional family, and it keeps on getting weirder from there. Is the sharp-tongued Vivian Sternwood the femme fatale she seems, or is she just another person trying to find the right thing to do in desperate circumstances? And will she and Marlowe keep their hands off each other until the plot has had its last twist?

Double Indemnity: Rich housewife Phyllis Dietrichson and sleazy insurance agent Walter Neff are, by their own admission, rotten people. It's only natural that they should plot a murder together, and that they should turn on each other the very second things go wrong. Every single domestic murder movie since 1944 has ripped this off.

Kiss Me Deadly: This is nominally an adaptation of a Mike Hammer story. Screenwriter Bezzerides hated Mike Hammer. As depicted here, he is one of the worst people in the world. Depending on the cut of the film you see, he may inadvertently cause the nuclear apocalypse. (For once, the theatrical cut is darker.)

Sweet Smell of Success: Cruel, all-powerful columnist JJ Hunsecker wants his sister's boyfriend out of the way (for reasons that are, um, ambiguous.) To accomplish this, he enlists the biggest weasel in New York, Sidney Falco, and the two completely deserve each other as they spend the rest of the movie trading elaborate insults. Popular on tumblr for its dialogue and chemistry between the leads.

Sunset Boulevard: Broke screenwriter Joe Gillis thinks he can con a has-been into hiring him as a script doctor, and that's the last free decision he ever gets to make. From then on, his life is in the hands of Norma Desmond, silent film starlet turned crazed recluse, terrifying yet intensely pitiable. This is as much gothic horror as noir.

Ace in the Hole: The story of a man trapped in a cave is turning out to be a big hit in the newspaper, and if the publicity will make a reporter's career, then what's the harm in delaying rescue just for a little while? This is as vicious as noir gets, but damn it, you've just got to see what happens next. (Watch Jacob Geller's video Fear of the Depths after this.)

Sorry Wrong Number: Of all the films on this list, this is the one that really scared me. In the days of switchboards, a rich hypocondriac woman is connected to the wrong phone line and overhears a murder being planned. It doesn't take her long to figure out she's the intended victim, and each call she makes or recieves makes the situation darker. But how can she escape her fate if she can't- or won't leave her bed?

The Asphalt Jungle: The heist movie. Maybe the only heist movie ever made. Every line is quotable. Every member of the team is an unforgettable personality. When things go wrong, they go horribly wrong. One minute you're laughing, and the next minute you think you'll never laugh again.

Gun Crazy: Laurie and Bart, two practiced sharpshooters, are perhaps the most perfect match in all of noir- and that's a bad thing. When one half of the duo gets a criminal idea in their head, the other can't say no. When the opportunity to ditch her man like a sap comes up, the femme fatale throws it away to be doomed at his side. He fell in love with her when she first aimed a gun at him. Quentin Tarantino kissed star Peggy Cummins's feet at a showing of the film, and I hope she kicked him in the head.

Laura: Everyone was in love with Laura Hunt, and somebody killed her- or did they? Did they get the right person? Is the cop on the case in love with a dead woman? Was her columnist mentor just her gay best friend, or was there something darker beneath that facade? And what would Laura think of all this? A big inspiration on Twin Peaks.

In a Lonely Place: Bogart isn't at all heroic here, as a screenwriter with a drinking habit and a violent temper. He's obviously a bad idea to date, but just how bad an idea? He's not the type of guy who'd kill a woman, is he? Bogart and Gloria Holden give perhaps their best performances here, and they'll wound your soul.

Touch of Evil: A Mexican cop (played, unfortunately, by Charlton Heston) finds out a nasty secret about the big hero cop Hank Quinlan: he's framed the culprit in most of his cases. Not because he's crooked, but because his intuition tells him they're guilty. Director Orson Welles as Quinlan is frightening, grotesque, and a little bit tragic in what some consider the last classic noir.

The Killers: The first twenty minutes or so are an adaptation of a Hemingway story, where out of town hitmen gun down a man so depressed he won't even bother to run from them. The rest of the film is an investigation into how he got that way. It had something to do with a radiant gangster's girl, and something to do with a few botched crimes. Sometimes a man can die before the bullets even touch him.

The Third Man: Everybody is lying about the whereabouts of an American expatriate named Harry when his friend comes looking. Did they do something to him? Or, more frightening still, is he the one who's been doing things to other people? Orson Welles is a more charming monster than he was in Touch of Evil; the light and shadows on his face cast him as a vampire, while his fingers sticking up through the sewer grate look like something terrifying emerging from the earth.

#film noir #noirvember

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creamflix · 13 days ago

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toji fushiguro x reader; no reader gender implied. heavyyyy angst, no comfort. artist! toji + reader. flashbacks. one-sided love, remincising. — masterlist here ☆

"always the artist, never the muse."

toji fushiguro clung to those words like a lifeline, like an apology he muttered to himself when he was alone in his room, staring at a blank page that haunted him as much as it inspired him.

they said he was a fuckboy, playboy supreme, the kind of guy who’d leave you breathless and forgotten in the same night.

and maybe that was true.

maybe it was easier that way, easier to keep everyone at arm’s length when the one person he couldn’t forget had slipped through his fingers.

it had been five years since he’d met you.

a random train ride home, him half-asleep, you sitting across with a sketchbook open on your lap.

he couldn’t take his eyes off you, the way you were so lost in what you were creating, your pencil dancing across the page. when you caught him staring, he felt a flicker of embarrassment, quickly masked by his usual, easy grin.

“what’re you drawing?” he’d asked, trying to sound casual.

you looked up, eyes widening in surprise, and for a moment, he thought he saw a hint of amusement there.

“just a study,” you replied, lifting your sketchbook to show him — a messy, half-finished sketch of a figure in motion. “still working on it.”

he leaned closer, catching the faint scent of your perfume, his eyes scanning the lines, the shadow work. “you’re pretty damn good,” he murmured, almost to himself.

a smile tugged at the corners of your lips. “thanks,” you said softly. “not often someone notices.”

he felt something tighten in his chest. “well, i noticed.”

you laughed, and he thought it was the best sound he’d ever heard.

“are you an artist too?” you asked, tilting your head, genuinely curious.

he scratched the back of his neck, hesitating. “yeah, kinda. i don’t really…talk about it.”

“why not?” your voice had been so soft, so damn sincere. “art’s meant to be shared, right?”

he’d paused, the words catching in his throat.

it wasn’t that simple, wasn’t something he could just share.

not with everyone.

but with you… it had felt different.

“maybe,” he’d muttered, more to himself than to you, “just… maybe.”

he hadn’t wanted that ride to end.

he could have listened to you talk about art supplies and your favorite brushes and the little frustrations of the creative process all day.

he remembered every word.

“do you ever feel like it’s never enough? like no matter what you draw, there’s always something missing?”

he’d nodded, knowing exactly what you meant. “yeah, all the time.”

and then your stop came.

the universe’s cruel timing, forcing you to leave when he wanted to ask for your name, your number, anything to make sure this wouldn’t be the last time. but he’d held back, let the fear of seeming too eager or desperate paralyze him.

“guess this is me,” you’d said, standing up, and he’d caught the faintest hint of a sigh in your voice. “it was nice talking to you…?”

“toji,” he’d replied, voice rougher than he intended.

“nice talking to you, toji.” you gave him a little wave, stepping out of the train, disappearing into the crowd, and he’d watched you go, something hollow taking root in his chest.

“damn it,” he’d muttered to himself, gripping the seat as the train pulled away.

five years later, he was still cursing himself, wishing he’d just called after you, asked you to wait, to stay, anything to keep you from walking away. he’d gone through more meaningless flings than he could count since then, and yet none of them mattered, none of them filled the space you’d left behind.

in his studio, his fingers hovered over the page, pencil poised to draw yet another sketch of you. he could see you so clearly in his mind — the way your eyes had lit up when you talked about art, the little smile tugging at your lips when he’d asked too many questions.

sometimes he could still hear your voice.

“do you ever wonder if the right people just… pass us by?”

he’d scoffed, tried to brush it off, but that question haunted him.

yes. god, yes, he wondered.

every damn day.

he spent hours drawing your face from memory, perfecting every curve, every expression, capturing the moments that never happened, the smiles he’d never seen, the touches he’d never felt.

“what’s wrong with me?” he muttered to himself, rubbing a hand over his face. why can’t i just let you go?

he’d even tried to find you once, scouring social media for any trace of you, looking for artists who matched your style.

but you’d disappeared as completely as you’d arrived, like a dream he couldn’t wake up from.

in his mind, you were still that girl on the train, sketchbook in hand, eyes so bright they made him feel like a kid again, excited and scared all at once.

he could never shake the feeling that he’d missed something, that maybe if he’d just held on a little tighter, you’d still be there, a part of his life instead of a ghost haunting his art.

and now, he was stuck.

“always the artist, never the muse,” he whispered, tracing the lines of your face on his sketchpad. it was all he had left — endless drawings, memories of things that had barely even happened, a handful of words exchanged on a crowded subway.

he slammed his sketchbook shut, the familiar ache tightening his chest. you were gone, a stranger he’d never known, a muse he’d never have, and he had no one to blame but himself.

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strangelittlestories · 3 months ago

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Something interesting about archaeology is that it’s actually not that interesting: even when you’re on a dig, most of it is dirt and logistics and fragments.

Something scary about ghosts is that they’re actually not that frightening: even when you have a haunting, most of it is ectoplasm and low-key longing and echoes.

The fascinating bit about both is that, sometimes, when you piece all the boring bits together, you get a story; a story of how people used to live. It will probably be a story about something mundane, like how people cooked or what their bathroom solutions were.

For example: at this particular dig, we found fragments of large cooking pots in a few larger buildings. The smaller buildings that seemed to be individual homes did not have *any* surviving cooking pots (not even any copper remnants); however, they did have at least one well preserved earthenware bowl inscribed with runes.

These runes turned out to be a close match to an early rune of co-locating folk magic, seen primarily in the Katabasic region. The bowl was also adorned with a slate inlay, of a kind that was often used to write upon in chalk.

The apparent conclusion? This settlement operated a communal cooking operation that delivered food to order. We would assume the recipient would write their request in chalk on the slate inlay of their bowl, and the runes would briefly trick reality into thinking the inside of the bowl and the inside of the pot occupied the same space. Thus, the bowl would magically fill with food.

So, yeah. These folks had invented magical Doordash.

I briefly considered trying to replicate their system on my travel mug. The coffee on the dig site was *dreadful*, so I figured I could have my husband make some nice single origin cold brew back home (or maybe a nice pot of darjeeling second flush?) and teleport it in. But as it was likely tied to local hospitality folk magic, this would likely run across three problems: 1. Range limitations. 2. It may only work for community members. 3. Folk magic sometimes used local deities or spirits as intermediaries and popping a new request in the inbox of a dormant god was usually a bad call.

Oh, and reason number 4: the bowl we’d excavated was extremely haunted.

This may, in fact, explain why it was so well preserved. Theurgic suffusation is the term - if the spirit is clinging tightly enough to the atoms of the object, then time starts to think the material is just as undying as the soul.

You know how I mentioned the scary thing about ghosts is that they’re not scary? They only persist as fully ensouled beings as long as their unfinished business can feasibly *be finished*. Even with generation blood debts, they still tend to become unviable with a couple of centuries. Then the soul slowly starts to move on, leaving only an imprint on the umbra. That’s what’s scary about ghosts: even that which is undying will be eaten by history.

Except this blighter apparently.

So I ran a chemical analysis on the trace molecules left on the lining of the bowl. Then I ran the runes through a penumbral simulation matrix.

The bowl contained traces of calcified aconite. The runes showed an exploit in the magic; the teleportation could be hijacked by holy petition or speculative conjuration.

The ghost had been poisoned. Murdered.

And if they were still a ghost, then whoever killed them was *still around*.

I really really hope that I never meet whatever person or creature is apparently still alive close to a millennia after they murdering someone in a way that is both *really clever* and *really nasty*.

But oh buddy, oh pal … what I want may be immaterial. For surely do intend to figure out the whole of this story.

---

With thanks to Ellie for the submission of the Archaeologist (fearless, frightened, fancy) to the Character of the Month club.

Want to submit your own characters for my stories? Consider supporting me on Ko-Fi with a recurring donation https://ko-fi.com/strangelittlestories

#writing #microfiction #flash fiction #short story #writeblr #wtwcommunity #character of the month club #urban fantasy crime story

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felassan · 2 months ago

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Some things in BioWare's transcript of the August 30th dev Discord Q&A are a lil different to what was actually said in the Q&A. not only editing to tidy up and be concise etc; some of it seems to actually be new/additional (or updated?) information. this post is just a quick summary of the new or different things I noticed when comparing the BioWare transcript to a word-for-word transcript (or at least the ones that stood out to me anyways). DA:TV spoilers under cut.

This post is a mix of new snippets and rephrased answers to things that were rephrased in a way that stuck out to me or interested me. nb, it doesn't highlight changes if the change was something not being included in the BioWare transcript (there was some of that too).

John Epler: "I don't know if any of [the Evanuris] consider [tea] a favorite beverage"

[re: hugging Assan] Assan "always appreciates the attention. He's got a sharp beak and he'd let you know if he didn't."

Variation of the WEWH question answer:

"There's always going to be politics to some degree - there are a number of different groups with different priorities, and not all of them are going to be immediately disposed towards trusting you. But while the Inquisitor had an organization and an army (and even Hawke and the Hero of Ferelden spent more time moving in political circles), Rook's situation is a little more desperate and immediate. Their approach is therefore a little more direct, and so while they may occasionally find themselves in the political sphere, they're not trying to assemble an army or build consensus amongst nation states."

[on companions' ages] The part of this where they described the companions' age range has been changed from where it said "early-mid twenties" to just say "mid twenties". Also, Taash was said to be "early twenties"; she is now simply "the youngest".

New sentence on the ages: "We don't usually nail down a specific age, unless it's something that comes up in their content, but we want to have an idea as to their general age range as we're writing them."

If no side characters stand out as a good candidate for a 'light' romance, this is never something they want to force

Griffons as half-bird half-lion - it now reads half-eagle half-lion

"Thedas has always been filled with extraordinary people, and in DATV you're trying to save the world. It stands to reason that the people you're bringing on board are going to be people with extraordinary circumstances of their own."

On the Veil not being in great shape and having been deteriorating in recent times/the intervening period between games, a more specific figure is given: "things in general have been slowly getting worse over the past decade and a half"

Lucanis and Bellara find out they have a lot in common and develop a "really fun" friendship, even though "it's hard to think of two companions who feel more different on the surface"

Neve and Bellara's friendship "kind of evolved organically as we were writing them, and finding out all the opportunities we could to throw little tastes of it into dialogue was a blast"

when enemies are slowed due to Slow Time, Rook stays moving at full speed

Rook's weapons and companions' gear can also be transmogged in addition to Rook's armor gear and casualwear

New sentence: "I've built Harding as a Support Character one run, and a DPS the next run. If you want to use Davrin as a DPS, you can do that."

"But each Companion has a gift that you can purchase from vendors in the world, and then give it to them." - it sounds like there is only one unique gift that you can give to the companions each?

"In general, something like a short story anthology is a volunteer thing - we ask people what they want to write and, generally, people tend to gravitate towards character ideas and concepts they already had in mind for a companion."

"So it's rare that we write a character that isn't intended to be a companion and then think 'oh wow this character would be a great fit', but it's not unheard of either."

"Ultimately we wanted to be sure that The Veilguard could be a good entry point to Dragon Age for new players and people who know almost nothing about the universe. But if you're the kind of player who wants to catch the most references, I'd suggest reading The Missing (most recent comic series) and Tevinter Nights. The former is a direct narrative setup for the beginning of the game" while Tevinter Nights is "less of a direct narrative tie", though it introduces "characters, concepts and story elements" that show up in the game

New sentence and info: [John Epler] "The Archon's Palace floating was something we came up with midway through writing Tevinter Nights and I had to furiously rewrite a few things." - the Floating Building is the Archon's Palace?

"Mae is a character that means a lot to so many DA fans" (<3)

Crow politics are now described as "complex" as well as deadly

"Some romances allow you to express interest without 'committing'" - so it sounds like not all of them allow this? - "but all romances eventually end up being exclusive"

"With each specialization we wanted to explore, both visually and through gameplay, what a specific class member of that faction might look like. Spellblade, for example, is our answer to the question 'what does a mage assassin look like'."

Our ability to save PCs so we don't have to start from scratch in CC each time was very important to the devs

"the feeling we want to evoke over the course of the game is one of growth, both in yourself as Rook and in your companions as they overcome their own problems with your help. These problems are often external in nature, but they are always tied, at their core, to the conflict that the character carries within them. And they are, also, always uniquely Dragon Age problems on the surface, but still relatable."

The difference in the answer to the is Lucanis possessed question interested me.

Original for the sake of comparison:

"So, again, spoilers, everyone has been warned, fairly warned. So Lucanis Dellamorte is also known as The Demon of Vyrantium. And, he has spent a lot of time killing Venatori, who are mages, and who do know a lot about demons, so. Yeah, somebody decided that it might be a good idea to make that nickname stick."

New:

"There's definitely something going on with Lucanis - and before you hired him, he was known as the Demon of Vyrantium. Might be that someone took offense to that nickname, especially since he earned it by killing Venatori."

New sentence in the answer to the is Thedas a southern continent question:

"Of course, nothing says that distance to the sun is the only factor impacting weather."

.. [probably reading too much into this don't look at me ik many factors influence weather irl hhh] magic? the Veil? the deteriorating Veil? the risen Gods? the Blight? Thedas is experiencing global warming? :D

"As part of our attempt to make the companions feel like they have their own lives outside of just Rook, we asked ourselves what pairings made the most narrative sense and then talked about how they might actually unfold in the game. And even before companions get together, you can see that interest starts to develop. Which is, I think, one of my favorite things about the companions. They don't just fall in love with each other, they become friends, confidents, and even rivals at times"

It takes Davrin a while to trust others. He can be a little standoffish, but eventually he warms up to anyone who shows that they have his back

As a monster hunter a lot of Davrin's hobbies revolve around that

"a lot of elves go around shoeless, and that's in part because they believe it brings them closer to nature. What better way to understand what the world and ground are saying than to walk directly on it? but not every Dalish follows this custom" [...] "The Veil Jumpers, in general, are a little more likely to wear boots and shoes, as they're far more likely to end up in dangerous places and fighting unsettling creatures than the average Dalish"

On Bellara's boots: "you never know when you're going to find a broken artifact with a lot of sharp edges."

Bellara is a big fan of pan-frying anything she can (re: food)

Lucanis has the refined palate of an Antivan Crow

Getting the beards to work with all the armor variations that they have was especially challenging with dwarves because they "tend to be" shorter

Those beards that were designed with dwarves in mind can alsobe used for humans and qunari (I wonder then if elves cannot have beards in CC? Like I know they usually don't have them or have it in CC and that lore says they don't but there are a also a few lorebreaking instances of it and I wasn't sure which way this one would go given how 'free choice/options for all' the CC in this game has sounded like it has been designed to be)

"You'll see more on this as we showcase character creator in our runup to launch"

For this question "Since you can choose to be a part of the same faction for most of the companions, will that give you an advantage when trying to befriend them?", the answer now reads that in addition to the unique dialogue same-background Rooks have with the companion of that background, it can also "change the timbre of your relationship a little bit"

John Epler: "one of my favorite things about this group of companions is how much time they spend with each other"

[on the companions] "They're a family, and like a family, they don't always get along"

"A lot of Solas' relationship with the player is personal. He sees a lot of himself in Rook - both the good and the bad - and largely talks only to you, as you're the one he has a connection with."

"Not to mention at least a couple of followers who would likely love to ask an ancient Elven god some questions."

"a common complaint we've heard in past games is that many players disliked always feeling like they needed a Rogue to be able to lockpick, so fortunately Rook finds a method to use these exploration abilities even when the associated Companion is not in your party"

An example of a companion's unique exploration ability is that Emmrich has an ability to briefly reanimate skeletons to open gates

Qunari not wearing helmets and only vitaar allows more flexibility when it comes to horns customization in CC

"yes - there will be some pretty obvious Act breaks. Not all content fits neatly into these buckets, as it's more a way of breaking up the critical path (companion and other side content follows a different cadence), but there are some pretty obvious Acts built into our game. A lot of the missions, though, we want to make sure players have the freedom to decide what they do and when they do it, so while they may have internal acts (follower missions form their own arcs), they don't conform to the overall main quest arcs"

The difference in the answer to the is Assan the only griffon question confirms that Assan was specifically one of the baby griffons that hatched at the end of Last Flight. (as opposed to another clutch that was laid in the last decade)

Old:

"So, again, just to be clear, spoilers, but yeah, Assan has brothers and sisters, so Assan is not the only griffon that shows up in Dragon Age The Veilguard."

New:

"If you read Last Flight, you'll know that Assan isn't the only griffon from that clutch of eggs, so he's got brothers and sisters. And if one griffon is good, a whole family of them is better, right?"

"We briefly experimented with other options for last names but it became unwieldy as we do refer to your Rook by their last name on several occasions, and accounting for 6 potential last names is already a lot of complexity."

Variation of the 'what goes into bringing back old characters' question answer:

"We always - both for Morrigan and any other characters we bring back - think about what they would've been up to since the last time anyone saw them. These characters should feel like real people, and the last thing we want to imply is that their stories stalled out while they weren't directly in the player's adventuring party. So we look at their arc before the time skip, and then think about where that arc would've taken them. In the case of Morrigan, she's coming to terms with a lot of truths about herself and about her mother. There are elements of her past that she's come to terms with, which is why she wears a version of Flemeth's crown. Ultimately you want the world to feel like it's real. And no one's the same person today that they were 10 years ago. That's stagnation, and it's bad in fictional characters as it is in real people."

The orb part of orb and dagger is called an Elemental Orb

Variation on the Dalish Elf vs City Elf question answer:

"While I think 'city elf' vs 'Dalish elf' is a useful distinction in the South, there's a lot more nuance in the North. Rivain, for example, has Dalish settlements intertwined with other cities. There's just not the same separation, so each of the factions has a unique approach to your lineage. You can define some of that further with choices you make in conversations - we really wanted to leave a lot of that open to players to RP."

[localization question answer variation] "Games are so complex and have so many moving pieces that you need to be in regular communication or things get missed. And a lot of that is because ultimately localization is more than just a straightforward translation. Jokes, metaphors, sayings - even specific lore terms - aren't just a matter of finding the equivalent word in another language. Every writer has a story about a time they had to explain the specifics of an off-color joke they wrote so that localization could properly capture the intent."

So mostly variations (as in rephrasing) and things, but some of the new info that particularly stood out to me was things like the description of Emmrich's exploration ability, the mention that the Floating Building is the Archon's Palace (iirc this was speculated before but not confirmed?), the new lil details or insights on Assan and Davrin, the bit about Assan being from the Last Flight eggs, etc.

#dragon age: the veilguard #dragon age the veilguard spoilers #<- this is my spoiler tag #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #dragon age: tevinter nights #dragon age: the missing #solas #morrigan #queen of my heart #this post is scrappy sry i wrote it on the other side of the world at 4am

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ovaryacted · 1 year ago

Text

Insoportable

Summary: Miguel O’Hara x fem!reader. Miguel couldn’t stand you, the more you refused to listen to him and his orders, the closer he got to snapping. After another failed mission, he’s had enough, and takes it upon himself to put you in your place.

Warnings: 18+/MDNI. NSFW. Porn with plot. Dom/sub elements, throat/face fucking, degradation & praise, slight size kink, slight choking, rough sex, bare backing, mention of fluids.

WC: 5.2k

A/N: Took me a while to write this but I hope it’s enjoyable. Originally was an enemies to lovers plot but it’s more of a passionate stress relief type thing, I’ll do actual enemies to lovers/hate sex another time. For the record, I speak Spanish, so the Spanish you see in this piece is how I’d personally speak. Title is also in Spanish lolz. :)

You were insufferable, a nuisance every time you walked in the room or were in close proximity to Miguel. A firecracker that hated following orders or being told what to do. He didn’t even know how you managed to last this long as a spider-person or why you were chosen to become one since you behaved so recklessly. In his mind, you were a hazard to have on his elite strike force, but Jess was the one that convinced him you would be a good addition to the team. That was a few months ago, and he continues to figure out whether or not having you around was a good or bad thing. So far, it was definitely leaning towards bad.

You never listened to him, often going off on your own on missions or making small mistakes that would throw him off. It was almost as if you enjoyed seeing him upset, making it harder to tolerate you and leading to more arguments. The constant bickering and fighting was a daily occurrence, a game of pull and push to see who would make the other crack, and usually, it was you pushing Miguel to his limits.

This was how your relationship was, if he can even say you guys had one, and he still remembers how your eyes gleamed with mischief when you were introduced to the Spider Society. At first glance, he comes off as intimidating, even scary with his size and demeanor alone. But with you? It was the complete opposite, like your ego was as big as him and then some. He couldn’t understand why you didn’t take him seriously.

Of course, today was no different.

“This isn’t how we organized this!”, Miguel yelled at you from the other side of the street, climbing up one of the buildings to catch up to your rapid swinging.

Currently, you were tracking down a lizard variant that Miguel had ordered you to capture and bring back to HQ. It was intended to be a solo mission, but instead of listening to him the first time around, you brought your newest friend Hobie to keep you company. As if the brunette’s stress couldn’t get any worse, seeing you two together creating havoc across the multiverse blew his blood pressure through the roof. The second you joined his team, you and Hobie instantly clicked, becoming almost inseparable when you met each other. Two rebels, two people who hated authority were brought together by fate. If Hobie’s anarchist tendencies were bad then, they’re worse now, and it only wore poor Miguel out knowing that headache number one found its match.

The variant from Earth-374 was tracked down in the sewer system, both you and your favorite rockstar managing to slow it down and trap it in one of the underground tunnels using your webbing. In celebration, you stopped by to get hot dogs, feeling you deserved a break and cheering at a job well done. Excitedly, you reported back to Miguel of your successful capture, hoping that maybe for once, he wouldn’t look at you with such dismay. Only when it was time for him to come to retrieve the anomaly, he was dumbfounded to see traces of webbing and no lizard. It escaped right under your grasp, your clumsy mistake of not securing them properly and forgetting to set up the sensors caused this to happen. You could practically see the tick in Miguel’s jaw as he all but looked at you in vexation.

Now you were attempting to amend your mistake with Miguel and Hobie alongside you, chasing the creature down through the streets of an alternate New York City. Despite both of them being there to help you, you still managed to go off on your own.

“I almost have it! Just let me get this!”, you called back to Miguel, distancing yourself from the other two as you launched your body towards the reptile underneath you. Miguel constantly called you out on this, how you always put yourself in danger instead of actively trying to get away from it. Your spider-senses were the same as everyone else’s, yet you behaved as if you didn’t use them half of the time, enjoying the thrill of being put in such precarious situations.

Hobie followed your lead while Miguel continued to grumble under his breath. You landed on the lizard’s back, shooting your webs to cover their eyes and blind them momentarily. They thrashed around the bustling streets, scaly skin rough against your feet and sharp claws reaching out to grab you.

A backflip here, another dodge and curve of your body there, you landed on top of the lizard’s head. They snarled when you shot another array of webs at their jaw, creating a makeshift lead and pulling upwards. In the mayhem of the chase, Miguel shot his own red webbing at its feet, yanking backwards and watching the mutated reptile slam into the concrete face first. Hobie mimicked the larger man’s actions, the both of them working in tandem to bring the lizard down to the ground and secure it thoroughly. You busied yourself with webbing its mouth shut, taking extra care to ensure you wouldn’t repeat your initial mistake.

Even if this was considered a personal redemption, you didn’t have the time to recover your breath before Miguel was on you again, his tone harsh and condescending.

“Do you have any idea what the hell you just did? How many times do I have to tell you to do things the way I say?!”, Miguel spat out, scolding you as if you were a child that lacked common sense.

“We still caught them no? The damage isn’t so bad”, you said stubbornly, putting your hands on your hips and looking up at Miguel defensively. From the way the outline of the eyes on his mask curved downward, you could tell he was irked. Perhaps this was his last straw with you.

“You destroyed half of the damn city! Are you really this stupid and hasty?”, he said almost exasperatingly. No matter how hard you tried to talk to him, Miguel never listened. He always wanted things done his way, and he just couldn’t stand the fact that you never saw him through.

“I wouldn’t be this hasty if you would just get off my back! You’re always so uptight!”

“This conversation isn’t over, you hear me?”, he hovered above you, not wanting to prolong this argument any longer. Messing with the buttons on his watch and opening a portal back to H.Q., he entrapped the lizard variant and threw them through the bright colors of the interdimensional opening. He took one last glance at you before walking through, leaving you and Hobie behind as you sighed and looked down at your feet.

“I messed up, didn’t I?”, you asked Hobie, who started walking towards the portal with you close behind.

“Nah, it’s not that bad. The big man will get over it”, he said with a shrug, tone of voice slightly teasing and doing nothing to calm your nerves.

You only silently hoped that Hobie was right.

Miguel exhaled with his fingers pressed against the bridge of his nose, breathing through his nostrils as he tried to regain some peace of mind. After today’s fiasco of a mission, he called you and Hobie back to his lab to discuss it. Whether it was just to talk or simply yell at you again for your failure, you were about to find out.

“Miguelito, you’re going to pop a vein at this rate with the way you’re stressing out,” you teased, looking over at the very agitated Spider-Man.

Oh, he hated that. He loathed how easily the nickname slipped past your lips whenever you antagonized him. You always found more ways to get under his thick skin, and this was one of the things you did from your long list that seemed to upset him the most.

“Dios dame paciencia”, Miguel muttered under his breath, huffing and puffing as he paced around.

“I lied before, he’s definitely pissed at you now”, Hobie said next to you, smugly glancing between you and your mutual boss from the corner of his eye.

“It’s not so bad, I swear”, you put your hands up in fake innocence, and Miguel just chuckled dryly under his breath.

“You’re joking right? You let the anomaly go because you weren’t paying attention, and I have to clean up after your mistakes, again”, Miguel turned his back to face you, red eyes looking at you fiercely.

“Okay, I may have done that, but we caught them right after. What’s the big deal?”, you said, shrugging, which only seemed to tick Miguel off more, feeling his shoulders tense and his left eye beginning to twitch.

“And that’s my cue to leave. Good luck, mate”, Hobie says, saluting you and leaving you to face Miguel’s wrath alone.

“What’s the big deal? You just don’t get it, do you? You’re always so careless, you never listen to me, and then you act oblivious when you mess up. How the hell are you even a spider-person?”, Miguel retorted, stepping closer to you as an act of intimidation, but it didn’t affect you much. You held your ground while he walked forward until he stood right in front of you, looking down as if you were merely a pest.

“I still do my job, don’t I? You’re stressing out over nothing, and you don’t have to be breathing down my neck all the time if you’d just let me do my own thing. The multiverse is still safe Miguelito, lighten up!”

“Stop fucking calling me that! God, you annoy the shit out of me I can’t stand you.”

“I’m aware of that, you remind me every day!”, you countered defiantly, and Miguel was on the brink of losing his last nerve.

“Coño, for once, will you just shut the fuck up!”, he yelled now, reaching an arm out to wrap his hand around your throat, holding you in place instinctively as you gasped.

He wasn’t choking you, his fingers not daring to tighten around your neck but acting as a placeholder. He bent down the slightest bit, whispering in your ear with a tone of voice that was borderline threatening.

“You’re a pain in my ass, an ungrateful brat, and I don’t know if you get on my nerves on purpose, but you’re going to learn to stop fucking with me like a plaything. ¿Entiendes?”, Miguel snarled, his lips grazing the outer shell of your ear. This you weren’t expecting, your mind short-circuiting as your breath hitched at his words.

Miguel pulled away, his hands still around your neck while he stared down at you. He was taking in your reaction, watching how your breathing increased, your eyes were filled with a curiosity he hadn’t seen from you, and he could practically feel your pulse pounding against his thumb that pressed into your skin.

He was trying to figure out the sudden change in your demeanor, half expecting you to say some sassy remark back to him, but nothing came out of your mouth. If anything, you seemed to like this.

“Ah, so that’s what it is? You’re a brat on purpose?”, he smirked then, finding your sudden silence amusing. “You think you’re hot shit, acting all defiant around me when in reality, you need to be put in your place.”

Your cheeks blushed, both confused and aroused at the sudden change in the dynamic between you two. Have you thought about Miguel like this? Sure, once or twice. But the big scary Spider-Man was a tough nut to crack, so instead, you compromised for teasing. There was no way he would act out on those very sudden desires, right? Right?

Oh how wrong you were.

“You put up a show all the time when you just want some attention. Ain’t that right, muñeca?”, Miguel said, leaning his face closer to yours so the tips of your noses barely touched. He was teasing you, playing with the idea of giving you something you didn’t even know you would crave. His grip tightened around your neck the slightest bit, bringing your attention back to him when he spoke again, “I asked you a question, answer me.”

“Y-Yes”, you stuttered, the neurons in your brain working just enough to formulate one word. At this rate, you could feel your body warming up with how Miguel spoke to you. It felt taboo to be in this situation right now, but some part of you wanted to indulge in this small fantasy.

“Hmmm, maybe I’ll remind you where you belong so you can stop acting out. You want that?”, Miguel’s voice was playful now, noticing how your blush intensified the closer he leaned down. One of his hands reached for your hip, bringing you closer to him while the other stayed on your neck, your jaw tilting up towards him. It was an invitation, a calling for a kiss, or whatever else he may have in mind.

“Fuck, yes”, you found yourself saying a bit too quickly, your brain telling you to just shut up and listen to him for once, to relieve whatever tension the both of you have developed for so long. Miguel took one last look into your eyes before he closed the distance between you two, his mouth meeting yours with force.

Your lips meddled together in a flurry of need, a mess of tongue and teeth as you both forgone all sense of professionalism. These weren’t the lovely, soft kisses one would expect from someone they’d been pining after. They were possessive and dominating. Miguel’s grip on your hip tightened, pinning you to his body as you stood chest to chest. He practically loomed over you, needing to crane your neck up to kiss him properly. You moaned when his tongue slipped between your lips, grazing the roof of your mouth and curling around your own. The hand wrapped around your neck slipped from its grasp to cradle your jaw, stroking your cheek in a way that opposed the harsh kisses he gave you.

When Miguel pulled away for a breath, your face was slightly flushed with plush lips to match. His thumb caressed your bottom lip, pressing into it and looking at you with newfound desire. He sighed when your lips closed around it, sucking it into your mouth gently and tracing the bottom of his digit with your soft tongue.

“You just need something in your mouth to be good right?”, he smirked, pressing the pad of his thumb on the middle of your tongue as you hummed against him with a nod. The red in his eyes darkened, watching you stare at him in desire. Miguel chuckled, taking his thumb out of your mouth and stepping away from you slightly with a toothy grin on his face.

“Let’s see if you can do more with your mouth than just piss me off”, he grunted, his voice dropping an octave as he pushed you down to your knees in front of him. If you thought Miguel looked big before, he looked much larger in comparison now, the shadow of his body swallowing you whole.

You looked up at him needily, your attention diverting to the bulge hidden underneath his spider suit. Mouth watering at the sight, your eyes widened when part of his suit disappeared in pixelated bits, his hard cock bouncing towards your cheek. An unintentional gasp slipped out of you, biting your bottom lip and rubbing your thighs together as your lower gut bubbled in warmth. Now you know why Miguel acted the way he did, why he was so hard to handle at times. His words and size matched the rest of him, big and intense all around.

“Don’t be scared of it”, you heard Miguel say mockingly, bringing you out of your admiring trance. You could tell despite his dominating demeanor, he wanted to be touched, his cock almost pulsing in front of you.

“Who said I was scared?”, you taunted back, grinning when you saw the same annoyed look Miguel does that seemed reserved for just you.

“You want to prove me wrong? Go ahead then”, his hand went to your hair, grabbing it in his fist as he felt you caressing his tip in light kisses. He sighed when your lips moved under the base of his shaft, kissing the prominent veins that pulsated against your warm mouth. It took everything in him not to thrust into your face, but he knew what you were doing, playing with him even when he was the one in control.

Your breath hitched again when your head was yanked back, ogling him as you saw how pent up he was, how badly he wanted you.

“Don’t fucking tease me. Now open wide baby”, he muttered, putting both of his hands on your head to get any flyaway hairs out of your face. He wanted to burn this picture into his memory, taking in the view of you having his dick down your throat for the first time.

Slowly, your lips wrapped around his member, encasing him in your hot mouth as you relaxed your jaw to take more of him. You didn’t know if you would be able to take all of him at once, but you sure as hell were gonna try. Breathing in through your nose, you moved further down, feeling more of him resting against your tongue before deciding that was enough for now.

With a gentle tug of your hair, you pulled back, moving your head over him while one of your hands went to his thighs for support. Your other hand held him at the base, jerking the rest of his cock that couldn’t fit. He groaned shamelessly, letting you have a small bit of control as your tongue traced over the underside of his length. It felt good, better than he imagined, and he couldn’t help but close his eyes to immerse himself in the pleasure.

You hollowed your cheeks out, bobbing your head harder while taking more of him into your mouth. Tasting the saltiness of his precum against your tongue, you moaned around him, his fingers tightening around your head as you kept working over him, not caring for the slight tingling in your jaw.

“Knew you were good at this”, Miguel mumbled, his fangs digging into his bottom lip as he watched you. You looked almost precious to him, your hand growing slick with saliva along with the rest of him, your lips pinker than usual. He couldn’t help himself, grabbing the top of your head and thrusting towards your face.

You choked a bit at the action, the sudden intrusion forcing him all the way down the base of your throat until he pulled his hips back. He did it again, pushing your face against his pelvis until your nose rubbed into the soft brown curls against his skin.

“See how pretty you look when your mouth is shut? Just get your throat fucked like the slut you are, taking me so well”, he lost himself to the sensation of you deep-throating him, struggling to take all of him at once. But you tried, your hands on the top of his thighs as you happily let him fuck your face.

Tears started to gather on your lash line the more forceful Miguel got, an audible gagging sound filling the room every time he plunged deeper into you. Spit was coating your chin and cheek, his balls hitting your face with every drive of his hips. Blowing someone wasn’t new to you, but the way Miguel used you to get off intensified the burning heat in your gut. Hearing the sounds he made, feeling how he throbbed and twitched in your mouth, how his thighs slightly shook the closer he got to his climax. It was arousing seeing him like this, and you enjoyed it like it were your favorite movie.

“I want to cum down your throat, you gonna let me?”, Miguel asked, sweat starting to build up on his hairline as he looked down at you. Your eyes were hazy, pupils dilated and almost lost as they met his. He could feel your harsh breathing against him, the drool pooling in your mouth, and the vibration of a pleasurable hum as you answered him with enthusiasm.

“Mierda, swallow it all for me, I don’t want you to waste a drop”, he said hastily, thrusting up into you a few more times before he shuddered with a loud grunt. Miguel’s hips stayed flush with your face, tears dropping down your cheek as you choked around him and felt him cum down your throat. You clutched his thighs, breathing shakily and trying to remain calm to the best of your ability. He felt you constricting around him, taking everything he had to give while his fingers dug into your scalp.

With ease, Miguel pulled his hips back, watching you catch your breath. You moved your head up, opening your mouth to show him how you followed his directions, no traces of his release left behind. Not a single drop was wasted. For the first time since you’ve been in the same room with him, there was a smile on his face.

“I should give you a treat for being so good to me just now”, Miguel purred at you, bringing you back onto your feet and kissing you deeply. He could taste himself against your tongue, groaning into your mouth as he chased the flavor of his release. You clung to him, gasping when you felt a claw on your back tearing at your spider suit as he slipped it down your body, leaving you bare before him.

“Fucking hell Miguel”, you whined against him, the brisk air of his lab making your nipples hard, biting your lip when a rough thumb caressed a perked nub. He was handsy and impatient, lifting you up by the bottom of your thighs and bringing you to a spare desk on the other side of the room. You sat on the cool surface, legs instantly parting for Miguel as his hips pressed against yours.

With hungry lips, they wrapped around your other nipple, sucking lavishly and humming around it as his hands explored over you. His other free hand trailed down your stomach, gracing your bare hip and reaching towards your warmth. Your hands went to his brown hair, running through the strands and arching towards his touch as a thick, calloused thumb ran circles on your clit.

“You always get this wet when you have dick down your throat?”, he chuckled, releasing your nipple to kiss your neck, nipping the soft skin while he continued his rubbing. You couldn’t even answer him, throwing your head back to grant him more skin to touch and crying out when two of Miguel’s fingers slipped inside you.

The soft squelching that filled the room was almost embarrassing, feeling your arousal drip onto his skin with every plunge of his digits. You were already so wet and pent up from the earlier usage of your throat for Miguel’s pleasure, sending you that much closer to the edge. With a flick of his wrist, his fingers curled into the soft spot inside you, your thighs twitching under him and pulling another whimper out of you.

“Please, fuck please”, you gripped onto his bicep, grinding your hips against his hand to chase your own pleasure. Miguel’s sharp eyes observed you, watching every stutter you gave him and how your eyebrows creased the closer you got to your climax. He was mesmerized by your soaked heat, knuckles deep into you and hitting every sensitive spot he could find.

“So needy, fucking into my hand like a whore. You want to cum on my fingers muñeca?”, he said against your ear, biting on the lobe as you shook underneath him and weakly nodded. His thumb came back into the mix, rubbing fast circles on your clit that made you keen. You were dripping down his wrist, your hot walls fluttering around him and your nails leaving indents in his biceps from where you held on to him.

“Cum for me so I can fill your pussy up just right”

It didn’t take long for you to reach your peak, closing your eyes and mewling out Miguel’s name in the crook of his neck. He groaned at how tight you got, sucking his digits deeper into your body as you flexed around him with trembling legs. He didn’t stop moving his hand against you, making sure to milk your orgasm as much as he could. With a soft kiss to your lips, he pulled his touch away from your center, marveling at how your fluids glistened in the dim light of his lab. Staring at you lustfully, he slipped his fingers into his mouth, savoring your taste with a lewd sigh.

“I’ll get a better taste of you later, but for now let me fuck that defiant attitude out of you”, Miguel said, his hands going to your thighs and lifting them up. He put one of your legs on his shoulder, bending down closer to you as your back was resting on top of the desk. You could feel how hard he was for you again, grinding his length against your wetness, his tip bumping into your clit deliciously every time.

“Just fuck me, please Miguel”, you begged, clenching around nothing and feeling how badly you needed to be filled with something. You expected some sly comment from him, but he surprised you, positioning himself above your entrance and pushing forward.

“You’re so fucking tight. No wonder why you act the way you do”, he hissed at the way you throbbed around him. He didn’t stop moving until his body was flush with yours, reaching the deepest parts inside you and stretching you so deliciously you whined. It would be an exaggeration to say you felt him in your chest, but you swear you could.

A choked moan left your throat when he pulled his hips back to pound into you again, setting a rough pace from the start. The smell of sex started to fill the lab, Miguel’s face digging into your neck and biting the skin as he huffed under his breath. He leaned forward towards your body, your leg that he had on his shoulder bending towards your chest, making him slip deeper into you. You yelped at the action and fucked back into him, your hips meeting his with an audible slap.

Miguel was unrelenting, his hands digging into the plush skin of your thighs and hips as he looked down at where your bodies met. His pelvis rubbed into your clit with every stroke, tilting his hips the slightest bit to hit your g-spot every time he plowed into you. The annoyance he once felt towards you evaporated from his mind, now only focused on screwing you into the desk. It was a lot, he was a lot, but all you could do was be good and take what he gave you with no complaints, holding on to the edge of the desk so tightly your knuckles turned white. He was also silently thankful his lab was farther away from everything else, his ears taking in every delectable sound that came from your bruised lips unabashedly.

“You’re so loud. Do you want the entire HQ to hear how much of a slut you are? Letting your boss fuck you like this for being a brat”, he teased in your ear, feeling you clench around him as he increased the intensity of his thrusts against you. You liked the mix of his degrading and praise, common sense so far gone from your current mind that it left you stuck on cloud 9.

The sneaky hand on your hip moved down your body again, rubbing the pulsing nub as you rambled incoherently against him. He could feel you getting close, doing everything in his power to ruin you for any other person, if that were even an option. You didn’t have it in you to warn him of your impending release, your thighs shaking against his body. But he already knew, slamming harder into you to the point where the desk underneath you screeched against the floor. He was getting close too, his eyes trailing down your body and seeing the white ring at the base of his cock.

“You’re so close baby. Need you to cum around me so I can fill you up, let everyone know who’s fucking you so good”, Miguel grunted against your ear again, your arms wrapping around his broad shoulders and clinging to his body. Your nails dug into his back, scratching down the firm planes of muscle and leaving angry red streaks in their wake. He shuddered at the touch, growling into your skin and biting at your shoulder.

Head thrown back in ecstasy, the tension in your gut snapped as you spasmed and wailed under him, the pleasure overwhelming you the second time around. Miguel held on to your hips to keep you from jerking against him, whispering praises into your ear and telling you how good you were, how good you felt squeezing around him. His pace grew sloppy, pumping into you a few more times before his release hit with a guttural moan. Cursing in Spanish under his breath he came inside you, filling you to the hilt with some of his seed spilling out of you.

The both of you panted against one another, Miguel’s body slowly relaxing as he placed one final kiss against the new marks he left on your neck. He lifted his head back to look at you, your eyes half-lidded and face flushed as you caught your breath. Your heart was going a mile a minute, knowing your body would feel sore, but you felt satisfied beyond measure. With a hiss and much protest, Miguel pulled his softening length out of you, watching his cum slip out of your slit and run down your thigh.

“You okay?”, he asked, his voice no longer laced with anger or irritation. You nodded, licking your lips as you tried to find words for him, but your mind was still fogged with the high you just experienced.

“You should listen to me more often you know. I don’t want you causing any more trouble”, Miguel told you, voice softer than usual as he caressed the soft skin of your quivering thigh.

“And what’s the fun in that if this happens when I piss you off?”, you told him, a dopey grin on your face as your eyes met his. The same mischievous glint he always found was there again, something he initially hated now being something he wanted to see more often.

“Then I’ll hold you to it. Don’t be surprised if I put you in your place again”

“I’m looking forward to it, Miguelito”

He found himself chuckling at that, the nickname that made the hairs at the back of his neck rise in aggravation now felt like a blanket of comfort. He knew down the line this wasn’t the end of your antics, that you would continue to get on his nerves. Only this time, he found a way to get something out of it.

Maybe just maybe, having you around wasn’t so bad after all.

©️ ovaryacted 2023

#miguel o’hara #miguel ohara #miguel o’hara x reader #miguel o’hara smut #atsv miguel #miguel spiderman #miguel x reader #miguel spiderverse #miguel ohara x reader #miguel ohara smut #spider man: across the spider verse #atsv smut #atsv x you #spiderman 2099 #itsv #ovaryacted fics

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the-irreverend · 2 months ago

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The Inferno Theory: The Chara Theory to End All Chara Theories

Here we are! Nine years of Undertale. And seeing how Chara is heavily associated with the number 9 (AND THAT TOBY FOX FINALLY TALKED ABOUT THEM), I can't think of a better way to celebrate the occasion than by dedicating this 5000-word-long theory about them? Y'all remember when people used to make long-ass theories about Chara? Yeah, they're coming back with a vengeance! To say I have a colossal hyperfixation is a massive understatement. No character in all of fiction has had a bigger impact on my life than this little rose-cheeked, cocoa-addicted freak. I’ve been a Chara fan for as long as I’ve been an Undertale fan, and you can bet that my understanding of them has changed a lot since. And now I have the pleasure of sharing said understandings with y’all!

Once upon a time, there was an aroace autistic who, like most of y’all, had a very unhealthy obsession with Undertale. And unlike most of you, he thought the Genocide Route was really fun. Most fans talk about how unhappy they felt killing everyone, but for me, I felt like a polar bear at a baby harp seal convention. I got a disturbing level of happiness out of turning everyone to dust. Hell, the only unhappiness I felt was when I couldn’t turn Monster Kid to dust.

Oh well, at least I got a good consolation prize!

I was one sadistic son of a gun, and so I was even more delighted to find out I had a secret admirer/partner-in-crime and that they joined in on the fun because I was such a goshdarn inspiration to them. Not wishing to disappoint my self-appointed partner, I erased the world without a second thought, eagerly awaiting what we might get to do together.

So you can guess I was pretty taken aback when, instead of a warm welcome, they started lecturing me about how I couldn’t accept the world’s destruction and that I was the one fully responsible for it (even though they were eager to take credit for it earlier). I didn’t think much of it at first. Initially, I just thought that they were just irritated that I was undoing what we had worked so hard to accomplish.

But as this game taught me time after time, you should never trust your first impressions. Those first impressions would crumble to dust when they said this.

To say I was completely baffled is an understatement. Why the hell would this prepubescent genocidal maniac be so obsessed over whether or not I think I’m above consequences? So obsessed to the point they would tell me to go to hell if I told them no? It was at that moment I realized there was something more to this character than meets the eye. But for a long time, I couldn’t seem to figure out what that something was. And it didn’t seem like anyone could figure that out either.

I’m very much a veteran of the fan wars that have emerged surrounding Chara. In fact, one might even say I am a deserter of sorts, as I am a former member of the Chara Defence Squad, Offense Squad, and Neutralist Squad. But I’m not gonna be a stuck-up and say everyone’s a canon-ignoring idiot except for me and that I’m the only one who knows what Toby Fox intended Chara to be. Even though I ended up with a very different take than yours (and will certainly argue why it’s the best), I owe you all your discussions a huge debt, and I wouldn’t be here if I hadn’t gotten invested in your interpretations, to begin with. Not to mention that, contrary to what some may argue, you’ve made some valid points to complement them.

And while the debate that resulted from Chara’s ambiguous morality has led to a lot of controversy and even toxicity, it has also been a source of some FANTASTIC CONTENT. Like seriously, would we have gotten those badass renditions of Stronger Than You if no one thought Chara was an awful person? Would we have gotten Man on the Internet’s beautiful rendition of Star if no one thought Chara was a good person (turned awful)?

It would be utter hypocrisy for me to ask of you to approach me and my arguments (or anyone who accepts them) with understanding and good faith only to then not do the same to anyone who doesn’t agree with me. In this theory, I will definitely argue why some points made about Chara are flawed; points that you might hold yourself. But that doesn’t automatically mean that you (or your takes) are intellectually or morally inferior to mine. And besides, I’m not Toby Fox.

So with that said, why did I eventually came to disagree with pretty much everyone about Chara? Because, one way or another, I couldn’t find a take that clicked with me personally as I felt there were various inconsistencies and issues holding them back. I looked at YouTube videos, subreddits, Tumblr essays, Twitter threads, and even forums on the Steam Community. But I couldn’t really find what I thought were satisfactory answers to the questions I had about Chara’s motivations, role in the game, and relationship with the player.

And then, one day, I found those answers. It all happened when I asked myself: “What if Chara didn’t turn against me… because they were always against me from the start?!”

I don’t mean that Chara only saw you as a means to an end. I mean that YOU were the end. What if Chara didn’t use you so they could screw over the monsters but they used the monsters so they could screw over YOU.

You probably think I’m insane, don’t you? And you’re right! I AM INSANE! AND SO IS THIS WHOLE DAMN THEORY!!! But somehow, someway, it just works!! And I’ll show you why and how!!!

What you are about to read is the culmination of six years of reading and critiquing Chara takes and theories of every kind and quality, whether it be Judgement Boy’s Who is the Real Villain of Undertale to Wandydoodles’ Oblivion Theory. Six years of examining the arguments and counterarguments of Chara defenders, offenders, and neutralists alike. Six years of looking in every corner of the UTDR fandom. From the tranquil lands of Quora. To the dark recesses of Reddit. To the intellectual wastelands of Twitter. To the fiery hellsite of Tumblr. So, without further ado, get ready for some of the most pure, unadulterated, high-octane, universe-collapsing neurodivergence you’ve ever seen in your life!!!!!

Part 1: The demonic heritage of the "demon who comes when people call its name".

Have you ever had one of those moments where you’ve asked yourself, “What the actual hell is this guy talking about?” I bet you’re having that moment right now. Everything about their character post-death, including their motives, their methods, and their relationship with you, is perfectly reflected in one of their most famous (or rather infamous) lines:

When most people hear the word demon, the first thing that comes to mind is a being made of pure evil whose only purpose in life is to destroy all things good in the world. Right?

Well, yes, but actually, no. It’s a little more complicated than that. To argue that Chara is a demon because they’re simply “an evil little twerp that enjoys being evil” doesn’t do them or their role in Undertale justice (although that hasn’t stopped people from trying to argue that). To understand why calling themselves a demon is EXTREMELY important, we need to dive into the wonderful (and totally not controversial) world of religious beliefs!

In ancient and modern religions, demons are a little more complex than just ethereal jackasses with a vendetta against virtue and righteousness. Though they vary from faith to faith, most demons have a specific set of qualities and tropes that make them integral to whatever faith they’re in. You also see these demonic qualities in fiction that’s derived or inspired by religions, and since Undertale’s lore and worldbuilding have a heavy emphasis on the spiritual and divine, you can see them in Chara. Since Undertale is a game of “Western” origin, you can definitely see they share qualities that are all too familiar with devils of “Western” religions. In classic devil fashion, they target those with weak integrities or suspect morals; they tempt you with the promise of fulfilling your desires at your and everyone else’s expense; they’re able to control your body as you grow their power through your sins, and hell, they even do the thing where they make a deal for your soul. Also...

But though it's evident that Chara encourages you to do “evil,” THEY THEMSELVES are not responsible for it. Yes, Chara encouraged you to kill, but YOU are the one who acted on those encouragements. In fact, YOU are the one who encouraged THEM to help you out! They walked down the dark path with you, but you didn’t really give them anywhere else they could walk. You had all the power and every chance to turn back and no reason to keep walking. And yet you persisted.

But that does beg the question, why did you walk it at all? What could possibly inspire you to give all of these characters happiness, satisfaction, and peace and then rip it all away? Because you decided that giving everyone the most satisfying ending was not satisfying enough for you. Because there was more that you could experience for yourself, even if it meant making everyone else experience something absolutely horrific. It wasn’t enough for you to fill the glass only halfway. You needed to fill it to the brim. You wanted to reach the absolute. Even if doing the Genocide Run was a bad experience for you, you CANNOT deny it was a fulfilling one. And Chara knows it, too. It ain’t exactly a coincidence that fulfillment and fullness are recurring motifs in Chara’s character.

Like all demons, Chara is able to tempt the wicked and sinful by targeting our greatest weaknesses and deficiencies. It’s no different from how Succubi and Incubi target those who succumb to the sin of lust. That’s why you won’t go after my aroace ass anytime soon. But I digress.

But Chara doesn't just tempt us by exploiting our need to fill the glass to the brim but also because of how they exploit the satisfaction we get from watching it fill up, that is to say, the satisfaction that comes from trying to achieve fulfillment.

We humans are addicted to progression as much as we are to completion, and in an RPG like Undertale, the satisfaction of progression comes in the form of NUMBERS. Not just the numbers that flash on the screen when you battle enemies but also the ones that go up when you finish said enemies off, whether it be your hit points, experience points, and so on. And Undertale isn’t any ordinary RPG; it’s one where its RPG elements are interwoven into the fabric of the game’s universe. Because of that, Chara is able to use these elements in their world to influence those outside of it.

But Chara does not just influence us through the numbers that increase but also the ones that decrease. That’s why the first thing they do when we reach Snowdin is give us a tally.

It’s not just there to measure progress. It’s also there to incentivize us to keep progressing. It gives us a small dose of satisfaction that’s enough to distract us from the mundanity and misery of the murder run, like a loading bar on a loading screen. And just like with loading screens, the farther it progresses, the harder it gets to turn away. Why would you want all the lives you’ve taken and the stats you’ve gained to amount to nothing? Why would you want to hit reset and go through those brutal fights with Sans and Undyne again? You can’t empty out the glass, not when you’re that much closer to filling it to the brim. Speaking of Sans and Undyne, it’s quite interesting that even though they barely know you, they know exactly why you won’t take your foot off the pedal, so to speak.

But that’s not the only thing driving you, isn’t it? Chara knows that there was something else that was spurning you along. Something more powerful and more dangerous than your addiction to progression and completion: PRIDE.

Perhaps the real reason you kept giving in to sin until it was far too late was because you didn’t think it would be too late. You didn’t hold back because you thought you would be able to go back. You thought you could just absolve your sins with the press of a button like you did in countless worlds before. You thought you could dive in, touch the bottom, and come back out of the water. But what were you getting into? How deep would you have gone? And would you have gone in if you knew you couldn’t possibly return? You know you wouldn’t. And Chara knows it, too. That brings us back to the dialogue I showed you at the beginning of this theory. The one said changed everything I knew about this character, and I firmly believe that this is the MOST important line of dialogue in the entire franchise.

PART 2: THE PART WHERE I (PRETEND TO) DESTROY 9 YEARS OF ESTABLISHED FANON!

When I say that that little blurb about being above consequences is ABSOLUTELY ESSENTIAL, I do not say that lightly. It isn’t just important to Chara's character, but the game of Undertale as a whole! Anyone who’s serious about Chara’s character should never take this for granted because Chara sure as hell does not.

It’s not just our refusal to accept the world’s destruction that’s a huge-ass deal to Chara; it’s the arrogance and complacency that accompanies it, rooted in the position and privileges we have as the player. It matters to them so much that they’re willing to completely forgo bartering for our soul (which they say they want) if we don’t admit that we have that belief!

And yet, despite Chara taking this subject so seriously, the people who are analyzing their character ironically don’t. Generally speaking, most people simply brush this line off as nothing more than something they do to help them on their quest to achieve their goals. So, with that said, let’s talk about what those supposed goals actually are.

In all my years of reading and assessing countless Chara theories and interpretations, I’ve discovered that everyone actually agrees on what Chara's goals are. They just can’t agree on why they want them. Said goals are A) reach the absolute, B) max out their numbers/power, C) erase the world, and/or D) eradicate all monsters. But what if it’s actually the other way around? What if those things were the means to an end rather than the ends themselves?

What if the true goal of the “demon who comes when people call its name” was just like that of the demons of old: not to be your partner in crime, but to torment and punish you for your crimes? To make you face CONSEQUENCES!

I’m not making this argument simply because it makes Chara look more badass (though I think it totally does, lol). I firmly believe that Undertale’s post-Genocide content is written so that Chara’s character can only make sense if that was Chara’s goal from start to finish. Because if Chara’s endgame was any of those four I mentioned earlier, their character kinda falls apart because they're awfully inconsistent about fulfilling them. And those inconsistencies are evident in the Second Geno Ending.

Discrepancy 1) They say they will “appear time and time again” to help us “eradicate the enemy and become strong,” and yet they call us perverted for eradicating everyone time and time again.

You can argue that they didn’t want us to recreate the world in the first place and just move on to another world, but if so, why let us come back at all? And if it’s to get our soul, why do they keep around this world after we have it? This leads us to...

Discrepancy 2) They tell us to ERASE the world and move on to the next, and yet they allow us to restore it without a hitch after we give them our SOUL, seeing how there’s no black void when we start the game again.

If Chara was powerless to stop us from coming back, this wouldn’t be such a big deal. But they CLEARLY DEMONSTRATE that they’re able to stop the player from restoring the world, as seen in the first post-genocide ending. And yet they don’t use this power after the first time the world is erased (WHICH YOU WOULD THINK THEY WOULD WANT TO USE SINCE THEY WANT TO ERASE THE WORLD AND MOVE ON TO ANOTHER)! Seeing how the world is back again without us doing anything makes the restoration of the world like something that Chara CHOSE ON THEIR OWN VOLITION. And what makes this all the more damning is...

Discrepancy 3) They tell us they’re down bad for increasing our ATK, DEF, EXP, and LV to the max and erasing the world and everyone in it, and yet they TELL US TO DEVIATE FROM THE ONLY ROUTE THAT ACCOMPLISHES THAT (which, as stated before, they call us perverse for doing it again).

So, let me get something straight. You tell us you want to ”eradicate the enemy” and “ erase this pointless world,” and yet not only are you allowing us to undo all of that, you want us to do something INSTEAD OF THAT??? It’s funny how you lecture us about how we cannot accept the world’s destruction BECAUSE, APPARENTLY, YOU WON’T EITHER!!!!! Also, before I forget...

Discrepancy 4)

WHAT KIND OF MISANTHROPE DEDICATES THEIR WHOLE LIFE TO WIPING OUT HUMANITY, GETS GIFT-WRAPPED A CHANCE TO DO THAT, AND THEN JUST PASSES IT UP?!?!?!

On behalf of misanthropes everywhere, I am DEEPLY disappointed in you!

So it doesn’t matter if you believe Chara is always evil, good, or detached from morality entirely. Because Chara has the same goal across all versions, they all succumb to the same inconsistencies!

Funny how most people see them as this embodiment of the addictive nature of levelling up and consuming everything in a piece of media and all that jazz WHEN THEY SEEM TO CASUALLY GIVE UP ON IT!!!!!!

And if you argue they want a Soulless Pacifist Run when they suggest “another path,” then ask yourself, what does that give them that a Genocide Run doesn’t? Keep in mind, aside from a scribbled-out photograph, we don’t see how many monsters or humans they killed besides the main characters or how much power and stats they gained from it. And it’s not like we see them erase the world afterward since only the genocide run has that infamous wall of red 9s. Not to mention, the genocide run is the most secure way of accomplishing their goals since they have the backing of the player. Not only that, but it’s also the safest and most efficient way to erase everyone and increase stats to the fullest, and we all know how Chara feels about efficiency.

So Chara has no reason to pick the Soulless pacifist ending over the Genocide Run if they want to achieve their end of increasing numbers and consuming the world… unless those things were a means to an end rather than ends themselves.

Indeed it is coming together! That’s the other reason their statement, “You think you’re above consequences,” is so damn important! They’re not telling us why we sinned, but it reveals they intend to make us suffer for those sins, and how.

That’s why Chara is seemingly so inconsistent about erasing the world. Because it was never about the world. It was all about YOU.

[SIDE NOTE: I’m sure many of you will point out that if Chara wanted us to get a Soulless ending in this world, then why would they encourage us to “move on to the next?” I don’t think this is too big an issue for two reasons. First, this line is meant to emphasize that, like all demons, Chara is inescapable and that no matter what world you go to (within their own universe), Chara will always follow you now that you’ve unleashed them. Second, because their goal concerns us and not the world they’re a part of, their character avoids the aforementioned inconsistencies that hamper the other Chara theories much more severely, in my opinion.]

Part 3: Contrapasso

Now I’m sure some of y’all might think that Chara doesn’t need to yearn for our torment to achieve the impact of the Soulless ending and that just because Chara is a demon doesn’t automatically mean they need to screw us over. You are right in that not everyone who makes a Faustian Bargain needs to have malicious intentions toward the people they’re taking advantage of (Kuybey from Madoka Magica is a great example of that). But Chara does need it! Not only does it make their character more narratively cohesive, but also makes their character more thematically impactful. And it’s more in tune with their demonic nature for them to want to torment us.

Because demons represent something more terrifying than evil itself. They represent the terrible price of embracing it, a price that all evildoers fear more than anything, and that all demons want seek to inflict upon us. Like most demons, Chara isn’t encouraging us to sin to fill the emptiness in our soul (or even their own). They did it to perpetuate that torturously empty and unfulfilled state for all eternity, a state which even themselves now endure.

Now, you’ve probably noticed that I’ve talked a lot about the themes of fulfillment and emptiness, and it’s for a good reason since those themes are heavily featured in Undertale. I mean, how could it not? Because concepts of demons, hell, and sins (which are explicitly mentioned in the game) are deeply intertwined with the concept of emptiness. The theologian Thomas Aquinas once defined evil as not a presence but as an absence (of that which is good). Darkness is the absence of light; war is the absence of peace; bigotry is the absence of tolerance; pride is the absence of humility, etc. You see this reflected in not just Christian theology but also fiction as a whole, as a lot of villains are motivated by a desire to obtain something that they believe can’t be without. Whether it be wealth, status, recognition, power, the death of an individual, or even just sadistic pleasure.

Since demons are beings that are inseparable from evil itself, the life of a demon is forever cursed by unceasing and unbearable emptiness. Hell, the word damnation originated from the Latin word damnum, which literally means loss! They’re not exactly partying in hell while your immortal soul is being slow-roasted for eternity. They’re burning in that lake of fire and brimstone along with you! They can’t end their damnation, not because they don’t want to but because they simply can’t. They’re fated to be bereft of the satisfaction or fulfillment found in Heaven or Earth, a fate that is worse than death in every sense of the word, especially since they can’t experience death anymore. Because of that, a demon embodies what is perhaps the most terrifying form of evil of all: not one rooted in a desire to rid the emptiness and unfulfillment within themselves, but a desire to inflict them upon others. Because as a wise philosopher once said:

We see this horrific state of mutually assured suffering everywhere across fiction. From goofy, lighthearted tokusatsu's...

...to nightmarish sci-fi dystopias...

...to a little indie game made 9 years ago.

Oh yeah. Don’t think I was gonna talk about emptiness without mentioning everyone’s favourite homicidal fauna-turned-flora, especially not with lines like this.

Take one to know one! And it can’t be a coincidence that the game emphasizes the theme of emptiness when giving the spotlight to the three characters that have committed the most “evil”: Flowey/Asriel, Chara, and YOU.

Quite the unholy trinity going on here, eh? It truly is fascinating how the emptiness led us to work with each other to exterminate all monsters. And it’s also interesting how the unique kind of emptiness we have eventually led us to work against each other. Whether it be Flowey wishing to preserve his sentimentality for his long-gone sibling, us players wanting to maintain our (perverted) sentimentality for the world of Undertale, or Chara weaponizing these sentimentalities to exact their misanthropic hatred.

Remember how I said that Chara was a lousy misanthrope because they keep letting us bring back the humans they wanted annihilated when they were alive? That does make them a lousy misanthrope… unless their misanthropy found a higher priority target: YOU!!!!! Chara’s desire to torment us didn’t come out of thin air. The same hatred that drove them to wipe out the humans of their world years ago is the same hatred that’s driving them to get at the humans of our world, even if it means destroying those who once embraced them. And now, that hatred is more potent and destructive than ever before, so much so that it’s no wonder Toriel was able to feel it when she endured that fatal blow after the Geno Run began.

Do you think witnessing what soullessness did to sweet little Asriel wasn’t already terrifying and tragic enough? Just try to imagine what it could‘ve done to a vengeful, traumatized, chocolate-addicted problem child so consumed by hatred that they poisoned themselves just for a chance to wipe out their own kind. All of that hatred of humanity is still alive and well, and now it has no humanity to hold it back.

And what could be a more fitting target for a MISANTHROPE that calls themselves a DEMON… than a HUMAN that wants to play GOD?

After all, the only thing demons love more than tormenting mortals is warring with Gods.

Why else do you think that Chara winks right at you if we make Frisk stay with Toriel? Because that’s who the Soulless Ending was meant for. It’s when they’re finally able to unleash all that animosity and hatred that’s been lurking behind that smile ever since we killed everyone in the Ruins. It’s the moment that they’ve been patiently waiting for because they knew that’s when it would hit you the hardest.

And what makes the Soulless Pacifist Ending very special compared to other “bad endings” isn’t simply because they destroy those we pretend to care about (may I remind you that you did do the genocide run, after all). But they destroy something much more valuable to us as the players: OUR OMNIPOTENCE. Chara doesn’t destroy people for the sake of destroying them. But because in doing so they destroy our arrogant belief that nothing could possibly challenge the invisibility and invulnerability we players take for granted.

It's all too human that those with the most power are the least willing to lose it (or even take responsibility for it). And in a world where we should have absolute power, we thought there would be no consequences for abusing it. So what could be a more fitting and frightful punishment than having to actually face them? Missing out on the best ending in a video game is one thing. But to forever lose the power to achieve it ever again?! Now that’s terrifying!

Throughout myth, legend, and religion, sinners are often punished in a way befitting of the sin they’ve committed. In Greek Mythology, Tantalus was damned for trying to feed the Gods the flesh of his murdered son with eternal hunger and thirst despite being within arm’s reach of water and food. In Dante’s Inferno, those who succumb to wrath are forever doomed to fight each other in a river of mud. And since Undertale is no stranger to concepts such as hell, sins, and demons, you can damn well be sure that there’s going to be damnation fitting for the sins that drove you to complete the genocide run.

You completed the Genocide Run because you believed ending their lives would be fulfilling. Now, you can no longer get any fulfillment out of saving their lives.

I mean, where else can you get your precious fulfillment? Those paltry neutral endings? They only offer a fraction of what the pacifist ending offered. And the genocide ending has been drained of its satisfaction like the pacifist! Would you do all that tedious grinding and brutal boss fights just to hear your so-called “partner” lecture you again on perverted sentimentality and say you should choose another path, even though there’s nothing that they could offer? Of course not. In the end, you’re just like poor Tantalus agonizing in the pits of Tartarus, feeling the water vanish from his hands just before it touches his lips.

The ultimate triumph of Chara isn’t making you suffer a total defeat, but perhaps something much worse to you as a gamer: a pyrrhic victory. It’s like having a Twinkie that's been drained of the creamy center. Everything is still there except the thing you treasure most. You’re damned to play a challenge forever deprived of any and all fulfillment you once got from it, a satisfying journey that will always be doomed to reach a dissatisfying destination.

In the end, Chara leaves you with the world exactly as they described it the first time they met you face-to-face: POINTLESS.

You can have the world exactly as it was before (and the people within it). But in the end, Chara will always have the last laugh.

Figuratively and literally.

Welcome to hell!

Part 4: Why Consequences Matter

Woooooo!!! Man, that was quite the read, wasn’t it? And yeah, I wasn't kidding when I said this is going to be autistic as all hell! I don’t doubt you have a lot of thoughts in your mind, and then you’re gonna share them by the time you’re finished reading this post. Some of you might think this is the Chara theory to end Chara theories. Some of you believe that this is the worst thing that has happened to this fandom since Sebastian Wolff. Some of y’all, I’m whitewashing them because I argue they’re driven by a desire to punish the wicked by any means necessary. Some will think I’m demonizing them because I say that they’re, well, a demon.

[SIDE NOTE: Just so I don’t miscommunicate what I believe about Chara’s morality, here are some key points to take away from this theory. A) Chara sought to make you pay for the evil you committed. In fact, the idea that the Soulless Ending is Chara punishing our sins has been around for a while, especially by those who think Chara was “corrupted. B) However, in this theory, Chara's actions are all done with the intent of accomplishing that goal. This means that Chara was aware of what they were doing, they wanted to do it, and that THEY KNEW IT WAS EVIL. C) But you still have to remember that Chara is also A LITERAL CHILD. And D) They’re a child who endured a great deal of hardship (and possibly trauma), which made them so embittered and vengeful. Also, E) Remember that they’re also soulless, just like Asriel when he was Flowey.]

But I think most of you were gonna look at this interpretation of Chara and feel the same thing that I have about most of yours: a take that’s not without issues, but not without a fair bit of interesting points.

But regardless of what you think of this theory overall, there’s one thing I won’t leave up for debate: I deeply treasure Chara’s character. Not just because I think they’re fun, cool, or interesting but also because I firmly believe they’re invaluable Undertale. And yet, at the same time, I think they’re severely undervalued by the fandom. And who can blame them?

The characters of Undertale speak very little of Chara, and Chara speaks for themselves even less. But just like Johan Liebert from the anime Monster, even though they’re not seen too often, they still manage to exert a massive presence and impact within Undertale’s narrative. And that presence is made all the more impactful because they perfectly represent the themes of the narrative: and that theme is CONSEQUENCES, or more accurately, the CONSEQUENCES OF VIOLENCE.

From the violence that drove Chara to climb Mt Ebott to the violence their brother Asriel inflicted in hopes of being with them forever. From something as grand as a war between two civilizations to something as small as dismembering a snowman. Everywhere you look, you will see that violence (and its repercussions) haunts the story and characters of Undertale. But what makes Undertale stand out from other media that tackles this subject is that it’s not just an integral part of its narrative but also its metanarrative. The most ingenious way it does this is by giving meaning to the actions/mechanics that we take for granted, specifically monster encounters.

Our Lord and Saviour Toby Fox said it best:

Because the monsters of Undetale are treated as something more than just enemies to be killed, there are going to be consequences for choosing to kill them away. Some argue that it goes too far in how it admonishes you for killing even a single monster, even to the point of being preachy (I’m looking at you, ScottFalco, but that’s a response for another day).

That argument is deeply flawed because it fails to account for the fact that without these ramifications, the game’s themes would be rendered null and void. The last thing that a game with a narrative centred around the consequences of violence can afford to do is afford you the luxury of avoiding them. And that principle especially applies if you dare to choose nothing BUT violence. //////If you were to bring them all back as if nothing happened, then your decision to commit genocide would be completely meaningless, which would totally disservice Undertale themes regarding violence. There needs to be consequences. LASTING CONSEQUENCES. Undertale can’t drive home its messages and them without lasting consequences. Undertale can’t deliver those consequences without Chara in the driver’s seat. And Chara’s character can only be at their most narratively cohesive and thematically impactful if seeking to make us suffer consequences was their intended destination.

Regardless of whatever detail about Chara you’re discussing or what side of the discussion you’re on, one thing is very clear: they’re absolutely essential to Undertale in the same way that Mephistopheles is essential to Faust, the Cenobites are essential to Hellraiser, and Kuybey is essential to Madoka Magica. And they’re the only ones with the means, motives, and deep-seated misanthropy to hold this whole damn game together.

Sans is right. We deserve to be burning in hell for what we did to those poor monsters. And I can't think of anyone more qualified to have us humans “burning in hell” than a self-proclaimed demon with a seething hatred of humanity.

And how fitting is it that the skeleton who judges our sins is followed by a human child who punishes us for them?

BUT HEY, THAT'S JUST A THEORY!

A CHARA THEORY!

THANKS FOR READING!

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tokyo-daaaamn-ji-gang · 5 months ago

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Hi hi!! Hope you’re doing well, I love your writing! I was wondering if you could do some hc on how ran, Rindou, sanzu, Baji, and Kazutora would react if they had a crush on a shy girl, so they always stare at her, but she thinks they’re glaring and gets scared?

Ok! Here are some hc's on them staring at a shy girl and accidentally scaring her because she thinks they're glaring. Put the timelines next to the names, also tw for kidnap on Sanzu's.

Ran (good timeline)

He really wasn't expecting to ever get caught staring at you, so the first time you suddenly turned and your eyes met his, he was caught off guard. He quickly recovered giving you a lazy smile though, and so the same thing continued everytime you caught him. Ran thought he was being charming and playful.....he never figured the stares would come off differently or that you would see his smiles as something sinister.

He doesn't understand why you always seem in such a hurry to get away from him. Were you not interested in him? Or is this part of the game?

Eventually he manages to trap you, standing between you and the door, grinning at you like a cat who just caught the mouse. Slamming his hand on the wall, next to your head, he leans in, intending on finally flirting with you verbally.

Only for him to suddenly notice your scared expression and realise that he's scaring you

Immediately backs off with his hands in the air, trying to show you he means you no harm. Explains the situation to you and actually apologises for scaring you.

He's mainly just surprised and a little embarrassed that he didn't realise earlier.

Rindou (good timeline)

Doesn't even notice notice he was staring at you at first, he's liked you for the longest time now and his gaze is just always wandering over to you unintentionally. He daydreams a lot while looking at you.

Anytime you turn to peek at him and your eyes meet, he tends to look away just as quickly as you. He hasn't quite figured out how he wants to approach you yet.

Eventually, he tries to talk to you but gets confused by your expression and by how you seem to practically run away anytime he gets close.

Actually assumes it's because you know his reputation as one of the Haitani brother's instead of it being because of the staring. So he tries to lay low a bit gang wise but the staring still continues.

Until one day, when you try to run off he calls your name and catches your wrist. He explains that he knows you're scared of him but that he won't ever hurt you and that you don't have to be scared because of the gangs. You look at him with a confused look for a moment before asking "so you don't hate me?". Rindou is very confused and also embarrassed as you explain the staring thing.

Sanzu (Bonten, tw: kidnap)

He's aware that you're scared straight away but it doesn't bother him. He's always observing people so has gotten good with knowing their thoughts and emotions, and picks up on yours immediately.

Sanzu's a bit different to the others though, since he never plans on actually having a relationship with you. Sure he's interested but Mikey is his king and the only one he allows himself to spend time on, he has to be his number one priority. So there's no time for a relationship, you're just a passing fantasy so it doesn't matter what you think of him.

He was wrong though, months go by and he's still interested in you. You won't leave his head, the staring intensifies.

Eventually he gives up, guess he has no choice but to approach you. He can probably make it work between you and serving Mikey too anyway. Besides he's no good to Mikey or bonten when he's all distracted like this.

You're walking home alone and don't see him till it's too late, one second you're walking and the next you're being pulled into an unknown car and being injected with something. Sanzu strokes your hair as your head rests on his lap, you were right to be scared of him.

Baji (good timeline)

He's in complete denial that he's even staring at you, Chifuyu and Kazutora both pick up on it and question him but Baji always denies it, getting defensive about how he definitely wasn't staring at you.

He hates how quickly you always leave, always rushing out of the pet shop whenever you see him. He wants to see you for longer, so wishes you would browse more like the other customers. Especially after he finds out that you happily stay longer and even chat with Kazutora and Chifuyu when he's not there.

This goes on for months, Baji staring at you longingly anytime you came in and you seeing his frustrated look, assuming he's angry at you and leaving quickly with your purchases.

Of course Kazutora and Chifuyu are the ones who have to step in. Making up some excuse about both of them being sick one day, so Baji would have to cover the shop alone for them. Meaning you and Baji would have to interact at the till.

Baji watches you as you casually walk into the shop, only to freeze when your eyes lock with his. You gulp and glance around before realising he's the only one there today, your only choice for buying your items.

You had hoped he wouldn't say anything to you but instead Baji immediately asks if you have a problem with him. He was never one for subtly after all. "I thought you had a problem with me?" You both end up surprised and clearing the matter up. Baji does have to deal with Kazutora and Chifuyu's teasing after though.

Kazutora (bad toman timeline)

You were being harassed by toman the first time he saw you, so of course he jumped in, beating them up to protect you. Toman shouldn't be hurting random girls. After he'd finished he was about to walk away when he heard the quiet "thank you" and realised you were offering him some tissues for his own injuries from the fight. You ran off after that, before Kazutora could offer to walk you home or even just ask if you were ok.

He figured he'd never see you again but then he did, just by chance. After that the two of you bumped into each other often, with him always staring after you. He wanted to say thanks for the tissues and get to know you more, he wanted you. You seemed so sweet, no girl had ever stuck around after a fight and offered him something to help before.

You thought he was mad at you because he had to beat up those guys or maybe he expected some kind of payment for doing that? He definitely seemed to be glaring at you...

It didn't take long for him to sense how uncomfortable you were with him around. It hurt him a lot, he assumed you were scared of him because you saw what he did to those guys.

He backed off immediately, stopped going to the areas where you were. After all he had an important job to do with Chifuyu, no time for romance. But it still made his heart ache.

#tokyo revengers #tokrev #tokyo rev #rindou haitani #ran haitani #sanzu haruchiyo #baji keisuke #kazutora hanemiya #tokyo revengers spoilers

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flopsxii · 5 months ago

Text

“i’ve got my eye on you.”

jace was perfectly content with his pending arranged marriage, after all he had a duty to the people. however, once he laid his eyes upon you, suddenly he wanted more. despite not knowing your name or background, he was determined to find out everything.

jacaerys velaryon x reader 𝜗𝜚

(my first ever post on tumblr! this is bad, i got nervous writing it… however please request stuff and feel free to ask who i’m willing to write for; there’s a large number of characters i like!! thank you for reading <3)

jace had been riding vermax when he first spotted you on the shore front, poking around in the sand; he was unsure what you may be looking for. he wondered why a lady was alone, especially one as pretty as you were. he had scoped the area, finding no traces of anyone else being nearby; why were you alone? who exactly were you? curiosity got the best of jace, he needed to know.

once vermax had landed and bowed slightly to allow jace to dismount, you became startled and stumbled back slightly at the sight of a dragon and its rider. “i mean you no harm, my lady. i just wondered if you were alright, can i offer you any help?” jace asked, his hands behind his back as he approached you.

he finally was close enough to take in all your features. your shiny, unruly hair looked perfect despite its messy appearance, your glowing eyes staring up at him, the sand that dusted your cheek from when you accidentally rubbed there… you looked perfect. he noticed the collection of sea shells you had in your lap, shells of all different colours, shapes and sizes. but none of them could amount to your beauty.

despite the fact that jace had no idea who you were, it was the complete opposite for you. how had you managed to capture the heir to the iron thrones attention?

“no, my prince. i don’t need any assistance, thank you for the offer though, you’re too kind.” y/n responded as a red blush spread across her cheeks like a wild fire. “if you must excuse me, my prince… i must be returning home now.”

before jace could muster a response, she had gathered the seashells in her lap into her hands before taking off in the opposite direction to vermax and jace. he watched her figure disappear over the sand dunes, his chest was weighed down with disappointment.

he didn’t even ask for her name.

he spent the days following your brief interaction pondering about you. he had been kicking himself due to the fact that he didn’t ask for your name. he knew he could ask someone to find out your identity but he didn’t wish to scare you off. he intended to find you again, one day and formally introduce himself like he had planned to that day.

suddenly thoughts of his marriage and producing heirs was pushed to the back of his brain. whilst he spent months wondering what his marriage would be like to his future wife, now he could only think about you. your name. your identity.

he vowed to never stop searching for you, until he had asked for your hand. only then would he be at peace with himself.

𝜗𝜚

meanwhile your interaction with the prince had left your heart hammering away in your chest. never once had an interaction with a man left you in such a way. you wondered if you had come down with an illness, had the prince somehow bewitched you? no matter the reason, there was no point dwelling on it; there was no chance that your paths may cross again in the future.

that is what you kept telling yourself, until jacaerys velaryon had somehow appeared in front of you a week after your first meeting.

“my lady, we meet again.”

#jacaerys velaryon #jacaerys x reader #jacaerys velaryon x reader #house of the dragon #hotd #hotd x reader #got x reader #fluff

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bigassmoonchild · 1 year ago

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Lost and Found

Pairing: Simon 'Ghost' Riley

Word Count: 2.6k

Summary: The results came back, the pregnancy results. You fear losing Simon, even after your talk and he holds you close. Things slowly go back to normal, but by god was Simon starting to smell a little too good. And the scent was coming from his door.

Content Tags: Angst, Almost Pregnancy Loss, Hurt/Comfort, Fluff, Simon Communicating, DROPPING THE L WORD (leprosy), Simon likes compound drama, Mentions of Masturbation, Use of Pet-Names, Teasing, No Use of Y/N, Alpha/Beta/Omega Dynamics, Alpha! Ghost

A/N: I'm working one day a week because they only need me one day a week. I might quit, ngl. Anyways, I'm getting better! Not as sick! I'm going to figure out at better way for people to navigate the maple syrup series, but you know the drill. Content under the cut and asks are open!

Part 1 | Previous, Next | Headcannons, Masterlist

The next few days felt incredibly slow. You'd worked on a bit of paperwork before heading back to your rooms and sitting in your nest, going through the clothes you were intending to give back to Simon because the scent was growing stale. As you were folding one of the last hoodies, a knock on your door made you pause.

Opening it, you saw a soldier standing outside. He gave you a salute before looking down and reading off of the paper he was holding.

"Your presence is required in room 62B. Please be presentable and there within the half hour," he handed you the paper and marched away. Glancing at it, they were requesting you for more questioning based on the hearing you'd been part of.

Shit.

You stood and dug through the wardrobe you had, pulling out a few of your better shirts and pants. At this point, you didn't really care what you wore. So long as it wasn't dirty and didn't have any rips or holes.

Reading the door numbers down to 62B, you took a deep breath before entering, nodding at the few people who were sitting, glancing past Price. You sat, folding your hands on your lap as the people across the table looked at you. They shifted, glancing from the door to you for a few minutes.

"We're just waiting for Riley, you needn't be so stiff, Doctor," you looked away from them, finding Prices eye before looking the other way. You just wanted to get this over with, they hadn't even notified you about your test, so the fact that they only told them about it was weird.

The door opened, and all you could smell was Simon. Leather and tobacco, hints of the gunpowder used on base came through. It smelled muskier, though, and as much as you could smell it wasn't sweat. Not like normal.

He sat beside you, not looking in your direction. The people in front of you shifted the papers about on the table, looking between each other. They didn't say anything for a few minutes.

"The pregnancy test came back," you heard Simon scoff beside you, a quiet 'no shit' coming from him. You rolled your own eyes, glancing down to the carpet under you. It was old, probably older than you.

The man cleared his throat. "It came back positive, at least at first," you looked up, brows furrowing. "After a few minutes, though, it turned negative. We did a few more tests and they eventually came back negative. Conclusively," you closed your eyes, head tilting back.

Why were you feeling so disappointed? Were you actually somewhat excited about having a pup, even if Simon didn't want it?

"Although, they did find some hormones synchronous with what is called a 'false pregnancy'," they explained, reading off of the sheet they had.

You glanced up, watching as they tried to find a way to explain it. "My body had hormones, probably from a fertilized egg that never attached properly, and it left my hormones thinking I was pregnant. They never cleared my body, so my scent and body was changing to prep for the pup," you explained, playing with your fingers.

So close, and yet you were so far from having a pup. You could almost smell distress on Simons scent, but you didn't want to go into the specifics. You couldn't think of his normal scent, not with how deep in your head you'd become.

You could faintly hear them explaining the outcomes, faintly heard a few 'probable cause for the attack' and a few other 'nothing is being pressed,' and finally you came to.

"We're considering this almost exactly the same as if the Omega was actually pregnant," they explained. "So you're getting off on just about the same as a slap on the wrist, but don't think we won't add this to your file," and you stood, turning and walking out.

There was nothing you'd realized you wanted more. A family. A pup to care for and watch grow and eventually maybe, just maybe, add more to your little family.

But no, you didn't have the luxury of that. No, you weren't allowed to have your family, your Alpha had been so mad at you and possibly didn't want you sometimes.

Alpha doesn't want a broken Omega.

You had to fight the tears you could feel building, jaw locking in place as you found yourself moving to your room. A few more halls, one or two more turns and you'd be able to curl up in your nest and hope to God that your Alpha would still want you.

As you went to close your room door, something stopped it from closing. You turned to figure it out, slightly pissed off that it happened. Simon.

"I'm sorry," you could feel tears starting to run out of your eyes, felt him pulling you into his chest and sobs tearing out of your chest. "I'm so sorry," you were muffled by his chest, hands grasping at his shirt and holding tight. You could faintly hear the door close, your legs moving with him as he dropped you back into your nest.

Simon pulled you into his chest, hands running along your back. Your hands never left his chest and you could hear him murmuring into your hair.

"S'alright, lovie, s'alright," he whispered, arms wrapping around your back to pull you in as close as he could. It felt like everything was back to normal but nothing was. Everything was changed but nothing was at the same time.

For what felt like hours, you laid there, grasping at Simon to stay where you were. He rubbed at your back and chuffed into your ear, your tears slowing and sobs breaking into hiccups, breathing slowing as you laid there.

His hands stopped, albeit slowly, before pulling you back to look at him.

"Y'alright?" He asked this time, wiping your face dry. You nodded, then shook your head before dropping it back onto his chest.

"'m sorry, Simon," you whispered, his hand finding your back and resting there. "Failed you," you added finally. He hummed in confusing, head lifting to look down at you.

You swallowed, closing your eyes. "Lost the pup," he shook his head, squeezing you a little. He ran his hand down your arm, rubbing it slowly.

"Didn't lose anything, lovie," he whispered. "Your body was just confused, it's not your fault," you wanted to argue with him, wanted to tell him he was crazy. You lost the pup, and he should get rid of you.

He kept murmuring loving words into your ears, telling you how good of an Omega you were, how much he cared about you. How much he adored that you were his and didn't want to leave.

"Love you, y'know that?" He whispered, hours having passed since the two of you found yourselves inside your nest. He slid you into his hoodie within the first hour, let you lay there and inhale his scent.

You hummed, fighting sleep. It hadn't hit you what he'd said, not yet at least.

"Love y'too," you whispered into his neck, breathing slowing as you were falling asleep. He loved you, Alpha loves you, your head snapped up. "Huh?" Simon barked out a short laugh, pulling his mask from his face as he looked at you.

"Y'didn't hear me?" You blinked slowly at him, smile slowly spreading on your face. His voice grew softer, eyes drifting away from you. He seemed almost, nervous. "Y'forgive me?" He whispered, hands tightening on you.

You nodded, dropping your head on him. "Thought you would've thought of me as a bad Omega," you whispered. "Thought I'd lost you after I said I might be pregnant, then again when they told us I wasn't," he shook his head.

He gave a humorless laugh. "Never lost me," he said. "'m not good at emotions," he started, looking down at you briefly. "Never was, never will be. I want to try, though, try and make sure you never feel like that again," he spoke into the side of your head, pressing his lips against your head.

You swallowed thickly.

"Thought I lost everything," you whispered into his neck, closing your eyes.

You glanced at your new squad, looking them over.

"If you don't want to be led by an Omega, leave. Get out, I don't want to see your face," you said, glancing amongst them. "If you don't like that I'm leading you, get the hell out. I don't want to see you, if you're going to cause problems, get out," you said.

No one moved, looking down at their boots and away from you. Nobody said anything, it all remained quiet. You smiled, arms crossed as you watched them stand still.

You crossed your arms, glancing amongst them. "The only problem I've ever encountered is you guys not understanding what it means to be a soldier. Combat medic, combat comes first," you told them. "Which means you're a soldier first,"

You sighed deeply, rubbing the migraine out of your temples. They were the worst group you'd ever had. They seemed to not have any knowledge on anything medical, and even less knowledge about combat awareness.

"Bad day?" Simon asked, placing a tray of food in front of you and putting his own on the side of your desk closest to him. You groaned at him, dropping your head down.

You glanced up, watching him pull the mask off of his face and place it next to his food, scooping some of it into his mouth. You snorted softly, watching him.

His brows raised in questioning. "We went from me absolutely despising you just a few days ago to you eating in my office," you laughed softly. "Anyways, I have the worst squad ever," you groaned and he paused his eating.

"They saying things?" He said, moving to stand and you hushed him, hands gesturing for him to sit back down.

In the few days since you two had been cleared back to work, he had made it a habit to bring you at least two meals during your shift. Usually lunch and dinner, which he had at the same time as you, quite thankfully.

You'd grown to begin telling him tales of what happened, whatever drama you could find that happened throughout the day. Oh my god, Simon, apparently Amanda now has an Alpha? And he works on another force, I think something air, you told him the first night.

Surprisingly, he was really interested in what was happening around base. Today, though, he appeared a little more out of it. He seemed slightly off, watching you closer and staring down Alphas who walked by you when he just so happened to be near.

It was weird, but you hadn't put too much thought into it. You were finally back to a normal, something the two of you were putting together. Maybe it was just his new normal, but you weren't going to ask questions.

He stayed quiet, giving you a few murmurs of agreement or interest at all of the new things you'd discovered. Once the two of you finished, instead of sitting with you until you were finished to walk with you back to your room he grabbed your trays and walked out, giving you a short murmur about needing to workout or something.

It left you a little confused, but you weren't going to mention it. You knew this took up a lot of his own time, and you knew that he would want to spend some time on his own to relax.

You felt the same way, but something was off and you could tell. By the time you finished putting away the last paper into its file, it was nearing 10 at night. You walked to your room, bag in hand as you watched the door numbers slowly shrink to your room number.

As you entered it, you'd been expecting to see Simon there, but maybe tonight he just wanted to relax in his own room and take some time to chill out. You understood, and found yourself slowly going through the motions of your nightly routine, some part of you hoping he would walk in right before you finished this part. Then it became this part, then the next.

Eventually, you were curled in your bed, lights all out while listening for movements outside. You found yourself waking up the next morning, groaning as you turned off your alarm clock. Simon never came to your room, but that was okay you told yourself.

It was fine, because everyone needed a moment to themselves here and there. So you began your routine, getting something small to eat as you walked through the clinic, checking on people who had come in overnight to be treated for something.

You ran your training, having the squad work on taking care of those who were harmed and trying to tourniquet them.

"I'm bleeding out, help me! Aaah! It hurts so much, I'm writhing in pain!" Soap was all too pleased to help you with this. Gaz was helping as well, but had stopped his acting to roll on the ground laughing at him. It seemed to work just as well as Johnny's screaming and writhing.

Shutting your eyes tight, you had to hold yourself silent to keep from laughing too hard or distracting everyone. Even as your back was turned, you could hear little squeals coming from Johnny, but as you opened your eyes you saw Ghost watching from a distance.

Gesturing him over, he shook his head and turned back to his own training group, leaning over to shout at someone. You sighed, turning around to watch the group once more.

"Steph, no, that tourniquet is way too tight, I can see it from here. You're cutting the blood flow off, not his leg,"

At lunch you grew a little worried when Simon didn't show up. He had been making sure to bring you food (and letting you watch him eat) every lunch and dinner. Sometimes it was breakfast instead of lunch, but he hadn't come during breakfast.

It took you a few moments before you decided to try and find him, but everyone you spoke to had turned away from you, telling you that it was in your better interest to leave him alone. When you found Gaz again, you pulled him to the side.

"What's up with S- Ghost?" You asked and he looked away, grimacing a little. "Go on, tell me. I'm his mate, it's not like he's doing something that would kill me," you said, brows furrowing as he didn't say anything.

You gestured for him to tell you. "He's been really violent today. Look outside, there's more people running than usual, and his temper is getting the better of him," he whispered, looking around like Simon would jump out of nowhere.

At dinner, when Simon didn't show up you found yourself walking the compound to look for him. To find out where he'd gone, or what was wrong. He wasn't anywhere you'd expected him to be, not the gym or field.

Walking to his room, it was a few halls before when the scent hit you hard. Leather and tobacco, some hints of the gunpowder used on base. You walked a little closer, musky tangs of something just entirely Simon breaking through.

Standing outside of his door, you stared at it. Hearing long groans and whines, huffs of your name. Trying the door, it was locked and everything in the room paused.

A bang on the door made you jump back before leaning in. "Simon?" You whispered, trying the doorknob again. He whined at the sound of his name coming from you, and you could hear nails on the door.

"Please," he whispered back, voice muffled by the door. You could hear another bang on the door and you gave a little laugh.

"Y'gotta unlock the door first, Alpha," a growl came from behind the door.

Tag List:

@sae1kie @shinebright2000 @zechie-spams @itsmadamehydra @smiley-roos @enrapturedbythemoon

If I forgot you, please send me a message, reply or ask. I apologize for any mistakes in the Tag List, I'm trying to get it all organized.

#angst #hurt/comfort #simon riley x reader #simon ghost riley x reader #call of duty x reader #cod mw2 #modern warfare ii #task force 141 #ghost mw2 #no use of y/n #simon riley #call of duty #alpha/beta/omega dynamics #teasing #pet-names #dropping the L word #Maple Syrup

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babydin · 2 years ago

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Make A Wish - REQUEST

ANON REQUESTED: But what if Sarah never died? And Reader was married to Joel pre-outbreak but when the outbreak happened they (Reader and Sarah) got separated from Joel and he was convinced they had both died. But then they reunite in Jackson.

- Joel Miller x f!reader - 18+, minors DNI! - Joel is dad, references to violence, domesticated af, angsty, fluff, pre-outbreak, post-outbreak, time-jumps. - 2490 words - Comments/likes appreciated. Requests are open! A/N: I had some song inspo with this one in the way of Zambezi by Rationale (released under Tinashe). I also headcanoned that the Miller brothers are (at least) half Latino seeing as they had two Latino actors play them. Fight me on it.

Do you remember the day the soldiers came with all their guns? 'Cause I remember begging you to leave my love, "Just run! Past the river, don't you dare look back for me my love. I will come. I will come, because you're the one."

You knew what you were getting yourself into. Your mother thought you were insane but she didn’t know Joel Miller like you did. He was 4 years divorced when you met him with the sweetest little girl. He made it clear from the outset that he was a single father, and Sarah’s mother had left when Sarah was a baby and she wasn’t coming back “I’m tellin’ y’now because girls tend t’ cut an’ run the second they find out I’m a twofer.” he explained on the first date your best friend had set you up on. “Sarah is my number one, she is my top priority.”

You hadn’t intended to date anyone who ‘was a twofer’ as he put it, but the way he spoke about his daughter, and the way his face lit up when he did, you knew you wanted to give him a shot. You dated, you married after two years of being together, and you had 8 years of marital bliss as a perfectly happy family before the world turned on its ass.

OUTBREAK DAY

You find Joel and Sarah in the kitchen making dinner. The Clash are playing from a vinyl record in the next room and they’re both so into it; You remember Joel telling you that Sarah had been a fan of the Clash since she was a baby.

“You should be sitting down doing nothing, birthday boy.” You tell him, swatting his rear end playfully as you lean over his shoulder to see what he’s fixing. Of course it’s a chili con carne; he was half Texan half Latino.

“And leave the cookin’ to you two? Yeah ‘cus that’s how I wanna spend the rest of my birthday… dead.”

“Hey!” Sarah drawls.

You pinch his sides and it coaxes a ticklish squeal from him.

Sarah goes to set the dinner table, singing to Joe Strummer's ongoing debate about whether he should stay or whether he should go.

There’s an almighty bang from somewhere and it’s enough to make Joel put his spoon down, “Sarah?”

You both turn around to go into the dining room but Sarah’s on her way back with a fist full of cutlery to ask the same question.

“What the hell was that?” Joel asked, “Did you drop something? Did something fall?”

Sarah shakes her head, her ringlets bounce as she does and her eyes are full of fear.

Joel’s trying to figure out if she means that or if she’s saying no because she’s scared to say yes. The second bang answers his question.

“What the fuck?” he mutters, and goes to the front door to see what’s going on. Sarah finds comfort in your arms and you rub your hand over her back and tell her it’ll be okay. You can hear commotion outside and you put one hand over Sarah’s ear and press her into your chest so she can’t hear. You can hear Joel talking to the neighbors but you can’t hear what he’s saying, then suddenly there’s a PA urging people to stay inside.

Joel comes back after a few moments, “Military jets,” he says from the hallway as he makes his way back through the house “they just sonic “they just went supersonic, there’s somethin’ happenin’.” he doesn’t come back to you, he goes straight to the living room and turns on the TV. You don’t fully listen to what is said but you hear the words ‘risk to life’ and ‘infected’.

“Jesus fuckin’ christ.”

You jump nearly out of your skin and cling tighter to Sarah when the door bursts open and Joel’s brother Tommy runs through the house “Joelie! Joel!” He finds the two of you in the kitchen and then Joel joins you all.

“What the fuck is going on man?” Joel begs the question, leaning in to turn off the stove. The chili is ruined now, he’s sure of it.

“There are soldiers everywhere, they’re telling everyone to stay inside, but the infection is spreading like wildfire here, if we stay we ain’t got a chance in hell Joel, we have to get out of town.”

You feel Sarah’s body tremble and there’s a slight moisture that falls on your shirt and you realize she’s silently crying. If you squeeze her any tighter she might suffocate but you do anyway, just to try and shield her from the horrors that are unfolding. She had started calling you Mom when she was 9 years old, and you loved her like she was yours from the day you met, “We can’t just leave. We can’t–” You look at Joel desperately.

Joel looks at you, and he looks at Tommy. You can see he’s torn, he needs to keep his family safe and right now he doesn’t know if leaving is the safest option or staying put is.

Should I stay or should I go?

“Alright, let’s go.” He says finally. “Go upstairs, throw some stuff in a bag.”

“Hurry up.” Tommy adds.

You punch him in the chest as you walk past him, holding Sarah’s hand to lead her upstairs to help her pack a bag. You try to keep her talking to distract her from the screaming, and the gunfire from the situation that has escalated outside, through the window you see a faint glow of flames and you wonder how the hell you’re even going to make it out of the town. It’s difficult for a 14 year old to whittle down the most important things in her life to one rucksack, it’s difficult for you to decide what from your 10 year relationship with Joel means enough to survive the apocalypse. Because that’s how it felt. You take your wedding photos, you take childhood photos from Sarah’s life; things like that can’t be replaced but other shit can.

You both head back downstairs and you throw Joel his bag. The vinyl has stopped and it’s now skipping but it doesn’t feel like there’s time to lift the needle. You just leave the house and cram into Tommy’s truck. Something down the street catches Joel’s eye and he gets back out again.

“Joel!” you and Tommy both yell at the same time Sarah cries out “Daddy!”

“I’ll catch you up!” he yells back.

“The fuck you will.” You mutter under your breath, getting out of the truck too, “Joel Miller!”

He stops and turns around, “Run.” he orders, looking over your shoulder at his crying daughter in the back seat of the truck, “I’ll find you.” he looks back at you, “I promise I’ll find you.”

There are soldiers surrounding you who start to scream at you to get back inside your house, their guns aimed to tell you that their threats are serious.

“I’ll find you.”

FOUR YEARS LATER

You knew what you were getting yourself into. You knew what you were getting yourself into when you fell in love with Joel Miller and his four year old daughter. Your mother thought you were insane and maybe she was right. What you didn’t expect was for a bunch of mutant mushrooms to eat away at people’s brains and turn them into, well, there was no easier way to say it than zombies. You didn’t expect Joel to be missing, presumed dead, and to raise Sarah mostly by yourself. The people of Jackson were helpful people, they were in a tight knit community because they had no choice but to be. Where else were they going to go in a world of nothing? It had been four years since you last saw Joel. Four years, nine months and twenty nine days to be exact. You made a point to count the days because you didn’t want Sarah to ever miss a birthday. She was turning 18 now, and if the world was normal she’d be getting excited to make plans for college and register to vote - because Sarah Miller was very opinionated and had a good head on her shoulders, and she definitely would not have let her voice go unheard - but the world wasn’t normal. So you woke as you always did, tucked up together in a double bed, the morning sun illuminating the room with a golden glow and the two of you stretching like a couple of lazy house cats. “Happy birthday, baby!” You croak, pulling her closer. The older she got the closer your relationship became, it might’ve been pathetic but she was your best friend and you hoped you were hers. She wasn’t a child anymore, she was an adult (although it pained you to admit she hadn’t been a child for a long time). “Thank you.” She smiled sleepily and scrubbed her eyes. She wouldn’t have known if it weren’t for you counting down the days. “What’s your birthday wish this year?” You ask. Sarah sighed and looked over your shoulder at the photograph on your nightstand of you and Joel on your wedding day, six year old Sarah who had been a flower girl, tucked onto his hip as you all smiled into the camera. A perfect picture of a happy family. “Him.” It’s been the same wish for the last four years, and you wish you could fulfill it for her. “I know, baby. I miss him too.. More than anything actually. I don’t miss going to the movies, or grocery shopping, or parent-teacher conferences or any of the boring, mundane stuff that just doesn’t exist anymore. At least not in the capacity that it used to… I just miss him.” In an attempt to lighten the mood a little you add, “I made a cake for you last night, you want some for your breakfast?” “For breakfast?!” “It’s your birthday! And you’re an adult now.” The day passes by as the days often do, slowly and unspectacularly. On slow days nothing happens in Jackson, occasionally bandits come and try to raid the dam that powers the town but their missions are always shut down quickly by those appointed to secure it. You and Sarah are tending to the patch of vegetables you have in your front yard when you hear a voice from the entrance of the town echo “Stop right there!” Both of you look up. You can’t see what’s happening but you wish people would stop pointing their guns. You can only assume someone has wandered through the forest and found the town, the guard on the gate has stopped them in their tracks. Understandably, newcomers aren’t welcomed warmly in fear of infection. You see the person set down a rifle, and a backpack and their hands disappear from their side to, you assume, rise in surrender. You strain slightly and hear a gruff voice speak but you cannot make out words and no matter where you position yourself you cannot get a good look at the newcomer. The guard yells for Tommy, who is always close by and your interest is piqued. You rise from your knees and your eyes scan for where Tommy is going to come from, when you find him you watch him, you study his face and you watch it fall. He points a finger at the guard, “Put your fucking gun down! Don’t you dare! Don’t you shoot!” he picks up his pace, he jogs, he runs. You start to walk and you hear a second voice yell for Tommy. It’s the newcomer’s voice. It’s familiar somehow. The two men come into view, locked in a tight embrace, you can only see Tommy but you keep walking towards them, you barely hear Sarah calling out ‘Mom’ from the swirling in your head. “Tommy?” You ask when you’re in earshot. The newcomer pries himself out of Tommy’s grip and his head snaps in your direction. A lump forms in your throat and your chest heaves so much you feel as if you could throw up. Joel. It’s him. It’s really him. He’s got flecks of silver running through his hair now, maybe a few more wrinkles. Patches of darkened skin from wounds he’s gained over the years, and a few small fresh purple bruises. You haven’t seen him cry since Sarah moved up from Kindergarten to big girl school and she was gone all day and he didn’t know what to do with himself. You thought he’d be better when she went from middle school to high school but he was just as bad then. But he was crying now. He was sobbing in such a way you wondered if he’d been alone for these years apart; you didn’t ask, it didn’t matter. He was here. You could hardly believe it. Your eyes filled with tears of joy; you had dreamed of the day that Joel might be returned to you, although you had given up hope of that ever happening, you had imagined yourself being the same sobbing mess that Joel was but you weren’t at all. Your body was vibrating with delight, and your smile was so big your cheeks were hurting. “Hi.” you whispered. That was all it took for him to drag you into his arms and squeeze you so tightly that it almost winded you. You took all of him in again, the feeling of his body against yours, his arms wrapped around you, the smell of him in your nose. “I thought I’d lost you forever.” he whispered, “I thought you’d—” he couldn’t finish that sentence, but you knew, because you thought the same of him. “You said you’d find us. You did.” Us. Joel’s eyes open and scan the surroundings over your shoulder, you hear him sob and he pulls away from you and he runs towards her. His baby girl. Sarah starts crying as she jumps up into his arms, her limbs wrapping around him like a koala bear. It doesn’t matter how old she gets, she’ll always be his baby. You approach them and hear Joel whispering “Look at you,” as he brushes his hand over the back of her head, “my little girl, look at you.” Sarah dropped down so she could look at him too, your arms wrapped around Joel’s middle as he studied her face so carefully, his fingers delicately mapping out her features, “You’re all grown up,” he says in a chuckle, but with a hint of sorrow in his voice. “I wished for you.” Sarah tells him, her voice has more childlike innocence in it than you’ve heard in a long time. “Today is my birthday, Daddy. I wished for you.” Joel put one arm around you so he could embrace the both of you, “I always knew you were magic, babygirl.” “Are you staying here with us? Are we going to be a family again?” “No.” you answer before Joel does, much to the surprise of your husband and daughter, “Not until he’s had a shower.” Joel breathes out a sigh of relief and kisses your forehead.

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