Character Musings: Neige vs Vil Fairest of them All
Aight so this is a fun little musing. This is not a full character analysis and based on my personal speculations. May be inaccurate as I am making headcanons along the way but its fun to write.
Neige Leblanche was warm. He was relatable, approachable and his naive ways was endearing. In the point of view of people, Neige was more like the masses. The People's sweet Prince.
Vil Schoenheit was cool. He was perfect in everyway. On camera he is as polite as amicable .Professional, Perfect and put on the pedestal. His beauty enchants his fans however, he is untainable. The Inhuman Queen.
In the point of view of the audience in Twst, Neige was more human because of his flaws, while Vil is more of a monarch. Someone to be worshipped but not approached.
They are both put in a pedestal, two Stars shining bright, however only one wished is upon.
That's the awfulness of parasocial relationships.
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Vil's constant effort to strive for perfection, in the most ironic and insulting way possible, backfired and kept him in second place.
He may be a versatile actor but he is always type casted a a Villain because no one wants a "hero" the audience cannot relate with.
The villain is always cold, calculating and beautiful like the moon. The Hero is always warm, hopeful and dazzling like the sun.
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Some Fans and people (referring again to Twst NPCS) like to delude themselves that they have a chance with an Idol, even unconsciously, even if they know its impossible, romantically or platonically. That is why they gravitate to the more approachable and flawed Neige. They want to be Neige or be with him.
While Vil?Oh they adore him, but he is seen as a star you gaze upon, not wish for. Vil, in the point of view of the masses, is in a different league than all of them.
So Vil is adored, worshipped and admired, like a painting in an exhibit, meant to stay under the bright lights but never approached. And somehow that makes him less popular, because some fans cannot delude themselves with Vil the way they delude themselves with Neige. They cannot fathom themselves being looked upon the untouchable Vil. They can fathom themselves living as "perfect" as he does. They cannot even imagine being his friend. He is just a literal "Idol"
Its awful, yes. Showbiz really is awful. It tears someone who doesn't have the strength to stand apart.
No camera can see how hard Vil works to be the best version of himself. No audience to hear his more inner thoughts, his fears and insecurities. Vil is a impenetrable wall.
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Have you ever wondered how discouraging it is to be defeated by someone who is born talented while you, your whole life, have to work hard to be on par with them? It eats you up.
It eats Vil up.
Not to say that Neige doesn't struggle. He went from probably destitute to famous, and the road towards that path isn't easy. Do you know how hard it is to be kind when the whole world isn't ? It takes a special courage to choose to see the better in people, no matter how naive that may be.
Also, do you think he got the opportunity Vil did when they were younger? Did he have the leisure of a childhood while taking care of 7 other people? Ah, this is all speculation but everything else is, isn't it?
Neige would not have grown watching movies or going abroad. He wouldn't be doing skincare routines or trying to improve his beauty . He was simply beautiful as is and that helped him survive.
Both have their struggles .
Both the masses would not know that.
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Neige isn't the fairest of them all because he is more beautiful than Vil, he is the fairest because people find his flaws endearing.
Vil isn't less fair than Neige, he is put in second place because the Twst audience find him too unreal.
It feels like a sin to love him more than a fan does.
Or to think he is within reach.
A mix of envy and admiration.
This, is something the Twst NPCs do not know. Perhaps if Vil opens himself up a little, the (NPC) masses would love him more.
And that's why its so confusing to us Vil isn't on top, because we know his story the way the Twst NPCs doesn't.
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So yes, The Fairest of them all is a biased title.
Beauty is always in the eye of the beholder, unfortunately , the beholders do not see beyond the veil.
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Yuu wonders, if Neige and Vil knows they are more alike than they know.
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kept meaning to make a post and kept FORGETTING to because i'm dumb but i cannot stop thinking of all the loose ends / introduced plots that got dropped without any warning and one that has been sticking out is persephone's "new" abilities after she "lost" her powers
we get a lackluster hint in episode 267, when apollo uses some random magic deus ex machina to "restore" persephone's powers. he starts bleeding from the nose and ears.
also apologies for the terrible quality, i forgot that lo went under daily pass and had to scour my own screenshots lmamdgjsf
it's not explained at the time whatsoever and in fact, the vagueness of the narrative kind of half-heartedly implies that it's an effect of ouranos' magic - it's also completely handwaved away, since no one bothers to ask why apollo is suddenly bleeding from the orifices and able to use persephone's powers.
it's not until persephone and hera decide to visit kronos in tartarus that persephone explains she somehow knew all along what this strange power was! she can apparently make a god rot from the inside!!!
it's not explained at ALL how she figured that out or like ... why she has that specific power. it is mentioned during the solstice where she creates winter that she can only make "decay," but that's a pretty obvious and visual thing - she's quite literally blistered the mortal realm in snow and ice, with all the plants dying on their physical surface.
important context, but other than persephone's attack on minthe, she is never seen using her powers on another person. her abilities are always on herself, or using plants / growth in some way. the fertility goddess nonsense does mean that hades and kronos are able to use her powers to strengthen themselves, but beyond that plot point being ridiculous, it's also something they don't just figure out overnight. kronos being able to escape control the underworld, and hades going godzilla mode during the trial, are clues used to eventually figure out what persephone's fertility goddess powers can do.
in regards to her new winter powers, persephone either figured it out somehow before the scene with apollo, or she figured it out after. with no explanation how.
moving from the how, we then get the last mention to this power, when persephone attempts to stop kronos
spoiler: it does not work. the power is never referenced again.
in terms of lore olympus' many crimes, it's a small thing, but it stands out to me as such a flailing attempt to write some wiggle room into the finale. rachel was struggling to get to the end, that much was obvious, and she was padding out the episodes as desperately as she could so that she could pull on any random thread and find a way to keep the plot moving. in better hands, this might have been a legitimately interesting power to explore for persephone! the goddess of spring, capable of rot, capable of such bone-deep destruction, and how she reconciles that with growth. it could have been a powerful juxtaposition, but it got abandoned as soon as rachel figured out how to give persephone her powers back. presumably, persephone still has this ability, but it is literally never brought up again. we have no idea if there was lasting damage to apollo, if it did anything in particular to kronos, what it can do to a god (the assumption is nothing, since both apollo and kronos seem just fine in their final scenes.)
it's just. amazing to go back and look through all the various strings rachel was knotting together, seeing stuff that might have been genuinely fascinating to explore in some other writer's hands! tiny little things like this, added up together to just be crapshoot after crapshoot. it's no surprise at all that rachel finished the last episode barely an hour before it went live. what a mess.
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Random Rant on Fanfic Pet Names
Let me say this is more me screaming into the great unknown because it's something that I KEEP seeing and it keeps irking me and causing me to cringe out of my skin. Putting it under the read more, it's just a rant mainly about the COD fandom, you're not missing anything if you don't read this
Disclaimer: I mean absolutely no hate to the writers who do this. Because you should be writing what makes YOU happy and what YOU like to write. Writing is unique and independent to each individual and just because I don't like something doesn't mean that it's inherently bad or shouldn't be done. You do you, you go on your own journey - just cause we both like hiking doesn't mean we have to take the same trail or that one path is better than the other. Judging people like that who write different than you is nasty and policing harmless writing over little things is stinky sock sniffer behavior. Just cause it's my yuck doesn't mean it is everyone's and I don't expect everyone to agree with me nor is my point meant to be an objective truth or statement. It's literally just my feelings and I need to yell about it
The COD fandom in particular I've seen is atrocious for doing this. But I abhor when they make the characters use pet names like "pet" and "little girl" or "little boy".
Especially when they've literally JUST met
Every time I see it I immediately have to exit off the fic as I gag. I swear it's instinctive at this point. You know those videos of cats who do the extremely dramatic gagging when they smell something they slightly don't like? That's me. 110%
It comes up and I look at the page like this
It just feels so so gross to me and has this icky undertone that I cannot stand. And I don't know if I'm reading into it too much or if this is just me a me thing but I swear to any gods above this keeps happening. It's done so much I have tried putting filters on specifically to avoid it
It strikes me as so odd??? Like why that out of everything. Why something emphasizing age/maturity or treating the reader like they're a possession when it's a regular ass fanfic.
It makes my skin crawl and the possessive/dismissive undertones there are NOT cute. It always reads as ignoring reader's autonomy and treating them more like an object or thing instead of a person. When they just met too or the relationship really doesn't call for it or where it would be weird, it's just shoehorned in and I reallllly really really hate it oh man.
Like if it's established and is a fic where it's like "hey, this is what this is going to be! We're doing a nsfw/bdsm-y undertones here! That's the vibe!" Then great! Fantastic! That lines up, you're expecting that. Not when it's like a fluff fic or supposed to be super causal
I see this mainly with Ghost in fan fics. For some reason, he seems to be numero uno when it comes to calling reader "pet" as a form of endearment. I'm so sorry but I can't ever see him doing that. The guy who has extensive trauma with animals from his childhood, who would take an IMMENSE amount of time forming a close bond with someone to ever get into a relationship (following the comics for his history anyhow which is what I've seen most people do, Ghost has literally seen his family killed and has been through so so much trauma it's wild and the dude has a lot going on mentally), calling someone he cares about a pet??? I just don't see it happening. I sure as shit don't think he'd do that to near strangers either.
Even if you ignored that past history for him or write Ghost different -that's just a flat out weird thing to call someone you don't know and has the implications of ownership/subservience on that person's part. Doing that to someone you REALLY do not know is insane
And the little girl/boy one used in conjunction with an age gap??? No??? That's just. So many shades of ew to me and is really putting emphasis on the wrong thing there (at least how I see it and in the context of the fic. I've never seen it used appropriately unless the reader is meant to be a literal child and it's a platonic fic. Context matters). ESPECIALLY when they emphasize reader is young (as in, barely legal, just turned 18/19 or heck even 20). Which I also keep seeing too when it is used. I'm not here for that reallllly creepy vibe that sounds like something you'd eventually hear about on Dateline or in a youtube exposé video
Like y'all. Anyone being shipped with them should be a grown ass adult because THEY are all grown ass adults. For me the little is never emphasizing size when paired with a gendered term, it's emphasizing how small their age is and that's wacky. Maybe that's just a me problem but when I hear "little girl" or "little boy", I'm thinking of a kid. Because girl/boy are most commonly used for children and when you're pairing it with little there, that's what you're emphasizing and you're practically guaranteeing that image.
Be real, if a guy you JUST met who you don't find attractive sneers and says, "Be quiet, pet." or "hush little girl/boy, " you wouldn't find that hot, you'd find that creepy. It's only excused because you're attracted to the character and find them hot. I'm picking a fight, I'm throwing hands if that's dropped on me in the real world out there. Probably not because I'm too non-confrontational but you bet im cringing and giving him the most:
look I can absolutely muster.
Maybe this is just a me thing and I'm losing my marbles. Or maybe it's the fact that I've had that happen to me where a dude I barely know called me "little girl/boy" (despite me being older?? and like the same height?????) and I just died on the inside viscerally that day
For the record if someone pulls the 'pet' card, I'm living up to it. I'm puking on the carpets somewhere in the dark at 3am, I'm yelling at the mailman and doorbells, I'm doing parkour off the couch when you're trying to sleep. Why the absolute hell are you calling someone you JUST MET that when it isn't even supposed to be that kinda nsfw fic.
It's one thing if the vibe is established and the tags are there and you know what you're getting into. But I lose my mind when it's a casual fluff or meant to be romantic and then all of a sudden, BAM THERE IT IS AGAIN.
It makes it so hard to read fics because it's like roulette, I swear I'm always suddenly hit with it and there goes my interest in trying again 🥲
To anyone who read this i admire your courage and akbwdbkawd im having a moment over here
(And hopefully everyone is having a snazzy day! 💚💚💚 my inbox is always open if you ever need to vent or need someone to talk to or want to join me yelling into the void)
Rant over,
Ghoul out
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Hey. Has anyone noticed that Maestro and Ruby are similarly colour-coded? Black and white stripes. To go with both being musically-oriented and canonically queer for Maestro and pretty sure queer but as yet to be confirmed for Ruby? That's interesting. The way Maestro says Ruby is wrong and keeps looking at her like they're trying to look into her soul... I hope we see Maestro again.
Also, related but not directly, there's been an emphasis on music since the first episode of Fifteenth. Whether intra-diegetically or extra, music has been important for the past 3 episodes, 4 if we start with The Giggle. Between all the musical numbers (I haven't recovered from the goblins yet and now they hit us with the twist?), the Doctor breaking the 4th wall, Maestro themself, Ruby being a musician... It's not new of course, we remember Twelfth and his guitar, or Simm!Master's drums, but it is being put frontstage here. Is it because Murray Gold is back in charge of the music? Is it RTD's season-long narrative arc? There's something going on in regard to music in this series 14...
I wrote an essay last year (in Spanish and I haven't translated it yet otherwise I'd be posting it) comparing Segun Akinola's score with Murray Gold's and how both have their strength and serve their narrative purpose. Basically, Murray Gold's first score for DW (2005-2017) are orchestral compositions, full of easily recognisable leitmotivs and big instrumental scores that make you vibrate with all the instruments, the song itself sometimes being much more known, recognisable and popular than the work it was composed for (see Duel of the Fates and the likes). Meanwhile, Segun Akinola (2018-2022) pertains to the genre of ambient music, much more interested in the tone and the sonorous atmosphere, something that's very popular today (how many playlists on YouTube or Spotify, you know the ones).
Anyway, I'm not going to sum up my entire essay here, but basically the role of music in a cinematic work has changed over the past 20 years, and Doctor Who followed that change, and now with Gold back in the music booth, there's another change appearing, one where one aspect of this change could very well be the importance of lyrical songs. I'd need to research it more closely to be sure, but that's what it looks like at first glance. How interesting!
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