#and i like it when they’re mean to each other<3

[veinsfullofstars]

💝 MetaDede Week 2024 Day 3: Gifts 💝

(ID: Kirby series fanart of King Dedede and Meta Knight giving each other a gift. Top - the boys sitting side-by-side, MK looking up with a pleased smile behind his mask as DDD excitedly flips through a green leather-bound book the knight has given him, the spine titled “Fight the Stars!” and an arrow pointing to it that says “book of famous intergalactic wrestlers.” Bottom - the boys seated at a table, a chocolate parfait in a large handled glass between them, the treat layered with fudge, mousse, and ice cream, topped with brownie bites, edible silver pearls, and a fanned wedge of chocolate emblazoned with MK’s mask. MK, delighted by the gift, leans forward with wide eyes and spread wings, practically leaping onto the table in his eagerness to dig in, while DDD reclines with his elbow propped up and his head resting in his hand, gazing at the knight with a soft smile. END ID.)

Parfait inspired by various MK-themed desserts from the Kirby Café.

Previous Day | Next Day | Prompt List (made by @/mtddweek)

Started 08/11/24, finished 08/16/24.

[strangemaleswaps]

Strange Spellbook Swap

I've always wondered how couples stay together so long. My husband, Derek, and I had been married for 3 years now and while we get along great and support each other through everything, the sex had been pretty stale for awhile. Half the time he's not really in the mood and when he is, we usually just jerk off next to each other. I was getting tired of it and craved something more. But Derek was still so cute, him being a socially awkward nerd, and I was scared to tell him how I feel because he might cry.

That afternoon, I was on my way to pick him up from work. We only had one car, but since both our jobs typically had the same shift, I always headed over to pick him up at his job at the library. I didn't actually have work today so I went a little earlier to look at some books. When I arrived, Derek noticed me and smiled real big.

“Hey! You're early!”

“Yeah, thought I'd browse a bit.”

“Ah ok. I just organized it all so you get to see my work!” He smiled again and continued helping customers in line.

I browsed through my favorite genre - fantasy. I always loved ones that involved magic, spells, and amazing worlds. I noticed one book that kinda stuck out a bit amongst the shelf. It was some kind of spellbook with a brown leather cover, and had a bit of dust on it, which seemed strange because the rest of the shelf was perfectly clean. I opened it up and found that it was indeed a spellbook. I wasn't the most superstitious person ever, but I did believe there was some kind of magical force out there that could do incredible things.

I flipped through the table of contents and noticed there was a category called “relationships”. I turned the pages to the section and saw a bunch of spells - ones to make someone fall in love with you, ones to get promoted at work, ones to impress your family, things like that. I was about to close the book when I found one page - how to spice up your sex life. That was just what I needed! Even if it didn't work, it couldn't hurt to try.

I walked over to the counter right as another guy started talking to Derek. He was a real muscular guy wearing a white shirt and tan hat. His pants left absolutely nothing to the imagination with the way they were tight fitting around his ass. A mustache covered his thick face, which complemented his bright green eyes. He was carrying a tote bag.

“Hey can I help you?” He greeted the man with an eager attitude. “Need a book recommendation or anything?”

“Oh no I don't read.” The man spoke with a deep manly voice. “I mean, who has time to when you could be working out?” I could see the rare irritated look on Derek's face.

“Then…what do you need from the library?” He replied, much less eager than before.

“Just dropping off some books for the wife. We're going on vacation and they’re due tomorrow.” He took a couple books out of the tote bag.

“Allright. I can take them.” The man handed him the books and immediately turned around and left. Derek's smile returned when he saw me with a book in my hand.

“Hey! What'd you get?”

“It's a book of spells.”

“Of spells? Like real ones?”

“No way,” I laughed. “Just some dumb thing. Looks fun to read though.”

“Allright. Gotcha.” He checked me out and I sat down, waiting for him to finish the rest of the closing.

That evening after dinner I tried to seduce him but he wasn't having it once again.

“Sorry, work has me so exhausted you know?” I wish that I wanted to, but…well I just don't want to. Sorry.” I stood there defeated.

“Ok.” I let out an emotionless reply. As Derek brushed his teeth and got ready to head into bed, I flipped through the pages of the spellbook. I found the “spice up your sex life” spell and read the instructions. I needed to recite the incantation while looking at a picture of the two of us. I took out my phone, and scrolled through my gallery until I found the perfect picture. Then I started to recite the spell. Nothing happened. I tried again. Still nothing. At that point I was mad at him and now mad at the spellbook for wasting my time, so I headed into the bedroom. There I found Derek waiting for me.

“Hey…look I'm sorry. How about tomorrow morning we have some fun? I promise I'll go through with it!” Maybe the spell did work afterall! We both had a day off tomorrow so that was perfect. I was so excited that I could barely sleep.

The next morning I woke up to Derek nudging me awake. Excitedly, I turned over. But to my surprise, it wasn't him smiling at me, but a hairy guy with a mustache. He was giving me a sexy smile.

“Hey…you ready?” He gave me a look of uncertainty and cleared his throat. I didn't even know what to say but I was so confused that there was total stranger in my bed, so I had to say something.

“Who are…you?” He frowned beneath his mustache.

“What do you mean? Oh no, am I having an allergic reaction somehow? That would explain my voice and why my eyesight is blurry even with my glasses on. It's me though! My face must be so puffy…oh god."

”Holy fuck. It's Derek! But this was far beyond an allergic reaction. He's an entirely different person! He pushed the covers off and was about to get out of bed, probably to take a look at himself in the mirror, when he glanced down at his body. This was definitely not normal. He was muscular, tan, and hairy - a stark contrast to what he normally looked like. He made a terrified face, which was a strange sight on such a macho guy.

“What? What's happening? I-I…” He looked at me with worry in his eyes, and it was then that I realized WHY this was happening. It must've been the spell. I guess turning your boyfriend into a muscle hunk would definitely spice up our sex lives. But I couldn't leave him in the dark.

“I-I,” I started. “It was my fault. That spellbook I got, I used it on you. I didn't expect this though!”

It was then that I realized WHO he was. That guy we saw at the library yesterday. He somehow swapped bodies with him!

“What? What spell was it?”

“Spice up your sex life. I just…was getting bored. And you were never in the mood.”

“Oh…but it turned me into this?” He then rushed to the bathroom. I followed. He immediately recognized himself as soon as he looked into the mirror.

“Hey! I'm that guy from yesterday!? Why did it turn me into him?”

“I-I don't know! Maybe it picked someone from a recent memory?”

He gazed at himself in the mirror with an open mouth, and touched all around his face, pinching and feeling his mustache.He gazed down and admired his new muscles, feeling all around his pecs and the chest hair growing from them. He then turned around and stared at the mirror again, this time making a variety of expressions.

“What am I supposed to do? I can't stay like this!”

“I don't know! There must be something about a reverse spell in the book.” Flipping through the book, I once again found the page I needed. I read every word but didn't find anything about a reverse spell. Could he be stuck like this?

“Maybe if we see like a professional?”

“What, like a fortune teller witch lady or whatever?”

“Exactly.”

“Well. I do remember seeing something like that close to town. A psychic. Maybe they can help?”

“We could try.” I looked up fortune tellers and found Madam Cleo - Psychic. It was a short drive away. I was hoping we would find our answers there.

“I got it.”

“One problem,” Derek said doubtfully.

“What?” He stared down at himself and then answered.

“I don't think anything will fit me now…” I couldn't help but laugh out loud.“I think we can find something at least.”

We dug through the closet and eventually found the Lakers jersey that my uncle gifted me a few years back. I wasn't even into basketball and it was a few sizes too big, but at least it helped us in the end! Derek slipped it on and gazed at himself in the mirror. It fit pretty nicely.

“Not really my style…but it'll do for now.” He put his finger on his chin and then rubbed his head. He froze when he grazed the back of it.

“What’s wrong?”

“I'm…balding.” He turned around and tilted his head up to show me. He definitely had a bad case of male pattern baldness. I thought it was pretty hot, but he looked terrified.

“Hmm…well. That's something we can just fix with a hat. I walked into the bedroom, grabbed one of my hats, and put it on his head. It completed the look well.

“I guess this'll work. Maybe.” I laughed again.

“You'll be fine.”

We got to the car, Derek struggling a bit to fit in the passenger seat with his new frame, and headed over to the fortune teller. It was a warehouse-like building, although much smaller. As we were about to walk in, someone else walked out. He was a young looking guy around my age, but at least 200 lbs heavier. He looked like he made absolutely no effort to control his weight.

“Hey! That lady is awesome!” He said excitedly. “She told my fortune and said that I would lose weight very soon! I can't wait!” He then ran off, his gross looking belly jiggling up and down, and drove away.

I kinda felt bad for people like that, that actually believe that sort of thing…what am I saying? We're the ones going to a fortune teller for help. I just really hoped she was legit then.

We walked in and found that the interior was nicely decorated, completely different from the outside. Shiny wooden floors, a chandelier, and LED lights hanging from the walls. All of that surrounded a crystal ball in the center. Within a few seconds a woman dressed in a typical fortune teller outfit appeared from a curtain in the back.

“What does the future hold for you two today? Let's find out,” she said with an ominous tone to her voice.

“Actually we're not here to get our fortunes told. We need your help.”

“What do you mean? She asked, dropping the ominous tone.

“Well my husband here is a victim to a body swapping spell gone wrong.” I showed her the book, flipping to the page.

“Oh my,” she said with a concerned look on her face. “This is very powerful magic indeed.”

“But how do we reverse it?”

“I don't know for sure. But the victim should try to recite it instead.

“Victim? You mean Derek? How would that work?”

“Do not question why things are the way they are. Now go!” She said suddenly. With that, we hurried back home to recite the spell.

“Ok how do I do this now?” Derek asked.

“Just recite the spell, and focus on a picture of us.” He recited the incantation.

“Nothing happened…how was it last time?”

“Same as this time. I guess it took awhile to take effect. What should we do in the meantime?” He didn't reply, but instead stared at himself in the mirror.

“You know, now that this face actually has a brain behind it, it's actually kinda hot.” He then walked over to me and got real close. I'd never been intimidated by Derek before for obvious reasons, but this time I couldn't help but feel dominated by his brawny self.

“The spell picked this guy because you thought he was so hot didn't it? That's gotta be it.” He said with a low voice.

“Y-yeah. I admit it. He seemed dumb at the library but hey, he was a hunk.”

“And now I'm that hunk.” He started feeling all around his body again. He then glanced at his dick and began to stroke it. I knew exactly where this was going and I was all for it.

“Well then Mr. Muscle Hunk, why don't you show off that body a bit more?”

“I'd like nothing more…but I'm gonna go shower first. Who knows where this guy's been?”

“Yeah good idea. I'll be in the room.”

I was so excited! This was gonna be the hottest thing ever! I headed toward the closet to find something sexy to put on. Suddenly I felt a bit dizzy. I noticed my skin seemed to be glowing somehow. Within seconds it turned ghostly white, and then became so bright, it hurt to look at. Why was I glowing? It seemed to be just my body though, nothing was happening to my clothes. As quickly as it came, the glowing stopped and the dizziness returned. I didn't have time to see what happened, because as soon as the glow stopped I lost my balance and fell onto the nearby chair.

My clothes felt incredibly tight, but it wasn't long before I realized why. I was fat! My shirt didn't even fit over my large belly. My pants must've popped a button as my gut hung over them. I tried to get up but the weight of my gut kept pushing me backwards. How do fat guys even do this?

When I finally got up and onto my feet, I rushed to the mirror, my hanging belly flopping up and down. My face looked familiar…oh shit. I was that guy we saw at the fortune teller's! Did the spell do this? How did this happen?!

I heard the shower stop, meaning Derek was going to meet me here any minute now. I couldn't believe the hottest night of my life was about to be ruined! Why did this have to happen?

The door opened and there he was, standing there in a pair of briefs. They were always a little big on him, but with his new body, they were pretty tight. It looked like he shaved his head too. He stared at me, at first he looked shocked but then his expression changed. Was that a look of lust?

“So the spell did something to you too?”

“Yeah…look at me! I'm a mess!” I jiggled my flabby moobs to prove my point.

“Well…”

“Well?”

“It's not so bad.”

“What? What do you mean?”

“I mean…well you know how you said I look hot like this? And that the spell probably made me like this for that reason?”

“Yeah. What are you getting at…wait.”

“Mhm.” He mumbled with a sexy smirk.

“Y-you think I'm hot like this?!" He got real close and started making out with me. It was the most intense make out session I'd ever had. The feeling of his thick mustache rubbing against my face was a sensation I would've never expected could feel so good.

“Does that answer your question?”

“Yep,” I said with a smirk.

[hello-sweetheart]

Wouldn’t it be so fucking funny if we finally get to meet Steve’s parents in s5 and they’re like…typical suburban parents

After making them mostly monsters in fanfic like guys fffff half the time we make them emotionally abusive and/or neglectful, the other half physically, and then like if you’re on the dark web then 3% of the time they work for the lab and Steve’s like a failed number…

For like, the vibes ya know

…But then we actually meet them and it’s a pudgy office dad with glasses married to an “I can be cool >:(‘ mom.

-“Steve, I thought you said your mom doesn’t trust your dad…looks like they love each other?”

Steve: “???wym, of course they love each other. But obviously she doesn’t trust dad on trips cuz he got lost in a Texas airport once, duh.”

-“ok, what about when you said he’d kill you if he found out you drink?”

Steve: “Yeah??? I’m literally underaged and if he found out I’ve been watering down his $200 liquor he’d be so pissed 🙄”

Like, TO BE FAIR Steve’s dad telling him to get a summer job to figure out the value of money or whatever is pretty typical like baby boy didn’t work in high school 😭 and he’s like pouting and huffing about in scoops

He has a fancy car that his parents trust him to drive and take care of

And him not wanting to work for his dad is valid of him like imagine his dad is trying to be supportive like “if you ever need a job son you can come work with me :)”

and steve would hate that cuz to him it would feel like he didn’t deserve it or work for it, working for his dad feels like it means he failed to make something of himself

And like Steve’s not a bad kid, he’s a teenager who just hates his first job cuz customer service sucks, does stupid kid shit like drink and go to parties, and feels like he missed his chance to makes something of himself that he and his parents can be proud of just because he’s a little behind than the rest of his peers

I relate to that so hard

Like bro said he was having a party at his house and it was just like…4 people he invited with a six pack. No music or anything just chillin on lawn chairs and shooting the shit

Even his home is in warm colors 💀

But we love the angst 🤌 the drama 🤌 and torturing our favorite character

[iridescentmirrorsgenshin]

I have no other place to yap this to so I apologise in advance.

I find it interesting in Alhaitham and Kaveh’s voicelines they tend to talk about each other A LOT in a way of complaining. Such as in Alhaitham’s Good night voiceline where he says that he’d prefer that Kaveh wouldn’t be home at all because all the chaos and noise he makes in the dead of the night. Or in Kaveh’s Good Morning voiceline where he says that he hopes that you don't run into someone who ruins your day first thing in the morning.

I guess it’s what makes other people think that they despise each other’s company. Yet they’re always viewed as a pair and Alhaitham could’ve kicked Kaveh out of the house ages ago. But what’s your opinion on that?

Hiya! there's no need to apologise, this is a safe space for all haikaveh! When I tell you your ask is scratching my brain I mean ITCHING, I have so many thoughts about this part of their dynamic so thank you for enabling me <3 This turned out to be rather long, so I hope it’s helpful to you!

The contention in both Alhaitham and Kaveh’s character stories and voice lines seems to be to create intrigue about the two as individuals, and, in turn, their relationship.

Alhaitham’s ‘good night’ voice line instantly serves as a contradiction to his character. It’s interesting, and telling, that Alhaitham, who is essentially Kaveh’s landlord, and mentions this within his fourth character story, alludes to Kaveh by using ‘roommate’ rather than ‘tenant’. ‘Landlord’ evokes a position of authority over the tenant, whereas ‘roommate’ indicates an equality between two people sharing a house – since it’s Alhaitham who advocates for the term ‘roommate’, it’s telling that, as opposed to what Kaveh believes, Alhaitham wants to establish equality between them.

In terms of what Alhaitham says in this voice line, it explicitly raises a contradiction in the form of a question: if Alhaitham is truly bothered by his roommate’s antics, why doesn’t he simply evict Kaveh?

This is relevant as this question is also posed when we initially meet Kaveh within the Archon Quest, as Kaveh states he dislikes Alhaitham’s personality, to which Alhaitham responds by saying if he bothers Kaveh so much, Kaveh always has the option to move out of the house – to which Kaveh perceives as a threat, only to then dismiss this as Alhaitham ‘changing the subject’, which seems to mean that this ‘threat’ is taken as baseless. As this isn’t called back to, this seems to be the case.

There is no real threat of eviction, and regardless of their disputes, Alhaitham ultimately gives Kaveh no ultimatum to move out. In fact, as discussed here (page 27), as we are meeting Alhaitham and Kaveh for the first time, Alhaitham allowing Kaveh to live with him contradicts his established character of living a life free of inconvenience. This instantly creates intrigue around his and Kaveh’s dynamic – who is Kaveh to Alhaitham for this exception to be made to Alhaitham’s peaceful way of life?

(An additional note of interest is that Alhaitham’s solution to the noise problem seems to be more uncomfortable than calling on Kaveh and telling him to stop his work. Alhaitham says that he’d rather not wear his noise-cancelling earpieces to bed, implying that he does so when noise is a problem at night. However, there’s no mention of Kaveh being stubborn when confronting this issue, which is why he takes to wearing his ear pieces, or any mention of confrontation at all. From this voice-line, it seems that Alhaitham avoids interaction by opting for the least comfortable option, which can be a contradiction to his character. As this is a rather brief voice-line, it’s difficult to ascertain why, but I like the idea that Kaveh is productive at night, and Alhaitham prefers not to impose on Kaveh’s work process – but this is more a headcanon than evidenced interpretation.)

Returning back to the contradiction within this voice-line, at a surface glance, this does appear to be a general complaint about Kaveh, and this can be found in Alhaitham’s lines about Kaveh, and also when discussing Tighnari. Alhaitham refers to Kaveh as ‘overly sensitive’, and ‘constantly making a fuss’.

These can easily read solely as complaints, but when looking to the original CN translation, another interpretation can be found here. Alhaitham describes Kaveh as ‘caring’ or ‘tender’, which is exactly how Kaveh is described within the 3.6 special program (as per minimushiroom on twt), which can allude to how Kaveh is considerate to a fault, in that this serves as a detriment to himself.

This can be seen in Alhaitham’s other Kaveh-centred voice-line, in which he describes Kaveh buying keychains in order to provide meals for sick children, even though healthcare is free in Sumeru. Alhaitham clearly holds the view that this was a redundant action, as Kaveh, being in debt, most likely doesn’t have the money to spend on such investments that are, evidently, dubious.

As Alhaitham provides a rational view here, this contrasts with Kaveh’s act of generosity fuelled by emotion – which highlights the contention Alhaitham has with Kaveh, in that Kaveh places himself in dangerous situations for the sake of others. However, as this can be perceived as a solely derisive line, this essential context is lacking, and can be easily misconstrued. (I think the EN translation here also coincides with this narrative, as minimushiroom notes that the original CN has Alhaitham refer to Kaveh’s sensitivity in a positive way, rather than contemptuously, as the English can be interpreted as.)

Kaveh, similarly, can be seen to complain about Alhaitham in his own voice-lines. This can be seen in the 'Good Morning' voice-line you've mentioned, where Kaveh complains about having to see Alhaitham in the morning, which 'ruins' his day. Additionally, Kaveh's voice-lines discussing Alhaitham refer to Alhaitham as ‘infuriating’ and not wanting to give Alhaitham the satisfaction of thanking him, despite Alhaitham helping him out. However, there is more nuance in these voice-lines than Kaveh simply ‘disliking’ Alhaitham, as this dislike is never stated - rather that he and Alhaitham have a difficult relationship in comparison to the ‘close’ friendship of their past.

Kaveh describes their relationship being a ‘mixed bag’, of both negatives and positives, as well as establishing a thorough understanding of Alhaitham, where other people may misinterpret Alhaitham as they ‘don’t know him well enough’. Additionally, Kaveh notes that he knows that Alhaitham can present himself in a more ‘likeable’ manner, but that Alhaitham refuses to do so, which refers to Kaveh’s contention with Alhaitham discussed within his character stories. This, in turn, generates curiosity, as it appears that Kaveh holds an in-depth knowledge of Alhaitham that the player isn’t privy to.

Referring back to Alhaitham’s ‘Good Night’ voiceline, the question raised is, if Alhaitham has a problem with Kaveh, why doesn’t he just evict Kaveh? And the answer can be found by digging further into Alhaitham’s character stories. Looking to Alhaitham’s fourth character story, it states that he is aware of the dissatisfaction Kaveh may have with their living arrangement but  that ‘it matters not to him’.

This means that he is aware that Kaveh may be unhappy with having to rely on someone else for a stable livelihood, something which his pride doesn’t naturally allow, but that this is also exacerbated due to their previous falling out and the current contentions Kaveh has with him.

At first, this can seem rather abrasive, which does fall in line with Alhaitham’s egoism as this doesn’t directly impact ‘the self’ (discussed further here), however, what immediately follows is Alhaitham’s belief that he and Kaveh are mirrors, in that his own perspective of the world will be enhanced - in the og CN, ‘completed’ -by Kaveh’s own world view.

The implication generated here with the explicit term ‘mirror’, is that, just as Alhaitham benefits from Kaveh, Kaveh, in turn, can benefit from Alhaitham. (As a side note, it is interesting then that the voice-lines in question can be seen to mirror each other – Kaveh mentions Alhaitham in ‘Good Morning’ whereas Alhaitham mentions Kaveh in ‘Good Night’.)

Returning back to Alhaitham’s character story, rather than merely reflecting each other philosophically speaking, I’d say that this also points to their respective progression as people, not just scholars.

To me, this is reminiscent of what Alhaitham says to Kaveh in A Parade of Providence – being ‘correct’, ultimately, doesn’t matter, as there is no ‘correct’ path in life, meaning that there is no ‘correct’ philosophy to shape and guide a person. Rather, Alhaitham asserts that, ultimately, their opposing philosophies are not the issue that exists between them.

The issue that does exist, then, can be surmised from Alhaitham’s actions during the event (discussed further here), in which he researches into Sachin to gauge his influence over Kaveh’s father journeying into the desert, with implicit hopes of providing closure for Kaveh, and potentially assuaging Kaveh’s guilt. This is a personal act with a personal motive; the underlying motive being concern, as opposed to an assertion of ‘correctness’.

In my opinion, I think Alhaitham’s actions during A Parade of Providence are a direct reference, and fulfilment, of Kaveh’s fifth character story. I’ve discussed here that the main reason for the ending of their friendship was them asserting the correctness of a philosophy over the other, and proposing one philosophy as the ‘solution’ to the other’s perceived flaws.

Here Alhaitham can be seen to use Kaveh’s past as the reason for his excessive altruism, implicitly referring to Kaveh’s guilt over being the supposed catalyst for his father’s demise. This final comment of Alhaitham’s appears to be the first time this has been mentioned between them, and it’s enough to be perceived as weaponisation – leading to Kaveh severing their friendship.

In A Parade of Providence, Alhaitham is shown to only have taken the role of commentator to research into Sachin, whose research we are told (by Kaveh), he has no explicit interest in, and it is heavily implied that the only reason he looked further into Sachin, was to prove to link between Sachin and Kaveh’s father. Alhaitham seems to want to absolve Kaveh of this past guilt in hopes that Kaveh will stop placing himself in the cycle of self-sabotage.

For me, when viewing this as a parallel, it highlights that Alhaitham’s motivation in speaking out during their days as students was out of concern for Kaveh, although while holding egoism as ultimately beneficial, and therefore perceivably ‘correct’. The ‘issue’ they’re currently debating is not expressly stated, and although it is unclear if Kaveh understands the implication (as discussed here), as ‘correctness’ has been overturned, there seems to be little left than the personal.

Relating this back to Alhaitham’s fourth character story, for me, Alhaitham referring to Kaveh as a mirror isn’t just referring to Kaveh as a scholar, but a person as a whole. As Alhaitham seeks to improve himself, personally, through Kaveh, it seems that he hopes to be able to benefit Kaveh in turn.

As for Kaveh’s complaints regarding Alhaitham, these can be contextualised within his own character stories. As Kaveh ultimately severed the friendship between him and Alhaitham, Alhaitham offering Kaveh to live with him, despite Kaveh revoking his previous understanding of Alhaitham (as discussed here, page 67), causes Kaveh to be overtly suspicious.

In Kaveh’s Old Sketchbook, it is mentioned that Kaveh believes there to be an ulterior motive for Alhaitham inviting him to share a house, as he believes that Alhaitham wouldn’t do something for someone else without an exchange.

Kaveh, then, openly distrusts Alhaitham due to this unspoken motive, and although he takes on chores to ease his sense of guilt of being a perceived burden, a contention arises here. Due to their previously ended friendship, and with how Alhaitham hurt Kaveh, and how Kaveh may believe he hurt Alhaitham (discussed here), Kaveh sees no reason for Alhaitham to want him around – he treats their relationship as an exchange, asking what Alhaitham could possibly want for him.

Although Alhaitham views Kaveh as a mirror, and therefore, respects Kaveh’s perspectives, Kaveh can potentially view their opposing philosophies as a negative rather than a positive as he had done in the past (as discussed here), as it, perceivably, was what led to the end of their friendship. In this, Kaveh views Alhaitham as disparaging him and his views. As mentioned in his character story, he has no reservations in telling Alhaitham of his debt as Alhaitham has already seen through him in the past, and yet again, upon meeting at the tavern.

Although Alhaitham perceivably views him unfavourably, and his comments and complaints appear to propagate this interpretation, Alhaitham also seems to have no issue with keeping Kaveh around, and interacting with Kaveh, regardless of the problems Kaveh expressly has with him.

To Kaveh, it could be that as Alhaitham has already seen the worst of him, and appears to have no real issue with their stilted rapport, there is no point in donning a front and using niceties. He is open with his issues with Alhaitham, and, in turn, Alhaitham is open with him.

This appears to be a dual negative and positive for Kaveh, as he describes Alhaitham’s constancy as ‘the most unshakable part of one's past is a friend that will never change’. In this sense, his unsteady rapport with Alhaitham is reliable, and therefore, has no reason to change.

Clearly, there is a large disconnect between Alhaitham’s view of Kaveh and how Kaveh perceives Alhaitham’s view of him. As previously mentioned in the discussion of A Parade of Providence, there is an unspoken ‘issue’ between them, and this can be interpreted as dire misconceptions borne from miscommunication.

As discussed, Kaveh and Alhaitham reference each other a lot in their respective voice-lines and their character stories. This alone is enough to connect them, regardless of the cruciality of their mirror motif, as they are key figures of each other’s past, present, and seemingly, future. Despite this, it’s as you say, there’s a common perception to view them as mutually disliking each other, and, to me, this is based upon their first initial interaction, and the way they refer to each other in their own character stories and voice-lines.

It’s notable that Alhaitham refers to Kaveh in his voice-lines when Kaveh is not explicitly relevant, such as in his Good Night voice-line, and, most interestingly, when Alhaitham discusses Tighnari.

This could be because Alhaitham knows of Tighnari through Kaveh, but as this connection isn’t stated, it reads as Alhaitham mentioning Kaveh for no other reason than to complain about his perceived naivety regarding relations with others. But as this is a voice-line designated to discussing Tighnari, it’s interesting, and incredibly noticeable, that Alhaitham then discusses Kaveh instead. It’s similar to what Kaveh can be seen to do, and is observed to do by others, in relation to discussing Alhaitham.

When it comes to Kaveh, however, his complaining of Alhaitham can be seen to link with his process of dealing with troubles in his work. In his Hangout, he states that he takes his work to heart because he cares about it, which is expressed in the same quest in which Kaveh and the Traveller run into Alhaitham in the House of Daena (discussed further here, page 219).

Drawing a parallel here can further contextualise Kaveh’s complaining of Alhaitham – if Kaveh truly disliked Alhaitham, there seems to be no reason for Alhaitham to remain so relevant to him, both in conversation, and in private thought. Additionally, Kaveh is described as an empathetic person, and when dealing with others, he is thusly seen to look for another perspective rather than act on his own subjective perspective.

Looking at his voice-line on Dori, for example, expresses his distaste for Dori pressuring him for Mora due to his debt, however, he also empathises with her, and states that he senses there must be a reason why Dori acts in such a way.

In contrast, this empathy can be perceived as missing in his treatment of Alhaitham, and therefore Kaveh complaining about Alhaitham can be perceived as blatant dislike – which contradicts Kaveh’s benevolence and empathy, which A Parade of Providence particularly stresses.

Kaveh’s treatment of Alhaitham can be seen as deliberately contradictory, as it can cause the player to question why Kaveh reacts in such a singular way to Alhaitham, just as why Alhaitham reacts in a singular way to Kaveh.

In reference to Alhaitham, whilst Alhaitham tends to complain about Kaveh in turn, his actions reveal him. He invites Kaveh to live with him, gives no eviction date, pays for Kaveh’s tabs willingly, (supposedly) buys wine as an apology, and goes out of his way to ensure dialogue with Kaveh – which contradicts his own character stories, in which he appears to favour solitude, and only greets those he considers his friends ‘with a nod or two’.

Moreover, Alhaitham is established as considering Kaveh a necessity to his ‘peaceful life’ he seeks to maintain (as discussed here), and can be seen to implicitly consider Kaveh one of his priorities within his Story Quest.

The idea that Alhaitham dislikes Kaveh seems to stem from Alhaitham being taken literally when voicing an opinion, or an issue, or simply joking, in reference to Kaveh – despite his character stories highlighting that Alhaitham often uses sarcasm in order to subvert expectations.

Alhaitham expressly states that he prefers to be seen as inscrutable, and unknown, by the general public, and uses subversion as a means to do so. In these character stories, Alhaitham openly encourages speculation of his own words.

Without this context, it seems easy to simplify Alhaitham to purely speaking factually when first addressing Kaveh in the Archon Quest – stating that having to explain things to Kaveh is ‘a nuisance’, and yet, it is overlooked that Alhaitham stays in the House of Daena, regardless, knowing Kaveh would find him again.

On the whole, in my opinion, Kaveh’s feelings towards Alhaitham cannot be simplified to ‘dislike’ as this is dually an inherent misunderstanding of his character, and of his and Alhaitham’s relationship, just as Alhaitham’s feelings towards Kaveh cannot be simplified to ‘dislike’ for this same reason.

In the beginning, Alhaitham and Kaveh are not supposed to be perceived as friendly, as Kaveh denies the association of ‘friends’, and Paimon describes them to the Traveller as ‘problematic’.

The reason for this is due to their character arcs being intertwined – the core issue is posed in Kaveh’s fifth character story, in that the question is raised if a compromise can be reached, if both sides of the mirror, can be balanced. At the beginning, they are entirely at odds, but even footing must be found.

I’ve noticed a shift in online discourse after Cyno’s second story quest, as the progression in Alhaitham and Kaveh’s relationship is noticeable – deliberately, due to the flashback scene within their house (which I’ve discussed in detail here, page 122). To me, it’s more common to form the assumption that Alhaitham and Kaveh dislike each other in the Archon Quest, but with recent developments, and, hopefully, future ones, this perception is being overturned in online communities. Perhaps that’s just wishful thinking, but I’m still hopeful!

[heloflor]

Was in the mood for some teen + adult Timmy Turner headcanons (3.2k words below):

- Not actually teen related but still about Timmy: I like to think he actually got his fairies when he was 9 (which as I learned after watching “Abra-catastrophe” is actually canon, though in New Wish the fact Timmy had fairies for 7 years raises some questions on that front, like did he lose them at 16 instead of 18?), Poof/Peri was born when he was 10, and by the end of the show Timmy’s around 12-13 (since Poof/Peri turns 2 in season 9).

- Speaking of the end of the show I’m kind of ignoring season 10 for those headcanons, or if I do include it Chloe only had Cosmo and Wanda for a few months before not needing them anymore, hence them going back to only having Timmy (and it was probably awkward for Timmy to interact with her for a while after she lost them. Unless Chloe moved away afterwards or something).

- Vicky stopped being his babysitter when he turned 13, hence why Peri remembers her as a nightmare (if fairies age at the same speed as humans, Peri would have been 3 then). Oh and she stopped being hired because his parents thought he was old enough to take care of himself, and yes he still needed fairies even with Vicky out of the picture.

- Not sure when exactly (between 12 and 15) but at some point he just stopped bothering with his parents. They still mainly interact with him to tell him they’re going out so he just stopped engaging with them. As far as he knows, Cosmo and Wanda are his parents.

On that note, the more it goes the more those two would genuinely see Timmy as their own and raise him as such, even with the knowledge that they’re meant to leave eventually (and it wouldn’t surprise me if by the end of their work with Timmy, Cosmo and Wanda got yelled at by the Fairy Council for being unprofessional by getting too attached to their godchild).

- Timmy would start having Cosmo and Wanda go to school events where you have to bring your parents or similar stuff. If his parents catch wind of those events, Timmy would tell them bringing parents is optional, which they would be happy about bc they’d have something planned for this evening anyways.

- Timmy would also casually start bringing up Poof/Peri in conversations with his friends, calling him his little brother who his parents never talk about because having a second kid is difficult and also you guys can’t meet him because he’s in a boarding school and only comes home during the holidays.

- I could also see him start talking about Cosmo and Wanda, being like “oh yeah they’re family friends who are like my godparents and they’re great! No don’t worry about how weird they’re acting, just don’t question it and don’t bring it up to Crocker” especially for family events.

Tbh if he starts talking about those two he would probably also admit that his little brother is their kid who he calls his brother because “I’ve been in his life since his birth and I’m close with his parents so you know!”

- You just know Timmy and Poof/Peri were being gremlins growing up together. Like Wanda refusing a wish and convincing Cosmo not to do it either, only for Timmy to ask Poof/Peri for it behind their backs. Then one day when Peri’s around 6 years old Cosmo and Wanda don’t want him granting wishes without one of them around anymore because he “hasn’t lost his baby strength” meaning he might be as powerful as Cosmo and they want to avoid disasters (huge fan of Cosmo being op as hell). Timmy wasn’t very happy about that.

- And since I keep talking about Cosmo and Wanda being like parents to Timmy, a word about why Timmy is so special to them compared to other godkids.

First off I believe that Cosmo and Wanda remember every single godkid they had and genuinely loved each of them. Hell in “Hassle in the Castle” when seeing the girl who caused WWI Cosmo happily greets her and Wanda calls her “sweetie”. They care for those kids no matter how difficult some of them were.

So to me what set Timmy apart from them is that 1. Timmy got a lot more involved in Fairy World business than former godkids and by the end of the show was low-key closer to fairy culture than human culture (granted this is mostly due to how the show stopped using most humans characters in the last two seasons from what I heard).

2. Timmy reunited Cosmo with his mom (for better or worse), helped him get a better relationship with his brother, almost helped Wanda reconnect with her sister, and allowed Cosmo and Wanda to become parents. So Timmy basically helped mend some of Cosmo and Wanda’s family relationships on top of being familiar with said families and getting along pretty well with them too.

3. Mentioned a bit more later on but Cosmo and Wanda getting a bio child seemingly made them become more parental towards Timmy as well, thus tightening their bond.

4. One episode shows someone losing their fairies as a teen meaning that while probably very rare Timmy isn’t the first godkid to keep his fairies until he’s 18 (at least that’s how I see it, like the teen we seen lost their fairies earlier but that doesn’t mean another teen didn’t keep theirs until they reached adulthood). That being said I like to think he’s Cosmo and Wanda’s first godkid to keep his fairies for so long. And add in the secret wish into the mix, it makes Timmy the godkid Cosmo and Wanda spent the most time with by far and the only one (so far) they raised up to adulthood.

- The months leading up to Timmy’s 18th birthday were very not happy for nether him nor his fairies. Constant apprehension, half-jokingly talking about stopping time for 50 years again, trying to spend as much time together as possible, possibly counting down the days for the last month, having to explain to Poof that he won’t be able to see Timmy ever again. Just really not a good time for everyone involved.

(btw about the stopping time thing, Cosmo and Wanda understood where Timmy came from but were still deeply unhappy about it because 1. It explained why their relationship was going down the drain being stuck in a small fish bowl for years surrounded by negativity and 2. Their son almost died because of it; they did eventually manage to put it in the past though)

- And since I bring up the Secret wish here’s my take as to why Timmy changed his mind after the ending of “Channel Chasers”: Ok so I’m pretty sure the answer is simply that he’s a 10 years old child who’s allowed to change his mind, but if you want a more satisfying answer I like to think that Poof’s birth is what caused it.

Because now Timmy has a little brother. And after rewatching some early S6 episodes, it honestly feels like this is the point where Cosmo and Wanda truly started to treat Timmy as their own, including him in family photos, having a scrapbook of him, showing no difference between how they treat him and Poof, openly calling Poof his little brother etc.

So not only is Timmy now closer than ever to Cosmo and Wanda, he also has a baby brother that he’s attached to. You could even put in “Wishology” which second part opens up with Timmy spending several days in Fairy World having the time of his life, and when going back home his parents had been on vacation without him this whole time and immediately go to a second one, forgetting about him twice in a row. On that note his parents’ neglect becoming worse could also push him towards his fairies.

So yeah, with all that in mind, I could definitely see Timmy panic as his 11th birthday is approaching, causing him to wish for time to stop. Btw I could see him make that wish late at night, telling Cosmo to come see him after/while Wanda is putting Poof to bed, and Cosmo wouldn’t exactly be the happiest about that wish but it’s not like he really has a choice + Timmy forces him to forget afterwards.

(Also this has nothing to do with this post but since we’re talking Timmy and Poof and I’m too lazy to go back and edit my season finale reaction post: I’m part of the people who, while having no issues in New Wish with Hazel having Cosmo and Wanda and Dev having Peri, I can’t help but wonder how things would have been had they swapped fairies, and I also think that them having each other’s fairies would be better for everyone involved, though again I love the dynamics we got in the show, it’s more curiosity over a what-if; but yeah long story short I realized recently that another reason why this swap could work for Hazel and Peri is that Peri can relate to Hazel’s issue of learning to let go of her brother, since he once was the younger sibling having to say goodbye!)

- The day of his 18th birthday, Timmy stayed up the whole night with his fairies, not feeling ready at all to lose them. When the time came I could see Jorgen have a message from the Fairy Council about how Timmy was both the best and worst godkid they ever had to deal with but at least he’ll be remembered by all of fairykind. Also Jorgen would probably give them an additional 15 minutes to say goodbye. Also also I could see Timmy give Jorgen a hug because despite all the bullshit Jorgen put him through (most of which Timmy deserved tbh) by the end of the day he’s going to miss the big fella, with Jorgen awkwardly patting Timmy on the head, having no idea how to react.

- That day, post losing his fairies, was also probably the weirdest day for Timmy. He spends the whole day feeling a sense of emptiness, his friends ask him about a couple and a younger brother he has no memory of which prompts him to realize he doesn’t remember half of his childhood, which he would likely freak out about.

- Giving more details, Timmy remembers the humans in his life but thinking about a specific day in detail leaves him with foggy memories. Worth noting that this is what would usually happen to a godkid but since most godkids only have their fairies for a couple months (2-3 years max) that fogginess is usually seen as forgetting some childhood memories. On the other hand Timmy has had his fairies for so long that this absence is much more obvious.

- Also Timmy would vividly remember feeling parental love which he knows for a fact doesn’t come from his own parents, and despite being a single child a part of him tells him he has a sibling. And with his friends confirming he was spending tons of time with two adults and bring up having a brother quite often, he would quickly start wondering where those people are now and whether he’d ever see them again.

Also not helping would be that, since he brought them up to his friends, he’d probably have created some lie about them moving to a different state on his birthday, which could also explain his friends bringing them up after the memory wipe like “it’s too bad those guys you like so much left. You’re gonna be okay without them?”

- I could also see Timmy often pause and stare if he sees pink, green, and/or purple objects right next to each other. On that note, my view for his adult design is basically the end of “Channel Chasers” but with three pins on his shirt (pink, green and purple). If he can’t bring his pins somewhere, he’d have three small earrings instead. He just doesn’t go anywhere without those colors. Also touching his pins gives him a sense of comfort.

- Needless to say Timmy’s in therapy not only to deal with his childhood trauma but also try to find a way to recover his memories. I could see the therapists he visits tell him he might be repressing some of his memories due to trauma. And yeah he’d see several therapists because that answer doesn’t satisfy him.

- That desire to recover his memories is why he’d be interested in AJ’s work (and I could see AJ actually try to help him with it, or even Timmy being one of the reasons why he decided to study the supernatural), though I could see Timmy keeping some distance to it (as in not thinking about it every single day and still looking up psychological reasons for his memory issues) since he’s afraid to end up like Crocker. Also he’d be confused as to why part of him is so convinced that looking for these people would make him like Crocker specifically.

- On that note, he’d probably hear Crocker rant about fairies again and try very hard not to think of the fact that the idea doesn’t sound all that crazy actually.

- If Timmy was to meet his fairies again (in human form), he would find them extremely familiar but not be able to place why (unless he has pictures of them in human form from his childhood I guess, in which case he’d recognize them though not remember them).

Btw I could see a scenario of them hugging him to try and jog his memory, which wouldn’t make him remember but he would realize that they’re the people he’s been looking for. If he were to spend more time with them, I could see him remember a few things like some insides jokes or finding himself call Peri “Poof” on accident (Peri would just start bawling at this because “he remembers me!!!”).

Ultimately, I’m not the biggest fan of the idea of him fully remembering them, for some reason I prefer the idea of him knowing they were important in his life and remembering how much he loves them but still building a new relationship with them, especially if you imagine them hiding their true nature to him (he’d probably figure out they’re not humans tho, but he would not sell them to AJ’s group). That being said he would very quickly start calling them his adopted parents/younger brother because again while the memories are gone the feelings are still there.

(Granted I could see the invasion from New Wish’s “Battle of Big Wand” bring his memory back, with him wearing sunglasses to avoid the mind wipe so he’d end up remembering his fairies, I still like the idea of him meeting them without remembering though)

- Speaking of Timmy not selling them out, I could see Dale Dimmadome figure out some of Cosmo and Wanda’s scribbles, at least the part about fairies, causing him to go to one of the meetings from AJ’s group, see Timmy, recognize him as the kid who saved his life and quickly realize Timmy might have had fairies given the effects of his lemonade, especially if he sees his pins and recognize the colors of the two people he’s stalking who suspiciously look like Hazel’s stim toys, on top of the purple color of his son’s headphones which Dale couldn’t find any info on online meaning it’s a one-of-a-kind and he has no proof of purchase (also maybe he saw Peri in human form with his parents, thus putting him on his radar as a potential fairy, and again the color matches up with Dev’s headphones).

But yeah if Dale tried to invite Timmy to try and negotiate with him (fairies info in exchange of potentially getting back his memories), Timmy would refuse bc he doesn’t want to endanger those people, even if he doesn’t remember them. Oh yeah and Timmy probably wouldn’t remember Dale since they only met once and it was related to magic.

(also this has nothing to do with his evil plan but I could definitely see Dale invite Timmy by saying something like “I owe you a drink”; yeah I like to think that despite being a huge piece of shit who doesn’t care about anybody but himself, Dale still can’t help but be grateful to Timmy)

Or another funny scenario I could see would be Dale calling AJ to tell him how he believes a fairy is spending time with his son and might be dangerous, showing some of the pictures he has of the fairy trio, and AJ would immediately recognize them as Timmy’s weird neighbors he’s been looking for. So AJ would tell Dale he’ll help catch Peri only to phone Timmy after the meeting to tell him he found his godparents. And if AJ does grab Peri, instead of trying to figure out how his magic work, he’ll just have him reunite with Timmy.

- Btw while Timmy would introduce Cosmo and Wanda as his parents to people, he still calls them by their first names. Not only because not everyone calls their parents “mom” and “dad” but also due to Timmy’s bio parents only being known as those “nicknames”, so Timmy would likely want to distance himself from them by not naming Cosmo and Wanda the same thing.

- Last three headcanons which have nothing to do with fairies; first of all I see Timmy as going full on no-contact with his parents. Maybe at first he tried keeping some level of interaction but quickly came to realize his folks are more than happy to pretend to be childfree. And obviously they didn’t give him any money for college or anything like that; hell I could even see them half-jokingly comment once Timmy turns 18 that he should start paying them rent. So yeah, needless to say Timmy quickly stopped interacting with them.

- I’m not really sure what kind of job Timmy would have. Given his grades and the fact he was failed by the system (Timmy can be a very clever kid but he’s clearly not made for academic work, which is the kind of work expected of him), I don’t see him get very far school-wise meaning he’d probably have an entry-level job, with maybe something on the side related to his creativity for additional money.

At the same time “Channel Chasers” seems to give him an office job and I don’t know what are the qualifications needed for those, then again from what I’ve seen in other cartoons some office jobs don’t pay well (think Nichole in TA/WOG with several episodes being about the Watt//ersons being poor).

So yeah ultimately I could see Timmy have a low-salary office job with a hobby on the side to get some “fun” money.

- Finally, I have no idea for his love life, mainly because I don’t care ¯\_(ツ)_/¯. Between his job probably taking a lot of time, his not so great mental state (again he wouldn’t go to therapy solely for his memories) and research of his past, not sure he’d have time for dating. I also don’t ship Timmy with anyone bc I’m not big on shipping kid characters, even aged up ones. So I guess maybe he’d see someone casually? Maybe Tootie??? Idk

[schizotypal-culture-is]

@deeptrospection replied to the post on Schizotypy

I’ve seen this misconception pop up online, and I’d like to address it.

According to the DSM-V, there are 10 personality disorders. These 10 personality disorders are broken down into 3 clusters: Cluster A, Cluster B, and Cluster C.

The personality disorder clusters are not separate from personality disorders, nor do they exist on their own. There are no “Cluster A Disorders”. There’s “Cluster A personality disorders”, because Cluster A is a… I don’t want to say it’s a sub classification of personality disorders, but it’s more for organization.

The Clusters organize the personality disorders based on shared traits, however it’s important to note that these shared traits are completely arbitrary. Personality disorders have such high comorbidities between each other, that the ICD-11 got rid of individual personality disorder diagnoses altogether, and instead created a single personality disorder diagnosis which is then classified as… mild, moderate or severe? I think it is? They’re basically functioning labels that denote how “severe” the impact or dysfunction of the personality disorder is. The point is, there’s a million different ways the personality disorders can be grouped.

With that being said, the Cluster A personality disorders are grouped together as the “odd, eccentric, and peculiar personality disorders” that are marked by distrust, detachment, and social withdrawal.

The Cluster A personality disorders are: paranoid personality disorder (PPD), schizotypal personality disorder (StPD) and schizoid personality disorder (SzPD).

I’ve edited the original chart I posted to the post about schizotypy to both highlight the Cluster A personality disorders, as well as marked out the conceptualized personality disorders that aren’t recognized by the APA, and therefore aren’t diagnosable by the DSM-V. I did this in the hopes of making the chart easier to read for those who don’t have much understanding of PDs, and wouldn’t recognize that some of these PDs/structures are merely conceptual.

For PPD, the normal, non-disordered end of the personality continuum is “vigilant” with “paranoia” being disordered vigilance. It’s good for people to be aware of their surroundings and the people they interact with. It’s bad when this awareness becomes all-consuming, and someone automagically assumes the worst of every situation and person, which causes severe avoidance and attempts to gain safety.

For SzPD, the normal, non-disordered end of the personality continuum is “solitary” with “schizoid” being the disordered need be alone. It’s good for people to need alone time, to do the things they want to do, recharge, etc. It’s bad when this need to be solitary becomes all-consuming, and someone becomes completely indifferent to human interaction altogether, and even develops an aversion to it (due to the schizoid fear of engulfment). Human beings are a communal and social species, to be devoid of it is dangerous. (Many consider solitary confinement to be inhumane because it triggers psychotic episodes due to the isolation. Human beings literally go crazy in the absence of contact. When you consider that SzPD is schizotaxic and more prone to brief psychosis than the rest of the population, the schizoid desire to be alone is detrimental to the schizoid).

For StPD, the normal, non-disordered end of the personality continuum is “idiosyncratic”, which means “of peculiar temper or disposition; belonging to one's peculiar and individual character” with “schizotypal” being the disordered form of idiosyncraticy. It’s good for people to have individualism and characteristics that are unique to them. This is provided by a healthy ipseity or “minimal self”. You know who you are and are defined by the things that make you unique as an individual. In StPD, this uniqueness is taken too far, and then we become ostracized for being too unique and individualized ie odd, eccentric, bizarre, weird. We no longer stand out as an individual, but “stand out from the crowd”, so-to-speak.

And finally, only the schizotypal personality structure continuum/spectrum has a name, and that’s “schizotypy”. None of the other PDs have a name for their continuums/structure, which makes researching them difficult, because you’ll just get results for PDs 🥲.

[thatgirlwithasquid]

letters that i can never send

words: 25,571

Chrissy/Tina | Teen and Up Audiences | POV Tina | Ghost Chrissy Cunningham | Letters | Right Person Wrong Time | Unhappy Ending

beyond excited to get to share my fic for @sapphicstevents' stranger things sapphic mini bang!! writing it definitely fought me for a while but i'm really proud of this fic.

so here's the first chapter and a cover i threw together to post it with! the whole fic is up on ao3 here, and @hullomoon has been amazing and created a podfic of the work for anyone interested in listening <3

---

Chapter 1 : A Pack Of Green Scrunchies

words: 5,739

June 20th, 1986

Dear Chrissy,

I wish I had known you before everything went mad. 

I think I told you that before, but I mean it now more than I meant it then. It feels so crazy to think that we went through school walking past each other in the halls and not even glancing in each other’s direction. I know that I did the same thing to other kids but it still feels impossible.

My mom took me out to the mall the other day—there’s a mall in this town, not like the destroyed one in Hawkins. It’s full of people and stores and it's loud. I didn’t like it. I always used to find it annoying how quiet Hawkins was sometimes, but I hate how loud it is here. There’s too many people talking and smiling and I can’t see them without thinking about how oblivious I was before I met you.

They were selling scrunchies in one of the stores. My mom was looking for a new purse but I stopped to look at them instead. I bought a pack of green ones because they made me think of you. I wonder if that’s what you would smell like; cotton fabric and lingering perfume from my wrist.

I miss you. 

Tina.

—

The lights in the hospital waiting room hum with an electric static. Even under all the anxious chatter and background noise of the hospital, it’s the only thing Tina can hear. Well, that and the fading ringing in her ears.

Her hands clench and unclench around the hem of her shirt as she watches the minutes tick by. Beside her, her dad’s leg bounces up and down. She’s not sure if he’s aware of her watching him. The man stares ahead down the crowded hall through the chaos as if her mother will suddenly appear there, good as new.

Tina doesn’t say anything, just reaches out and entwines their fingers, letting out a sigh of relief as her father squeezes her hand back. She needs his strength to lean on. It doesn’t matter that, rationally, Tina knows her mother’s injuries from the earthquake were far from the most severe that came through those hospital doors today.

She’s never been more scared than she was when her dad came stumbling out of the rubble, shirt bloodied and with her mom’s arm over his shoulder to support her weight. Tina had been so frantic that she can’t even remember if her mother had been conscious at that point. She was out cold during the drive to the hospital, though; the sounds of ambulances and firetrucks and police cars responding to the destruction weren’t even enough to break her from her state. Her father had somehow remained stoic then, too.

Thankfully, it’s not too much longer before a nurse lets them visit her mom. After hours of waiting, they’re more than ready to see how she’s doing. 

With all the trouble caused during the disaster, her mom is crammed into a room with other people, separated only by a flimsy curtain. Around them, the relieved reconciliation of other patients and their families fade into the background as Tina reaches her mother’s side and grasps at her hand where it lays atop her blankets. 

IVs poke into her skin and wires trail off to monitors she doesn’t even begin to want to look at. Instead, Tina focuses her gaze on her mom’s weary face. She looks tired, eyes rimmed with dark circles that are only accentuated by the pale colouring of her skin. But she seems okay, all things considered, and Tina sighs out in a relieved whoosh of breath.

The nurse goes over her mom’s condition with her dad, but Tina hardly takes in a word—the moment the nurse confirms that her mom will be okay, she tunes her out entirely. Instead, Tina drinks in the sight of her mom, brushing a careful thumb over her scraped knuckles and almost tearing up when her mom gives her a small smile in return.

Eventually, the nurse hurries off again and Tina’s dad slumps into a chair beside the bed. Tina barely glances his way, too scared to look away from her mom, convinced that if she so much as takes her eyes off her, something terrible will happen again.

“Tina,” her mom sighs. “I’m okay. You don’t need to look so worried.”

Tina shakes her head.

“I was so scared,” she manages, voice cracking under the tears she spent so long suppressing. They finally rush down her face in a flood of emotion, tasting salty where they converge in the corners of her mouth.

“Oh, baby,” her mom says, voice softening. “It’s going to be okay now, okay? Why don’t you go and get some rest, you look exhausted.”

Tina can’t help but laugh at that, an ironic, choking thing. “I look exhausted?”

“Well,” her mom smiles before shifting slightly and doing her best to smother a wince. “I’m already laying down and getting rest. I’m more worried about you.”

Guilt stabs Tina’s heart like a blade. Her mom’s the one in a hospital bed, with doctors and nurses hovering around outside to help if needed, and yet Tina’s the one acting like the world’s weighing down on her shoulders. It’s shameful in its own way. 

Tina always thought she was strong enough to be her parents’ equal. She did well enough in school and had plenty of friends; her parents saw how grown up she was and even helped her plan her Halloween parties; her mom told her everything—every annoying thing someone at work said, every snippy little complaint about her dad forgetting to hang the washing out…

And here she is now. Comforting Tina like she’s a little kid in need of a nap and not a seventeen-year-old who should be better than this. So, she shakes her head, plastering on a smile even as her eyes sting with another wave of tears and, admittedly, exhaustion.

Before she can put up much protest, her dad pipes up to agree with her mom. It doesn’t leave enough room for anything more than Tina going along with what they want. Her dad almost follows before he hesitates, catching her mom’s eye. She nods back at him.

“Why don’t you see about finding some dinner for us two? I won’t be far behind you, I just need to have a talk with your mom.”

What is Tina supposed to do about that other than leave? She’s obligated to listen to her parents, even if she wants to stay. Besides, she’s sure she’ll be visiting her mom as often as she can until she’s discharged. 

So, it’s fine. All this is fine.

When she gets to the door, Tina turns and looks back at her parents one last time. With all the other people talking in the room, she can’t make out what her parents are discussing. What she can make out is the way her father’s face pinches into a concerned frown. 

Whatever it is they wanted to talk over without her must be serious. Resigned, Tina sets off in search of the cafeteria. It feels strange, pushing on through crowds of the distraught and the injured. Against her better judgement, her eyes catch and linger on the horror around her. 

Nothing will ever be the same after this, not in Hawkins at least. Too much bad has happened, too much to even let herself think about.

By the time her dad finds her in the cafeteria that evening, the dinner that Tina bought them has long since gone cold.

—

School doesn’t reopen until a week later—a week filled with funerals and clean up and searching for anyone still buried under the rubble. During that time, Tina recovers what she can from her trashed house to cram into some other girl’s bedroom. She should probably count her lucky stars that its usual inhabitant left for college a year ago, otherwise she would be knocking elbows in this little space—seemingly so much smaller than her own room was.

She longs for home: for her corkboard of polaroids of herself and her friends, for each marker line creeping up her door frame dedicated to a year of her life, for her fuzzy blue blanket, and for so many more little comforts that she had taken for granted. Staying here, in someone else’s bedroom while her dad stays on the pull-out downstairs, makes her feel strangely like a jigsaw piece jammed into the wrong puzzle.

There’s nothing to be done about that, with the roof of her house half-collapsed it’s not like they have much choice other than this. She is grateful that her dad’s work friend—Mr. Daniels—took them in, but that doesn’t stop her longing for what she’s lost.

Returning to class brings back none of the normality she longs for, either. Sure, the cracks in the road outside have been hastily paved over for the most part and the classrooms have been deemed safe to return to despite whatever state the earthquake had left them in, but everything has so clearly shifted…

All Tina sees, everywhere she looks, are the empty seats. The ones from kids whose families fled the town are one thing, one type of grief for the friends she’s not sure she’ll ever see again. The rest are something else entirely, vacant seats that will never be filled; those seats offer no question to their absence in Tina’s life.

So far, she has been to eight funerals. Three of them were some of her best friends. She didn’t sleep the nights after any of those. After the last one, she hasn’t been able to bring herself to attend any more; it turns out that there’s only so many bodies you can handle saying goodbye to within such a short period of time.

Mr. Clarke clears his throat, trying to recapture the forlorn attention of the room. Even he can’t seem to muster a genuine smile so Tina doesn’t know how he expects the students to care about any of this. Honestly, she’s surprised the school has even bothered swapping teachers to fill in for staff absences with how little chance they have at passing their exams after all this. If their grief wasn’t enough, having a teacher so clearly unprepared to deal with older kids isn’t going to help them learn at all.

She remembers Mr. Clarke from middle school and almost, very briefly, feels bad for thinking poorly of him. He’d been a nice enough teacher. She’s sure he’s still nice enough, but she just doesn’t have it in her to care about stuff like that anymore. Not after everything. She’s not sure how she fits into this new, broken version of Hawkins; how the hell should she be able to care about how everyone else fits in?

Slowly, the eyes of the class do raise to the man where he stands, squirming at the front of the room, backdropped by the chalkboard covered in scrawled science Tina hasn’t understood a word of. She can’t help but think that their usual teacher would have explained it in a way that made so much more sense to her.

She doesn’t know if that teacher is one of the leavers or worse.

Everyone sits quietly as Mr. Clarke stumbles his way through telling them about the commemorative assembly that is going to be held in the gym. Both schools will be coming together in a few days time to remember their lost friends, or at least that’s the plan.

Silence hangs in the air for another excruciating moment. Then the whispering finally begins. Names get thrown around, ones Tina is sure must belong to the dead.

“Jason,” someone whispers.

“Carol,” says another.

“Nicole—”

The whispering gets cut off abruptly by the scraping of a chair as it’s shoved out from under its desk. Some kid launches himself to his feet and stalks out of the room, eyes red-rimmed. Behind him, the classroom door slams shut on a spluttering Mr. Clarke.

Whispers start up again in the wake of his sudden departure. This time, Tina tunes them out. Instead, she sets her thoughts adrift, steering away from anything too dour to think on. She doesn’t want to deal with this today. They’ve only been back at school for a day. 

She isn’t ready for this yet. It doesn’t feel like there has been nearly enough time for any of them to come to terms with this. How the hell are they going to get through these last two months of school and—

“Tina!”

Blinking back to her senses, Tina looks up, across the lunch table and to whoever called her name. It’s Vicki, looking at her with wide, concerned eyes. She probably should be concerned, Tina can only vaguely recall walking to the cafeteria, she’d been so trapped in her own mind.

“Sorry, what did you say?” she asks.

It’s just the two of them, perched on the edge of a sparsely populated table. Their group used to be a lot bigger.

“I—” Vicki starts, hesitates, and then leverages a painfully forced smile onto her face. “I asked if you figured out what you wanted to do at college yet.”

She wants to wince, to cringe away from the inane topic. It makes her feel sick to pretend that everything is normal. People died, other people got hurt, the town is a mess. Why would they be worrying about stuff like this as if it means anything at all anymore?

“I don’t know. With my mom in the hospital everything’s changed. I haven’t had time to think about it.”

Vicki squirms uncomfortably at her confrontational tone, looking chastised. It makes her deflate a little, feeling suddenly very cruel. Just because Tina doesn’t know how to play at being normal, doesn’t mean she has to be such an ass to her friend over it. She still cares about her and being a bitch is only going to drive a wedge between them. It’s not like she has many friends left after everything, either.

Her hands tremble in her lap and she shakes them out as if that might banish some of her simmering nerves. It doesn’t. With a tense kind of control, Tina pushes up to her feet. Vicki’s eyes swivel up to her, surprised by the abrupt shift.

“Bathroom,” Tina chokes out, trying to tamper down the frustration in her voice.

“Tina…” Vicki starts but Tina is already walking away.

The lighting in the bathroom is dingy and off-putting, and yet the electric buzzing of those fluorescents still puts her in mind of sterile hospital walls. Her mom’s been making a great recovery, she reminds herself. She’ll be home before she knows it. Maybe then everything will start going back to normal.

The porcelain basin of the sink stares, glaringly white up at her as she leans over, splashing her face with metallic-tasting water from the old taps. Her ragged breaths send speckles of water back into it as it drips in trails down her face. She’s probably smudged her makeup now, and it didn’t even help at all.

With a choked sob, Tina turns her face upwards, meeting the paled expression of her reflection; eyes wide, droplets of water clinging to mascara-tinted lashes. But that’s not all she sees.

A sick feeling of horror settles deep in her stomach as she notices something from the corner of her eye—something hovering behind her, in the corner of the bathroom. The room had been empty when she came in. Heart hammering, startled by being snuck up on, Tina whirls around to see—

Nothing.

Just an empty, dingy, school bathroom. The green doors of toilet stalls stare back at her impassively as she clutches a hand to her chest, willing her racing pulse to settle.

It was nothing. It was her mind playing tricks on her. It had to be nothing. Because if not, how could she explain that fleeting glimpse of the ghost of Chrissy Cunningham?

—

Tina’s pen taps restlessly against the Daniels’ kitchen table, the only sound in the eerily silent house.

Sharing a living space with another family comes with all the chaos one would expect, with each of their routines clashing loudly and incompatibly as they stumble around each other each morning and night. And yet the quiet moments like this are almost worse, when everyone is out working or visiting the hospital or whatever else it is these people do. Aside from Tina, it’s empty. Abandoned, almost, like the rest of this god-forsaken ghost town.

She scratches a frustrated line through her pitiful homework attempt and pushes it away across the table, out of sight and out of mind as she stares distractedly out the window. The chair she sits on creaks as she leans to the side, trying to look out into the street. Usually at this time of the evening, kids would be running around, excited and playing in the warm spring air. Usually parents would be seen and heard, trying to cajole their kids inside for whatever they had cooked up or ordered in for dinner.

Tonight, there is nothing but a creeping sunset that paints the sky a dull pink, like drops of blood diluted in a lake of blue. There is no one finding time to play, and no one enjoying a peaceful evening, and Tina’s parents aren’t here. It’s just her, alone with her anxious mind.

She should be at the hospital, trying her best to be there for her dad and checking in on her mom. But going there again and again felt like poisoning herself, losing herself in worry that would set her heart pounding and mind spiralling. It doesn’t matter to her scared brain that she knows her mom is doing much better, she still can’t help but feel sick with worry.

And she’s so tired. It makes visiting her mom so difficult because her mom gives her this pitiful, concerned look whenever she sees her like this. Tina just can’t take that; being a burden to her parents instead of a place of support. They have nothing to be worried about, really. It— She’s just tired…

She can’t sleep with worrying about if something happened to her mom in the night, or if another earthquake might come to completely level this damn town. And what’s more, her mind hasn’t been able to stray far from the thought of what she saw—or what she thinks she saw—in that damn bathroom. Any time her mind has a chance to wander, her thoughts get inevitably dragged back to that sight.

She had only glimpsed her for a fleeting moment but that had been enough. Enough to see the shape of blood splatters on her cheer uniform and the inhuman pallor of her skin… Now, every sound—every creaking shift of this unfamiliar house, every car driving by, every sudden noise—leaves her jumping, expecting to see something horrific around her as if she’s being tormented by some twisted apparition. She hates it.

She should know better than this, she doesn’t even believe in ghosts! Whatever she saw must just be a trick of the mind. And yet.

With a frustrated groan, Tina pushes her chair out from the table and stands. Sitting around like this is doing her no good, either. It’s like she can’t escape any of this worry for even a second. Or, at least, she can’t when crammed into too-small rooms that have no space for the shape of her grief.

Her loaned keys chime against each other as she snatches them from the countertop. She just needs to get out of the house, walk around and clear her head. Maybe then all this anxiety can start to dissipate and the memory of that hallucination will fade.

Locking the door behind her, Tina wanders off in whatever direction her feet decide to take her. 

The air is clear outside and she hopes that might ease some of the tension that she has been holding, coiled and aching, within her. It’s hard to remember that she doesn’t need to be prepared for something awful to happen, because chances are nothing will.

She wishes she believed that.

Every time she blinks back to awareness, she finds herself on a different stretch of road that she can’t recall making the conscious choice to head to. This walk clearly isn’t doing anything for her. Clear her mind? What a ridiculous idea. How the hell could a place as fucked up as Hawkins bring her any relief, no matter where she might go or what she might do? It’s like the only thing her body knows how to do here anymore is to run on autopilot—to keep her body moving as her thoughts keep on spiralling.

She stills, taking a frustrated breath and at least trying to keep track of where she’s ended up. Her eyes scan her surroundings, taking note of how the efforts to fix up the town haven't reached this far yet, great deep cracks still clear and precariously crisscrossing the roads, splitting the asphalt open to reveal the exposed bowels of the earth.

It’s not something she’s that surprised by. Ahead of her, the road turns off into the trailer park. It makes sense that no one has prioritised fixing up things around here. With the abandoned yellow streamers of police tape, catching and glinting in the golden hour, it’s only too easy to remember what happened here all too recently.

Tina cringes at the sight of them, dancing in the gentle breeze like they don’t know what they mean. Like they don’t know a girl was massacred inside that place. Still, she can’t quite tear her eyes away. For a long, breathless moment, she just stares, caught in the bone-deep wrongness of that place. And then, like ice slithering down her spine, a stomach-churning feeling of horror settles upon her. It takes a hold in her chest before she even realises the cause of it.

Just barely visible from this far away, lingering in the window of the Munson’s trailer, is the shape of a person, standing stock-still. The longer she stares, breaths shallow and fast under the weight of that settling dread, the more the distant shape seems to resemble a girl, its silhouette becoming more convincingly feminine as that agonising second draws out longer and longer, running on forever as her gaze refuses to budge from the sight.

It’s like time has stopped. 

Tina doesn’t realise she’s stepping away until her feet scuff against the uneven ground and she nearly loses her balance. That, at least, is enough to break her out of her trance even if the terror sinking into her stomach refuses to dissipate; she rips her gaze away from the trailer as if burned. It feels like the shape of that figure is scorched into her retina now.

Unwilling to look back at that window, Tina runs.

—

Sitting through the commemorative assembly in the school’s gymnasium is like pulling teeth. Every word jars her, striking through with pained awareness of how overcrowded the room is playing host to two schools and yet not nearly as crowded as it should be.

She feels like an exposed nerve, too vulnerable for this. Her eyes burn with exhaustion and the threat of tears.

At some point she stops listening entirely, too mentally overwhelmed as she tries not to think about anything at all if it will get the ringing in her ears to stop. As she looks down at her hands, the shadows cast by the lines of her palms form a dark echo of the blood and grime she remembers from that day. She had to trim her nails as short as she could to get rid of the last traces of it.

When they’re finally dismissed, the end of the speeches coinciding with the end of the school day, Tina lingers behind at a shout of her name.

Waving over at her from through the dispersing crowd is Vicki. There are strained creases around the corners of her eyes as she weaves her way to meet Tina but she valiantly keeps a smile in place, something more than Tina can say for herself.

“You want to tag along with me? I’m heading to meet Samantha, she snuck some of her parents' booze in all the confusion so we’re going to meet up and let off some steam.”

“Samantha Stone?” Tina clarifies. “Since when do you hang around with Samantha?”

Vicki scoffs. “Since almost everyone else is gone.”

Tina presses her lips together to keep the sudden roll of nausea at that blasé statement at bay. Vicki seems to pick up on it, her expression dimming marginally with her concern, but she chooses not to question it. Instead, she strides on, head held high.

“Anyway, we all have people’s memories to drink to. I cannot deal with the aftermath of that stupid assembly while sober. So, you coming or what?”

Tina takes a steadying breath and follows. After all, it’s not like she’s got any better ideas. 

The crowd that gathers at the edge of the school’s field is a mishmash of different people, most of whom Tina has only ever seen around each other in the classroom or at her own parties. They seem to clump together uncertainly, stilted conversations offered between each other about inane topics that Tina doesn’t have the energy to entertain.

Regardless, she loiters around with the group, accepting whatever drinks get thrust into her hand and taking great gulps to avoid joining any conversations. Listening is more than enough, if you can even class what she’s doing as listening. 

Everyone else, at least, seems on the same page about getting shit-faced. As the hours creep by, shoulders finally start to slump and the group gets rowdier the drunker they get. Bottles are uncapped with grandiose claims of them being in honour of someone who couldn’t be there with them.

Silently, Tina raises her own drink, the faces of her friends flashing in her minds’ eye. 

At some point, Vicki leaves her place at Tina’s side. She looks up to see her, arms interlocked, with Samantha and laughing the way she only does when she’s really tipsy. For a second, Tina considers going over to talk to them, but when she gets up from her spot on the bench her body feels clumsy and uncoordinated. It’s probably better that she stays here, leaning against the seat for support.

There’s another kid who could probably benefit from the same. He’s pale aside from a splotchy flush to his cheeks as he stumbles ungainly out from the tree line.

“Didn’t get lost taking a piss then?” his friend taunts as he wobbles his way back over to their side.

“I think I just saw a ghost,” he says in a daze.

Everyone laughs at that. Tina tries not to think at all.

The sun is creeping towards the horizon and Tina is far too many drinks in when the nausea finally hits her. It feels like a physical thing, crawling its way up her throat.

“Shit,” she gasps, floundering up onto her feet at last and heading blindly into the trees. At least there she might have just a smidge more privacy in her shame.

Her sneakers shuffle over uneven earth, hesitant at first until the need to puke becomes too much and she hurries further along, with all the uncoordinated grace she can muster. Knees meet the ground and an arm braces against a tree as she sucks in deep breaths. They slowly soothe the sickness away. In the end, she’s not sure if it’s better or worse that she didn’t actually vomit.

Head still hazy, she looks up and widens her awareness back to her surroundings.

“You have got to be kidding me,” she says, clambering back to her feet, as she spots them.

It’s a girl. It’s too far away to be sure but she looks to be dressed in a cheer uniform, at least from what Tina can see. The girl is curled around herself, sitting with her back against a tree and her head in her hands.

This could be it. This could be that same hallucination. 

Tina should just go—whether or not this is real, she just needs to leave it alone. If this is just some other student from their drunken group, then her crying is none of Tina’s business. Hell, she’s had to step away for private moments herself and it’s not the sort of thing you want to be walked in on. And if this is Chrissy, then… Well, then that doesn't bode well to think about.

Leaves and twigs crunch underfoot, stealing any stealth she might have managed, as Tina approaches. Not like it matters, the girl doesn’t react at all, as if she can’t even hear her.

The closer she gets the less she can deny it. That strawberry-blonde hair, held back from her face by a green scrunchie; that small stature; the familiar cheer uniform, speckled with somehow still-red blood… She may not have known Chrissy personally, but Tina had certainly seen her around enough to be able to recognise her.

She slows to a stop, looking down at the figure of her. From here she can see that her head isn’t actually in her hands. She’s covering her ears, muttering something under her breath that Tina can’t quite make out without getting closer.

Tina’s mouth opens to speak but she finds it suddenly dry, her throat barren. She clears her throat, the sound perversely loud in the atmosphere around her.

“Chrissy?” she manages finally, voice little more than a whisper.

Chrissy’s head snaps up to look at her, eyes wide and frantic. Her whole body tenses, posture coiling and shifting as if she’s preparing to bolt, and for a moment Tina feels that same need to flee echoed in herself. Neither of them do.

Tearful, blue eyes take in Tina’s face before some of the fight seems to drain from her, slumping infinitesimally against the tree behind her. Tina, though, doesn’t relax and her alcohol slowed mind fumbles to come to grips with the sight before her.

Chrissy, where she sits in the leaves and dirt and forest debris, is so pale. Every so often, the very vision of her seems to flicker in Tina’s sight, as if the girl herself were not fully corporeal… trapped between this world and the next.

“Are… Are you real?” Chrissy breathes, voice small and broken.

The irony of that startles a laugh from Tina before she can help it. 

Shouldn’t she be the one asking that? Chrissy is the dead girl out of the two of them. If either of them should be mistrusting their minds right now, it should be Tina. Because if ghosts aren’t real, as Tina had always believed so strongly, then how can Tina be facing this right now?

“Am I real?” she scoffs, voice bordering on hysterical. “You’re the dead girl here.”

“What?” Chrissy asks in that same crushed tone.

“You’re dead,” Tina tells her, because what else is there to say?

Somehow, Chrissy seems to pale further, as if blood was rushing away from her non-existent face.

“No. N-no. I’m not, I can’t be. What are you talking about?”

“You died. In the Munsons’ trailer.”

“You’re lying. I’m right here—I can’t be—” Chrissy’s voice becomes shrill and stricken with panic before an anger steals over her features. “This isn’t funny. What kind of joke is that? I just—I need to get home.”

Tina scoffs, almost disbelieving, and steadies her swaying against a low-hanging branch.

“I went to your funeral. You’re dead. And I must be going crazy…”

The last part comes out half as a laugh, half as a sigh. It’s a fact she’s resigned herself to uncomfortably quickly, but what other explanation could there be? People don’t just see visions of dead girls sitting around and telling them they can’t be dead if they’re not mad.

Chrissy’s expression glazes over, seeming to be lost in her own mind as a fresh wave of tears give a new shine to those mournful eyes.

“You’re lying,” she says again, but this time she sounds more defeated than accusing, like it makes sense to her even if she doesn’t want it to be true.

Or Tina’s mind thinks Chrissy shouldn’t want it to be true—if Chrissy’s ghost actually was in front of her, that is. But she isn’t, because that would be preposterous. She’s just had too much to drink, and she’s been feeling paranoid, and it’s not as if she’s been able to rest since all of this began.

She doesn’t know why she’s indulging this in the first place. 

Her mouth opens to say something to that effect. Surely she has some smartass comment about it all, but all that remains in her mind are the wispy impressions of the thought as she tries her best to reorient herself. In the end, she gets nothing out before a voice calls out for her. 

Damn, she’s been out here for too long. She’s not even really sure how much time has slipped away without her notice between her leaving the gathering and ending up where she stands now.

Right, that decides it, she’s leaving. This—all of this—is something she doesn’t want any part in. Not ghosts, or hallucinations, or whatever any of this is and certainly not while she’s drunk. There are a thousand more important things she could be worrying about, she chides herself as she turns on her heel and sets her eyes on the way back. In fact, she’s mid-step when a feeble voice calls out for her.

“Please, don’t go. I’m scared to be alone…”

Tina pauses, her heart pounding.

“I need to get back,” she says; to herself, because there is no one else there. 

For a moment, Chrissy is quiet. Tina almost thinks the hallucination has finally dissipated when she speaks up again.

“Will you come back?”

Tina’s heart stutters in her chest. This isn’t real. None of this is real. She turns to look behind her and Chrissy is gone, not even a trace of her to be seen. 

“Tina!”

“Yeah,” Tina replies, the words mumbled to herself, as she finally unsticks her feet from the ground to return to the group. 

---

chapter 2

[loveinsomesacredplace]

There is no version of the story that has Belly ending up with Con that exists as a happy ending to me.

[gregmarriage]

x files 1x08 ‘ice’ was so fucking funny for having mulder make a joke about the size of his dick in front of two other men, and scully touch a woman’s chest as part of a medical exam, then immediately share a lesbian look with her, that has nothing to do with said medical exam

[namazunomegami]

“Kindly consider the question: what would your good do if evil did not exist, and what would the earth look like if shadows disappeared from it? Shadows are cast by objects and people. Here is the shadow of my sword. Trees and living beings also have shadows. Do you want to skin the whole earth, tearing all the trees and living things off it, because of your fantasy of enjoying bare light? You’re a fool.” - The Master and Margarita

[aroaessidhe]

2023 reads // twitter thread

This Doesn’t Mean Anything

NA contemporary romance about a sex-repulsed girl starting uni and meeting an upperclassman who hangs out in the same study room and coffeeshop as she does

struggling with her asexuality, new friendships, and harassment

[charmiixx]

At this point it takes a miracle for a celebrity couple to actually stay married together for longer then 5 mins…

[fingertipsmp3]

Do you ever knit something knowing full well you’re digging yourself into a hole with your various bad ideas, but you just continue anyway

[lilgynt]

yelled at my mom a little got some weed in my system and got spaghetti overall not bad

[physalian]

How to Make Your Writing Less Stiff Part 3

Crazy how one impulsive post has quickly outshined every other post I have made on this blog. Anyway here’s more to consider. Once again, I am recirculating tried-and-true writing advice that shouldn’t have to compromise your author voice and isn’t always applicable when the narrative demands otherwise.

Part 1

Part 2

1. Eliminating to-be verbs (passive voice)

Am/is/are/was/were are another type of filler that doesn’t add anything to your sentences.

There were fireworks in the sky tonight. /// Fireworks glittered in the sky tonight.

My cat was chirping at the lights on the ceiling. /// My cat chirped at the lights on the ceiling.

She was standing /// She stood

He was running /// He ran

Also applicable in present tense, of which I’ve been stuck writing lately.

There are two fish-net goals on either end of the improvised field. /// Two fish-net goals mark either end of the improvised field.

For once, it’s a cloudless night. /// For once, the stars shine clear.

Sometimes the sentence needs a little finagling to remove the bad verb and sometimes you can let a couple remain if it sounds better with the cadence or syntax. Generally, they’re not necessary and you won’t realize how strange it looks until you go back and delete them (it also helps shave off your word count).

Sometimes the to-be verb is necessary. You're writing in past-tense and must convey that.

He was running out of time does not have the same meaning as He ran out of time, and are not interchangeable. You'd have to change the entire sentence to something probably a lot wordier to escape the 'was'. To-be verbs are not the end of the world.

2. Putting character descriptors in the wrong place

I made a post already about motivated exposition, specifically about character descriptions and the mirror trope, saying character details in the wrong place can look odd and screw with the flow of the paragraph, especially if you throw in too many.

She ties her long, curly, brown tresses up in a messy bun. /// She ties her curls up in a messy brown bun. (bonus alliteration too)

Generally, I see this most often with hair, a terrible rule of threes. Eyes less so, but eyes have their own issue. Eye color gets repeated at an exhausting frequency. Whatever you have in your manuscript, you could probably delete 30-40% of the reminders that the love interest has baby blues and readers would be happy, especially if you use the same metaphor over and over again, like gemstones.

He rolled his bright, emerald eyes. /// He rolled his eyes, a vibrant green in the lamplight.

To me, one reads like you want to get the character description out as fast as possible, so the hand of the author comes in to wave and stop the story to give you the details. Fixing it, my way or another way, stands out less as exposition, which is what character descriptions boil down to—something the audience needs to know to appreciate and/or understand the story.

3. Lacking flow between sentences

Much like sentences that are all about the same length with little variety in syntax, sentences that follow each other like a grocery list or instruction manual instead of a proper narrative are difficult to find gripping.

Jack gets out a stock pot from the cupboard. He fills it with the tap and sets it on the stove. Then, he grabs russet potatoes and butter from the fridge. He leaves the butter out to soften, and sets the pot to boil. He then adds salt to the water.

From the cupboard, Jack drags a hefty stockpot. He fills it with the tap, adds salt to taste, and sets it on the stove.

Russet potatoes or yukon gold? Jack drums his fingers on the fridge door in thought. Russet—that’s what the recipe calls for. He tosses the bag on the counter and the butter beside it to soften.

This is just one version of a possible edit to the first paragraph, not the end-all, be-all perfect reconstruction. It’s not just about having transitions, like ‘then’, it’s about how one sentence flows into the next, and you can accomplish better flow in many different ways.

4. Getting too specific with movement.

I don’t see this super often, but when it happens, it tends to be pretty bad. I think it happens because writers feel the need to overcompensate and over-clarify on what’s happening. Remember: The more specific you get, the more your readers are going to wonder what’s so important about these details. This is fiction, so every detail matters.

A ridiculous example:

Jack walks over to his closet. He kneels down at the shoe rack and tugs his running shoes free. He walks back to his desk chair, sits down, and ties the laces.

Unless tying his shoes is a monumental achievement for this character, all readers would need is:

Jack shoves on his running shoes.

*quick note: Do not add "down" after the following: Kneels, stoops, crouches, squats. The "down" is already implied in the verb.

This also happens with multiple movements in succession.

Beth enters the room and steps on her shoelace, nearly causing her to trip. She kneels and ties her shoes. She stands upright and keeps moving.

Or

Beth walks in and nearly trips over her shoelace. She sighs, reties it, and keeps moving.

Even then, unless Beth is a chronically clumsy character or this near-trip is a side effect of her being late or tired (i.e. meaningful), tripping over a shoelace is kind of boring if it does nothing for her character. Miles Morales’ untied shoelaces are thematically part of his story.

Sometimes, over-describing a character’s movement is meant to show how nervous they are—overthinking everything they’re doing, second-guessing themselves ad nauseam. Or they’re autistic coded and this is how this character normally thinks as deeply methodical. Or, you’re trying to emphasize some mundanity about their life and doing it on purpose.

If you’re not writing something where the extra details service the character or the story at large, consider trimming it.

—

These are *suggestions* and writing is highly subjective. Hope this helps!

[skzdarlings]

harmony ; 3racha x reader ; one-shot

masterlist.

porn without plot. you want to have some fun and you know exactly which boyfriend can help get it started.

pairing: 3racha/reader content info: sub!reader, dom!changbin, dom!chan, switch!jisung, polyamorous mmfm foursome (so they’re all involved with each other and interact with each other), very enthusiastic consent with an implied red/yellow/green light system (yellow is employed once).  some rough play (esp with changbin), cnc game that reader initiates, face-slapping, choking, dirty talk, pussy eating, double penetration, blow job, all three holes at once, multiple orgasms, jisung having a monster dick for no reason, aftercare.  (technically no mention of birth control but it’s a long established relationship and you can safely assume it’s taken care of.) 

word count: 5255 words.

enjoy <3

-

When you want to play – really play – you know where to go. 

Jisung can be an overthinker and Chan is always protective, so they hesitate before getting too rough with you. Changbin, however, never holds back.  You know how to touch him, how to smile that particularly provocative smile, how to bat your eyelashes and invite him to play.  

You are thinking about it when he returns from his work-out, muscles straining in his black tank shirt, body damp with sweat, and looking like pure, unadulterated sex.  Chan and Jisung are huddled around a laptop in the living room, their entrepreneurial endeavours a seemingly endless chore, and they are so engrossed in their work they don’t see you leave. 

You sneak off to your room to change, ditching your shorts and underclothes, slipping into one of Changbin’s old t-shirts and absolutely nothing else.  

You intend to hunt him down after his shower, but it’s Changbin who comes to you.  He ambles casually into your bedroom without knocking, comfortable and relaxed and at home.  You have your own rooms for personal space but you all come and go as you please.

Your room is dimly lit with strings of fairy lights, the bed crowded with pillows and teddy bears, not to mention a big strong boyfriend who makes himself at home.  Changbin is dressed in sweatpants and a black t-shirt, his hair blow-dried soft and fluffy, but body as bulky and powerful as ever. 

“Look at this,” he says, holding out his phone.  A sweater you were eyeing has gone on sale so he sits on your bed and buys it for you without hesitation.   He giggles to himself with all that self-satisfied delight, teasing that he is the best boyfriend and your number one favourite. 

He knows the truest harmony lies among the four of you, together, always, but he likes to tease.

You like to tease back. 

“Be careful, you big bully,” you say, because he plops himself down at the head of the bed, knocking a teddy bear over.  You pick it up and aggressively shove it back into place. 

He quirks an eyebrow, his giggling joviality replaced with a studious expression.  He seems to finally notice what you are wearing, blinking his gaze up and down your body as you rearrange the pillows behind him. 

You bat your eyelashes, all playful innocence.

“Don’t be so serious,” he says.  He deliberately knocks a teddy onto the floor. 

You playfully gasp, bending over with a flourish and flashing him. 

“Ah,” he says, putting his phone on your bedside table.  “It’s like that?” 

“I don’t know what you mean,” you say, blinking. 

“Hm,” he says, giving you another quick once-over.  “Okay.”  

Changbin hauls you over his shoulder and wrestles you onto the bed.  He puts you on your back, upside down so your head is near the foot.  He climbs right on top of you, not an inch of muscle budging even when you thud your fists against his firm chest.    

“Binnie,” you say, wriggling underneath him, the t-shirt riding up your thighs.  “You’re crushing me, you big mean brute.” 

“Brute,” he says, laughing.  He grabs your hips and pins you to the mattress.  “Tsk.  You like it like that.” 

“No, I – ah!”

Changbin never hesitates.  He knows you will tell him if you don’t like something.  It’s a game of trust, full of an all encompassing love that boasts such tender affection beneath each action.  Being with Changbin is like being nestled in blankets by a warm fire on a snowy winter’s day.  You are sheltered in the storm, feeling that protection even more keenly because of the dangerous cold.    

Between you, there is nothing but heat. 

He gathers the hem of the t-shirt and shoves it up, past the skin of your tummy, exposing your thighs and all the bare softness between them.  Oh, yes, all softness against his hard body, the thickness of his biceps as he holds you down, his big thighs shoved between your open legs, broad shoulders relentless and ungiving even where you smack him repeatedly. 

“Binnie, be careful,” you say, trying to close your legs around his hips. 

You gasp when he puts a hand up your shirt, squeezing your breast in the cup of his palm. His mean fingers immediately find the stiffening peak, thumb tormenting you while you whine. 

You buck as if you want to throw him off, but he is right where you want him and he knows it.  He knows you, your body like a well-loved instrument, his strong hands drawing every musical gasp and sigh out of you. 

“Where’s your panties, hm?” he asks.  Undeterred by your continuous bucking and writhing, he slides his hands down to your naked hips.  He was slouched half-on top of you but he gets up on his knees now.  He pushes your thighs apart, forcing his hips between them. 

“Shameful,” he says.   He tries to grab your flailing hands to no avail.  You smack his chest and shoulders, dodging the reach of his fingers. 

He smacks your face, a tap hard enough to register the game has really begun, but not so hard to sting for long.  You still gasp, your hands pausing.  It gives him time to work a hand between your open thighs. 

“Ahh—!” 

“Yah, look at you,” he says, rubbing his fingers through your wet pussy without finesse or gentleness.  You twitch every time his knuckle rides over your clit.   “Bad girl,” he says.  “Who are you so wet for?” 

He gives you no time to answer, scooting back to drag you to the middle of the bed. You are still upside down, your pillows and teddies piled behind him, all the dreaminess of your girly lace bedroom in contrast to his stark masculinity.  It makes your whole body thrum with arousal, hot from the tips of your toes to the crown of your head.  You feel him even where he is not touching you.  

Where he is touching you, you burn, heart erratic with anticipation as he squeezes your thighs, as he shoves your hands out of his way, as he uses his thumbs to spread your pussy open to his gaze. 

“Ah – Binnie—!”  You get louder.  Your bedroom door is open.  Chan and Jisung might be focussed on their work, but not for long, not if you keep this up.  Still, to speed things along, you scream, “Chan!  Channie!  Ch—hmmph!”

Changbin shoves a pillow in your face, holding it there, smothering you to soften your shrieks.  His other hand is on your thigh – no, slipping higher, a surface touch through all that wet desire.  Then his blunt fingers are inside you.  You moan into the pillow, clenching around the thrust of his fingers.  You get dizzy quickly, partially because of the pillow, partially his skilled hand. 

He abruptly lifts the pillow.  The oxygen goes straight to your head, as intoxicating as a kiss.  You realize you are close to coming already, hiccupping with all that sudden breath as he fucks his fingers into you. 

Changbin is relentless.   You smack his chest but he ignores it, his strong arm keeping a steady momentum.  An orgasm builds and builds, your fingers hooking into his t-shirt for some leverage.  He puts a hand on your belly and holds you down.  He feels so strong and heavy, utterly unmovable, and it makes falling apart so much easier. 

“Didn’t you have something to say to Chan?” he says. 

You gasp and turn your head.  Sure enough, Chan is standing there, watching you.  Changbin does it on purpose, knowing when you are close, so you look at Chan just as the orgasm crests.  

Chan is standing beside the bed, dressed in his basketball shorts and a sleeveless black shirt, a baseball cap over his curly dark hair.   He must have entered the room while the pillow was on your face, and now he is standing there, watching Changbin hold you down and fuck you with his hand. 

“Channie, please—” you say, then you come all over Changbin’s fingers.  You cry out because he keeps tormenting you, thumb shaking back-and-forth across your throbbing clit.  “Ah, Binnie—Channie, please!”

Chan gives Changbin a look, his eyebrow quirked, then he just leans towards the open door and whistles.  It’s a sharp, high whistle, a call to attention. 

“Han,” he says, not even very loud.  Chan never needs to shove or force or yell.  When Chan says come, you come. 

You always obey Chan.  You throw your head back, gasping as you come a second time.  It is so soon after the first orgasm that it feels like one long, rolling wave.  It continues to shudder through you, even after Changbin slips his hand out. 

The shirt is still shoved up your tummy, soft skin and wet pussy on display.   Chan does not look away, reaching blindly behind himself for your desk chair.  He yanks it closer to the bed and plops down, taking off his cap and tossing it on the floor.   He is bare-faced, expression so open and honest, but a hunger in his eyes that darkens his whole face. 

Changbin just looks giddy.  You look at him as he giggles, that funny little chortle leaving that buff body.  Then you realize he is rolling his sweatpants down. 

“Channie!” you yelp, shrieking and twisting while Changbin licks his palm and strokes his cock, his other hand effortlessly holding you down. 

Chan slouches in the chair.  He props an elbow on the arm-rest and puts his chin in his palm.  His other hand slips under the waistband of his shorts. 

“Careful, baby,” Chan says, seconds before Changbin smacks you again.  It is within your limit, but still enough to turn your head on impact.

Like before, it breaks your concentration, and Changbin takes the opportunity to grab your hips, line up, and shove his cock inside you.  Chan and Jisung always give you a minute to adjust, the size of a hard cock definitely different from fingers, but Changbin never waits.  Even while you wince and complain, he fucks you through it, gripping your hips hard and ignoring your hands pushing against his chest. 

“Too much, Binnie,” you say, even though the sting is quickly passing.  You’re so wet and it makes it easy for him to fuck you.  It even sounds messy, every thrust opening you up, getting you even wetter, the bed creaking as he pulls you onto his cock over and over. 

You look over at Chan who is still watching, the shape of his hand and his dick so clear through the material of his shorts as he fists his cock slowly. 

You hiccup as Changbin switches from long, deep strokes to short, pounding ones. 

At which point Jisung finally walks in, yapping about work, saying, “I was thinking we could postpone the meeting to Monday and—oh, hi, WHAAAT, we’re having sex in here?  All right, man, okay, that’s cool, all right, what’s up.”   

Oh, your sweet Jisung.  He is also in house clothes, black shorts and a sleeveless white shirt, dark hair feathering through his fingers as he runs his hand through it.  He walks further into the room, kicking the door closed behind himself for no reason.  His attention is firmly fixed on you, holding your gaze while Changbin fucks you.  The unmoving intensity of those big brown eyes leaves you tingling, a swoop in your belly that feels as thorough as a good fuck.  It crashes into the feeling of Changbin inside you, makes your whole body get tight so Changbin groans and curses. 

“Oh,” is all you can say.  You cover your face with both hands, gasping when Changbin goes back to longer, deeper thrusts. 

“Heyyy, baby, why are you hiding?” Jisung says in his sweetest voice. 

You hear him approaching, even above the sound of you getting fucked, above Changbin’s little grunts, above Chan cursing.   You feel the dip of the mattress when Jisung climbs up on the bed, sitting near your head.  Then his hands are on your wrists, prying them away from your face.   You try to wrestle them back but he holds them calmly, his own arms boasting a subtle musculature as he pins your hands to the mattress to stop you from moving. 

“Yes,” Changbin says.  “Like that.  Come on.” 

“Jisungie,” you whine, looking down at where Changbin is driving into you, feeling each thrust deeper than your pussy, all the way up to your throat.  You tip your head back, looking at Jisung upside down. 

He leans down, his hair swooping forward, tickling your face as he kisses your forehead and temple. 

“It’s okay, baby,” he says.  Despite his soft voice, he does not lighten his grip, your hands still locked in place.  “Does it hurt?” he asks, wide-eyed. 

“Mmm,” you say, nodding, even while shuddering with so much pleasure that a tear spills down your cheek. 

“Aww,” he says, licking that tear track, making every nerve spasm.  “You’re so cute, baby.” 

“She gets tighter when you choke her,” Chan says.

“Awww,” Jisung says.   He releases one hand to reach for you.  He wraps his fingers delicately around your throat, not even squeezing at first, just a caress as his hand curls around you. 

Your adrenaline naturally peaks, body clenching, just like Chan said.  Changbin groans his satisfaction and Jisung tightens his grip, keeping you pinned by the throat while Changbin goes still, coming inside you. 

“Fuck,” Chan says. 

Jisung releases your throat and you suck in a shaky breath.  It is interrupted when Jisung swoops in, kissing your lips upside down.  You squirm under the confusing messiness of his open mouth at this angle. 

He comes up with a breath, one as shaky as your own, ravished from a kiss.  He runs his hand through his hair and nods to Changbin, saying, “Turn her around.” 

Two pairs of hands find you, manhandling you so easily between them.  You yelp, startled by the movement, as they lift you up and turn you around so your head is in Changbin’s lap and Jisung is now the one between your legs. 

Changbin hoists you into his arms, holds you in the cradle of his bicep as Jisung lays down between your open legs. 

This is one area that Jisung never hesitates to indulge, his open mouth descending on your pussy with ravenous excitement. 

You are so, so sensitive down there, almost numb beneath the first few searching swipes. 

He presses his whole mouth there, moaning as he sucks on your clit then licks up and down, back and forth, around and around.  His tongue rubs where Changbin just came, circling your sensitive hole, pressing there then licking back up to your already throbbing clit. 

“Can’t come again,” you say, not entirely sure if it comes out coherent because your eyes are closed and your brain feels fuzzy.   

He answers with a hum.  He does not seem to be eating you out with the intention of making you come, but purely for his own pleasure as he sucks and licks and tastes.  Despite that – and despite your words – you feel a tightening in your belly, a dull throb that feels too feels too deep to reach. 

“Shhh, it’s okay,” Changbin says when you start to writhe, his big arm wrapped around your neck, holding you tight to his beating heart. 

The thud of that heart, the relentless flick of Jisung’s tongue, and Chan’s approving nod makes your thighs press around Jisung’s head. 

“Oh—” is your last word before you come again, bucking hard against Jisung’s face.  You gasp and cling to Changbin’s arm. 

Jisung keeps licking at you, not relenting until your gasping whine is more of a scream.   Then he kisses your thighs and hips before pushing himself up onto his knees. 

He and Changbin wordlessly work together, sitting you upright to remove your only article of clothing.   Both pairs of hands find you again, touching and groping and stimulating everywhere. 

You shudder under all the sensation, eyes closing, rocking against nothing.  You are desperate to close your legs to relieve the tension, but Jisung is kneeling between them.  Fortunately, he knows you well, his hand sliding down there, fingers finding you, curling into you. 

“You’re soo wet, baby, it’s embarrassing,” he says.  “You need it that bad?” 

He is still using his sweetest voice, like he doesn’t know he is about to utterly wreck your shit.  Because Jisung always does without very much effort, simply by effect of having the biggest dick you have ever taken.   It is part of the reason you usually can’t start with him, or why he takes his time when you do, because it is an aching endeavour whenever he tries to fit all that inside you. 

Even the bulge in his shorts is obscene, the material rubbing against your thighs.  He brings your hand to that bulge and groans when you squeeze it, saying, “That’s it, that’s it—”

He leans over you.  It sounds like he and Changbin might be kissing above your head, sloppily at that.  Jisung is probably shoving his tongue into Changbin’s mouth, the same tongue that was just inside you as it licked up the mess that Changbin made.   

They press you between their bodies in an envelope of desire, utterly dominating your senses.  Changbin smells like his shampoo, a deep scent like mahogany, while Jisung tends to douse himself in cologne, faded now at the end of the day but still a rich, expensive smell.  Beneath all that is that simple sweat, bodies getting worked up, raw sex overwhelming all those other scents. 

You breathe them in, whimpering because you are pressed so tightly between them. You can feel Jisung twitching in your hand and Changbin beginning to stiffen again at your backside. 

 There is a wet pop and a shared gasp when they stop kissing.  Jisung grabs your face and pulls you up, his mouth hot when it claims yours, that stupidly talented mouth making you crazy. 

“Hold her,” Jisung says, speaking against your lips while guiding Changbin’s hands.  Jisung grabs your thighs and pushes them up, not quite folding you in half but almost there.  He knows you need to be open to take him.  Even then, you are already clenching, fluttering around nothing in anticipation.

Changbin holds your thighs back, hands pressed under the curve of your knee.  Jisung hastily shoves his shorts down his thighs, leaving them gathered at the knee.   He touches you and uses your desire to wet his dick, frantically jerking it as if it is not already intimidatingly hard and ready. 

“Jisungie,” you say, already whining, wiping an embarrassing spot of drool as it spills over your bottom lip.  Your body is so eager that it thunders out of control, clenching around nothing, and you can’t seem to stop it.   

Jisung is so mean, just using his fingertip for a second, circling your fluttering hole.  You try kicking him but your ankle manages little more than a flick, your legs trapped in Changbin’s hold. 

“Sorry,” Jisung says, giggling and obviously unapologetic.  He flicks your pouting bottom lip before finally putting the tip of his dick at your entrance. 

The first little bit is always fine.  It feels good to be full, your body needing him, pulling him in.  He rocks back and forth a little, pushing an inch then another, and that’s when your body realizes how much there is, clenching and stretching and burning as he pushes in.   

He goes slow, his whining mouth against your throat.  But then Chan sits on the edge of the bed and touches his back.  He bottoms out quickly and you squeak, eyes closed and breath coming fast. 

You hear Chan say, “Take it off.”   Confused, you blink your eyes open.  Chan is talking to Jisung, tugging his shirt up his back. 

Jisung groans but complies, tugging it over his head with one hand.  The few seconds give you a precious moment to adjust, barely enough before he comes back and starts to fuck you with short, rolling thrusts.   You think Chan is getting Jisung’s shorts out of the way given the jerky way Jisung moves on top of you, but then you are skin to skin with no obstruction. 

“Mmph, yellow – legs,” you say, breaking only briefly to prevent a cramp in your thighs.  Changbin is quick to smooth you out, helping reposition you more comfortably.  

You sprawl flat on your back as Changbin moves away, wrapping your legs around Jisung’s waist without any hindrance.  He holds himself above you, alternatively muttering expletives and cooing sweet nothings at you. 

Changbin sits on one side, Chan the other, both fully clothed despite the obvious strain below their waistbands.  It reminds you a little of the time Changbin topped Jisung while Chan fucked you, the pair of you kissing and touching between them the entire time.   

Today is a little different.  You are at the centre of it all, Jisung inside you, Chan’s hand on your chest and Changbin’s fingers circling your mouth.   You take those fingers when prompted, sucking dutifully, batting your eyelashes up at him while he softly finger-fucks your mouth. 

Chan’s fingers join him, touching your lip.  You open your mouth wider and drool messily around the intrusion. 

“Fuck,” Chan says.  He rips his hand back in sudden needy haste.  “Turn over,” he demands, smacking Jisung on the ass. 

It makes Jisung yelp but he complies.  With some help from Changbin, you roll over until Jisung is on his back and you are on top of him.  Changbin kneels upright too, taking your face in his hands and kissing you, tongue penetrating your mouth as Jisung holds your hips and thrusts up into you. 

Chan grabs the back of your neck, holding you in place while Changbin kisses you.  Chan’s other hand runs down your front, tweaking a nipple and making you mewl into Changbin’s mouth.  You are more panting than kissing by the time Chan’s fingers reach your pussy. 

Jisung slows down just a little, out of breath and whimpering as you clench around him.  This angle makes him feel stupidly deep, your eyes rolling back.  He makes a few small, jerky movements, not even a deep thrust, and it still feels like he his hitting your heart. 

Chan joins the kiss with Changbin.  You are not even sure who is kissing you, just that it is one or the other, back and forth until you are dizzy.  You know it is Chan’s fingers between your legs, the unmistakable pattern of his deft, familiar stroke making you spiral towards another orgasm. 

“Oh, god, she’s – she’s—” Jisung says, squeezing your hips, going still for a minute to stop himself from coming when you do.  He is breathing as hard as you. 

You look down at Jisung, holding eye contact while you come hard on Chan’s fingers. Chan and Changbin are each sucking a bruise into either side of your neck. 

“Fuck,” you say in a watery voice, thighs shaking, hands on Jisung’s abdomen as you lean forward. 

“That’s it,” Chan says, kissing your throat sweetly while Changbin bites you meanly.  Both of them swipe their tongue across the mark they leave behind.  “Jisung,” Chan says, a demand without further explanation.

“Fuck, I know,” Jisung says, slowly moving his hips again. 

It is so quick off your orgasm, it makes aftershocks move through your whole body.  You are a livewire, making every ridiculous sound possible as Jisung fucks you, Changbin kisses you, and Chan gets up behind you. 

Chan runs his hands down your sides, gently bending you forward until you are chest to chest with Jisung. 

“Yup, just like that,” Chan says, rubbing the base of your spine then lower.  His hands cup the curve of your ass, squeezing, tilting your hips just so.  It gives him a good view of Jisung’s cock moving in and out of you, no doubt obscenely wet and messy, as well as exposing the smaller hole in your ass as he spreads you open. 

“Changbin,” Chan says, still with that same confident assurance he will be obeyed no matter what, “Pass me the lube. Bedside drawer.” 

As if you were not already sensitive enough, just hearing those words makes everything clench, which makes Jisung fuck you harder, which makes some place inside you that is so unbelievably soft and tender start to ache. 

“Ah, that sound,” Changbin says when your moans turn to high-pitched whimpers.  He pats the back of your head and reaches for the bedside table. 

After a bit of rustling, he tosses the lube at Chan who catches it easily. 

“One second,” Changbin says while Chan uncaps it.  “She’s gonna come again.  Big one, isn’t it, yes?” 

The fact he knows before you do is a testament to how closely he watches you, how well he knows you.  He is completely right, of course, as Jisung repeatedly pounds into some squishy, vulnerable part of you, so deep and so tender.  You are not sure your clit would even respond if someone tried to touch it, but they don’t need to.   It is enough that Jisung is hitting that place again and again. 

You come with a scream, literally gushing around Jisung as you come.  It takes everything in his willpower not to come, nonsensically begging Changbin to help so he doesn’t finish.  Changbin just grabs him by the throat, much harder than Jisung grabbed you, making Jisung choke out a strangled gasp immediately.  It works, though, as Jisung goes still but stays hard, letting you rock desperately on top of him as your orgasm seems to last ages. 

When it finishes, you are completely boneless.  You slump onto Jisung who takes a breath when Changbin lets go. 

“All right,” Changbin says, smacking your ass.  You hear him kiss Chan quickly.   “Your turn.”

It is a good thing you feel so willowy; it makes it easy for Chan to open you up on his slick fingers.  The few times you have done this, it always took forever, which was fun in its own way, but today it is so easy.  He slides a finger right in, then another, hardly any obstruction as your body surrenders so completely to your boyfriends.

“You gonna take it okay, baby?” Jisung asks, his hands on your sides, holding you steady. 

You look up at him, nodding, and open your mouth with a whine.  He understands, lifting his head, meeting you in a messy, lazy kiss while he rocks slowly inside you.   The kiss only breaks when Chan replaces his fingers with his cock, reigniting every spark in your over sensitized body.  

“Ugh, god,” Jisung says, barely above a breath as he pants against your mouth.  “He’s inside you, baby?” 

You don’t answer because he can probably feel it when Chan is fully inside you.  It takes a second for them to calibrate, find a rhythm that works.   You are not sure if you are more impressed with yourself for taking it so easily this time, or impressed that Jisung has lasted this long and is still coherent enough to keep a steady rhythm. 

“Changbin,” you say, his name a moan on your lips.  You need to feel him too, his hand on your back not nearly enough. 

“Go,” Chan says, groaning, your hips in his hands as he fucks you.  “Oh, baby, you’re so good,” he says.  “Isn’t our girl so good for us?” 

Changbin and Jisung basically just grunt in reply, affirmative but irrevocably distracted. 

Changbin kneels near your head, rubbing the back of your neck and gently guiding you to turn your face.  Jisung swears when you open your mouth, a bit of spit drooling past his own lips as he watches you take Changbin’s cock past your lips.   You mostly just lay there with your mouth open, letting him fuck it rather than really blowing him, but there are no complaints. 

Chan squeezes your ass, a gentle knead that just makes you feel more open, stretched to your absolute limits, so full that you do not know how you will ever be happy without them all inside you.  

It reinvigorates you.  You find strength in your arm and use it to touch Changbin, fist circling where your mouth does not reach.  You get him off first but Chan follows quickly, muttering things like you, tight, perfect, baby, baby, baby.

“Oh god,” Jisung says, somehow still holding out.  When Chan slips out, it gives Jisung slightly more leverage.  He pushes himself upright, letting you slump in his arms and cling to him while he fucks up into you with quick, desperate little uh-uh-uhs. 

Finally, he comes, your name melting into a moan as he buries his face in your neck, mouth open where Changbin left his bitemark. 

They surround you after that and you hum happily, letting them pass you from one pair of arms to the next.  Jisung flops back, running his hands through his hair and catching his breath.  Changbin is there with a cloth of some kind – you think it might be Jisung’s shirt, but Jisung is way past caring – and he gives you a quick and gentle wipe-down while kissing your sleepy brow. 

“I should buy you sweaters more often,” Changbin says, giggling. 

It makes you snort with laughter, blinking up at him with a grin.  “Was gonna fuck you anyway, dummy,” you say. 

“In that case, I’ll buy you another one right now.” 

You giggle when he rubs his nose against yours in a cute little nose-kiss, eyes crinkling with an affectionate smile. 

“Mm, c’mere, sleepy,” Chan says, rightfully as you are still mostly slumped in his arms.  You manage to string an arm around his neck as he scoops you off the bed and holds you against his chest.

You are still a little dazed from so much sensation.   You let your boys take care of you.  After some quick inspection and care, you are plunked in a bath with Jisung to clean and decompress while the other two go strip and re-make the bed. 

Jisung kisses your face while helping you wash, his careful hands and the hot water soothing every achy limb. 

“Totally worth it,” you say, head under his chin, eyes closed and sighing contently. 

Changbin comes to help you out.  By then, you are bright-eyed, sore but in a way that makes you alive.  You feel clean and fresh and loved, bundled up in a robe and then carried off in Changbin’s arms to the living room where food, a comfy couch, and Chan is waiting. 

Jisung joins a moment later.  The laptop is long since closed and utterly forgotten, the four of you snuggling up in a big blanket.  Chan has an arm slung across the back of the couch, your head on his chest, Changbin’s arm around your middle, and Jisung half-asleep where heis  slumped against Changbin. 

“Round two?” Jisung asks then promptly yawns, making you laugh as Changbin playfully smacks him and Chan just sighs an amused sigh. 

Taking the cue from Jisung’s yawn, you close your eyes and snuggle down. 

“Love you,” you say, drifting off to each of them saying it back.  You know one of them will carry you to bed eventually, so you let yourself drift into sleep, safe and warm, happiest when you are all together, just like this, the four of you always in perfect harmony.