#tina stranger things
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sapphicstevents · 5 days ago
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2024 Master List
Bambi (One Really Great Summer)
Chrissy Cunningham x Carol Perkins 5k words Written by @azrielgreen Art by @hawkinsleather (twitter)
Mary Jane's Last Dance
Eden Bingham x Chrissy Cunningham 12k words Written by Dee Podfic by @deepestbluesky
Out of Place; In a World I Don't Belong
Robin Buckley x Chrissy Cunningham 16k words Written by ainsalaco Art by @donttellunclesam (twitter)
The Universe Must Have Divined This
Chrissy Cunningham x Carol Perkins 15k words Written by Jordan Art by @i-watch-the-beees (twitter)
but at least I got you in my head
Robin Buckley x Nancy Wheeler 9k words Written by Rachel Art by @maggierosestudio (twitter)
Trigger Happy
Robin Buckley x Nancy Wheeler 5k words Written by @karadanverss Art by @femmeetart
Because the night belongs to...
Robin Buckley x Carol Perkins 30k words Written by @biffbang Art By @raven-cl (twitter) & @itcanbepalped (twitter)
Set your heart free
Chrissy Cunningham x Heather Holloway 15k words Written by @medusapelagia (twitter) Art by @silliestguys (twitter)
Answers on the Back of a Postcard
Robin Buckley x Barbara Holland 5k words Written by @kaizenkhaos Art by @itcanbepalped
i want an icee and a nice girl to date
Robin Buckley x Nancy Wheeler 5k words Written by @roomwithanopenfire Art by @ddoonnccnn
Wonderful You Came By
Robin Buckley x Heather Holloway 13k words Written by @itcanbepalped Art by @arimakes (twitter)
You Crawled Inside My Head and Lit a Fire There, Instead
Chrissy Cunningham x Nancy Wheeler 8k words Written by @pterawaters Art by @williamprattz
Take me Down to the River
Robin Buckley x Chrissy Cunningham 8k words Written by @emchant3d Art by @inflomora-art (twitter) & @silliestguys
letters that i can never send
Chrissy Cunningham x Tina 25k words Written by @thatgirlwithasquid Podfic by @hullomoon
Give Me Your Hand
Barbara Holland x Nancy Wheeler 38k words Written by @yourfellowuselessgay (twitter) Art by @karadanverss
first to fall
Robin Buckley x Chrissy Cunningham 23k words Written by @super-cosmic-library Art by @slime-hoe
Falling in Love in an Unlikely Place
Chrissy Cunningham x Heather Holloway 14k words Written by @kallisto-k Art by @alicetallula
You're the Best of Things
Robin Buckley x Chrissy Cunningham 14k words Written by Maria Art by Jen
Making Out While the World Collapses
Robin Buckley x Vickie 17k words Written by @salamandergoo Art by @faithfulcat111
like a lamb to the
Robin Buckley x Chrissy Cunningham 7k words Written by Cyd Art by @danadaria (Twitter)
before the world ends
Robin Buckley x Vickie 11k words Written by @stregoniconiconii Art by @deepestbluesky
kintsugi
Robin Buckley x Chrissy Cunningham 8k words Written by @lingeringmirth Art by @grimweathers
scraped up off the pavement
Robin Buckley x Carol Perkins 8k words Written by @mirandaranda (Twitter) Art by @becomingfoxes (Twitter)
Plastic Flowers
Chrissy Cunningham x Carol Perkins 7k words Written by Bird Art by @glitterghast (Twitter)
Knot in Her Stomach
Chrissy Cunningham x Carol Perkins 7k words Written by @lemonhoarddragoness Art by @hawkinsleather
like flour and blue skies
Robin Buckley x Chrissy Cunningham 14k words Written by @veronica-soy Art by @femmetart
the entire history of human desire
Robin Buckley x Carol Perkins 11k words Written by @ruthofrhythm Art by @danadaria
Cool for the Summer
Robin Buckley x Heather Holloway 6k words Written by @beni-o2 Art by @raven-cl
Just Look At Me The Same
Robin Buckley x Nancy Wheeler 8k words Written by Bellandora Art by Cas
Thank you so much to all of our talented writers and artists for a fantastic event! You've given us so much sapphic fiction to enjoy, and we hope everyone else will too. See you next year! 💖
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rogueddie · 1 year ago
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everyone I ship robin with + the color palettes I assosiate with them
+ bonus stobin
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thatgirlwithasquid · 1 month ago
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letters that i can never send
words: 25,571
Chrissy/Tina | Teen and Up Audiences | POV Tina | Ghost Chrissy Cunningham | Letters | Right Person Wrong Time | Unhappy Ending
beyond excited to get to share my fic for @sapphicstevents' stranger things sapphic mini bang!! writing it definitely fought me for a while but i'm really proud of this fic.
so here's the first chapter and a cover i threw together to post it with! the whole fic is up on ao3 here, and @hullomoon has been amazing and created a podfic of the work for anyone interested in listening <3
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Chapter 1 : A Pack Of Green Scrunchies
words: 5,739
June 20th, 1986
Dear Chrissy,
I wish I had known you before everything went mad. 
I think I told you that before, but I mean it now more than I meant it then. It feels so crazy to think that we went through school walking past each other in the halls and not even glancing in each other’s direction. I know that I did the same thing to other kids but it still feels impossible.
My mom took me out to the mall the other day—there’s a mall in this town, not like the destroyed one in Hawkins. It’s full of people and stores and it's loud. I didn’t like it. I always used to find it annoying how quiet Hawkins was sometimes, but I hate how loud it is here. There’s too many people talking and smiling and I can’t see them without thinking about how oblivious I was before I met you.
They were selling scrunchies in one of the stores. My mom was looking for a new purse but I stopped to look at them instead. I bought a pack of green ones because they made me think of you. I wonder if that’s what you would smell like; cotton fabric and lingering perfume from my wrist.
I miss you. 
Tina.
The lights in the hospital waiting room hum with an electric static. Even under all the anxious chatter and background noise of the hospital, it’s the only thing Tina can hear. Well, that and the fading ringing in her ears.
Her hands clench and unclench around the hem of her shirt as she watches the minutes tick by. Beside her, her dad’s leg bounces up and down. She’s not sure if he’s aware of her watching him. The man stares ahead down the crowded hall through the chaos as if her mother will suddenly appear there, good as new.
Tina doesn’t say anything, just reaches out and entwines their fingers, letting out a sigh of relief as her father squeezes her hand back. She needs his strength to lean on. It doesn’t matter that, rationally, Tina knows her mother’s injuries from the earthquake were far from the most severe that came through those hospital doors today.
She’s never been more scared than she was when her dad came stumbling out of the rubble, shirt bloodied and with her mom’s arm over his shoulder to support her weight. Tina had been so frantic that she can’t even remember if her mother had been conscious at that point. She was out cold during the drive to the hospital, though; the sounds of ambulances and firetrucks and police cars responding to the destruction weren’t even enough to break her from her state. Her father had somehow remained stoic then, too.
Thankfully, it’s not too much longer before a nurse lets them visit her mom. After hours of waiting, they’re more than ready to see how she’s doing. 
With all the trouble caused during the disaster, her mom is crammed into a room with other people, separated only by a flimsy curtain. Around them, the relieved reconciliation of other patients and their families fade into the background as Tina reaches her mother’s side and grasps at her hand where it lays atop her blankets. 
IVs poke into her skin and wires trail off to monitors she doesn’t even begin to want to look at. Instead, Tina focuses her gaze on her mom’s weary face. She looks tired, eyes rimmed with dark circles that are only accentuated by the pale colouring of her skin. But she seems okay, all things considered, and Tina sighs out in a relieved whoosh of breath.
The nurse goes over her mom’s condition with her dad, but Tina hardly takes in a word—the moment the nurse confirms that her mom will be okay, she tunes her out entirely. Instead, Tina drinks in the sight of her mom, brushing a careful thumb over her scraped knuckles and almost tearing up when her mom gives her a small smile in return.
Eventually, the nurse hurries off again and Tina’s dad slumps into a chair beside the bed. Tina barely glances his way, too scared to look away from her mom, convinced that if she so much as takes her eyes off her, something terrible will happen again.
“Tina,” her mom sighs. “I’m okay. You don’t need to look so worried.”
Tina shakes her head.
“I was so scared,” she manages, voice cracking under the tears she spent so long suppressing. They finally rush down her face in a flood of emotion, tasting salty where they converge in the corners of her mouth.
“Oh, baby,” her mom says, voice softening. “It’s going to be okay now, okay? Why don’t you go and get some rest, you look exhausted.”
Tina can’t help but laugh at that, an ironic, choking thing. “I look exhausted?”
“Well,” her mom smiles before shifting slightly and doing her best to smother a wince. “I’m already laying down and getting rest. I’m more worried about you.”
Guilt stabs Tina’s heart like a blade. Her mom’s the one in a hospital bed, with doctors and nurses hovering around outside to help if needed, and yet Tina’s the one acting like the world’s weighing down on her shoulders. It’s shameful in its own way. 
Tina always thought she was strong enough to be her parents’ equal. She did well enough in school and had plenty of friends; her parents saw how grown up she was and even helped her plan her Halloween parties; her mom told her everything—every annoying thing someone at work said, every snippy little complaint about her dad forgetting to hang the washing out…
And here she is now. Comforting Tina like she’s a little kid in need of a nap and not a seventeen-year-old who should be better than this. So, she shakes her head, plastering on a smile even as her eyes sting with another wave of tears and, admittedly, exhaustion.
Before she can put up much protest, her dad pipes up to agree with her mom. It doesn’t leave enough room for anything more than Tina going along with what they want. Her dad almost follows before he hesitates, catching her mom’s eye. She nods back at him.
“Why don’t you see about finding some dinner for us two? I won’t be far behind you, I just need to have a talk with your mom.”
What is Tina supposed to do about that other than leave? She’s obligated to listen to her parents, even if she wants to stay. Besides, she’s sure she’ll be visiting her mom as often as she can until she’s discharged. 
So, it’s fine. All this is fine.
When she gets to the door, Tina turns and looks back at her parents one last time. With all the other people talking in the room, she can’t make out what her parents are discussing. What she can make out is the way her father’s face pinches into a concerned frown. 
Whatever it is they wanted to talk over without her must be serious. Resigned, Tina sets off in search of the cafeteria. It feels strange, pushing on through crowds of the distraught and the injured. Against her better judgement, her eyes catch and linger on the horror around her. 
Nothing will ever be the same after this, not in Hawkins at least. Too much bad has happened, too much to even let herself think about.
By the time her dad finds her in the cafeteria that evening, the dinner that Tina bought them has long since gone cold.
School doesn’t reopen until a week later—a week filled with funerals and clean up and searching for anyone still buried under the rubble. During that time, Tina recovers what she can from her trashed house to cram into some other girl’s bedroom. She should probably count her lucky stars that its usual inhabitant left for college a year ago, otherwise she would be knocking elbows in this little space—seemingly so much smaller than her own room was.
She longs for home: for her corkboard of polaroids of herself and her friends, for each marker line creeping up her door frame dedicated to a year of her life, for her fuzzy blue blanket, and for so many more little comforts that she had taken for granted. Staying here, in someone else’s bedroom while her dad stays on the pull-out downstairs, makes her feel strangely like a jigsaw piece jammed into the wrong puzzle.
There’s nothing to be done about that, with the roof of her house half-collapsed it’s not like they have much choice other than this. She is grateful that her dad’s work friend—Mr. Daniels—took them in, but that doesn’t stop her longing for what she’s lost.
Returning to class brings back none of the normality she longs for, either. Sure, the cracks in the road outside have been hastily paved over for the most part and the classrooms have been deemed safe to return to despite whatever state the earthquake had left them in, but everything has so clearly shifted…
All Tina sees, everywhere she looks, are the empty seats. The ones from kids whose families fled the town are one thing, one type of grief for the friends she’s not sure she’ll ever see again. The rest are something else entirely, vacant seats that will never be filled; those seats offer no question to their absence in Tina’s life.
So far, she has been to eight funerals. Three of them were some of her best friends. She didn’t sleep the nights after any of those. After the last one, she hasn’t been able to bring herself to attend any more; it turns out that there’s only so many bodies you can handle saying goodbye to within such a short period of time.
Mr. Clarke clears his throat, trying to recapture the forlorn attention of the room. Even he can’t seem to muster a genuine smile so Tina doesn’t know how he expects the students to care about any of this. Honestly, she’s surprised the school has even bothered swapping teachers to fill in for staff absences with how little chance they have at passing their exams after all this. If their grief wasn’t enough, having a teacher so clearly unprepared to deal with older kids isn’t going to help them learn at all.
She remembers Mr. Clarke from middle school and almost, very briefly, feels bad for thinking poorly of him. He’d been a nice enough teacher. She’s sure he’s still nice enough, but she just doesn’t have it in her to care about stuff like that anymore. Not after everything. She’s not sure how she fits into this new, broken version of Hawkins; how the hell should she be able to care about how everyone else fits in?
Slowly, the eyes of the class do raise to the man where he stands, squirming at the front of the room, backdropped by the chalkboard covered in scrawled science Tina hasn’t understood a word of. She can’t help but think that their usual teacher would have explained it in a way that made so much more sense to her.
She doesn’t know if that teacher is one of the leavers or worse.
Everyone sits quietly as Mr. Clarke stumbles his way through telling them about the commemorative assembly that is going to be held in the gym. Both schools will be coming together in a few days time to remember their lost friends, or at least that’s the plan.
Silence hangs in the air for another excruciating moment. Then the whispering finally begins. Names get thrown around, ones Tina is sure must belong to the dead.
“Jason,” someone whispers.
“Carol,” says another.
“Nicole—”
The whispering gets cut off abruptly by the scraping of a chair as it’s shoved out from under its desk. Some kid launches himself to his feet and stalks out of the room, eyes red-rimmed. Behind him, the classroom door slams shut on a spluttering Mr. Clarke.
Whispers start up again in the wake of his sudden departure. This time, Tina tunes them out. Instead, she sets her thoughts adrift, steering away from anything too dour to think on. She doesn’t want to deal with this today. They’ve only been back at school for a day. 
She isn’t ready for this yet. It doesn’t feel like there has been nearly enough time for any of them to come to terms with this. How the hell are they going to get through these last two months of school and—
“Tina!”
Blinking back to her senses, Tina looks up, across the lunch table and to whoever called her name. It’s Vicki, looking at her with wide, concerned eyes. She probably should be concerned, Tina can only vaguely recall walking to the cafeteria, she’d been so trapped in her own mind.
“Sorry, what did you say?” she asks.
It’s just the two of them, perched on the edge of a sparsely populated table. Their group used to be a lot bigger.
“I—” Vicki starts, hesitates, and then leverages a painfully forced smile onto her face. “I asked if you figured out what you wanted to do at college yet.”
She wants to wince, to cringe away from the inane topic. It makes her feel sick to pretend that everything is normal. People died, other people got hurt, the town is a mess. Why would they be worrying about stuff like this as if it means anything at all anymore?
“I don’t know. With my mom in the hospital everything’s changed. I haven’t had time to think about it.”
Vicki squirms uncomfortably at her confrontational tone, looking chastised. It makes her deflate a little, feeling suddenly very cruel. Just because Tina doesn’t know how to play at being normal, doesn’t mean she has to be such an ass to her friend over it. She still cares about her and being a bitch is only going to drive a wedge between them. It’s not like she has many friends left after everything, either.
Her hands tremble in her lap and she shakes them out as if that might banish some of her simmering nerves. It doesn’t. With a tense kind of control, Tina pushes up to her feet. Vicki’s eyes swivel up to her, surprised by the abrupt shift.
“Bathroom,” Tina chokes out, trying to tamper down the frustration in her voice.
“Tina…” Vicki starts but Tina is already walking away.
The lighting in the bathroom is dingy and off-putting, and yet the electric buzzing of those fluorescents still puts her in mind of sterile hospital walls. Her mom’s been making a great recovery, she reminds herself. She’ll be home before she knows it. Maybe then everything will start going back to normal.
The porcelain basin of the sink stares, glaringly white up at her as she leans over, splashing her face with metallic-tasting water from the old taps. Her ragged breaths send speckles of water back into it as it drips in trails down her face. She’s probably smudged her makeup now, and it didn’t even help at all.
With a choked sob, Tina turns her face upwards, meeting the paled expression of her reflection; eyes wide, droplets of water clinging to mascara-tinted lashes. But that’s not all she sees.
A sick feeling of horror settles deep in her stomach as she notices something from the corner of her eye—something hovering behind her, in the corner of the bathroom. The room had been empty when she came in. Heart hammering, startled by being snuck up on, Tina whirls around to see—
Nothing.
Just an empty, dingy, school bathroom. The green doors of toilet stalls stare back at her impassively as she clutches a hand to her chest, willing her racing pulse to settle.
It was nothing. It was her mind playing tricks on her. It had to be nothing. Because if not, how could she explain that fleeting glimpse of the ghost of Chrissy Cunningham?
Tina’s pen taps restlessly against the Daniels’ kitchen table, the only sound in the eerily silent house.
Sharing a living space with another family comes with all the chaos one would expect, with each of their routines clashing loudly and incompatibly as they stumble around each other each morning and night. And yet the quiet moments like this are almost worse, when everyone is out working or visiting the hospital or whatever else it is these people do. Aside from Tina, it’s empty. Abandoned, almost, like the rest of this god-forsaken ghost town.
She scratches a frustrated line through her pitiful homework attempt and pushes it away across the table, out of sight and out of mind as she stares distractedly out the window. The chair she sits on creaks as she leans to the side, trying to look out into the street. Usually at this time of the evening, kids would be running around, excited and playing in the warm spring air. Usually parents would be seen and heard, trying to cajole their kids inside for whatever they had cooked up or ordered in for dinner.
Tonight, there is nothing but a creeping sunset that paints the sky a dull pink, like drops of blood diluted in a lake of blue. There is no one finding time to play, and no one enjoying a peaceful evening, and Tina’s parents aren’t here. It’s just her, alone with her anxious mind.
She should be at the hospital, trying her best to be there for her dad and checking in on her mom. But going there again and again felt like poisoning herself, losing herself in worry that would set her heart pounding and mind spiralling. It doesn’t matter to her scared brain that she knows her mom is doing much better, she still can’t help but feel sick with worry.
And she’s so tired. It makes visiting her mom so difficult because her mom gives her this pitiful, concerned look whenever she sees her like this. Tina just can’t take that; being a burden to her parents instead of a place of support. They have nothing to be worried about, really. It— She’s just tired…
She can’t sleep with worrying about if something happened to her mom in the night, or if another earthquake might come to completely level this damn town. And what’s more, her mind hasn’t been able to stray far from the thought of what she saw—or what she thinks she saw—in that damn bathroom. Any time her mind has a chance to wander, her thoughts get inevitably dragged back to that sight.
She had only glimpsed her for a fleeting moment but that had been enough. Enough to see the shape of blood splatters on her cheer uniform and the inhuman pallor of her skin… Now, every sound—every creaking shift of this unfamiliar house, every car driving by, every sudden noise—leaves her jumping, expecting to see something horrific around her as if she’s being tormented by some twisted apparition. She hates it.
She should know better than this, she doesn’t even believe in ghosts! Whatever she saw must just be a trick of the mind. And yet.
With a frustrated groan, Tina pushes her chair out from the table and stands. Sitting around like this is doing her no good, either. It’s like she can’t escape any of this worry for even a second. Or, at least, she can’t when crammed into too-small rooms that have no space for the shape of her grief.
Her loaned keys chime against each other as she snatches them from the countertop. She just needs to get out of the house, walk around and clear her head. Maybe then all this anxiety can start to dissipate and the memory of that hallucination will fade.
Locking the door behind her, Tina wanders off in whatever direction her feet decide to take her. 
The air is clear outside and she hopes that might ease some of the tension that she has been holding, coiled and aching, within her. It’s hard to remember that she doesn’t need to be prepared for something awful to happen, because chances are nothing will.
She wishes she believed that.
Every time she blinks back to awareness, she finds herself on a different stretch of road that she can’t recall making the conscious choice to head to. This walk clearly isn’t doing anything for her. Clear her mind? What a ridiculous idea. How the hell could a place as fucked up as Hawkins bring her any relief, no matter where she might go or what she might do? It’s like the only thing her body knows how to do here anymore is to run on autopilot—to keep her body moving as her thoughts keep on spiralling.
She stills, taking a frustrated breath and at least trying to keep track of where she’s ended up. Her eyes scan her surroundings, taking note of how the efforts to fix up the town haven't reached this far yet, great deep cracks still clear and precariously crisscrossing the roads, splitting the asphalt open to reveal the exposed bowels of the earth.
It’s not something she’s that surprised by. Ahead of her, the road turns off into the trailer park. It makes sense that no one has prioritised fixing up things around here. With the abandoned yellow streamers of police tape, catching and glinting in the golden hour, it’s only too easy to remember what happened here all too recently.
Tina cringes at the sight of them, dancing in the gentle breeze like they don’t know what they mean. Like they don’t know a girl was massacred inside that place. Still, she can’t quite tear her eyes away. For a long, breathless moment, she just stares, caught in the bone-deep wrongness of that place. And then, like ice slithering down her spine, a stomach-churning feeling of horror settles upon her. It takes a hold in her chest before she even realises the cause of it.
Just barely visible from this far away, lingering in the window of the Munson’s trailer, is the shape of a person, standing stock-still. The longer she stares, breaths shallow and fast under the weight of that settling dread, the more the distant shape seems to resemble a girl, its silhouette becoming more convincingly feminine as that agonising second draws out longer and longer, running on forever as her gaze refuses to budge from the sight.
It’s like time has stopped. 
Tina doesn’t realise she’s stepping away until her feet scuff against the uneven ground and she nearly loses her balance. That, at least, is enough to break her out of her trance even if the terror sinking into her stomach refuses to dissipate; she rips her gaze away from the trailer as if burned. It feels like the shape of that figure is scorched into her retina now.
Unwilling to look back at that window, Tina runs.
Sitting through the commemorative assembly in the school’s gymnasium is like pulling teeth. Every word jars her, striking through with pained awareness of how overcrowded the room is playing host to two schools and yet not nearly as crowded as it should be.
She feels like an exposed nerve, too vulnerable for this. Her eyes burn with exhaustion and the threat of tears.
At some point she stops listening entirely, too mentally overwhelmed as she tries not to think about anything at all if it will get the ringing in her ears to stop. As she looks down at her hands, the shadows cast by the lines of her palms form a dark echo of the blood and grime she remembers from that day. She had to trim her nails as short as she could to get rid of the last traces of it.
When they’re finally dismissed, the end of the speeches coinciding with the end of the school day, Tina lingers behind at a shout of her name.
Waving over at her from through the dispersing crowd is Vicki. There are strained creases around the corners of her eyes as she weaves her way to meet Tina but she valiantly keeps a smile in place, something more than Tina can say for herself.
“You want to tag along with me? I’m heading to meet Samantha, she snuck some of her parents' booze in all the confusion so we’re going to meet up and let off some steam.”
“Samantha Stone?” Tina clarifies. “Since when do you hang around with Samantha?”
Vicki scoffs. “Since almost everyone else is gone.”
Tina presses her lips together to keep the sudden roll of nausea at that blasé statement at bay. Vicki seems to pick up on it, her expression dimming marginally with her concern, but she chooses not to question it. Instead, she strides on, head held high.
“Anyway, we all have people’s memories to drink to. I cannot deal with the aftermath of that stupid assembly while sober. So, you coming or what?”
Tina takes a steadying breath and follows. After all, it’s not like she’s got any better ideas. 
The crowd that gathers at the edge of the school’s field is a mishmash of different people, most of whom Tina has only ever seen around each other in the classroom or at her own parties. They seem to clump together uncertainly, stilted conversations offered between each other about inane topics that Tina doesn’t have the energy to entertain.
Regardless, she loiters around with the group, accepting whatever drinks get thrust into her hand and taking great gulps to avoid joining any conversations. Listening is more than enough, if you can even class what she’s doing as listening. 
Everyone else, at least, seems on the same page about getting shit-faced. As the hours creep by, shoulders finally start to slump and the group gets rowdier the drunker they get. Bottles are uncapped with grandiose claims of them being in honour of someone who couldn’t be there with them.
Silently, Tina raises her own drink, the faces of her friends flashing in her minds’ eye. 
At some point, Vicki leaves her place at Tina’s side. She looks up to see her, arms interlocked, with Samantha and laughing the way she only does when she’s really tipsy. For a second, Tina considers going over to talk to them, but when she gets up from her spot on the bench her body feels clumsy and uncoordinated. It’s probably better that she stays here, leaning against the seat for support.
There’s another kid who could probably benefit from the same. He’s pale aside from a splotchy flush to his cheeks as he stumbles ungainly out from the tree line.
“Didn’t get lost taking a piss then?” his friend taunts as he wobbles his way back over to their side.
“I think I just saw a ghost,” he says in a daze.
Everyone laughs at that. Tina tries not to think at all.
The sun is creeping towards the horizon and Tina is far too many drinks in when the nausea finally hits her. It feels like a physical thing, crawling its way up her throat.
“Shit,” she gasps, floundering up onto her feet at last and heading blindly into the trees. At least there she might have just a smidge more privacy in her shame.
Her sneakers shuffle over uneven earth, hesitant at first until the need to puke becomes too much and she hurries further along, with all the uncoordinated grace she can muster. Knees meet the ground and an arm braces against a tree as she sucks in deep breaths. They slowly soothe the sickness away. In the end, she’s not sure if it’s better or worse that she didn’t actually vomit.
Head still hazy, she looks up and widens her awareness back to her surroundings.
“You have got to be kidding me,” she says, clambering back to her feet, as she spots them.
It’s a girl. It’s too far away to be sure but she looks to be dressed in a cheer uniform, at least from what Tina can see. The girl is curled around herself, sitting with her back against a tree and her head in her hands.
This could be it. This could be that same hallucination. 
Tina should just go—whether or not this is real, she just needs to leave it alone. If this is just some other student from their drunken group, then her crying is none of Tina’s business. Hell, she’s had to step away for private moments herself and it’s not the sort of thing you want to be walked in on. And if this is Chrissy, then… Well, then that doesn't bode well to think about.
Leaves and twigs crunch underfoot, stealing any stealth she might have managed, as Tina approaches. Not like it matters, the girl doesn’t react at all, as if she can’t even hear her.
The closer she gets the less she can deny it. That strawberry-blonde hair, held back from her face by a green scrunchie; that small stature; the familiar cheer uniform, speckled with somehow still-red blood… She may not have known Chrissy personally, but Tina had certainly seen her around enough to be able to recognise her.
She slows to a stop, looking down at the figure of her. From here she can see that her head isn’t actually in her hands. She’s covering her ears, muttering something under her breath that Tina can’t quite make out without getting closer.
Tina’s mouth opens to speak but she finds it suddenly dry, her throat barren. She clears her throat, the sound perversely loud in the atmosphere around her.
“Chrissy?” she manages finally, voice little more than a whisper.
Chrissy’s head snaps up to look at her, eyes wide and frantic. Her whole body tenses, posture coiling and shifting as if she’s preparing to bolt, and for a moment Tina feels that same need to flee echoed in herself. Neither of them do.
Tearful, blue eyes take in Tina’s face before some of the fight seems to drain from her, slumping infinitesimally against the tree behind her. Tina, though, doesn’t relax and her alcohol slowed mind fumbles to come to grips with the sight before her.
Chrissy, where she sits in the leaves and dirt and forest debris, is so pale. Every so often, the very vision of her seems to flicker in Tina’s sight, as if the girl herself were not fully corporeal… trapped between this world and the next.
“Are… Are you real?” Chrissy breathes, voice small and broken.
The irony of that startles a laugh from Tina before she can help it. 
Shouldn’t she be the one asking that? Chrissy is the dead girl out of the two of them. If either of them should be mistrusting their minds right now, it should be Tina. Because if ghosts aren’t real, as Tina had always believed so strongly, then how can Tina be facing this right now?
“Am I real?” she scoffs, voice bordering on hysterical. “You’re the dead girl here.”
“What?” Chrissy asks in that same crushed tone.
“You’re dead,” Tina tells her, because what else is there to say?
Somehow, Chrissy seems to pale further, as if blood was rushing away from her non-existent face.
“No. N-no. I’m not, I can’t be. What are you talking about?”
“You died. In the Munsons’ trailer.”
“You’re lying. I’m right here—I can’t be—” Chrissy’s voice becomes shrill and stricken with panic before an anger steals over her features. “This isn’t funny. What kind of joke is that? I just—I need to get home.”
Tina scoffs, almost disbelieving, and steadies her swaying against a low-hanging branch.
“I went to your funeral. You’re dead. And I must be going crazy…”
The last part comes out half as a laugh, half as a sigh. It’s a fact she’s resigned herself to uncomfortably quickly, but what other explanation could there be? People don’t just see visions of dead girls sitting around and telling them they can’t be dead if they’re not mad.
Chrissy’s expression glazes over, seeming to be lost in her own mind as a fresh wave of tears give a new shine to those mournful eyes.
“You’re lying,” she says again, but this time she sounds more defeated than accusing, like it makes sense to her even if she doesn’t want it to be true.
Or Tina’s mind thinks Chrissy shouldn’t want it to be true—if Chrissy’s ghost actually was in front of her, that is. But she isn’t, because that would be preposterous. She’s just had too much to drink, and she’s been feeling paranoid, and it’s not as if she’s been able to rest since all of this began.
She doesn’t know why she’s indulging this in the first place. 
Her mouth opens to say something to that effect. Surely she has some smartass comment about it all, but all that remains in her mind are the wispy impressions of the thought as she tries her best to reorient herself. In the end, she gets nothing out before a voice calls out for her. 
Damn, she’s been out here for too long. She’s not even really sure how much time has slipped away without her notice between her leaving the gathering and ending up where she stands now.
Right, that decides it, she’s leaving. This—all of this—is something she doesn’t want any part in. Not ghosts, or hallucinations, or whatever any of this is and certainly not while she’s drunk. There are a thousand more important things she could be worrying about, she chides herself as she turns on her heel and sets her eyes on the way back. In fact, she’s mid-step when a feeble voice calls out for her.
“Please, don’t go. I’m scared to be alone…”
Tina pauses, her heart pounding.
“I need to get back,” she says; to herself, because there is no one else there. 
For a moment, Chrissy is quiet. Tina almost thinks the hallucination has finally dissipated when she speaks up again.
“Will you come back?”
Tina’s heart stutters in her chest. This isn’t real. None of this is real. She turns to look behind her and Chrissy is gone, not even a trace of her to be seen. 
“Tina!”
“Yeah,” Tina replies, the words mumbled to herself, as she finally unsticks her feet from the ground to return to the group. 
---
chapter 2
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sofiiel · 1 year ago
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For Anon ~ Edit One: I was unsure if you wanted Madelyn as her role of Tina or as herself! So 🤭 I'm doing an edit of both. The next edit will be of Madelyn as herself instead of as Tina ❤
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pretty-emo-dad · 2 years ago
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I was trying to write crack but it came out so ???
Erica isn’t a child anymore, except she still feels like one all the time. Except she still sleeps in her parent’s bed when she misses them, except she still sleeps with a night light, except she catches herself paying more attention to my little pony than advanced physics, except she cries when she breaks a pencil, except she desperately begs for her mommy and Brother Lulu when things go awry.
Erica isn’t a child, but here, screaming and crying and kicking her way out of being loved she feels like one. She feels like this is payback, it feels cathartic to let go. Getting back what it took from her, being a child because she couldn’t when she was one. Eleven-year-old-Erica would be so embarrassed of this, all false maturity and unemotional, but Fifteen-year-old-Erica has adrenaline pumping through her, she’s ninety percent rage and sadness. A dumb, sick, part of her enjoys lashing out like this, enjoys the break downs, enjoys the attention.
Her hands shake, and she wants to cry for Lucas. She wants to yell for him and make him do this for her, have this argument for her, but he’s leaving for University soon and Erica can’t hang off him forever. His friends are hers and his trauma is hers and even the stupid jacket that’s keeping her from shaking more than she already has belongs to him.
It hits her now that he’s leaving and will be gone for as long as she’s in school. It hits her now that she won’t ever tease him walking down these stupid fucking halls. It hits her now that she’ll need to buy a new jacket because she’s been stealing his for years without ever really noticing.
It makes this worse.
It makes her say something she will definitely regret.
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lovipop2049 · 2 years ago
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Can you do a moodboard about Carol Perkins x Tina from Stranger Things please?
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Hope you like it!! :)
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shushmal · 4 months ago
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The latest Family Video customer is barely through the door before Eddie explodes, "Ugh, Tyler."
Beside him, Steve scoffs in agreement, nose wrinkled with distaste. He's so hot. "Yeah, exactly, uugh."
"That should be his middle name. Ugh," Robin chimes in. Eddie's so glad they're in agreement about the bleach-spiked punk guy that graduated three years ago but is still bumming around Hawkins. "Steve, I can't believe you dated that guy."
Seriously, Tyler is the worst— Wait, what—?
"Wait," Eddie says, gaping at Robin. "What?"
"You could barely call it dating," Steve huffs.
"You were together for a month and a half," Robin says. She's got this evil grin on her face and is pointedly not looking at Eddie who is very desperate for Robin to look at him right now, please. "You drove that bum to Indy every weekend. He broke up with you on Valentine's day."
Eddie's weak "Tyler? Tyler Teaks?" gets completely ignored.
"I—" Steve says with haughty emphasis. "—broke up with him on Valentine's day. Don't get it twisted, Buckley."
Robin snorts and finally glances at Eddie. "Steve only broke up with him because the guy blew him off. On Valentine's Day. Which is basically getting broken up with," she tells him, and ignores it when Eddie whimpers at her.
"Yeah, but I'm the one to ended it!" Steve insits.
Eddie, finally, finds his voice, and says, "Tyler Teaks?! Harrington!"
"Ugh," Steve says, slumping against the counter. "I know." He cuts a glare over at Eddie after a moment. "I blame you for this."
"Me?!" Eddie shrieks, incredulous. He's pretty sure he's stepped into another parallel world. Perpendicular world? A world where Steve apparently dates guys—and guys like Tyler Teaks, no less. Eddie's sure he's gone completely batshit insane. "What the hell did I do?!"
Steve stands, cocking his hip the side, and looks down his handsome nose at Eddie. "You wouldn't be my New Year's kiss at Tina's party," he says. "So I had to settle for Tyler Teaks instead."
"What the fuck?" Eddie says, completely lost. "What—? You—? Tina—? KISS—?!"
Beside them, Robin is grinning, laughing, eyes going back and forth between them, munching on a stolen back of skittles—her own personal dramedy on stage before her.
"Yep," Steve says, popping the P. He looks distinctly bitter. "Pulled my best moves on you, and you turned me down."
"Steve," Eddie breathes. He reaches out, places both hands on Steve's shoulders, intent. The eye contact he forces Steve into is desperate. "I don't even remember getting to Tina's New Year's Party." He takes a deep breath. "I woke up in her mom's pantry the next morning with no shoes and no memory of how I got there."
Finally, Steve cracks, a big smile stretching his face. Robin cackles. "Yeah, I kind of figured as much," Steve sighs, wistful now. "You told me, and I quote, 'Steve Harrington, you are very beautiful and I want to have a summer wedding because you'd look beautiful-er with sunflowers'—"
"Don't forget the 'you look so hot in that sweater' part."
"—'But actually, I am a very straight man. So very super straight.' And then you crouched down on the floor and crawled away." Steve is biting his lip now to keep from laughing. Robin is not so nice. "Like I couldn't see you, and the handkerchief flagging in your pocket."
"Oh my god."
"Don't worry, it was really cute," Steve says, grinning. "But, I still needed a New Year's kiss, and unfortunately for everyone involved, Tyler was my only willing choice."
"Oh my god."
"Totally duped me though, he was super sweet the entire night," Steve sighs. His mouth is twisted into genuine regret now. "Plus, the next week, you acted like you'd never spoken to me before, so—"
"OH MY GOD."
Steve and Robin give him twin grimaces. Robin's is a lot more sympathetic. Steve's is confused. "Listen, man," Steve tries to soothe. "I'm sure that's pretty embarrassing, but it was a cute story! No hard feelings, I promise."
Robin's sympathetic grimace deepens.
"No," Eddie says, standing up straight. "I refuse. There is no way I turned down Steve Harrington for a New Year's kiss. There is no way."
"Wait—"
"Eddie, where—"
Eddie marches for the door, digging his keys out of his pockets. "Good-bye friends, I must go see a supergirl about time travel."
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pridebicons · 2 years ago
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HAPPY LESBIAN VISIBILITY WEEK!!🧡🤍🩷
made some icons of some of my fav canon lesbians to celebrate!
like/rb if using + credit
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afewproblems · 1 year ago
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Season 2 Halloween AU Part Four
Part One, Part Two, Part Three
A very big thank you to @strangersteddierthings for chatting with me today and being such a great sounding board for the next update!
Synopsis: What if Eddie had been at Tina's Halloween Party in Season Two? Featuring Steve!Whump, Stancy Breakup, and Eddie just trying to keep up with all these new revelations about who King-Steve actually is...
***
"So…I have to ask," Eddie blurts out, cutting through the awkward silence that has fallen between them, "how were you gonna pick up your car before you ran into me?"
"I don't think it counts as running into you, if you were waiting for me Munson," Steve side steps the question expertly, flashing him a strange smirk that seems out of place. It falls after a second and twists into something pained.
"I was hoping Nance would take me," Steve says eventually, his voice soft, "which was pretty stupid in hindsight, 'specially cuz she was counting on me to drive her this morning, which--"
Steve cuts himself, snapping his mouth shut with a harsh click of teeth, he shakes his head and lifts his hand to run roughly through his hair.
"Doesn't matter anymore".
Eddie holds his breath, feeling the conversation begin to shift. It's as though he's stepped onto a tightrope and any wrong move could potentially send him over the edge.
He settles for nodding once, turning the key in the ignition.
Steve sighs and lets himself fall back into his seat, "I know you know already, the whole fucking school does, Billy saw to that," Steve gestures to his face, "say what you really want to ask". 
Eddie's fingers tighten around the wheel as he turns them out of the parking lot, fighting the immediate urge to say, 'why did Miss Priss throw it all away?' 
"You think I believe the rumours that come out of that shithole?" Eddie lies, keeping his eyes on the road this time.
He can feel Steve's unimpressed stare as they continue down mainstreet.
"Right, so you had no clue I was in detention?"
Eddie chews the inside of his cheek to fight the sly grin that begins to creep over his face, "Alright smart ass".
He hazards another glance at Steve as they begin to hit the residential area, he looks so different from the night before.
His limbs are loose, tension free, if it weren't for the heavy bags under Steve's eyes and the nervous tap of his fingers on the passenger door, Eddie would think he was finally relaxed.
"I knew a fight definitely happened, it's Hargrove," Eddie says slowly, carefully weighing his words, "but I typically prefer to hear the whole sordid story from the source before I pass any judgements, ya know?" 
Steve doesn't say anything as they continue driving through residential  the houses getting progressively bigger as they go.
"Did you," Steve pauses and breathes out slowly before shaking his head and lifting his face to meet Eddie's gaze, "is that offer for something stronger still open?" 
Eddie smiles, "I think that can be arranged". 
***
Eddie pulls over beside Tina Cline's house, wincing as the right front tire rolls over the curb and bounces the van as it lands on the street once more, startling a snort out of Steve. 
"Yeah, yeah, laugh it up Harrington," Eddie huffs as Steve shoots him a grin.
"Didn't say a word," Steve hums, unbuckling himself from the seat. Eddie watches as he opens the door and hops out. For a moment Eddie worries Steve will pull the same disappearing act from last night but he simply stops beside his car door and motions for Eddie to roll down his window. 
Eddie cracks his door open instead, "window's broken, what?" 
Steve rolls his eyes, "whatever Munson, you know the way? It's north on 5th and--"
"Then two more rights, yeah man," Eddie says with a laugh in his voice, "I dropped you off remember?" 
"Fuck off," Steve huffs out, he's grinning though.
Steve swings the Beemer’s door open and slides in. He turns on the ignition and flinches at the loud burst of music from the stereo, the volume obviously set from the mood of the previous night. 
'I want to know what love is, I want you to show me--'
Steve slams his hand against the console, cutting off the song with a harsh crack. 
The van is parked just behind the Beemer so Eddie can't see Steve's face, but his head drops down onto the wheel for just the briefest moment before he slowly lifts it, turns on his signal and pulls away from the curb. 
***
Steve beats him to the house.
He's getting out of the car, which is parked on the long driveway as Eddie pulls up to the street. 
Eddie hops out of the van, hiking his backpack higher up on his shoulders, not bothering to lock it. Who would even want his shitty van among the BMWs and Mercedes parked down this street --hell, Eddie could have sworn he saw a Jag three houses down.
Eddie stops short of the lawn. The Harrington house is so different in the light of day, the strange emptiness that seemed to ooze out of the dark windows the night before has disappeared, leaving an ordinary house in its wake. 
"Well?" Steve calls out as he pulls a pair of keys from his back pocket and spins them once on his finger, "you coming or what Munson?" 
Eddie rolls his eyes and jogs to catch up to Steve who turns on his heel to stride up the walk. He stuffs the key into the deadbolt and swings one of the double doors inwards before shucking off his sneakers.
No shoes? Fucking rich people man.
Steve must notice Eddie's expression because he blushes and shrugs, "I know, I know, but my parents will be home for Thanksgiving this year so…may as well…"
He gestures around the sterile foyer with a tight smile, as though it explains everything. 
If anything, Eddie has more questions. 
Steve cuts off the thought by clearing his throat, "we should smoke outside, last thing I need is for you to burn a hole in the couch or something".
Eddie steps over the threshold and has to stop himself from whistling, were the ceilings always this high in this place?
He lifts his foot to unlace his left chuck, snorting at the strange little table in the middle of the foyer. A giant vase sits atop it filled with a mixture of what have to be silk flowers --no way they were real. He pulls the shoe off and tosses it to the side before lifting his right foot. 
Eddie never had the greatest balance so he hops back and forth with his right foot in the air before hopping as close as he can to the wall of the foyer and leaning back against it.
He finally gets the knot in his laces undone and throws the sneaker to the floor, dropping his right foot to the hardwood.
Eddie looks up to find Steve staring with a bemused expression on his face, he ignores the wide hazel eyes and removes the backpack from his shoulders -which can't have been helping the balance issue. 
Eddie unzips the top and yanks out the trusty metal lunchbox, sliding a wicked grin into place.
"You said something about outside?"
***
By the time they've settled, facing one another on a couple of pool loungers, the sun has begun to dip low, painting the patio and empty pool a warm glowing copper. It catches Steve's hair, which shines like gold in the dying sunlight, like some Autumnal Fae King--
Eddie wants to slap himself, suddenly thankful for the November wind that cuts through the backyard, forcing him to chillout.
He picks up the grinder from his lunchbox, unscrewing the cap to open it.
"You good with a joint this evening my good King?" 
He pours a handful of a new strain Rick let him try the other day into the grinder and starts twisting. It's not something he would typically share with anyone other than Jeff, but Steve seemed like he could use something a little more special tonight.
Eddie looks up after a beat of silence, "yo, Major Tom, you with me?" 
Steve's face is pinched, tilted towards the empty pool, "please don't call me that," he says quietly.
"Major Tom?"
Steve raises his eyes to meet Eddie's gaze, his mouth cuts a hard line across his face, the typical easy grin it usually houses is gone. 
"King-Steve," he runs a hand through his hair, letting the fingers linger to grip and pull, "I just, that's not who I am anymore, I don't--"
Steve swallows harshly, "that's all anyone could talk about this morning".
He drops his voice and octave, "oh, King Steve is so pussy whipped he let his girl fuck Jonathan Byers before she dumped him".
"Is that what Hargrove said?" Eddie asks quietly as he pours out a portion of weed onto a paper.
Steve shakes his head, "that was Tommy, but that wasn't why I hit him". 
Eddie nods, and lifts the joint to his mouth to run his tongue along the edge of the paper. Steve watches him from the lounger, his eyes follow the movement before he blinks and continues.
"Tommy and I had been best friends since we were five, he uh, he knows a lot about me," Steve lifts his hand to his mouth and chews the nail of his thumb briefly before dropping it back into his lap.
"Stuff I don't tell anyone, stuff he knows will hurt". 
Eddie nods, twisting the joint closed, he can kind of understand that, although the only person in his life that knew him like that was Wayne.  
And Wayne would never hurt him. 
Did Steve really not have anyone else like that in his life, someone he could tell anything to that wouldn't look at him weird or judge him. Someone safe.
"Anyway, Hargrove started in on me after that, but he's been fucking with me for awhile so," Steve shrugs again, "he saw his big opportunity here".
"Hargrove's been messing with you?" Eddie asks sharply as he pours more weed onto another paper. He lifts it and runs his tongue along the edge of the paper before twisting it into shape. When he looks up, Steve's ears have gone slightly pink and he's sitting strangely, slightly hunched and twisted.
"Yeah," Steve says after a moment, he clears his throat and straightens his back, "yeah, it's just been at practice so far, and I thought it was just because he wanted to one up me for my spot but," he shakes his head, "it's getting worse". 
"You know, I have a bit of a reputation around school," Eddie says slowly, carefully, watching as Steve freezes and looks at Eddie with wide eyes.
"The Hellfire club is more than just the game we're playing, it's also kind of a sanctuary for kids that don't have anyone to lean on, we look after each other," Eddie continues, ignoring the way Steve relaxes slightly, "you wouldn't need to play or anything but if you need somewhere to sit at lunch now…" 
Steve looks at Eddie for a long time, his expression blank, guarded, "really? Just like that?" 
"Yeah man, besides I get to use my 'Mean and Scary Guy' persona on these fuckers so it's a win-win for me".
Steve grins, raising one skeptical eyebrow, "mean and scary?"
Eddie bristles a little bit at the questioning tone in Steve's voice and can't quite swallow the urge to snarl, "yeah I mean you looked plenty scared of the town freak yesterday". 
Steve winces and immediately starts to shake his head, inching forward in his seat so he's even closer to Eddie, their knees are almost touching.
"That's not, I wasn't," he stops and takes a deep breath, "I was upset about Nancy and it was so dark outside, the trees--"
"You afraid of the dark Harrington?" Eddie cuts him off, the lingering irritation still simmers in his voice as he coos. 
Steve just looks at him, there's something strange about the haunted expression on his face that makes the hair on the back of Eddie's arms stand on end. 
"Things happen in the dark, in the woods," Steve says softly, his eyes drift to the empty pool again. 
Eddie opens his mouth to ask Steve what the hell he means by that, when a voice shouts across the yard.
"Steve? STEVE?!" 
The sound of someone running through the grass has them both of their feet, the joints forgotten on the pool loungers. 
"Dustin?" 
A kid, he can't be more than twelve or thirteen, skids into the porchlight that has replaced the last copper rays of evening light, the sun fully set by now. The kid's blue eyes are wide underneath a mop of curly hair and hat, he's breathing hard.
"I need your help".
Tag List: @eriquin @luvinthefreaks @cinnamon-mushroomabomination @goodolefashionedloverboi @ellietheasexylibrarian @bambibiest @sadboislovebeans @howincrediblysapphicofyou @coleys-a-nerd @whycantiuseunderscore @airconditioning123 @xxfiction-is-my-realityxx @corrodedbisexual @starman-jpg @ilovecupcakesandtea @yoriposts @clumsiluni @pelinelin @phantomcat94 @lololol-1234 @anaibis @airconditioning123 @steveshairspray @hellfireone @sunswathe @eddielives1986 @tentativeghost @robin-not-batman @estrellami-1 @manda-panda-monium @tinyplanet95 @perseus-notjackson
Part Five
and for some peeps that I think may be interested! @steddierthings @steddie-there @steves-strapcollection @outpastthebrakers @henderdads @stevesbipanic
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thatgirlwithasquid · 11 months ago
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decided ill probably draw them all, but here’s the first lot of st ladies :)
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rigginsstreet · 4 months ago
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More fics need to focus on billy getting absolutely shitfaced at parties but like in a angsty character study way
I need that bug under a microscope ASAP
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sofiiel · 1 year ago
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I said I do more for Tina and Billy 🤗 here they are.
In my head there is an AU where they team up to help out with the demo-mess.
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junipum · 11 months ago
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called me gay and autistic in nine different ways
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pretty-emo-dad · 2 years ago
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The way I’m so close to writing a Erica x Tina fic rn…..
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suometar · 1 year ago
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Joseph Quinn as Eddie Munson photographed by Tina Rowden [x]
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eddiemunson-reader-shame · 2 months ago
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The sweet author who has the best intentions for me: You and Eddie are the badass sassy alt couple and you make everyone jealous ❤️
Meanwhile, me and my dumb ass boyfriend Eddie Munson actively ruining our own character narrative arc by acting like idiots in the Upside Down:
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