#and i like being able to feel the art and the tools
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art mediums as listed by how forgivable and versatile they are:
digital art
acrylic paint
watercolour
oil pastels
coloured pencils
art mediums as listed how much practice/preference i have with them. for some fuckin reason. :
coloured pencils
oil pastels
watercolour
acrylic paint
digital art
#WHYYYYYYY#WHY DID I DO THIS TO MYSELF#i actually prefer oil pastels over coloured pencils by a lot but oil pastels are still a relatively new medium for me whereas coloured-#pencils were my signature medium for a good chunk of time#also i might more practiced at acrylic than watercolour now bc i just took an acrylic class this quarter#but for a good while that was not the case#also. i do not gravitate toward these mediums because i Want A Challenge.#i DO NOT WANT A CHALLENGE. !!!#them being difficult unforgiving mediums is coincidental#i want something forgiving!!!#but i.#ghhh#i am now attached to these mediums#and i can't do digital art for shit#and i like being able to feel the art and the tools#coloured pencils and oil pastels do that the most (ESPECIALLY oil pastels)#and paints somewhat#but the more physically incorporated i am with the art the more connection i feel i guess#which is why i love oil pastels#i feel the pastel in my hand#and then i feel it touching the paper#and then when i blend i do it with my fingers#and when it's finished i can run my hand over the artwork to feel the texture#digital art doesn't let me feel what i'm doing so that's probably part of the problem with it#unityrain.txt#art#shitpost#but. WHYYYYY#WHY DID I CHOOSE SUCH DIFFICULT MEDIUMS TO DEDICATE MY TIME TO!!!
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nagito komaeda and his scary ass dog
#martzipan#komahina#nagito komaeda#hajime hinata#suggestive#<- mainly for that last one#ERM... i felt like getting a little silly. <3#*pointing at hajime hinata* ouppy dog#he's a bite risk tho. a bit possessive a bit aggressive etc etc#i was gonna do a bigger piece of them being freaks but i couldn't figure out the pose#so instead i did some littler sketches of some related ideas#uhhh shoutout to hajime's massive fucking honkers i literally had to use the liquify tool to get them to the right size#...i still kinda feel like i should have made them bigger#ANYWAYSSS i'm gonna be out of state for the next few days and thus won't be able to draw. so i had to get all the art out of my system#...i bit my own arm for reference on the bite marks and now there's little bruises on my arm. whoopsies.#OK done rambling. eat up kmhn fans <3
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How do you feel about the increase in really weird NSFW ads on here (advertising panels that look like sexual encounters, and AI art apps that pride themselves on porn) but will take down NSFW posts from their users, even if it isn't technically sexual.
i hate all social media and it's consistent prioritising the advertisers over the users and the internet simply was a better place before capitalism sunk its hooks into it
#i could write essays about how capitalism ruined the internet.#i was actually talking to someone earlier today about how youtube was kind of effectively ruined by monetisation.#and they were raised in the soviet union and we had a bit of a talk about how art was better because it wasn't for profit.#the people who made art made it because they wanted to do it and because they loved it.#she said that communism was terrible for every aspect of life for her. people's lives under communism wasn't pretty.#but the art was better. and i feel like it's true for the internet – it was better when it was a free-for-all.#the companies didn't know how to exploit it yet and turn it into a neverending profit-driven hellscape.#people created content because they wanted to. because they wanted to make something silly to make people laugh.#not for profit. not for gain. not for numbers. not to further their career.#i miss the days of newgrounds and youtube before monetisation.#capitalism has soiled everything that's joyful and good in this world.#people should be able to share whatever they want.#people should be able to tell any story they want without the fear of being silenced by advertisers.#that's what made the internet so beautiful before. anyone could do anything and we all had equal footing.#but now we're victims of the algorithm. and it makes me sick.#i'm quitting my job in social media. i'm quitting it. it makes me too depressed. i have an existential crisis every freaking day.#every day i wake up and say "ah. this is the fucking hell we live in#i'm so sorry i feel so passionate about this.#social media is a black hole and it is actively destroying humanity. forget ai. social media is what's doing it.#i miss how beautiful the internet used to be. it should've been a tool for good. but it's corrupt and evil now.#sci speaks
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got back into stardew valley recently! here's some art about it
#macs doodles#honestly im having a very fun time w this experimental drawing period#im really happy w this piece- i think both sides turned out great#i feel like when i draw w my mouse im not constantly erasing/redoing linework/sketches#i just do a very quick sketch pass through and then use the lasso tool to block everything in !!#its fun being able to take time to play around w color and composition w/o having to worry abt line art n stuff#if i dont like the shape of smth i can just take some away or add some more#this is the first time ive been consistently doing lineless work im happy with since like 2018/2019#stardew valley#stardew fanart#stardew farmer#sdv#sdv fanart#sdv farmer#stardew valley emily#stardew emily#sdv emily
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ngl i genuinely wholeheartedly think i paint best in paint tool sai 1.0 theres just smthn so distinct about the rendering thats unique in sai pieces vs stuff i do in csp or procreate. i can get CLOSE but its not the same
#i dont like 2.0 as much even though it has more features#and csp is really great bc im mobile and inconsistent so i alwaus need to switch up workflow and tools or i will die#but i will die on the hill that the brush engine of paint tool sai is my favorite and its rlly a shame theres nothing that feels right#hypotheticallt i trust gimp and krita to be able to replicate my sai brushes but i dont think the specific ones i paint with will ever work#because my main brush is SO specific to how sai handles stamping if that makes sense#ONE DAY THOUGH. I WILL MAKE A PERFECT VERSION THAT WORKS ACROSS PROGRAMS#(preferrably gimp krita and procreate. i have a VERY CLOSE one in csp tho)#and on that day ohohoho i will finally be unstoppable truly#and maybe im actually just being a dweeb and theres no visual difference/it doesnt matter as much as i think it does#but i wish. I WISH WITH ALL MY MIGHT. That one day itll be possible to use sai on a tablet.#tbh im rlly just tired of subscription model art programs csp and adobe can suck it from the back#[THE TAG THAT WAS FORMERLY HERE HAS BEEN REDACTED IN THE OG POST FOR COMEDIC EFFECT]#not art
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oh yeah ftr, there's been talk floating around of a potential deal between tumblr and mid/journey and that's obviously bad news for me here. nothing is official yet and iiiii will probably keep posting until it is either debunked or confirmed, but be aware that i'm gonna delete this blog if its real.
if you'd like to help out small creators like me so we can keep our blogs here, email tumblr via contact us and tell them exactly how bad this is. be calm, be clear, and be serious so they take things seriously. k thaaaaanks sorry for the doom and gloom
#recall speaks#im putting no further tags on this bc i dont want anyone except followers to see it#this is between us ok. im scared and i dont have anywhere else to go so i hope this doesnt happen#the webtools or whatever dont work theyre constantly needing to be adapted and like#my ultimate goal was being able to post writing#im a writer at my heart#theres no protections for writing. no ones ever thought to protect us writers who dont have the importance to copyright shit#i would just be showing everything to my friends and no one else forever and that would be very sad#dont feel bad if u rbd stuff btw ik that that itself also renders the tools and deleting useless#but u were just using the site the way ur supposed to u just wanted to share my stuff and i was happy u did#loving real art is one of the few defences we have
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wow my artistic confidence just skyrocketed okay good to know
#amicus.txt#for a really long time now ive felt really low abt my art bc ive been dealing with a lot of wrist pain when i draw traditionally#which has p much been the only medium i draw in#but since using a mouse is much less intensive for me than a pencil and paper i figured i could probably do somethiing with that right#i had gotten the idea to just use the polygon tool on my art program since thats what i would do to digitalize my trad art#at least for the colors and stuff#i was like 'its gonna require pretty much learning how to draw again from scratch since its entirely different#but if i put in the practice and the time and be patient i might be able to do it'#but i was putting that off for SO long. really difficult to get started on practice like that yknow#until like 10 minutes ago. where i was just like 'ok whatever its gonna look like shit but lets just try to get a feel for it'#so i just use the polygon tool thing and try and make one of my ocs#and then i took a step back and like.#holy shit that looks adorable? wait thats really good?#like yeah theres a ton of room for improvement obviously but like. holy shit this might actually be possible way sooner than i thought#“this” being. making my webcomic
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everyone gotta be fuckin around tryin to do ai now im so fucking tired. shut up stop it. i wish i was a worm. if microsoft or discord tries to tell me one more fucking thing about ai im going to combust
#toy txt post#NOT looking to argue about this#its not even that i think ai is inherently evil like i know its just a tool#but like rn if ai is a hammer. every company that exists feels like its trying to smash the house apart cos they just got this shiny new#hammer and they wanna hit things with it without bothering to stop and think hey maybe some things shouldnt get hit with a hammer?#im tired and i hate it here#i dont want to chat with a fucking bot that is going to lie to me i dont want ai search engines i dont want ai art#ai art makes me so fucking TIRED bro like it legit makes me less likely to reblog art or interact w it cos i cant tell#and i hate not being able to tell. and like not bc oh a robot made it and so it doesnt have soul. or whatever#it does feel fucking. hollow to me to realize smth is an ai image but i think its bc of the. knowledge of the art theft to make that#i cant even explain how i hate it it just feels fucking deceptive and gross and i fucking hate it. i know its just a tool i dont think the#ai itself is evil i think its like siri and alexa and that it is being used and created evilly via data and art it didnt get consent to use#i think the ppl creating it rn are not being ethical. i know other things we currently have are also not ethical. but is that a good reason#to just. create more unethical things?#and i especially hate seeing exactly how this is gonna go bc that post awhile ago. pointing out how translation automation was bad i think#explained it well#like on an individual scale i dont actually think its the end of the fucking world if you were to use ai art to get an image of your oc#that you dont have the artistic skill to create or money to commission like if your only purpose is to idk use it as a fucking blog icon#or tape a picture of it to your wall or use it as your desktop background like i dont actually Care that much.#like ideally the datasets wouldnt be chock full of stolen art to create that but i think ultimately someone just making#a phone lockscreen for themselves isnt the end of the world#or like idk a fucking meme? whatever. thats not a huge deal imo. like if youre an artist whos art was heavily sampled and it replicated#your specific style? i think that is pretty shitty. that understandably fuckin stings i bet especially if you werent ever#asked or anything. the issues start to arise when ppl use it for like#book covers that they publish. when p start selling shit. when corporations and companies and businesses are like#well why should we bother to contract or hire or commision and artist or graphic designer when we can just use ai. thats some bullshit#its going to be used to fuck over artists more#and already starting. its become just another tool for capitalism to fuck over artists. and truly thats a career#that we havent disrespected enough/s. anyway theres some disorganized ai thoughts. feel free to keep any comments to yourself im very tired#i think they should go back to letting the computers make nightmare melty shit. at least that was interesting
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Why reblog machine-generated art?
When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.
When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.
When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.
When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.
You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.
And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.
My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.
People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.
I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?
The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.
I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.
However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.
Also because it's just patently untrue.
But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.
It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.
I liked it.
I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.
Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)
Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?
My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.
What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.
And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).
There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.
I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.
Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.
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Pt. 1 Pt. 2 Pt. 3 (you're here)
Full fic on Ao3
Art of LBM
Pt. 4: An Unexp-ectoed Party (not on Ao3 yet)
Constantine was quietly freaking out. He couldn’t be sure, but he suspected that the ghost who had turned itself into a cute little tatzelwurm to avoid answering questions might be something far beyond his capabilities to deal with. Everything it said and did suggested it was way outside his scope of experience. While Tim used a shoelace to play with it like a rambunctious kitten, John mentally catalogued the things that threatened to give him a panic attack:
Before the ghost even arrived, the blinding power flowing through his spell array nearly knocked him flat. It had felt like being swatted in the eyeballs by an eldritch god.
The ghost appeared in human form, fully alive, before being transformed by the summoning magic. John had only ever heard whispers of legends about a being who could do such a thing. The legends were vague and grandiose, but some epithets included The One Who Walks Between, He Who Straddles Life and Death, Twilight Walker, Shroud Danger Child, and The Halver.
The ghost could not only see his soul at a glance, it could perceive all the damage he had done making deals with demons.
The ghost implied it was on casual, friendly terms with the Ancient of Time aka Chronos, Kala, Father Time, etc. And that it had altered the timeline at least once already.
It could age. Despite what the ghost said, only Neverborn should be able to age. The dead were static, and given the death that he could feel sustaining the portal, this ghost had definitely died.
It was brilliant enough to pinpoint a weakness and successfully distract Tim by transforming into a shape that could manipulate his protective instincts. John did not want to admit that he also felt protective of the cute little blighter.
It had hopped out of the summoning circle as if it were just chalk scribbles, despite John working in some of his most powerful containment spells as a matter of what he had thought was excessive precaution.
Shite, the list had already reached seven items. The tatzelwurm (had Drake really just named the thing Little Baby Man?) glared at him and called him “Gross!”
“Seriously!? This cloaking spell should be more than sufficient.” John grumbled. “Did it really have no effect?” If so, that was gonna be item number eight.
Little Baby Man tilted his head. “It worked.” Then he huffed with amusement.
Thank fuck for small blessings.
A quickly muttered spell turned his burning cigarette into a makeshift sort of laser pointer, and Constantine distracted Little Baby Man while he tried to think of what to do next.
“Hey kid, this is a problem.” He kept his voice low, and watched to see if the tatzelwurm appeared to pay any attention to him. It dedicated all its attention to the glowing dot, and ignored the two men.
“I assume this isn’t the normal direction your interrogations go.” Drake wound his shoelace around his hand and pocketed it. “It’s certainly a first for me.”
“Ditto, in so many ways.”
“Any idea what to do now?”
“We should probably return him where he came from, and wait for Zatanna to get back from wherever she’s disappeared to now.” John would really like a second opinion. He would also like to dump this mess in someone else’s lap and be on his way.
Although to be fair, watching the tatzelwurm careen around after his lazer dot was actually pretty fun. Not that he’d ever admit it. Still, the creature was done answering questions and John wasn’t prepared to bind the thing because he didn’t think he’d need to pack the tools to bind an eldritch god when Batman called him to do a “quick consult.”
Danny couldn’t remember the last time he had this much fun. The CEO person played with him! He did feel a bit bad for hurting his foot, but it was difficult to dwell on regrets or worries when he could attack the string instead. And now there was a red dot to chase! It was very fast and sneaky, but he was faster and sneakier.
Is this what Paulina felt like when she wished herself to be a giant chibi version of herself to be loved and worshipped by everyone? Because he felt adorable. And fierce. He was going to kill that red dot so hard when he finally sunk his claws in it!
Frustratingly, it seemed to also have intangibility powers. Well, Danny knew what to do about that! He concentrated ectoplasm into his paw and bapped it down hard on the dot. This scorched the floor a bit, but when he lifted his paw, the red dot was skewered on one of his claws. It tried to tug away, but he clung tight. Apparently its size belied its strength, because it started to drag him across the floor.
Danny tried to release the dot, but his claw was firmly snagged, so he resigned himself to being dragged back into the chalk circle. He tingled a bit as he crossed the perimeter, but it wasn’t a bad sensation, just a little odd. Then a portal opened up and pulled him through the water filled tube snake toy sensation in reverse and ugh! Just as bad the second time, if not worse.
The spell spat him out in human form under the Specter Speeder. Or rather, it ejected him at speed so he smacked into the bottom of the Speeder before falling back to the ground with a heavy thud. Thankfully he didn’t crack his head against the concrete, but he still couldn’t stifle a pained groan.
A firm hand wrapped around Danny’s ankle and dragged him out, and he found himself staring up at Drake and Constantine for the third time that day.
“Uh, hi,” he said, rubbing the back of his neck. “I suppose I have some explaining to do.”
Being able to create ghost portals would come in real handy right about now. Maybe he should just commit some arson and let these two deal with escaping the basement on their own.
#danny phantom#danny fenton#dp x dc#dpxdc#dc x dp#timothy drake wayne#tim drake#tim drake wayne#red robin#john constantine#A Round Door Like a Porthole[comma] Lazarus Green#the whole thing is on Ao3#lbm#lbm danny#little baby man#lbm is a tatzelwurm#fanfic#dp x dc fanfic
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˚ ༘♡ 𝐧𝐚𝐢𝐥 𝐚𝐫𝐭 𝐰𝐢𝐭𝐡 𝐭𝐡𝐞𝐢𝐫 𝐬/𝐨
― which members would be interested in watching their partner do their nail art/ ask questions and try to be involved in the process bc they're genuinely interested
joshua
because shua enjoys arts and crafts himself, he’s so so happy whenever he can watch you do your nails - it’s alway so much fun. actually, the second you say you need to do your nails, it’s joshua that drags you to the table and sits you on the chair and puts all of your tools, nail polishes, uv lamps in front of you. watching you do all of those crazy nail arts, there’s something soothing about it. and it never gets boring for you either, with joshua by your side - he will ask you about all of the details of why’s and how’s.
wonwoo
you could be doing or talking about whatever and wonwoo would still sit there and listen to you like a hypnotised man. bro is a simp and though usually he couldn't care less about nails and doing art on them or whatever, because it's YOU he’ll sit his ass down and watch every step of you doing your nails like it’s the most fascinating thing ever. wonwoo will ask about your nail polishes and why you have to apply this before that etc etc, not because he feels obligated to fill in the silence but because he’s genuinely interested. he loves listening to you talk about a subject that you’re so fond of.
dk
please let him pick your nail polish colour!!! seokmin gets so giddy when you tell him that you have to do your nails, because that means he’ll get to spend at least three hours watching you and you won’t be able to do anything about it. he’s like a child that has to touch and ask about everything, so it’s kind of like entertaining a child, but you never mind him being so genuinely happy about you and your nail art. it’s cute how dk gets confused by certain steps, or why you have to do something this particular way etc. and he spends at least fifteen minutes after you finish, gushing about the beautiful designs you painted.
mingyu
is he a six foot two giant or a princess? i guess the latter since he adores watching you do your nails so much and every time you do, gyu wants you to paint his nails too, at least one, but is too shy to ask. he always has to touch everything that’s laying on the table, so while you’re prepping your nails, he’s rummaging through all of your tools and asks what each of them is for. mingyu also gets so excited when you ask him if he could pass you *insert a nail tool* and he has to guess which one you’re talking about.
minghao
i think it’s mainly because hao has done his nails before himself, he’d be eager to hear why you chose a certain design or why you put those particular charms on, you know - he likes knowing the reason behind something. and there’s something quite intimate about nails and nail art, he thinks, so getting to know the story behind your current set would be something very xu minghao.
seungkwan
one thing about seungkwan is that he loves being part of whatever you’re currently doing and making it the best time you’ve ever had. he lives for quality time with you, so it’s not a shocker that he enjoys watching you do your nails very much + a lot of the time he steals your nail polish and does his own nails at the same time you’re doing yours. you always have a blast laughing at his bad designs, and how he always manages to spill the nail polish over his cuticles and edges. boo gets so happy when you ask him about his thoughts on nail polish colours or which charms you should pick out and where to place them. no one could make doing nails as entertaining as boo seungkwan.
vernon
vernon finds it so cool how you’re able to do all of these designs on your freaking nails of all places. he loves sitting by your side, not saying much in his vernon fashion, and following your every move from the beginning, when you prep your nail, to the moment when you’re attaching different charms or doing cool designs. it’s kind of hypnotising for vernon and he’s always able to relax and wind down when watching you do your nails.
dino
are you kidding me? baby wants to be a part of everything you do. he is a puppy that follows your every step, so of course he loves watching you do your nails. it’s unbelievable to him how you’re able to paint on your nails AND make pretty designs on them and not just splotches of nail polish. he always talks your ear off about what tool does what, and why you do that before doing the other thing, etc etc, but gosh… it’s so endearing when he sits there with his sparkly eyes, looking at you like you’re the coolest person on earth
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#seventeen#seventeen imagines#seventeen x you#seventeen x reader#seventeen reactions#svt reactions#seventeen kpop#seventeen fluff#svt fluff#seventeen carat#seventeen reaction#seventeen requests#joshua#wonwoo#vernon#svt#seungkwan#dino#mingyu#minghao#chwe vernon#joshua fluff#seungkwan fluff#dino fluff#mingyu fluff#dk fluff#wonwoo fluff#dk#minghao fluff#vernon fluff
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hands-off, hands-on - a shigaraki x f!reader fic
This was inspired by this art and a comment left on it about the risks of trying to jerk off with a quirk like Decay. It was also inspired by @obsessedtomone and @scarlettcryptid, who encouraged me to write it and then to post it. The pun in the title was my idea and not their fault.
Shigaraki's quirk makes life difficult in a lot of ways, but there's only one he can't find a way around, and since you joined the League of Villains, it's gotten even worse. When the truth comes out at last, he's expecting it to be a disaster and nothing else. He definitely isn't expecting you to offer to help. (cross-posted to Ao3) Canonverse, one-shot, smut.
Shigaraki Tomura’s quirk is everything to him. It’s how he found himself alone in the world as a five-year-old, even if he can’t remember the details. It’s why Sensei took an interest in him, why Sensei took him in, why Sensei chose him to carry on his work. It’s the perfect tool for someone like Shigaraki, who hates everything, who wants nothing more than to destroy everything he doesn’t like. Decay is the best thing that’s ever happened to Shigaraki. And at the same time, it absolutely, categorically sucks.
Shigaraki might hate everything, but he doesn’t hate it all the time, and the times when he doesn’t hate it are times when he’d love to be able to just have whatever it is without being one wrong move away from ruining it. Name a thing he likes, and his quirk is ready and waiting to fuck it up – gaming, eating, sleeping, even reading the fucking newspaper. He can do all those things four-fingered, if he stays focused. It’s the stuff he can’t stay focused on that’s impossible.
He can’t stay focused when he’s horny, at least not enough to keep from potentially Decaying his dick off. Shigaraki doesn’t actually know if his quirk works on himself, and he’s not interested in finding out. And that means that no matter how horny Shigaraki gets or how many poorly timed boners he pops, jerking off is permanently off the table.
That’s not to say Shigaraki’s never finished. He has. He’s spent so much time humping pillows that he had to learn to do his own laundry. But there’s something really pathetic about being twenty years old with two working hands and still be stuck grinding on a pillow to make himself come, and it always takes so stupidly long. Now that Shigaraki’s got the League of Villains, now that he’s got plans to make and Sensei’s legacy to fulfill, he doesn’t have that kind of time. When he wakes up with the world’s worst morning wood after a dream he doesn’t remember clearly, there’s nothing he can do but wait for it to go away.
It fades – enough – but the feeling doesn’t, and eventually Shigaraki doesn’t have a choice but to drag himself out of bed. He slinks from his room to the bar, hoping it’ll be empty, with the rest of the League out and about preparing for the mission and Kurogiri somewhere nearby if Shigaraki needs him but not actually right there to ask him what’s bothering him. Shigaraki can pour his own drinks. Maybe he can get out of this if he gives himself whiskey dick on purpose. Kurogiri’s not in the bar, just like he was hoping, but it’s not empty, either. You’re there, sprawled out over the bar with a sweating glass of water on a coaster in front of you.
Shigaraki’s jaw clenches at the sight. “What are you doing here?” he demands, and you look up. “Don’t you have something to do?”
“I did it already.” You yawn. “Using my quirk tires me out.”
“Really?” Shigaraki can’t keep the irritation out of his voice. “Making people stupid is that exhausting?”
Your quirk is a weird one. It lets you increase or decrease a target’s ability to plan, reason, problem-solve, remember things, and learn – in other words, their intelligence. “From this distance, for as many people as you need me to hit?” You yawn again and drop your head back down to the bar. “Yeah. Remember, I have to keep them all being stupid the same way, right up until it’s too late. Or your plan won’t work.”
Shigaraki had the pieces of the plan before he made you use your quirk on him, but once you used the quirk on him, he did some fine-tuning on the strategy, and he came up with the idea of using your quirk the opposite way, too. While the rest of the League is planning to make the attack on UA’s summer training camp a success, you’re using your quirk every day on the heroes in charge of planning the camp itself. Shigaraki’s not actually going to know if it works until after the attack, and that pisses him off. “Go nap somewhere else, then.”
“I’m not going to bother you,” you say. “Where else am I supposed to go, anyway? Your room?”
Shigaraki’s this close to saying yes, just to get you to leave, before he remembers what his room looks like – and remembers that he spent a while trying to see if grinding one out would work this time. He can’t kick you out of the hideout. You look like shit, and you’ll attract a lot of attention. “Fine. Shut up.”
“Yep.” You fold your arms on the bar and rest your head on them, shutting your eyes.
Even when you aren’t looking at him or talking, your presence bothers Shigaraki. It’s bothered him since the beginning – as much as he’s bothered by the others, in a different way than he’s bothered by the others. While the others can at least manage to avoid pissing Shigaraki off, there’s nothing you do that doesn’t cause some kind of problem. If you’re talking to him too much, he’s annoyed because he doesn’t know why you’re talking to him. If you’re not talking to him, he’s pissed about that, too. If you’re not around, he’s mad that you’re avoiding him, and if you are around, he wishes you weren’t. The fact that you’re here was a big problem for him even before he started having the dreams.
Shigaraki can’t remember the details of last night’s dream, but he knows you were in it. He pours himself a drink, takes the bottle with him, and sits down at the far end of the bar from you. You don’t look up again, and Shigaraki finishes his first drink, then half of his second, with no improvement on the situation. He shifts on the barstool, trying to get more comfortable. He needs to find something else to do. Something that will distract him from how stupidly horny he is.
You’re right there, and being irritated with you for doing anything at all is as good a distraction as anything else. “If all you’re doing is making a couple of heroes slightly dumber, you’re not really pulling your weight, are you?”
You don’t stir, but Shigaraki sees your shoulders stiffen. “What else should I be doing?”
“More,” Shigaraki says. You lift your head to look at him dead on, and Shigaraki hates that so much that he loses his train of thought for a second. “I don’t want them slightly dumber. I want them so stupid they can’t walk in a straight line. You have to get closer to them for that? So get closer. Get out of here and –”
“If I make them that stupid, the heroes will know that something’s wrong,” you interrupt. “My quirk’s in the government databases. If I do anything too obvious, they’ll know I’m working with you, and they’ll change their plans. Or they’ll change who they’re using to execute those plans. For my quirk to work on someone, I need to know who they are.”
Shigaraki knows how your quirk works. He’s not stupid. “I could do what you want me to do, but it would ruin your plans,” you say. “I don’t want to do that.”
“Then what do you want?”
“I wanted to take a nap,” you say. You sit up straight on your stool, get to your feet and start towards Shigaraki. “Now I want to know what I did to piss you off.”
You’re coming closer. Shigaraki feels a surge of panic. “Get away from me.”
“No.” You sit down one barstool away from Shigaraki, but still way too close for comfort. Shigaraki’s skin feels hot, and in spite of the fact that he left his room wearing sweatpants, they’re getting tight. “You let me join the League, but ever since I got here, I can’t do anything right. You’re mad at me all the time, and today you’re even madder than usual.”
“No, I’m not.”
“Yes, you are,” you say. You keep staring. Shigaraki looks away, and you say the first thing he’s ever heard you say that makes you sound like a villain. “Either you can tell me the truth, or I’ll use my quirk on myself and figure it out.”
Shigaraki’s stomach lurches. “I thought you were too tired to use your quirk.”
“Not on myself,” you say. Shigaraki glances back at you. You’re almost smiling. He’s seen you smile before, talking to Toga or Magne, but not like that. “You can tell me, or I’ll find out on my own. Your choice.”
You’re not screwing around. Shigaraki thinks fast. He could Decay you, but – Shigaraki writes off the thought before he can even complete it. He has to tell you something, and it has to be convincing. But he doesn’t have to tell you everything to keep you from using your quirk. It’s going to be humiliating, but nowhere close to as humiliating as the whole truth, and he opens his mouth and spits it out. “I’m horny.”
You blink. “So jerk off.”
“I can’t.” Shigaraki sees your eyebrows lift, skeptical as hell, and loses patience, even as his face heats up. “My quirk. Anything I touch with five fingers –”
“And you can’t jerk off without –” You break off mid-question, looking just as uncomfortable as Shigaraki feels. “So you’ve never –”
“No, I have, I just –” This is way more information than you need to know. Shigaraki grits his teeth. “You wanted an answer. There’s your answer. Leave me alone.”
You don’t leave Shigaraki alone. You actually move over onto the stool next to his. “So you’re just going to be a dick to me any time you’re horny.”
It’s your fault Shigaraki’s horny. Before you showed up, he could deal with things on his own, but now instead of videos and games to fixate on he has fantasies – because he can imagine about what you’d look like under him, what you’d sound like, what you’d feel like. All of which are the worst possible things for Shigaraki to be thinking about right now. He’s completely hard, again. Maybe you can tell, or maybe you’re using your quirk on him after all, because you’re making a really weird face. “If you’re going to be a dick any time you’re horny –”
You break off. Shigaraki thinks, fleetingly, about Decaying you. At this point he’d rather Decay himself, because if even he kills you, he’ll still have to remember that this happened. You take a deep breath, let it go. “Do you want help?”
Shigaraki’s mind blue-screens for a second. “What?”
“If this is why you’re like this, then it’s easy to fix,” you repeat. Your hands are clenched into fists on your thighs, and you slowly uncurl them. “Do you want me to help?”
“Help with what?”
“Jerking off,” you say. You make an awkward gesture, and every muscle in Shigaraki’s body goes tense as he imagines your hands around his cock. You have to be messing with him. There’s no way you’re actually offering – that. “Yes or no?”
“Yes.” Shigaraki finishes his drink and stands up before he can think any more about it. He grimaces as his cock strains against the fabric of his pants, and feels a surge of embarrassment when he realizes you’re looking at it – but it’ll be over soon. In the face of getting some, and getting it from you, nothing else matters. “Let’s go.”
Shigaraki’s nerves kick in on the walk back to his room. Not enough to make the hard-on he’s coping with fade even slightly, but enough to remind him that this is probably a bad idea. But you’re following him, and you haven’t changed your mind. Shigaraki’s not chickening out first. The nerves get worse when he opens the door to his room and realizes what a mess it is. “Uh –”
“Where do you usually sit?” You don’t look impressed – or disgusted, now that Shigaraki thinks about it. “On the bed?”
Shigaraki sits down on the bed – which he didn’t make, because he never makes it – and you sit down next to him. You don’t do anything. “I thought you were going to help me.”
“Show me what you do,” you say. Shigaraki stares at you. His heart is racing, his pulse hammering so hard that he feels it everywhere. “Go as far as you can, and then I’ll keep doing what you do.”
That makes sense, probably. Shigaraki’s mind is startling to scramble. He decides to think about it later and catches the hem of his shirt, hiking it up and out of the way. He knows from experience that it’ll slide back, so he pins it between his teeth and reaches down to his waistband, shoving at it until his pants are down around his thighs and his cock is free.
His hard-on looks like it feels. Uncomfortable, leaking, hot to the touch when he wraps three fingers and his thumb around his shaft. Shigaraki tries a few of the same insufficient strokes as always and feels the muscles in his abdomen and thighs clench. It’s not enough. It’s never enough. A frustrated sound edges out around the fabric in Shigaraki’s mouth. Aren’t you supposed to help him? He looks at you. You’re looking away.
“Hey,” Shigaraki says, the hem of the shirt falling from his mouth, and you look at him. “You wanted to help. Pay attention.”
Your face is flushed. You nod, and you reach out – but only so you can grasp the hem of Shigaraki’s shirt and pull it out of the way again, your knuckles brushing over his abdomen in a way that makes him twitch. You’re sitting closer to him now than you were before, close enough that he can almost feel the heat of your body, and imagine how it would feel to have you pressed against him. One of your hands is holding his shirt up. The other comes to rest on his lower abdomen, fingertips brushing through his hair, centimeters away from the base of his cock.
Shigaraki squirms involuntarily, trying to move your hand lower and jeopardizing his own strokes at the same time. Even when he lifts his hips to meet his own hand, he can’t lose control the way he wants to, can’t chase the feeling he needs. He needs it. He needs it and he’s never come even close to having it, until now. Shigaraki tries to focus. You’re only going to help once he’s gone as far as he can, so he’d better get there as fast as possible.
He shouldn’t have told you to pay attention. Now you’re watching everything, your face still flushed and your eyes glued to Shigaraki’s every move, taking everything in. Do you like this? Do you like watching Shigaraki’s pathetic attempts to get himself off? Whether you like it or not, you’re still touching him when you don’t have to. Shigaraki’s fingers tighten involuntarily around his cock, his fourth finger almost coming down, and he loosens up in a hurry. But that’s no good, either. He tries again.
It’s the same as always. Shigaraki makes it one or two strokes before it gets dangerous, enough to show him what he could have and not enough to get him there. He’s sweaty and his heart is beating too hard and the same frustrated tears as always are stinging his eyes. He curses, lets go – and a warm hand slides between his legs to replace his.
Shigaraki almost comes on the spot. It takes every ounce of willpower he has, and he almost blows it again as he watches you adjust your hold on him, shaping your hand more closely around his cock. You’re slow about it, but you sure as hell aren’t hesitant. Shigaraki can’t look for longer than a few strokes. It’s too humiliating to see the intensity of his own reaction, precum oozing from the tip of his cock and his hips jerking upwards into your hand. He clenches his jaw and shuts his eyes.
“Hey. Pay attention.” Are you making fun of him? Shigaraki opens his eyes and finds you looking at him. “I need to know if I’m doing it right.”
“What do you think?” Shigaraki forces the words out through gritted teeth. “Do you need me to tell you you’re doing a good job or something?”
“That might be nice,” you muse. Your hold on him loosens slightly – not enough to complain about, more than enough to read as a threat. “Since I can’t do anything else right around here, I at least want to be good at getting you off.”
Your grip tightens again, and you run your thumb lightly over the tip of Shigaraki’s cock at the end of the next stroke. Shigaraki couldn’t pull a move like that if his fucking life depended on it, which it would. He was going to tell you not to ask stupid questions, like if you’re good at getting him off when he’s two seconds away from blowing his load all over himself, but instead he moans, so loudly that people can probably hear it two streets away. You replay the same stroke, slower this time, pulling Shigaraki’s back into an arch to match the upward motion of your hand, and then you spend a few seconds just toying with his tip, barely touching him at all.
Are you trying to make him squirm? Shigaraki hates that it’s working, hates that you won’t just give him what he needs – but then you’re back to stroking his cock again, and Shigaraki relaxes, as much as it’s possible to relax. It feels good, even better than he thought it would. And even better than that, because he doesn’t have to do anything. All he has to do is sit back and enjoy it.
“Hold your shirt up,” you say, and Shigaraki grabs it clumsily. Your now-free hand traces quickly down Shigaraki’s chest, along his stomach, skidding sideways over his hip before sliding between his legs. There’s not room for both of your hands. Shigaraki spreads his legs without thinking twice.
You make a weird sound – maybe a gasp. “Stop that,” you say, but now you’re cradling his balls in addition to stroking his cock, so Shigaraki’s not interested in stopping much of anything. “It’s working.”
No shit it’s working. Shigaraki’s entire body is wound tight, so much that he can’t even twitch or thrust or squirm – all he can do is strain, agonizingly tense, every atom of his body focused on the motion of your hands. Shigaraki squeezes his eyes shut. His shirt crumbles away as he claws at it, the sheets on his bed going the same way a second later as he fights to ground himself. He needs more. Shigaraki needs to come right now, before he grabs onto something he can’t replace.
The word struggles out of his mouth sideways, twisted and strained just like the rest of him. “Please –”
You don’t answer him, but Shigaraki feels you shift closer to him. He opens his eyes and you’re right there, close enough that he can feel your breath against his skin. You’re watching him, head tilted, lips parted, so close. Shigaraki’s so close, and he needs more from you. He seizes the front of your shirt to pull you down to him, only for it to Decay when you’re halfway there. But Shigaraki gets lucky. You lean in the rest of the way and press your lips against his.
It’s not because of that. Shigaraki’s coming hard enough to see stars, hard enough that he blacks out for a second, but it’s not because you’re kissing him. His cum spills everywhere, onto his sweatpants and his stomach and over your fingers, and you keep stroking him with slick hands. You don’t pull away until Shigaraki’s whining against your mouth and you’ve drawn out every drop of cum he has to give.
And then you sit back, and let go, and look away. “I need a new shirt.”
You’re sitting next to him, on his bed, in just your bra. The sight would get Shigaraki hard again in an instant if you hadn’t just made him come hard enough to disconnect his spine. He raises a shaky hand and points to his hoodie, slung over the back of his computer chair, but you don’t go for it. Instead you get up and head to the bathroom to wash your hands.
Shigaraki needs to wash everything. His sweatpants, himself – the stupid mattress, since he was dumb enough to Decay the sheets off it right before he blew what feels like the biggest load in history. What else was he supposed to do, though? No way was he going to be able to control himself while you worked him over. No way is he going to be able to think about anything else the next time he sees you do anything with your hands. Or with your mouth.
It occurs to Shigaraki vaguely that while he’s solved the initial problem of being too horny to function, he’s set himself up for something even worse – more dreams, made all the more vivid because he’s got experience to back them up. He might be good to go for now. Probably for the rest of the day, since it’ll be a miracle if he can do anything other than clean up and take a nap. But he’ll be right back where he started the next time he wakes up from another dream about you.
The water from the sink shuts off, and a moment later you come back out, snagging Shigaraki’s hoodie off the chair and pulling it on over your bra. Shigaraki feels a faint twinge of foreboding at the sight, but it fades fast. Sure, he could wake up tomorrow morning with the boner from hell and it’ll be all your fault. But now he’s got a way out of it, and the way out of it is so good that what it takes to get there barely even matters. And he’s in a good enough mood to admit to himself that you do things right a lot more than you do things wrong.
Which reminds him – “Hey,” Shigaraki says, still humiliatingly breathless, and you pause in the act of pulling the hood up. “You did a good job.”
He might still be out of breath, but your face is still flushed. “Good,” you say, and you turn to leave. Shigaraki doesn’t hear you speak again until you’re already out the door. “Next time I’ll do better.”
Better might kill him. Next time. Shigaraki pulls up his sweatpants so his dick isn’t hanging out, makes no other effort at cleaning up, and falls asleep with something that feels like a smile on his face.
#shigaraki x reader#shigaraki tomura x reader#tomura shigaraki x reader#shigaraki x you#x reader#reader insert#man door hand hook car door#a bisquared production
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So I don't know who to ask about this, and since it's your profession, I figured you'd know most! I like to use Magic Poser to help me draw my characters' poses, but I feel like I always wind up altering the proportions to fit the models rather than my style without meaning to just because I'm drawing what I'm looking at. It feels less like looking at a reference and more copying a picture, and it makes me feel really bad, like I'm cheating at art. Do you have any thoughts or word of advice on this? I'd greatly appreciate it. Thanks!
Hey Nonnie! Hmmm there's I feel like kind of two questions here. One, using Magic Poser or any other legit reference to make your art is not cheating. It's just using a tool the way it's meant to be used (as a reference). There's nothing at all wrong with that. ♥ However, if you are getting Not The Results You Want from this process that's another issue entirely. So, two: what do I do if the art I'm making from reference doesn't look like *my* art? If you find that working from a reference is changing your style in ways you don't like, I have suggestions: 1) do a sketch from the reference just like you normally would in whatever style comes out naturally using the reference 2) look at the drawing you did and put the reference away 3) draw another drawing from the drawing you did but try to make adjustments towards the stylization you prefer (your first drawing is your reference for your second) OR, if your brain will do this for you: 3b) after sketching from the reference (maybe a few times for good measure) put the reference away completely and try to draw the pose from memory* and see what happens. If you think you're overly reliant on references to the point you think it's holding you back then you can start to wean yourself off of them but doing more and more drawing without them. Maybe start with a 20min warm-up on my Sketch App drawing a bunch of poses really fast from reference, then pull up a new pose, look at it, and try to draw it without checking back in at all. Honestly the best way to get to a style you like is to just draw A LOT. Draw lots of different ways. Mess around with line weight and shapes. Make things swish, make them pointy, make lines that cross over a lot, make a mess, make it neat, keep going. Do a lot of drawing and investigate what feels and looks right to you. And if a tool isn't serving your goals, you can let it go. It might be hard at first but you will find your way. ♥ * Side note: I have aphantasia which means I don't have head pictures. If I look at a reference and walk into the other room, I am not going to be able to replicated it very well from memory. That being said, if I sketch a pose over and over and over a bunch I will retain it somehow, somewhere (I don't know how brains work). The next time I go to draw that pose it will be easier. Just popping this in here in case you have the same trouble.
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𝐙𝐎𝐌𝐁𝐈𝐄!𝐆𝐘𝐔𝐓𝐀𝐑𝐎 ⛧ 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝐓𝐖𝐎
꒦꒷‧₊ Summary You soon discover that your touch is the only thing that Gyutaro can feel. Pain and pleasure - he wants it all. As his master, he wants to serve you and make you happy. Hoping that if he does a good job you might reward him with what he's been craving. ꒦꒷‧₊ Content Gyutaro x female!reader, 18+ MDNI, gore, body horror, violence, vaginal sex, creampie, master/slave, masochism, sadism, praise kink ꒦꒷‧₊ Note 1.6k words
༺ Art ༻
⇢ Chapter one ⇢ Chapter three ⇢ Kinktober Masterlist
A blush quickly spreads across your cheeks, "Y-You want me to touch you more?"
He groans and nods, clumsily stepping closer to you until your chests touch.
You can't help but feel flustered as he presses his body against you. Being so close to the boy you've had a crush on for so long. Well, he isn't quite the same boy is he now? But he's still Gyutaro, and even though he's different now you still love him just the same.
You begin to run your fingers down his chest, caressing his sides and gently touching the stitches that keep him together. He shudders under your touch, his eyelids fluttering as he struggles to keep them open from the pure pleasure he feels.
Just the simple sensation of your fingers touching his skin brings him more pleasure than he's ever felt when he was alive. He wants more, he needs it. But these soft gentle touches aren't enough, he craves a sensation more intense, he just wants to feel.
Desperate for more, he scans your desk for anything useful. Spotting a sharp letter opener, he grabs it and shakily puts it in your hand.
"My letter opener?" You say with confusion as you hold the metal tool.
"C-C...tt" he struggles to speak, getting frustrated he slams his fist into the wall.
Your body jolts, reacting to his anger. You'd be lying if you said you didn't fear him.
When he was alive he was a sweet boy with a chill attitude. But now undead, his temper often flares and he acts out. You can't blame him though, if you struggled with basic things you'd get frustrated too. But his new form combined with his strength always makes you fearful when he gets angry like this.
He looks down at you with a frustrated expression, his sharp teeth exposed in a scowl as he has you cornered against the wall.
"I-It's ok Gyu," you try to comfort him, "Show me what you want, take your time."
He takes a deep breath, trying to calm down as he doesn't want to scare you. His eyes soften as he takes your hand, pressing the tip of the letter opener against his chest. Then he pushes down, and drags your hand, making you cut an incision down his chest. His skin splits open, but the thick blood underneath doesn't spill out.
A satisfied moan escapes his lips as his nerves tingle with pain.
You quickly retract your hand, "Gyutaro! Doesn't that hurt?!"
He nods and tries to move your hand to do it again.
"No!" You protest, "I don't want to hurt you!"
"H-Hurt... goo...ood," he groans.
"Hurt good?" you contemplate his words, "It hurts, but it feels good?"
He nods, happy that you finally understand. "Feel... f-feel m-much."
Now you get it. It seems that he's only able to feel when you inflict it upon him. Whether it be a simple caress or painfully cutting his skin. He craves more because it rids him of the emptiness he feels inside. Yes, it hurts but the intense sensation feels so addicting to him that he can't help but want more. He just wants to fill that void.
To your surprise, you look down to see a tent in his pants. His arousal quickly growing.
You'd be lying if you said you hadn't thought about whether he could still get hard or not. With his heart not beating and his blood not flowing you thought it impossible. But with your touch, his body seems to come alive temporarily. The thick blood inside of his undead body flowing to where it's needed.
"Does this feel good, Gyu?" You whisper into his ear as you drag the tip of the blade down his abdomen.
"G-G-ood... y-es...," he whimpers, becoming needy for you, "More," he growls, forcefully grabbing your waist and pushing you against the wall. He wastes no time gripping your thighs and hoisting you up, somehow finding the strength to hold you and position himself nicely between your legs.
It's as if every time you inflict pain upon him it gives him more strength. Eggs him on more and more, causing his instincts and motor skills to kick in again.
"That's it, good boy," you coo, sliding your hand down his pants until you feel his erection in your hand, "You're doing such a good job."
He groans, feeling the pleasure of your hand wrapping around him. Only causing him to grow harder with every touch, that part of his body becoming more alive by the second.
Lucky for you, and him, his dick hadn't started decomposing like some of his other body parts have. So you don't have to worry about it detaching like his limbs sometimes do. What a nightmare would that have been?
You begin stroking him, being gentle at first to ease him into it. Slowly you can feel his body warming up from your touch. So much so that you swear you can see a hint of pink in his lifeless cheeks.
He's left a groaning, moaning mess as you touch him. Overwhelming his body with so many sensations he forgot even existed.
"Come on, don't just stand there," you tease him, pressing the blade against his cheek, "Do you want to fuck me or not? I promise it'll feel even better than this."
His eyes widen and he nods enthusiastically, like he's so eager to please you. You are his master after all. And the only thing that feels better than that blade cutting his flesh is pleasing his master.
In a hurry, he shimmies out of his pants. Then he lifts your skirt, hooks his fingers under your panties, and tears them off. Looking up at you for approval.
"You're so cute," you giggle and kiss his cheek, "You're doing good, don't worry. If you keep this up I might just reward you."
He shudders at the mere thought of having you mark him again, leaning into your touch. His movements clumsy as he desperately tries to enter you.
You're patient with him as he tries his best. It takes a few attempts but he manages to finally slide into you. There's some resistance due to his size, but he doesn't care. Pushing his hips forward anyways, wondering if you will enjoy the pain of him splitting you apart just as much as he does.
"Ah!" You gasp, wrapping your arms around him and holding onto his broad shoulders to support yourself as he starts thrusting.
He didn't think anything could feel better than pain, but he was wrong. Being deep in your warm, wet cunt is like heaven. Better than heaven actually. If he had to choose dying and going to heaven, or being a zombie and having you all to himself. He'd pick you every time.
The pleasure is indescribable, and it's only amplified by the fact that you're the only thing that makes him feel alive.
For the first time since he's died, his veins bulge as they pump life into his body, his thrusts becoming even more sporadic.
He looks at you with pleading eyes, seeking his master's approval. "G-Gyu...taro g-good?" he says between moans.
"Y-yes," you nod, "You're doing very good. I'll give you that reward I promised~"
His eyes widen, and he has a twisted grin on his face as he awaits his reward.
To his surprise, you drop the letter opener. The sound of the metal clinging to the hardwood flooring echoes in the room.
Instead, you dig your nails into his back, hard enough to break the skin, and drag them down.
He breaks out into a sweat, his body shuddering in pure bliss at the sensation. The pain and pleasure combine into the ultimate cocktail of pleasure, crafted just for him. And he can't take it for very long.
His thrusts get sloppy as he pounds into you at a ferocious pace. Feeling so alive that he actually feels the lively urge to fill you with his seed, the survival instincts to impregnate you.
Almost crushing you against the wall as he slams his hips against yours until he's finally crashing. A loud groan, almost a scream, leaves his lips. And to your surprise you actually feel it, the way his cock twitches and fills you up. Spurt after spurt of his sticky semen. You hadn't expected him to actually be able to ejaculate in his undead state, but it seems he's full of surprises.
Left gasping for air, even though he doesn't really need it, he gently places you down. He struggles to stand, so you help your sweet boy onto the bed.
"Shh, it's ok Gyu," you smile, gently rolling your fingers through the short hair on the side of his head, "You did so good. I'm so proud of you."
He smiles, feeling satisfied and accomplished for the first time in his undead life. And he pulls you close to him.
"W-Want to... to plea-se... m-mas-ter," he mumbles.
"You did more than please, you surpassed my expectations," you ruffle his hair as he leans into your touch almost like a dog, "Now rest up, you've earned it. I'll join you shortly."
You get up to gather some supplies then return to patch up the wounds you inflicted on him. He rather them stay as a reminder of his devotion to you, but he won't deny that it feels good having you take care of him like this. He hopes you'll hurt him more just to patch him up, over and over again.
#gyutaro#gyutaro shabana#gyuutarou#gyutaro x reader#gyutaro x y/n#gyuutarou x reader#gyutaro smut#kny x reader#demon slayer x reader#kny smut#demon slayer smut#kinktober#kinktober 2024
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Do you like the youhitmetal17times_everyday analogue horror?
I dont watch any analog horror. I dont really like any "devised" analog horror, none of them feel authentic enough both from a tech standpoint but also from a content matter standpoint. They are trying to be scary and I feel like once youre going down that road your shit will never be scary. The only stuff Ive seen that manages to interest me in that genre is stuff that makes earnest and genuine attempts at mirroring feelings we've all had, through analog mediums, instead of conjuring up a scary face for 2 seconds or writing some scary text.
Ive had some of my work be called analog horror and Ive never set out to make it horror. I think people are just unsettled by genuine and authentic portrayals of analog mediums because of their inherent imperfections. And I also think that making things as accurate as possible - from graphic/motion design, sound, editing, every part of it - will either transport the viewer back to when they saw that kind of stuff on TV, or make a viewer who never had that experience feel like they did.
A lot of people shit on the use of nostalgia as lazy or low-effort, but I think it's more about what you do with it, it's a tool. Most analog horror makes no attempts at using nostalgia. Nothing about them is accurate or genuine, it's just a flavor slapped on the work. If you use nostalgia in a way that's real and genuine then you've come pretty close to being able to communicate one to one with the viewer. It's a way of disarming people so you can express what it is you want to express clearly. And thats really hard to do in art, but it's the goal (at least for me)
Feel free to recommend me any analog horror you think fits the bill. No local58 or mandela catalogue or whatever. Only real stuff.
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I do want to say, my views on AI “art” have changed somewhat. It was wrong of me to claim that it’s not wrong to use it in shitposts… there definitely is some degree of something problematic there.
Personally I feel like it’s one of those problems that’s best solved via lawmaking—specifically, AI generations shouldn’t be copywrite-able, and AI companies should be fined for art theft and “plagiarism”… even though it’s not directly plagiarism in the current legal sense. We definitely need ethical philosophers and lawmakers to spend some time defining exactly what is going on here.
But for civilians, using AI art is bad in the same nebulous sense that buying clothes from H&M or ordering stuff on Amazon is bad… it’s a very spread out, far away kind of badness, which makes it hard to quantify. And there’s no denying that in certain contexts, when applied in certain ways (with actual editing and artistic skill), AI can be a really interesting tool for artists and writers. Which again runs into the copywrite-ability thing. How much distance must be placed between the artist and the AI-generated inspiration in order to allow the artist to say “this work is fully mine?”
I can’t claim to know the answers to these issues. But I will say two things:
Ignoring AI shit isn’t going to make it go away. Our tumblr philosophy is wildly unpopular in the real world and most other places on the internet, and those who do start using AI are unfortunately gonna have a big leg up on those who don’t, especially as it gets better and better at avoiding human detection.
Treating AI as a fundamental, ontological evil is going to prevent us from having these deep conversations which are necessary for us—as a part of society—to figure out the ways to censure AI that are actually helpful to artists. We need strong unions making permanent deals now, we need laws in place that regulate AI use and the replacement of humans, and we need to get this technology out of the hands of huge megacorporations who want nothing more than to profit off our suffering.
I’ve seen the research. I knew AI was going to big years ago, and right now I know that it’s just going to get bigger. Nearly every job is in danger. We need to interact with this issue—sooner rather than later—or we risk losing all of our futures. And unfortunately, just as with many other things under capitalism, for the time being I think we have to allow some concessions. The issue is not 100% black or white. Certainly a dark, stormy grey of some sort.
But please don’t attack middle-aged cat-owners playing around with AI filters. Start a dialogue about the spectrum of morality present in every use of AI—from the good (recognizing cancer cells years in advance, finding awesome new metamaterials) to the bad (megacorporations replacing workers and stealing from artists) to the kinda ambiguous (shitposts, app filter that makes your dog look like a 16th century British royal for some reason).
And if you disagree with me, please don’t be hateful about it. I fully recognize that my current views might be wrong. I’m not a paragon of moral philosophy or anything. I’m just doing my best to live my life in a way that improves the world instead of detracting from it. That’s all any of us can do, in my opinion.
#the wizcourse#<- new tag for my pretentious preachy rants#this is—AGAIN—an issue where you should be calling your congressmen and protesting instead of making nasty posts at each other
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