#and i guess i took it too far with that comic | Explore Tumblr posts and blogs

froggibus · 6 months ago

Note

hiiiii :3 idk if ur taking reqs for dc right neow but a thought that tickles my brain rlly good is dick grayson/reader w a praise kink and dick exploits it n uses it to his advantage.... preferably afab reader but gn is fine :P

CTRL + H - Dick Grayson

Pairing: Dick Grayson x fem! best friend! reader (uses fem pronouns + has a pussy)

Genre: smut/NSFW

Word Count: 4.1k

Summary: when your best friend discovers porn in your browser history while fixing your computer, he decides to use it to his advantage

CW: friends to lovers, lots of praise, uses of ‘good/pretty/lovely girl’ dick calls you sweetheart/angel, dick is CORNY I’m sorry, mentions of porn/asmr porn, teasing, gaslighting (but not really), fingering, marking, unprotected sex, lots of sweat (its sexy i swear), dick fucks you over a desk, kinda rough sex, creampie, multiple orgasms, implied to be summer, i think thats it??

hey hi 👽 anon, thanks for the request! im sorry it took so long, it wasn't meant to be this long i swear, i just got caught up in the thought of Dick being all hot and sweaty and praising you while fucking you >~< and yeah this happened. really hope you like it (but if you don't, let me know and ill totally rewrite it!) lots of love yes i took an extra 30 mins to find nightwing #83 to take a picture of the comic book to make this banner lol

As if having Dick Grayson look at your search history wasn’t bad enough, now you have to live with the mortifying ordeal of him knowing you have a praise kink.

When you had first invited him over to take a look at your malfunctioning computer, you’d thought nothing of it. You figured he would turn it on and off again, maybe update some drivers. So when he suddenly clicked into your browser and began scrolling through the long, long list of websites you’ve visited, you weren’t sure how to react.

You noticed it at the same time as him, the glowing screen forcing you to freeze where you stand. There on the screen, from just last night, read: praise nsfw asmr. You swallow hard and lunge for the mouse to click out of your browser history, but breathe a sigh of relief when Dick does it first.

There’s a beat of silence, your racing thoughts deafeningly loud as you try to come up with a reason to kick him out. Fanning your face as if that will help chase away the heat of the day, you swallow once more in an attempt to work some moisture back into your mouth.

“F—find anything?” You say as casually as you can.

It’s ridiculous how embarrassed you are, honestly. He’s just your friend, it’s just porn, it’s not like it’s the end of the world. Still, the rattling of your heart against your rib cage and his cruelly quiet silence make it feel like it is.

He shakes his head. “Not so far, I should keep looking but—“ he flicks his eyes up your body, perfect blues tracing your every curve, “you seemed flustered.”

You raise your hands in denial all too quickly, your sweaty palms stretched out towards him. Dick raises an eyebrow, examining you in the way he does with strangers in coffee shops.

“I just…don’t see how my search history is relevant, I guess. That’s all.”

He grabs your wrists, lowering your arms from the defensive position they’ve taken. Despite the familiarity of his touch, something feels off, different in a way you can’t explain. You shake the thought away.

The world has not shifted on its axis because your best friend suddenly knows what kind of porn you’re into.

His touch lingers on your wrist and he uses the leverage to gently pull you closer to where he sits at your desk. When he finally drops your wrist, a chill circles the space where his hand once was, refreshing your feverish skin.

“I just want to make sure you haven’t accidentally picked up a virus somewhere. If we can find one in your history, it’ll be much easier to get rid of it.”

The explanation only half seeps into the mush your brain has turned into under his gaze and you find yourself nodding without quite understanding.

You were fooling yourself by inviting him here. While asking for his help was cheaper than hiring a professional, having him so close to you almost hurts—especially when lately you’ve been trying to force away the feelings you’ve harboured for him.

“So,” Dick says again, “won’t you be a good girl and let me fix your computer for you?”

His words force you out of your thoughts, purely by short circuiting your brain. You blink at him with wide eyes, your heart pounding in your chest.

“W—what did you say?”

“I just asked if I could fix your computer now.”

You tilt your head in confusion. Did you mishear him, or did he call you ‘good girl’? He flashes you that signature smirk of his, his blue eyes suddenly dark with something you don’t recognize.

Though everything on his face reads innocent, something not-so innocent lurks beneath the surface. Something that stares you down and screams ‘challenge me’.

“Yeah.” You swallow. “I guess that’s fine.” You take a deep breath and try to steady the spinning in your head.

Dick continues his work nonchalantly, hitting a few keys and opening your browser history once more. You turn your eyes away from the screen, instead focusing on the way your fingers grasp the desk until it hurts.

You listen to him scroll for a while and try to pretend like he’s not looking through the most intimate part of your life. The idea of him seeing that part of you excites you as much as it nauseates you—a lethal combination.

“You can relax.” Dick hums.

You lift your head to look at him just to see him focused completely on the screen. You don’t dare glance at what he’s so focused on.

“Why not sit down? This could take a while.” He says calmly. “I’m sure you’ll feel much better if you do.”

You roll your shoulders. “I think I’ll just stand.”

There’s a shift in his eyes as if your words sparked something in them. He finally glances away from your screen, completely focusing on you with a newfound intensity. You want to shrink from his gaze, to run down the hall and hide in your broom closet, but you stay rooted in place.

“It would help me a lot if you sit down. Don’t you want to be a good girl and help me out?”

Holy fuck. “What did you just say?”

It feels like you’re waiting an eternity for him to speak again, your heart beating a mile a minute. He’s going to deny it, or make fun of you even more or worse—tell Wally about it.

He pats his lap. “Come sit with me,” he purrs, “be a good girl, keep me company while I work.”

In your shock, you find yourself shuffling towards him and settling in his lap. Dick helps you adjust, tugging you back to his chest and keeping one arm around you while his other reaches for the mouse once more.

He’s so close to you that you can feel the beating of his heart, his breath on your neck. You close your eyes and pray that he can’t feel the heartbeat that’s suddenly appeared between your legs.

You can’t remember a single time he’s been this close to you, a single time he’s touched you like this. The sudden proximity makes you dizzy, butterflies taking flight in your tummy. You clench the arm rests on either side in an attempt to keep your cool.

Dick shifts behind you, one of his thighs gently brushing your clit in a way that makes you squirm. “Don’t do that!”

His hand slides from your waist to grip your thigh, a shiver running up your spine at the contact. “Don't do what? This?” He repeats the motion.

You squeak, lurching forward in an attempt to get away from the friction. You tilt too far and suddenly you’re falling head over heels towards the mat beneath your chair. Dick is quicker than that, wrapping one arm around your chest and another around your waist to tug you harshly back to him.

“Don’t do that,” you repeat breathlessly, “please.”

He rests his chin on your shoulder, soft strands of black hair tickling your cheek. “Why not? Use your words, angel.”

The nickname reignites something inside of you, rekindling a fire between your legs. You clench them together in the hopes it will do something to muffle the throbbing, but when you feel Dick smirk against the side of your neck, you know you’ve failed.

When you don’t answer him, he grins his knee between your legs once more, an innocent hum prompting you.

“You’re—fuck, you’re kneeing me in the cunt.”

Dick’s not sure if it’s from your brazen words or how entirely ridiculous this whole afternoon has been, but suddenly he’s laughing. A big, open mouthed, creasing at the corners of his eyes, laugh.

His laugh surprises you enough to summon one of your own, sending you both into a fit. You shift on his lap to look at him, wrapping your arms around his neck to support yourself while the two of you laugh. It’s stupid and ridiculous and you’re not quite sure what you’re laughing at—just that you are.

You’re laughing and laughing and suddenly his lips are on yours and his eyes are closed and—fuck, he’s kissing you. And then you’re not laughing anymore, your hands brushing up his neck and tangling in his hair. He’s not laughing anymore either, his hands gripping your waist like he expects you to leave at any moment.

You’re breathless when you pull away, refusing to open your eyes and face the reality in front of you. Because maybe the world didn’t shift on its axis when he learned your porn preferences, but it definitely has because he just kissed you.

He taps your cheek gently, using that terribly calm voice he does whenever you start spiralling. “Y/n.” He coos, “open your eyes, y/n.”

You bite your lip, shaking your head in refusal. You know as soon as you do, you’ll have to confront your feelings for him, and his for you, and all of that is just too much and god, when did it get so hot in here?

You open your eyes one at a time, casting them down to where your thighs rest on his. Your hands come together, fingers twirling in your lap just to give you something to focus on other than the throbbing in your clit and the weight of Dick’s eyes on you.

He drags a finger down your overheating cheeks, tracing the outline of your jaw and tipping your head up to face him. His blue eyes are lined with something new, something darker—a need you’ve never seen before.

“Look at me.” There’s a commanding tone to his voice before it softens, “c’mon, please?”

You finally force yourself to meet his eyes, the familiar ultramarine calming the sudden bite of your nerves. “Only cause you asked so nicely,” you say quietly.

“Good girl,” he smiles and it feels like the sun pushing through rain clouds. He strokes your cheek gently, his thumb landing on your cupid's bow.

You shiver beneath his touch despite the unbearable heat of the day. While his finger on your lips threatens to send you flying away, spiralling into space, his other does the opposite. His grip on your hip is tight, fingers digging in and sure to leave behind bruises.

“Can I kiss you again?” He asks quietly.

It’s only a small mercy that your nod doesn’t prompt another ‘good girl’ from him, or some other horribly delightful variation of it. However, when his lips brush yours and his hand slides to the base of your throat, all of the thoughts melt away. There’s no embarrassment, no overthinking, just raw emotion and the sensation of his skin on yours.

You shift in his lap, sliding one of your thighs over his so you can straddle him. Dick offers a guiding hand while you slide forward, half steadying you, half tugging you closer. You shimmy up the length of his jeans until you’re as close as possible, your stomach pressing into his toned abs.

A gasp leaves your throat when your clit brushes the very edge of the bulge in his jeans, the noise only edging him along. His teeth graze your bottom lip, both gentle and desperate, before his tongue slips into your mouth.

The taste of him is intoxicating, consuming you until you’re grabbing his cheeks with both hands to pull him as close as possible. You whine when his cock grazes your clit again and Dick breaks the kiss to let out a breathy laugh against your lips.

“Someone’s needy,” he teases, but his eyes are rimmed with dark and when he looks at you through his lashes, all you see is need.

“Back at you.”

His palm sticks to your cheek with sweat when he goes to pull it away. “You’ve been so good for me today,” he hums, his other hand trailing up your thigh. “Let me take care of you, yeah?”

You mumble a breathy ‘please’ before his fingers are brushing your clit through your pants, the heat pooling in your panties near insatiable. You tighten your grip on him and bury your face in the tight black fabric of his t-shirt to muffle your heavy breathing.

While one hand rubs intense figure eights up the length of your pussy, his other hand is fiddling with the buttons of your pants. He sighs in triumph at the soft popping noise and then the fabric is pulling away from your skin, Dick somehow managing to tug them down with only one hand.

You shift in his lap and prop yourself up on your knees to give him better access while he drags the fabric down your thighs. He takes advantage of your position to spin you to face your monitor once more, leaning back in the chair so you’re reclined against his muscled chest.

Warm breath fans the overheating skin of your neck just where your shirt meets your skin. Two calloused fingers dip into the waistband of your underwear, skimming the warmth and slick of your cunt. Dick sucks in a breath, his pants suddenly too tight.

“You really are needy,” he swallows hard. “Lovely, needy girl.”

His words only serve as a catalyst to the intense need you feel in your core, amplifying your desire tenfold. The pad of his index finger brushes your clit and you’re suddenly a goner. Your eyes squeeze shut and you throw your head back, imagining the circles of Dick’s fingers in your mind.

He gently kisses at the neckline of your shirt, his lips soft against the sensitive skin. His tongue runs across the sensitive skin there in tandem with the moving of his hand, the duality sending shockwaves through you. You have to bite your lip to keep from crying out his name.

His wrist slides further into your underwear, fingers moving away from your swollen clit to run along the rim of your aching pussy. You suck in a breath, not moving an inch while you anticipate what’s to come.

Dick sucks a dark mark into your neck. “Ready f’me?” He mumbles into your skin.

You eagerly nod, trying to shift your hips into his fingers and shove them inside of you, but Dick moves away. You frown, lazily looking over your shoulder at him.

“You have to use your words.”

You almost roll your eyes but in your desperation, let your head hang in defeat and open your trembling mouth. “I-I’m ready Dick,” you say, quietly adding, “please.”

“Good girl.”

Then he’s suddenly slipping a finger inside of you, travelling the length of your spongy walls to sit deep inside of you. A gasp rips through you, his name tumbling off your lips faster than you can catch it. He grips your hip to steady you, strong fingers bruising the exposed skin.

He curls his finger inside of you, prodding at that sweet fucking sensitive spot. He only stops when you whine, slipping his finger out for only a second before shoving it back in. He repeats the motion, starting a rhythm of thrusting in and out, his hand on your hip tapping along in tandem.

You squirm in his lap, that ball in the centre of your stomach turning white hot and growing until you can barely contain it. One of your hands squeezes his wrist—whether to stop or encourage him, you don’t know.

“Dick,” you whine, your voice taking on a raspy tone you hardly recognize.

He hums in response. “Does that feel good?”

“S-so good.”

He rewards you by slipping his other finger inside of you, the two of them working in unison. His fingers are so long and thick that they reach places inside you that you’ve never been able to touch on your own, stretching your walls just enough to make your eyes roll back.

The impending waves of your orgasm roll over you, that knot in your core so tight that you know it's bound to undo any second. You squeeze his wrist tighter in warning, your fingers pressing into his veins until you can feel the steady thrum of his blood pulsing.

Dick slips his hand from your waist up your shirt, palming your tit. “Cum for me,” he murmurs. “You’ve earned it, sweetheart.”

His words walk you right over the edge, that knot finally coming undone and sending wave after wave of molten pleasure through you. Every muscle in your body contracts, your pussy squeezing his fingers so tightly it almost hurts. Both your hands clench around the wrist currently in your underwear. Holding him steady while you ride out your high on his fingers.

Dick holds you, keeping you stable while you gush and thrash wildly in his lap. He can feel your slick soak through the fabric of his jeans, his thighs warm with your juices, but he can’t bring himself to care.

He trails kisses up your neck to your jaw, your cheeks and finally, tips your head back until he can plant soft, chaste kisses to your lips. His wrist aches from how hard you squeeze him but he doesn’t dare pull away until your muscles are relaxing and you let out your first, panting breath.

“Feel good?” He prompts.

You shake your head vigorously, all sweaty hair and hot skin and aching lungs. Dick almost wishes he had a camera because the sight of you laying in his lap all fucked out is one he would love to savor and put in his wallet.

He shifts behind you, only now remembering his aching cock and how badly it yearns to be free of the denim confining it. “Think you could do one more? For me? It would make me feel so, so good, sweetheart.”

You don’t think twice about his words, lazily trapping his lips in a sloppy needy kiss and mumbling ‘yes’ against him. In your fucked out state, you’re only half sure that you’re even speaking, the world around you fading. Dick slips his hand out of your panties, his palm soaked with your juices, and rests it on your thigh.

“I need you to stand up for me,” he says, only half asking.

He helps you up on shaky knees, your pants that had been resting just above your knees dropping the rest of the way to the floor. You brace yourself against the desk, half bent over while Dick slowly tugs down your panties. The minute the sticky, soaked fabric peels away from your pussy, you gasp.

Dick stares at the mess he’s made of you proudly, your folds glistening with the slick of your last orgasm. He burns the image into his mind while he fumbles with the zipper of his jeans, standing behind you while he drags them to the floor with his boxers. His cock springs free, thick and dripping with pre cum, begging for you.

He strokes it absentmindedly, all of his thoughts only on you and your trembling thighs, bent so perfectly over the desk waiting for him. He lines the head of his cock up with your entrance, rubbing it through your folds and prodding your clit before repeating the process over again.

Each shift of his cock, each rock of his hips, forces shivers of anticipation down your spine. Heavy breaths leave your lips, your arms barely managing to hold your weight over the desk when you dip your head down to stare at him through the crook of your arm.

“Such a pretty pussy. So wet and needy,” he groans when he finally lets his cock rest at your entrance. “So ready for my cock.”

You nod even though he’s mostly talking to himself. You let your arms sag against the desk and rest your face against your forearm, the sweaty skin sticking to your forehead. Dick thrusts forwards and lets the head of his cock push inside of you.

Moans leave him the second he dips into your heat, the tip of his cock stretching you in a way that has both of your eyes rolling back. His fingers resume their earlier position on your hip, digging in so hard it almost hurts.

He stills once his tip is nestled in your walls, listening to the whiny breaths you let out while you adjust to his size. Your clench your hands into fists, slightly shifting from left to right to help him fit better. He’s big, bigger than you expected, but the way he molds your walls to his cock is almost enough to have you cum right then and there.

Dick is so distracted by the sight of his cock dipped inside of you that he doesn’t remember to move. It’s only when you let out a needy whine and shuffle your hips backwards that he realizes you’ve been waiting so patiently for him.

He snaps his hips against yours, the head of his cock barreling so deep inside of you so quickly that it almost hurts. “Sorry, pretty girl,” he pants, “didn’t mean to make you wait.”

You try to tell him that it’s okay but you’re silenced with another hard thrust. You cry out his name into your arm, your teeth grazing at your skin in your attempt to be quiet. Dick grabs the other side of your waist, using his hands to push and pull you as he pleases.

You fall further against the desk, your body lazily resting against it while Dick’s hips snap into yours repeatedly. The room is filled with the sound of skin on skin, a chorus of your combined moans filling the empty space between thrusts. Each shift of his hips, each prod of his cock, only spurs you further along.

You squeeze your eyes shut, completely focused on his cock battering its way through your walls. You’re only vaguely aware of Dick talking to you, his praise sounding incoherent beneath the rush of blood to your ears. Your pussy flutters around him, his cock scraping your cervix with every thrust.

He thrusts particularly hard into you, his cock jamming hard into the very edge of your walls, forcing a loud cry from you. It aches as much as it pleases, and without thinking, you’re suddenly crawling forward across your desk. Dick tightens his grip on you before you can get very far, tugging you back hard against him and slamming your pussy down on his cock.

You nearly squeal from the pleasure, tears forming in the corners of your eyes. That familiar heat builds inside of you once more, spilling over more and more with each intense thrust.

“You’re taking me so well,” he coos. “So tight—god, it’s like your pussy was made for me. Fuck.”

His lewd words add to that growing knot inside of you and suddenly you’re coming undone in his arms. Everything is too hot, too much, too loud. Tears spill from your eyes and you’re barely aware of the half sobs, half moans you let out through your orgasm.

“That’s right, let it all out. Good girl, cumming around my cock like that.”

Dick holds you steady the whole time you cum, thrusts growing sloppy as your pussy sucks him in and tries to keep him inside of you forever. He’s almost as breathless as you while he watches you cum and the way your pussy seizes around him is enough to have him tumbling over the edge after you.

He wraps both arms around your waist, pulling your hips flush to his, before he lets the both of you fall back into the chair behind him. Your new position forces his cock deeper inside of you—as deep as it can go—and then he’s cumming inside of you.

You can barely feel the hot ropes of cum he spills inside of you while you come down from your own high. Your thighs shake where they rest over his and you’re grateful for him holding you.

Dick lets his forehead rest in the crook of your neck, his sweaty hair wetting your t-shirt. Even after he’s done cumming, he holds you tightly against him, the two of you panting in sync.

It’s nearly five minutes later when you can finally bring yourself to speak, your hoarse voice evidence of the pounding you’ve just taken. “I take it you saw my browsing history?” are the first words out of your mouth.

Dick laughs, his voice gravelly and deep and sexy. “Yeah,” he says, kissing your cheek. “I did.”

You awkwardly turn in his lap, twitching at the way it adjusts his half-hard cock inside of you. You look up at his eyes, the blue finally starting to seep back in through the dark. He cups your face, his hand sweaty, and pulls you in for another kiss.

When you pull away, you can’t help but ask, “so, what now?”

“First, I think I should show you how to use Incognito Mode.”

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#dick Grayson #dick Grayson x reader #dick grayson x you #dick grayson smut #nightwing #nightwing x reader #nightwing x you #nightwing smut #x reader #x you #batfam x reader #👽 anon #alien anon #froggi after dark #froggi requests

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bluecrocss · 8 months ago

Text

Yes. You are racist. (Buckle up, this is gonna be a long one)

So approximately half a year since the premier of the Disney+ Percy Jackson show, and almost two years since the announcement of the Trio's casting, I would like to take this moment to look back at the insane, racist and anti-black backlash that was launched at Leah Sava Jeffries and a few other cast members from the PJO fandom.

I'm not concerned with the trolls who are openly racist, who resorted to racist slurs and outright threats, everyone agrees that they "took it too far". I want to talk about the rest of you, the "I'm not racist, but.." people, the "What's wrong with wanting book accuracy?" people. Just to let you know, for the unasked question... yes, yes you are.

I've noticed the Percy Jackson fandom has been lording some weird superiority complex over a certain *unnamed* fandom that has fallen out of grace due to their recently outed bigot of an author. But honestly, y'all are not much different. The amount of vitriol and anti-blackness I have seen from this fandom (beyond just bullying a 12 year old girl), y'all don't have a leg to stand on.

Below is a breakdown of the most common arguments I have seen used to justify y'alls absolutely insane bigotry. I am going to explain why none of these justify the amount of anger and vitriol y'all have sent towards Leah, Rick or any of the cast.

I am not here to argue, and this is not a democracy. I am giving you a chance for some self-reflection and to understand that this pattern of violence directed towards POC actors (mostly black women) has never been justified in the name of "book accuracy"/"comic book accuracy"/"ending forced diversity" or whatever other excuses y'all try to make up.

If you still try to justify or argue further for any of these points, I will just block you. I am not coddling you through your racism. If anyone has seen any other dumb arguments floating around that I might've missed, feel free to sound off in the comments.

She's not book accurate:

Neither is Percy, Luke, Grover, Dionysus, Poseidon, and just about every other named character.

Rick already made it clear that physical features were not the priority with casting, rather it was actors that embodied the role. So why are the biggest complaints about Annabeth and Zeus? 🤔

What? You're gonna say everyone else got backlash too? I see you trying to obscure the main issue by playing dumb 😉

See my friend, yes, there were one or two comments about how Percy's hair should be black or how Luke is supposed to be blonde, but as soon as Leah was cast, none of those actors got any significant backlash. In fact, Walker and Charlie literally have an army of fan girls at their beck and call, calling them the perfect Percy and Luke, despite neither being "Book accurate". But then again, have we not observed the pattern of White boy of the month vs WOC to hate for the year? (Yes, I know Charlie isn't white. Further adds to the irony, doesn't it).

Why include character descriptions if you won't stay true to them, you cry? Well, my dear sweet moron, see, books and TV are two different mediums. Because in literature, you can't *Literally* SEE the characters, the author has to add descriptions to paint a picture in your mind, in TV... that's not an issue. So unless the character's appearance is necessary to the plot (like Luke's scar, or Nico being Italian) the show runners can actually focus on more important things.. Like ACTING and PERSONALITY.

2. It's just not how I imagined her:

News flash, babe! ANNABETH ISN'T REAL. None of these character are. They are concepts that originated from the brain of Mr. Rick Riordan. It doesn't matter how YOU imagined her. There are millions of people who read these books that imagined her several different ways. When the creator of the character watched Leah's audition and said, 'Yes! She embodies the character I created!", your imagined version of Annabeth ceased to matter. And guess what? The books still exist... they have not been burned. Your version of Annabeth has not disappeared. Go read the books.

3. Zeus can't be black/Gods have to be Greek/*Insert Character* can't be black:

Y'all did not read the books, I swear. You have to be fake fans looking to troll atp.

The gods move based off the center of western civilization. They change their forms/environment to reflect the culture they are occupying (they did it with Rome, now they're doing it with America). The gods change forms all the time. How we see them is not their true form as a mortal would disintegrate if they were to see their true form.

America is a cultural melting pot (specifically NY where Mount Olympus is now based). If the god's choose forms that reflect the current society they inhabit, they could literally be any race (keep in mind NYC is only 33% white).

All of this is literally SPELLED OUT in the Lightning Thief.

Furthermore, if you're going to push the ethnically Greek thing... Poseidon is British with a British accent and Hermes is Latino. The only ethnically Greek actor is Dionysus (who still doesn't look book accurate). Y'all are sounding like some white supremacists because do you forget that race is a social construct?

Before the advent of the transatlantic slave trade, I can promise you that the Greeks and the Anglo-Saxons did NOT view themselves as the same people. Why are y'all not taking issue with Poseidon's actor then?

Also, Percy Jackson has canonically had a slew of explicitly black demigods since the second book (including Harriet Tubman, which I have mixed feelings about 😭), so I genuinely have no idea where some of y'all are going with this point.

4. She was our smart blonde representation:

Don't pmo. I swear to God!

White, blonde women have NEVER been excluded from Hollywood. Representation is not something you lacked. The dumb blonde stereotype was a simple branch off of a larger misogynistic "dumb woman" stereotype. It has not truly been relevant since the mid 2000s outside of childish jokes.

This iteration of Percy Jackson will probably not go beyond the first 5 books, based off pacing and the age of the actors. So here's a fun game: 5 bucks to the first person who can find me a quote in the first 5 Percy Jackson books, where Annabeth laments her insecurities about being blonde (hint: there aren't any).

Also, her blonde hair does not hold her back at Camp because she is head of the Athena Cabin who are highly respected (and guess what?), ARE ALL BLONDE!

Her insecurities about her hair color are two or three lines at most in the later books, not this fundamental, core part of her character y'all all of a sudden wanna pretend it was. And guess what, as a non-blonde black girl, I was able to read those scenes of Annabeth feeling undervalued because of her looks and relate to her even if she didn't look like me at the time.

Why all of a sudden can y'all not do that with a black Annabeth? By every metric black girls are undervalued for their intelligence in academia more than white girls are, regardless of hair color. So your little representation of a woman undervalued by her looks would still hold. Do y'all dehumanize black women so much, that you are incapable of empathizing with show!Annabeth's plight in the way I could with Book!Annabeth simply because she doesn't look exactly like you?

Your issue isn't that she isn't blonde, it's that she is NOT WHITE.

Furthermore, Becky Riordan had tweeted previously (before the show was even cast) that Annabeth never needed to be blonde (probably recalling the BS y'all put Alexandra Daddario through), so even if they cast a white Annabeth, the blonde hair was never a guarantee. the author and producers all agree that it was not a significant part of her character. It's been a non-issue since day one.

Also, stop acting like smart blondes are rare in media... If you don't go watch some Legally blonde, Iron Man (Pepper Potts), Zack and Cody (Maddie), Liv and Maddie, FMAB (Winry), Captain Marvel, She-Ra, Buffy, The boys (starlight) etc. etc., and go sit down somewhere 🙄🙄🙄 (those were literally all things I've watched recently, off the top of my head, btw 💀)

5. It's not about race, but...:

Yes it is. It was always bout race. No other actors got as much hate as Leah. Her grandmother and other family members on IG had to mute their comments because they were getting so many threats.

Alexandra Daddario had to come to her defense on Twitter. Rick had to put out an official statement on his website. This girl has endured years of psychological torment for simply having the best audition. No one else is book accurate, no one else is ethnically Greek (except Jason Mantzoukas). Walker literally has British and German ancestry.

Why was she being called racial slurs on reddit and in youtube comments?

I know what you're gonna say, "I actually had problems with the entire cast", "I actually had a bigger issue with Walker's hair color", blah blah blah. Then why aren't you in Walker's comment sections? Why are you only making your displeasure known on posts defending/advocating for Leah? Why is she always your first example of 'wrong casting"?

Well, she "looks the most different"... Look up the term "scapegoating".

"Oh, I don't agree with the harassment. I just don't like the casting." Guess what? She's already been cast. They are not going to uncast her. What do you get out of still complaining about it.

All the vitriol you're stirring about her when you complain about her on Social media, it is directing people to send her hate, even if you're not writing it directly. It's is not enough to "not agree" with the racism, it is your duty to actively prevent it. And btw, these are young gen z actors, they are active on social media. They see the edits of themselves (even comment on it) and they most likely see these little "harmless" complaints you're posting. Are your upset feelings really worth contributing to the racist dogpile on this poor girl?

6. Why couldn't they atleast give her blonde braids?:

Why should they? Y'all wanted blonde because of the "dumb blonde" trope... that doesn't apply to POC.

A blonde black girl is gonna be viewed the same as a non-blonde black girl (or at worst, someone might decide she's "ratchet" or some shit for wearing colored hair). What difference would it make?

Why shouldn't Walker dye his hair, then?

7. Annabeth has Gray eyes:

Less than 3% of the global population has "gray eyes". Even if they cast a white actor, they would've needed contacts. Her being black is not the reason Annabeth's eyes aren't gray. Simply put, it is a plot element they removed, like the whole "names have power" element, or Ares having flames for eyes, or Dionysus using his powers to grow strawberries at Camp.

That's how adaptations work. Unnecessary plot elements are cut to save time and budget. This has nothing to do with her casting. They probably also didn't want to make child actors wear contacts (not a new practice).

8. Even if Rick chose her, he was wrong/Disney is forcing him to be okay with it:

Where do I start? Rick created the character. He can't be wrong. Do y'all have no self-awareness? Death of the author has no place here, because y'all are hung up on an aspect of the character that is not relevant to her arc or development.

Y'all's justification for wanting a "book accurate" Annabeth is that she was such an inspirational and important character growing up, and yet your behavior is so in conflict with the character you claim means so much to you. You're narrow minded, dismissive of bigotry and injustice, and disrespectful to the wishes of the creator of your favorite character; everything that Annabeth would never be. Y'all were never genuine fans of the books. You're bigots that needed an outlet for your rage.

Keep in mind, Rick has said countless times that PercaBeth directly mirrors his relationship with his wife. Y'all think he would have allowed them to cast someone who doesn't live up to the woman who has been by his side for decades? The mother of his children?

Regarding Disney forcing him, show me one piece of direct evidence that proves Disney in anyway pressured Rick to cast her. Cuz if you can't, that's baseless speculation. And if you have to resort to baseless speculation, maybe try to examine why it's so important to you to hold on to this belief.

9. So, I'm racist because I hate "race swapping"?:

To start, there is a difference between "race swapping" and "color blind casting". Often times, when y'all complain about the former, you're actually mad about the latter.

It would be "race swapping" if Rick and the team decided ahead of time that they wanted a black Annabeth and ONLY allowed black actors to audition. But the actual reality was that they accepted auditions from everyone (there were white actors and non-black poc that also auditioned for the role) and chose the best person who embodied the role. They didn't "make Annabeth black" and they didn't "make Zeus black", they cast black actors for those roles.

Y'all think you're being slick with your wording. Dismissing that is implying that they did not earn their roles fair and square. Which is racist. It's the equivalent of going up to a black college student and telling them they only got in because of affirmative action. You're dismissing the achievements of a person solely because of their racial background.

For all you people complaining about "unfairness" and "forced diversity", I would think hiring based on merit would appeal to you 🤔

71% of theatrical Hollywood leads were white in 2024 in comparison to 29% POC and you still think "black washing" is a thing? You still get this angry over a black person fairly earning a role because you think in a time where Hollywood only knows to do remakes and adaptations, that the majority of lead roles still *have* to be reserved for white actors?

Once again, white people have never been excluded from Hollywood for being white. Representation has never been something you lacked nor is it something you can lose. Your anger comes from seeing a black face where you think they don't belong. Because you feel you are owed a disproportion of representation in Hollywood.

10. Woke agenda/DEI/Forced Diversity:

If you are unironically using any of these terms in a negative light, it's already too late for me to reason with you. Look up the term "dog whistle". If you are sharing the same terminology with Elon Musk and his fanboys, maybe reevaluate some things.

POC are objectively underrepresented and have been historically excluded through actual laws and policies in Hollywood. There is no such thing as "forced diversity", you have bought in to a right wing conspiracy theory.

"Woke" is a term that was intentionally appropriated from the black community. It originally meant being aware of injustice and systematic threats to the community and is now being weaponized by bigots. Good job.

Diversity and inclusion is a good thing.

11. But POC deserve to have their own stories told:

We do. And we have been fighting for it for over a century now, and we've made great strides, no thanks to y'all.

No thanks to y'all gaslighting us about how little representation we get or that representation matters at all. No thanks to y'all pushing the idea that POC can't sell globally and obscuring POC actors in international promos. No thanks to y'all continuing to whitewash even to this day (Bullet train, the beguiled, gods of Egypt, atla, every portrayal of Jesus ever, etc.). No thanks to y'all calling every piece of media that has more than one black lead and more than one queer couple "woke". No thanks to y'all throwing a fit every time a black person in a fantasy setting isn't a slave.

Fact of the matter is, y'all never cared about POC "getting their own stories", you're only parroting our own words back to us now as a politically correct way of saying, "leave white roles alone" lmao

Well fun fact, actors of color getting opportunities to play lead roles and allowing poc to "tell their own stories" are not mutually exclusive. If y'all cared that much, instead of bullying a 12 year old actress, you could actually support up and coming independent POC writers, directors, and studios 😱

12. Studios need to stop "setting up" actors of color:

Do me a favor and google the term DARVO.

Your racism is not the fault of the studios for giving a POC actor a role that they earned. It is not up to the rest of society to tiptoe around racists to avoid their vitriol. It is our responsibility to hold them accountable and protect minorities from unwarranted hate. At most, you can say it's the responsibility of the studios to provide adequate support to POC actors who face this backlash.

At the end of the day, Hollywood only allows very few spots for POC actors (especially WOC), while simultaneously pushing a new white boy every month to put in everything. Putting minorities in these roles that are usually closed to them, usually opens the door to more actors of color than before.

Brandy being cast as Cinderella did a lot to push her into the mainstream (yes, she was already extremely famous in the black community atp), Halle Berry being the first, black, bond girl literally shot her to icon status, and even going as far back to what Anna Mae Wong did for Asian American actresses with her "femme fatale" roles.

At the end of the day, even with the backlash, *some* rep does more good for POC actors than *no* rep. The solution to racist backlash isn't to take away those opportunities, but rather to not be racist??? 🙄

Also, for everyone that claims that "POC race-swapping" is just as bad as "white-washing", despite white washing having a longer history and objectively causing more harm, note how the backlash to white washing never lasts as long as the harassment that POC get.

Like, no one brings up Scarlett Johansson's ghost in the shell role anymore, but you can best believe Candace Patton is still fending off racist trolls. As much as people hated the atla movie, people moved on quick from Nicola Peltz playing Katara since she was just a kid that accepted the role (re: daddy bought her the role), but y'all would not have any of that consideration for Leah Sava Jeffries.

But I digress...

13. What if we made Tiana white? Wakanda white? Hazel white...:

Ah, my favorite inane point. I was so excited to get here :)

See, I could start out by pointing out how "White washing" and casting a POC actor as a traditionally white character are not equivalent.

I could point out the history of hollywood ACTIVELY excluding POC actors and POC stories. I could point out how grossly over represented white people are in hollywood. I could point out that POC characters are so few in comparison that whitewashing them causes actual harm, where white people have never lacked rep.

I could point out how, because poc characters and stories are so often tokenized that their racial/cultural background is often directly tied to their character's identity, in opposition to a lot of white characters, since hollywood treats white as the "Default".

See, I could make all those points, but the thing is, the people who make this argument already know all that. They are trying to waste time by drawing me into a pointless circular argument that will sum up to "fair is fair", while ignoring all the context and nuance I previously provided.

So you know what? Forget it. Let me play your game.

I am actually fine with a white Tiana. Would it make sense, for her and her family to experience Jim Crow era racism, in the south while white? No. But we can look past it. Disney was never known for historical accuracy anyway 🤷🏿‍♀️

However, in exchange, the live action frozen will have a black Elsa and Anna, live action Rapunzel will be black, live action Merida will be black, we're re-filming Cinderella and Beauty and the beast to cast a black belle and Cindy, snow white will need to be recast as black, and we also get aurora whenever the live action sleeping beauty is announced. But then y'all can keep Tiana, deal?

You want a white T'Challa? Fine! (I'm partial to Ryan gosling), in the meantime, we'll be recasting Iron man, Captain America (Steve version), Bruce banner, Thor, Loki, hawk eye, black widow, ant man, captain marvel, Bucky, Peter Parker etc. All the avengers and their side characters, then y'all can have Sam Wilson, war machine and the whole of Wakanda (will it make sense that a sole, hidden, African nation is randomly made up of white people? Who cares? We get the avengers!).

You want white Hazel? You got her! I hope you have no problem with us taking Percy, Nico, Will, Poseidon, Jason, calypso, Rachel, Tyson, Silena, the stoll brothers, Sally Jackson, Hades, Hepheastus, ares, etc. But y'all can have Hazel and Beckendorf.

If we're gonna do this, let's commit all the way. Fair is fair, after all.

14. Leah isn't as "pretty" as Book Annabeth/Movie Annabeth:

I wish I could say this wasn't a genuine point I had read, but when all else fails, they will always go for a woman's appearance.

Now first of all, as a rule, I will never hold black women to white beauty standards. Our hair will never be long and silky enough, our nose will never be narrow enough, our skin will never be fair enough and our eyes will never be light enough (Might I recommend Toni Morrison, when you get the chance?). But Leah is unfairly gorgeous idc what any of you say, and you're not gonna have me use my defense of Leah as an opportunity to bash Alexandra either because she is also beautiful. These two queens slayed to the best of their abilities within this toxic ass fandom.

I find it funny, however, that so many of you harped on the "blonde" issue because you thought it was important that Annabeth be seen beyond just her looks, but quickly devolve to bashing an actress's looks when it comes to why she's not right for this role 🤔

I would also like to sincerely apologize that the 13 year old girl they cast in the show, wasn't as sexually attractive to you as the 24 year old woman they cast in the movie and sexualized through like 25% of her screen time (I'm actually not sorry. You're very weird if this is an actual point for you).

15. I don't agree with sending hate to the actor, but she's just not right for the role:

Once again, what are you doing by complaining about her casting on no other basis than her race?

The creator of the character said she embodied the role. She has already been cast, and Disney would be in a legal/production hell to recast her atp. Just because you're not directly leaving comments on her social media doesn't mean you're not part of the hate mob.

No matter how you look at it, your issues with her casting come from a very entitled and narrow-minded place. When you join in on these dialogues you are bolstering a sentiment that pushes more people to harass this teenage girl. When you leave these "harmless" complaints, on show content, fan posts or posts defending her, she's liable to read them because the cast regularly interact with fans online.

What do you have to say that is so important that it trumps protecting a young girl from the long-staying trauma of racism, of being told she doesn't deserve something she worked for because of how she was born?

16. I can't even criticize the show without being called racist:

Get. Over. Yourself.

Y'all are not the victim. Have fans of the show gotten protective of Leah and the young cast? Yes.

With good reason. This fandom is unbearably toxic.

Racism outweighs your need for a "perfect adaptation", sorry.

If you explain yourself properly and keep your critiques fair (like, even I don't think this was a perfect season, and will be sharing my thoughts shortly), no one is gonna call you racist.

You're preempting with that because in all honesty, you're probably planning to use your "critiques" of the show to pivot to one of the many points that I just outlined, and you want to pre-empt the criticism.

If a black Annabeth is the end all be all for you, just don't watch the show, no one's holding a gun to your head. Geez.

17. I'm Black/POC and I don't agree...:

Hey, Candace Owens... No one gives a shit.

First of all, for all the "I'm POC and I don't agree" people, you don't speak for us. Anti-blackness is rampant in just about every culture globally. You being not-white doesn't somehow make you less prone to hating black people.

But for the "I'm black and I don't agree" leftovers (assuming you're not just a 👩🏼‍💻 behind a keyboard). Black people are not a monolith. You're not obligated to think a certain way because you're black.

But consider why you're putting yourself up as a barrier to protect this hate mob. It's one thing to just state why you don't like Leah's casting, but to start off your spiel with "I'm actually black" as a way to weaponize the very identity politics you're critiquing... very strange. Not to mention, what are you defending?

The black community is coming together to defend one of our own, a kid who has been receiving death threats since she was 12, and this is when you feel the need to back the opposition?

I mean whatever... sometimes the house slaves would snitch to the master. There will always be some of y'all in the woodwork. It is what it is.

But when the exact ideology you defend is turned against you, when a Baltimore elected official is being accused of getting his job through "DEI", when conservatives are claiming that they wouldn't "trust a black pilot", don't decide that's where you'll finally draw your line in the sand.

All that being said, This is my Annabeth:

May every tongue that rose against Leah Sava Jeffries Shrivel and die in 2025 🙏🏿 My girl will keep winning ❤️

(video by @/waleahhasmyheart on TikTok)

#percy jackson #percy jackon and the olympians #pjo #percabeth #disney+#pjverse #pjo tv show #percy jackson fandom #rick riordan #riordanverse #leah sava jeffries #leah jeffries #walker scobell #camp half blood #pjo series #disney percy jackson #annabeth chase #mine

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celaenaeiln · 1 year ago

Text

I literally can't take it anymore. I need to get this out of my system. This is a hate-rant about why almost every single thing Tom Taylor has written is wrong.

First and foremost is the bimbofication of Dick Grayson. Tom Taylor loves to write him like this idiot who doesn't think at all. Being cheerful does not mean being dumb.

Nightwing (2016) Issue #79

"You seem unusually contemplative"? All Dick does is contemplate!

Nightwing (1996) Issue #3

His mind is always running!

Nightwing (2011) Issue #13

Nightwing (2016) Issue #38

I just picked a random issue from all of these comics and in every single one of these, Dick's planning, thinking, and strategising constantly.

Tom Taylor literally treats him like he's stupid or something.

Also the degradation of his abilities

Nightwing (2016) Issue #79

A vigilante for 20 years. Who has faced assassins, hitmen, psychos, surprise attacks, metas, and you're telling me he didn't know that a untrained kid snuck up and stole from him?

He forgot who he was, he didn't forget where he lived! Even when he was Ric Grayson, Dick had procedural memory. His battle instincts stayed with him.

Nightwing (2016) Issue #52

"Then...I didn't even know what I was doing. I took him down--took him apart in seconds."

This man is a vigilante machine when he was amnesic. Why the heck would Dick ever let his guard down?

His robin reference

Nightwing (2016) Issue #92

Even Bruce in Batman: Hush has said it-Dick was the best. His skills were the best of anyone he's witnessed which is one of the reasons why Bruce let him be Robin in the first place.

This scene is so wrong that there's a robin scene that came out before this in direct opposition of this Tom Taylor Shitshow.

Robin & Batman Issue #1

This was actually pre-robin. Bruce had him do a solo-trial run to see his skill before he made him Robin and this was the result. Compare that to Tom Taylor's scene and the result is humiliating. For Taylor.

Tom Taylor's version of trying to show that Dick loves the people comes off as him hating crime-fighting. RIP the whole Robin firing drama and Nightwing birth i guess.

Nightwing (2016) Issue #79

"We could have avoided all of this if we'd just stayed in and eaten kibble."

Nightwing (1996) Issue #3

Dick would rather die than stop crime-fighting. After Blockbuster's first attempt, his life was hanging on by a thread and he still continued crime fighting.

Nightwing (1996) Issue #91

After Blockbuster blew up his apartment, this is the single-minded determination Dick had to continue crime-fighting. This is him at one of the worst lows of his life but he refused to give up but now? He has everything and Dick wants to ignore the murder of a child to stay inside and eat kibble which - what the heck? I know he's seen as a happy character but him finding dog-food desirable is too far!

Also the idiocy of which Tom Taylor had Barbara calling the cops in Bludhaven for a stolen wallet. Newsflash! This isn't her first rodeo here.

Nightwing (2016) Issue #81

Nightwing (2016) Issue #24

Nightwing (2011) Issue #23

Given how Dick's easily defeated enhanced metas and "very good" fighters, him falling down the stairs is a little to absolutely impossible to believe.

Another thing I love about Dick that Tom Taylor deciminates is his grace. Dick is the most graceful person in DC. His balance easily matches Selina's enhanced cat powers.

But yet. You have.

Nightwing (2016) Issue #83

Nightwing (2011) Issue #23

yeah. okay.

Taylor's motorbike scenes of Dick make me so mad. The boy is a pro at crazy. It's one of his best traits because he does the wildest stunts and he pulls it off.

Nightwing (2016) Issue #93

Nightwing (1996) Issue #86

He lands on his feet. He grabbed a villain mid-air, crashed into a window, and was perfectly fine. Actually no, he's not fine because he's worried about his bike's paint job.

Nightwing (2011) Issue #24

He just sailed over a whole crowd of people and started kicking butt like what he just did wasn't extraordinary - which for him is just another tuesday.

Nightwing (2016) Issue #95

yeah, tell 'er Dick.

He doesn't need someone to hold his bike.

One of the worst things in Taylor's run is how Blockbuster went down. It suddenly reminded me of Selina's stupid ideology which is why I think I got so ticked off.

Nightwing (2016) Issue #96

Blockbusters' thugs loyalty to him isn't a make it or break it deal. He's one of strongest criminal organisations and the knowledge that he owns one of the worst prisons that he could easily put his underlings into would've instilled fear into his thugs, not freedom. Furthermore Blockbuster takes good care of his people that don't piss him off. He teamed up with Nightwing in the scarecrow era in Nightwing (2016) because someone was messing with his people. He's extremely intelligent and superstrong, and he's not just going to be brought down by the knowledge that he owns a prison. It's Bludhaven. If he didn't, then there would be something suspicious given that he runs the city. It's the way Taylor dumbs down Bludhaven's villains that gets to me. Imagine him writing Batman (2016). It's like saying, "yeah the Joker was just a little misguided but he found the right way again after a stern talking to by Batman."

Nightwing is a big name.

When Dick first came to Bludhaven, one of the police officers was like we don't want your crazy here or something. Also Bludhaven loves Nightwing. They want him.

So why is everyone pretending like they don't know who he is?

Nightwing (2016) Issue #90

The police, the citizens, the villains-all of them. Dick fought Brutale and beat the crap out of him way back in 1996 comic. He's a Bludhaven regular. Just because Dick forgot who he was doesn't mean anyone else forgot him. Amnesia doesn't work that way.

Nightwing (2016) Issue #54

A whole team of Nightwings were formed during Dick's amnesic period because of how badly he was needed and missed. It's almost like the Tom Taylor run is set in an alternate universe.

I ran out of image space but what the absolute fiddlesticks is up with Dick being scared to jump. It better be a manipulation tactic but at this point I think Tom Taylor doesn't even know that Dick is manipulative.

#dick grayson #nightwing #barbara gordon #batgirl #blockbuster #ric grayson #bludhaven #tom taylor #when's the next writer coming in

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tesscourtes · 6 months ago

Note

saw you had asks open, not a drawing request but wanted to know if there was any more story to your human bill’s punishment-for-weirdmageddon-is-to-turn-weak-human au, I really like it (sorry if you explained this a while back, I only just watched gravity falls😭I’m a late-comer to the fandom)

it’s just superepiccool to me, how are dipper and mabel about him being human now? Soos n Wendy, Stan and Ford? What was it like for them (especially Ford) when he just turned human? What was it like for Bill?

oh hey don't worry, I haven't really talked much about the details of the AU like ... ever. I just started reviving it because I got my partner into the show (they are also a new fan! yay, new fans! Funny enough I had no idea TBOB was coming out so the timing was mad exquisite.) and they have just been an amazing help shaping my messy thoughts and coming up with new, fun plots! It's also nice to know there's someone out there interested in it, so thank's for asking! Now that I read TBOB I want to change the premise a bit, but the core is still the same.

Let me tell you this AU is silly. I'm aware Billford is toxic and there are many corners to dive into to picture their messy relationship. But I kinda wanna keep the spirit of the show here and make it equally as fun as it is disturbing. Given that Bill canonically is trapped in endless Therapy gives me even more food to work with, he just out there being toxic and people repeatedly telling him to cut it out.

I'm not gonna go into too much detail because I'm actually working on the first comic chapter for this AU, but regarding the characters: Each of the Pines, as well as Wendy and Soos, are not happy seeing him, but individually grow more accustomed to him and with him. I guess going from "most accepting" to "least accepting", Mabel took it the best. I wouldn't say she was quick to forgive, but quick enough to give the guy a chance. And I honestly have to say that, although this is 100% a Billford AU, there's so many plot ideas for just Mabel and Bill and their amazing, chaotic shenanigans. Put these two together and the stories basically write themselves. Wendy is pretty similar, and the most chill in actually helping Bill figure out human stuff.

Naturally, Ford took it the hardest. I'm aiming for slowburn here, haha. They got to figure out some stuff that I'm so ready to put onto pages... Ford is a lot of emotions. Confused, angered, curious... Meanwhile Stan is Bills biggest hater. (There is a lot of bullying in this AU) He just keeps up with it because his Family makes him. He's very protective and tries to kick Bill out several times. Soos sticks with Stan, but he's also Soos and has a big heart, so in Bills eye, he's very gullible and a target he can mess with easily.

Dipper is not a fan either, he has a hard time adjusting to the triangle just getting to ... be there. He's suspicious for the most part and Bill has to try hard to get on his good side. But honestly he might be more upset with Mabel (and later on Wendy) for making friends with Bill so easily, even though he knows that's just their nature. I just recently started thinking about Gideon and how I'd like to include him, but nothing worth mentioning so far yet.

With Bill himself, one my favorite parts trying to portray so far is how he's dealing with his new mortality. He adjusts to the body fine, he knows how to navigate flesh, but he has a hard time accepting that it's his body. His new prison, essentially. If it's gone, he's gone. If he treat's it like shit, he feels like shit. Then we add the psychological aspect of things. And more importantly, we add Ford to the equation. When I tell you, that demon is experiencing psychological damage here, and it's fully his fault. TBOB really pointed out to me that I need to dive into his obsession with Ford. How do you even get a man you fumbled so bad, to even acknowledge you again?

I love yapping about this AU, thanks again for giving me the grounds to do so anon! I'm an insecure writer so it'll probably take another hot minute to choose which script feels best to draw out, haha. But I'm glad you seem to be up for the ride!!

#tess chatting it up #yapping about the human bill AU #also one of my biggest struggles: how to name a story #after 10 years i still have no idea #anyways (twirls my hair) omg i get to yap about my silly AU teehee #billford #bill cipher #human bill cipher #gravity falls #adfadt #a different form a different time au

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hyperfocusthusly · 4 days ago

Text

Lifelines

——-

Part one | Part two | A03

——-

They do work it out. Tommy apologises for running, Buck apologises for jumping and they both agree to take it slow this time.

Evan comes round for movie nights while Tommy works up the courage to take Chimney up on his offer of babysitting.

They sit, pressed against each other, Evan reeling off every piece of trivia about the film they’re watching. He tells Evan about Ava, how she’s starting to stand up and move around the furniture. How one day he had been making her breakfast, he’d turned around and she wasn’t there anymore. He knew both the doors were shut but it didn’t stop it feeling like his heart was about to come out of his chest. Until he heard a tiny giggle come out from under one of the chairs. She had wedged herself into the square created by the chair legs and was sat, perfectly still, two little hands covering her face. When he crouched down to gently ask what it was she was doing, she had pulled her hands away and shouted with the kind of pure joy Tommy didn’t think he’d ever seen before.

“She sounds very funny.”

“She certainly thinks so, I’m not sure my cardiologist would agree.”

——-

Tommy is still stood in the hallway.

There’s nothing else to do. He had given Howie the official tour, showed him Ava’s bottles, formula, where the extra diapers and pacifiers were kept.

He just had to leave.

He took a deep breath and glanced at where Ava and Howie were sat on the floor of the living room. Ava was banging two blocks slightly dangerously close to Howie’s nose and laughing at his mock shock. Howie pushes himself up off the floor and walks over to him. He puts his hand on Tommy’s shoulder and smiles gently.

“She’s going to be okay.”

“I know.”

“You are going to be okay.”

Tommy chews on his lip. He’s less certain about that. His eyes flick over to the door. It’s just dinner, a couple of hours. He’s coming home.

I wonder if they thought the same thing?

He pushes the thought away immediately, and goes into the living room. He scoops Ava up and presses a kiss to her forehead.

“I promise I’m coming back, you’re going to have a great time with Uncle Howie, okay?”

She squeaks, seemingly in agreement and makes a ‘mwah’ smacking sound, tipping forward and crashing, open mouthed, straight into his face. He laughs and kisses her cheek. He puts her back down on the floor and offers her a block, she takes it and goes back to trying to find the most interesting combination of things to bash together.

He takes another deep breath and goes to the front door. Howie gives him a comical thumbs up as he opens the door.

Evan is practically bouncing by the time Tommy finally steps out of the door. They’ve chosen a restaurant a few blocks away from Tommy’s house. It isn’t the nicest place but Buck knows how tense Tommy was about being anywhere too far from home.

It also means they get to enjoy a warm evening walk, hands linked, the light autumn breeze ruffling through their hair.

“So you going to tell me why you look like you’re about to explode? Or should I just start taking guesses until the bomb squad gets called?”

Evan blushes, tips his head back and laughs.

“Bet you’d look good, even in a bomb suit.” He playfully bumps against Tommy’s shoulder.

“Maddie had her first scan today, everything is going well. I always think they look super weird when they’re that small, like little beans y’know?”

Tommy did know.

Tommy knows because there is one of those pictures in the top drawer of his dresser at home. A little note attached, achingly familiar handwriting printing out his status as favoured Uncle.

It twists in his gut and he can feel the bile rising in his throat. He instinctively presses it down, tries to disguise the burning in his throat with a cough. Evan looks at him, bright and piercing.

“You okay?”

“Yeah, yeah I’m fine, that’s, it’s really great news.”

——-

They reach the restaurant and get seated.

Buck is busy catching Tommy up with some of the more note worthy calls they’d had in the last few months.

He reaches across the table and prise Tommy’s hand away from the napkin he’s currently shredding, linking their fingers together. He squeezes gently.

“She’s going to be okay, Chim is like a master with babies.”

Tommy smiles faintly, he had received a picture of Ava fast asleep in her crib with Howie leaning over her, big smile, thumbs up and a ‘she’s been great, enjoy your date!’ messaged attached.

“I know, I’m sorry, it’s just- it’s the first time I’ve left her.”

“We can go back if you need to, I know she’s important.”

“You’re important too.”

Tommy doesn’t miss the faint blush that creeps across Evan’s cheeks. Smiles at him.

“Now what were you saying? You can’t leave me hanging with a kitten stuck in an air vent story.”

Evan grins, it lights up his whole face. Tommy feels the knot of pressure in his chest ease slightly.

The rest of the date passes easily and before he knows it he’s stood in Ava’s room, softly stroking her cheek while she sleeps.

He and Evan had said goodnight with a kiss and a promise to see each other again later that week.

He pulls up her little blanket and whispers

“I think it might work this time.”

——-

They met at Tommy’s house later in the week, as promised, but Evan has been quieter this evening. Dinner passes with a bare description of his day, no regaling of the random facts he’d learnt since the last time they’d seen each other. Tommy recalls his small late night confession. It starts to make him feel sick. They wash up in near silence.

Tommy dries his hands as Evan loops the tea towel through the cabinet door. The silence starts to feel heavy.

“Is everything okay?”

Evan looks uneasy, shifting from foot to foot, fiddling with the cuff of his sleeve.

I- uhm - I don’t know how to-” his eyes are shining with unshed tears. “I want this Tommy, I really do, but-”

Tommy feels rooted to the floor. It’s happening again, only this time it’ll be Evan that walks out of the door.

“It’s been great, really, I just feel like something isn’t working.”

Tommy has to try to remember to breathe. He opens his mouth, closes it again. How could he have missed this?

“But- I thought-” he hears his voice catch. “I thought it was going well.”

Evan tilts his head, a sad smile on his face.

“It was, and I am, I really want to be with you, it’s just-”

He takes a deep breath, face resolute.

“You’re still hiding from me.”

Tommy takes a step back, stunned.

“I’m- I’m not-”

“Tommy, your sister died. In a freak accident a hundred miles away, months ago and you haven’t said a single word about it.”

He can feel his chest getting tight, breaths coming out shorter than he would like. He glances at the monitor on the side, prays for a disturbance, a snuffle. Anything to get him out from under Evan’s gaze.

He wants to run. Every thing in him is telling him to get away, it’s too much. He can’t admit how broken he feels. How much he loves the tiny face that looks just like hers, how much it hurts.

He knows this is it, this is the moment. Trust himself with Evan, or run.

He takes a step towards Evan, his shaking hand is moving forward. Reaching out.

His head feels like it’s full of lead, he lifts his eyes, dragging them away from his escape route. Focuses them in front of him.

Evan’s eyes are soft, full of the patience that usually makes Tommy feel uneasy. He feels hands wrapped around his own, pulling him closer. He lets himself go, finding his face pressed up against the side of Evan’s neck. He closes his eyes against the shiver that runs through his whole body.

“I miss her.” He whispers. “She was the only one I ever-” a stuttering breath forces its way out of his chest. “She was the only one I ever felt safe with.” He can’t stop it now, the grief crashes over him like a wave. He trembles in Evan’s embrace. The arms wrapping around him are the only things keeping him from collapsing under the weight of it.

“A-and she left me.” His voice is raw, ragged. “And I’m-” he falters, a sharp edge pulls through his mind, it’s too much, he won’t stay if you say it. “I’m angry with her.” He clenches his jaw. “She’s dead and I’m angry with her.”

He lets out a shaky breath. “She didn’t tell me about Ava, she didn’t ask, she just-” He feels Evan turn his head towards him, pressing a gentle kiss to his forehead. “She just left, and I- I want her back Evan, I miss her so much.”

“And I’m scared. If I-” he chokes. “That if I tell anyone how much I feel like I can’t do this, how terrified I am that I’m getting it all wrong…That someone will come and takes her away from me.”

“Nobody is going to take Ava.”

“She’s all I have left of her.”

“Nobody is going to take her away from you. Tommy,” He shuffles them slightly, guides them down the hallway and over to the couch. Pulls Tommy down, in close to his chest.

“It’s okay to feel like that. If Maddie and Chim-” he cuts himself off with a harsh swallow. “I think it’s a fairly normal response given the situation, but sweetheart,” he cradles Tommy’s face gently, rubs his thumb along Tommys cheekbone, trying to smooth away the fear embedded there. “If you don’t talk about, it’ll only ever get worse. You have to talk to us, trust that we aren’t going anywhere.”

“Okay.”

They sit there for a while as Tommy calms down. He feels exhausted from the sudden outpouring of emotion. His eyes feel heavy, just as he feel himself drifting off the monitor on the coffee table starts emitting high cries.

He sighs.

“Sorry.”

“It’s okay, you go, I’ll be right here when you get back.”

Tommy looks at him, so open and earnest. He offers a watery smile and starts to push himself off the couch. Evan catches him just before he stands, squeezes the hand balancing on his thigh.

“Thank you for telling me.”

Tommy nods, his throat still feels locked up.

Evan presses a quick kiss to his cheek and watches as he leaves the room.

He sits back on the couch and lets out a long breath. He wasn’t glad Tommy was upset, of course not, but he had chosen to let his guard down. He had chosen to stay.

Buck picks up the monitor and holds it close to his chest, listening to the gentle soothing. Tommy telling her that she is okay, she’s safe.

Maybe this time it will work.

Tag list for this fic;

@leashybebes @beanarie @partofthelouniverse @big-urchin-energy @loucifersbitch @fyrehose @evansbuck-ley @sad-girl-hours23 @certifiedbisexualdisaster @theweewooshow @beckym2001 @kinardevans @bidisasterevankinard

@sweaters-and-silly @apassingbird @sunnywithachanceofbi @theotherbuckley @desert--moonchild @comfortingevanbuckley @livelaughlou @typicalopposite @wikiangela @bi-bi-buckleys @littlepaws9 @ohithankyou

@agentpeggycartering @sherlockismarvelous9-1-1 @adiprose @eliotwaughdeservesbetter @honeyloulou @tommykinard @casismybestfriend @sherlocking-out-loud @o0anapher0o @sorryimlatecapt

@buffaluff @hipsterdarcy @slightlyobsessedwitheverything @that-one-dudette @aringofsalt @cliophilyra @bisexualmadney @reginamillls @zeraparker @harmonic-intervention @aplaceinme

@comfortingevanbuckley @thetommykinard @owlgirl495 @powersuitup

#helllllooooo!!!#thank you so much for all the love #hope you enjoy this next bit #I wrote and edited this on my phone because I locked myself out of my flat today #a tragedy really #so if you see any spelling mistakes please do let me know #bucktommy #911 #evan buckley #tommy kinard #chimney han #my writing #911 abc #fanfic #parent Tommy Kinard #lifelines

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goldenlikedayl1ght · 1 year ago

Text

born to die - m. murdock

a/n: IM NOT DEAD i am very busy with finals but this has been rattling around the old noggin for a while now. i took a lot of inspiration from @ellephlox 's fic strawberry rhubarb which i 100% reccomend bc its better than most fics including this one! hope you enjoy! as always reblogs and comments are always appreciated! <3 warnings: oh boy. torture (cutting, burning) some sexually suggestive talk (nothing happens but it's not consensual) readers dad abused her, nightmares, lots of major character death (but not permeant) ANGST!!! but with a happy ending! kidnapping, medical stuff, cursing, and if i missed anything, let me know! word count: 4.8k summary: as matt murdock's wife, your life is rather full of surprises. getting kidnapped by wilson fisk takes the cake as the worst one. pairing: matt murdock x wife!reader now playing: born to die - lana del rey "choose your last words, this is the last time/'cause you and i, we were born to die"

You would think after patching him up too many times to count, five years without him, and countless sleepless nights worrying if he was alive, you would think you’d be used to Matt Murdock and his world of surprises.

And then you get kidnapped, so maybe you’re not so immune to surprises.

It’s really such a shame too, because you’re storming out of the apartment, too angry to take notice of your surroundings.

Silly, foolish, ditzy you.

Because it isn’t like Matt hasn’t told you time and time again that you need to be careful, especially when you go out alone at night. But he’s so angry that he doesn’t even think about the potential dangers of Hell’s Kitchen at three a.m. when Daredevil has been tucked away for the night and Matt Murdock comes back out to play.

He’s been taking more and more patrols because with Fisk being out of prison he can’t help but be constantly waiting for the other shoe to drop.

How silly he was to think that maybe he could have it all—A successful law firm, good friends and a loving wife.

Silly, foolish, ditzy Matt.

But after a week of nonstop patrols, you’re both fed up and tired, and above all, you’re yearning for each other. Neither of you allow yourselves to be totally happy all the time. It would just make everything too easy.

So, after yelling at each other over, what? Patrols? Cases? Burnt dinners? You’re freezing on the streets, and you get about five blocks before you stop and rub your eyes.

This is dumb, you rationalize. Of course, you’re both stressed out and tired, but you’ve gotten through rougher times before, and you both made an oath. To each other, in front of his God, to love each other no matter what.

You realize you left your wedding ring on the table, the ghost of the metal around your finger haunting you. You were dumb for leaving and Matt was dumb for telling you to go. You’re made for each other.

You turn around to go back to your shared apartment, and then, someone grabs you from behind. Your first instinct is to yell for your husband, but you don’t get the chance to before you’re knocked out, by what you can only guess to be a gun or maybe a large fist.

• • •

You wake up in this dingy room, the lighting not suitable for much of anything except to make you afraid. The set up is almost comical and in a fucked up away, stereotypical for a kidnapping. You’re tied up to a chair, and the lights shine only bright enough so you can see shadows and rats scurrying along.

The air is this weird musk of salt and earth, and you realize you’re near the docks, and that’s about all you know about your current location.

Your head is still pounding from whatever it was you were hit with, but you can see another chair a few feet from you and a wooden table with various weapons laying on it. You don’t feel good about this one. Also on the table is an old school record player. You have no idea what the intention is with it.

You try to keep your cool, knowing that wherever you wander, your husband will not be very far off. That whatever is happening, he will be coming to find you no matter how upset he is for whatever it was you were fighting about earlier.

And then, out of the shadows, there he is.

But he’s too big to be Matt, and he has a man standing next to him.

Frank, maybe?

And then you realize who this man is.

He’s Wilson Fisk, the kingpin who has done nothing but torture and kill people, shoving it in Matt’s face for years. Matt only met you after Fisk was put back in prison, and you know at some point in the five-year blip without Matt, he had escaped prison.

So, this is the first time you’ve had the pleasure of meeting Mr. Fisk. When he meets your eye, you do nothing but stare.

“Good evening, Mrs. Murdock. It’s a shame we must meet under these circumstances.” He tells you, taking a seat in front of you. His henchman stands behind the chair.

“It’s regretful to say the least.” You tell him, not intending to make any more of an enemy out of him than Matt already has, not right now.

“I wanted to congratulate you on your wedding. I remember my own, it was a rather special day.”

You know that was the day Matt took him down. The night that he, Karen and Foggy took him down.

“I’ve heard stories. It seemed like a lovely day.”

“You’re a much more gracious guest than your counterpart.”

“Well, I’m sure people say similar things about you and yours.”

He seems to consider this for a moment before nodding.

“You’re probably right about that, Mrs. Murdock. I wanted to tell you I’m terribly sorry these are the circumstances in which we are finally introduced. But it seems Mr. Murdock has been interested in finding out more about my endeavors. And you see, we simply cannot have that. I made a promise not to hurt Miss Page or Mr. Nelson but it seems you were not included in that deal.” Of course not, it had been a long time before you showed up. “So, you’re how we’re going to send Mr. Murdock a message.”

Huh.

So, this is how you die.

Well, you might as well go out with a bang.

“You see, Mrs. Murdock, When I was a boy—”

“I’m going to stop you, Mr. Fisk, because your sob story is rather dull. I know who you are. You were beaten by your father, just like I was. The difference is that I don’t use that as an excuse to murder my way to the top of the food chain. And you can torture me, assault me, whatever you feel you need to do. But if you think for a second that I’ll forget who’s coming to stop you, you are sorely mistaken. And if you think he’ll ever stop trying to find me, you do not know my husband very well.”

Fisk stares at you for a while, his gaze hardening into a glare.

“You’re right. You do know who I am. Because we’re rather similar.” He stands up and nods to the man nearby. “If Murdock can hear her far from here, make sure he hears her screaming.”

Then Wilson Fisk walks away, and you are left with the sickening gaze of a man who has no good intentions.

The man goes to the record player and starts to play a song you recognize quickly as “Fly Me To The Moon” by Frank Sinatra. As he does this, he speaks,

“Hello, Mrs. Murdock. I’m John.” You stay quiet, and he just enjoys the song.

He picks up a knife from the table and goes to you, this grin on his face that makes you sick.

But you remember a trick from not only your childhood, but also from Frank who told you the key to remaining strong under torture—Distraction.

You stare straight ahead, trying not to mind as the man runs the knife over your skin. You think about Matt. You imagine him in his wedding suit, the smile he had on as you approached him down that aisle. You think about when he asked you to marry him, and—

A sharp pain slashes down your arm, cutting open the shirt you’re wearing. You yell in pain, before moving in to try and take deep breaths.

You can do this. Matt will be here soon.

You continue to breathe through the anxiety and the pain, trying not to think too hard about when John hums along to Sinatra’s voice, guiding his knife around your skin. Another cut finds itself on your shoulder.

This goes on for a while, with the classic song looping over and over again. John never seems to tire of it, no matter how badly you will for it to end. As the song ends in one particularly good loop, John hits your face hard, and your nose starts bleeding.

You try to think of Matt’s voice. You don’t listen to John’s torments, knowing it will only egg him on further. You just want him to burn at that point.

By the end of… Countless Frank Sinatra serenades, you have cuts littered around your body, dry blood on your face from your nose and tears running down your face. When he’s eventually done, two men cut you out from the chair and drag you along to a smaller, darker room. You are left in there with a small meal, and you just huddle against a corner, nearest a barred window out of your reach.

And then, you begin to speak for the first time since you saw Fisk.

“Matt,” You whisper, “I’m by the docks.” You tell him, not sure if he can even hear you. “Please, I’m sorry for everything, please just come find me..” You mumble, too tired and aching to try and do more.

• • •

The next day, or what you presume to be the next day since you have no way to tell how much time has passed, you’re woken up by a loud banging on the door of your.. cell..?

The same two men enter and drag you back to the room, where John waits for you.

“How are you feeling today, Mrs. Murdock?” He asks.

You glare.

“Fuck you.”

He laughs and shakes his head.

“What happened to the polite young woman Mr. Fisk and I met yesterday?”

You’re filled with unprecedented anger.

“I said, Fuck you!”

He wastes no time, grabbing a lighter off the table and starting the record player again. Once more, Frank Sinatra’s voice fills the room, and you’re pretty sure once you’re done with John, and then Fisk, you’ll bring Sinatra back from the dead just to kill him again.

You’ve never really been a violent person, but you suspect that it lives in the worst parts of you, just as it did with your own father. You’re much better at keeping it all at bay. Besides, it does you no good to be violent while you have Matt. He’s plenty angry for the both of you.

Oh, Matt..

This is how time passes for you. While John tortures you, burning you or carving into your skin, you think about how great it will be to choke the life out of the singer… And you think about Matt. When you’re in your dark little room, you talk to him. Even if he can’t hear you, you must hope that he’s looking for you.

• • •

Days pass. How long have you been here?

One night, you have the following dream:

It starts out as a memory. A memory of you and Matt. You’re lying in bed with him, and the sunlight is hitting his face just right. You love this memory, it’s one you recall often. He just has this angelic look to him.

Yeah, most people who encounter him, especially at night, meet the devil. But occasionally, you get glimpses of the angel you know he is. He’s sleeping, and you think in this state, he is the most relaxed you’ll ever see him.

Then, before your eyes, the dream shifts and you’re in this black void, on the ground.

Foggy, Karen, Frank, and Matt stand around you. You run to Matt but hit a clear shield keeping him from you. You bang on the glass, well, maybe it’s glass, you don’t know. You try to scream, but your voice never reaches your ears. You begin to look around, looking for a way out.

An eerie version of ‘Fly Me To The Moon’ plays as you glance over to Foggy and watch in horror as his body begins to turn to ash, just like Matt and Karen did when they were blipped. You scream, banging against the shield, but your screams are silent.

You glance back and see the same thing happening to Frank. No, no, no! It was never supposed to happen this way! Frank and Foggy, they lived! They got their time! They don’t die like this!

And then Karen starts too. You start sobbing, not wanting her to go. You had missed her so much, and you only just got her back. But soon enough, she’s gone too, and you’re left in front of your husband.

His hand comes up to rest on the forcefield and he frowns softly.

He says your name gently, and then adds, “You know it couldn’t last forever, right?”

And then just as quickly as before, he is gone again. You remain there in that void, sobbing and screaming though no noise reaches you. This can’t be it! You just got him back, you needed him! You couldn’t take being alone for another five years… Or more…

The dream transforms and you’re in this grand ballroom. People are dancing elegantly and you’re in this.. obnoxious ball gown. But across the room, you can see Matt. He’s dressed in an all-black suit, with a red masquerade mask covering his face. The mask has little red devil horns on it.

Now, the orchestra plays their rendition of Sinatra’s romantic classic. And you step towards Matt, attempting to make your way towards him, only to be met with a masked man, beginning to twirl you around.

You jump from man to man, until eventually, you’re dancing with a man in an all-white suit, a man you quickly recognize as Fisk. No matter how hard you try to escape his grasp, he holds on tighter. The two of you stop dancing now, amid the crowd of moving bodies.

Fisk grabs your chin and tilts it in Matt’s direction, just in time for you to see him bowing to another woman, kissing the back of her hand. Your eyes widen and you think, this can’t be real.

“When I kill you,” Fisk says, “He’ll move on. You’re easily replaceable, Mrs. Murdock.”

And then, in an instant, the woman with Matt pulls out a dagger and plunges it deeply into his abdomen. It’s then that the other dancers, besides you, Fisk, Matt, and this mystery woman, disappear. Matt turns to you and falls to his knees, clutching his stomach.

He tries to crawl to you, blood seeping onto his hands and the beautiful ballroom floor. He yells your name, and the woman stabs him again from behind, and you watch as your husband dies. You hear him screaming, hear him yelling your name. But Wilson Fisk keeps you in place. You can do nothing but watch as Matt Murdock meets his end again, unable to save him. You start to scream, thrashing against Fisk, ready to claw your way to Matt.

You wake up screaming, the nightmare haunting you. A guard bangs on your door, yelling at you to keep it down.

It was just a nightmare, you tell yourself. Maybe Matt heard your screams.

Maybe he’s already dead.

You force yourself not to listen to the voice in your head that says that.

• • •

One day, Fisk visits again, only this time, He’s covered in blood. That damn song is still playing.

You just stare. They have long since stopped tying you up, recognizing that you no longer have the energy to try and fight back. He has this sick grin on his face.

“Good evening, Mrs. Murdock.” You say nothing. “Have you been enjoying your stay with us?”

You glare.

“I hope Matt kills you when he gets here, because it will be a lot less painful for you if he does it instead of me.”

Mr. Fisk just laughs at this and tosses something at your feet. You get down off the chair to see what it is.

Your face goes pale with realization. You pick it up and slip it on your thumb, with it being too big for your other fingers. Matt’s wedding ring. You know it’s his, it has your name engraved in braille on the inside. How did he get this?

As if reading your mind, Fisk speaks again. “I took it off his body after I killed him.”

Your head shoots up to him. What did he say?

“No.” You deny. “Fuck off, I don’t—I don’t believe you.”

“Your husband is dead, Mrs. Murdock. I killed him with my bare hands because he was stupid enough to come after you. Your friends will mourn you and Matt Murdock for a while, and the city will come to the realization that Daredevil did nothing but harm. I win, Mrs. Murdock.”

You feel tears start to fill your eyes, and you realize, no. He hasn’t won because you’re still alive.

Maybe not for long, but you are.

You gather the rest of your energy and leap up, lunging at the large man covered in the man you love’s blood. And there’s a part of you that gets it. Okay, universe, you win. Most people don’t get a second chance like the two of you did. And now he’s dead, and soon you will be too. You can at least try to kill Fisk.

But you barely get a scratch in, yelling and screaming obscenities at him, as John grabs your arms from behind pulling you away. Fisk laughs and shakes his head again.

“It’s been lovely knowing you, Mrs. Murdock. I’m sorry you’ll have to die, you had so much potential. John, when you’re done doing whatever you’d like to her, kill her.” You hear him say it, but you’re blinded by rage, by grief.

John laughs behind you and forces you back into the chair, tying you back up once more. He looks at you, enraged and grief stricken, and just shakes his head.

“You and I are going to have a lot of fun.”

He leaves for a few minutes, and you realize this is the first time you’ve been left alone in this room. You tug at the knots and realize that while John is a gifted torturer, he’s not much of a knot tier.

So you manage to wiggle out of the rope, approaching the table in front of you. You don’t have much time. Okay, maybe you won’t be able to kill Fisk, but John will do. You take a golf club off the table in front of you and turn to the record player.

You begin to smash the thing in, angrily cursing at it as Frank Sinatra’s voice fades off into nothing. When the song ends, the lights turn off. And then, red flood lights turn on in their place.

A back up generator. Lovely. You think that your smashing of the record player couldn’t possibly make the whole building’s power go off, but you don’t really care at that moment.

You’re tired. You won’t make it far, but you need to try. You grasp the club and open the door, being greeted with a man you don’t recognize. You smack him in the face with the club hard enough for him to fall to the ground.

The red lighting adds an eerie tone to the hallways as you creep around, concussing various henchmen that Fisk has working for him. You don’t mean to kill these ones, only John.

But you’re running out of stamina, peeking around corners. And that’s when you see him. John is just standing there like he knows you’re there.

“Come out to play, Mrs. Murdock?” He calls, approaching the corner where you are waiting on the other side.

You focus on his footsteps, taking a swing around the corner when you know he’s close enough. You hear a sharp crack! As he falls, and you can’t see the blood in this lighting. Good. You begin to hit his head in, sobs mixing with yelling. You hate him. You want him to die before you’re killed.

But you don’t get the pleasure, because a pair of arms are pulling you off him, and you begin yelling.

“No!” You yelp. “No, Fuck you! Let go of me! Stop!” You think it’s another one of his goons, and you just want to be able to finish the job before you die. The figure forces you to drop the club. “Please, stop, don’t hurt me—”

But he’s saying your name and turning you around to see him. You know that voice.

“Sweetheart, hey, it’s just me—” He pants, his hands going to your cheeks. “It’s me, It’s just me. I’ve got you.”

And you can’t believe your eyes.

“Matt..?” You whimper, not able to believe it. “No, you’re dead, this has to be—”

And then, Matt does something he wouldn’t do for anyone who wasn’t his wife. He pulls off his helmet so you can see his face. Oh.

“I’m right here. I’ve got you.” He says softly, his thumb gently rubbing against your skin.

That’s when you start to sob, falling against him, no energy left to carry yourself. His arms wrap around you, and you say it again.

“He told me you were dead..”

“I know.. I’m sorry, I don’t know how he got my ring but we’ve gotta get you out of here.” He tells you.

You’re so tired. You’re slumping against him as you try to walk, the warmth radiating off his body just drawing you to sleep.

The last thing you hear before you fall asleep is Matt’s voice, begging you to stay awake.

• • •

You see flashes. Your parents, your dad. Nightmares of Fisk killing Karen, Foggy, Frank, and worst of all, Matt. You see John’s sickening grin on the body of spiders, and you’re chased by his cruel laughter.

But the dreams are filmier compared to what’s happening around you. You know Claire shows up at some point, and you’re thankful to her. Karen sits next to you sometimes, petting your hair, or sometimes it’s Foggy, talking your ear off.

You have fever dreams of Frank in full military gear, tormenting you.

“Not so tough now, huh, girl?” He teases. “You really thought you’d kill the big bad wolf? Solve all your boyfriend’s problems?”

You say to him, “Husband, He’s my husband.”

• • •

Even in your dreams, where you were slashed and burned aches, and you long for the pain to end.

You wake up only once throughout these dreams, and it’s when Karen is playing music to try and calm you from your insistent nightmares.

Only one song snaps you out of it, and you hear it clear as day.

‘Fly me to the moon,” Sinatra sings, “Let me play among the stars,’

He only gets through a few more lines before you’re sitting up on the couch, screaming.

“No! Stop, please!” You cry, and in an instant, Matt’s arms are around you. “Matt, please, don’t let him hurt me, please! Please don’t die, don’t let him keep hurting me!” You beg, in a hazed, frenzied state.

“I’ve got you, No one’s going to hurt you..”

Karen turns off the music somewhere deep in the apartment.

“No..” You begin to grow tired in his arms again. “Matty, please.. You can’t die, please..” You whimper out, continuing to mumble out pleads as you fall back into your weird dream state.

• • •

You really wake up two days later. Matt’s hand is clasped over yours, and he’s just.. Sitting on the floor next to the couch, praying into your clasped hands.

Praying for what, you don’t know.

Your body aches. But something in you tells you you’re safe.

“Matt…?” You whisper gently, and his head shoots up.

“Hey..” He says softly, one hand leaving yours, coming up to brush your hair out of your face. “There she is..”

“You’re alive..”

He seems a little concerned you still had some doubts about this.

“I am. Fisk lied to you.. He never even touched me.” You nod.

“Did I kill him? The man you found me..”

“No. He’s just in a coma, I checked. He’ll be brought to justice.”

“I only wanted him dead when I thought you were too..” Because really, you would have nothing if Matt wasn’t there. Nothing to live for. When he was blipped away, you had the hardest time readjusting to life. Now you know if he died again, you’d probably go off the rails.

No love story is saved more than once. You used up all your luck. Now it will be doomed if he’s ever killed again.

“I know.” He said gently.

“How long have I been out? How long was I in there?”

“A week, and then you were out for four days here. They got you good, baby..” He says gently. “I’m sorry I didn’t find you earlier.”

You frown softly.

“You did find me though. That’s all that really matters anymore.” You know you’ll be nursing scars for a long time. Physical or not.

“Still..” He said gently, and he brings your hand up to kiss it gently. “And I’m sorry I told you to leave that night. I was just upset, but this past week and half.. I feel like I’ve been going crazy without you. No matter how mad at you I am, I never want to spend another night without holding you. Knowing that you could have been…” His voice breaks, and he just sighs, taking a moment to lean his head on your hand. “I love you, so much.” He kisses your palm again.

How are you so tired again? All you’ve done is talk to him, but it feels like you just ran a marathon.

“I love you. It’s why I married you. Because you and I, we were always meant to be with each other. No matter what.”

He smiles weakly and reaches over to the coffee table to grab something. He slips it on your finger and for the first time in over a week, your wedding ring is back where it belongs. You see Matt is wearing his. Your Matt. Your husband. The only one you were ever meant to be with.

“Did Claire patch me up? I remember her being here..” He nods softly.

“Yeah, we.. we really owe her one. She was a huge help..”

“Karen and Foggy were here… And Frank?”

“No, no, Frank’s still in Illinois, I think?” You nod softly. “You were mumbling to him, though. I heard you… you were telling him you had a husband.”

You would laugh if it didn’t hurt.

“He called you my boyfriend. I had to correct him.” You grin.

“That’s my girl.” He hums. Matt gently lifts you so you can sit up and drink some water. Then, he climbs onto the couch and brings you close. His arms wrap around your freshly wounded skin and you have a rare moment of gratefulness for his blindness.

You sit in silence for a while.

“Do you want to talk about it?” he asks gently.

You think about it all. The torture, the cuts, burns, the small room. Fisk’s laughter, John’s grin. But something sticks out to you.

“Fisk said I was just like him.”

“What?”

“We.. We grew up similar, Matt, I mean.. What if he’s right? What if the only thing separating him and I is one bad move?”

Your husband frowns and shakes his head.

“Sweetheart, you are the.. the most amazing person I’ve ever met. You’re the complete antithesis of Wilson Fisk. Yeah, you grew up like him, but you’re living proof that you don’t have to go down the path he did just because of his background. You and I both know that there will never be a world where you end up like him. Especially not with me.”

You find comfort with his words. Not only did you make every choice not to be like Fisk, but you must’ve also made all the right decisions if in the end, you ended up with Matt. Oh, it won’t be easy, you know that for sure. You’ll never be able to listen to Frank Sinatra, and your upcoming nights are filled with nightmares and hauntings.

But one day you’ll be okay. One day You’ll be able to sit in the silence without thinking about it. One day you’ll get the image of dead Matt out of your head. You’ve spent many nights wondering about who will go first, you or him.

And then you realize the best-case scenario is that the two of you die at the same time, never living another moment without each other.

How would there ever be a world where you and your husband weren’t with each other, even just for a moment?

#matt murdock x reader #matt murdock #daredevil #daredevil x reader #daredevil fic #netflix daredevil #matt murdock angst #matt murdock x you #matt murdock fic #matt murdock fanfiction #matt murdock x y/n #matt murdock hurt/comfort #matt murdock my beloved #hurt/comfort #angst with a happy ending

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vecnuthy · 2 years ago

Text

Steddie first kiss scenario

Accident: mistaken identity due to Steve being absolutely hammered | wc 893 |

Two hours into a Harrington house party, Eddie was getting near the end of his inventory and his social battery. The cup of punch-colored alcohol he'd been nursing had kept him nice and fuzzy for a while, but with the end in sight, he dumped the rest down the kitchen sink, tossed the cup in the trash, then turned, opting to walk out the back yard rather than navigate through the packed house.

But his progress was stopped in an empty hall by the man of the house himself, Steve Harrington.

A very drunk Steve Harrington, at that, considering the extra droop of his pretty eyes, lazy smile, overly loose movements, and the way he crashed into Eddie, pinning him against a small table, slurring loudly, "Nance! There'y'are."

He looked and smelled absolutely sloshed as he swayed further into Eddie's space.

"Steve, wha-"

"Been loogin for y' everywhere."

Before Eddie could even do anything, Steve's hands were buried in his curls and pulling him in until their lips met and - wow, that was definitely Steve Harrington's rum-soaked tongue in his mouth, making his stomach swoop, the heat from Steve's flushed face igniting a fire that tore across Eddie's skin, burning faster with every movement of Steve's lips. Lips that were soft, unlike the fingers curling, pulling Eddie's roots enough to make Eddie's hips press into Steve's, make him want to moa-

"You taste different. Like smoke and.....and peaches, hv'you been smoking?!" He frowned and shook his head. "S'not good for you."

He paused in thought as Eddie's heart hammered in his chest, mouth and scalp tingling from Steve's onslaught. His brain refused to make sense of anything happening. Were he not half propped up by the table against the wall and Steve's hold, Eddie would probably be on the floor.

"Wanna smoke now, achlly," Steve said as he put enough space between them to pat at his pockets before realizing with a laugh, "Oh wai', you've got 'em!"

He started patting at the pockets of a very shell-shocked Eddie as he continued to ramble, "And peashes. Where'd you ge' peashes? Y'llergic to the fuzz. You 'idn't eat that, d'you?"

Steve patted a little too far over the front of his jeans, making Eddie, honestly on the verge of blacking out, yelp. Steve giggled out, "Ticklish," then added, "You're taller," before pouting, "Ugh, your pockets 'r so full. When d'you put jeans on?" Steve let out a frustrated whine before huffing, "God, I can't find'em, just - "

Steve paused then smiled like he remembered the secret of life, and muttered, "You've got the smoke."

And just like that, Eddie's face was smooshed between Steve's hands, breath barely ghosting over Eddie's lips before he breathed Eddie in, eyes closed, probably imagining nicotine flooding his system.

Eddie would make a run for it if he were able to move, but he couldn't will his body to do anything but buzz from shock yet sing for Steve's touch.

Steve opened his eyes, and he took a long, glazed-over look at Eddie's face, settling on his lips.

"You kind of look different. Your lips....they're bigger." His eyes closed slowly then grew comically large. "D'you eat the fuzz, Nance?!" Steve panicked, then looked Eddie in the eyes again, and took a shuddering breath. "Your eyes, though, they....th' look, look kinda brown like -" Steve's face softened "- like his."

"Steve?"

To Eddie's immense horror, a very confused Barbara Holland had appeared behind Steve.

"Barrrb! Hey, guess what? Nance's been smoking!" he giggled.

"What?" Barb's eyes flicked back and forth between a very panicked, frozen Eddie.

"She tastes like smoke! Nancy Wheeler, smoking!" He cackled gleefully, but made it known that he was proud of her by turning back to Eddie and slurring, "You're so cool, 's like it's Halloween. Dressed up like Munson? Y' look so cool, baby." And he swooped in and kissed Eddie one more time.

"Okay, Steve!" Barb shrieked and pulled him away. "Let's get you some water!" She shot Eddie a wide-eyed questioning look and steered a stumbling Steve toward the kitchen.

"He's so wasted, he thought I was Nancy!" Eddie rushed out quietly, which made Barb snort.

Eddie's face burned, numb to everything except where Steve had touched him. Which was kind of everywhere, actually, so he felt on fire. "And it happened before I could even- I didn't know what to d-"

"Eddie!" She cut off his rambling, then sighed. "Don't worry, you're fine. You're fine. Understand?" She was waiting for a response.

Eddie, head still swimming, nodded cautiously.

"Good," she said, letting some of her tension melt away, which Eddie tried to copy. "Doubt he'll remember any of it, anyway. I know I don't want to."

Eddie winced at that.

"No, it's not you, it's just-" she huffed then shook her head. "Don't worry about it. Drive safe, Eddie."

And just like that, she was gone.

Eddie followed suit with Steve's voice echoing in his head, an overlapping manic cacophony of

"Your lips....they're bigger."

"Your eyes, though, they....th' look, look kinda brown like...like his."

"Dressed up like Munson? Y' look so cool, baby."

Two kisses because Steve thought Eddie was his girl.

And her best friend had seen the second.