#and i don't usually like making myself on character creators

[madame-mozart]

your oomf who might just be way too slightly obsessed with a certain dead 18th century austrian composer 💕

yup. still doing picrews to cope with the reality of being an american rn

saw this picrew going around a bit on twitter (no, it will never be "x" to me) and since i don't actively use that site, i'm stealing the trend and bringing it here. call it a tag game or whatever, just go crazy and make yourself look cute and tell me which oomf are you

idc if this doesn't trend or whatnot, i just wanna spread some good vibes. drink water and take some time for yourselves yall

[happypotato48]

This Is A Gay Asian Rant About BL Comments Made By Some Queer Westerners I See Sometimes.

So you know of those gays (usually white) that made dumb tiktok dancing to list of countries that legalized same sex marriage and list of countries that discriminate against LGBTQIA+ poeple as a way to say something racist. yeah i kinda got the same vibes from some comments regard how asian BL is homophobic just cause they don't live up to queer western standard. look, i'm not saying that some BLs and their creators don't deserve criticism regard how they capitalized/exploited queerness for an easy cash grab.

But people need to understand that Asian countries despite recent progress are still very much culturally conservatives. so when people says that thai bl is homophobic and all the characters looks like bunch of straight guys, which is true for some olders thai BLs i'm not gonna denied that. but after all this time and newer BLs generally being very queer and most of creators being out queer themself and poeple still making these comments, i'm annoyed.

And don't get me start on the actors. you don't know them! why are you making assumption and calling them queerbaiter just cause they acts in bl. like maybe they're straight, maybe they're not but what they're definitely doing is making queer content for you know, queer people here. so when you made halfass comments about their sexuality what do you think that made other queer people who still in the closet feels. and when you add the nationality to that, "these thai bl pair are this and that, this korean actor is so ungrateful for his bl past", etc. when our societies are still very much still in progress regard LGBTQIA+ acceptance. it make us living here feels fucking awful like somehow we're lesser queer than people in the west just cause we don't have citibank at pride or some shit.

And the shittiest in my humbled opinion are comments regard censored chinese bls. people do know like, that the creators making these bls are risking their livelihoods for this. that these shows getting make at all are miracles. yes it sucked that they're censored but they're still very much queer shows making by queer people who want to express thier queerness despite the chinese government being the chinese government. when people dimissing these shows as not belonging in queer media, you're also dimissing their creators and audiences as not belonging in the community.

Look what i want to say is that we're trying our best over here, and maybe our best are not up to your liking. the ways we talk and express our queerness maybe still can be perceived as problematic by western queer standard. but these media are our house and you're the guests. for people aren't shitty we appreciated that you're here engaging and loving our media, this is your home too and you're welcome in it. i can speak for myself that i very much love being here on tumblr and interacting with people from all over the world who love BL. but for people who are being shitty sometimes about asian bl.

YOU'RE THE GUESTS, BEHAVE!

[yurunivo]

Hello! I'm not sure if i'm the one but can we get some more Mavuika x Creator! Reader (gender neutral) in which the creator is falling deeply in love with Mavuika and the creator is slowly getting his/hers/their memories back and awakening a little bit of power (like maybe aweking some unique element or getting better healing abilities) ?

I'm pretty sure you were the one yea. Sorry for not answering sooner I just had no motivation to write 😭

Synopsis: your time with Mavuika! (And "your" past) part 1 part 2 part 4

TW: slight angst, fluff, OOC, arguements, reader is referred to as they/them for easier use but gender is up to what you interpret as, bad writing, bad grammar, english is not my first language, slightly rushed at the end, not proofread

Characters: Mavuika x gn!creator!reader

"Please don't walk through the halls, our Archon is busy-"

"I just have a word with her, that's all."

The receptionist sighed as you glared at her and walked off. You've had a bad week, constantly getting excruciatingly painful headaches and nightmares which make you wake up in a cold sweat. What made it worse that you couldn't really remember them when you woke up, which made it all the more frustrating. That, along with the fact that your boss was giving you more work than usual was making you snappy and irritated all the time. The even more strange thing was the fact that you were seeking out Mavuika, almost as if she was a pinicle of warmth in a snowy wasteland, so you did eventually visit her.

As you reached her office door, gloved hands gently pushed it open to see her inside. Your eyes softened, and you could feel your stress slipping away. She was sleeping though, her head on a pile of documents.

"That's.. Strange. Normally she would spend a lot of time with me, did she ignore all this work just for me?" You thought to yourself. However, instead of peaking over, you decided to sit in a sofa next to her table.

Curiosity did get the better of you though.

You skipped over to her desk and found loads of papers from different nations, which was really strange considering Mavuika was more busy dealing with Natlan's problems. You picked up a few documents and read them, cringing at the insignia of the other nations.

As you kept reading, you got more confused, and certainly more angry.

"Death threats, intimidation and war threats to Natlan, and Sumeru is asking for an alliance? What the hell is going on?!" You exclaimed, not noticing how Mavuika woke up. As you were about to read more, she snatched the papers from you, and looked at you with an expression you couldn't read.

"You weren't supposed to see that."

"Well I did, too bad. Now mind explaining what the hell is this?"

She didn't answer, and you felt your patience running thin. You didn't want to raise your voice at her, but the frustration of her not telling you was too much to handle. Still, you managed to control yourself, taking deep breaths.

"I'm not going to repeat myself, what is this?"

She paused, and for a moment, she contemplated whether she would tell you or not. Guilt was on her face, yet she finally told you.

"The other nations want you back for whatever reason, and they are threatening to add more to Natlan's plate by instituting a war. Sumeru is offering to help, but that's the only consolation I have," she breathed out. Your eyes softened, and your lips trembled. Seeing Mavuika like this was making you feel negative, especially since it was about you.

You picked up her hand and held it gently, but it was also firm. You didn't know what you could really do to help, considering that you were the one that they were after.

"Listen Mavuika, I am your creator, so I should have the right to know about all this, no? I may not be strong, but it's not like I'm completely useless," you held her hand against your forehead, both of you looking away from each other.

Feeling the need to lighten her pile of work, you let her go for a moment, going up to her desk and setting up the documents. You didn't look at her, nor did she look at you.

"I'll help," you spoke up.

"You don't need to."

"I insist."

She sighed, yet reluctantly went up to you to do the same. She knew that you wouldn't really change your mind, so there was really no point in arguing any further.

For the past couple of weeks, you were there to help Mavuika. You were always at her beck and call, skipping your work to help with hers. The only thing you did however was confiscate useless documents, sign the ones that she couldn't, and carry piles of work to warehouses.

As you were walking through the place, whistling to yourself, you realized that you had just passed the place that you were supposed to be in. Noticing your mistake, you ran to that place in exasperation, not noticing how a gust of wind helped you to run faster..

"Why do I keep forgetting this shit?.." You rubbed your temples, setting the box down. Looking at all the shelves, you deadpanned at the realization that the shelves were much higher than you anticipated.

"I should've brought a ladder.." You mumbled.

Then suddenly, without any explanation, a pillar of Geo helped you up, slowly rising to the shelves. The revelation almost made you scream, but you kept it in. You were really high up, and the fact that you didn't know what was happening made it even more terrifying. Was this Zhongli's doing? To taunt you before he came to hunt you again? You couldn't really tell, the only thought running in your head was how the hell would you get down.

The even stranger thing that happened was that a gust of wind separated the boxes and placed the one that you brought without you needing to use your hands. It might've been the Anemo Archon, but the fact that if it was, he would probably not help you with anything. He would most likely make you fall instead, taunting you like Zhongli. But it didn't really make any sense. How the hell would they even reach you all the way from Natlan?

As the pillar mounted you down, you were about to run to reach Mavuika, but your temperature rose uncomfortably high, which was very unusual. The sudden change made you collapse onto the ground, golden blood seeping out of your nose. You felt yourself getting light headed as you struggled to keep yourself awake.

"Not now god dammit!" You exclaimed in your head as your vision turned blank, losing your consciousness.

....

Where were you?

You held your head, groaning at the painful sensation. You got a clearer look at your surroundings, notifying you that you weren't in Natlan. No, this place was nothing like Natlan. It was more regal, the entire place being covered by intricate gold designs. You explored the place for a bit, still trying to figure out what happened.

You walked around, then suddenly, you saw a projection in front of you. Okay, it at least confirmed that you were in a dream. But when the projection finished appearing, you saw someone whom you didn't expect to see.

It was... Nahida?

"Greetings your grace," she bowed, and you just told her to stand back up.

"Kusanali? What are you doing here?" You raised an eyebrow. Seriously today was one of the most craziest days of your life, more than when you realized that you were in the Genshin world.

"I have been trying to speak with you, your grace. It was very hard, I admit, and I may or may not have caused those nightmares, I am really sorry about that." Oh, so that's why these horrible dreams happened, and why you couldn't remember them. You smiled awkwardly, knowing that you would forgive her anyway. After all, she was the first to actually help you in this world.

"What did you need to speak with me for?" You asked.

"It's about the other nations, I want to inform you that they are currently on the hunt for you, and want you back into the position of creator," she answered, and now there were even more questions in your head. What was the strange switch up for?

"But I must ask your grace, is this what you really dream of, your throne room?" She pointed at the giant throne at the back, and you quickly went to answer.

"No, I don't dream about anything like this," you replied back in confusion. Right, was this supposed to be normal?

When you turned around to ask Nahida a question again, she was gone. Was she hiding? No, she was completely gone, you couldn't feel her presence any where, almost as if she was forced out of your dream.

You looked around more and more, only to realize that there was a carbon copy of you on the throne.

They looked exactly like you, except more regal, and more intimidating than what you could ever be. However, you did notice that they were... Crying? Tears were definitely spilling out of her eyes, yet their expression stayed the same.

Yea this was weird.

You looked around again to see the Archons behind you. You flinched at the sight, however, they weren't looking at you, rather they were looking at what you could assume to be the previous creator. Their expression was one of pity, and in almost half a second, they attacked the creator. Yet that "you" didn't move a muscle, allowing them to get a hit. As you stared at the throne, there was golden blood seeping out, yet the creator was as hard as stone.

They had sealed the creator.

....

You woke up with a gasp, feeling sweaty and uncomfortable. Looking at your hands, you saw they were trembling. Your throat felt dry, way too dry for your liking. As you reached out for the nearest liquid next to you, your hands landed on a cup of tea, which you picked up and drank immediately. You calmed down a bit, reminiscing on what you just experienced.

"So that's what happened, I wonder why.." You mumbled. You finally payed attention to where you were, and saw that you were back in Mavuika's office. Huh, you didn't remember being here last.

Finally paying attention to what was next to you, you saw a tray on a stool, and some food on it. The tea you drank just now was probably from that tray.

Your eyes wandered, and it stumbled upon Mavuika. She was on a chair too, yet she was sleeping, her arms crossed. As multiple ideas went through your head, it finally clicked.

"Was she taking care of me?" You thought, yet you were too much in a trance to wake her up and ask her. Your cheeks were flushed, and you felt them getting warmer.

You wondered what this feeling was, the way your heart started beating faster and how you felt all giddy inside.

"Ah whatever, I'll figure it out soon," you muttered, oblivious to your own feelings.

Sorry I didn't include the abilities part too much, I was more focused on the creator and Mavuika's relationship 😓

[ohnoitstbskyen]

PINNED POST, FAQ, INFORMATION

Hi, I'm TBSkyen. I make videos on YouTube sometimes. This is my main tumblr blog, the "brand" blog as it were, where I maintain my Social Media Presence™ on this site.

I use the ironic ™ to signal my personal discomfort with the work of being a minor media personality even while I still do that work and make a living off it.

I have a sideblog called @tbposting, mostly for shitposts and reblogs, and in my opinion I have pretty darn good taste in reblogs, so you can follow that if you want. It's also where I'll do random personal posting, microblogging, etc.

This main blog is primarily for 1) answering asks, and 2) posting my Original Content™, usually my main channel videos, as well as the occasional longer essay or critique. Sometimes I'll reblog an interesting or useful thing, or boost a friend's work, but I try to keep the spam to a minimum.

---

About Me

I am a thirtysomething content creator whose primary expertise is character design.

I have a bachelor's degree in English, never finished my master's, did most of a bachelor's degree in history, and that's it. These are my academic qualifications, no more and no less.

My professional experience is primarily being a freelancer and self-employed creator. I spent the better part of a decade working as a commission artist, running webcomics, drawing fanart, and the occasional animation work and not safe for work commissions, and I have at this point a decade of experience and self-study in the subjects I cover. I have also done online community management for, god help me, almost twenty years, so that's a part of my skillset I'll never escape.

I do not have any particular professional creative industry experience, although given what I hear from my professional friends, sometimes that seems like a blessing.

Please maintain a critical distance when engaging with my work. I am a critic. My work is very rarely meant to be taken as authoritative or didactic, and when it is, I will make it clear in my writing. Just because I speak with confidence doesn't mean I am trying to assert objective truth.

---

TAGS (to follow, or filter)

#tbanswers is the tag for every single ask I answer on this blog

#tb reblog is the tag for reblogs

#tb essay is for the occasional longer essay or critical writing

#tbvideos is for my videos and Content™

#tb recommends is for the occasional recommendation of a video essay or other creator

Yes, I know the spaces are inconsistent. It's not on purpose, I just typed them in haphazardly when I started using them and it's stuck.

---

FAQ (before you ask)

Q: Will you ever do a video about ____ ? A: The answer to this question is almost universally "maybe someday, if I have time, and if I feel I have anything worthwhile to say." And the more realistic answer is "no, because I already have far too much on my plate and I have burned myself out too many times." In general, please don't ask me this question, I will most likely not answer it because I have given the same answer a thousand times, but I still feel guilty about not answering them.

Q: Will you continue your series of videos about ____ ? A: Yes! I will continue the let's plays I started, I will finish the Boss Designs series, I will do another What's the Deal With, I will do more shorts about the subjects I've got going on. The main obstacle is, again, my tendency to overload myself.

Q: Do you have a PO box? Can I send you something? A: Not yet, but I'm looking into it. It may be a while before I get it set up.

Q: Do you have merchandise? A: A little bit, yes, at tbskyen.redbubble.com.

Q: What's your opinion on [game/movie/comic/book/etc]? A: I struggle to answer very open, broad questions like this. Most things I have opinions about, I have multiple opinions, and different ones depending on the perspective and specific element in question. I'm much more likely to answer specific, bounded questions.

Q: Can I send you fanart? A: PLEASE. Askbox, tag me on bluesky, send it to my email! I love seeing every piece of it!

Q: Why do you never appear on camera? A: A forest witch cursed me to look not quite but ALMOST like Paul Giamatti in all photos and videos ever taken of me, and his laywers sent me a cease-and-desist.

Q: Are you gay/straight/bi/other? A: The decision I've made for myself, at least for this period of my life, is that privacy is precious, and once given up can never be reclaimed on the internet. I am open about being aromantic (not asexual), because it's a sometimes invisible and underdiscussed identity, and I know it would have helped me a lot to see someone speak about it when I was younger.

The rest of it is for me to know, and for you to speculate about, although preferably somewhere I can't see it. I accept that this is a part of being a Personality, but it still feels weird, y'know?

Q: Is it weird if I find your voice kinda hot? A: I've put a lot of work into developing this voice and making it nice to listen to, so that's not weird at all and I find it quite complimentary, thank you.

I generally don't mind people doing flirty/thirsty posting about or at me, just so long as we all understand that 1) you should never give a stranger like me information which could be used to harm you. Nicer-seeming YouTubers than me have turned out to be monsters.

And 2) it will never go beyond playful online flirtiness. I like to fluster my live chat, I'll flirt back in an ask or a post maybe, but I am not flirting with you, or inviting any kind of closer intimacy with you, the person I responded to.

Think of me like a comedian doing crowd-work at a show - you can chat to me in the bar after the show, but when I asked you what you do for work I wasn't looking for a personal connection, I was doing my work as an entertainer. Please no sending me nudes, or propositions, or confession letters in my email inbox. We are strangers, and I am always performing a persona in public.

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[thankskenpenders]

Help me out here: Why is there so much Ian Flynn hate going around lately? I thought everyone loved that he was contributing to the games. Now suddenly they aren't. I guess that's par for the course for this series but I don't get it. He isn't perfect but I like what he's done. Am I a weirdo?

Ian Flynn has always had a lot of fans, but any creator putting their work out there is going to have detractors as well. That's just the nature of being an artist. To some extent, it's no big deal. He's not a perfect writer. Nobody is! I consider myself a fan of his work, but I've criticized plenty of individual writing decisions from him on here.

But Ian doesn't just have critics. He has his own obsessive hatedom. And the specific nature of Ian's hatedom is... interesting.

A decade ago, Ian was only the guy writing for Archie Sonic, meaning any debates over his work were quarantined within that tiny niche of the larger Sonic fandom. Only people who kept up with the comics month to month had any real reason to have an opinion on the guy, which means we're talking about merely thousands of fans as opposed to millions.

Within that group, he had some haters. You had the people who were mad about story changes made during his run, particularly things like ancillary characters getting killed off (although over the years we've learned that most of those were editorial mandates from Mike Pellerito). You had the people mad that Ian didn't push their favorite ship, with feuding SonAmy and Sonally fans claiming that he was CLEARLY biased towards one or the other. You had the people who just really, really liked one of the previous writers way more - usually Penders, as hard as that may be to believe today. That sort of thing. Pretty normal comic fandom type stuff. Again, it comes with the territory.

Unfortunately, many of those haters only got worse over time, morphing into reactionaries who constantly try to incite Comicsgate type culture war bullshit.

There are people still mad at Ian for making Sally bi and pairing her with Nicole instead of Sonic in the later Archie comics. There have been elaborate MS Paint red string conspiracy boards explaining how people like Ian and Jon Gray have apparently been destroying the franchise from the inside for years by Making Sonic Woke. (Jon gets dragged into this because people are still mad about him drawing The Slap 20 years later. Yes, really!!) There was an unhinged change.org petition trying to get Ian fired, specifically from people who were mad that the Freedom Fighters aren't in the IDW comics. There was even a very sad little fan campaign from these people trying to get Sega to move the Sonic comic license away from IDW and over to Udon, because they thought Udon would bring Sally and Bunnie back and also make them sexy again. There's a lot of this.

(Unfortunately, Penders has also exacerbated this by gossiping about Ian on Twitter and giving these fans ammo, but that's a whole 'nother discussion.)

The thing is, for years, people who only played the games or watched the cartoons had no reason to pay attention to any of this. Now, though, Ian isn't just writing for some weird spinoff comics that only the super nerds read. Now he's writing comics that are canon to the games, and ALSO some of the games themselves, and ALSO consulting on other tie-in media like Sonic Prime, and ALSO writing the official Sonic encyclopedia, and ALSO serving as part of the new Sonic Lore Team at Sega. And on top of all this, he's got an increasingly popular podcast where he fields questions about his work on all of these things, which serves as one of the fandom's main windows into creative decisions being made behind the scenes.

As a fan of Ian's work, it's been really cool to see him rise in prominence. But the dark side of this is that his obsessive haters from the Archie days now have WAY more of a potential audience of their own. Now, every Sonic fan has to have an opinion on Ian. What this frequently means is that you'll have the Comicsgate types taking things Ian writes or says out of context, attempting to get more of the general fandom to yell at the guy.

Unfortunately, there are a wide variety of Sonic fans who take the bait:

You've got hardcore fans who disliked basically any recent piece of Sonic media and are looking for someone to blame.

You've got the people who are concerned about the sanctity of Sonic's canon, who shoot the messenger any time Ian mentions a new retcon from Sonic Team on the podcast - or any time he even mentions the THOUGHT of changing anything about the canon, as we saw recently with the Sol Dimension nonsense.

You've got people who romanticize some sort of mythical artistic vision that Sega of Japan supposedly has (or had) for the franchise. To many of these fans, American contributors like Ian just don't "get" the heart of the series and are trying to turn Sonic into something different. (This "heart of the series" tends to be some mix of Japanese instruction manual lore, the cinematics from Sonic CD, the OVA, and/or the games written by Shiro Maekawa, depending on what Sonic media the fan in question grew up with.)

You've got fans of specific characters or ships who pin the blame for how their faves are depicted entirely on Ian - most vocally fans of Shadow, even though the root problem is that Sonic Team hasn't known what to do with Shadow since 2006. At best this stops at regular old criticism, but at its worst this devolves into claims that Ian has an agenda against certain characters.

You've got fans annoyed by a perceived over-emphasis on comic-original characters in the IDW comics, ignoring the obvious facts that these characters exist because the game cast is so tightly controlled by Sega, and also, you know, that people just like the IDW characters and want more stories about them.

You've got a LOT of discourse over IDW's Sonic being a hero who tries to give his enemies second chances, as if half of Sonic's closest friends aren't already former villains and rivals. Honestly this is very transparently just reheated Steven Universe discourse lmao

You'll also see people who just think they could do Ian's job better. They can't believe that THIS GUY is the American fan working on all these Sonic projects, when clearly THEY understand the characters and lore and themes SO much better than this charlatan.

All it takes is for someone in one of these categories to be unhappy about some recent piece of Sonic media, and for them to come across an out of context quote or comic panel that rubs them the wrong way, and suddenly the leftist Zoomer Sonic fans will join the latest dogpile on Ian alongside the reactionary Comicsgate types who are mad at him for Making Sonic Woke.

In general, when fandoms get upset, they tend to want a scapegoat. A person or two to point a finger at and go "THAT's who ruined the thing I love!" This tends to be based less on reality and more on which contributors are the most visible online. You'll sometimes see teenage and adult fans of children's cartoons single out a storyboarder who's particularly vocal on Twitter, blame them for every story decision they don't like, and harass them off the platform out of a sense of retribution for their favorite ship or whatever. Failing that, fans might choose to blame every nitpick, down to individual lines of dialogue and frames of animation, on a showrunner, just because that's the name they associate with the show. And unfortunately, when it comes to Sonic, Ian is now arguably the most prolific and outspoken contributor on the English speaking internet, and therefore a common scapegoat.

Some of the things I've seen Ian blamed for are truly wild. A lot of people have claimed for YEARS that he's just lying about the existence of creative guidelines and restrictions from Sega - or, as fans call them, The Mandates - even though they're just an inherent aspect of working on a licensed property. Others claim that The Mandates are real, but somehow Ian's fault. A vocal minority of fans have convinced themselves that Ian is the sole reason the Freedom Fighters don't exist in the IDW comics, even though Ian says he's been pushing to bring them back since day one.

Sometimes you'll see people say he ruined shit he didn't even work on. A few weeks ago on Twitter I saw someone claim that Ian had written a rejected script for Sonic Forces in which Tails died. I could not find a source for this for the life of me. As far as I can tell, the rumor seems to have been born from an alleged leaked script for Forces with margin notes from Aaron Webber that criticized the way Tails was written, and also an old tweet where Aaron joked that Tails would die in an upcoming episode of Sonic Mania Adventures. These merged into "Aaron Webber criticized a draft of the Forces script in which Tails died." How'd Ian get dragged into this? Who fucking knows!

It's all just a big game of telephone. All it takes is some asshole to make something up about Ian on Twitter or YouTube or a DeviantArt journal or some forum, and at least a couple people will believe it, and then it gets repeated as fact. Again, this used to be contained by the niche nature of the Archie Sonic fandom, but now there are WAY more people who are receptive to this shit.

It's just sad to me that Ian tries to be so open and honest about his work, to try to explain the rationale for certain things, to keep fans looped in on the direction the franchise is headed, and this just gives the Flynnspiracy types more quotes to take out of context and try to paint him as the devil. If it sounds like I'm being overly defensive and dismissing his critics, man... some of the things I've seen people say directly to him are just unbelievable. People will send paragraphs-long angry screeds in to his podcast that completely tear him apart, and he has to sit there and be like "Well, that's your opinion, and you're entitled to it." People literally pay for special guest interview episodes where they just rapid fire complaints about his writing at him directly to his face. I don't know how he does it. I would snap.

All of this over Sonic the fucking Hedgehog of all things.

I don't know how to wrap this up. Engaging with fandoms online is very tiring, which is why I tend not to do it. Things like this are too common. I guess, just... remember that making art collaboratively is a complicated thing. The people involved are generally trying their best given the circumstances, but they're only human. They make mistakes. But please treat them like humans. Criticism and dogpiling are not the same thing.

[ramblingthoughtsofayoungadult]

Bad PR-Jordan Li Fic

A/N: I saw someone post about needing a fic about Jordan being in a relationship where they're "unmarketable" and haven't been able to get the idea out of my head since. This is written with a black reader in mind. I also have a sequel in mind if anyone wants it.

Word Count: 3739

Warnings: Some sensuality and swearing.

I don't claim to own any characters or property from Gen V or The Boys. All credit to the original gif creators.

  Silence was something that I always thought I longed for. Every day for the past twenty years, there was noise, whether it was someone (usually multiple) talking, music blasting, cars going by, or screaming. By now, I thought I would have learned how to tune it out and focus on what was most important: save the little kids from a burning school, study as hard as I could to get into GOD U, and manipulate social media algorithms so much it would make tech experts’ heads spin.

   But, I hadn’t. Then, I thought I got used to the noise, the demands to take pictures with total strangers, the background noise of a song I was doing a TikTok challenge to, Liza, my Vought-assigned PR rep, and my parents insisting on what I should wear, and the constant buzzing in the back of my head that my ability caused. However, as I laid on Jordan’s bed, listening to them ramble about Brink, I didn’t mind the noise so much.

  “I mean, he’s kind of a mad genius but for good,” Jordan stated. Then, they turned to me with a sheepish smile on their face. “Sorry, I’m boring you, aren’t I?”

  I shook my head. “No, no, it’s alright. Brink’s brilliant and it’s amazing that you’re his mentee.” I pushed myself up onto my elbows. “Besides, you’re pretty cute when you’re excited.”

  Jordan rolled their eyes and slowly made their way towards me, stopping right at the foot of their bed. “Only when I’m excited?”

  “Shut up, you know you always look good,” I teased.

   They playfully flipped their hair and batted their eyes. “Well, we can’t all have a glam squad on call so I appreciate it.”

   I scoffed, rose to my knees, and playfully pushed their shoulder only for them to switch to their masculine form and grab my hand. “That’s not fair and I didn’t even ask for them, my parents and Liza insisted on it when I got in.”

   Jordan nodded but I could tell they weren’t listening since their eyes were on my lips. “I don’t feel like talking anymore.”

   Something about their deeper masculine voice sent tingles down my spine and made my stomach feel fuzzy. Then again, they easily caused the same effect in both forms. My breath caught in my throat as soon as our lips touched, and I could feel my heart rate pick up. I tried to relax in their gentle but firm grip as I wrapped my hands around their neck, but it was easier said than done.

   Suddenly, my back was against their bed and the kissing got more fervent. Jordan slipped their tongue down my throat and trailed one of their hands down my leg. I shivered as they pulled my leg up around their hip and pressed further into me.

   “I should’ve known this is what you meant when you said you wanted to hang out,” I breathed after pulling away for a second.

   “I had good intentions but you kept screwing me with your eyes,” Jordan huffed back.

   “No, I---” Jordan cut me off, switching to their feminine form and kissing my jaw, working their way down my neck. “Not…fair.”

   One of their hands slowly started trailing up under my (their) sweatshirt and I tried to stifle my giggles at the soft touch. After a couple of seconds, I couldn’t help but start giggling and covered my face when Jordan paused their actions and looked up at me.

   “Still ticklish?” Jordan teased.

   “Shut up, it’s your fault since they're your hands,” I groaned through another laugh.

   Jordan smirked at me and ran their hands down my waist, gently tapping my sides, causing more laughter on my end. I tried to reach for their hands to stop them but they were too good at dodging me. At some point during my laughter, my phone started ringing.

    “Ignore it,” Jordan whined as they pressed their head against my stomach, their big brown eyes somehow looking bigger and browner than usual.

   “I can’t,” I whined back as I pulled away from them and grabbed my phone from my desk. “It’s Liza, I have to answer.”

    Jordan rolled their eyes. “That bitch has the worst timing.”

   “She might not be able to help it.” I quickly answered the phone. “Hey, Liza.”

   “Y/N, I’m on campus and we need to talk ASAP. Meet me outside the Crimefighting building in five,” Liza rattled off.

   “Oh, sure, what’s it about?” I asked.

   “I’ll tell you when I see you.”

   She clicked off and I turned to Jordan, who was much less than pleased.

  “Let me guess, you have to go,” they said.

   “I’m sorry, it sounded important,” I said as I started grabbing my stuff from around their room. “I’ll try to make it quick.”

   “No, don’t worry about it.” They pushed themselves off the bed and stood in front of me, gently grabbing my hands in theirs. “It’s your career and I’m proud of you. I knew what I was getting into when the Cyclone became my girlfriend.”

    I wrinkled my nose. “Ugh, don’t say it like that. But I appreciate you and I will show you as much later.” I quickly kissed them and grabbed my shoes. Just as I was about to leave, I paused at something in their closet. “Is that my jacket?”

   Jordan shook their head. “I don’t know what you’re talking about.”

   I snatched the item from the closet and held it out. “Jordan, you’re going to try to convince me that you’re into vintage Yves Saint Laurent?”

       “Your taste rubbed off on me,” they said with a shrug.

       “I’m flattered.” I put it back in their closet.  

        “By the way, do you know where my black hoodie went?”

       “See you later!”

        About four and a half minutes later, I was sitting at an outdoor table with Liza and my parents. Despite the summer heat, Liza was wearing a navy skirt suit, and her graying black hair was tied into a severe bun on the top of her head. She was typing on two different phones and her laptop simultaneously, deep blue eyes never staying on anything too long. My mom, who sat on my right, smiled kindly.

        “So, Y/N, how does it feel to be a junior?” she asked.

        “Great, Mom. I thought I told you and Dad that you didn’t have to hover this much since I am a junior now,” I said, glancing at my dad who was on my other side.

        “We’re not hovering, it’s been two days since we dropped you off,” Dad insisted. “Besides, this is about business.”

          “Wha---”

           “Oh my gosh, is that Y/N Y/L/N?” Someone squealed behind me.

          “Show time,” I sighed.

          The “someone” was actually two someones, a pair of what looked like freshmen. One was a tall, pretty brunette in a white graphic tee and matching mini skirt and the other was an equally pretty, slightly shorter brunette wearing jean shorts and Vans. The taller one held her V-Phone with a death grip.

           “Can we take a picture with you?” The taller one asked.

           “Of course.” I stood from my seat and made my way over to them.

           “I can take it.” But before my mom could stand, Liza shot up from her seat, grabbed the phone, and ushered us closer together.

           “Okay, Y/N in the middle, Tall Girl on the left, Short One on the right,” Liza instructed, eyes never looking up from the camera.

          “It’s Ashley,” the short one said.

          “Smile!”

          I did as I was told and the girls were walking away before I could even say an obligatory, “No problem.”

            Both my parents smiled as I sat back down.

            “It’s great to see that you’re still popular after all this time,” Dad said, his eyes hidden behind his tinted sunglasses.

             “As she should be. Y/N has thirty million followers across all her social media and she does amazing in the Midwest and the South, both tough demographics for young black women,” Liza stated.

            “Thanks, Liza,” I said, mindlessly playing with the ends of my butterfly locs. “So, you mentioned you were coming but left out my parents.”

            At this, Liza finally paused from typing and looked up at me. She slowly set her elbows on the table and rested her chin on top of her pale hands. My head involuntarily started shaking from side to side and Liza lifted one of her hands.

            “Let me speak first, Y/N, and then we can argue about it,” Liza stated.

            “The last time you said that, I ended up almost getting mauled by a dog during an animal shelter livestream,” I hissed.

             “Well, the dog had a serious history of trauma,” Liza insisted.

             “You didn’t inform me of that before insisting I cuddle with it for the camera!”

              “It was a learning lesson: you are fantastic under pressure.”

               I huffed and folded my arms over my chest. “So, what is this about?”

              Liza assumed her previous “Serious business” pose. “Like I was saying, you’re doing fantastic numbers. That last TikTok you and Cate did hit a hundred million views in less than twenty-four hours.”

            “The ‘Rover’ challenge wasn’t that hard,” I commented.

             “That’s amazing!” Mom practically cheered.

             “That’s my girl,” Dad said, wrapping his arm around my shoulders.

              I smiled despite the strong sense that a “but” was coming.

             “However,” Liza continued.

              Uh oh.

             “My job is to do everything in my power to make sure everyone associates Y/N Y/L/N and Cyclone with beauty, intelligence, grace, taste, and power. So, we are a little concerned about Jordan.”

              Immediately, my shoulders tensed and I gritted my teeth. “Who exactly is ‘we’?” I glanced at my parents.

                Mom’s eyes widened and I had no idea what Dad was doing.

                “No, of course not, Sweetie, we love Jordan. They have been a fantastic influence on you,” Mom insisted.

               I could feel my face warm up about what had transpired with Jordan a few minutes ago. I doubt that would fall under “good influence”, or any time we went out with the others. 

               “And they give you a run for your money when it comes to combat. You need someone challenging like them. Plus, that Luke boy isn’t bad either,” Dad added.

               As their words sunk in, I had a strange feeling that my parents were there to lessen a Vought-sized blow. My suspicions were confirmed when Liza’s lips pressed more firmly together and she was glancing at one of her phones.

               “Are you reading a script right now?” I seethed.

               Liza’s head shot up and she shook her head. “No, no, Y/N, not at all. Just some notes.” She quickly regrouped. “I understand that you’re happy and you’re probably having some fantastic sex right now----”

               “Liza!” I interrupted, praying that the ground would open and swallow me whole.

               Suddenly, Dad’s arm was back at his side, and Mom was suddenly very captivated by a pair of seniors skateboarding past.

               “But the facts are that a bi-gender Asian supe is not marketable in the Deep South or the Midwest,” Liza said. “I am not shaming Jordan for who they are but, my job is to sustain your relatable-but-unattainable brand and not let anything get in the way of it.”

              “You’re saying my partner is a threat to my career?” I asked, my voice much hollower than I intended.

               “Potentially. Now, I have come up with a very good alternative.” Liza turned her laptop so it was facing my parents and me. On it was a picture of Andre and some clips of us on social media. “Andre Anderson tested very well. Our focus group members responded positively to the black power couple aesthetic.”

             “We’ve met him before, he’s nice,” Mom offered.

              “He’s cool and I’ve met his dad and I could see us all getting along,” Dad mentioned.

               My head was swirling with so many thoughts that I was convinced I was either going to be overwhelmed by them or find one that was coherent enough to state. My mouth settled on, “It’s the twenty-first century and you’re all telling me I have to break up with my partner because of demographics? Jordan’s an amazing supe and they’re so smart, it’s scary. They can do---will do so much good and the only thing you care about is optics?”

               Mom gently touched my arm. “Y/N, please, calm down.”

When I glanced around, I noticed that several Vought-A-Burger wrappers, a couple of cigarettes, and a few panicked squirrels and rabbits were swirling around the table. Quickly, I released the small animals and put the trash in the nearby receptacle.

              “Sorry about that,” I muttered, eyeing Liza.

               “I understand that you have strong feelings for Jordan but, think about it. With the right moves, you could be living in The Tower with the legends of your generation. Sure, you’re number three at GOD U right now, but this status can easily go away. You’ve worked your entire life to be the hero that little black girls everywhere look up to. Don’t take Cyclone away from them before she even starts,” Liza warned.

               I desperately wanted to say something snarky, but my mind was blank. The only thing I could sense was my throat tightening up and my eyes beginning to well. I brushed a loc out of my face to play it off and tried to gain my thoughts.

              “How much time do I have before I make a decision?” I asked.

              “Twenty-four hours. I’ll be looking out for your call, text, email, or video call,” Liza stated as she started to pack her things.

                My parents stood and Mom gave me one of her warm hugs and Dad pulled me to his side.

              “It will be okay, Y/N,” he whispered.

               I swallowed the giant lump in my throat to thank him and then insisted on walking them back to their car.

              A few hours later, Elle Woods was sobbing in the fanciest restaurant in California while I carefully placed my baking pan in the oven. As much as I wanted to sob, I had no time for tears, I had to think. The thinking led me to have so many circular thoughts that my head spun and I resorted to baking and watching my favorite movie.

              If Elle could solve a murder case and exonerate her client as a first-year law student, I should be able to figure out this PR mess. On the one hand, I was happier with Jordan than I’ve ever been with anyone. On the other hand, my dreams and my family’s position were hanging by a thread.

            Maybe it was better that I channeled my energy into baking cupcakes.

            I exhaled a small gust of wind to clear the bowls and utensils from the counter and place them in the dishwasher. Then, I focused on pushing multiple gusts of wind from my hands to clean the counters and wash the dishes. By the time I was done, I was exhausted and flopped on my couch to mindlessly watch the movie.

            Unfortunately, the bright and colorful backdrop of Elle’s LSAT studying montage did nothing to take my mind off my dilemma. All I could think about was Jordan’s face when I told them. Breaking up with them would be like shooting a puppy’s mom in front of the puppy and making it watch it bleed out.

               How would I tell them anyway? Hey, babe, I’m sorry I had to run out on us almost hooking up to meet with Liza and my parents. Funny story, they want me to break up with you so that I have a shot at a career and date Andre instead. See you for that morning lecture?

             Knock! Knock! Knock!

            The sound jolted me from my thoughts, and I pushed myself off the couch to answer it. “Rufus, if you try to get me into your room again, I swear to----” I cut myself off at the sight of Jordan, in their feminine form, staring back at me.

            They wore a navy sweatshirt and black sweatpants. Also, their cheeks were more flushed than usual and they smelled like their sandalwood body wash, meaning they had probably stopped by the gym recently.

             “Is Rufus bothering you again? I’ll go murder him right now,” Jordan said.

              I quickly grabbed their wrist. “No, I appreciate the thought but I’m fine, besides, I can take care of myself.”

             “I know but I can’t help but worry.”

              A strange warm, tingling sensation ran its way from the center of my chest throughout the rest of my body. I was sure that if someone listened closely enough, they would hear me buzzing.

             I stepped aside to let Jordan in and leaned against the door to close it. “So, what brings you by?”

            They wandered over to my couch, sat down, and grabbed my phone off the coffee table. “Because you haven’t been answering my texts or calls.”

             “Crap, I am so sorry, Jordan, I’ve just had a lot on my mind.”

             Jordan glanced around my dorm. “I can see that.” They sniffed the air. “Legally Blonde and you’re baking, what happened at the meeting?” 

            Of course, Jordan would cut straight to the point. Usually, this kind of banter was pleasant but my stomach was in knots as Liza’s words and my parents’ expressions replayed in my mind.

           “What? I can’t bake and watch a comfort movie after a last-minute PR meeting?” I asked rhetorically, crossing the room to my desk to start organizing my textbooks.

           “Don’t try to deflect, Y/N. Tell me what happened.” Their voice was gentle but firm and I knew that they were not going to let me out of this conversation.

           So, I set Brink’s latest book down and sat across from Jordan on my tangerine accent chair. I prayed that I would find the right words to say before blurting them out. As soon as I made eye contact with them, my chest tightened.

          “Well, Liza surprised me by having my parents join us,” I started.

           Jordan raised their eyebrows. “Shit, this is serious.”

           “Uh-huh. Liza said that my numbers are doing great and I’m on track for a promising career.”

           “And?”

           I gulped. “And…she’s concerned that my personal choices might get in the way of that.”

          Jordan frowned. “Personal choices? Every college kid known to man has done illicit substances and drank alcohol underage. You’ve never been caught doing any of that anyway.”

        “You’re right but she wasn’t talking about partying; she was talking about us.”

         As soon as the bomb rolled off my tongue, I saw its impact on Jordan, from the flashing expressions of confusion and anger to the clenching of their fists. I just wanted to make it stop.

        “What?”

         As I rambled Liza’s reasoning, I could sense the hurt and animosity flowing from Jordan. Once I finished, the timer for the cupcakes went off and I jumped up to grab them. I could have cried at the momentary escape as I set them on the counter to cool.

        “She weaponized your desire to be a positive role model for other girls who look like you to screw you over,” Jordan said slowly.

           I wiped my hands on my sweatpants. “Liza’s doing her job, babe, and she’s looking at all angles, including how it could impact my goals.” I returned to my seat and folded my hands in my lap.

          “Her job is to make you choose between your relationship and your career?” Jordan asked. “That’s bullshit, this whole thing is.”

           “I know, Jordan, trust me, I know, I almost started a small tornado when she said it.”

            Jordan eyed me closely for a second. “What else did she say?”

           “What?”

           “I can tell you’re holding back, Y/N. Whatever else you have to say, it can’t be any worse.”

           They might have just jinxed that.

           “Liza thinks that Andre would be a better fit for me because a bunch of people like the idea of a black power couple.”

           Jordan had two angry responses: the first was they would attempt to tear down anything and everything around them unless consoled. The second was they would become unresponsive and deal with all their rage internally. That night, I got the second one. Their eyes were hollow and the color drained from their face. My eyes welled up as I hoped for them to start screaming, swearing, or something, but nothing happened.

         “But I don’t want to do it, Jordan, I think it’s so stupid.” I knelt in front of them, grabbed my phone from their hands, and set it aside to hold them. “My parents don’t even really agree with Liza because they know you and they think you’re awesome.”

        “What do you think?” they muttered.

        “Like I said, I think it’s stupid. We can figure something else out. Liza can spin us as the ultimate diverse power couple, huh?” I did my best to smile as widely as I could. “Come on, let’s forget about this. I made white velvet cupcakes with cream cheese filling. You can be my first taste tester once they cool.”

         Things would work out, they had to. We would figure something out and survive our junior year at GOD U with little to no incidents. Suddenly, Jordan’s hands slipped from my grasp and they shifted to their masculine form.

         “What if it doesn’t work out?” Jordan whispered.

          “What do you mean?” I replied.

         “I mean, you don’t necessarily have to be a supe but, I know that you’re scared for your parents. Your success has helped them a lot and it could destroy them if your reputation takes a hit,” they said. “And I’ve seen how little black girls light up when they see you now and how passionate you are about helping them and, I know that you’re just getting started and I don’t want to be in the way.”          “Jordan…”

         “I don’t want to hold you back anymore, Y/N,” they muttered.

         Their words sunk deep into my core like a boulder and took all my words with it. I wanted to tell them that they could never hold me back and that they made me a better super, a better person. But all I could do was watch as they stood and walked out of my dorm, taking our one and a half year relationship with them.

[meanbossart]

As hus creator, whats your favourite thing about drow/favourite thing about drow to draw?

It took me a second to get there, but I really REALLY enjoy his face. I don't know what it is about it exactly, but I'm quite proud of myself for putting that particular set of features together to make his weird handsome-cute-scary mug.

Characterization-wise, I really enjoy the fact that people don't expect him to be so proper/intensely romantic when they first clap eyes on him. I also feel like I really managed to nail the specific type of partner that he is and add the appropriate layers I wanted the aspect of his existence to have.

And... I don't know exactly how this fits into characterization, or if this is more of an audience thing, but I'm really glad people enjoy him while generally being aware that he IS an asshole; that I can talk about his pretty dang significant flaws as an individual - and especially AS A PARTNER to a character who is so beloved within the community - and not be confronted by people upset that I made him that way while maintaining that he also has likeable qualities. I feel like this is USUALLY the type of character people only enjoy due to the potential of fixing them, but I see very little of that sentiment in regards to him. People are happy to come along with me to explore his journey whether it leads to self improvement or not, and I'm very glad about that!

[cy-cyborg]

It will never not be frustrating to me that amputees appear in fiction ALL. THE. TIME. and yet they're almost never acknowledged as such. The Cyberpunk genre is especially guilty of this: amputees and prosthetics becoming a normalised part of life are a defining part of the genre/aesthetic and yet no one even consults with any amputees about how we get represented there. Most writers in those genres don't even consider that giving your characters cybernetic arms and legs means they're an amputee.

CW: Ableism, dehumanisation

This makes it REALLY uncomfortable to engage with stories in the genre because another common aspect of cyberpunk is the idea of losing yourself and becoming something distinctly not-human anymore because you have too many cybernetic augmentations/implants. Shadowrun even has mechanics for this, which state if you get too many prosthetics, which is what cybernetics are 9 times out of 10, your character becomes a monster. These mechanics and discussions surrounding "how many robot bits make you not human anymore" are really, really uncomfortable when you remember this isn't something that's unique to a far-off future setting. Those people you're discussing the humanity of already exist. They're called amputees. If you reframe the question as "how many amputations can you have before you stop being a person" I hope you can see why an amputee like myself is not going to feel safe around you or in your fandoms.

And it's a shame, because I REALLY want to like Cyberpunk. I really, honestly do. I love the aesthetics, I love the idea of big corporations being the villains and the anti-capitalism at the heart of the genre, and I love the idea of prosthetics being not only destigmatised, but desirable. When written from a disability-inclusive lense, it honestly has the potential to be an incredibly uplifting and empowering genre. but as the genre stands right now, it's actively hostile to the very folks who are usually the stars of its stories: amputees, all because people just refuse to acknowledge us.

Cyberpunk isn't the only genre guilty of this, it's common all throughout sci-fi as a whole, but Cyberpunk is the only one where it starts becoming a serious issue due to its rampant dehumanisation of a real group of people. In other sci-fi settings, it's just kind of annoying and while it can be a form of erasure, it's not usually harmful, just...frustrating. Fantasy does it on occasion too, think pirates with a hook and a peg leg, but nowhere near as much.

If you, as an author or creator, use any of these words to describe a character or their tech in a sci-fi setting:

cybernetics/cybernetic enhancements

bionics

robot limbs

cyborgs

augmentations

You are probably writing an amputee. Please, at the very least, acknowledge it, and be mindful that those are real people who actually exist, not just a fantasy group you can speculate about.

edit:

I originally posted this article on my old Tumblr account and lot of people commented/reblogged to tell me that originally in cyberpunk, the "less human the more robot bits you have" only applied to people who opted for their limbs to be replaced by cybernetics, because it was seen as "renting out your body to corporations for money" but people who had to get cybernetics out of necessity weren't impacted. The thing is though, I really don't think that makes it better, for a few reasons. For one, where do you draw the line at "opting" to get a cybernetic prosthetic? This isn't a black and white thing, even in real life. Most amputations are done out of necessity, but there are situations where it's not the only option, just the best one. Talking from personal experience, I lost both my legs below the knee as a baby, that was a pretty clear cut case, I had a blood infection and gangrene and they had to act fast. But the infection caused lasting side effects and impacted my physical body's development and growth. By the time I got to my early 20's it was causing a lot of pain in my right leg, in my knee specifically, and when I got a bone infection in the end of that stump, I chose to have the whole thing amputated up to the knee. They only needed to take a few inches off the end of my stump, but I asked them to go higher, because of the ongoing issues in that knee, issues that would have been made worse by the shortening of the leg. I choose to remove the whole thing, knowing the joint was degrading and I probably would have lost it later in life anyway. Even if it was salvageable, it would mean much more surgery, and I've had enough of those. A boy I played wheelchair basketball with was born with a partially formed leg, it was half the size of his other leg and he wasn't able to use it al all, it was just dead weight, so he opted to get it amputated too for convenience and so he could use a prosthetic on that side. I worked with a girl who's hand didn't form properly in the womb, resulting in a normal palm, but tiny "finger nubs" (her words) with no bones inside. They weren't actively harming her usually, but she opted to get them and the top of her palm amputated after an incident at work where we were tying balloons and one of her nubs got stuck in the knot. She decided to get them amputated because it meant accidents like that would be less likely, and she could use a prosthetic more comfortably. All 3 of these are considered "optional" amputations, so would people like us be penalised in your setting? does it make sense that the technology in your setting can tell the difference, or that corporations would care about the how and why? Even stepping away from medical grey areas, if your character opts for a cybernetic arm because the corporations will financially reward her, and she's struggling to put food on the table without that help, is that really optional?

Don't get me wrong, I do think that idea could work but it would take a lot of work to do well, and most works I've seen don't do the work. Even if they did though, it doesn't change the fact that most modern uses of this trope don't mention that bit or actively ignore it. It doesn't matter in most cyberpunk works I've seen if the amputation was optional or out of necessity, they still are more prone to being seen as "less human" and in most of the sci-fi writing communities I've been part of, the authors are genuinely shocked when I ask them to remember "people with cybernetics are real people already, they're not some far-off-distant future fantasy group, they're just called amputees". Like it didn't even cross their minds. These are the people creating the works in this genre. Even if it wasn't the original intention of the genre, it's still an issue in the modern version of it. Edit 2: Elaborated a little more on why I don't think the "only people who choose it" argument works in the edit. Also, please stop telling me that old cyberpunk doesn't have this issue, I literally address that in the post lol.

[avelera]

A Doylist Argument for Why Alice, Daniel's first wife, is NOT Armand in "Interview with the Vampire"

So I know the IWTV fandom has more or less made up its mind about "Armand = Alice" but I have to say, I am still not convinced. In my opinion, the discussion of how Armand knew what Alice was thinking that night was because Armand was spying on Daniel and Alice as a powerful telepath, all things we've known Armand to do, not because he was somehow Daniel's first wife and at no point did Daniel, an investigative reporter, in the present day recognize that Armand was Alice, his first wife who he would presumably have photos of.

Anyway, let's start from a Doylist angle. Doylist means, "from the creator perspective, analyzing from the point of view as the work of art as something created by people outside the universe of the story, ie, Arthur Conan Doyle wrote Sherlock Holmes, not John Watson who wrote the book in-universe."

First of all, it's pretty unusual for a show to outright lie to the audience. There used to be a whole script writing rule about it and if you look closely, it's very unusual in most TV shows for a character to outright lie unless the story is a mystery and unless the fact they're lying is well supported as being something the audience should be on the lookout for. But even when characters lie on tv, there's usually a bazillion neon signposts going, "The guy twirling his mustache and cackling is a liar!" and we're usually introduced to the actual truth at some point within the story.

Ok, all of that aside because I could talk about when and how and where and the nuances of writing liars into stories and why it's best generally avoided (unless it is the entire point, because audiences tend to take what they're told by a character at face value unless they're specifically told not to, etc etc.), IWTV by contrast with most tv shows is notorious for playing with lies and truth with this in very interesting ways.

Truly, I don't think I've ever seen a show lie to the audience as much as IWTV but even then, IWTV lies in very careful ways.

So, let's examine how IWTV depicts lies and subjective truth, and why I think this makes it unlikely that "Alice = Armand", which would be an absolutely gigantic lie to drop on the audience.

We always know that lies are going to be part of the story in IWTV. There's tons of support and scaffolding to the fact that the audience should know that this is a subjective story, that facts will be misrepresented and misremembered.

For example, it was an entire plot point with a long pay off that Lestat shouldn't have been able to communicate telepathically to Louis after he was turned and it was used to highlight that we should not take anything that happens in the flashbacks as objective truth. This has been told to us over and over and over again in this story.

This is so they can avoid the cheated feeling of a, "Gotcha!" Audiences do not like to be lied to but they do like to solve mysteries. If you're going to lie to the audience, you need to give them a chance to solve it. Generally speaking you accomplish this by telling them ahead of time what they should be looking out for and that there's a mystery incoming, you don't just "Rocks fall, everyone dies," dump it on them out of nowhere then laugh that they were too stupid to figure it out. That enrages audiences.

Now, it might seem like I'm contradicting myself here. "Avelera!" You might say, "We have it well established that something fucky is going on with Daniel's memories! A big red flag was raised that Armand has messed with Daniel too in the flashback to the 70s! We know from the books that Daniel and Armand had a relationship and the show is at least teasing that they had one in the show canon too! Isn't that enough to establish that Alice = Armand is a reasonable mystery that is being hinted at within the context of the story?"

And to this I answer, sure, it's reasonable. I think the number of people who are speculating that Alice = Armand is actually a point in favor of it being true, because a good established mystery should have enough hints that people can begin to put it together before it's confirmed.

But here are my personal hang ups about why it still doesn't feel quite right to me.

We have the fact that Daniel has ruined two marriages. This is set up early. Like, super early, in episode 1, before we even see the vampires. We also establish that Daniel's two marriages are with (presumably mortal) women and that he has 2 daughters. This is set up long before the themes and ideas around the subjectiveness and falsehood of memory are introduced. Generally speaking, you don't introduce a mystery before you introduce that there is a mystery. To my eyes, we were meant to see the details of Daniel's marriage and family life as objective truths about him that inform his character before the interview starts.

Even when we do get into Louis' interview, there is a strict dichotomy to the dreamy, subjective world of Louis' story and recollection, and the sharp reality and harsh brutalist lines of the apartment in the present day.

To my eyes, the meaning is clear: All flashbacks are suspect and subjective, but scenes that take place in the modern day are objective. They are really happening. We can speculate about what things like what the decor tells us about their mindsets and the way Armand and Louis present themselves to Daniel mean, but this isn't a dream or a lie or a framing device happening here. Modern day = objectively true.

Daniel talking about his two failed marriages and his daughters is not presented within the framework of the subjective interview flashback world. These are not facts we've been asked to question, these are the objective building blocks that tell us, objectively, where Daniel is coming from and why he's the bitter old man we see instead of the bright eyed interviewer seen in the IWTV film or books.

The very AU premise of IWTV from the books is that we are in a canon divergence world where Daniel was allowed to grow old, have a family, and have a successful professional life even if he never had a successful personal life. It is the way we are objectively meant to understand his point of view and other elements like his saltiness towards the vampires. It's how we're supposed to understand him as different from his book counterpart. I think it would be cheap to then pull a "gotcha!" about those, personally.

Now, there is a mystery introduced as far as Daniel's memory, recollection, and possible falsehoods in his own understanding of his life but those are questions like: "What happened after Daniel interviewed Louis the first time?" Which is part of the broader question of, "Why are we returning to the interview now?" Which also plays a bit into Daniel's broader questions of, "Am I going to survive this interview?" which is connected to the question of, "Why did I survive the first one?"

But those questions are generally raised and addressed within the flashback to the 70s, because flashbacks, as we've established, are (within the story of the IWTV show) where these doubts about objectivity are allowed to exist.

Note, that Daniel's 2 marriages and the existence of his daughters are not discussed in the flashbacks. What is discussed is, "Why did I survive that night in the 70s?" And we learn that Daniel's memories of that time have been tampered with, there's more to the story that it appears, and he had a moment of connection with Armand that he did not recall.

"But Avelera!" You say, "Is this not further proof of Alice being Armand if we establish that Daniel doesn't have the whole story and that he and Armand had a connection that he doesn't fully remember??"

I think it is a point in favor of the theory. I think it's a point in favor of the theory being a valid one to explore, but I'm still not sold because of a few reasons.

Armand has never:

Presented himself with feminine pronouns, never cast himself in a feminine light, never associated himself with the feminine.

Furthermore, Armand has never disguised himself as a woman. Disguise is a theme in the show, Daniel talks about how people put on disguises before he finds the truth of them. But if "Alice" is a way for Armand to disguise himself in Daniel's memory, it is not a disguise that bears any resemblance to the other disguises we've seen Armand wear throughout the show. It is not a theme for Armand, it is not related to his story. Armand is many things to many people, but he's never ever associated himself with the feminine.

Armand would not need to disguise himself as a woman in Daniel's memory for Daniel to plausibly remember having a relationship with Armand, because Daniel recalls having queer experiences in the 70s. If Daniel remembered a relationship with "Andrei", I'd be more inclined to believe he's substituted himself in Daniel's memories with a mortal. Going so far as to say, "Of these 2 women Daniel told us in the objective present that he's been married to, one of them was a man who was also Armand," just seems a bridge too far in tricking the audience for no apparent reason. To me, that feels like a cheap trick on the audience.

Now, what about those weird things Louis and Armand say about Alice when they're shaming Daniel with the memory of her?

Specifically: what about Armand knowing what Alice is thinking the night she turned Daniel down?

This is my biggest point of difference with those who theorize that Alice = Armand. After all, how could Armand know what Alice was thinking that night unless he was Alice?

To put it simply, I think he knows because he was stalking Daniel that night.

I think we are meant to go, "Wait, what??" when we hear that Armand knows what Alice was thinking that night. That conversation is mean to be a red flag when we're invited to notice that Armand and Daniel have more history together than we, or Daniel!, have been led to believe.

But we also know Armand is a powerful telepath. This is a hugetheme throughout the show.

And, personally, I'm big fan of Queen of the Damned the book. It is my personal theory that IWTV the show takes place in a world where Armand and Daniel had their "Devil's Minion" whirlwind romance in the 70s, but instead of Armand turning Daniel as he requested, he wiped Daniel's memories and then let him go.

IMO, Daniel continued life thinking that he'd lost his memories of the 70s due to drug binges, and then from the 80s onward lived a relatively normal life with his two failed marriages to mortal women, his two daughters, and his award winning career. That's the divergence point.

To me, it seems much more plausible based on everything we know about Armand, that after he "freed" Daniel from their relationship and "allowed" him to live a mortal life instead of "cursing" him with vampirism, that Armand continued to stalk Daniel. Because that's what Armand does. Even in the Devil's Minion chapter of QotD, he's constantly stalking Daniel to the point where all Daniel needs to do in a particular city to have Armand swoop in to save him is think about him really hard.

So to me, what I think that line of dialogue was setting up was not "Armand = Alice" it was, "Armand continued to stalk Daniel after their relationship ended and that is the red flag you're supposed to pick up on from this dialogue, not a convoluted masquerade where Armand replaced Daniel's memories of the relationship with a woman named Alice who at first rejected Daniel but then eventually agreed to marry him."

To me, Armand = Alice just seems too convoluted. It also seems too easy to disprove given that Daniel is an investigative reporter. You're telling me he doesn't have any photos with "Alice", his first wife? You're telling me that if Armand was Alice, Daniel's first wife, that he never looked at "Rashid" or Armand and said, "Wow, you remind me of you my first wife?" Because to me, that's the sort of line you drop (in a more subtle manner) if you want people thinking about Alice = Armand but there is nothing along those lines in the show.

Now, what about the line, "You felt safer holding her hand in Paris."?

That one is a bit of a head scratcher. That one I think does lend to the possibility that "Alice" was male, that "Alice" was Armand, because Paris is discussed as more queer friendly (even though we also have scenes of Louis and Armand receiving homophobic comments while in Paris so... idk, "more comfortable" doesn't mean it was truly accepting, much like Louis felt "more comfortable" being a man of color in Paris even if racism was still rampant, but I digress).

But I didn't take it as a comment on Paris being queer-friendly (and therefore Armand = Alice) at the time when I first watched that scene.

I took Louis statement there as much more of an attack on Daniel's hatred of Paris. Paris is the city of love. America is the country where Daniel lives and works and has his identity as a hard-ass American reporter. In Paris, though, he was able to relax and be in love, far away from his work. Daniel has now grown to hate Paris because Paris was the place where he was young and in love with his first wife, a relationship that ended badly.

I felt that Louis was more calling out Daniel's changing attitudes towards Paris, rather than implying that Paris was more queer-friendly so Daniel could be openly with his lover Armand.

TL;DR: Look, I think the theory of Alice = Armand has a lot to recommend it, but I still have my objections to it. I think it's too big of a trick to pull on the audience to say that investigative reporter Daniel Molloy wouldn't recognize Armand as his first wife upon seeing him. I think it's too big of a trick to pull on the audience because the identity of Daniel's wives has never been presented as a mystery to be solved. I think it's much more plausible that they were setting up that Armand has been stalking Daniel very closely over the years, not that he insinuated himself into Daniel's life under false premises as a woman, a disguise and identity he's never used before.

I think Alice is real. I think Armand is a stalker, and that was meant to be our take away from that conversation.

[pretzel-box]

Hello everyone.

This will be a rather long post about some things I wanna adress, including the fact that I plan to stop writing for Pressure, my OCS and other peoples Ocs in the near future.

Down under the cut is a list with my personal view, issues and some other things that lead to this decision. Maybe I miss a lot or don't go too deep into detail but the main points are covered.

But before I would like to add that this is MY opinion and MY choice. I let you think of it what you want but I also request that you respect my actions.

The first point is probably already clear from the start. Maybe some noticed, maybe not but I fell out of love with the fandom and the game itself. It became boring to play, the characters lost their charm and I can't come up with any creative scenarios anymore and the ones that already exists have lost their meaning. This may sound like the typical burnout thing and maybe it is but I'm more than certain that I wanna step away from the game and the fandom to focus on other things that bring me more joy. Maybe I start a multifandom writing blog or I just learn another hobby.

The second thing that is close connected to the first point is the fandom of the game, including the community on tumblr. A huge part are super sweet people with a very creative side. I would go as far and say that I brought some of those together with my projects and writing and it really makes me happy to see everyone interact so friendly on my blog.

But something that I haven't adressed is the fact that there are also plenty of hardcore fans, haters and weird people in my askbox or general in the fandom. It is to be expected when someone gains a massive amount of followers. But I do not accept the fact that people judge me based on what I write, who I write for, when I write and if I write at all. I delete those asks. Some telling me that my community project is awful, unserious and pulls other ocs into dirt. Other people are claiming that I don't write Sebastians Character right and oh wow seriously? I am not Sebastians creator, I do not have that ultimate deep lore and mindset to write a person 1:1. I get hate for my own stories and of course the fans could now come to my protetion and say „But Chea don't listen to the haters, you are amazing“ but it doesn't fix the thing in a slightest.

Also regards the people that praise me, some of them ( I won't name anyone) are counting to those weird people that force me. There were 2 or 3 people that acted all sweet in public only to try and take control of some story plots etc.

Also, I started writing when Pressure was first raising to be popular. There weren't many pressure writers out there. I am usually not someone that posts their work online, I don't comment on stuff and I rarely like something. But I really wanted to see more pressure fanfictions. Now we reached the point where there are more than plenty amazing writers and I can quit. There is no need for me to continue something that only makes me hate myself more because everytime I open my notes to write a story for pressure it feels like a mental torture. I leave the writing to the other blogs.

The status for now:

AASB gets discontinued.

Reverse AU gets discontinued.

Streamer AU will recieve 6 more chapters to end the story on a good term.

House of Entities will get continued for a small period of time, probably till I am done with the Streamer AU. There is no plan for the chapter count yet.

All requests in the inbox will get deleted and the inbox itself will be closed after Streamer AU finished.

Any other unnamed project will get discontinued as well.

All stories, one shots, series, drabbles and other works of mine are free to use. Other authors can pick them up, re-write them or just make an own story out of those. I drop all rights for the ideas and I won't demand any credits either. Maybe someone else would like to continue House of Entities as well.

My final word, which may sound repeating: I do not change my opinion, there won't be any motivation talks or sugar coated words that will change my stand in those things. I know some of you will try and comfort me but this is really not needed. I wish for you all to accept the outcome of this situation and move on more or less.

I apologize dearly because this is very sudden and I hope you all will understand.

-Chea

[jesncin]

Lil' musing about Public Domain, AI theft and Transformative creativity

Old essay originally written on Cohost in February 2024. With additions.

I'm putting my thoughts here because I don't want to risk going viral for subtweeting discourse again, here we go! So with the Steamboat Willie Variant of Mickey Mouse going to public domain I've seen the usual cynical pushback over transformative art. Particularly in response to overplayed EDGY DARK WINNIE THE POOH and EDGY DARK STEAMBOAT MICKEY and YOUR CHILDHOOD THING DARK NOW that inevitably happens around this time.

But to group all transformative art as derivative, soul-less, profit-driven, lazy and "reliant on past successes" is frankly just...really silly? I saw a notable concept artist making this over-simplified talking point, and I find it odd that someone can look at the most visible (by being formulaic, provocative and made by rich people) examples of public domain adaptations and just generalize all art ever inspired by a thing as uninventive and compare artists who do that to being "ai-like". It feels like the false dichotomy constantly set between "real books" and fanfiction.

We've seen marginalized people reclaim cosmic horror from Lovecraftian fiction. I've seen queer people reckon with and reclaim the queer history of Peter Pan. There's something special about taking a familiar thing and informing it with a perspective that wasn't present in its original iteration. It takes a whole other part of your creative brain muscles to adapt and reimagine something that already exists. And it can be just as creatively fulfilling as making original stuff.

While it's important to recognize and remember the origin of archetypes in stories or movements in art, I think there's sometimes a misplaced reverence put towards the original version of something. Whenever I talk about how Asian writers like Gene Yang and Sarah Kuhn have more thoroughly integrated Superman's immigrant themes in their re-imaginings of his mythos than their white peers have, I get hit with the constant "hey remember Superman's creators were the sons of Jewish immigrants (who made racist jokes about Chinese people)" and "hey remember, Gene Yang and Gurihiru's Superman Smashes the Klan was based on a radio show arc made by WHITE people first (who made the story about a binary of Good white people vs Bad white people, along with centering how white people feel about racism)".

Especially if it's a means of centering white creatives, people love to dismiss the transformative contributions of marginalized people, but especially that of people of color. It took until 2016 for the World Fantasy Award to change their statuette to not be based after the face of renown racist H.P Lovecraft, after all.

Last year I gave myself the goal to do something "unnecessarily ambitious" with no plan of pitching/printing/selling it. Just "art for art's sake", something really not-algorithm-friendly. And yeah, that ended up being a fully rendered, 40-page martian manhunter fan comic. I did it for no other reason than being a huge fan of a severely unpopular character and feeling like there was a new story I really wanted to tell about the character that would never happen in canon with how little there's been written about him. I don't think it's fair to call writing 40 pages of a new origin story, drawing fully colored pages with unique re-designs, reading hours of martian manhunter comics to tie different aspects of his lore into coherent worldbuilding, putting that comic up for free for the few other Green Justice League Guy fans to read, as lazy, profit-driven, and soul-less.

There's tons of artists who do stuff like this all the time. It just comes off as being very out of touch to view true creativity as only existing one way. That transformative media must inherently be "less". One time a white guy pitched to me some ideas he had for Superman if he ever had a chance to write him, and I said "that sounds cool, you should write a fanfic about it" and another white guy (who felt the need to come to the first one's defense), viewed what I said as an insult. There's something about doing fanart because you enjoy it and don't need to profit out of everything you make that's seen as lesser than having the seal of canonicity from a company.

My motto with making needlessly ambitious fancomics is "You don't need to work for DC Comics to make DC comics". Because canonicity has nothing to do with what makes art special.

To bring this back to edgy Mickey Mouse spin offs, even if you do just want to make cliche mascot-horrified stuff because you enjoy it, then by all means go ahead! I always go back to this video Sagan Hawkes did about petscop-inspired video series. There's a running theme about grappling with the concept of Originality in Art in relation to youtube horror projects (the thesis comes around at 2:04:10), and some valuable words are shared in the collected interviews with web series creatives (2:18:47) in the end. SeireaSong (creator behind Diminish) talks about how misguided conversations surrounding "originality" can be (2:29:43). It's so worth it to watch when you have the time.

Anyway happy 2024! Be good to each other.

[honorofthedepths]

david gaider about top surgery scars [link]

[if you can't read the pictures for whatever reason:

David Gaider: "Apparently the usual suspects are upset at how “woke” the new Dragon Age is, an apparently sudden and unexpected development in the series. Fucking tourists."

user: "Ah yes, the fantasy game with real life elements such as top surgery scars (In a game with magic, really?) and Identity politics. Because representing real life social issues in a game isn't immersion breaking at all and is really necessary for a good game with a sense of escapism." "A character creator that only reaches body proportions a trans person could generally achieve because females such as myself with a D cup can't recreate the character that i look like."

David Gaider: "Did you follow me over here just to tell me all this? How sweet. 1) I suggest not taking character creation options you don't like. Poof! Problem solved. 2) What an obsessively weird lens to look at everything through. Have you tried being less weird?"

user: "How dense are you? You can shapeshift in dragon age Veilguard, there's magic in this world but can't change your gender without top scars? You are in fact looking through the lens of real world social issues in a video game by being politically correct and superficially virtue signaling."

David Gaider: "You want this to be about the top scars? OK, let's go.

1) There's no evidence that shapeshifting can selectively, and permanently, alter body parts. Even if it could, shapeshifters can only alter themselves. Morrigan cannot turn other people into spiders.

2) Even if other magic could alter body parts permanently, and there's no evidence this is the case, not everyone has access to it. One cannot walk into a Circle of Magi and go "remove boobs plz".

3) If your issue is "why not heal?", healing magic also does not do everything. Scars exist. Why does Cassandra have a scar on her chin? If anyone could go "heal scar plz", it'd be her. Recognize there's a difference between the way it works in gameplay and lore, with healing as many other things.

4) If your issue is "how surgery exist?", you're probably looking at our own medieval world. Thedas is, at best, quasi-medieval. There are SO MANY instances of things that, in our world, didn't exist until the Renaissance or even later. It's not our medieval world and never tried to be.

But it's not about the top scars, is it? You've been presented with new information and you just don't like it. You don't want it. Like anyone who balked at the qunari change in DA2. So you try to make it about inconsistency because you feel that's stronger than this just being about YOUR biases." /end]

[snapscube]

Remember when people were calling you the "long lost McElroy sister"? Do you see the similarity at all, or do you think it's just because you share a similar creative niche (gaming/streaming/comedy) with the McElroy brothers?

Lol, "when" people were doing it.

I still get it to this day, friend, despite my constant protests.

I used to understand, and it was even expected initially if not personally encouraged! There was definitely a period of time where they were my biggest comedic/creative inspirations, and the truth of the matter is that I am a mannerisms sponge. I mimic people around me, and people that inspire me, and whether or not it's more than the average person I have no clue, but I will go through seasons of daily watching a particular personality or creator I'm fond of and/or inspired by and usually come out the other end having picked up certain tendencies VERY quickly, a large portion of those being speech patterns.

There's definitely a segment of my content around 2017/2018 or so where, yeah, you can very much tell I adopted a McElroy-esque speaking pattern directly (like what felt like 70% of other Tumblr users also did lol) and it was both because of how much of their content I was into at the time AND also because at the time I found their output inspiring as someone who was used to more... Loud Gamer forms of comedy, to put it bluntly. So at first I took the comparisons in stride and saw it as a signal of my own growth as an entertainer, and my ability to be funny in a way that wasn't just Loud = Funny.

But the thing you have to know about me, and my time as even a minor public figure, is that this comparison was not the first of its that was constantly levied at me, and it unfortunately was not the last one in the slightest. Some will remember the days in which I was a reasonably renowned "Bill Cipher" impersonator in the Gravity Falls fandom, and the pattern was very similar at the time. I dealt with people CONSTANTLY telling me that, despite all of my attempts to separate myself from the voice work I did as the character, I always sounded Just Like Bill even when I was just using my casual speaking voice. If this sounds familiar to those of you who have only been around since the dubs popped off, it's likely because I also go through the same thing ever since I became known for Sonic impressions.

And then outside of voice work I've had my style of content continue to be compared to the McElroy's body of work and even beyond to the likes of Jerma and other big-name-of-the-era content creators. And I have to once again stress: I am completely self-aware that it is not entirely unfounded. I mean, the most recent one I got was just the other day when on stream someone told me I had a speech pattern similar to Northernlion. And like, I even admitted right then and there.... yeah! That makes sense! I've had NL compilations going into my ears and brain for hours upon hours on end lately. So I don't mean to only complain and say "this makes no sense" with delusions that it's completely baseless. BUT, I guess if I do have to circle around to a point, it would be that, though I can occasionally understand comparisons, I would hope y'all in turn can understand why it might not be an easy thing for someone like me to hear, especially in the way it never really seems to go away? Even if one like Bill Cipher fades out, the whole "SnapCube is just a female version of [insert larger male peer in the content space]" thing is something that cycles along regardless. And I get it, it's human nature to compare and contrast. I do it too! But as someone who is always trying to stand out in what I do and make my own value as an individual known above the cacophony of content saturation, I do implore people to think twice about the language they use when making otherwise favorable comparisons. Recommending my content by saying something like "if you like Jerma/McElroys/NL/etc., then SnapCube gives off similar vibes" makes of a WORLD of a difference compared to "This stream is just something Jerma would do" or "Penny is just a female Griffin McElroy" (both things I have heard almost verbatim, constantly). They approach the same ideas, but one gives me so much more of a chance to like... start off a first impression as My Own Person and not just a derivative Girl Alternative, if that makes sense.

Whoops I talked about this way too much :) Can you tell I think about this a lot LMAO

Anyway here's the obligatory joke response that's been spread before

[genericpuff]

the last few episodes of persephone moping around have felt like less of a self-reflective moment for her to grow and change and more rachel griping about criticism and surrounding herself with yes men

this isn't gonna be in any way a formal essay like my usual sort, more of a slam post honestly, so fair warning that i'm gonna be a little salty here

EPISODE 263 SPOILERS AHEAD!!!!

but seriously, it's been a pity party of greek proportions because this constant "woe is me" shit with persephone that's constantly met with "no queeen you're amazing and perfect" has been going on for DAYS (real time and comic time)

literally every episode since the comic returned has had some segment of either persephone or hades (or both) being upsetti spaghetti over their current situation because oh nooo persephone made the deal with erebus and had to sacrifice something. even though they both knew that was gonna happen and yet she did it anyways. so she just continues to lock herself away in her mansion and spout adorkable quips while her husband, mother, and colleagues deal with the mess she caused.

and of course there's the constant inclusion of apollo spitting straight facts about persephone being a terrible queen and person, but of course because it's apollo saying it, it's not meant to be taken as gospel, essentially clapping back at the words of the critics who call out persephone for being a shitty and toxic protagonist by putting those words into the mouth of a literal rapist.

and yeah episode 263 had a lot of the same shit, to the point that you could literally swap out the names of the characters and the words they were speaking and it applies exactly to rachel and the corner she put herself in u.u it's been a thing for a while now that apollo has just felt like a mouthpiece for LO criticism but as mentioned by users within the subreddit during the discussion of this newest episode, it's never felt more apparent than now.

so yeah enjoy this satirical text edit of a sequence from the newest FP episode, which I honestly can't tell is meant to satirize the critical community or Rachel's reactions to the critical community because the weird reality this comic and its community exist in has just become that wack that it's hard to believe it's not directly from The Onion sometimes LMAO

-and as much as i find myself empathizing with the pressure that rachel is surely under right now - no one should have to be subject to the screeching howls of the peanut gallery - i can't help but be reminded of the memes and tweets she's put out that basically outright say "persephone is supposed to be celebrated for being a shitty person, if you can't handle her at her worst you don't deserve her at her best 💅"-

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-and how often she's ruined her own day looking for critical groups or people with the "wrong opinions" that were minding their own business, or how much she's stifled her own community's attempts to discuss the story openly by having her mods ban anyone with even so much as a question regarding persephone's integrity.

so yeah, as much as i can empathize with her from one creator to another that being under this amount of pressure and scrutiny must be immensely frustrating and exhausting, beyond that one similarity i just can't empathize or relate to this mindset of almost learned helplessness that's taken a firm grip over her writing. this is the story she wants to tell and by all means no one is entitled to make her stop, but if she's gonna keep using her greek myth "retelling" comic that's trying to be "feminist" as a mouthpiece for her own griping over criticisms that are largely on-point and justified - to the point of putting the words of her critics into the mouth of her token villain like she's playing some single player barbie doll "act out that fight that sounded cooler in your head" game - then she's gonna keep getting called out, full stop. i figured she didn't have any nose left to rip off in spite of her face but apparently not.

look, i get it, there are some opinions and behaviors within the critical community that even i'm not on board with. there are people who absolutely take shit too far on both sides of the fandom, and i think both sides need to do more to hold themselves accountable for how they interact with each other, the comic, and rachel herself. i make it a point to keep my shit in my own house, i'm not entitled to rachel's attention and frankly it's the last thing i want because i have a lot of fun here and i don't want that to be potentially ruined or dampened! but if you come into my house and complain about the decorating, then i legitimately don't know what to tell you. i used to love LO and i'm so sad for my past self knowing fully well they're not gonna be able to wholeheartedly enjoy this comic forever due to how manipulative and shitty the storytelling has become. a story that i once connected to as an AFAB who was a victim of assault and abuse and generational trauma.

if persephone being the true main villain in her own story was ever meant to be the point of Lore Olympus, then it's taken way, way too long to get to that point, and rachel herself definitely doesn't seem to be of the mindset that that's what she's become with all of her blasé meme'ing on a plot arc that she's still expecting us to take seriously. persephone was never a very complex character to begin with - being an easy self-insert for the audience and rachel to project themselves onto and relate to - but at least in the beginning she felt like she had so much legitimate potential, she was naive but put her best foot forward and clearly wanted to make a life for herself, made by herself.

now she's just mean. jaded and mean. dependent on the constant validation of others to the point of being manipulative. an absolute shell of a person who can only grow a spine when she's punching down on people weaker than her, completely incapable of standing up to the people who are a legitimate threat to her. it's not empowering, it's not subversive, it's just another pick me story about women pitting themselves against other women and never taking accountability for their own behavior, mistakes, and deliberate actions meant to hurt others, often teetering on the line of straight up narcissism all for the sake of a "boss babe" moment.

anyways, if you want an actual well-written and GOOD scene of an empathetic female protagonist struggling to find their footing in adulthood being called the fuck out for their learned helplessness behavior, go read Tamberlane, it tackles this topic much better through its main character who keeps using her brokenness as an excuse to never do better, it slaps and it's so real.

[agentrouka-blog]

What made you first interested in Jonsa? I really want to love Jonsa. Which may sound strange. But hear me out. I’ve read all the metas and from a metatextual level I really agree with and believe in Jonsa. But I have trouble actually enjoying it and I think maybe it’s because so much content seems to focus on Jon pining over Sansa. I’d much prefer to see things from Sansa’s perspective where she sees the hero in him and sees that maybe all the songs aren’t lies after all as opposed to him “winning her over.” I feel I have been inundated my whole life with stories of outcast men pining over beautiful women they see as out of their league and “winning them over” and I honestly find the trope tiring because it’s so male perspective focused and doesn’t give Sansa the agency of choosing her lover, instead, making her something to be won or earned. If you have any suggestions for Jonsa content that focuses heavily on Sansa’s point of view, on her falling for Jon first (or at least falling for each other at the same time without realizing it) I’d love to hear them! And I’d love to hear what makes Jonsa appeal to you on a personal non-meta level!

Hi there!

I too draw a difference between Jonsa as a theory and shipping it for entertainment.

I've drifted quite a bit away from what you describe as "content", which is fanworks, art and fanfiction. My tastes are very narrow and that puts me outside the target audience for a lot of what is being shared by creators. Plus, I get a great deal more personal enjoyment out of just interpreting the canon text. I enjoy what the couple represents in the narrative more than I necessarily enjoy immersing myself in different non-canonical variants.

And there's a lot of variants. You have two similar but also very different canon-sources (books and tv show) and within those two sources very different takes on the couple. For as many "Jon pines for higborn Sansa" approaches you get an equal amount of "Sansa jealously pines for her brother's oblivious best friend" modern au's. What we enjoy in recreational reading is extremely personal and subjective.

That said, for fear of disappointing you, I don't particular enjoy the "Sansa falls first" scenarios because what I like about the couple especially is the idea of Sansa finally being appreciated for who she is. Canon offers us plenty of examples of Sansa extending affection and crushes on other characters. They are never truly reciprocated, and they join in on a theme of Sansa going unappreciated for her qualities by the world around her. She is disregarded, mocked, criticized, belittled, humiliated. So much so that a large part of the fandom considers this to be justified and educational for her. She has given up on being loved for herself, but she will not sacrifice her values as a consequence. So someone falling in love with her is to me a very compelling and cathartic validation of Sansa as a person. Of course, this only works if the person falling for Sansa is actually attractive to her and embodies the things we know she has been looking for all this time. But specifically the idea that Sansa falls first fails my personal taste because it contains a sense of lacking reciprocation that we've already seen multiple times in her story. She's been not-loved-in-return a lot already.

I do enjoy the concept of Jon being loved by Sansa, too, because it validated aspects of him he usually keeps close to his chest. Things that touch on his specific mixed sense of identity as a nobly-raised bastard. He has soft sensibilities, a romantic disposition, pedestrian dreams of family and home, and highly idealistic and emotional ideals surrounding leadership that center on duty and honor. But he is generally not appreciated for those specific things. He is appreciated for his brains and his abilities, his bravery, his pragmatism, his loyalty to his friends and duties - but not for the boy who wants to be Lord of Winterfell with a lady wife and babies, who wants to be a hero from the songs, Florian the Fool, Ryam Redwyne. It's a lovely and very specific recognition of a very private part of Jon, to be loved for his secret soft self.

But it's not my primary focus because unlike Sansa, Jon still receives a lot of validation and love in the source material. It's just not the specific kind he wants. So that makes it comparatively less compelling to me.

That doesn't mean that Sansa primarily falling in love with Jon isn't an equally valid thing to enjoy! It's just that I can't make you any good recommendations on this subject specifically because it's not my specific favorite flavor of jonsa.

I wish you good luck though!