#and i don't actually complete all of them only the most important

[geekgirles]

The interesting thing about Gobbowl culture in Ankama media (and probably the aspect that most resembles irl football) is the fact that the interest it draws comes less from the sport itself and more from there being players the fans can idolise and obsess over.

Khan Karkass summed it up best: people don't come to matches to watch them play, they come to watch him.

Gobbowl fans care more about their favourite player than the sport itself. In fact, for the most part they care more about their favourite player putting on a show for them than them playing well.

And this is something that's been present in all iterations of the franchise, in the different eras (except for Waven, but the game's not quite there as far as I'm concerned).

Back in Wakfu season 1, there was Kriss Krass, who was massively popular, even when I seem to remember he didn't even play in the first division back then.

Moreover, his main flaw was being a complete showboat, but it was precisely because he knew his fans cared more about him putting on a good show than about the actual outcome of the game. I mean, the man held back from utterly cursbtomping the opposite team just so he could keep the game going for as long as possible and his fans wouldn't get bored!

Then season 2 introduced Maude as the Masked Gobbowler. In Brâkmar. Where women aren't even allowed to watch Gobbowl.

And, sure, one of the main reasons she hid her identity was precisely because if she was found out, the lightest sentence would be her being banned from ever playing again, with the highest sentence being... Well...

You know...

But that doesn't change the fact that Brâkmar holds their best player in such a high pedestal the Masked Gobbowler had a say in legal procedures and how to deal with the accused party of a trial. With no one, not even the Prince of Brâkmar, daring to refute.

And in the end, after Maude proved just how amazing her technique is by saving the city alongside Kriss from the Mmmmmporg's rampage, Brâkmar started treating having a girl as their best player as a badge of honour (if only because they thought it proved their superiority over Bonta).

And then we have the Dofus Era with Khan Karkass.

Khan, who was introduced looking for new team members with the sole purpose of making himself look better, because that's what the fans wanted. They wanted Khan. Everybody else was little more than a living prop meant to make him shine.

His fame was so great that you could say it overshadowed even Jashash's. Because even though the match was supposed to commemorate him and his sacrifice, what everyone really came to see was Khan play. Even the announcer gave so much more importance to Khan's presence over Jahash's feats.

And, again, the fans seemed to care much more about Khan as an icon than they did his actual skills. Now, don't get me wrong, Khan genuinely was a talented player, more importantly, one that recognised true talent. And Marilyn possessing his body and playing bad on purpose was a great factor in the fans' disillusionment over him during the climax.

However, it should be pointed out that what horrified them first was Marilyn shaving Khan's hair. Because that simple action shattered their ideal image of him. If they truly cared more about the sport, they wouldn't have even batted an eyelash.

(Again, this is a reflection of real life, where the moment a famous player makes a drastic change to their appearance, social media is already flowing with comments about it).

But no. They were horrified because they idolised Khan as a source of entertainment much more than they liked the actual sport, and his hair was his trademark. Getting rid of it was getting rid of what made Khan an object of envy and desire. And Marilyn, as fellow Khan Karkass Stan and scorned admirer, knew that. He knew it better than anyone. That's why he did it.

And I don't know wny I chose to fixate on this today and overanalyse a relatively small aspect of the franchise. I just guess this is all a neat piece of world building.

[thewalrusespublicist]

Re: John and domestic abuse, and your tag: 'John as an abuser is something I don't think the fandom knows what to do with'. 

I think my big thing about why and how it's all so difficult to unpack this is that the stories predominantly stem from and around the Dakota years and that is an incredibly murky time, in terms of straight facts and reliable narrative. Most of what leaks out of there comes via blackmail or disgruntled ex employees who are then silenced with gag orders. I think only May Pang's version of events is the most clear cut, level headed. And for what it's worth, I think she describes a mutually abusive relationship between John and Yoko, which I can believe. (I also take from it that she was in an abusive relationship with John, but that’s my take and I’m not going to put words in her mouth). And I know that you link to AKOM's discussion about John's beatings and abuse of Yoko, where they read from Goldman's book, but I think it's worth saying that AKOM wrote a eleven episode series to highlight how important it is not to take Tune In at face value because of Mark Lewisohn's clear bias in favour of John, and against Paul, and how this bias can inform a narrative and therefore objective facts can become subjective statements... and then go and quote *directly* from Goldman, who plainly and nakedly despises John - even three year old John is held in utter contempt! That doesn't mean that I don't believe the stories aren't true; as you point out, John and Yoko themselves have openly discussed John's violence. But just like I can't use Lewisohn as a source, unless it’s for a specific recording date, say… I can’t use Goldman either. 

So with regards to fandom, yeah, many people don’t know how or where to put John’s violence and abusive behaviour. But that is true of *all* of the Beatles. It’s an undisputed fact that three quarters of the Beatles have been accused of, or admitted to domestic violence, yet it’s airbrushed from Paul and Ringo’s stories. Ringo will forever be a beloved king and no-one will bring up the fact that he beat his wife so hard that he believed he had killed her. And as for Paul and Heather Mills; while those allegations have a right to be strongly contested, it’s a fact (and I am old enough to remember), that Mill’s was utterly destroyed in the British press (Amber Heard has nothing on the sheer hatred that the media had for Mills), to the point that her testimony was obliterated and has been erased from any narrative to do with Paul. But Paul is a Blorbo, and no one wants to fold any negative character traits into his persona. And as for John - I’m not surprised you got it in the neck for saying that John had mental health issues - but I am surprised that it came from John stans! I got yelled at for trying to discuss John’s very likely mood disorder, but the yelling came from influential Beatle people who saw that as an ‘apology’ or defence of his behaviour (which it wasn’t). I actually think of all the arena’s of fandom, Tumblr has the healthiest approach None of them are held in reverence or as Saint’s, and they aren’t just out and out assholes either. 

t/w coercion, abuse, child abuse

Hi anon, thank you for your message and for putting forward your perspective! This is a difficult topic, and I am not an expert in these matters. However, I’m going to try and answer this the best I can and with the amount of sensitivity I think this conversation needs.

Just to start off,I totally agree with you that Tumblr is by far the best place in terms of their approach towards the Beatles and their behaviour. I think in other places like Reddit, some of the fans there are older and grew up with the ‘Saint John’ image put forward by the Lennon estate. If you have that context, the minute it’s revealed that maybe your hero wasn’t perfect, the natural response is to either deny it completely or start to demonise them. It’s not healthy or productive but it’s understandable. I also agree that the fandom does not know how to deal with the allegations of domestic abuse with all the Beatles and that is a widespread problem. In the case of Paul, I think his negative traits are acknowledged and there is good discussion about it, though equally some of these issues are played more for laughs. I’m also not the right person to do a deep dive on the flattening and cinnamon-rolling of Ringo in the fandom but I think one needs to be done. I do however want to put forward an alternative perspective on a couple of points that you mentioned.

Despite my belief that all of the Beatles probably engaged in terrible behaviour towards women (the repeated mentions of Paul’s control issues from multiple sources really concern me), what sets John apart from the others is the consistency and the severity of the allegations. With Paul and Ringo, the allegations or the incidents are, as far as we know, situated in the context of a crisis and not an established pattern. This could be wrong, but we don’t have any further information to dispute it properly (Paul’s long, adoring relationship with his first and third wives and his children suggest not in his case at least). The same can’t be said for John. You raise the point that AKOM cites Goldman and how this could be seen as hypocritical and that a lot of the information comes from the murky Dakota years. I understand where you’re coming from but I don’t think this is is 1000 percent accurate. On the AKOM point, I think this mischaracterises what the ladies were doing as they were citing direct reports from staff in Goldman’s book, not Goldman’s interpretation. As Beatles historian Erin Torkelson Weber states, Goldman was excellent in obtaining information, it’s how he construed the information that raises severe problems for his credibility. As the ladies said as well, whilst they acknowledge Goldman’s problems, the tapes with this information on are available in the archive. Still, he is a dodgy source, so the points need to be cross-referenced with other sources. In this instance, the sources are John and Yoko themselves.

It’s also true that a lot of the allegations for the Dakota years are from the disgruntled employees pack and so are harder to verify, however allegations of violence and abuse both predate this period and are corroborated later on. Whilst John Lennon fanboy of the decade Lewisohn tried to downplay it, John did hurl insults and abuse at one of his early girlfriends to try and force her to sleep with him. John did beat up a random woman in the Bob Wooler incident and barricaded Little Richard in his own dressing room whilst hurling mocking abuse at him. Further, whilst Cynthia said that John rarely hit her, John himself disputes that in Hunter Davies. Post Yoko, we have reports of continued violence from different sources like Nilsson that corroborate stories like John choking May. Mintz, who was/is doggedly loyal to Yoko, was the one to repeat the story of John purposefully humiliating Yoko at the party by loudly sleeping with a stranger. Then you have Sean and Julian’s own recollections of abuse. These aren’t one off incidents, this is a repeated pattern of documented abusive behaviour that exist throughout John’s lifetime as well as the well-worn pattern of victims trying desperately to defend his behaviour in language hauntingly familiar to most abuse victims (‘he didn’t mean it’, ‘he’s sensitive’, ‘he didn’t know what he was doing.’) In this context, it is hard to say why the disgruntled employees narratives should be seen as so outlandish.  This is what sets the conversation about John apart from the others as his pattern of abuse is inescapable and entrenched in all his close interpersonal dynamics (yes, including his relationship with Paul but that’s for another time).

I’m not saying all of this to demonise John, all of this has to be understood in the context of a man with a deeply traumatic childhood, who likely had a severe mood disorder as you said, was in what I believe was a mutually abusive relationship as you and May Pang posit, and was trying his best to improve in a time period that could not give him the support he needed. But this is a lot to ask a fandom to deal with and handle carefully so often it gets shoved down or outright ignored when it’s integral to understanding who John was and why we need to take so much care in certain discussions about him.

[dvandom]

Let's talk about tariffs

One way or another, we're getting more of them soon, so it's a good idea to spread the word regarding how they work. Note, this is a simplified explanation without nuance, but nuance is the sort of thing that you gotta be rich to exploit in this case.

Here's the basics: a tariff is a tax assessed at the point of import, and paid by the importer. Tariffs always make prices go up.

Say a company orders a bunch of stuff that would otherwise cost them $100 each. Adding on their other business expenses, they will sell each for $150, with some but not all of that extra $50 being profit. Let's say at most $20 of it is profit.

Now a 20% tariff is applied, and the company has to pay $120 each. If they want to keep selling them for $150, that will eliminate their profit and might even require selling the things at a loss. So they have to raise the price. Maybe they only raise it to $160 rather than $170, but they gotta make a profit or they get bought out by venture capitalists and gutted.

The original supplier could lower their price too, but again there's only so much they can drop before they're losing money on the deal too.

Why would a supplier even want to do this? Well, let's say that the domestic competition can supply the thing to retailers for $115. The foreign supplier can stay competitive by dropping their cost by a few bucks, so that after the tariff is applied they cost $114, or even $115 but sell it on the grounds of the retailer already having advertised their version. Small, targeted tariffs can coerce foreign suppliers into taking a cut to their profits. But even in this case, no one's going to be buying $150 products on the shelf anymore, it's just that both foreign and domestic versions will be $160-165. The price has gone up a little. Maybe not the full 20% of the tariff, but a noticeable amount.

That was the sort of tariff we mostly have right now, in 2024. We're also ignoring the fact that things are so interconnected that there may not BE a purely domestic version of a particular thing, just companies with completely foreign production versus those who buy all the parts abroad and assemble them domestically. In that case, everyone's getting hit by the tariffs.

However, the "I Love Tariffs" incoming President has threatened things like 100% or higher. This is the sort of tariff you apply when your goal is to protect a domestic company and to hell with the consumers. (Actually banning imports or setting quotas can also do this, but it's harder to enforce. IIRC, Japan has import restrictions on rice so that they don't completely outsource their food supply.)

A 100% tariff means that in the example above, it now costs the importer $200 to pay for each of the things in their order, so even if nothing else changes they'd have to charge $250 each to get the same amount of profit (and a smaller profit MARGIN). Does this mean they'll just go buy the $115 domestic version? Well, they'd like to, but now the domestic version is $160 or $180, because the domestic companies can just crank up their profit margins while staying cheaper than the alternative. Domestic companies are not driven by a desire to serve the public, they're legally required to make as much money as they can (this is a big problem lately, stockholders can sue if they think a company is passing up on profits). Thus, when punitive tariffs raise the price of imports to stupid levels, domestic suppliers (even those who miraculously have their entire supply chain within the country) will run up the price too.

All of this money will come from consumers and go into the pockets of the government. Do you trust the incoming administration to spend this windfall on helping the people hammered by massive spikes in inflation? I sure don't.

[dramaism]

honestly we should normalize NOT giving a person who's going on vacation 16473736 tasks to finish on their last day

[friendofthecrows]

I miss that brief golden era from like 2012 to 2016 when the online witchcraft community was actually good and full of open minded people looking to learn more and share what they know plus maybe the occasional vampire middle schooler instead of the situation now where it's been taken over by capitalist tiktok transphobes who like to come up with ways to shift to hogwarts via their inherent magical vagina powers and then sell coated quartz to cure cancer instead of seeing doctors.

[lpsgirl109]

"Well you CAN enjoy x piece of media that i think is badly written but you HAVE to acknowledge all its writing flaws--" go take a lap Rebecca I don't have to acknowledge shit.

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[infiniteglitterfall]

know someone who enjoys horror stories? share this one! it's true!

hahahahahahahahahaha aarrggghhhhhhhhhh 3,000,000 deaths due to COVID-19 last year. Globally. Three million. Case rates higher than 90% of the rest of the pandemic. The reason people are still worried about COVID is because it has a way of quietly fucking up your body. And the risk is cumulative.

I'm going to say that again: the risk is cumulative.

It's not just that a lot of people get bad long-term effects from it. One in seven or so? Enough that it's kind of the Russian Roulette of diseases. It's also that the more times you get it, the higher that risk becomes. Like if each time you survived Russian Roulette, the empty chamber was removed from the gun entirely. The worst part is that, psychologically, we have the absolute opposite reaction. If we survive something with no ill effects, we assume it's pretty safe. It is really, really hard to override that sense of, "Ok, well, I got it and now I probably have a lot of immunity and also it wasn't that bad." It is not a respiratory disease. Airborne, yes. Respiratory disease, no: not a cold, not a flu, not RSV.

Like measles (or maybe chickenpox?), it starts with respiratory symptoms. And then it moves to other parts of your body. It seems to target the lungs, the digestive system, the heart, and the brain the most.

It also hits the immune system really hard - a lot of people are suddenly more susceptible to completely unrelated viruses. People get brain fog, migraines, forget things they used to know.

(I really, really hate that it can cross the blood-brain barrier. NOTHING SHOULD EVER CROSS THE BLOOD-BRAIN BARRIER IT IS THERE FOR A REASON.) Anecdotal examples of this shit are horrifying. I've seen people talk about coworkers who've had COVID five or more times, and now their work... just often doesn't make sense? They send emails that say things like, "Sorry, I didn't mean Los Angeles, I meant Los Angeles."

Or they insist they've never heard of some project that they were actually in charge of a year or two before.

Or their work is just kind of falling apart, and they don't seem to be aware of it.

People talk about how they don't want to get the person in trouble, so their team just works around it. Or they describe neighbors and relatives who had COVID repeatedly, were nearly hospitalized, talked about how incredibly sick they felt at the time... and now swear they've only had it once and it wasn't bad, they barely even noticed it.

(As someone who lived with severe dissociation for most of my life, this is a genuinely terrifying idea to me. I've already spent my whole life being like, "but what if I told them that already? but what if I did do that? what if that did happen to me and I just don't remember?") One of its known effects in the brain is to increase impulsivity and risk-taking, which is real fucking convenient honestly. What a fantastic fucking mutation. So happy for it on that one. Yes, please make it seem less important to wear a mask and get vaccinated. I'm not screaming internally at all now.

I saw a tweet from someone last year whose family hadn't had COVID yet, who were still masking in public, including school.

She said that her son was no kind of an athlete. Solidly bottom middle of the pack in gym.

And suddenly, this year, he was absolutely blowing past all the other kids who had to run the mile. He wasn't running any faster. His times weren't fantastic or anything. It's just that the rest of the kids were worse than him now. For some reason. I think about that a lot. (Like my incredibly active six-year-old getting a cold, and suddenly developing post-viral asthma that looked like pneumonia.

He went back to school the day before yesterday, after being home for a month and using preventative inhalers for almost week.

He told me that it was GREAT - except that he couldn't run as much at recess, because he immediately got really tired. Like how I went outside with him to do some yard work and felt like my body couldn't figure out how to increase breathing and heart rate.

I wasn't physically out of breath, but I felt like I was out of breath. That COVID feeling people describe, of "I'm not getting enough air." Except that I didn't have that problem when I had COVID.) Some people don't observe any long (or medium) term side effects after they have it.

But researchers have found viral reservoirs of COVID-19 in everyone they've studied who had it.

It just seems to hang out, dormant, for... well, longer than we've had an opportunity to observe it, so far.

(I definitely watched that literal horror movie. I think that's an entire genre. The alien dormant under ice in the Arctic.)

(oh hey I don't like that either!!!!!!!!!) All of which is to explain why we should still care about avoiding it, and how it manages to still cause excess deaths. Measuring excess deaths has been a standard tool in public health for a long time.

We know how many people usually die from all different causes, every year. So we can tell if, for example, deaths from heart disease have gone way up in the past three years, and look for reasons. Those are excess deaths: deaths that, four years ago, would not have happened. During the pandemic, excess death rates have been a really important tool. For all sorts of reasons. Like, sometimes people die from COVID without ever getting tested, and the official cause is listed as something else because nobody knows they had COVID. But also, people are dying from cardiovascular illness much younger now.

People are having strokes and heart attacks younger, and more often, than they did before the pandemic started. COVID causes a lot of problems. And some of those problems kill people. And some of them make it easier for other things to kill us. Lung damage from COVID leading to lungs collapsing, or to pneumonia, or to a pulmonary embolism, for example. The Economist built a machine-learning model with a 95% confidence interval that gauges excess death statistics around the world, to tell them what the true toll of the ongoing COVID pandemic has been so far.

Total excess deaths globally in 2023: Three million.

3,000,000.

Official COVID-19 deaths globally so far: Seven million. 7,000,000. Total excess deaths during COVID so far: Thirty-five point two million. 35,200,000.

Five times as many.

That's bad. I don't like that at all. I'm glad last year was less than a tenth of that. I'm not particularly confident about that continuing, though, because last year we started a period of really high COVID transmission. Case rates higher than 90% of the rest of the pandemic. Here's their data, and charts you can play with, and links to detailed information on how they did all of this:

Here's a non-paywalled link to it:

https://archive.vn/2024.01.26-012536/https://www.economist.com/graphic-detail/coronavirus-excess-deaths-estimates

Oh: here's a link to where you can buy comfy, effective N95 masks in all sizes:

Those ones are about a buck each after shipping - about $30 for a box of 30. They also have sample packs for a dollar, so you can try a couple of different sizes and styles.

You can wear an N95 mask for about 40 total hours before the effectiveness really drops, so that's like a dollar for a week of wear.

They're also family-owned and have cat-shaped masks and I really love them. These ones are cuter and in a much wider range of colors, prints, and styles, but they're also more expensive; they range from $1.80 to $3 for a mask. ($18-$30 for a box of ten.)

[trans-axolotl]

what do you mean reverse an overdose? How is that possible?

Hi anon.

So, in my most recent post where I was talking about reversing overdoses, I was talking about Narcan (naloxone).

Narcan is a medicine that can reverse opioid overdoses. It works on any opioids, including fentanyl, heroin, oxy, vicodin, etc. It isn't effective in reversing other kinds of drug overdoses, but would still work to reduce an overdose if your coke has fent in it, for example. It functions by blocking the opioid receptors in your brain and helps restore breathing. Narcan is not a dangerous medication, and it is not harmful to your brain, which means you can be dosed multiple times without increasing harm to your body. The experience of being Narcaned can be pretty fucking shitty, because it basically puts your body in withdrawal super super fast, and you might experience some of the effects of withdrawal like vomiting, body aches and chills, fatigue, etc. But there are not other harmful side effects outside of that. Narcan is safe to give to people of all ages, including children.

Narcan comes in both an nasal spray and intramuscular injections, but it's usually easier to get access to nasal spray. This is what Narcan looks like:

[ID: Someone holding a narcan nasal spray, which has a nozzle that can be placed into someone's nose, and a plunger underneath the nozzle that can be pushed up to administer a dose. Text on the image says: Do not test nasal spray device before use. Each device contains 1 dose of medicine. Each device sprays one time only.]

How to Use Narcan

Identify signs of Overdose

Check for Responsiveness

Administer Narcan

Support (other friends/911/medics)

To administer Narcan, you first need to identify if someone is overdosing. Signs of an opioid overdose can be when someone is unconscious, unresponsive, not breathing or slowly breathing, no pulse or erratic pulse, has pinpoint pupils, and/or has blue lips.

If you see some of these things and think that someone is overdosing, the next step is to check for responsiveness. You can do this by loudly calling the person's name, saying that you are going to Narcan them, gently shaking them, and by performing a sternum rub, which is where you rub your knuckles into the place in someone's chest where their ribs meet. If they're breathing and they respond, even if it's just making noises in response to you or physically pushing your hands away, that can be a sign that you don't need to administer Narcan right away. Still, in that case, it's a really good idea to stay with that person in case that changes. If, and only if, the person is completely unresponsive, you should administer Narcan.

Once you've determined that someone is unresponsive and overdosing, the next step is actually administering Narcan. Narcan comes in packs of two nasal sprays. Take the first nasal spray out of the box, put the nozzle in the person's nose, and press the plunger. If the person is still not responsive after 2-3 minutes, take the other nasal spray out of the box and give them another dose. I try to use the lowest number of doses possible to try to reduce the withdrawal experience, and I stop giving Narcan once someone is breathing and responsive. If they still are not responsive or breathing, and you know how to give rescue breaths, you can start administering rescue breaths. If you have to step away for any reason, turn the person on their side in the recovery position first.

After someone's overdose is reversed, it's really important that whenever possible, someone stays with them for at least an hour afterwards. Narcan is active in the body for about 30-90 minutes, so depending on what someone's original amount of opioids was, they might start overdosing again and need you to give them Narcan again. This is also why it can be important to try not to use again right away, which is really fucking shitty when you're trying to use cause you don't want to be sick, but unfortunately using right away can also put you at risk of overdosing again. When people come back after getting Narcaned, it can be a pretty disorienting and uncomfortable experience. You might not know who Narcaned you or why they're in your space, might be feeling really fucking shitty because of withdrawal, and might want to be left alone. If you've just Narcaned someone, introduce yourself and explain that you just gave them Narcan, listen to what they tell you, empathize with their feelings, respect people's boundaries, and give them space if they ask for it. Understand that they're probably feeling pretty fucking shitty in their body, that it fucking sucks when your high gets ruined, and they (justifiably) might not feel happy about the fact that you Narcaned them.

Pretty much all Narcan trainings will tell you that it's "recommended" to always call 911, but we all know that this is not always actually possible in a lot of situations and that cops always fucking make the situation worse. My policy is that I always, always ask for consent before calling 911 and if someone says no, then we brainstorm other ways of keeping safe and we don't fucking call the cops. If there's a situation where I do need to call 911, I never tell the operator that someone overdosed, because that usually gets them to send out the cops alongside ambulance, which can cause delays to care, put a lot of people at risk, and also put people, including bystanders, in legal danger. If I have to call 911, I say that my friend has collapsed/fainted/isn't breathing and keep it more vague, and when paramedics actually arrive on the scene, that's when I tell them more information about the overdose, what drugs someone took, and how many times I've administered Narcan.

You can get free Narcan a lot of places. Next Distro has resources for getting free Narcan by mail for almost every state. If there's harm reduction orgs in your area, they will have free Narcan. There's also a lot of Department of Health programs for free Narcan. Most pharmacies now also have Narcan available over the counter, but that's usually really fucking expensive and often pretty hard to shoplift cause they keep locking it up.

Even if you don't use drugs and you think that your loved ones don't use drugs, it's super important to have Narcan as a part of your first aid kit and learn how to use it. You never know when you're going to need to use it, and it's super good to be prepared ahead of time, in case your friend/family/neighbor/classmate/coworker ends up overdosing while you're there. Or in case you end up overdosing and having Narcan on you means that bystanders can help support you through it.

Here's a guide that goes a little more in depth into how to use Narcan.

Please feel free to ask if you have any other questions about Narcan or other harm reduction topics!

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[arminsumi]

★ Satoru's undercut

★ Synopsis : He fears the hairdresser like it's the dentist. One day, he accidentally gets an undercut style. He would have thrown a tantrum if it weren't for your positive response — because all he really cares about is that you enjoy his haircut.

★ Content : soft fluff, romantic tension, some mutual pining??

★ Library ★ reblog for a cake slice! 🍰

"This will ruin my life..."

"It will not ruin your life."

"I'm gonna die!"

"You're not gonna die."

"Yes, I'm gonna die! They're gonna cut my head off."

"They're not gonna cut your head off."

Satoru had a haircut appointment which you were accompanying him to as per his desperate demand request. Suguru was there also, helping Shoko with something technical on her phone. He laughed when Satoru was whining to you.

The four of you were on the train; Suguru and Shoko stood tightly packed with their backs facing other people as if they were the group shield. And Satoru sat next to you, clinging to your arm as if he were a kid on his way to the dentist.

"Don't laugh. You know I feel the same about hairdressers as people feel about dentists!" he pouted.

"Satoru, you're so weird." you said.

“I'm not!”

You shook your head at him. Satoru grumbled.

"No one understands me!" he said dramatically.

Suguru commented, "I do understand why you dislike hairdressers, Satoru; most of them don't cut your hair how you want."

Shoko nodded and chimed in, "— yup, and you usually leave with a fake smile and say "oh wowww... I love it!" but you actually hate it." then she went back to frowning at her phone with Suguru.

“My hair is important, I can't afford to have a bad haircut." Satoru said.

"Haha, you make it sound like if you have a bad haircut it could cost you millions." you laughed.

Satoru sat up straighter and spoke seriously, "It may as well cost me millions!"

You didn't understand why Satoru was being so dramatic.

****

The hairdresser looked at you, Shoko and Suguru and then wondered why so many people were accompanying this grown man to his haircut, as if he were about to get a root canal for the first time.

Suguru whispered into her ear, and she blushed at his alluring charm like anyone would.

"He's scared of bad haircuts... so please do your best, he has a girl to impress. See that one sitting there?” Suguru pointed to you, “Yeah, that's the one."

He accidentally flustered her, and he smirked about it when he returned to you and Shoko.

"Suguru, your head looks as big as a bubble about ready to pop." you joked, noticing his smug demeanor as he took a waiting seat with you.

"I think I just flustered the hairdresser on accident." he said.

Shoko chuckled, "Is it ever an accident? I think you do it on purpose — oh, Y/n, I think Satoru is trying to get your attention. Give him some comfort."

Satoru recoiled when the cold blade of the scissors touched his neck, and looked distressed when the hairdresser touched his hair.

You knew he was highly sensitive to touch, especially his hair — he hated people touching his hair (reason X for hating hairdressers). The only person who was allowed to touch his hair was you. Suguru and Shoko needed a "valid reason" for touching Satoru's hair.

But you could comb your fingers through his hair any time, any place for no reason and Satoru would go limp with a smile on his face, completely melting for the act of affection.

Sometimes when it was just you and him alone together in his apartment, especially during his sleepless nights, Satoru would lay his tired head on your lap and ask you to play with his hair. Each stroke of your hand mellowed him out. He especially loved the feeling of your fingers running through his hair when it was fluffy and long.

So really, he feared not the hairdresser or even the bad haircut, but the fact that it might be too short or not fluffy enough for you to enjoy. It had to be just right. He had to maintain his fluffy hair for you.

He wanted to make sure that when you saw him at every party and get-together, you'd think "Wow, Satoru's hair looks so good.". He wanted you to compliment his hair and make him feel good and blushy.

And most of all, he just wanted to please your eyes. He wanted you to be starstruck when you looked at him.

So, a good haircut was critical.

****

Satoru's panic calmed after you took the empty seat next to him. He watched in admiration as you struck up a friendly conversation with the hairdresser. She turned out to be kind. She was an apprentice (picture nervous Satoru stiffening his shoulders when he learned this) and her mother owned the establishment next door.

Satoru was mostly quiet and focused on his reflection in the mirror. He squinted in suspicion when the lady brought out a hair buzzer.

But then you distracted Satoru by asking about what the four of you were doing after this. He stuttered a bit, half-looking at the hair buzzer and jumping a little when it turned on.

You talked so much that Satoru was completely distracted, and the lady could work. Though, it was hard, because Satoru didn't really specify what he wanted... so she winged it.

She thought hey, this guy would look good with an undercut. So, she cut an undercut for Satoru, and looked at you and smirked. His girlfriend will appreciate it, she thought as she looked at you and Satoru talking with hearts in your eyes.

You weren't his girlfriend. But you may as well have been. The two of you were anyways soulmates since kindergarten. Sure, you went away for five years to work abroad, but the link between you and Satoru wasn't broken by the distance.

****

Satoru gasped and nearly fainted when he saw how short his hair had been buzzed at the bottom. His neck felt exposed and suddenly it felt more drafty.

"What the—"

"— oh, you look hot, Satoru." You said.

He immediately shut up and went red in the face.

"Thanks, yeah it looks... yeah." Satoru hesitantly complimented the hairdresser's work.

She beamed proudly and wrapped up the haircutting session. Satoru took off the black dressing gown and stood up and shimmied the white hair off his pants.

"The cat is shedding." you joked, making Satoru grin with sealed lips.

You picked a white strand of his hair off the back of his shirt when he stood in line to pay at the checkout. He didn't notice. Such a cute boy.

Satoru was just grumbling to himself about how he'd need a scarf or turtleneck to compensate for his "practically naked" hairstyle now.

You stared at his undercut and felt your heartbeat get a bit frantic.

Then you kept staring as you left the barber shop.

Satoru wrapped an arm around your shoulders out of habit, as if he were your boyfriend, so the hairdresser felt sure that you two were dating and said something as you two left that really made you and Satoru blush;

"Your girlfriend loves it." she winked.

"I'm not his—"

"She's not my—"

"She sure does! Thanks for everything, see ya." Shoko cut off you and Satoru from responding and shoved the two of you out the door.

****

That comment lingered in the back of yours and Satoru's minds for the rest of the day.

On the train home, you grazed your fingers over Satoru's undercut and it elicited the funniest reaction out of him; he shivered like a cat that had just been scratched in a sweet spot.

"Haha, does that feel good?" you asked.

"It does. But my neck feels naked." Satoru shrugged.

Oh my god, do that again, he thought. It felt so good.

"Aw, then Y/n should wrap her arms around your neck." Suguru said in a flirtatious murmur.

Shoko laughed and propped a cigarette between her lips.

The four of you got off the train, you parted ways. Suguru and Shoko lived in different places and had to wait for their respective trains to take them home. So, you said your goodbyes and went with Satoru.

When you and Satoru moved out of your university housing, you both decided to live on the same street. You can say it was for X reasons, like oh it's a good neighborhood or oh the prices are great or oh the apartment walls aren't thin... but let's be honest; you and Satoru just didn't want to live too far from each other. You were inseparable, even cry-babies whenever the two of you were separated.

Satoru was always clinging or touching you in some way – hanging off your shoulders, resting his chin on the top of your head, draping an arm around you, holding your hand, snuggling into your neck. The closeness brought him more comfort than his own bed. He even claimed once that he could fall asleep on you more readily than on his bed.

Sometimes he was just shy of kissing you when you two met up, or when he knocked on your apartment door some mornings. His lips would graze over yours by accident in some circumstances, and though the two of you would laugh it off, there was an unmistakable spark in the air between you and him.

****

“Do you like it?” Satoru asked.

“I love it. You look really good.” You replied.

Satoru smiled to himself, hiding his face in your lap.

The TV was playing the most recent episode of that trashy romance soap opera – the episode where the two love interests kissed in the rain. Satoru stared hard at their lips connecting, and thought of why he hasn’t attempted to kiss you again. He didn’t want to ruin anything, so he kept his confession to himself even if it was obvious that he liked you.

You noticed he went a bit silent as you ran your fingers through his hair. He made a soft, long groan when your fingertips tickled up the back of his neck and over his prickly undercut.

“You sound like a cat.” You laughed.

His eyes were closed, brows relaxed into a sleepy arch. Whenever he got drowsy in your lap, his lips would part and show his two front teeth.

****

After getting an undercut hairstyle, Satoru was living in heaven with how much attention you gave his hair. Every day you’d find an excuse to play with his hair.

It made his heart beat harder and his mind go blank whenever you touched his neck and hair. He’d get shivers and close his eyes each time you did it, and would even stop talking mid-sentence.

In time it grew out. He refused to go back to the hairdresser, and instead insisted that you cut his hair for him. At first, he attempted to do it himself, but then he wimped out as soon as he held the scissors to his hair.

So, after he practically begged you on his knees and voiced his fear for the hairdresser, you agreed.

Cutting Satoru’s hair was a whole event. You invited Suguru and Shoko over to your apartment, and the four of you were laughing in the cramped bathroom together.

You had no idea what you were doing, and the online tutorials didn’t help much.

Satoru was dramatic when he thought you were cutting it too short or jagged, and he was so very picky that it drove you nuts to the point of putting the scissors down and leaving. But then he hugged your legs and apologized cutely, so you came back. Suguru and Shoko had to get it on camera because it was pure comedy.

“Alright, fairy princess. How did I do?” you asked Satoru.

He checked himself out in the mirror. His jawline and shorter hair drove you a bit wild, it was hard to contain yourself.

“It’s okay.” He replied cheekily.

“Just “okay”?! I put my soul into this!”

He grinned. “I’m just teasing.” He said, “I like it. Now let’s test it out.”

You looked confused. “Test it out?”

“Play with my hair.” He explained, “And tell me you like how it feels or else I’ll cry.” He added dramatically.

© arminsumi

I do not permit the copying/reposting/translation/plagiarism of my works. Do not steal what I've worked hard to create.

This is fictional work.

[chuluoyi]

MARRIED ON PURPOSE

- gojo satoru x reader

"for one, i can show you incredible things!" jujutsu, madness, heaven, sin. the strongest sorcerer is sure to show you all of that during the whole duration of your six-month marriage contract.

genre/warnings: marriage of convenience, enemies to lovers, crack, fluff, slight satosugu angst/comfort, kamo!reader, very suggestive. gojo clan is portrayed as very traditional, meanwhile kamo clan is rather unpleasant here

note: the unholy amount of times i've edited this story *sigh* but okay i must drop it here or else i'm going to keep editing it and losing my mind. despite my misgivings and all, i really had fun writing this and i hope you enjoy it! wc. 5k !

a part of 1K MILESTONE EVENT

general masterlist

Some would say... marrying Gojo Satoru would be living the dream.

“Don't look that sour now, wife.”

“…sigh.”

A playful nudge at your side, a lighthearted voice— “You're going to make them question our veeery happy marriage, you know… We don't want that now, do we?”

But to you, it was more like nightmare dressed in a daydream.

It was peak comedy because why would you put marrying Gojo Satoru in your life plans? He was incorrigible, a child trapped in a man's body, and there was also the very fact that you hate him. His only redeeming trait was being born in the esteemed Gojo clan, and now held the title of the strongest.

You know you must have accumulated karma, but out of everything else, why must you end up in this predicament?

Hailing from the great clans of jujutsu society, both of you know well that marriage is the essence to make the clan greater. And when it involves the big three clans, its importance amplifies even further.

It was just that you two were too rebellious to follow it through, for one reason or another. Everyone knows Gojo Satoru was faithless to any woman, and you were not exactly thrilled with the idea of marriage as a whole.

He was the one who came to you, proposing this insane idea of a temporary marriage.

"Look at it this way," Satoru said with a wry grin, contrasting your puzzled frown on that fateful afternoon. "It's either me or Zen'in Naoya for you, isn't it? It's so clear which is the better man."

That was what grated you the most. You would be damned if you married the misogynist.

"What do you get from this arrangement, really?" you questioned begrudgingly.

His name would give you security, stop the harassment from your clan, and maybe even a better life, but you didn't quite get what he'd get from the offer he willingly extended to you.

Satoru flippantly shrugged. "Nah, you are not exactly my type, but you're still far better than the boring puppet my family have considered to be my wife."

"Who?"

"Don't remember her name. All she goes on about is that she'll be the good wife and mother of my child. Ew."

Seven hells. You scowled. Gojo Satoru and his penchant for chasing the thrill. Boring women would kill him before an actual curse would.

"And hey, for one," he shot you a smirk, visibly smug. "I can show you incredible things!"

"That's not the point! Gojo, do you even realize—" your voice rose, pulsating with righteous fury, "—how serious all of this is? My life, your life! We're going to be stuck—together!"

"Six months," he blurted, tilting his head slightly. His sunglasses slipped down just enough for you to catch a glimpse of his sparkling eyes. "It's enough time to work through our shits, and by then if you have enough, we're through."

At that time, it seemed feasible. Both of you tolerating each other to avoid a much worse match.

. . .

BACK TO PRESENT—barely a week ever since you were paraded around as his wife, now you and Satoru were stiffly poised in the studio in your formal garbs, capturing your official wedding photos.

At that time, it seemed feasible, but now, it felt like a chore, as you realized that conversing with him either spiked your blood pressure so much that you wouldn't even be surprised if you ended up with hypertension or completely sapped your energy that you were left exhausted.

"Come on, show a smiiile," Satoru said in a sing-song voice, gesturing toward the camera as it flashed for the pictures. You were beyond appalled, shooting a glare in his direction.

"I am smiling, Gojo."

"Liar. You're pouting, wifey~"

Sigh… this really is going to be one hella of a ride, huh?

MONTH ONE, and you found out that Gojo Satoru is apparently as mad as people made him out to be.

"You've got to be kidding me!" you fumed, right after he hauled you into one of the rooms in his grand, traditional estate. Your glare pierced through him, a blood vessel ready to burst. "We never agreed on ‘consummating’ the marriage!"

You wrote him a goddamn contract. And the three conditions of this chaotic marriage are: one, it would only last six months; two, no personal feelings involved; and three, nothing borderline disturbing.

And this, you concluded, was the height of what could be called as disturbing.

"We will not," Satoru replied with a hint of disdain, grimacing, as if the notion didn't sit well with him either. The audacity! "We're just going to make it as if we are—"

"And why?! Why should I do that?!"

"Why else? Because my old fart believes that we indeed haven't done so."

"Then it's your fault? For failing to convince him? Why turn it into my problem!"

"Because, dear wife," he drawled, his tone taunting on the final note. "Now we're on the same page, in case you have forgotten."

Great clans and their hollow expectations spare no one, not even Gojo Satoru. They place importance in the most banal things, such as the continuity of sacred bloodlines and such.

The only alternative wasn't appealing either. Should you be found out that you married only to divorce... sigh, you didn't even want to know how big of a scandal it would be. One thing was certain: your clan would chop you to shreds.

You really had no choice, huh?

"Five minutes," you warned, glaring at him. "Make it loud. Make it so that no one wouldn't question this anymore."

Oh and sure he would. As Satoru pulled that shit-eating grin, you were in for another ride. You waited out until several maids were nearby, left the wooden door ajar, and began the show—

His hands wrapped around your waist—the feeling was peculiar, but you ignored it—and you let him pull you near that open door. He snuggled his face on your neck—his hair tickling you in the process, but you ignored that peculiarity again—as he started making suggestive noises. "Mm, you're so pretty, darling."

You could hear those maids gasp in surprise. And to add the flavor, you faked a moan.

This is... kinda fun? A twisted part of you suddenly found satisfaction in fooling the maids. A smile tugged at your lips as you shoved him away, and Satoru eyed you in surprise and irritation.

"Husband, you're... insatiable," you worded languidly, and he immediately caught on your act, grinning. "Anyone can walk by, you know."

"Oh? But that's the point." Satoru's bright blue eyes twinkled with utter mischief, and even you couldn't deny the exhilarating rush. "I want them to know."

And suddenly you got this very brilliant idea. You swiftly moved past him and sent the books and trinkets on his desk flying to the floor, causing questionable noises.

"Oh my!" a girlish voice exclaimed.

"The master! And the lady!"

Satoru shook his head, thoroughly entertained. And you rolled your eyes. Those nosy maids would finally have enough now, and this charade would end—

"What's happening here?"

The old fart. Both you and Satoru grunted in unison. You really thought you would leave it up to the maids to spread the word, but then you were taken by surprise when he wrapped his hands around you and flung the door open, slamming you against it—and damn it hurt!—offering everyone a front-row seat to your charade.

The maids squealed. His grandfather raised a righteous, demanding eyebrow. You wanted to scream.

"Hey, gramps," he greeted jovially, breathless, his grip on you tightening and you felt heat radiating from his palm. "Ah, sorry, opened it by accident—the wife here is feisty, you see."

Your veins felt ready to burst. Was this a part of his plan all along? How would you show your face before your grandfather-in-law now that he had seen this... atrocity?!

"So, yeah, we'll resume our business!" Satoru, the idiot, said it as if it was the most normal thing in the world. "See ya!"

With that the door slammed shut, but oh no, it was not the end.

"Mmmph!?" you protested, unintentionally loud and eyes widening in alarm when Satoru muffled your mouth with his hand.

The rotten bastard! You found it nearly impossible to breathe, shooting daggers at him. "Mmmrgh! Mmmrrgh!"

"Oh... so that boy really does it huh," you heard the elder mutter in thoughtful manner from outside—and you were in disbelief at how trusting he was—before rounding the stunned maids and barked, "What are all you doing here? Go!"

You nearly sagged with relief when Satoru loosened his grip slightly, allowing you to breathe, as his meddlesome grandpa finally stalked away. Done. This horrible act was over! But wait, why did he still had his hand on your mouth?

"That went splendidly!" he snickered, appearing rather pleased with what had unfolded. "Now, if only we work together like this more often—"

This is… my life now, you lamented the reality. The feeling of his calloused hand on you made you feel things, honestly speaking, but another emotion—and impulse—currently overpowered that.

Seething with resentment, you fiercely chomped down on his hand hard, causing him to swear and pull his hand out of you.

"You—you devil! You bit me!"

"Serves you right!"

Okay, he was bad. He was insufferable. But to be frank, sometimes it wasn't all chaos.

And what's more, by MONTH TWO, you realized that being married to Gojo Satoru also comes with several perks.

"Miss, please, you're trespassing—"

You looked at the police with the haughtiest look you could muster, unamused. "Don't you know who I am?"

"No, but it shouldn't—"

"I'm that man's wife," you declared regally, motioning towards a certain tall shuttlecock a few meters away. "Is that not clear enough for you?"

For one, no one can look down on you anymore, because should they try, you have the power to raise your chin high and declare yourself as the wife of the infamous sorcerer. The very moment you did, that nosy police stopped yapping, and let you through.

The cursed boy, Yuta and his classmate had just been trapped inside a barrier a curse user pulled down, and you were assigned to look into this case by the headquarters. As much as it boggled you—because certainly, the strongest sorcerer was enough to investigate this—you still had to do your job.

“What is this?” you asked Satoru, who was observing something far beyond what your measly ordinary eyes could see. “What happened here?”

He turned to you, all with bandaged eyes. “Hmm? Oh, you’re here too?”

“Don't act surprised. Answer my question, Gojo.”

"You’re too uptight, wifey," Satoru's lips curved upwards playfully. He had taken to addressing you with pet names as of late, if anything, only to get a rise out of you. "Isn't it the time for you to start calling me by my given name?"

You let out a weary exhale, exasperated. "I'm serious, did you find anything? Who is behind this?"

"Nah, nothing for you to worry about," Satoru waved his hand dismissively, grinning. "More importantly! Let's head back and have dinner! My treat!"

You weren't that oblivious. You noticed things too.

"What do you want tonight? Sukiyaki? Sushi?" he hummed nonchalantly. "Or shabu-shabu?"

You gave him the stink eye. "Is that all you think about? Food?"

"As a responsible husband, it's my duty to feed my wife, no?"

"News flash: temporary wife."

"But still my wife, regardless. I overheard you earlier. Being Mrs. Gojo is convenient, yeah?"

You ignored how a part of your jolted at the emphasis he placed on that word, grunting. "Nah, it's meh."

Call it a feeling or hypothesis. It was similar to how he treated his students. He always said the dumbest things, but it actually served to make them feel at ease.

Then it occurred to you, could this be actually his attempt to change the subject?

"You can't cheat your way out of this." You shot him a pointed look. "You know something. Tell me."

"Hmmm? And what would I get in return?"

"Don't make this difficult. I'm on this assignment too!"

"Nah, if you call me by my name, I might consider it."

Hah. You should really read a parenting book one of these days. Taking on your husband was more or less the same as facing a kid.

"Satoru," you tested, the name rolling out of your lips far easier than you thought. Somehow, using his given name felt like some sort of a leap of faith.

He stopped right in his tracks, turning to you. His glossy lips quirked into a meaningful smile, and you felt funny.

"Wasn't that difficult, was it?" he winked, and you covered the strange heat creeping onto your face by rolling your eyes and huffed.

Needless to say, he still didn't tell you even a clue. You finally gave up, thinking that if he insisted on not disclosing it, then so be it. You trusted him on this, even as he turned your help away, and you hated admitting it, because, well…

You’d trust him with your life. He knows how to handle this better than anyone.

Being a a woman in Kamo clan is, in fact, not any better than in Zen'in—you're regarded more as a commodity than a human being.

"When will you bear the child of the bearer of Six Eyes?" in your father's eyes, you were but a tool to tie the Gojo at his hip, and your worth probably wasn't even twice of Noritoshi's. You had known he would ask this when he summoned you to Kamo ancestral home, and you weren't that naive—you had asked Satoru to join you too. But your father had insisted him to stay at the foyer, while he dragged you into his chamber.

Just because you had seen it coming didn’t mean you liked it. "Is that all? Do you really make me come here just to ask me that?"

And what came next was like a crack of thunder.

"How insolent!"

You shuddered, hating how his voice still had control over you. You wanted to stay deviant, but you couldn't keep yourself from shaking. You thought you would have to endure this shit just like you did before, until—

"Now, now... That's my wife you're talking to. I'd watch your words, if I were you."

You had never whipped your head so fast.

There stood Gojo Satoru, your husband, in all his glory. He was smiling but it was clear that he was displeased, evident from his cutting remark, and most notably, how he had unveiled his striking cerulean eyes for all to see. Truth to be told, you didn't expect him to barge in here at all.

"Gojo-sama," your father bowed his head, displaying utter respect towards him, contrasting the blatant disrespect he showed towards you just now. Satoru paid him no heed, as took big strides towards you and seized your arm, prompting you to rise to your feet.

"What is this? Why are you yelling at her?" His voice lacked its usual hint of amusement or teasing, sending a chill down your spine.

"Gojo-sama, I apologize for my tone towards my daughter earlier. I was just trying to educate—"

“My wife. She is my wife now, and it would do you better to remember that,” Satoru asserted firmly, putting emphasis in the way he addressed you, his gaze hardening. "She is an adult. There's nothing left for you to educate her." Pausing, he added, "And the way I saw it, you were just unnecessarily rude."

"Gojo-sama, there were just certain things in our clan that—"

"Please, don't call on us again," Satoru interjected decisively with a light yet firm voice. You could swear your heart was somersaulting at the sight of him staring down your natural enemy. "I'm sure you're aware, but your daughter bears my name now, and she will get the respect she is due. I will have a word with anyone who fails to treat her accordingly."

Somehow or another, Satoru whisked you away from that hellhole, your hand tightly clasped in his. Your relieved sigh didn't go unnoticed by him, as he looked back to you.

"Have you gone soft?" he teased, eyeing you with a playful snort. "Did you forget who your husband is? You've got nothing to fear. Not even him."

"Thank you," you murmured. Your heart was still pounding and your mind blanked, rendering you unable to engage in your usual banters.

His clear blue eyes widened a touch, blinking at your display of vulnerability, Then, he wore the most innocent expression, even sporting a silly smirk—the hardness from earlier gone. "I was really cool, huh? Totally made you swoon I bet."

And in MONTH THREE, you realized, as he laced his fingers with yours, as his laughter filled the air, as calmness swelled on your chest, and as you loudly snorted at his remark, that—

You felt warm, so warm, in fact, and maybe—

"Pfft, you wish."

—maybe... being with him isn't so bad after all.

MONTH FOUR, and you finally found out that it was Geto Suguru.

Everyone knew that your husband and the criminal used to be the best of friends. You saw them during your high school days, and heck, you used to think that Geto was the better man.

You could only imagine what he must feel.

. . .

When he got back to your shared house after the whole ordeal—after he ended his best friend with his own hands, Satoru honestly didn't expect that you would be waiting for him.

"You okay?" you asked him, brows furrowed in concern. It was probably one of the very few times you had displayed emotions other than contempt towards him.

It felt strange because he was used to your jabs, and he was not sure what sort of expression he should pull now, because truthfully, now he felt empty. Blank. All he comprehended was that he had killed Suguru, that he was gone, and that was something he must do.

It would be just like any other day if hadn't just committed a murder. On someone he held dear.

"Of course, who do you think I am?" Satoru swiftly replied, sounding smug—or at least tried to. "I'm the strongest. I’m unscat—"

"No, not that." You frowned, meeting his gaze squarely. "After everything."

Satoru struggled to choose how he should react, partly because most of his energy had gone after walking Yuta back and reassuring him earlier, and by default, the two of you should be hellbent on hating each other and wishing for this contract to end soon.

"Aww, are you worried about me?" he quipped with a touch of sarcasm just because he had to, to show you that it wasn't enough to ruffle him.

Because he is still the strongest, even when alone. Especially when he is alone.

You let out a sigh, looking away. "Can't I?"

"Whoa, that's sweet of—"

"Don't fool yourself," you stated in straight-laced manner, meeting his gaze with a composed expression. "You're not okay. You might be Gojo Satoru, but no one will be after doing what you just did."

You might be Gojo Satoru, but no one will be after doing what you just did.

Despite himself, his smile fell, and his chest burns. What is this? Were you sympathizing with him?

Does that mean that you don't see him as the entity... that was the strongest?

Before now, Satoru remembered you as the most uncooperative Kyoto girl he had ever met. Your first meeting in high school sealed your fate as the two of you could hardly get along. You didn't mince words, you didn't take shit from anyone else—heck, sometimes when he thought of you, what came up to mind was an impenetrable diamond.

Which was why he chose you. You were someone he could trust. You were pretty in the eyes and certainly wouldn't bore him either. His reasons were purely based on logic. And after four months with you, Satoru came to a conclusion that you indeed fulfilled all his expectations, if not more.

And he felt comfortable, or dare he say, secure even. He felt like he had gained a friend, who could see past his bravado and wouldn't judge him for it.

"You're..." you sighed, casting a sympathetic glance at him, your forehead slightly creased. At that moment, Satoru couldn't help but think you were incredibly endearing, fretting over him. "...an idiot."

"Heh." I really am, aren't I?

"I never knew him well..." you chose your words carefully, hesitant. "Did you try to convince him, before this?"

He barked a bitter laugh. "I did, we even made a scene in front of freaking KFC," he remarked with a scoff. "He didn't listen to me, until the very end."

You wanted to tell him “You have done everything you could” but the words faltered on your tongue. You couldn't bring yourself to say it when you saw the faint quiver of his lips, the slump of his shoulders—the very sight of a boy grieving the loss of his friend.

Your heart pricked too, somehow, seeing that expression on him. And you once again realized that your silly, exalted husband was just as human as anyone else who made him think he wasn’t.

"And you know what he said in the end?" Satoru's tone was flippant, as if asking the most normal thing around, but carried a trace of grief, evident in the slight drop in his tone if you squinted. "He said he didn't regret it, not even a bit."

"I'm sorry," was all you could manage.

Satoru's smile was lopsided. Now that he had finally accepted it, something inside him finally bleeds, and it freaking hurts. The pain gripped his chest like a swirling inferno.

But then, you boldly clasped his hand in yours, gently tracing soothing circles on its back.

"What?" he peered at you, feeling a ghost of a smile forming.

"Consider this emotional support."

And he chuckled softly. Despite the lingering ache, despite the gloom he was sure he would carry for the rest of his life, he felt the pain was more bearable with you by his side, somewhat.

How?

You blamed it on the alcohol, because it was MONTH FIVE and you were kissing Gojo Satoru, daringly.

"We shouldn't be doing this," you rasped between kisses, breathless, as your own sinful hands plucked the buttons off his shirt. The intoxication might have played a part, but the intense heat coursing through you made it hard to think straight.

Satoru crashed his lips against yours again, consumed by blind lust. "Yeah, we shouldn't," he replied in a rush. His breath was hot as he trailed his lips down your jaw and neck next, savoring the softness of your skin.

You two had attended a banquet for the elite, and you were unbelievably beautiful. Standing by his side as his wife, you drew admiring glances, with everyone marveling at what a remarkable couple you made. The Gojo heir who was born with the legendary Limitless and the Kamo heiress, as lovely as her clan's name was powerful.

His deft hands roamed the curves of your body, exploring every inch of you. The warmth of his hands tickled something inside you as you closed your eyes to sink into this very moment. Next you knew, his bare body was against yours and you were stripped out of your evening dress.

Lust flickered in his honored eyes, as he took in the sight of you in your undergarments.

"You're really pretty, you know," he whispered. The intensity with which his eyes scanned your form made you nearly squirm. "Shame we don't always get along."

"You're one to talk," you retorted, a hint of exasperation in your tone, as you willed all other thoughts away. Thoughts like what comes after this. Thoughts like—

Is it heaven or sin, if you feel both at once?

His thumb tenderly caressed your plush lips, a hint of a smirk on his beautiful face.

He has long been thinking about your body. He was but a man, after all. He just didn't expect that you wanted this too.

There was always this tension, only this time, neither of you could hold it back anymore. Perhaps it was impulse—hell, most certainly it is, but there was another thing, something more that even Gojo Satoru still didn't dare to say out loud.

"Eager, are we?" he taunted when you leaned in, yearning for the touch of his lips on yours again.

You huffed. “Shut up and kiss me.”

A rush of heat flooded your cheeks at the slip of those words. You were about to rectify it, taken aback by your own boldness, but then he drew you close, silencing any further protest with a gentle hush—

"Too late, sweetheart," his husky voice entered your ears, lips curling into the most wicked smile, and you were in a trance. And Satoru was once again convinced, that choosing you as his wife was the rightest thing there was.

If the two of you went with this, then there would be consequences. Things would become more complicated, harder to sort out.

But, he decided, as he captured your lips in another heated kiss, everything else can wait.

MONTH SIX, and you were dreading the day of your divorce.

You brought this upon yourself. Whenever you reminisced about that night, you wanted to smack yourself in the face and bang your head against the nearest wall.

This marriage has a time limit. And you were doing it out of convenience in the first place.

You weren't supposed to… goddammit—fall in love with him.

But what's done is done, there is no going back in time. Awkward exchanges and lingering stares had been gnawing at your insides these days, and you were sure Satoru too must have noticed them too. You two used to be more relaxed with each other, and he'd even flirt with you, but weeks ever since that night of drunken passion, you almost reverted back to your high school personas—ignoring each other.

This was tough. You didn't like this. And more than that, you were faced with a more pressuring matter...

Gojo Satoru, with everything he possessed, could have had any woman he wanted. This arrangement with you was temporary in the first place, soon he would forget you and flit to the next woman.

The thought made your heart ache, because you had involuntarily gave your heart away to him. Siiigh… What a predicament you put yourself into, huh?

With just a month left together, maybe you should just make the best of it.

. . .

If you thought that things were any better with Satoru, then you were sorely wrong because he too, was debating with himself often nowadays.

Days spent with you were fun and fulfilling. You irked expression somehow had made its mark in his heart. You were pretty, fit to be by his side publicly and preferably, behind the closed doors. With you, he didn't feel the need to carry this facade of being strong—he could be a clown tripping over his own trap and you would amuse him with your deadpan expression.

And ever since that night, he was constantly reminded by how soft your skin was against his. It almost drove him crazy now that he was deprived of it.

How was it the last month already? He wasn't ready to let you go yet.

When he got back home later after his class ended and found you in the dinner table setting the food, all he could muster was, "Hey. Haven't eaten?"

You whirled around to face him in surprise. "Oh... you're back. Just about to. Want to join me?"

Of course he would. And yet as the two of you sat down, it was so painfully awkward Satoru felt like he was dying inside.

Why couldn't he pull off a smart line or two? Where did his suaveness go? He was smoother than this, surely, with his colorful history. One night of passion was supposed to enhance the relationship, not to derail it. What happened to you both?

The salt was near his side when you reached to grab it and bumped into his hand. "Uh-oh."

Turning towards you, he found your spooked expression and your adorable eyes widening in surprise. "S-sorry..."

It was just freaking salt! Salt! Why on earth were you apologizing?!

Enough, he thought. This utter madness of being jumpy with each other. He'd start from his side.

Does he want you to keep being his wife even after all this ends? Yes.

Why? All reasons already listed above.

Does this mean he likes you? Apparently and supposedly, yes. Because if it isn't then he doesn't know what this funny feeling driving him mad is.

With that sorted out, then he only had one more thing to confirm. He put down his spoon and crossed his arms together. "Tell me the truth. Do you like living with me?"

His question obviously took you by surprise. "Huh? What brought this on?"

"Just give me an answer."

"You're so pushy," you grumbled, lips pursed, and he felt like you were finally back to your usual dynamics somewhat. Good.

"Sooo, the verdict? Do you enjoy being with me or not?"

Because to him, it was a resounding yes and more.

Ignoring the warmth that surged to your cheeks, you rolled your eyes. "Surprisingly, not bad, yeah," you admitted, mustering the courage to meet his gaze. "You're annoying, an idiot, a bit crazy—"

"Hey!"

"—but eventually you're still... manageable," you added, feeling your face truly start to sizzle. But covered it up by looking down and playing with your fingers as you still had more to go on. "What I want to say is... I'm glad that I agreed to this—with you—because I can’t imagine it with anyone else."

An unfamiliar tingling emotion rushed to his chest as his face too started to heat up, letting your words sink in. Is he blushing? Oh God. He sure is. And so did he feel hella giddy.

Then it’s sealed.

Suddenly he procured a piece of paper from his work uniform and showed it to you. You first saw his lazily scrawled signature before it dawned on you.

The contract. You almost forgot that you made him sign that looming piece of paper. You were almost dismayed, thinking that he would end this right then and there, but then—

“Well, then… I suppose we no longer need this.”

Riiip~

Your eyes nearly popped out of their sockets when Gojo Satoru tore out your contract right in front of your face, the most brilliant of his devilish grin adorned his handsome face, as he took off his blindfold to see you far clearly than ever. Heavens, you are cute, he thought.

“Soooo~ seems like you’re stuck with me from now on!”

You gaped, awestruck at the blatant meaning of it all, feeling how your heartbeat started to pick up the pace, when he pulled the rag out of your feet once more by tilting his head to the side, looking at you with a winning smile.

“Let’s start over! What did they say again? Ah, yeah. Here’s to the first day of our lives!”

[headspace-hotel]

Okay but like whenever europe and USA are compared in terms of ruins and artifacts it makes me think "oh but what about Native American artifacts and ruins" and it reminded me of another post I meant to make ages ago but forgot

A while back I went thru the library looking at all the books I could find on the history of Kentucky.

My textbooks and most "reliable" sources when I was a kid said that Kentucky was never actually home to Native Americans, it was just a "hunting ground." This is total bullshit, the living Shawnee whose ancestors lived here know it was bullshit, but how did we get there

A lot of the more recent books I found (from like the 1990's) repeated the "it was only just hunting grounds" thing

But heres the weird thing

When you go back further

The narrative is completely different

so here's the first page of a book published 1872, it's "History of Lexington Kentucky: Its Early Annals and Recent Progress" by George W. Ranck

Let the shock of this first paragraph settle in. Like, damn, this is a whole different picture being painted

now, this Rafinesque fellow he refers to, has been widely referred to as the originator of many claims about Kentucky, and an exaggerator and liar, outright dismissed and scorned by many historians.

Rafinesque is considered to be the source of many claims found in this chapter, and the pompous, flowery language used to state them makes them seem a bit unbelievable. But the claims themselves are not highly unrealistic. These are several of the claims found on pages 2-12 of the book

An artificially built stone well was found by settlers

Earliest settlers plowed up pottery fragments

Settlers dug into an old abandoned lead mine

"Stone sepulchers" were found containing human bones

A large earthen mound 6 feet high was found with pottery and burned wood

A stone mound was found containing human bones

An extensive cave used as a cemetery was found under Lexington, containing embalmed bodies

Flint arrowheads were found

Polished and worked fragments of iron ore were found

Sandstone and limestone tools perforated with holes were found

Rough ingots of copper were found

Stone walls were built defended by entrenchments

It is very important to note that this chapter is insistent that the inhabitants that built these ruins and left these artifacts were NOT Native Americans. Why? Because Native Americans didn't build stuff so advanced! Very circular reasoning.

It was a very common myth that there was some kind of "pre-native-american" race of people that existed in Kentucky. Sometimes this was a way of justifying colonization by saying that well, the Native Americans were just taking over land that wasn't theirs too, so it's okay for us to do it.

It seems to me that when it became clear that Native Americans were the first and only pre-European inhabitants, the stuff about an ancient city under Lexington and all that became dismissed as lies. But are they lies?

I tried to find out, and we know for certain that central Kentucky had many, many burial mounds (some of which I had seen the site of without knowing what I was seeing) and quite a few stone ruins. The builders of the stone ruins are referred to as the "Fort Ancient" people because the earliest settlers incorrectly assumed the stone structures they saw were forts for some defensive or military purpose.

The tools and artifacts being referenced are all known to exist, except I think there aren't any confirmed extant examples of pottery.

The most widely criticized claim in the chapter is the underground cave used as a tomb, but I don't see why—central Kentucky is a limestone karst region and EVERYWHERE has a cave under it. The embalming or mummifying of bodies could have been a flourish or rumor, but the essence of the claim is totally reasonable. Then again, it might not have been, since the area had access to sources of salt. The supposed "lead mine" probably wasn't that specifically, but it's known that Native Americans went inside, explored and used caves.

It was really interesting to me how so many later sources dismissed these claims despite most of them being plausible or just true, and how many of those sources repeated the idea of Native Americans using the land for hunting but not "inhabiting" it. It is two different ways of denying Native Americans were here.

[tofixtheshadows]

You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.

The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.

For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.

I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.

Like, this

is funny.

But this?

Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.

The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.

I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:

Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.

And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.

[saturnicos]

Giving a bracelet to them

With: Adam, Alastor, Angel Dust, Charlie, Lucifer

ps:: reader's gender is not mentioned

. Charlie

She absolutely adores! Extra points if it have some decoration with rainbow.

She'll use all the time, only take off when goes to bed and when goes to take a bath — she is worried if she ends up breaking or losing the pieces, so try to be as careful as possible.

As she organizes and takes care of hotel paperwork she tends to feel stressed, and unconsciously looks at the bracelet, a smile forming and her spirits slightly picking up again. She's really happy with the gift.

"Wait, this's for me? Really? It's so pretty, thank you so very much!"

—

. Alastor

He... Definitely have it.

Like, don't get me wrong, he just not knows how really feel about it since he has never received a gift before from anyone, except from his mother.

Deep inside, he actually likes it! The color scheme matching with his clothes, and it isn't so much decorated and colorful; or how he would like to say, simple things are more pretty.

Alastor isn't using the bracelet frequently, most because he not like that type of accessories so much. He'll probably use when is far from you, like a way to remember of you and stuff (this man don't use phone not even if the world frozen), but in the most of the time the bracelet probably will be in the pocket of his coat.

"What do you have there, my dear? Oh, a bracelet, that's very interesting."

—

. Adam

He... Definitely have it/2.

But it's the opposite.

He's a bitch that will probably mock about it, but will quickly change when you feel upset and try to leave him alone, saying something like "Just joking, Sugartits/Hunk, I actually liked that, give me".

He'll use ALL the time, except when he's going to the extermination.

He will 100% brag about the bracelet to anyone when he gets the chance, saying how you spent your time making gifts for him (he's a complete idiot that loved this thing, but will never admit bc high ego lol).

Lute can't stand him talking about this damn accessory anymore, please, she begs you not to give him anything else.

TOTALLY extra points if it has a guitar pendant.

"Of course you make it for me, after all, you are madly in love with me"

—

. Angel Dust

Now, I think it's important to point out that Angel would act a lot more like Anthony with his S/O.

Using this as a base, he'll be SO happy receiving a gift from you. Obviously, he'll make some dirty joke about it, but deep down he wonders why he received it if it's not a specific date.

This poor boy is emotionally broken, little acts like this make him feel so moved and loved ☹️

Every time that him have a breakdown and isolates himself, Fat Nuggets comfort him, laying next to him and gently plays with the bracelet (or if he isn't using, Fat Nuggets will pick it up and take it to him, as if knowing it is an object of comfort).

"A gift? For me? You're so kind, baby~."

—

. Lucifer

Listen to me: this man would probably feel so much like crying — with joy — and nothing convinces me otherwise.

He'd passed the lasts seven years alone, without any love or compassion, having you in his life it's a great gift for him. Now, receive a gift from someone that he considers his greatest gift? God-

He would also be one of the will use all the time. Seriously, this guy probably don't take it off in any occasion, it's a regular reminder that there is someone else besides Charlie who loves him.

He's so grateful to have you.

Later, he'll make matching necklaces with duck pendants for you, he thinks that's a lovely way to say thanks :)

"What is this, sweetie? Oh... I'll use, that's so beautiful, thank you a lot."

Thank you for read !! I'm so sorry if this is ooc, but I hope it was pleasant anyway :)

[aplpaca]

On one hand plastic fiber is bad for the environment and its production should be regulated imo but also like the way most of the posts talking about the issue are framed is really tiring and doen't sit super well with me bc theyre all "these fabrics are horrible and feel bad and we should only ever use natural fibers and nothing else and in a better society polyester wouldn't exist."

but like. I'm autistic and my main sensory issues are with touch and texture. I can't wear like 98% of clothes sold in stores bc the styles and fabrics set off my sensory issues and make me feel like I have to rip my skin off and break my skull against a wall. And a solid 75-90% of what I'm actually able to wear is polyester bc of how it stretches (for reference, polyester clothing is about 50-60% of the market). Pretty much everything I can wear that's not a generic cotton t shirt is largely polyester, and I have not found any natural fibers that are wearable for me without also incorporating polyester. Like I can honestly make an argument that access to polyester clothing is an accessibility issue for me. And there's no way I'm the only person this applies to.

So like. the framing of "and it's such a shitty bad-feeling fabric" as a reason to limit its use is just. literally not true for a lot of people (even those who don't have sensory issues. If no one thought it was comfortable, it wouldn't sell, my man). and also completely irrelevant to the actually important environmental issues.

also like. With addressing the environmental issues of polyester and other synthetic fibers, it should also come with consideration of like, either finding an environmentally friendly alternative that's *actually* a valid alternative in terms of texture, stretch/behavior, and utility. or, in the absence of an alternative, finding a way to reduce the production of and reliance on polyester without making it impossible for those who can't tolerate other options to find clothing that works for them and doesn't make them feel like they're physically combusting

And "polyester bad shitty fabric and I hate it i love you linen uwu" does neither of those things (also I fucking hate you linen). like. If I could wear 100% natural fiber pants, I would. But I literally can't do that without having a meltdown. So until that issue is addressed, the "just wear natural fibers"/"we need to only use natural fibers" type of clothing sustainability campaigning unfortunately isn't accessible to me and others with similar issues