#and i can already do a lot! I'm not complaining

[monstercangirlofficial]

My heart goes out to people thinking about leaving the US today, to people who are immigrants, to black people, to trans people, to women, disabled people, indigenous people, to people who have to go to work today at black owned businesses, to people who are visibly trans, to people of color, to people from marginalized communities, systems and therians, people struggling with money, people struggling to find a job, people who don't have a support network, to people living outside of the US who are affected by its actions, to people from Palestine, Congo, Sudan, to people who have already lived and suffered through fascism before, to people who will see and feel it for the first time, to people who wish they hadn't woken up today, to people who knew this would happen, to people who did whatever they could to stop this, people who thought they could make a difference but feel like they didn't do enough, and to everyone who is scared today, my heart goes out to you all. I love you

I hope you have people around you right now who will not rub in your face what an obvious outcome this was, but that your fear and sorrow are valid. I hope they can comfort and be there for you, when it feels like the world is crumbling around you. Today you might leave your house terrified, and I hope things go as well as they possibly can. Your fear isn't unfounded. You've very likely lived through this before, and many others did, and you'll get through it. It won't be easy. I'm sorry. We've been here before. Democracy has failed you before. You still matter. The lives of people who are struggling right now matter. A lot of people right now are afraid, contemplating suicide, reliving their trauma, and things feel hopeless. Marginalized people have survived a lot of horrible things. We've been there for each other, and we have to be there for each other right now too. You deserve dignity, but institutionalized democracy won't be there to give it to you. Please, look after yourself. You matter. The life that they're trying to take away from you matters. I love you

You can only try and be there for others and yourself. You can only try and do good, and follow your convictions. You can only try and stay alive and enjoy the company of those around you, to enjoy life, and to enjoy anything comforting right now. You can only try and organize yourself and your community, support others, comfort your friends, hug someone you care about. Make art, complain, do something, do anything. But rest too. You might be exhausted, and there's only so much you can do. Fixing this, fixing the world is not your personal responsibility, but a community effort. Focus on the small, manageable things. Be there for those who are close to you. Try not to overextend yourself. Drink some water, exercise, pick up a new hobby, write a poem. Comfort others and accept their comfort. They want you to be well as much as you want them to. You'll get through this. You'll live. I love you

[mimicofmodes]

I saw a post going around about costube historians analyzing period film costumes for accuracy and it kind of got under my skin, so I'm sitting down and writing ... not exactly a response to it, but a discussion of the topic.

(It would be a direct response except that I don't actually watch costube, because quite frankly I can't watch/listen to people discuss things I already know. And I don't want to be like "they don't do X!" when maybe they really do X and I'm just not aware. But a lot of the complaints hit the same points that have been brought up against fashion historians for reviewing costumes for decades. I would also note that I have looked into specific videos where there were claims of terrible costuber behavior and watched them and found nothing.)

If you're going to analyze a period film's costuming in any way, you should still interact with the historical aspect to some degree. If you want to talk about the use of bold stripes in Tim Burton's Sleepy Hollow, for instance, and you don't mention that they were in style during the period the film appears to be set in, it's kind of weird.

Likewise, yes, if you're critiquing primarily from the angle of historical accuracy, you should also engage to at least some extent with the reasoning behind the inaccuracy. If a reviewer doesn't do so at all, then yes, their review is probably not as good as it could be.

People pointing out an inaccuracy (or many inaccuracies) are not inherently scolding the costume designer. Even if their tone is something other than sweet. Sometimes they are scolding other people involved in the production, like the director who mandated a particular costume, or just a general notion of TPTB. Usually they are divorcing the art from the artist, though, and just reviewing the costuming from their particular viewpoint and knowledge base for a likeminded audience.

Sometimes, yes, they are complaining directly about the costume designer. This is not a crime. Some costume designers (for instance, Sandy Powell) have an incredible grasp on fashion history and excellent taste when it comes to diverging from it. Others simply don't have as in-depth of an understanding and make design decisions sometimes based on stereotypes and myths. Some costume designers will explain their decisions in interviews or blog posts and make it clear that they didn't make a truly informed decision about accuracy because they didn't know enough about the period. It's important for both sides of the equation to stop painting the other with too broad of a brush ("ivory-tower elitists who have no idea of a production's needs or budget" vs. "costumers who know how to sew but not how to do historical research").

If you're allowed to complain about a writer or a director or an actor doing something you don't like in a movie, you're also allowed to complain about a costume designer. You're allowed to have aesthetic preferences, and even to talk about them without hedging every five seconds to make it clear that others can disagree, although some of this is beneficial with any critique. Why would it be otherwise?

This seems really obvious to me, but maybe it's not? But "they costumed that female actor in an anachronistically sexy way because sex sells" is a feminist issue. The assumption that women's bodies should be sites of less-clothed allure while men's should attract by being more covered (with more layers than in modern dress, with cravats, etc.) is sexist. Complaints about female characters being costumed inaccurately are often being made along these lines, and pointing out that the producers insisted on it or something does not mean it's suddenly unproblematic that every female character deemed fuckable has to have low necklines at all times and modern shiny hair.

It's true that fiction isn't non-fiction and shouldn't be taken that way, but it's also demonstrably true that viewers do take cliches in film aesthetics as accurate when they see them enough times. People cite Scarlett O'Hara's 18" waist. They believe there were no bright colors before the 1920s and that women couldn't have put their hair up unless they were wealthy. These beliefs have consequences when it comes to public perceptions of history, and if films perpetuate them it's perfectly reasonable to point out that they support ideas about e.g. gender roles that trads express today.

It's also simply funny when a film's hair or costuming or makeup is supposed to evoke a lack of artifice but actually requires quite a bit of artifice because people don't naturally have perfect hair and skin and so on.

If you don't like reviews of period films that focus on the accuracy of the costuming, maybe ... don't watch/read reviews by fashion historians and historical costumers? At least unless they're vetted for you by someone who doesn't mind that?

[romanianradfemmefatale]

The “there is a trans GENOCIDE going on” is so obnoxious to me, especially as a Black woman. Is anyone talking about the black maternal mortality rate as a “genocide”? Do we frequently call racist police brutality a “genocide”? As far as I’m aware no. What is it exactly that elevates/legitimizes transness as this non plus ultra of oppression?

Because it's a male movement,it started with males,otherwise it wouldn't have taken root in western society. Male entitlement is thinking that a boundary (getting rejected,not being welcome in female only spaces) is opression.

This is the model they are using to argue that there is a trans genocide going on,I first saw it on tiktok a few years ago,some of them are claiming we're already at the 8th stage.

If you look at this graph you can actually see that a lot of these apply to females and poc,yet indeed no one says anything about a black genocide or a female genocide,even the term femicide is highly debated.

It really is just an ideology born out of too much comfort,imagine going out of your way to be opressed (look like a woman) and then complain about "discrimination" (people seeing through your bs fetish),meanwhile females on the other side of the world can't even speak to each other lol.

Here they come crying about how it's not a choice! Yeah,being gay,black,female is not a choice,you don't become gay through expensive surgeries,being black doesn't come with the option of staying white. There is no such thing as a gender identity and if there is such a thing as gender dysphoria it shouldn't be treated by endorsing the patient through surgeries and "gender affirmation",just like we don't presrcibe ozempic to anorexics or nose jobs to body dysmorphics (ha,at least we shouldn't). Gender dysphoria doesn't make someone the opposite sex,it just makes them dysphoric.

The genocide argument is just fear mongering so you feel guilty to disagree with their ideology beause if you do you are participating in an *ugly buzzword*!

I'm so sick of their made up problems

Also let's take some of these points

While it may be true that they face discrimination for presenting gnc that is not isolated to transgenders,they also do not face any exclusion through dicriminatory laws as far as I'm aware,in fact many of them are gaining the right to female only spaces and sports? Many TIMs are winning awards in female only competitions (such as Dylan Mulvaney winning woman of the year) would that happen in an ongoing genocide?? (Did any jew win aryan of the year during the holocaust?)

It just feels a tad insensitive to compare not allowing males in women's prisons to the segregation of jews,no?

There aren't any basic rights being taken away from them systematically (if you think banning hrt on children is an infringement of body autonomy you can fuck right off,minors are also no able to get any tattoos is that a violation of their body autonomy? These are experimental medical practices,not something to play with)

What loss of liberty? What freedoms are they loosing? What systematic violence? A lot of TIMs are in prison for literal sex crimes because it's a fucking fetish and paraphilias go toghether not because they are targeted 😭 this is no stereotype or fear mongering either, it's a statistic.

In fact,if they were going through a genocide we would be able to speak against them freely without loosing our jobs and being shunned.

Edit: i just scrolled through the trans genocide tag on tumblr and surprise suprise most of it is TIM porn! The other half is them complaining about laws that restrict rushing children into medical transition...yeah boy what a genocide!

[conundrumoftime]

heavens above

Look: there are a lot of Haladriel Discords and groupchats. I'm in some of them, I'm not in others, there's plenty I don't know about. There is not a Haladriel Discord specifically set up to talk shit about newer fans on Tumblr (or if there is, I don't know about it and I'm not in it). Anyone who tells you that is Making Things Up, and if you've been in fandoms before you may want to have a think about why they'd do that.

Lots of smaller groupchats include safe spaces for people to vent about things that are frustrating them in fandom, without personal attacks or co-ordinated harassment campaigns. And if you don't like any of my Tumblr takes - or my ships or my fic or whatever - I absolutely encourage you to go complain about that in a private groupchat somewhere. (also! I know this happens already! and it's FINE.)

To answer two specific questions though: "Why didn't you speak to Apolo directly?" (I did; see below!), and "why didn't you just block Apolo" (I did, right after that, when Apolo's response made it clear she wasn't interested in listening to a different point of view on this one).

For context to anyone who missed this/can't see it because of blocks, I'll put here the post I was responding to and my response itself, which was also informed by seeing Apolo say previously that there are no Celeborn fans just anti-Haladriels. You are free to judge for yourself which one of these contains the language you are happier with seeing in fandom about other fans.

This is my post from Saturday about how I would like Celeborn to return in TROP;

This is from Apolo's post two days after that, addressed to people who want Celeborn to return in TROP:

and this is my comment:

Not going to comment on it or any of this beyond that.

My messages are open and anyone is free to speak to me or ask questions or whatever they like at any time. Or you can block me for whatever reason, I won't get offended.

[invisiblegarters]

Heads up that this contains very light information about the THK novelization.

I can't say I agree with a lot of this.

I feel like this is essentially turning on a romance channel and then complaining about all the romance. I get that it can be frustrating to want more and then not get it, but I don't feel like these shows ever promised us that. Kidnapped trailer made it very clear that it was mostly going to be about romance with some action on the side (as well as taking every opportunity possible to get Ohm half naked, thumbs up show). Only Friends mock trailer basically gave us everything we needed to put the pieces of the ending together, not to mention Jojo said it like four times. Khaotung spoiled the SandRay endgame before the show had even aired, lol. The Heart Killers trailers are much the same.

And Jojo is once again on Twitter telling us exactly what he's doing. If people choose not to believe him or to expect something different anyway, that's not his or the show's fault. This is supposed to be 10 Things I Hate About You with guns. Did you watch 10 Things I Hate About You and get surprised that Patrick and Kat wound up together in the end? That Bianca and Cameron became a couple? That the story mostly focused on the romance between them? It's a romcom. Hell, even the grittier version of Jojo's romance with guns had the main trio all end up together (even if I was so upset that my unexpected fave didn't make it that I couldn't actually enjoy that the first time I watched)! This isn't a phenomenon that happens only with BL - most romances have the main couple stay together even when they really really shouldn't. It's a staple. No one has to like it but it shouldn't be a surprise.

There's also been a lot of chatter about how Jojo wanted to break up the couples in OF and couldn't because of capitalism and the awful fangirlies, but I really don't think that was the case. I have looked for anything where he says that he wanted to work with no couples at all, and all I can find is him saying that he knew he wanted Mark and Neo for Nick and Boston from the beginning.

And considering they were the only non paired couple (despite Neo's best efforts, lol), that makes a lot of sense when you consider that they were also the only couple in the show to break up. I think it's less that Jojo was being forced into using cps and more that there were always meant to be two endgame couples from the beginning. People just took the Nick and Boston casting and Jojo's comments about them and ran with them to fit their own narrative. Now full disclosure, I have had to base this mostly on interviews - I don't have a twitter account so searching there is rough for me. If there is something on there that contradicts me, please bring it to my attention. I have zero problems admitting when I'm wrong. :D

Now as for THK, is it going to be good? This might get me in some hot water which I do generally try to avoid, lol, but I've read the novel so no. I have to say that for me personally I don't think it will turn out to be something I am into, not even as a turn my brain off and enjoy the pretty and ridiculous (which is what I do with Kidnap, incidentally, and I am having a great time even though I've been missing Title and would love him to come back and be hilarious) kind of way. But do I think that's going to be the fault of pair brands or the fangirlies? No. It's more because Jojo plays favorites with his actors, and always has. The ones he likes best get the best characterization and more stuff to do in general. Pretty much without fail. It's something I've noticed about his shows for a while now and it's easier to ignore in a show that is more of an ensemble (unless one of the ones that he's ignoring is someone you personally enjoy), but this isn't an ensemble show. I think there are shades of this bias already in the trailer, and if the novel matches up to the show as accurately as people expect, well. It will be even more obvious from the first episode exactly who this show is a vehicle for, and it ain't a pair at all.

That said, even if this annoys me personally, if it winds up as I expect I will just not watch. That's the only power I have here, and I'm okay with that. It's Jojo's thing and I really don't feel l have the right to tell him he shouldn't be doing it. Not every show is for me, and frankly if I was getting sick of GMMTV as a whole I would just stop tuning in. There are other companies that are rising up and doing their thing, and they are producing content I enjoy. There are other countries producing QL that I love. And I'm lucky I guess in that even though I enjoy a show that explores deeper themes or points out injustices or has something it absolutely wants to say (there are more I'm sure but a few that come to mind off the top of my head are Not Me, and I know you don't like it but The Eclipse (knowing the background of that one makes the anger in it really transparent to me), The Warp Effect (not a BL really but counting it anyway, and actually hilariously this is a great example of a show that I was annoyed with having a pat ending. But my annoyance doesn't change anything, or make what was being done less apparent. It just means that I wanted something else and that's okay but it's not their fault I didn't get it), my bread and butter is actually characters. I love thinking about why characters do what they do and dissecting the shit out of their motivations and reactions. Gimme a complex character over a complex plot any day. Not that we can't have both (and the ideal show does), but even if we do I'm always gonna focus more on characters. So in the end shows like Only Friends work for me because there's a lot to unravel there on a character level, although as I already said a lot more for some than others. Maybe that makes me a pleb or will get me judged as unintelligent but I've looked deep into my soul and decided that's okay, lol. 

And it's not that I think that these shows (or my faves) and what they do shouldn't be criticized or anything like that, that's absolutely silly. People have all the right in the world to criticize. I just think that it sometimes reaches a point where it starts to feel like people are watching this stuff just to get mad. And honestly I just think that that sounds miserable. The best lesson I ever learned was that when it comes to my leisure activities, if I'm not having a good time it's okay to quit.

I'm not expecting agreement; I think the two of us look at things very differently on the whole, and that's fine. I just wanted to add my two cents. I absolutely think that stuff is being done within the genre you would love, I just think that GMMTV is not really the place to find it, nor do I really think they ever promised that.

Hey,

I'm not 100% sure how this works. Also this is more of an opinion than a question. I just feel the need to brain dump. You are under no obligation to reply. 😁

I fear that First and Khaotung are being wasted at/by GMMTV. They're both stellar actors and seem to have the sensibilities to tackle more serious material.

I feel like coming off Not Me, the themes in The Eclipse kinda went over my head. My fear was and still is that I didn't understand all the nuances. And that's why I felt like the show was lacking. Also I think the very first preview set it up as an entirely different show (more supernaturalmystery/thriller) in my head, so there was a disconnect there as well.

Their next project was Moonlight Chicken where both of them shined as actors but negligibly as a BL pairing. Having said that, they seem to be on very solid ground in the BL fandom - I am referring to their fan meets.

Only Friends was a masterclass of acting as far as FirstKhaotung were concerned (i was all about Ray and Sand), but I think the overall reputation as show that fell flat on its face overshadowed or at least took away (for me) from the gravity of FK.

And now we're here. With The Heart Killers and I am very wary of how Ota all going down. I see that the final trailer got over million views and I'm happy for them, but based on I think the absolute travesty that was OF, my expectations for this show are on the ground.

I really want more of an insight into how projects are picked up and distributed inside GMMTV (if you ha e any, I'm dying to know). I feel like they would benefit greatly from being on a show like PS I Hate You or something like Peaceful Property.

It feels like they're backsliding in terms of material given. Which I am sure is a) not their fault and b) me possibly being weird and dramatic in the wee hours of the morning. But I wanted to get it off my chest and I was reading your previous reviews when I felt, and then gave into the impulse to write to you.

Also I'm a MaxTul girly too and somehow, you made me want to give Make it Right another chance.

Have a great week ahead and keep up the absolutely exceptional work! ❤️

NIHILISTIC! It's great to hear from you! And thank you for the compliments!

TW for girlies out there who are not Nihilistic: this post will contain criticisms of The Heart Killers trailer. Read at your peril, delicate hearts!

I'll go backwards to save the biggest stuff for last. If you write anything about Make It Right, please tag me! @bengiyo and I always give a little DJ air horn to each other when we've nabbed another one into the broader cultural reconsideration of this AMAZING show. MaxTul, man. Nobody beats them! (Okay, almost, Tul admits he wasn't the strongest actor, but. We'll let it slide, dahling!) Chemistry, humor, pride representation, everything, they're great. I yelped when I saw them in Triage!

Okay, so you are a FirstKhao girlie, and you're worried about what The Heart Killers bodes. (Out of transparency, I have The Heart Killers tag filtered because of Only Friends PTSD. I'm gonna filter my own post!) For you, Nihilistic, I just watched the trailer for it.

I will get to all your questions about the GMMTV model in a moment.

Now, out of even MORE transparency, I am watching the MESS that is Kidnap right now, and listen, it's NOT GOOD. I'm fucking not even writing about it anymore, I'm just reblogging the sessy gifs. I am watching it to support Ohm Pawat, and am hoping that this partnership with Leng Thanaphon will hopefully lead to better scripts.... somewhere. (Or at least, better scripts for Ohm at a place like One31 or Channel 3. I also hope Ohm keeps up his anti-branded pair stance, but if GMMTV forces him to pair permanently with Leng, it won't be a fucking surprise, and more on that below.)

To focus specifically on THK for a sec: the THK trailer evoked a lot of what's gone utterly wrong in Kidnap for me. I think writing Thai BL/Series Y scripts to be different, fresh, and innovative, is just going to be really fucking hard, especially for stories featuring branded pairs that MUST end up together in the end. Because we, the viewers, KNOW that they MUST end up together in the end, what kind of mystery and conflict can a script convincingly evoke to keep us, the viewers, engaged and interested in the drama?

A few of us Ohm girlies were excited that Kidnap could have had non-romantic plot points (CRIME!!!) to drive concurrently with a romance plot. There are Series Y that have done this BEAUTIFULLY, particularly Sammon's stories of Manner of Death and Triage.

I'm sorry to say that I didn't get that from the THK trailer, and that THK smells a lot like Kidnap to me. The trailer itself is giving an indication that the "jobs" these guys have as double agents are going to be compromised due to them falling in love. And after the debacle that was Jojo Tichakorn's Only Friends -- a show premised on the exploration of mean, icky, really horny humans, a great place to start an interesting show! -- knowing that THK will HAVE to end up in a romantic place, with FK and JoongDunk being in memorable and memeable entwinements... that's a lot to ask of a show that already isn't making sense by drive, emotion, and tone in its trailer alone. What matters more to these characters? Their work, or their need to be in monogamous relationships? Seems like the latter to me by way of the trailer, which makes me wonder what the point of the plot is. (Joong's chest, probably.) (Gahddayum.)

(I haven't watched the latest episode of Jack & Joker, btw, but I understand that THIS WEEK's episode is ALSO going through something similar, with dead-end and uncommitted plot points all to get to a kiss. Oy.)

To summarize these points and to touch at your question about how GMMTV chooses scripts: GMMTV has an economic model to sell in giving happy endings to their branded pairs, which I wrote about at length in my Old GMMTV Challenge rewatch of The Eclipse. No matter where a script goes, the ending must be memorable and monogamous to satisfy the retweeting hunger of the branded pairs' fandoms, in order for GMMTV's artists to increase online engagement and to maintain earned media values to sell products.

The wonderful @flowerbeasblog noted to me recently that Tha Sataporn, the CEO of GMMTV, said in an interview that as the productions of Series Y in Thailand continues to increase, there is a greater need for more scriptwriting talent across this niche genre, creating competition for more excellent writing. (By comparison, in the States, when streaming services like Netflix and Hulu starting commissioning more original series just about a decade ago, the demand for scriptwriters and excellent writing also went up by incredible scale -- only to come crashing down recently with pandemic and strike-related losses in revenue.) GMMTV's recently announced script competition, Y Find, updated itself last week with a notice that the company would need more time to sift through scripts to judge. In other words: the demand for creative plots is so high at this company that they are literally fielding entries from the general public.

At the same time, Tha Sataporn has been blunt in indicating that "good shows" are not the priority of his GMMTV, and that talent, management, and engagement are his indicators of success. So, economically -- as long as a show hits that happy ending, and gets the girlies excited online with commentary and purchasing power, then the studio has won, in GMMTV's eyes.

ULTIMATELY, Nihilistic: what we are dealing with regarding your concern, as fans and/or critics of Series Y shows, is a conflict of values, among critical fans like ourselves, other fans who only watch shows for romance and shipping, and the economic bottom lines of the studios/agencies themselves. Some of us just want narratively good scripts, like Bad Buddy or He's Coming To Me. Others are content with having a show end with their fave pairs confirmed together in the end, no matter the process of how they got there. Those are different values we hold in watching shows. I appreciate that while you're a fan of the FK branded pair, that you want stronger scripts for them. I do, too, but that's not a value that every fan -- and GMMTV itself -- holds. And I believe that's why we've been seeing more and more mediocre scripts from that studio in particular.

I actually want to note maybe something positive about FirstKhao. Other than The Eclipse, it seems like they haven't been locked into high school or university settings. Only Friends, Moonlight Chicken -- these are shows that show First's and Khao's characters as young adults, and THK is going there, too. I hope they can avoid the university settings as they continue to work.

Is stellar acting wasted at GMMTV? Oh, yes. Besides First and Khao, who I truly think are good actors, we have Gun Atthaphan, Nanon Korapat, and Ohm Pawat -- these three guys are on my list of the best Thai actors out there who have done BL, and they haven't had great scripts in years. (Gun, arguably, has had the best pickings of decent shows recently in Cooking Crush and The Trainee, but they weren't high art; and Nanon's Dirty Laundry was the last Jojo script I was truly impressed by.) All three of these guys were in MOVIES at one point. Those ambitions, on behalf of these actors by GMMTV, seem to have gone by the wayside in preference for a huge economic push to boost branded pair-based series insteads, with their plot holes and guaranteed romances.

I hope the genre's tide turns for the sake of quality scripts, especially at GMMTV, but my hopes are low for this agency at the moment. My joy in Thai shows recently has been in watching past shows for my OGMMTVC. I've been on a lakorn kick lately, having watched The Miracle of Teddy Bear and I'm looking forward to watching Khun Chai soon. Other agencies and studios, like One31 and Channel 3, are breathing down GMMTV's neck and producing more interesting shows, sometimes with branded pairs and sometimes not. Triage only came out two years ago, and that show's trilogy (along with Manner of Death) will end with this year's airing of Spare Me Your Mercy, starring the very likely one-time pair of Tor Thanabob and JJ (Jaylerr) Krissanapoom, two gigantic artists in Thailand who are circling BACK towards the much smaller genre of Series Y for SMYM's sake. I have VERY high hopes and expectations for that show -- and that show is well out of the purview of GMMTV.

I think what you're smelling about the THK trailer is right, Nihilistic -- to me, the trailer isn't cohesive, and jumps already to its forgone conclusion of a romantic end. Unfortunately, for those of us familiar with Jojo Tichakorn's work, we know that if he was given more leeway, he'd likely come up with something more interesting. But now that he has to work with branded pairs -- who are shipped in the eyes of their fan beholders -- he's got a lot less room to be creative and interesting, which ultimately stifles the otherwise excellent acting we'd see from these young men.

[hellenhighwater]

I'm debating starting a youtube. One of the things I love about learning how to do stuff is sharing the process and skills involved with people and that seems to be the preferred platform for that kind of thing; I find that with a lot of what I'm making it's so niche or weird that there's not easily findable tutorials on how to do what I want to do, so maybe it would help if I made them? Tiktok is okay as a quick and easy way to slap process videos together but I kind of hate it and I also don't like how unsearchable and short-lived content is there.

Youtube would be a lot of work, and I'm not convinced it would be worth the effort, but on the other hand, if I could get some traction there, it would be nice to have passive ad revenue to offset project costs without having to directly sell the random crap I'm making.

I dunno, guys. This site has been home for my art for a long time, and I don't see that changing, but it would be nice to have resources to put into some of the larger projects that aren't directly sellable.

[nakaremfarlei]

Was just thinking about the amount of animals Obi-Wan interacts with compared to literally everyone else and in the Clone Wars episode where Kamino gets attacked he literally gets saved twice by the same ray-like animal and just...

The growth from judging Qui-Gon for the 'pathetic lifeforms' he picks up to whatever he has going on during the Clone Wars era. He must have gotten that from Qui-Gon though, right?

And because it's my brain and it's rotting with all the star wars stuff I am consuming I was thinking of Obi-Wan saving all these creatures and the 212th having to deal with that. Surely they made one of the rooms pet proof in case one of them needs a new home. There also have to be clones who love that because of course Obi-Wan can't really take care of rescues on top of all his duties.

After the first few times this happens Cody learns to order animal food and other necessities. And if the Republic doesn't fulfill these requests or asks too many questions he'll just have to make sure to organize them on planet during the campaigns.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[kenobihater]

23 is young and i don't wanna go acting like it isn't but sometimes i see stuff from baby zoomers and i feel fucking ancient. skibidi toilet? i have yet to understand what that's referencing. reality shifting? i was into new agey stuff as a teen and i get the whole law of attraction/manifestation thing, but the rest is all greek to me. a good half of the aesthetics i see talked about online? literally got overwhelmed when i stumbled on the aesthetics wiki last year and i feel like an idiot seeing all these kids list off like 4 different hyperspecific aesthetics to describe themselves 😭 girl what does any of that mean? patiently explain it like i'm 85 when it comes up, or don't expect me to know what the hell you're talking about. i'll just end up smiling and nodding like your out of touch grandpa who loves your energy but is frightened by cellphones and the concept of smartfridges 💀💀💀

[sskk-manifesto]

(*・ω・*)b♪

[tittyinfinity]

when you're disabled, being financially abused by your parents never ends

[girlscience]

I hate getting into something that has a canon(ish) sapphic couple, but I only end up caring about one of the two women 😭😭😭

[thefirstknife]

Peeked at twitter again unfortunately, and apparently people are mad that this week's seasonal story update was shorter? Literally it's a season that launches with the expansion. Every single one of those was smaller and lighter on the content.

Personally, I am enjoying that this season's storyline isn't too demanding. Clearly I love when we get a lot of lore, and we still get the usual initial dialogues, a lot of new weekly mission dialogues, ending dialogues and radio message + 2 lore pages. I have so much shit to do with Lightfall AND the exotic mission launched today which added so much new stuff to do so I was super glad that I was done with the weekly story in like 20 minutes.

Obviously the story was shorter due to the exotic mission launching alongside it. This seasonal story is also shorter in general, with only 6 weeks (6 lore pages to earn) which I am honestly relieved about because there's so much Lightfall content that I'm barely catching up with and there's the pinnacle grind that's kicking my ass because I don't want to die in every activity because an enemy looked at me. I get so overwhelmed with content when an expansion launches and there's also seasonal content. Sometimes I wish we got no season with the expansion.

So many people want things to slow down a little because we simply do not have time to grind 24/7, but then there's strange people who want a weekly update to require 6 hours of investement I guess. And of course everything in those 6 hours has to be brand new content, never before seen. If I see a single blade of grass that has been used as texture before, then Bungie is lazy. Obviously. /s

The only legitimate problem with this setup is for people who didn't get the expansion and only have the season. Their season is then not the exact same quantity as others. But it's never those people that make these complaints.

[cjgladback]

For the first time in a long while, I got to go to a white elephant gift exchange this December! We had a low price ceiling and my practically wins out over any practical joke sensibilities every time, so on the designated shopping day I left my local overstock store with a nice chopstick set, some fancy (not at all mess-free) popcorn, and a dream.

When I was growing up, my mom was an intrepid homeschooling parent who loved event planning, valued cultural exploration, and had married into a Japanese family. Multiple times - sometimes in the setting of a multicultural fair, at least once as a kind of class party (with celebratory takeout at the end) - she faced teaching large groups of children how to use chopsticks quickly and with as little cost and cleanup as possible.

Her answer was popcorn! It's edible, so you get the full motion down, and lightweight but large enough for less coordinated sticks to pinch. It has tons of nubbins to grab and widely varied shapes to experiment with. Specifically, we used air-popped kernels, without oil or toppings, so when it gets overzealously crushed or bounces away and gets missed by a broom, it's basically biodegradable styrofoam.

What I'm saying is, this is my mom's fault. Other than the choice to draw so many hands in one afternoon on the same day as the party, while also baking a snack. That's all me. This primer was delivered in the format of a tiny booklet (if you look up an "eight page zine" that's also a method I learned from my mom, to turn single-sided misprints into notepads), with fewer jokes and tips than I'd have liked because I simply did not have time to transcribe a hashi rest fold or hairstyle. But reformatted (for Mastodon) it looks fairly respectable.

Lengthy image descriptions and full poster format under the cut.

[ID: A title page reads "How to Use Chopsticks" in all caps. The words "without too much mess" are between two straight, orange lines, which start with round points at the left, evoking chopsticks, and end in flared shapes of a silhouetted splash on the right. Below the lower line are the words "by CJ Gladback." All the text is in black, the background is white but appears light orange due to a repeating geometric watermark pattern of CJ's logo in orange overlaid on the whole image; her handle on most sites is included once on each of the following spreads: @cjgladback​

Next is the first spread of four illustrations with their instructions. On the left half of page are two line drawings of a right hand holding one and then two chopsticks, with the text, "The first stick rests on the side of your ring finger's nail and the flesh between your thumb and index finger. Your middle finger's pad holds it securely while it can slide against your thumb as your hand changes posture in use. The second stick is held between the knuckle of your thumb and the middle section of your index finger. This is the one you move to change angles; it may touch but doesn't really rest on the middle finger's tip." In orange, two arrows indicate the rest points for the first stick while small hashes emanate from the points pressed on the middle and ring fingertips and under the thumb's joint holding the top stick. On the right upper quadrant of the page is the text "Hold them close to parallel to scoop." A hand holds two sticks poked into a bowl of rice between the viewer and the palm; a series of parallel orange lines emphasize the space between the sticks. The remaining quadrant's text reads, "Press with your index finger to pinch firmly." This hand is holding an indistinct rounded shape in its chopsticks, with an orange arrow indicating the rotation of the index finger's tip to press the top stick's point toward the bottom's.

Next is the final spread of the pamphlet. The upper right text reads, "Practice with something medium sized and low mess like (air-popped) popcorn." A single piece of popcorn is held in disembodied chopsticks above a full popcorn bowl, with several kernels fallen to the surface below it. Text below reads, "Pick up your dishes to bring close to your mouth to scoop the harder to grab foods." An implied tilted bowl of food (fried rice or porridge with diced pieces) protrudes off the page, covering only the lower left corner. Close-up chopsticks have their points buried in the food and their lines fade out toward the right. The final black text, underlined by two orange chopstick shapes, reads, "but most of all, do what feels comfortable and eat well!" In orange in the lower right corner, the parenthetical "(and maybe knit a scarf)" is followed by a small orange drawing of a steaming bowl of noodles and sliced egg with a noodle line trailing toward two upward angled sticks with loopy hashes indicating knit fabric hanging from them.

The final image is the full booklet in its web format, with the three previous images from this post stacked vertically. Some orange lines have been added between what were pages in the print booklet, to aid reading flow. /end ID]

[arbitrarystrawberry]

.

[medicinemane]

I get very tired of dealing with people who are so busy being "practical" that they're just totally prescriptive

I tend to be, I think, a fairly pragmatic person. Like most years I spend about... maybe $50 on myself for the whole year (this year is going to be a bit higher, but there's also specific utility to what I'm spending it on). I tend to not bother buying myself snacks, cause I know I'm mostly hungry, and if I'm hungry real food is a better deal (I sadly tend to fail to get ahold of the real food either)

My point is that I tend to be very goal oriented (not in a ladder climbing way, in a I set goals and then work towards them kinda way), I tend to be very focused on what will push my situations into being sustainable, I tend to look for high efficiency, low cost, long term solutions

I was... I was talking to that friend I'll say is Dr Jekyll and Mr Dumbass (I was more trying to talk to my dad, but they were both there). It was definitely Mr Dumbass today

For one thing, he was already saying a bunch of really fucking dumb shit where... it's so stupid I'm not even going to repeat it, where it's like the answer for why we don't do that is because it's obviously a moronically stupid idea on top of being immoral, and also totally ineffective you dipshit

So I already wasn't in the mood for him

Then, while talking about visiting my grandma, I mention how in order to start cooking I need sharp knives, none of my knives are sharp (cause my mom's a fool and dulls them all), and how it would really help if I could just take a knife from my grandma since she doesn't cook anymore and just... keep it as my personal knife that I keep sharp

(I can't do this, cause my grandma is... bug fuck crazy, and legit believes that if you gift someone a knife they'll kill people with it which like... where do you even get that idea, like she has literally said before that she'd give money to buy a knife but wouldn't give one as a gift... what?)

Anyway, Mr Dumbass starts going on about how I can just buy a new knife, and it's like no... in your quest for objective practicality you've lost all pragmatism

I don't need to buy a new knife, I need to learn to sharpen knives which... which I just have a bit of a block on cause I've had trouble figuring out how to sharpen stuff so far (I've come to suspect that which of the hard and soft stones you use first and second isn't intuitive and I've been trying to hone with the sharpening stone and sharpen with the honing stone)

Like... to get mean for just a slight moment, shut your fool mouth, you've got more money than I've ever even touched, and while you were poor at one point when you were younger you've clearly forgot, and not everyone can just buy stuff

Also you're saying a bunch of dumb shit tonight with such confidence and it's pissed me off

He's capable of being a very very smart and compassionate person, and then other times he's a damn fool, and far too often he... he talks about practicality without actually understanding how to be practical

Being practical requires working in the confines of reality

...I don't know, I don't think I have all the words I need to explain what I'm saying, but the point is he's annoyed me and people who act like him annoy me where it's like... nothing matters in the end other than if you actually solve something

You can talk all day about what someone "should do", but what matters is what they will do

So it gets frustrating talking with my family with him cause he has all this ideas where it's like... that functionally won't work, and like some of his great ideas are how I can just wait for my grandma to die and get the knife then and it's like... yeah... but I need a knife now dummy, and I have knives, and which is more useful?

Dropping a pretty penny on a new knife, or finishing learning a skill I really fucking need badly and that makes it so I can sharpen things for next to free forever?

...I'm just tired of having to do everything myself and getting no help, that's all. How about you shut your fucking mouth, stop trying to offer advice that's worse than my plans I'm already slowly turning the gears on making happen, and just let me bitch about my idiot relatives?

Laughing at this fool antics when he chooses to do that, legitimately is more helpful than any attempts to help