#and i am choosing to make that a fictional character problem

[thebluestbluewords]

cinderellaverse?? In my 2024??

it’s more likely than you think!

(for context: the rotten ot4 are wildly codependent, Ben is possibly seducing them all via unreciprocated acts of kindness, and this takes place directly after the iconic Good Boy scene, only with some AU changes that aren’t ready to post yet).

(why am i posting this if no other context is finished yet??? Because I’m needy and crave validation. Next question, please).

+

“Ugh,” Mal agrees. She looks mostly asleep still, which is understandable. “Weird. Did you eat yet?” 

Carlos lifts the napkin-wrapped bundle in his hands. “I brought food. To share. If you want.” 

This, predictably, gets Mal up. They’re far enough away from the isle that Carlos can almost believe that their parents aren’t lurking behind every dark corner of the castle, but not so far that they’ll turn down fresh food, even at stupid early hours.

“Berries?” 

“Yeah. Brought berries for you. And muffins.” 

“Evie wants chocolate,” Mal says immediately, stretching out both hands for the napkin-wrapped bundle. “And weird that Ben made you meet someone new. I thought we’d already been subjected to every princess-type in the school by now.” 

“Not a person. He made me meet a— a dog.” 

Mal stops with the muffins in her hands still outstretched. “Oh,” she says carefully, which is nice of her. Their Auradon education must be kicking in, or some shit. “And you’re not halfway home?” 

“I was. But Ben sort of—put the dog away and tracked me down? He was cool about it. We went over afterwards to check out the stables, cause he thought maybe it was like, just animals I don’t like, and they’ve got cats and stuff there. And the dog was on a leash, and he’s actually super tiny and not murderous.” Carlos shrugs, telegraphing the motion as much as he can. Which isn’t much. He’s supposed to be working on the whole expressing emotions thing. Even though it’s so much easier to shut down entirely whenever he feels an emotion. “So yeah. Still alive, still here! And Ben’s being weird.” 

“Weird how?” 

“Just weird. He was being all nice and stuff. D’you think he’s been bribed by Fairy Godmother to get info on us?” 

“Might be,” Mal agrees, tearing into her muffin. She’s unwrapped the whole bundle, and laid them out in an order that’s got to make sense in her head. (it shouldn’t make sense. They can’t afford to be predictable. Predictable is how you get your lunch stolen, or poisoned, or eaten by pirates who think it’s funny to take a perfectly rotten sandwich and swap it out for seaweed slime). “You should eat though. You didn’t tell him anything, right?” 

Carlos pulls a scrap off the cinnamon sugar muffin. It’s the one Mal’s put in his assigned spot, which is directly across from her own, with Evie’s double chocolate on the left and Jay’s lemon poppyseed on the right. He’s not really hungry, but it’s still too much to turn down food, so he rolls it between his fingers until half of the sugar falls off into the napkin, and the rest of it is compressed into the smallest possible ball of muffin flesh. He can eat a little piece of it, and then Mal will stop asking, and he can eat for real later. Once he’s alone. 

He pops the ball of muffin into his mouth. “No. Not really.” 

Mal shoves another mouthful of muffin into her mouth. She picked the blueberry one, and it turns the whole mess of it vividly purple as she chews. “Cool. He’s probably just being a royal brat then, trying to get some new intel for the gossip mill. But hey, it’s cool that he showed you the stables. Maybe next time we need to get to town you can steal us a horse, yeah?” 

Carlos snorts. He’s seen a horse now, and there’s no way they can get away with stealing something that big and ornery. Cars might be bigger, but they don’t bite and they don’t poop and they don’t have teeth the size of his fingers and a desire to bite through anything that looks even remotely like a carrot. “Yeah, no. Horses are fucking giant.” 

“I wouldn’t know,” Mal says casually. She throws one of her loose berries up so she can catch it in her teeth. Sometimes, when it’s just the four of them, Mal forgets to act human and does things like this. Things where she snatches treats out of the air with her teeth, when her neck bends in ways that a human’s shouldn’t, like she’s forgotten that she only has seven bones in her neck and not seventeen like a standard dragon. “Nobody ever wakes me up at the crack of dawn to show me cool shit.” 

Carlos wants to laugh and make this whole thing normal, but he’s fucking exhausted and the cinnamon sugar from the muffin is sticky on his fingers. He’s been trying to pull it apart carefully so that his whole hands don’t get covered in the crumbly topping, but that’s been working about as well as their escape plan so far, which is to say not at fucking all. “Yeah, yeah. He also made us run laps first, don’t be jealous.” 

Mal snaps her teeth. “I’ll be whatever I want. He didn’t do anything else?“ 

“Nope.” 

“You sure?” 

“Yes, mom. He just wanted to talk a bunch about how we’re settling in. And how we’re doing emotionally.” 

[tryslora]

Disability in fiction

This was a tough post to write. 

I saw a post about disability rep, and I kept thinking about it, and wanted to share my own takes on the topic. 

I thought about it for days, trying to figure out how to word it. Then after drafting it, I stuck it in a file for a couple of weeks, trying to decide if I could even post it. This is not a topic that can be boiled down to a simple yes/no kind of answer.

Let’s start with two examples.

1 - I have a short story I started writing (it wants to grow up to be longer, so it’s waiting for time) where my original concept was to write about an older woman who is short and has major chronic pain, and I wanted to dig into fantasy reasons why this pain exists, but at the same time, have her be able to kick ass despite being exhausted and dealing with excruciatingly painful issues.

2 - I once drafted a portal fantasy storyline wherein a young man was transported into a fantasy world, and when he was given a horse to ride, he approached it very warily. He was encouraged to mount, did so, and sat there and exclaimed in shock, “My brain isn’t exploding with snot!” because his allergies hadn’t come with him into the body he had in the fantasy world.

Both stories were designed to be fun, a bit light, maybe even cozy.

So.

In one case, the disabled character remains disabled and kicks ass anyway. And in the other case, the character is magically “healed” and no longer has debilitating allergies that had wrecked his way of life.

This is the difficult part to express: I think both storylines are valid.

Bear with me while I dig into this.

First and foremost: I completely agree that we need more representation in all forms of fiction, especially when it comes to disabled people being able to live their lives. Characters with missing limbs, or non-neurotypical brains, or anxiety & depression, or hearing issues, or sight problems, or chronic pain, or… or… you get the idea. We need all of it, and we need it to not need to be magically healed in order for a story to be considered happy and cozy. Disabled people can be happy, too.

I’m all in for this, and I wouldn’t write the stories I do if I weren’t.

However, there are also moments where I am so exhausted by my body and by everything I deal with inside of it where I do wish for that magical ability to forget that my pain exists. Or for the ability to actually process information in a straight line, or make decisions without writing a hundred lists and accomplishing nothing from them. Or to be able to lie down in a field of grass without regretting it for days while I drip snot and fight sinus-pain-induced migraines.

Sometimes I want to imagine that my life is different.

And that is one of the joys of writing. I can choose to write a story where people like me or the people I know are the heroes/heroines exactly as they are, different abilities and all. Or I can choose to write a story where the problems magically resolve.

Both can be cozy, sweet, and adorable. I can give the character with chronic pain the ability to kick ass, take names, and have a sweet reunion with her ex-girlfriend. I can show all the ways that my disabilities may define how I handle my life differently than someone else, but do not define what I can and cannot do.

But I can also daydream about a life where it’s different, the same way I can daydream about having wings, or being able to teleport. For me, imagining a day with no pain is the same as a day where I can walk through walls. It is absolutely a fantasy, and about as likely to happen.

Here’s the thing: It’s okay to be angry to see what looks like disability being erased. It’s okay to wonder why the author did that, why they magically healed someone instead of letting them be who they were. But at the same time, maybe ask why, and what point of view it’s coming from. Or look a little deeper into the story and how the resolution occurs, and the effect it does have on the character (I suspect that were I to suddenly have a day of no pain, I’d be intensely reckless, given what an idiot I am while IN pain, y’know? And WOW would I regret that later…).

And for authors, think about what you’re writing. WHY is this particular event (keeping disability, erasing it, whichever or both) happening, because the reader will take note of it. They may see things that weren’t intended, but are there as unintentional biases.

Make conscious decisions for why things happen.

Someday I want to get back to both of those examples from the start of this post; I still like both concepts. But I’ll be writing them for very different reasons, and both will be healing my soul in different ways. Different kinds of daydreams. And again, I think that’s valid, too.

[thevulturesquadron]

Scrolling through ‘the bad place’ with a Dragon Age feed of what it THINKS I am interested in - and all I see is discourse on how people are wrong for shipping Rook with Solas or choosing lichdom for Emmerich or not letting Harding embrace her rage.

The thing that’s never going to change in fandoms is that people will always be enamored with themselves enough to publicly tell others what’s the right way to play their games, how to enjoy their media, whom & how to ship characters, you name it.

When it comes to Dragon Age I’ve been here through all the ‘warden/king Alistair’ discourse, ‘kill/spare Anders the terrorist’ discourse, ‘romance Cullen with mage Inquisitor’ discourse, ‘if you save the templars you’re siding with the oppressors’ discourse. It won’t ever go away because people online don’t know how to make the distinction between their own self and a role-playing narrative, and also because, genuinely, that part of the audience doesn’t know the difference between having a preference and being right.

It’s the same group of people who can’t allow themselves to enjoy a villain unless they find ways to completely excuse their behavior or actions.

And, here’s the thing, we all have a bit of preference one way or another, we all have our ‘I could never’s. These are not the problem. They often times come out of love or the passion for what resonates with us in a character or a story. But there’s something extremely selfish and limiting in loudly proclaiming that your reading of a fictional character or story is the only and right way people should be interacting with it.

Be open to a conversation about the things you love - there’s only growth to come from it.

[saylor-twift]

“he loves you, but he would never say that to your face.”

“-but he would never admit that.”

“-but he would never tell you.”

???

Are you sure? I am an avid tumblr stalker, and I’ve read so many things on silly little hat man in my time. I’ve seen things that tore my heart to pieces, that patched it up, that made me want to rip my guts out and throw up, that made me feel on top of the world.

And yet this is the one thing that bothers me so very much. I know, everyone has their own interpretations and opinions on different characters. So let me share my own.

The Wanderer is such a deeply written and intricate character, strung together with deep fears and insecurities, tragic backstories, and a beautiful story of change, healing, and moving forward. (I hate hate hate it when he is forced down to the level of nothing but oversexualization and “uwu sexy anime boy”, but that’s a conversation for another time.)

I’m sure if you’re reading this, you’re probably acquainted with Wanderer’s backstory, so I’m not going to explain. A lot of shit happened that made him who he is, and ever since the events of Irminsul, he has taken on a new path that he cannot go back on. Not like he’d ever want to. He said it himself, he never had any intention of returning to the Fatui. (And also- why choose to go backwards when you’ve got such a nice path set ahead of you?)

Anyways, point is, he’s changing. Notice how I said changing. He’s not changed, he’s just starting to. He’s getting there. Which brings me back to my argument. In the case that Wanderer ends up with a partner, things are certainly not going to be like a normal relationship. (He’s got plenty of red flags, don’t even try to deny it. But he’s a fictional character, so I suppose we can let this one slide.) Is he going to make the first move? That depends on if you make him desperate enough. Otherwise, it’s all on you, babe.

He’s not going to take it well. He’s going to deny it as hard as he can. You don’t love him, how can you? He is the furthest thing from loveable as you can get on this godforsaken planet. (His thoughts, not mine) But he certainly loves you, and, albeit with some likely pressuring assistance from Nahida, he’s come to terms with that terrifying knowledge.

“But he wouldn’t admit that to you.”

STOP. STOP RIGHT THERE.

Here is where my controversial opinion comes in. Most people tend to portray Wanderer as this cold, cut-off, aloof and irritable man, even in a relationship. And before you say anything, no, I absolutely do not think he would be the lovey-dovey, sappy, overly caring and romantic type. He’s not on either end of the spectrum, but I do think he’s somewhere in the middle (but probably leaning towards the former side).

Love is so, so very scary to him. And downright unknown. He’s traversing into uncharted waters here, give him some space to figure things out. That being said, he’s testing these waters. He’s not going to say he loves you at the beginning of a relationship. He has to make sure this thing is going to work. Your relationship is a newly built bridge, and those three words are the heavy cargo passing through. Without a strong foundation, the bridge is going to collapse, no questions asked. The only problem is, it’s going to take a long, long time to build that bridge. It’s going to be more expensive, more time consuming, and cost more materials than you had originally bargained for.

But that cargo can’t sit on one side of the bridge forever, can it? No, it has to get to the other side at some point. So if you have the patience to give your time to this bridge, the cargo will find its way to the other side. The foundation may wobble, the planks may shake, but the bridge isn’t going down.

He loves you, and he would admit it out loud. He would say it to your face. Just maybe not as soon as you want it. It’s going to hurt, and you’re going to wonder if he actually cares for you or not. Fear not, because if you pay attention to those little things he does when you’re not looking, it will feed you those little crumbs you need till you can finally be satiated when the full meal is done cooking. He mends things for you, things you had given up on because you’d never have the time nor energy to do it yourself. He cooks, and surprisingly, it’s always your preferences. He collects things that remind him of you, some he keeps out of embarrassment, and some he leaves on your bedsheets whenever you’re not home.

He’s been hurt, abandoned, and betrayed far too many times to immediately let himself fall into something as complicated as a relationship. He’s going to be distant, you’re going to disagree, probably fight a bit. He’s just seeing how far he can bend the lines, how much you really want him. (red flag maybe!! but he’s working on it, it’s going to be okay. mayyyybe you can look past just this one…) If you won’t leave even if he does this, then he thinks, maybe you’re the one. Maybe fate decides to treat him benevolently for once.

And when you finally, finally get to that point, he’s going to drown you so deep you can never get out. He’ll say he loves you, does everything in his power to make sure you never forget it. (no, he’s not going to read you love poems in the moonlight and call you darling. sorry if that’s your thing, that’s not who he is.)

This relationship will never be perfect, but relationships never are. Just as long as the two of you are willing to be patient with the other and get through your differences and clashing personalities, you are going to mold together perfectly. And even if he doesn’t say it often, (which he probably won’t. he’s certain you know it. why repeat something already ingrained into your mind? he doesn’t use those words lightly), it’s not like he’ll never say it. He won’t leave you in the dark for too long. He loves you, don’t worry. He’ll say it, but he prefers to show it.

[alreadyblondenow]

▸ Assassin Jaehyun x Assassin Female reader ▸ Smut, Smut, Smut, Fluff, Angst, Gore, MATURE ▸ JAEHYUN SMUT SERIES: FUCK, MARRY, KILL ▸ VOLUME I: PART 1, PART 2, PART 3 ▸ VOLUME II: PART 1, PART2

Summary: A new life without being an assassin. A chance to run away and forgive. A chance to do it all again and not fuck it up. How can Jaehyun protect you from his world now?

WORD COUNT: 7,000K

Warnings: THIS FIC IS FICTION ONLY, Smut, smut, smut, MATURE THEMES, Heavy description of killings because most of the characters are assassins, mentions of blood, character death, A LOT OF NCT MEMBERS WILL D WORD IN THIS FIC, unprotected sex, mentions of condoms, mentions of pill, pregnancy, swearing, mentions of alcohol. HEAVY CHEATING, FICTONAL MURDER, CAR CRASH, Not everything is proofread, apologies again. I hope I did not forget anything. PLEASE !!! DON'T READ IF IN ANY WAY YOU WILL BE UNCOMFORTABLE.

A/N: This is the fluffiest part of the series. The part 2 will have the gore and other shit heheheheheee. Thank you so much for waiting for Volume II ! I know how its so ugly to wait for an unfinished fic but I am doing my best huhu I'm sorry. I would like to mention that I changed the story, so if you read the teaser for FMK, I CHANGED THE PLOT A LOT SO - THANK YOU FOR YOUR UNDERSTANDING

If a person really loves you, they will have a hard time choosing whether to stay and fight for the relationship or just let you go because it's what you want. It’s between respect and what you want. 

Jaehyun wanted to lock you inside this apartment. He was planning to keep you like a thing that he loves for safe keeping. He wanted to make you stay, and not give you a choice anymore. He wanted to own you. He didn’t want to let you go. You’re not leaving his life. Not now. Not ever. 

That’s what Jaehyun wants. 

But Jaehyun loves you, that’s why he did not chose what he wanted to do. Jaehyun indeed loves you. You can see it in his eyes. Now that you’ve finally broke your silence and told him that you wanted to leave. And not just leave this place… you we’re talking about leaving his life. This life. For good. 

He was silent. He didn’t know what to say. But you can see in his eyes, he’s hurt. He even turned his back against you because he didn’t want you to see him cry. It’s not that this relationship grew out of love, but love was the problem all along. You and Jaehyun have this love for each other but life is doing it’s best to stop you two from pouring it. 

At this moment, Jaehyun is so frustrated, thinking about the time where it all started. Where did everything went down hill? 

Hendery? 

His father’s death? 

Mark’s death? 

“I know you’re deep into thinking right now” you disturbed his thoughts, sobbing, and struggling to speak for yourself but you have to. “But I have respect to you Jaehyun, until this very end, I need you to let go of me. Were tired of fighting, I can feel it. I’ll leave once you approved or accept that this is our end” you said and left the room. 

For Jaehyun hearing those words from you hurt. He wanted to hold you, stop you and grasp for every love that you have left for him. But he couldn’t. He was like a stone, he looked heartless on the outside for making you leave the room, but on the inside he was burning with want to make you stay. 

For three days, you waited patiently for his decision. And in those three days, Jaehyun was just gone. He wasn’t working, he didn’t attend any meetings, gone. Just gone. You packed your things as slowly as you can just so you could keep your calm composure.

And by the time he finally arrived, you knew that the day was today. You will finally leave and will be granted freedom. 

“I’m not going to try and win you back im not going to beg for you to stay. I want you to stay… but that’s not what you want “ 

He looked calm now you thought. He looked so tensed, mad and hurt the last time you were on the same room.

“But at least give me the chance to let you go properly in the way you deserved. Its the least I could do”

In the days he was gone, he did his best to think straight. He did his best to understand your part, why you want to leave and what good is this going to give you both? But to every question he asks himself, all answers just ends up putting you in good position. He can imagine you with a good life, perhaps leaving his life will give the peace he can’t give you. And besides… having a peaceful life was all you ever dreamed of. He has already become the villain in your life he can’t continue to do that.

You allowed him to help you pack.

You allowed him to drive you to your new place. 

You noticed he still wears his ring. 

You thought that this day would be awful, heavy and full of tears. But you can see right through Jaehyun that he made sure not to give you a hard time especially today.

“Hmm the place is small are you sure you dont want a bigger one?” You just gave him a look and shook your head no. 

Surprisingly Jaehyun looked like a normal person today. He still wears black though, all his tattoos are covered with thick clothing at least you get to see him like this one last time. Like a normal person. One without blood in his hands.

While you two were busy unloading your stuff, it was obvious that Jaehyun was taking his sweet time with you, he doesn’t normally move so slow like this, he even checked every inch of your new place and made sure you were safe. If you’re being honest… you’d kill to make time slower for this specific day. 

But after eating quietly at your empty living room floor, it snowed and the room became colder than it already is.

“Jaehyun I want to thank you for today,”he nods his head, looking at you straight in the eye while listening to every word you say, “You know where I live now. But please I hope you keep your word. Let me go” you just said that to avoid him spying on you. Who knows? 

He just nods.

“I hope you get to have warm nights now that I’m out of your life” Jaehyun said before finishing his beer.

“Im off now” He said with a cold tone. 

That night. You watched him get in his black car without even making a second look to you. He started driving the moment the car was ready to go. 

For almost 2 decades of being together. For the love you thought no one could ruin…. Everything went back to square one, on this cold and quiet day.

A year later 

Who would have thought that living a decent and innocent life would be something… so challenging. 

Challenging because now you realize killing someone just because you can… is not normal. It’s necessary and it can be avoided. 

You found a decent job at the library and youre a part timer at a convenience store… everything felt normal. You love it. Even if its boring.

“Well… you’ve been an assassin for far too long” Yuta laughs through the phone, “you should practice self reflection and do some meditating perhaps it could help you” Yuta suggests. 

“Hows Taeyong? Is the baking classes paying off?” You asked. 

“Yeah, surprisingly he bakes really good. But the guy is a perfectionist… nothing he makes make him happy” 

“Well tell him he’s doing a good job already” 

After that sweet call with your friend, you headed to your second job, a convenience store not too far from your place. It’s already 9PM, the person before your shift should be ready to head out. The job is kinda lonely, late hours can be so boring, but you figured its quiet. Plus you can eat peacefully, that’s what matters. Now that you’re alone,  eating peacefully with the food you made while looking at the window and watch the snow fall… 

You remember the night you and Jaehyun parted ways. You haven’t thought much about him. Youre lucky moving out goes hand in hand with moving on… but are you moved on officially?

Everyday, you come home and congratulate yourself for having a kind of life like this. A peaceful and quiet life. 

And everyday… you can’t help but think about sharing this kind of life with Jaehyun. Will he like it too? 

As you prepare to go to bed, it was a really cold night and you wanted to make sure you’re well rested by the morning comes. But just before you close your eyes, a loud bang at your gate woke every bit of you. 

You got a kitchen knife just to sure, funny how not being an assassin for a year can wake every instinct and skill you have with just a loud bang. 

By the time you open it, you were quick to point the knife to the person banging at your gate in this ungodly hour. 

It was Jaehyun. Covered in blood. 

He smiled before he could even speak a word and fell into your arms. Helplessly.

You carried him inside and took care of him. 

He lost a lot of blood already but you knew better, of course you can’t call the hospital or the police. “Fuck Jaehyun what am I supposed to do?” But you come your senses and just did whatever you can. 

You removed the bullets, stitched him up, cleaned him and made sure that he’s not in pain. Of course… he never removed his wedding ring.

When the sun came out, you went out to see his car and parked it inside. It was full of bullet holes and it seems like he really got lucky last night. 

He slept the whole day, it was already sunset when he woke up. He saw you sleeping beside him and didn’t even have second thoughts about hugging you even though every part of him hurt. 

“What the fuck happened?” You asked gently. 

He can clearly remember how you held a knife on his neck the night he arrived. He just smiled. “Still an assassin, you still got it” he teased you. 

“That was just for protection you idiot— answer me what happened” 

“Well, a business meeting did not end well, what’s new?” He smirked as if he didn’t just almost died. 

“You need hospital by the way… can I call someone to pick you up?” You asked with concern. 

“So eager to get rid of me huh?” 

“No Jaehyun. I don’t know how to keep you alive— please. Call someone” 

“But I like it here… I seriously thought that I’m gonna die last night, and all I could think about is seeing your face again. I’d die happily” 

That explains the smile before he collapsed. 

It’s hard to reason out with someone in this state, especially with Jaehyun. So you left him and prepared for dinner. But Jaehyun as the hard headed man he is, got up with all his strength to be with you in your small kitchen. 

“I shouldn’t be here” he said weakly. 

You walked towards him and hugged him gently, thankful that he is indeed alive. But you have to understand that you cant keep coming back to what hurt you. 

“Stay for dinner, we’ll figure this out” 

That night, you two talked like you didn’t you didn’t grew apart for a year. You were still the comfort that he longs for and he’s not ashamed to show it. While he was talking he didn’t hide anything from you for he was sure that you will never judge him. He admitted that he’s not in great shape, business is not well, drugs was all he had when you left, and that he was depressed. “My father left me with gold, money and a legacy… but not a happy life y/n” he scoffed and finished his meal. 

 When he was fetched by his new assassins, it was harder to leave than he thought. He feels sick, he never wanted to leave your place ever again, just like the night he left you here for the first time. The night he let you go.

“I bet you’re disappointed in me. I promised to never disturbed you but here I am…” he says with weak eyes.

“You can always visit me Jae… but not this way” you joked and kissed him on the cheek. 

Little did you know that your invitation made him happy, a push to be a better man again. He didn’t want to face you again like this, broken,  an addict, lost. He wanted to be better. And so he stepped into his car with hope, with motivation, a better drive to live a new life and bring back the mighty Jaehyun. 

Months passed by and you find yourself thinking about Jaehyun again. Waiting for a sudden visit, waiting for him again. Maybe it’s because you heard his story now? That he ruined himself because he lost you, it’s not your fault of course, you’re not responsible. It’s his own doing and free will! 

But when your waiting has finally come to an end, Jaehyun surprised you in an unexpected way. 

It was night time you just got home from a tiring shift and you barely can’t keep your eyes open while doing your dinner. When the doorbell rang, it woke you up in an instant because…. Who would visit you at this hour. You hid the kitchen knife behind you, as you open the gate with one hand. And there he is. Holding flowers in his arm while the other has a pizza box. 

“I bet you have a knife behind you” he chuckled and received a warm hug from you, welcoming him like he’s not a stranger to your life. 

He looked well, better than a few months ago. He told you he’s 3 months sober now, and that looking forward to see you is something that pushed him to do well. “Thank you” he said warmly. It wasn’t an easy battle, but he still loves you too much that he never wanted you to see him broken and lost.

The night was sweet, you didn’t expect to spend it so close with each other. Almost as if you two were still a happy couple. But that’s what forgiveness is all about. What happened in the past can’t be changed, but it happened already.

“You’re not mad at me anymore?” Jaehyun asks, why he’s slowly caressing your back while you lay on his chest comfortably like you’ve done it a thousand times. 

“About what exactly Jae?” you giggle, “About ruining our relationship? Your father’s death? all the betrayal, Mark’s death?” 

“Everything. Every little thing” he admits. 

“Ever since you set me free, I can’t help but think, ‘can Jaehyun live a life  like this? Peaceful and slow?’ I think about it everyday Jae. That’s how much I forgave you already”

Hearing your answer made him tighten his hug, as if he thanked you silently. As if telling you, he’s truly not worthy of your love but he will stay in your life. 

“You’re not just here for dinner, am I right?” The question shocked Jaehyun and caught him off guard. He didn’t expect that you’d see right through him. It’s not right to suddenly invite your ex lover (ex wife) to have sex after everything that’s happened in your life. 

You watch him become shy, ears red as fuck and dimples flashing before your eyes, “If somehow I put you in the mood” he answered shyly, but bravely, his hand still holding yours fondly “but nonetheless my intentions are good. I really wanted to see you again” he admitted. 

And as a prize for his cute honesty, you started kissing him softly. Testing waters. But of course, the man longs for you. He accepted those small kisses and returned some to you too. You feel his heart pounding against his chest, “nervous?” you teased him licking his lips before you proceeded and started to kiss him deeply. You feel his hands roam around your body, your night dress slightly lifted and your lacy panties, his tight pants are the only barriers that are stopping you two to fuck then and there.

“we shouldn’t be doing this” he whispered in the most frustrating tone, you just giggle and accepted every hungry kiss and bite he gives you. 

You two soon ended in your bed, hands with each other, lips to lips and bodies immensely closed. But Jaehyun didn’t want to ruin a perfect day, you didn’t have sex, but there was passion and intimacy happened in your bed that night. 

“We can have sex, hopefully next time?” He smiles sweetly while you continue to kiss him. Holding his hand and keeping him close. 

Jaehyun slept like a baby that night,  he hasnt been sleeping well ever since your relationship went downhill even more when you left, but tonight he slept like a baby. Peaceful, deep, worry less. Truth be told he didn’t want to sleep that night. He wanted to just stay beside you, look at you and bask in this feeling of being near you again. But he was just so comfortable beside you that he can’t help but sleep. 

“Good morning” you kissed his exposed back, tracing his tattoos which tickles him. He smiles sweetly his ears turning red. He missed this feeling. The feeling of waking up happy, looking forward for a beautiful day, seeing you and getting to hold you first thing in the morning. 

It feels like a dream. 

“Am I dreaming?” He asks sweetly, reaching out to you for kisses, sweet and hungry ones. Kisses on your neck, kisses on your lips. good morning indeed. 

“You know when you left, you never even visited in my dreams. It feels like my life was in constant punishment when you left” he said while touching your lips. Still can’t believe that you’re somehow…. Back together now. “By the way, I haven’t slept that good for a long time” he added.

You can really see that he’s well rested. ”Is it because of me?” You asked sincerely Jaehyun can see the guilt in your eyes. He just pulled you in for a hug and kissed you good morning, He didn’t want to ruin such a beautiful morning. 

“How about, I make us breakfast and you hug me from behind?” He suggests. 

“Sounds like a plan” you answered and placed a kiss on his head before you got up from bed. 

Both you and Jaehyun can’t believe that you slept on the same bed last night… he was looking at your ceiling with high hopes that maybe, if he could make the right things now, and make it up to you… maybe? You can come hone with him in 127 house again? Start a new life? And try again.

“Jae, what time are you going to leave today?” You disturbed his thoughts. 

“Uh… afternoon. I have to fly to Italy… for work” you already know what kind of business that is and you didn’t bother asking. What’s important is, he’s here. 

Nothing is clear with this relationship yet. Welcoming Jaehyun in your life again is like coming after what broke you. How did this happen? After today? And then what? You're back to 127 house and become a Jeong again? 

You were in deep thoughts while you watch him move around your kitchen, while he prepares a breakfast for two, while he makes your morning drink. You look at his healed tattoos, the ones that are new when you told him you wanted to leave. Maybe that’s a sign? Maybe you needed both to heal and be far from each other in order to realize that you two are meant to be. No doubt. 

“Hey,” he asked sweetly and disturbing you with your ugly thoughts. “You okay?” He asked as he hands you your food. A plate so full that it made you remember how he used to take care of you back then. 

“I was just thinking how suddenly you’re back into my life. I’m not going to pretend that I’m not thinking about it… I mean the whole idea of me leaving is to be away from you” you said as gently as possible. Jaehyun is not an unreasonable man, he understands where this is all coming. Theres no need to argue for sure, there’s no need to comment to what you said for every part of it is true. He just smiled at you. 

“Your placed changed so much, I see you really put into work on every corner. I even saw your garden, was that lemon tree I saw?” He asked with a smile, genuinely curious. 

“Yes, Taeyong planted it for me. They visited once. I suck managing this place Jae, but I love it” you chuckled, “who would have thought that I would have my own place”

“Who would have thought that I wont be part of this too,” he smiled and took a bite, “Its been what? A year already? Almost? I almost didn’t recognize you if I’m being honest you look free, you don’t look scary anymore” 

You couldn’t believe what you’re hearing, he’s just making you laugh. He loves seeing your smile. 

“While me… I’m still the same Jaehyun, the same Jaehyun that fell in love with you-“

“No Jaehyun you’re different. Every part of you is different now” Jaehyun didn’t argue further because its true. Maybe it was a compliment? Maybe not? He looks at his reflection through the dark coffee and see his face. His neck full of tattoos, he can see through his eyes that he’s broken and lost. But alas a happy man, at this point of hour.

By the time Jaehyun left you didn’t expect it feel so heavy. You wanted to ask when can you see him again? But you sure do know that doesn’t work that way. He comes when he comes. And you’re just crazy in love while waiting for him. 

“I’ll be back” is what he said before he placed a kiss on your lips, a deep one. A kiss that wanted you to pull him back to your arms and stop him from leaving your house. But no. 

What the fuck is this? Why are you jumping back to what hurt you?

“How’s everything while I’m gone?” Jaehyun asked sternly to his bodyguard. 

“We lost a few men but the deal is sealed sir. Might I add sir that your fiancé is already waiting in your private plane” 

The mentioned of the word “fiance” made him miss you already. He lets go a deep sigh and took one last look to your house before he orders his bodyguard to drive. 

When Jaehyun arrived at his private airplane, there, a lady same as your age is waiting for his fiance to arrive. She is Jaehyun’s fiance that he got into a relationship with because he’s sad and depressed because you left him. He did tried to love her at some point… but he just ends up looking for pieces of you in her that she will never have. 

Jaehyun thought that marrying himself away will eventually make the heartbreak go away… but it never did. The relationship evolved between lust and pure passion only… at first. Until her father, a powerful like Jaehyun made a deal with him. “Marry my daughter and we will be 2 families that is so powerful that no one will dare piss you off anymore”

Jaehyun agreed. Proposed and gave himself more troubles and problems. And that is the start of his fall. His mighty reign being shaken. But that is when he became honest with himself too. He needed you back in his life. 

Before the accident that brought you two together again, Doyoung is the one who suggested Jaehyun to see you and try to win you back, simply because he can’t stand what’s happening now with everything. “Maybe y/n can bring the old Jaehyun back” Doyoung said to his boss.

Not long before Jaehyun left to see you, his fiancé staged an ambush and tried killing Jaehyun. She was well aware that Jaehyun will not be easy to kill, its fun for her too. She’s crazy like that. One of the many things Jaehyun liked about her… but not anymore. 

Present time

“Well are you two together again? What does that make me?” The girl started while she poured a whiskey for herself. 

“Don’t even bother touching her. You’re aware of who she is and what she’s capable of. You’d be dead by now if she knew about you… and what you did” Jaehyun said before closing his eyes, just soaking in with the feeling of the calm you brought to his life again.

“Why cant you love me Jaehyun?”  The girl cries. 

“I tried” is all Jaehyun could say.

“Then why are we still doing this? Why are you still marrying me?” The girl asked, sobbing like a helpless person. 

“Business is business babe” he reaches for the woman’s face a caressed it like he admires her. But Jaehyun just closed his eyes and slept the whole flight. But the desperate girl went down on her knees and unbuckled Jaehyun’s belt, pulled out his cock and gave him a blow job. This girl is crazy, desperate for Jaehyun’s love and attention, but all she could have right now is lust. 

Jaehyun may be an angel inside your home, but outside of it’s four corners, he’s back to being heartless. Well, you can’t blame the man who loves you. This world that he lives in will eat him alive if he continues to be soft in front of other people. 

“Is that the best you got?” Jaehyun moans and held on to the girl’s head before thrusting slowly and deeper. Reaching low inside the girl’s throat, thrusting inside out until he cums.

Jaehyun was away for a couple of months, no calls, nothing. Taeyong and Yuta managed to visit again over the months that Jaehyun is away, you loved every moment of it. You just wish that Jaehyun could be present too, and he could spend time with the others too just like old times. Watch the sunset together. But you all know that it’s not that simple anymore. Jaehyun is different and will not understand the word friendship anymore, for he’s not looking forward to rekindling with Yuta and Taeyong too. All he cares about is… you.

“Now that you two are back…” Yuta started. 

“What’s the plan?” 

“It’s up to him. If he leaves the life that ate him whole, then maybe we can really start again. But if not… I’ll leave for good. I’ll hide from him this time. I’ll never go back there” 

“But do you think it’s going to happen now?” Taeyong adds. 

“No. Honestly. I think I’m giving myself a big trouble. You guys… I don’t even know when is he coming back, he’s not even calling? I can’t see the real Jaehyun yet. The one that I loved, the one that I married… but, now that I’m not an assassin anymore… I’ll let myself love him as my true self… you know?”

“Speaking of marriage, did you divorce him when you left?” Yuta asked. 

“No. I was hoping that… eventually, we can put it into good use? He loves me. I know enough that he will not marry anyone else besides me” 

“So you’re ready to be a Jeong now?” Yuta asked, “now that the Jeongs dont own you, are you ready to be a Jeong? … you know, like a normal person”

Assassin or not, Jaehyun’s world is crazy. And that is why you can’t answer Yuta yet. 

“I need some time” that’s all you can say and Yuta respects that.

Meanwhile… Jaehyun is celebrating for 3 months straight with his engagement. A fake happiness of course. But a good time is a good time. He will endure everything until all of this is done and he can come back to you. 

“How’s Y/n?” Doyoung asks quietly beside Jaehyun while his boss watches the sun goes down. It’s beautiful here in Italy Jaehyun thought. But the situation he’s in right now is ugly. 

“She’s good… For the first time of my life I slept soundly… beside her. During the time that we were together, I just cant help but think that… letting go of her is the best decision I’ve ever made, and I’m happy I let her go and build this life that she has right now. A life without me, without the killings, dodging bullets….” 

“So you’re giving up?”Doyoung asks calmly, “If she can’t bring your might back then what can? Who can?” 

“I’ll think of something else, but for now… I would have to keep him away from this life. She doesn’t deserve this”

After 6 months of faking happiness, never ending parties and business arrangements, finally Jaehyun arrived again at your place. Unannounced and alone. 

You just finished taking a shower, humming happily a song that you heard from the radio. You bathrobe is what covers your body, hair still wet from the warm shower when suddenly… 

“Nice song,” Jaehyun whispers beside your ear with his deep voice. 

Which startled you and made you threw a punch which he of course can dodge. He covers your mouth when you realized that its Jaehyun. Hugging him tightly in your dark room. He didn’t missed the fact that you’re only wearing a robe and you’re both happy about seeing each other again. 

“Is it a good time?” Jaehyun asked like a gentleman. He was talking about having sex. He just wanted to make sure that you’re okay with this. 

“Its a perfect timing” you said and kissed him, helped him remove his clothes. He was dressed in Prada from to toe, you already knew that he came from an important event that ended very late. A business meeting? 

“Stop it with your thoughts,” he whispers and made you focus on him by revealing you left boob and proceeds to licking your nipples. Pushing you against the wall and continues to lick and suck on your left boob until your nipple is sensitive and you’re to left to want more on the other side. He has the changed a bit when it comes to stupid shit you thought. 

He motions you on your bed without breaking what he’s doing to left boob. He bits it playfully before he stops and pushes you to your comfort. You watch him undress the last few garments he’s wearing. Specifically his expensive watch and his boxer briefs. 

And when he’s all naked on top you, kissing your exposed neck, he swiftly removed your robe and positioned him in between your legs. 

“Do you like it?” He asked first before he proceeds. 

Of course you love it. Everything he does. 

You feel him smile in between kisses. But not because of lust, he’s just happy that he’s making love with the love of his life again. 

“I love you. Always have. Always will Y/n” 

He left those words before licking the folds in between your legs, making you moan and say his name over and over again because of the things he makes you feel using his tongue. You feel him lick you slowly, from time to time and proceeds to spreading your folds and finding sensitive spots in your cunt that only he know. He has always been your weakness. 

When he was done giving that great oral, he finds your lips kisses it endlessly, down to your neck, the valley between your boobs, giving both of your boobs a good lick… as if he has kissed and marked evert part of your body. 

“I don’t have condoms with me,” he whispers while he continues to kiss your neck. “Am I lucky?” He playfully bit the shell of your ear. But you were quick to teas him. 

“After all the shit you put me through? — I have condoms by the drawer” you teased him and watch him roll his eyes but happily reaches the first condom. 

You watch pump his cock a few times while his fingers runs up and down you wet slit and watch you shiver. He rolls the condom and lines his tip on your cunt, his lips were quick to find yours as he pushes through your walls oh so slowly. Like he’s savoring every second that he’s thrusting. 

When was the last time you two made love? 

Probably the night of your wedding? 

Jaehyun hates that thought. So he thrusted deeper, watching you melt with every sensation he gives you, catch every moan you let out and grant everything you asked. 

You want him to kiss you while he fucks you? Sure. Jaehyun made sure that you’re breathless with his kisses, leaving you wanting for air. You want him to go deeper? Sure. He pins your legs down on the mattress making sure you wont close them so he could go deeper. 

“Dont stop” you moan out. And Jaehyun got excited and put you in a new position that you loved. Lifting one leg up on his shoulders as he goes deeper while fucking you. You said dont stop right? He felt you cum already, but you were so into the sex that you don’t care if you came already. You want him to keep going while he overstimulates you, putting you in all fours, pulling your body against his chest and squeezes your boobs while he fucks you.  

After a few more rounds on different corners of the bed, you and Jaehyun rest and catch your breaths after using all the condoms you have in store. “If it wasnt for the condoms” Jaehyun giggled and placed a kiss on your lips. 

“Are you staying for the night?” You asked as you cling onto him. The man keeps you around his strong arms. 

“ I will. I want to stay. Can I stay?” Jaehyun asks sweetly. 

“Of course” you answered. 

“How about your life?” You feel him keep you closer as if he’s not ready to let go if you wont allow him to come back in your life. “Can I stay in your life?” 

“Id love that” you answered him sincerely. 

And you saw the same smile he flashed the night he asked you to marry him. 

That night you realized that he loves you. And no one can ever make him happier. 

After that night, Jaehyun made sure he will not make the same mistakes again. 

Whenever he leaves, he leaves with a promise, may it be small or something big like, “I’ll fix you porch light when I come back, don’t get someone to do it” or “lets go see a movie, a musical perhaps?” 

He made sure that even though you can’t contact him through phone, you have this certainty that he will come back. 

He never brought work whenever he’s with you. This time, its you whom he saves from over working. Like now… 

Jaehyun just arrived with groceries in his hand and he you were on the phone with your boss from the library, you were talking about your updated schedules when Jaehyun just placed a kiss on your lips. You thought that … that was it. But no. He looked you in the eye and kissed you deeper, he can hear your boss through the other side of the line, reciting the dates of your schedule. When the call ended and you were breathless the whole time you were kissing, you smack his shoulder and placed a kiss on his cheek and marking the dates on your calendar. 

“Wow you’re one busy librarian…” Jaehyun says, “I’m happy for you” he smiles and kissed you one last time before unpacking the groceries. 

“How long are you going to stay? Its been three days since we last saw each other… I just noticed that you’ve been coming here more often” you smiled and hugged him from behind. 

“I’m staying longer this time because I will be away for much longer… BUT but.. don’t worry, we will have so much fun” Jaehyun felt your embrace became tighter and grow silent, but what can you do? 

“I have something for you.. its a trick to make you stay.. I hope it works tho” you blurted out and told him to go in your room. The gift is big so he can see it immediately. You didn’t go inside with him. You figured that… when he sees that gift, he will need those special seconds all to himself. 

And by the time Jaehyun saw it… you heard him play the piano again. 

He never touched one when he started training to become an assassin. But you knew that music was his first love not you. 

He went back to where you were standing, he leaned on the wall beside you and crossed his arms. “Its working… “ he smiled and kissed you deeply, thanking you countless of times for bringing music back to his life. 

Your relationship with Jaehyun went on like this for a year. Celebrating each other’s birthdays together, countless of beautiful nights and mornings of him playing the piano you gave him, giving your house life, and enjoying holidays together. Sometimes Jaehyun comes home to you with blood in his hands, but you’re well aware of what kind of person he is outside your home. You never fight or argue, Jaehyun was the one who’s so quick to stop you whenever a conversation is getting heated. The flashback of the nights during your marriage kept flashing in his head. And he will do anything in his power to stop it from happening again. 

“Mmm one more?” Jaehyun requests after you two finished your nth round for tonight. He will leave first thing in the morning so he is doing everything he can to keep you awake. 

“Jaehyun I’m defeated” you chucked and kissed him. You feel his cock go hard and you feel him hump your thigh, all you could is complain… but you love every second of it. He’s been fucking you deep and slow lately, it feels extra good because its raw. “But can you please be faster or rougher this time?”

“Why? Don’t you love it when I go deep?… and slow?” He teased as he pushes in back to your cunt. Making you moan a little louder, he bit your should and slapped your ass. Spreading your ass cheek while he pounds hard. 

“Fuck Jaehyun I’ll break-“ you struggle to tell him as he fucks you deep and rough. 

“You asked for this.. just a minute ago” he kissed your neck and bit you again, “make up you mind” 

The round ended with his mouth on your left boob, his right hand on your right boob and his cock continuously shoots loads of cum inside you. He was out of breath, you look at him and he was just as ruined as you are. 

He removed his cock slowly, kissing you all over body. Everything that he sees a little red on your skin, “sorry for this” he apologized and kiss you. 

“This is nice right?” He looks you in the eye. “Life has been so much better for us right?” 

“Yeah” and you proceed to sleeping in his loving arms. You didn’t hear it but he told you he loves you. 

On the next day, you find no Jaehyun in your bed but a note with red roses instead.

“I’ll be back by the time these roses withered. Just in time to give you fresh ones” - J 

Little did you know, he was gone early this morning because he’s getting married. 

“You told me you would be back last night?-“ Doyoung was quick to tend to Jaehyun, his cousin, his boss whom he needed to deliver at the altar in approximately half an hour. 

“The sex was good-“ Jaehyun teased Doyoung. 

“Okay shut up before you put her in trouble,” Doyoung says as he helps his boss put in his coat. 

“I need a tequila shot, I can’t do this sober” Jaehyun demands, and in a matter of second 3 tequila shots are ready for him. 

The wedding was grand. It was the biggest wedding of the century and every public platform is updated with the happening of the great Jeong Jaehyun’s wedding to the country’s darling. A power couple in the eyes of the public, but they know so little of what’s really happening. 

Every powerful businessman is invited. Every assassin that the Jeongs own is present, theres no safer place in the world right now. And Jaehyun just wants to get this over with and come home to you. And lay out his plan to you. But this is going to be a long suffering, he still have his “honeymoon” in Italy. 

Jaehyun knew that you will eventually hear about this marriage, how could you not? It’s all over the news.  Jaehyun just hopes and prays that you allow him to explain first before you curse him and leave him again. Nonetheless, he will fight for you this time.

It was a long painful waiting for Jaehyun’s return. Maybe it’s for the better so you could have time to feel the heartbreak and have time for yourself before he comes back and feed you with lies again. 

You remember the night that you two got in an argument because he thought you were accusing him of cheating, he told you, “I am many things but I will never cheat on you” 

Look at you now Jae. 

It’s obvious that the marriage is for business only. But who knows? You still have your doubts. 

It also… doesn’t change the fact that you’re the mistress now. Yes you got married but… who would believe you. He married this girl in the eyes of the world… everyone would believe that I’m a home wrecker now. 

And then you felt it….

You came running to the sink to throw up out of nowhere. You felt weak in an instant. 

Maybe its because the thought of Jaehyun? Just thinking about him makes you sick to the core. 

Or your period is late? 

“It can’t be” you thought and ran to the nearest drugstore to buy a pregnancy test. 

But as you walk your way there. You kept on thinking about the things that will happen after this. 

Jaehyun will not let you go.

Everything will be complicated again.

It can ruin his marriage, it can ruin a lot of business deals.

It will ruin him. 

This peace that you have right now will be taken away from you and bringing a baby in this scary world is the last thing you want to do now. 

But the thought of…. “what if everything works out? Jaehyun loves kids”

And all this overthinking made you miss the stop sign at the side walk and you were hit by a car in a matter of seconds.

Thank you so much for reading this work of mine! If you love what you read, please leave something in my inbox and tell me how you feel! CLICK THIS LINK. I hope we can practice, give and take.

Stay tuned for the next part! -B.

[tocomplainfriend]

I am mad

Yup!

Bro shut up, she is white - being Latina is not a race, is an not the same as color skin. And she is a second generation immigrant too. So like... this isn't like a Salvadorian person doing a cartoon, is a daughter of Salvadorians... That grew in the USA. Being Latino doesn't mean you aren't white, you can be any race and Latino. Still wouldn't make up for the lack of representation or the existing racism. In the piece of media that's "diverse".

Salvadorian is not a race, LMAO. That's crazy- you think someone from Argentina who is white, is not white cause of their nationality??? Being Latino and having that culture does not equal a race. It's in itself a racist thing. This Latino = Race is terrible, It also comes from the idea of the "You are not Latino because you are not brown", assuming all people from Latino America are brown by default. You know how much has that happen to me? -AND MANY OTHER PEOPLE.

(I'm Latino btw)

I already have an older post about it, but - you can really see the lack of diversity in the show a lot. (Will talk about it even more other day).

Again the main thing you get is MEN, hypersexual skinny queer men (cis). You won't get to see female characters being well written, thought all the season 1 and all the episodes we got rn of season 2. All characters are skinny and similar body types and repetitive design choices. Funny enough, shows that lack of human characters still have better race-coding that helluva. (and well in hazbin you'll get POC characters that are gray, lack all ethic features... even when they are humanoid. So that is great.)

Bro you could, you imagine a character being black and having different textured hair, and you go to hell... AND EVEN THO YOU ARE HUMANOID- your hair became straight and spiky, and you are now a light gray? If you build a world like that... it just seems like the perfect racist excuse to delete ethic features out a POC character because you don't want to draw them. "Not going to a single hint of their race/culture unless it revolves on their death"... If the character became a fucking coin with dot eyes, maybe (not really, shows with no human/humanoid characters still are capable to race-code their characters). But all of these characters are humanoid- why do none of them have their different characteristics? Also, this is about a real person in the real world choosing how to design a character.

This tweet also implies that a black character when they were a life they had ethic features, but lose them when they go to hell. Which is even more fucking stupid.

If a white person with straight hair goes to hell, and their hair remains straight (assuming it has nothing to do with their death), why wouldn't there be black people with textured hair? This is dumb. This goes back to the fucking thing of "No black people in fantasy media", In the same way, it's stupid for fantasy stories to revolve around white people characteristics in fictional species and people in that world- not including all the rest of diverse human characteristics POC people have it's crazy. The biggest problem here is why the fuck all Viv's sinners characters (main characters designed by her) that are supposed to black (or mixed like Alastor) have 0 characteristic. THEY ARE HUMANOID, THEY AREN'T EVEN ABSTRACT OR AN ANIMAL OR ANYTHING LIKE THAT. She didn't want to draw that nor change designs, and wanted to justify the whole concept of Alastor even using Voodou.

HOW ARE ALL THE ANGELS THAT VIV WANTS TO BE BLACK (black voice actors specified, or are race specified) HAVE NOTHING??? LIKE HELLO THE 'I'm such a nice angel character girl' HAS SPIKY STRAIGHT HAIR??? SHE IS AN ANGEL AND BLACK, WHY DIDN'T YOU DID HER HAIR TO BE CLOUDS- It's THE EASIEST SHIT YOU COULD’VE DONE.

BOOM! A FUCKING TROLL FROM A KIDS MOVIE WITH DIFFERENT HAIR. BOOM! THE FUNK TROLLS ARE SO EXPLICITLY BLACK CODED.

---

-

Bro, you know this whole thing of people with textured hair have to forcefully straighten their hair or wear wogs to a job... because people consider it ""Unprofessional"" cause racism? The erasure and discrimination of POC people and their features is a problem. That's why it is important to people represent all of those things:

(Marvel's Moon Girl and Devil Dinosaur)

The only reason of why Alas tor is even mixed is purely cause Viv used the Voodou symbols because she thought they were creepy and edgy. It's sucks that all the angels and sinners that are supposed to be black have nothing.

[perkeleen-lavellan]

I feel like with any sincere discussion of Veilguard we should start off by establishing that there are multiple forms of 'fun' as it were, to be had from video games. The main purpose of a video game is, after all, to be fun. To entertain us.

So. With Veilguard I feel the problem is this; Veilguard succeeds at being fun. It succeeds at the kind of actionable fun. Veilguard is fun to actively play for most people. The combat is fun, the level design is fun, the main storyline is fun whenever we get to it. Veilguard offers fun that is quick and instant. I think it was no small feat that BioWare has finally managed to design levels and combat for a Dragon Age game that feels complete. Although I will go to my grave defending the tactical combat of DAO, it is a different more gripping kind of fun that Veilguard's mobility and systems can offer.

But there is another form a fun. The kind of fun you might be more used to associating with a good book. The fun of a story you can't wait to see the end of. The fun of fantasy world building, of seeing the marvel that is an author, or a collection of authors, who know what their vision is, and who are subtle enough to communicate that vision through fiction. The joy of seeing the result of experts building their craft. Environmental clues, implications in dialogue, tone in atmosohere. Seeing a good story unfold is fun, and with video games, which are an interactive audio visual medium how much moreso?

A book is just words, a show on tv is always linear and restricted to what the camera shows us. A video game has a whole three dimensional world that you can move inside of, witnessing the story and world building both passively and actively. A video game has dialogue and characters, who can both drive and narrate the plot for you. A video game can put you inside the world the story is happening in and immerse you in it.

And I feel that Veilguard fails to take advantage of the full breadth of the vast collection of storytelling tools a video game has. The fact that the companion quests and companion writing seems to have been left incomplete, pieces wilting on the cutting room floor when the companions are meant to be the emotional core of this story? The fact that all the factions are presented as unambiguous good guys which leaves them with no depth, their stories woefully superficial and unwilling to engage in any deeper ideas? The fact that vast amounts of world building and lore have been essentially discarded? That is all severely unfun.

So I think it's fair to say that Veilguard is fun and disappointing and not fun. The fun that I had while playing this game was always followed by a collection of things that were not fun. And the most annoying part is the parts about Veilguard which are fun are the parts that are fleeting. That I can find combat in a video game entertaining, extremely entertaining sometimes, is nothing when compared to the staying power of a gripping story with not just good set up and pay-off, but also an immaculate structure supporting that all the way throug.

When I am 80 years old I will not remember fondly the fact that Veilguard was the first Dragon Age game to finally have an actual dodge mechanic. There are always going to be games with fun combat mechanics, Veilguard isn't special for that. But I will remember Solas turning into a dragon sized wolf in a desperate bid to fight a dragon ten times his size, to help the hero he became a villain to. I will remember what it felt like to have a protagonist start off by treating Solas with suspicion, knowing there was no reason to trust Solas but choosing to give Solas a chance to prove himself trustworthy anyway, and Solas breaking that trust. And I'll remember what it felt like to have that protagonist then face Solas again, and make a choice to either be kind or to be just like Solas.

You will sometimes see gamers who say they don't really care about the writing in their games that much, but then their favourite games are things like The Witcher 3, God of War, The Last of Us. The reason they say that is because the writing is so integrally a part of the gameplay experience they don't even realise how much work it's doing. Fun gameplay doesn't matter if there is no reason to continue it.

Do you know what I remember about Dragon Age Veilguard? I remember dreading opening the game and seeing the list of companion quests in my journal that I had no interest in doing, because I had already realised how nothing a lot of them were. And I'm not talking about the gameplay of those quests, I think we've established I enjoyed smacking the bad guys and moving through the levels quite a bit. Oh no. I'm not even talking about the dialogue, not really. It was the stakes. Why were these characters doing these things, and why should I care? There was so little emotional conflict in those early to mid game companion quests.

Do you know how plot structure works when you really boil it down? Conflict is set up -> tension rises -> conflict comes to a head -> tension releases. This is why you need conflict and this is why you need characters to have flaws that they will not self psychoanalyze to a resolution within the first 5 minutes of the story. The realisation of those flaws is the plot! The character overcoming those flaws is the plot. You can't have a story without plot! What are we doing here????

That's how those quests felt. They felt like all the actually meaningful things the writers of these sub-plots had to say got crammed into their final quests. With a couple exceptions. And that's why doing most of the companion quests felt like a chore.

So, anyway, in summary. Remember that a video game contains within itself multiple forms of fun. As many forms of fun as there are ways of interacting with a game.

[lorde--of--the--rings]

SPOILERS! On Solavellan in DA4

Prefacing this in saying i’m giving my own take (not fact or fiction or right or wrong just my take) on this. I really love this community because I get to read other people’s thoughts and feelings about this game we all love. so just hoping to join the dialogue for a moment on this.

Sollavellan is a big part of the veilguard ending if you let it be/want it to be-- but I'm not convinced that this is because of the ship itself, but the fact that their relationship (romantic or platonic) is important to Solas's development as a character. I played this game and interpret solas’s part in the narrative of the game as a representation of regret, shame, and what regret and shame can drive us to when we let them— really thinking of the line in Macbeth where he remarks  "I am in blood 1440. Stepp'd in so far that, should I wade no more, Returning were as tedious as go o'er…." (3.4 134-136)

Bro is so far into his own despair and shame that he can’t see any other way out-- he's tied up in the logical fallacy that to be good now would be a "betrayal" of those he wronged before; he can't imagine any other end to the story than to "right" his previous "wrongs" by fully "fixing" the world he sees as broken.

Enter the inquisitor, a total wildcard who disrupts his plans in DA3 and the domino effect we play out in Veilguard. Whether or not you romance Solas in DA3, Quizzy is still a blindsiding character that disrupts solas and his worldview. Here is a person with immense power and influence, who, unlike Mythal, actually wields it to protect those they love and patch up a world that THEY had a hand in breaking (rather unintentionally,… sounds familiar?) 

But more importantly-- they're able to be redeemed in a way Solas imagines to be impossible for himself.

Quizzy represents who Solas was, or could be, without his pride and without the influence of Mythal. They fit in as a puzzle piece in his transformation WITH OR WITHOUT romance, and with or without friendship.

This is why Solas having the opportunity to be redeemed in DA4 makes so much sense to me, he is effectively forced by what he lives through in DA3 to question his own plans and approach, or at the very least become aware of his own infallibility in comparison to an alternative and restorative type of problem solving. This all sets the scene for Rook and Varric once again foiling him (you meddling kids! and speaking of foils, Varric/Rook and Solas are as foily and foil characters get…) 

Oh and your ex (lover, leader, friend/foe) just appears out of the blue and is like ok bro party’s over. Confronted with all of this, with Varric’s fate, with Mythal’s memory if you choose that path, and oh, hey, look it’s Quizzy….

I know he’s the ancient elven god of trickery, but isn’t it so much more interesting that he could also be the ancient elven god of resistance, of thwarting power and authority, and in that vein be redeemed and live out this alternative side of himself? Rather than being the god of pride he can live as the spirit of wisdom he was before Mythal, and in that also resistance— resisting the toxic urge to destroy in order to create/redeem.

We know these "Gods" aren’t really "Gods," so why not let them occupy this grey space?

[olderthannetfic]

I feel like such a hypocrite reblogging all these posts about how people like male characters more than female ones even if they have similar personalities/roles/wtv, but I read about this stuff precisely because I relate to it. "People think everything men do is cool and everything women do is either weak or Mary Sue" -- yes, it's me, I'm people. It's not like I do it deliberately or I'm proud of it, but I can observe and acknowledge the empirical fact that female characters just produce a very different emotional reaction in me than male ones.

I guess I like the safe distance of projecting onto characters who 1. are more obviously not me and 2. are judged less harshly than me (bc everything men do is cool) and that's not my fault, it's the patriarchy's, but then I can't challenge it. I can't say "women can be just as cool and we shouldn't be judged more harshly", I can only say "yea women suck let me forget I am one" like I'm still in my 9gag nlog tween phase -- or well, I can *say* the former, but I keep *acting and feeling* like the latter. And btw I'm not just talking about consuming media, where all you can choose from is what's on offer; I'm also talking about creating my own fanfics, which are all about men.

--

The reason a lot of those posts are so obnoxious is that they're just people wallowing in guilt and projecting.

The fact is, lots of people do like female characters. There's plenty of fiction about women. There's plenty of fic about women. There is not, in fact, some grand, existential problem where nobody cares about the ladies. If you aren't seeing this fic or original media, that's different from it not existing.

Two, your own fanfics? FFS. If you consume media that is a sausagefest, then of fucking course, your fic will be about dudes.

Just the other day, I spotted a story I hadn't read by a fantastic fantasy novelist. I hadn't looked her up much beyond buying her trilogy, and what do you know: she actually says who she is in fandom openly!

I was entertained to find out that her big thing is kylux. You really wouldn't guess based on her pro work, which is about a harried female doctor taking care of supernatural patients. I remember those books being a refreshing change from my usual diet of nothing but slash fic. It's not just that there's a female lead but that they take a nuanced look at female characters.

Personally, as a writer, I wasn't ready to write much about women until I was better at writing overall, and my more self inserty characters aren't usually going to be women anyway unless they're like Julia from the Hilary Tamar series.

--

If you're uncomfortable with yourself, you can try to change, sure.

But fandom is full of this obnoxious plague where people think that it's the job of each person to make there be more female characters. This isn't necessary. Even if we want media or fic to be more balanced overall, it doesn't follow that each person needs to produce a balanced body of work.

Why should you in particular care about female characters?

--

But beyond all that, oh my fucking lord, I am so tired of that species of post that's like "Gosh, why is slash fandom, where people go to be horny over dudes and/or have self inserty feelings about them, not more full of stuff about ladies? It's so tragic how we all want to get rid of our boobs and wear men's clothing and be addressed as sir, just like all the other girls. What's up with that? It must be misogyny."

With a totally straight face.

Every god damn time.

[dandyslibrary]

WELCOME TO DANDY'S LIBRARY !! ; ᡣ𐭩

I STAND WITH PALESTINE!!! Israel lovers DNI n gtfo

I don’t support that one Dandy’s World dev who isn’t even WORTH naming

Welcome !! Call me Librarian, I am the one who manages all of the books in this special Library of mine. What books do I write in particular? I write Angst, Yandere's, and Fluff! the basic's.

I will be only writing for those three. I will not be writing NSFW since, it would be weird. And the canon ages of these characters haven't come out yet. And I will also only write 'x readers'. And YES!! I do Yandere Readers.

to those who are twelve pretending to be a different age I will not be held responsible for how you interact with this blog.

Now my english isn't very good either, and I'm only still learning how to write things in english. But I will still be using grammarly to check if my grammar is correct.

Don't like it? Don't read it. That's all i'm asking from you. I will put trigger warnings right before any kind of fic so you'll know what to look out for.

I do not support Yandere behaviour, or anything of the matter. I write and read Yandere themed stories to help me cope with my problems in real life. I don't romanticize yandere's nor do I even support their behaviour.

GO GO GO GO FOLLOW MY WATTPAD!! Same user as me, same pfp as me <33

Please learn how to seperate fiction and reality.

ੈ✩‧₊˚ (ᴗ͈ˬᴗ͈)ꕤ*.ﾟ ˚☽˚.⋆

RULES FOR REQUESTS !! ; ᡣ𐭩

please read this first before requesting. <3

Now for requesting it's really easy, you can ask for any dandy's world character you want me to write. But you have to make sure you include there the character (obviously), if you want it to be fluff yandere or angst themed (you can choose two at the same time), and the prompt you want it to be.

I don't want you to go into my ask box and ask something like, "hi twisted [insert toon]" and thats it. I don't know what you want me to write for that, please be specific.

You could say something like "Hi I'd like to request for a book. Yandere twisted [insert toon] and [insert prompt]" and it could be something really detailed, or just like something simple.

I especially like the yandere asks/requests.

THIS BLOG IS STRICTLY FIRST COME FIRST SERVE AND IT CONNECTS WITH MY WATTPAD ACC ONESHOTS. PLEASE BE PATIENT FOR YOUR REQUEST IF YOU EVER DID AN ASK /pos

You can even ramble in my ask box and i'll reply to it with a silly thought. Isn't that fun?

ੈ✩‧₊˚ (ᴗ͈ˬᴗ͈)ꕤ*.ﾟ ˚☽˚.⋆

MASTERLIST !! ; ᡣ𐭩

DANDYS WORLD !!

NAP 🌙

LESSONS 🍰🍓

LOVE 🪞

FIXED 🌙

HOT HEADED 🍤

ABOUT YOU🔍

PERFECT🪞

(please inform me if theres anything wrong w the links!)

[miraculouslbcnreactions]

“Also because I want [Nino] to be more narratively important but that is a rant for another day.” And will that day be someday soon? Wink wink nudge nudge :3c

I am happy to give Nino some love, but before we do, we need to talk about how badly canon has failed him. The reason we need to have that talk is that the love I'm going to give is far more headcanon-y than I usually go in these analysis posts. For most characters, I can give a strong canon-based argument for a core characterization. For Nino? Well, I am pulling this stuff from canon, but I wouldn't exactly label it a "strong" argument. There are even elements of my take on Nino that you could label "grasping at straws".

And I'm happy to own that! I delight in giving Nino all the love he deserves even if it doesn't perfectly match canon, but that means that my Nino is less me leaning into the best parts of canon and more me shifting through canon, grabbing a few shinny bits, and weaving them into something that you may not agree with because my vision for Nino is to elevate him to match Alya in terms of narrative importance because I want the team show season two promised me even if I have to make it myself!

And if you don't want that? Then that's fine! I'm not arguing that everyone should adopt this take. My version of Nino is about as close to an OC as I get when writing fanfic. So let's get into it and talk about why I had to do that. (Also note that I have nothing against OCs. It's just that, when it comes to my own writing, I try to reserve them for original fiction or for very minor roles that no canon character could fill. Totally a matter of personal preference and not some sort of judgement.)

The Many Ways that Canon has Done Nino Dirty

If we look at what is arguably the main group of friends - Alya, Marinette, Adrien, and Nino - then we can see a clear base concept for the first three. Alya is the plucky reporter. Marinette is the headstrong leader. Adrien is the sweet goofball. Nino is... Alya's boyfriend? Adrien's best friend? Chris' older brother?

This is the problem that I was referring to above. Alya, Adrien, and Marinette have clear roles that you could pick out by just watching Origins. Nino doesn't. He doesn't even speak in part one and part two gives him all of six lines. These lines establish him as a nice guy since they're all about him being kind to Adrien, but that's about it. Here's one of them as an example:

Miss Bustier: Agreste, Adrien? Nino: (quietly to Adrien) You say "present". Adrien: (jumps up with his hand raised) Uh, present!

This is a cute moment for sure, but when I look at it, I can't tell you who Nino is supposed to be other than a nice guy, which isn't much to go on. Nice guys can fit a lot of roles.

This isn't necessarily a flaw. Some characters have roles that are immediately obvious and some characters don't. This second class of character usually just has a more complex role that will be discovered and defined based on their actions as the story goes on. However, because Miraculous' writing is all over the place, Nino gets screwed. Instead of his actions defining his nebulous role, his actions make his role impossible to pin down! Here are a few examples:

Nino the Protector:

Season two was big on the idea that miraculous had to be suited to their holders. That's why Chloe kept getting the bee as we saw in Malediktator:

Marinette: I must choose someone who's not impressed by people in power. Who can help me trap Malediktator. Huh?! Of course! That's it. (reaches for the Miraculous of the Bee)

And why did Nino get the turtle in Anansi?

Marinette: I need a protective Miraculous. (gasps, and points at the Turtle Miraculous Master Fu is wearing) That's the one I need, Master! (Master Fu gasps) Uh, if it's okay with you. Master Fu: (smiles at Wayzz, who nods to him) Do you have someone in mind, Marinette?  Marinette: Actually, I think I found just the right person.

Okay, cool, we finally have a strong defining trait for Nino! He's a protector! Or, at least, he was here. Other episodes go directly against this role such as this nonsense from Illusion:

Nino: What's up is Ladybug and Cat Noir don't have us to help them anymore. Alya: (nervously) Um, um— uh— what do you mean, "us"? Nino: Well, us, you Rena Rouge, me Carapace! (Alya kicks his leg underneath the table) Ouch! What's the big deal? We can tell Marinette and Adrien we used to be superheroes.

This first issue with this episode is that we see Nino out his and Alya's secret identities without her permission even though the resistance did NOT require an identity reveal to be a thing. In other words, our supposed protector is taking a big risk for no reason. Then he goes and does this:

Nino: Hence my plan. We're gonna film an akumatization. Alya: And how are you, Comrade Ketchup, gonna be in the know when and where this akumatization takes place? Nino: Easy, Comrade Beurre Maître d'Hôtel. I'm gonna make it happen.

Which leads to the four friends antagonizing Gabriel even though Nino knows how complex Adrien and Gabriel's relationship is. A move that makes no sense for a supposed protector because Gabriel was far from their only option. Nino could have picked anyone, but he went with the riskiest candidate possible, exposing his best friend to a potentially massive backlash.

Nino also doesn't even try to contact Ladybug and Chat Noir prior to this insane plan, thereby putting the whole city at unnecessary risk! What kind of protector purposely causes an akuma without also coming up with mitigation strategies to minimize the resulting damage?

Everything Nino does in this episode should disqualify him from ever holding the turtle again or, at the very least, he should have to redeem himself before holding the turtle again. This is especially true since he never apologizes for anything he did in Illusion and this is just one example of the issue. It's actually kind of hard to find moments where Nino acts as a protector even though he holds the miraculous of Protection. So is he supposed to be a protector? Who knows!

Nino, The Empath:

That first example was long, so we'll pick two quicker ones to flesh this out. The first one is how Nino and Adrien's relationship is defined. In Origins and the New York Special Nino is written as a kind and sensitive guy who is acting as Adrien's guide to dating and other elements of the real world:

Nino: Yup. I love Adrien, but he's like a baby chick that's just started cracking out of his egg. He has a hard time understanding the signals people send him. Alya: What signals? Marinette isn't exactly sending them clearly. I mean, look! What is she doing with her arms? Telling him what to do in case of an emergency landing or something? Nino:(sighs) If only this trip could help Adrien finally come out of his shell.

But then you have episodes like Animan where Adrien is Nino's guide to dating:

Nino: Shhh! You know I'm no good with the ladies, especially this one all of a sudden. I mean, dude, do I go up to her and crack her a joke? Shoot her a compliment? Invite her to the zoo? Play it serious? Adrien: Nino, you're way over-thinking this. "Invite her to the zoo", you serious? Nino: Well, they have this really cool new exhibit there. Adrien: Listen, just be yourself, man.

And episodes like Illusion (discussed above) and Psycomedian (see below) where Adrien is deeply uncomfortable and Nino doesn't notice:

Nino: See, dude? I told you! Hilarious, right? Adrien: Uh... (laughs nervously) Right! Really funny, Nino. Nino: I gotta show you his other sketches. It's insane that you don't know Harry Clown! (laughs)

Which might work if these episodes were about Nino learning a lesson, but they're not. Nino learns nothing, so is he generally in tune with others or is he kind of oblivious to other peoples' feelings? And why did Nino ever think that Adrien was a good source of romantic advice if he also thinks that Adrien is "a baby chick"? Pick a lane people!

Nino's Hobbies

Our final source of confusion is trying to define what Nino even enjoys doing. Horrificator and Queen Banana have him playing around as an amature film maker, but we also see him acting as an amature DJ with the wiki even claiming that he's the head of the school's radio station. So which of these things is his passion? Movies or music?

To be clear, I think it's fine to have multiple passions, but this is a story. You want to keep your characters' non-story-relevant hobbies kind of simple, especially when the character in question is a relatively minor side character who rarely gets much screen time. It's why Alix is only really into roller skating and why Nathaniel is only really into art. You don't want them to be more complex than that.

Even the main characters get this "keep it simple" treatment with Marinette only really being into fashion and Alya only really being into her blog. The girls don't need two demanding passions that would eat up all of their free time, but that's what Nino gets! Film and music are both incredibly demanding passions and it's hard to balance a character who is into both who is also an active superhero. That's a lot for one dude to do well!

I've actually seen fics that cast Nino as wanting to be a director and fics that make him want to be a professional DJ because canon really isn't clear about this pretty basic aspect of his character, but you do need to pick a lane when writing anything that gives Nino a career and so people seem to pick a passion at random.

My Version of Nino

By now, we're hopefully in agreement that canon has made a mess of Nino's character to the point where it's near impossible to say "this is who Nino is supposed to be." However, if you want to write Nino, then you do kind of have to pick a characterization to go with, so here's what I've come up with. Feel free to embrace it or reject it, but know that you will pry my version of Nino out of my cold dead hands because I utterly adore him.

Since Nino is Carapace, I base everything about him around the concept of "protect and defend" because he needs to feel like he deserves his heroic alter ego. I do not want to make canon's mistake of giving him a miraculous that massively contradicts his writing. Especially when that writing makes him feel interchangeable with other characters. At this point, no one from canon screams "turtle miraculous" unless you want to give it to Adrien since he's Ladybug's defender.

I also designed Nino around Alya and Adrien as those will arguably be his most important relationships. He should feel like a perfect fit for boyfriend and best friend respectively. I also took Marinette into consideration because he's going to be part of her team/friend group, so he should work with her, too.

What all that means is that I basically said "okay, this is where Nino is supposed to fit in the story and this is the dumpster fire that canon gave us, how do I pull pieces from the fire and paste them together to make a character that fits who Nino should have been?"

To really get into my version of Nino, I'd almost have to give you a fic to read, but that's way too much for a Tumblr post, so let's keep this high-level and just look at some of my notes on Nino from my lore Bible:

Nino is a major audiophile. He loves listening to music and watching movies/TV shows to study how they play with sound. He wants to be an audio engineer when he's older, but he also has a general passion for all things music and film. He’ll listen to any genre and watch almost any movie or show. He loves to take charge of the music at events so that the music really fits the crowd (and so it sounds good). It isn’t unheard of for him to go see an unknown band or an odd indie film on his own. This will become a major bonding point for Nino and Adrien because of the influence of Adrien's mother. Nino has seen all of Emilie's films and loves them. It will also bond him and Alya as his knowledge of film making will allow him to help her learn the art of filming now that she's doing complex things like actions shots and editing together multiple recordings.

Nino is generally pretty laid back and likes to hear people out. His reaction to confrontation is to try to calm everyone down so that they can get to the heart of the issue. He wants everyone to get along, but he's also not going to let someone take the blame when they shouldn't. Nino protects the innocent.

Nino is incredibly protective of the people he loves. If someone he cares about is in danger, his peaceful nature goes straight out the window. He’s the kind of person who would happily take a bullet for his friends and family. This will lead to him following Alya around once the hero stuff starts because he wants to keep her safe. Never let Alya go out alone if Nino is around or even just aware that a fight is happening. Alya thinks "scoop" and Nino thinks "my Alya sense is tingling." He's NOT there to stop her from doing what she loves, he's just there to be her spotter who lets her focus on filming while he watches for danger, though that will initially be a struggle for him. Treat this as his audition/training for Carapace where he learns to balance protective instincts with getting the job done so that he's ready to perfectly take on his miraculous.

When Nino’s folks split up, his mother insisted that the kids should go to therapy to help process things. They had individual and family counseling. Nino was actually pretty cool with the divorce as he’d seen it coming, but his brother was really affected by it, so Nino spent his time working on ways to help Chris (and being told that he was a brother, not a parent, but he still wanted to help). He learned a lot from going through it and it’s why he’s so good at dealing with emotional issues. He’s also good at not taking those burdens on himself. He wants to help, but knows that it's your battle. Marinette often looks to Nino for guidance on emotional issues because she knows that she's terrible at navigating them. She has given him full permission to stop her when she's too focused on solutions over support. All of the friends will help Adrien figure out social situations, but Nino will be the main guide as he's the one with the strongest skills in that area. Plus Adrien makes Nino's protective big brother instincts go crazy.

Nino’s a bit of a loner by choice. He has "weird" hobbies that easily lend themselves to being done alone and he doesn't have any interest in "forcing" his hobbies on someone who doesn't actually enjoy them, so he spends a lot of time by himself and rarely invites others to share in his interests. He only does that when he thinks that they'll actually enjoy what he's sharing. He doesn’t mind this, but he’s also a very welcoming individual who doesn’t like to see people left out, so he’ll come out of his shell when he sees someone who needs a friend. This usually leads to him making friends who soon become closer with others, but still view him as a casual friend. He’s cool with that. He's just happy that they found their people. Adrien will be the first friend who really stays Nino’s due to an understanding of Nino’s “weird” hobbies. After all, Adrien’s the son of an actress. He’s used to weird indie films and discussions of cinematography. I'd even say that he revels in it and realizes that he has missed it desperately since his mom got too sick to do that kind of thing. Basically, Nino will fill a spot in Adrien's heart that Adrien didn't even know was empty. Adrien can listen to Nino talk about cinematography for hours and never get bored. Before Adrien, no one knew that Nino was this talkative!

If anyone wants more insights into this topic, feel free to send an ask, but I think we'll call this post done now because it's SUPER long.

[konigsblog]

I’d like to direct those sending hate to people simply writing dark content to holding adult video sites accountable if they want to achieve some kind of moral victory.

There have been multiple instances of sites like 🌽 hub taking genuine footage of rape/SA and refusing to remove it even when requested multiple times by the victim. Some of their heavier ‘consensual’ bondage vids etc have been said to involve deliberately pushing expressed boundaries by female actors that have do things they didn’t originally agree to for fear of loosing their job. These are real people- their experiences are REAL and have a lasting physical, social and mental effect.

Ghost, König etc are not real. Y/n, is a reader insert of course, but you are never in genuine danger. Everything you ‘put yourself’ into in these fics, can stop at the press of a button. You can hate it, hate the author and never interact with them again- problem solved (If only y’all would do that). In real life? A SA/rape survivor has lived through it, suffers from it forever and might have the disgusting burden of having to see their assaulter in the flesh at work, home etc.

To insinuate that a piece of fanfic that can be ignored, that you CHOOSE to engage with is as equally abhorrent as the real act is disgusting. It’s downright offensive. It’s a great discredit to us victims and shows you don’t actually give a damn about us at all.

You’ll be silent when it’s time to hold a harmful industry accountable/silent in the face a thousand men saying that 🌽 actresses ‘deserve it’ but will continually send hate to what is a largely femme community for typing words on a screen that you could avoid so easily. Yeah, I know why, there’s a word for it starting with M :)

On that note, most of these people are dead silent on other fandom issues which proves it’s vendetta, not justice based. They don’t actually care about making it a ‘safe place’ (which is impossible, that’s no one else’s responsibility but your own). Not a peep about racism, for example- can’t be assed making fandom more accessible and less exclusive to POC, gotta go out of their way to harass authors though!

You don’t have to like dark content, or even the authors. You can have limits, disdain bad tagging practices, question respectfully why someone might want to read/write such content, but don’t you dare use victims as a scapegoat or insinuate that you are in any way justified if you choose to harass or bully. Do better; focus your energy somewhere actually productive and deserving of criticism, or shut up and move on.

I agree with absolutely everything you said. These are the same people that consume pornography via porn sites, then sit and complain about people having rape fantasies and consuming dark fiction (key word: fiction). They care more about people's kinks and fantasies and decisions in the bedroom (where both parties have consented beforehand), then they do about the REAL rape tapes on porn sites. It's not just rape either, there's a lot of incredibly fucked-up, illegal, and sickening things on these sites that I won't get into. People have their trauma published, profited off of, and are violated for money, and these sites never take these videos down either.

They care too much about their comfort character being portrayed in a way they don't agree with to focus on the poor souls who have had their trauma uploaded online – and to make money off! Are the COD characters real, or am I missing something? They're fictional characters. Just because you don't agree with a headcannon doesn't mean that everyone else also disagrees. It doesn't determine their morality. And honestly, do I really think these hateful and spiteful people are victims of some form of assault? No, I don't. Because victims of SA/rape (who cope differently) filter things out to prevent themselves from getting triggered. I don't think that these hate anons are actually triggered by the content I upload and just want to judge others for coping differently. They just want to seem more moral – as if your mortality depends on your coping mechanisms/fantasies are. If you don't want to watch a video, you wouldn't choose to watch it anyways. You wouldn't force yourself to watch the entire thing, then come to the comment section and cry about how you're not interested in the topics featured in the video. You watching that video was a decision you made, a choice. You wouldn't take a kid to a horror film that's clearly 18+, then scream at the film directors for creating it in the first place. If you're not the intended audience, then don't stay. There is an audience of people who do enjoy dark fiction, and just because you don't, doesn't mean that it can't exist. The world doesn't only revolve around you. It's selfish and small-minded.

You get taught about fiction and non-fiction in Primary school, and yet here we are, have to tell adults (or at least people who claim they're 18+) the difference between the two. If you can't draw a line between fantasy and reality, then you shouldn't have access to the internet. That's irresponsibility. It's people wanting to be saviours, act as if they have the moral high ground because they disagree and think that it makes them a better person, when it doesn't. If anything, them constantly harassing innocent writers is worse than what they try to portray us dark content writers as. These are the same people wishing rape, death, and doxxing towards writers who have done nothing but be respectful and give out warnings before a story. Dark fiction writers have more empathy and sympathy than these puritans who think they're on top of the world for coping differently, because we actually understand that there are different mechanisms to cope after being sexually assaulted.

I will never apologise for writing what I write. I refuse to walk on eggshells around these anons simply because they can't act mature and manage their own triggers. These people won't bother reading the articles that I've linked countless times, or listen to this entire post. Because they're narrow-minded, that's what narrow-minded folk do. They don't hear other opinions or think for a second, that maybe, just maybe, they're being disrespectful. They claim we're romanticising rape by writing it, but don't bother learning what romanticising actually is. I've said countless times that rape is a disgusting, violating crime that deserves years of punishment. I don't describe what these characters do as IDEAL or something to WANT, if anything, I describe them as horrible people because that's how I see them. They're in the military for God's sake...

When they send hate to an author's askbox, do they think for a second about the effect it'll have? Victims go through years of self hatred and disgust after being traumatised, and when they find a coping mechanism, do you think they want to be told that they deserve to be raped again, or that they're disgusting, or that they're supporting the vile crime? Of course they don't, because they don't support victims at all.

These people are too illiterate to read this entire post. If anything, it'll go right through them. In one ear and out the other. Am I also responsible for the media they consume? As in, horror films? Will I hold their hand and cradle them, rock them to sleep because they don't want to take responsibility? That's life. You have responsibilities. You can't just drop them because you feel like it and then put it on a writer's shoulders because YOU weren't thinking.

And sure, I can see how dark fiction can possibly affect reality. But, that's not my responsibility. If someone is has the urge to rape someone, that's an issue on their behalf, caused by mental illness. I can't control what people do, just like how film directors can't control the effect that their work will have. If people get themselves off to my content, that's not my responsibility. Writers and film directors aren't responsible for the effect it'll have on others, because there are a plethora of factors that can change a reaction towards certain content, like mental illness, for example. Mental illness plays a huge factor.

[metalichotchoco]

Honestly what I’d like to see in more ihnmaims media if we ever get any is the relationships between survivors, here’s my take, picking and choosing from each version of canon.

Ellen is the most stable so her relationships will be saved for another part

In the triangle that is ted, Gorrister and Benny it’s a vicious cycle

Ted and Benny have a complicated mutual hate towards one another they both play to their most deep insecurities. Ted already believes that everyone hates him due to being “better” or not broken the way they’ve been so it’s not hard for him to antagonize people anyways. For Benny’s part ted provokes his complexes about sexuality, animalisticness and the difference between the weak and strong. For as much as ted is a lying narcissistic criminal, he’s shameless about it, about his nature he cares about the consequences not the actions. Benny cannot own his actions at all, there’s a disconnect between the educated, handsome former general and professor and the aggressive,almost feral war criminal he is. Ted is very self centered but doesn’t handle slights to his ego well, Benny in his non mutated form is much more successful and traditionally attractive than him. God he even deludes himself into thinking am changed Benny’s “size” in the book. Both of their moralities are twisted and it’s not hard to imagine them being snippy when they both have the mind to think properly. They are also coincidentally am’s favorite victims.

I do think it would be in character for both of them to make snide remarks about gorrister’s former hippie status, he’d be seen as an extreme liberal since this book takes its characters from the dawn of the Cold War, just after ww2. Most of Benny’s pride and identity came from being in the military so that’s obvious to see how that’d pan out, whereas ted seems like the type to not care about politics unless it directly relates to him. His problems come from the idea of people not centering their lives around money or power.

Individually there’s some fun dynamics to be had. Ted in general would think gorrister is a bore. For a person who likes stories, ted finds non fiction exhausting. Gorrister likes talking about history and politics even though his spark has faded out. It’s a bit funny that Ted believes am has changed Gorrister too despite his symptoms sounding much more like being worn out and becoming depressed. It’s not like he’d really consider that a real condition though. Gorrister just finds ted to be a bit annoying. An attention seeker but he figures ted was always just a weird kind of guy.

Gorrister is mostly ambivalent to his forever roommates, though he would consider Benny a war dog past his prime. A key example of what happens to soliders, men forced to kill and then given power. Then as soon as it’s given, it’s taken away and you’re left with an unstable pitiable person. How could they go back to living a normal life after that. With am being a literal war machine made by the government Benny put so much trust in, he finds it poetic in a sober way. Benny finds Gorrister very confusing, he never understood protesters before anyways. He would’ve found him preachy if he had met him beforehand. Gorrister does threaten his masculinity though, like ted he’s a brand that’s not the ultra traditional that he’s built himself around. Gorrister freely admits that he’s had queer experiences while still carrying a traditional masculine job, a truck driver. He can’t be put into that stereotypical box that’s nice and safe for Benny. It’s also good to mention that Benny is soothed by gorrister’s stories even if in that scene he wasn’t fully there.

Both ted and Gorrister see the clear closet case that is Benny but they don’t act on that knowledge. Both of them believe that being a solider sucks but for different reasons. Ted thinks it’s for suckers who get caught up in manipulation tactics going on about morals. Gorrister also believes they are manipulated but also sees the horrors of war as that, horrors. Basically he takes a more empathic view. Gorrister and Benny both agree that Ted is annoying but not in the way ted himself thinks everyone hates him. He’s very loud and shows off his now eternal youth. They are not even sure if the man did or did not graduate college. Gorrister doesn’t mind breaking laws but he does care about people’s wellbeing whereas Benny’s stricter about following the script but he’s done worse so he doesn’t have room to talk.

[luvtonique]

Earlier today, a girl shot me a DM thanking me for not listening to people saying Melodi's body shape is unrealistic or fetishy and choosing to double down on her being a top-heavy P-shaped anorexic lanky long-armed twig lady.

She said, I quote, "I look like that IRL, and have the back problems and eating disorders to prove it. I have gigantomastia and have to get breast reduction surgeries to keep them in check [she described a lot of medical problems that come with the tissue growing too much here, too, but I cut it out cause it's pretty visceral]. I saw your post saying you're not intentionally putting representation in your game [like a year old post at this point] and this isn't about representation, it's just something that made me feel good about myself knowing someone finds my weird body shape attractive."

I told her that she is loved, and thanked her, and said that I hope that she can live a fulfilling and good life despite her disease.

She said "Same to you about your arthritis!" and that was that.

Little moments like that are why I make art and why I don't just do "what sells." I was willing to give up a huge portion of my fanbase by not flocking to Twitter in 2018 and staying here on this weird site full of people who regularly annoy me because it's my fuckin home. I was willing to leave the brony fandom after massive success in it. I am willing to receive hate-reviews from people saying my characters are "too sexualized" or that they "don't have enough identity-representation."

When people come along to tell me that something I'm doing made them happy or feel appreciated and loved, or that I helped make the hard times worth it for them, that's what really matters to me. Not filling quotas, not making characters with relatable social issues, not shoving politics or ideologies into my game to "send a message," but just those moments where the occasional person comes along and thanks me for never caving to social norms and continuing to just do the weird shit I love doing.

I love you, weird body shape girls.

Just because God hit "Random" on your body shape doesn't mean you're ugly, weird, gross or unwanted.

You're bootiful.

Also I just gotta be a snide bitch at the last line because this is Jay we're talking about. "But Jay! You'd get SO MANY MORE people coming to you and thanking you if you PUT SOME REPRESENTATION-QUOTA CHARACTERS IN YOUR GAME TO BAIT THEM OUT, LITERALLY SLAPPING THEM IN JUST TO GET BROWNIE POINTS AND INTERNET HUGS AND ACTING LIKE THAT MAKES YOU A GOOD PERSON."

That shit isn't genuine and your sense of feeling represented by disingenuous ideology-bait is as fake and fleeting as seeing a corporation put up a pride flag on their profile in February. They are using you to sell their product and you're praising them for it. I will never put a character into any work I create with the intention of representing a group of people or an ideological belief, because my characters are fictional storytelling devices, not strawmen who serve as a walking wikipedia article for a culture that the media has deemed an oppressed minority group to talk down to the audience instead of talking to the other characters.

[writingwithcolor]

Am I handling the black woman character’s murder well?

@selfdxd2 asked:

Hello! My current project is a crime fiction set in KY, USA in which the instigating action is the death of a young black woman (W), with the first half being another young woman (L) investigating her disappearance and how it correlates with the disappearance of her close friend. That friend (P) is later found alive after having been kidnapped because he witnessed the crime, and is the POV character of the second half. He is also a white man, and him being white is relevant to other aspects of the story. My intention is for the "credit" for solving W's death to go almost entirely to L (who is also a woman of color, specifically Romani), and for the tragedy to be centered around the unfair loss of life and the pain of her parents and others who knew W rather than how bad P feels about it. My main cast also has two other prominent black women with arcs that extend outside this tragedy. All of this is intended to lend to one of the story's major themes of social invisibility vs visibility. So does this exploration of that stray into harmful territory from the outset? I know successfully keeping away from any white manpain traps will take active caution while actually writing the story and I intend to get sensitivity readers as I work on it, but I wanted to get some feedback on my starting point before going too far down that road. Thanks so much for all you do!

It is important for us to know why this young Black woman was murdered to give specific advice. 

Was it racially motivated, gender motivated, or both? 

Wrong place, wrong time? 

Did someone take revenge?

Was she involved in something insidious? 

Was it truly an accident?

Depending on the reason, you should explore and acknowledge this violence and the existing societal problem behind it. For help, see the crime stats on violence against Black women.

…and for the tragedy to be centered around the unfair loss of life and the pain of her parents and others who knew W rather than how bad P feels about it.

Yes, give a voice to the people most affected by her death. Other Black women, people, and Women of Color. This will help further not make it about the feelings of a white man. He is absolutely a victim of the crime too, being kidnapped, so his trauma does matter and should be tended to. But ultimately, he gets to live.

On that note, his life being worth kidnapping vs. ending begs the question; why wasn’t he murdered while the Black woman’s life had to end? And for representation purposes, why couldn’t it be the other way around (Where the Black woman lives and witnesses the crime, and the white man dies)?

This is why knowing your reasoning for her death is so important. 

Otherwise, if she was thoughtlessly murdered, it does feel like her life was incredibly devalued in your story due to her being a Black woman. It’s a serious and true problem, so I'm not saying not to write this. This just needs careful exploring. If you’re choosing to bring this real life problem into your story, it deserves full and respectful acknowledgement. 

Please check out our resources on writing tragic material, Black suffering and abuse and avoiding exploitation. 

More reading: tragedy exploitation tag

~Mod Colette

[fresne999]

Half way through the journey of our analyses

I feel like roughly half of the analysis I'm reading about OFMD S2 is folks who clearly fixated on a character (it's Izzy, it's always Izzy that inspires this kind of analysis) write analyses that cause the 2nd response of, "Um…did you ever study literary analysis in school."

Now I come at this from a slightly odd place in that I did study literary analysis in school (30+ years ago) where I learned it's possible to interpret anything about any way, because we're all bringing different lenses to the analysis. Which isn't to say that an author can't have an intended interpretation. 

Dante in Canto V of Inferno (Divine Comedy) would still like folks to understand fixating on the two damned-lovers and ignoring the details that the artist is putting in there for you to catch about how they are damned because they won't change the toxic patterns that got them there in the first place. Also, they can't because they are in hell, and hell is like that. That Dante-the-writer had Dante-the-character swoon over those same two damned-lovers (because Dante-the-character is on a journey of moral correction) is hilarious, but doesn't make it any less the point of that section of the work, but I digress.

As a career, I am very aware that folks love to misinterpret what is meant to be very clear instructions. Of course, I'm writing policies and procedures, which is a bit different from writing fiction, and is worlds away from creating a t.v. show. But that's the life experience that I always bring to literary analysis. Frequently, people choose their interpretations to fit what they want to see, and that's part of being human.

I've seen a fair number of folks interpret Izzy's redemption arc in S2 as one of a queer man struggling with disabilities and mental health issues whose struggle is made meaningless by his demise. Which sure, you could interpret it that way and in that it's coming from I'm sure an emotional place, I get it. And hmmm… I might give this interpretation more credence  if I hadn't read a lot of Izzy analysis for S1 that was wildly different than the text.

So let's take a step back. 

First, know the rules of the literary universe: OFMD is a show where the reality is not ours. It is either the Core Universe or something very close to it. BTW: If you've never heard of Core Universe or read the seminal BtVS+HtLJ "When Hellmouth's Collide" (https://www.ltljverse.com/index2.htm), a Core Universe is one where everything lines up. Row boats are magic, and where there is a Badminton, he will accidentally stab/shoot himself. 

Terminology more befitting of that fancy literature degree might be to say that OFMD functions along the logic of Magical Realism. Characters will appear briefly for the purposes of the story and then disappear not to be mentioned again (Nana, Calico Jack, Mary Read & Anne Bonny). Things align because they are meant to align. It is a universe where the Gravy Basket is a real place, and meant to be taken seriously.  It's also a universe where a man may become a seagull, because he loves the sea. You change for love, but the ways you change may be positive or toxic. 

They can result in a bird that never gets to know rest. Always flying over the sea. Or they lead to becoming a bird, who can float in the sea or land on a unicorn's leg. 

Transformation. 

Anyway, S1 - Stede commissioned a ship with secret passageways. It did not have a buxom mermaid on the prow, nor something more befitting a ship named the Revenge. He commissioned a unicorn prow and went off to become a pirate. 

A not particularly violent pirate. But a pirate who didn't have a problem with the violence of piracy. See Stede telling Lucius (hardest working man on the ship in S1) to take notes during a violent raid where the show's logo was literally carved into the chest of a dead man. 

BTW: The tone about violence is darker in S2, but the violence was there in S1. It was just presented in a more whimsical way. The nose jar was full of noses in S1. We heard about Blackbeard's violence. A man was skinned alive off screen, but we focused on the Prussian (but also sort of French) party. 

What Izzy needed to be redeemed from was established in S1. The problem is that folks who interpreted Izzy as a) the central focus of the show and b) a put upon manager just trying to do right by his crew (or as one Tumblerina referred to him as the man/father of the family going out to hunt - excuse me while I vomit - and support his family as men must do), are not going to understand what Izzy's S2 arc was all about. 

Ed and Stede are the main characters in a romantic story. There are other characters with their own arcs, but they are the main characters.

In S1, Stede created a safe space where characters had a chance to breathe for the first time. Possibly ever, and as a result revisited parts of themselves they'd lost. Wee John got back in touch with his roots as the son of a seamstress. Frenchie got back to what he loves, scamming the rich. The Swede sang like a siren of the sea, because it doesn't always have to be scary. 

Ed had his first good time in years. After expressing suicidal ideation to Izzy because of his terminal boredom in S1.E4 - Discomfort in a Married state, Ed found himself some balance. Some sweet marmalade. 

Ed and Izzy were in a toxic relationship that only reinforced their toxic behavior. And yes, I'm going to overuse the word toxic. While piracy is a place where you can go be yourself and shag whoever you want (whatever happens at sea stays at sea), it's not a place where you can be soft. Gentle. Emotionally open. Available. 

Ed's only path out that he could see at the time was to plan to skin the face of the man who built a ridonculous boat with a unicorn on the prow and wear it for the rest of his life. A plan to send Stede to Doggy Heaven. 

BTW: This is why Izzy uses the line in S2.E3 - the Innkeeper, that they put Ed down like a mad dog, so that Stede could reply that they sent Ed to Doggy Heaven. Reiterating this concept of piracy as violence, as taking away faces / identity / lives, but also losing one's own. Forgetting even what day of the year it is. Also revealing that Stede knew about Ed & Izzy's plan to murder him, send Stede to doggy heaven, and had moved on. 

This is also why the respite in S2.E4 - Fun and Games is so critical. Mary Read/Anne Bonney are portrayed as direct parallels to Stede/Ed. They are selling what are, no doubt, the spoils of their piracy. But they've chosen a remote location with no community, but each other and a life where they are not actually communicating. Which on its surface is where Ed and Stede end up, and yet…the Revenge can sail back. They are on the shore facing the sea, not in a jungle lost from a clear view. I'll quote the relevant Dante in just a bit, never fear.

Ed and Stede's new inn has the potential for a solid foundation, because the unicorn has been planted firmly in the ground, and if we get an S3, I firmly expect the unicorn leg to have transformed into a tree, because I've read a lot of medieval literature and that's how that sort of thing works. 

Well, it could be a penis tree (this was a thing in medieval marginalia), but somehow I don't think it will be. 

 But I'm getting a little ahead of myself.

Back in S1, the plan to murder Stede and take his identity broke down despite Izzy trying to perform an intervention to get Ed back into the toxic soup, and ended with Ed curled up in a bathtub and opening up about murdering his father. An image the show chose to flash on the screen multiple times in S2 just in case folks forgot that this was a traumatizing event for Ed, and was itself the culmination of years of traumatic abuse at his father's hands. 

Just as Stede kept flashing back to the moment his father tells him what it is to be a man, and kills an animal, the blood splashing on Stede's wee little face. 

That this is the point of the show. Transforming past trauma. It's there. You always carry the scars. Sometimes, you decide to tattoo yourself with the image of the thing you fear, and then the thing you fear is always there, but you've got to keep moving forward. To stay in one place, to stay trapped in the same emotion/action, is hell. I've read a lot of lit crit of Dante's Inferno. Trust me, it's the same thing.

Izzy's redemption arc is firmly based in the events of S1E6 - Here Dragons Be, because it's where the pustule of his relationship with Ed breaks. His attempted intervention fails to get Ed to kill Stede, so Izzy tries to kill Stede. Not realizing that a) Stede is a main character and b) this is a Core Universe show. Where it's possible to win a duel by being stabbed in the left side of your gut and stay there for many hours and not die. So he loses the 1 thing that defines him, his job. 

Izzy's redemption arc is firmly based in the events of s1E8 - We Gull Way Back, where he enlists Calico Jack to lure Ed off the boat (with all the toxic masculinity that entailed) so that the British could show up and shoot the head off the unicorn, and kill Stede. So Izzy can crawl back into his old patterns / job / life. 

Izzy's redemption arc is firmly based in the big drama confrontation in S1E10 - Wherever You Go There You Are, when as a person whose entire identity is tied up in being Blackbeard's First Mate and after realizing that he couldn't cut it as a captain on his own, he does whatever the f- he can to get Ed back into the toxic soup so he can get his old role/job back.  

This isn't to say that Ed's off the deep end actions in S2.E1&2 aren't his own choices. He is a main character. His emotional arc is one of the driving forces of the show. But they are the choices of a man who wants to die. After a lifetime of violent action that had been increasingly drowning him, he wants to die in the violence of battle, but the enemy are never good enough. He wants Izzy to kill him, but Izzy won't. Until he does…sort of. He wants to die in a storm. He's carving notches on his wall hoping to lure Ned Low to him so that he can die in pain. But Ed is the devil and does not die.

Except Ed's not the devil. He doesn't have a head made of smoke. He's a man. Not a fisherman. Not a fisher of men, and what an interesting attempt to go Christ himself off into the wilderness only to be fired for not being that good at it, and then receive his letter from the deep. 

Because in a show full of magical realism, the bottles with messages will reach the intended recipient eventually.

"In the middle of the journey of our life, I came to myself in a dark wood for the straight way was lost. Ah, how hard a thing it is to say what that wood was. So savage and harsh and strong, that the thought of it renews my fear. It is so bitter that death is little more so. But to speak of the good that I found there, I will tell of the other things I saw…and like one with laboring breath comes forth from the deep onto the shore, who turns back to the perilous water and stares, so my spirit still fleeing turned to gaze upon the pass that has never left anyone alive." Dante, Canto 1, Inferno. 

Instead of dying, Ed goes not to Purgatory (sorry I'd quote the opening lines, but Inferno actually works better here), but to the Gravy Basket, where he confronts the spirit of Hornigold. Dead spirit. Aspect of Ed's self. Both. Neither. Hated. Self. Unkillable. 

Is saved by a goldfish incarnation of Stede. 

But just as the imaginary as Stede's vision of what / who he thinks he needs to be for Ed, this is not true. Life being what it is, Ed and Stede rush when they need to go slow. They break apart because they are saying words, but the other person is hearing based on their own interpretation. 

BTW: The clue Dante-the-writer gives the reader in Canto V of Inferno is how one of the damned lovers, Francesca, explains how she hooked up with her brother-in-law, Paulo. She describes reading an Arthurian romance. She and Paulo kissed when Gwenevere and Lancelot kissed in the story. Except the version they are reading (and Dante tells the reader which version this is) was intended as a cautionary tale. Also, Paulo and Francesca were real people who were murdered by Francesca's husband when he caught them together. So there is that too.

I always like it in fiction when characters misinterpret each other because they hear based on their life experiences and don't hear the things that are said/unsaid based on the life experiences of the other person speaking. That's good writing. It's also how we end up with wildly varying interpretations of works of fiction.

But I digress.

Izzy's S2 arc is that he must let go of his relationship with Ed and turn to others. He must learn to let go of toxic masculinity and let in softness. Not weakness. Water is not weak, but it is soft. Calypso, goddess of the sea, is not weak. Her birthday is whatever day you need it to be. She is vast and deep and soft and relentless. 

In Ro-sham-bo, it's a shame that there is not a gesture for water. Because it is not paper that defeats stone, but water that wears away the stone. Of course, scissors wouldn't do much to water either, so that would sort of break Ro-sham-bo, so I suppose it must stay as it is.

It is through a craft's project that the crew of the Revenge find healing. Turn Izzy into the unicorn. A unicorn that Izzy's own actions caused to be decapitated with a British cannon ball in S1. That Izzy rendered legless (drunk). But the Revenge is a boat. They just need to swim/sail. It is through a craft's project that Izzy is able to offer healing to Lucius, who in turn is then able to turn their art away from fixating on Ed, and the trauma that he's been through and back towards love, and Black Pete. 

But it's not possible to see Izzy's S2 arc, if you didn't interpret S1 Izzy as needing to go through his own gravy basket. 

That Izzy dies because his transformation is necessary. He can't leave Ed, and if he doesn't leave Ed, then Ed can't stop being Blackbeard. The kracken. He literally tells Ed this as he chooses to transform. To free the world of Blackbeard, so Ed can be Ed. Yet, I've read so many posts by folks saying, "But why did he have to die?" Which sure, you can choose not believe what the character says while dying.

Which is a narrative privilege. To get a good dying speech. "There he is" get to be transmutted from an attack to an actual seeing. The larger than life concept of a smoke headed pirate can waft away.

Stories are hard to kill. They live on long past us, and as long as someone is remembered, especially in a universe like OFMD, we live. 

Though always reject the gift of a clock. That's someone telling you that you've only got so many hours left of life. If you are a character in a story. 

Thus the other parallel in this season is Izzy to Auntie and Ed to Zheng Yi Sao. Auntie must allow Zheng softness. Izzy must go through a sea change to something new and strange. Also, this would be a case of Doylistically the writers needed to line up Olu with Stede for that to work, and thus the new configurations of Olu and Jim's relationship, which, shrug, could be poly. Could be friends to lovers to friends.  Woulda, coulda, had more time, but that's on Max for not giving us 2 more episodes.

Prince Richard was trying to become a concept, but was too in love with the mechanics of it. Stede was trying to become a concept too. Found his fame, and all too quickly the toxic end of that particular route. Magical Realism was on his side until he tried to face down Zheng Yi Sao, the Queen of Pirates, and then the rules of the story weren't. Because those clocks were ticking. Everyone was in a very dark wood. The memory of blood splashed on Stede's face as a little boy was a warning. It was a reminder. It was the wrong lessons we take from our childhood and must unlearn to become whole.

Having the final shot of the show being Buttons landing on the unicorn leg as a reminder that this is a show about transformation. One thing becoming another thing. Somewhere the dead are dancing in Calypso's court. A dance below the sea and on the sea and with the sea. While the living keep sailing on their magic ship to do…I don't know. 

Because the Golden Age of Piracy is coming to an end. They'll go create new worlds and new places to be. Transforming.

If we get no more of the show, this is a resolution.

Since I've been quoting Dante, I'm going to end this with the final vision in Paradiso. Because folks who haven't been reading my analysis for the last 30 years / read it, may not realize that the Divine Comedy (a story that begins in sorrow and ends in joy) ends with the vision of a 3 way rainbow. 

"In the profound and shining Being of the deep Light, three circles appeared, of three colours, and one magnitude: one seemed refracted by the other, like Iris’s rainbows, and the third seemed fire breathed equally from both. O how the words fall short, and how feeble compared with my conceiving!…Power, here, failed the deep imagining: but already my desire and will were rolled, like a wheel that is turned, equally, by the Love that moves the Sun and the other stars."