#and i am being so brave about it
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strangedisciple · 3 days ago
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people on the internet Certainly have takes huh
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endreal · 1 year ago
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alvfr · 1 year ago
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i wish everyone with a sore throat a very warm cup of tea with honey in it
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aroace-poly-show · 1 year ago
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tummy hurty
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itsukia · 1 year ago
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I am sosososo exhausted and it's only 1 pm
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wistaliia · 2 years ago
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being nb is so hard when u hate yellow
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ettadunham · 1 year ago
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im preparing myself for witcher s3 discourse and im being so brave about it
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ratcandy · 4 months ago
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well, you see, the thing is: (instead of finishing my sentence i curl up comfortably in bed and go to sleep
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asterdeer · 1 year ago
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“suffering is the mental anguish of fighting against the fact that life is sometimes difficult and painful,” the corny self help book i’m reading informs me, and i nod gravely and wisely, thinking about my experiences trying to find aziraphale content that doesn’t include crowley
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supjello · 2 years ago
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every day. every day i wake up and have to deal with the fact i have no way to play the new resident evil remake
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stevebuckytea · 2 years ago
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my tummy hurts 🥺
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noizplayssomestuff · 2 years ago
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I promised my friend to wait with playing Reunion until he can join me and I have to white knuckle scrolling away any spoilers. And the game is already here and installed andhnnghh
The amount of self control I am exhibiting.
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kayleerowena · 8 months ago
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🏚️ HAUNTS: A HAUNTED HOUSE ARTBOOK just launched on kickstarter for a second printing! 🏚️
50+ pages of haunted house illustrations, plus an essay on the allure of haunted houses, all in a beautiful full-color book!
back the campaign in the first 48 hours to get an early bird discount, and check out the additional rewards, including a new exclusive risograph print & limited slots for haunted house commissions!
(💖 reblogs are super appreciated to spread the word! 💖)
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katabay · 4 months ago
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some more high&low sketches
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bigskydreaming · 4 months ago
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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rowanthestrange · 6 months ago
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The one downside of this episode is i’m now gonna have to watch at least a full week of people going “oh so russell’s improved on the racism then” but it’s not about the accidental Mickey - stupid ape shit that he was called out on and had opportunity to fix and didn’t cus he’d ‘already started it’ and only later realised he should’ve listened to people after he’d colourblind-cast Mickey as black (including listening to the actor himself). No, it’s people to this fucking day not understanding the simple ABC Martha subplot because they think Ten’s flaws are the writer’s.
a) Ten tells Martha to “oh just walk around like you own the place”.
b) Martha is called a slur in that episode by the symbol of britain - Shakespeare himself. This showed that this was bad advice from Ten.
c) Ten not seeing Martha for who she is, ties into “not seeing colour” a thing actual progressives were trying to stop people saying at the time, that yes colour is important to note and was why Russell said there needed to be a black companion specifically when people complained and asked ‘why he couldn’t just hire the best person’. It comes to a head in the show when Ten gets Martha stuck in a hideously racist position because he did not see her as herself, a fact which is repeatedly shown to be awful and bad as she is mistreated and belittled, it is openly shown to be racist. The Doctor Did Bad by being all enlightened futurist ‘not seeing colour’ and therefore not seeing the reality the person he cared about was actually facing.
I have never met a single member of the general public who didn’t get that back in 2008 by the way. My grandmother got it. This is a solid fandom-based-brainworms lack of basic media comprehension.
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