#and i also have so many creative projects i want to do

[ivesambrose]

𝑾𝒉𝒂𝒕'𝒔 𝒕𝒉𝒆 𝒏𝒆𝒙𝒕 𝒄𝒉𝒂𝒑𝒕𝒆𝒓 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒍𝒊𝒇𝒆

•❅──────✧❅✦❅✧──────❅•

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To book a personal reading with me message or send me an email with your name and query on ivesambrose@gmail.com

The next chapter of your life indicates a period of discipline, structure and determination. Long term plans or goals instead of short term gratification. I feel previous months of stagnation, struggle and mental turmoil has led to you having the mindset of being rather unfazed towards anything because you have likely realised that regardless of what you 'see' you're in control. You've learnt to trust your intuition and inner guidance over anyone else. You might encounter power struggles in between but this will lead to emotional growth nonetheless.

There is a lot of joy, celebration and new connections to look forward to as well. It might seem like despite the good happening to you and what you've wanted for so long finally being yours, you feel rather defensive. Remember to push through despite past struggles. To fully be in the present and enjoy what you have and what you deserve. For some of you I do see you making really good friends but due to past experiences you're rather guarded towards them. The message I'm getting is that yes, do use discernment when dealing with people. Do establish necessary boundaries. But don't let promising friendships falter due to fears.

You can also expect your dreams to be more within reach, renewal and unexpected help coming through, the path getting clear when you least expect it, healing from mental strain that have remained unspoken.

Lastly, you will experience a balance in giving and receiving. This will be necessary when it comes to your material and spiritual growth.

The next chapter of your life calls for adjustment and change. Drastic ones. If it's causing you some tension know that this area of your life requires that change. You can't expect to step into the next chapter of your life otherwise. I see that this involves your daily routine, health, work, with opportunities of personal growth and recognition in those areas. You may also be stepping into a new role of responsibility that requires self discipline on your part. You will be pushed to focus on your physical health a lot more. So if you feel like you're getting sick often it's a sign to stress less about it and take mindful steps towards it instead. Be it getting a proper check up or holding yourself accountable. You don't have to rush anything however, improvement will happen gradually. Some of you likely just need more movement but not the kind that puts your body on overdrive. There will be rapid progress and sudden opportunities coming your way out of the blue, a lot of communication and even travel. Career wise, it's looking really good! You will also be transitioning away from a very difficult time of your life. You may also have new intellectual pursuits, you'd want to learn new things or will be acquiring a lot of necessary knowledge. you will also find yourself juggling many tasks or projects at once but this will lead to a sort of mastery over your life You'll be feeling rather accomplished.

The next chapter calls for self expression, communication as well as creativity however some challenges or conflicts might arise as you assert your individuality or learn to find your voice in new environments.

You can however, look forward to emotional growth, new beginnings in your emotional life as well creative expressions.

Steady and solid growth when it comes to your finances as well. Something that makes you feel like you don't need to rely on others and you have financial freedom so one less thing to feel anxious about that has possibly been weighing down on you far too much .

Once again, try not to over exhert yourself or you'll end up attaching the experience to something that should come to you rather smoothly. In other words, you really need to drop the mindsets of the people that have been projected onto you and have become your belief systems. It's time to make some of your own without losing sight of what you truly value.

You can also expect more mental clarity and better insights in regards to what to do, where to invest, your life's purpose and what truly brings you joy. But instead of running from it like you did before, you'll embrace it.

You might feel more drawn towards arts, aesthetics, cooking, gardening etc as well.

Having time and proper consideration towards things you earlier didn't have the state of mind for.

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[mysticheathenn]

Messages From The Upside Down

Hi, Hexlings!

This pick-a-card reading is about messages from a different version of yourself. Think of it as a higher self but more so of the version of yourself that you could be if you did the work. Just like Stranger things this is a different dimension of who you could be.

This is a general reading, remember to take what resonates and leave what does not. This reading does not supplement your need to seek professional help. Tarot should be used as entertainment and not a for sure answer to your problems but as a guide, a sense of hope, and amusement.

Take your time when choosing your pile. Ask yourself the question and choose the picture that you can’t stop looking at. Listen to your intuition.

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Pile 1:

Who are you in the Upside Down? Tarot: The Star, 2 of Swords, 10 of Swords, The Emperor, The Hermit, Ace of Wands

In the upside-down world, you are someone who doesn't shy away from attention. You are heavily action-oriented in everything you do and know how to pick your battles. For some people, this is knowing when you need to retreat from situations that no longer serve you or being decisive on the things that you want in your life. You listen to your intuition by quieting your mind and going within and also honoring your creativity. Creativity doesn't necessarily have to be the arts but in general, you won't view anything that is deemed childish like video games, coloring books, etc as something that should be frowned upon, unworthy of your time, or keeping the mindset of a starving artist alive when so many creatives walk this earth making it work as a living. I'm getting strong energy of knowing what you want and going after it and releasing things that no longer serve you. In the upside-down world, you treat everyone like a mirror that they reflect back at you. If someone doesn't make time for you, you give the same energy back and move on with life instead of wallowing in your thoughts or even for some of you being as so much as desperate for anyone's attention that do not deserve it. I hear, I attract I don't chase is the motto you carry in your back pocket in the upside-down world. You are a star and not afraid to show it or even feel as if you don't deserve the attention that people give you for either your work or you as a whole. Maybe some of you feel as if you don't deserve great things in your life because of self-doubt, people putting you down, etc. Either way, in the upside down everything is for you, you are worthy of everything, and you take action toward your goals because you know that someone out there with not even half of your talent is getting the attention that you so deserve.

How can you achieve the upside down? Tarot: Same Tarot Cards

Self-Esteem and Discipline. Believe that you are the main character in your reality because you are. Everyone else is a side character in your life and shouldn't be used to guide you on your journey unless it is helpful advice and not them projecting their own fear onto you. Believe that you can achieve anything in your life because you can. Everything is for the taking for you if you believe that it is. Surround yourself with better people and stop looking for reassurance and permission from others that your ideas, projects, and goals are something you should go after or not. Your ideas and goals were given to you for a reason keep them close to your chest unless you feel guided to share this information with someone. Lastly, you need to work on your discipline. Stop putting everything off until tomorrow. Stop waiting until you have the "motivation" to do things because motivation while useful will not get you far if you keep waiting for it. This reminds me of the scene in a Cinderella Story (Hilary Duff Version) when she's standing in the locker room at school to confront Austin about his fickleness. She says "But I can't wait for you because waiting for you is like waiting for the rain in this drought. Useless and disappointing." (Clip) Find ways to pump yourself up and start believing in your abilities to achieve and go after your goals.

Things you achieve in the upside down: Tea Tree Oracle Deck:

January may be significant for you of when you begin your "upside down" journey. It's giving, new year new me energy. / Hammock: Taking a vacation, physically, or mentally / Bridge: Successfully overcoming a problem/ Fan: Romance, Celebration, Party / Pail: Time to get out of a situation / Ear: Good News Wishing Well: Family wishes come true.

Pile 2:

Who are you in the Upside Down? Tarot: Knight of Cups, 4 of Pentacles, Awakening, Death, 7 of Wands, 10 of Cups

In the upside world, you are someone who embraces change, transformation, happiness, and lives their live authentically. Heavy emphasis on living your life authentically and to the fullest. You may in your current life hesitate at the slightest bit of change because you hate the feeling of being uncomfortable even if it's just for a short period of time so you miss out on so many opportunities because you refuse to live the life you desperately want to live. You may have been going back and forth deciding if you should choose pile l or not. In the upside down you know no boundary nor do you place yourself as one thing. The quote or more like a scene that is coming to mind with this pile is if you watch the show Community it's the scene where Dean Pelton is supposed to "come out" as being the first gay Dean/member of the board even though that is 2/5ths of what he is. Quote from the scene: "I'm not just gay, if coming out was a magic show and coming out is pulling a rabbit out of the hat, then I am one of those never-ending handkerchiefs." (Clip) You refuse to place yourself in a box and stay there because of being comfortable or even being scared to show who you really are to the world because you just don't give a fuck. You place your happiness above everyone and everything because you believe that life is too short to care what others especially those who follow trends and do not express who they want to be. You live body and proudly in the upside down. You may possibly even be a part of the LGBTQ+ community and possibly hide your sexuality or are afraid of exploring it due to fear of what others think or of being disowned. Definitely getting a lot of LGBTQ+ vibes with how colorful your hand of cards are. You don't have to be but if you are this is a confirmation for you that you chose the right pile over pile l if you were hesitant. You also know who you are in the upside down and not allowing others to tell you who you are.

How can you achieve the upside down? Tarot: Same Tarot Cards

Confidence and Courage. The question I feel you need to keep in the back of your head at all times is if I were lying on my death bed right now how much of your life would you regret because you didn't choose to live your life for me instead of listening to others?? While I am a believer of reincarnation not everyone is and no one is certain what happens beyond death, so what are you doing in this life that you are not doing that you want to do. Why are you not and how can you change that? Is it moving out of your parent's house and cutting them off? Is it cutting off family in general or even friends? Is it gaining the courage that people will hate you regardless if you decide to follow the crowd versus your own beat of a drum? Who? What? Where? Why? and When? How? are the questions you need to focus on. Who are you right now? What do you want to show up as in the world and does it align with who you are now. When can this happen (moving out, now, changing countries, etc) Why aren't you living your life authentically and be honest? *David Beckham Voice* BE HONEST! Keep going down the list until you finish and ask yourself the very first question I mentioned and start living your life authentically.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Goldfish: Increase in material or Spiritual growth / Elephant: A long journey either physical or mental will leave you wiser in the end / Tower: Solid Foundation success with effort / Candle: You will be shown the way / Grapes: Time to go out and have fun / Inkpot: Problems to be solved / Casket: Someone going out of your life or the end of a situation / Rabbit: Too much concern w/ Sexual matters (again LGBTQ+) / Love (Self-love and finding romantic love)

Pile lll:

Who are you in the Upside Down? Tarot: 7 of Swords, 4 of Wands, The Hermit, 6 of Pentacles, 10 of Pentacles, 10 of Wands.

It's always my pile lll or pile lV that I feel the need to always give a hug to. In the upside down you are no longer tolerating people, places, or things that are not good for you. You are no longer allowing yourself to be in spaces where you stress and overexert yourself to the max for others. You are not the person who puts other people's happiness before your own and you are also someone who gives to those who give back. Just like pile ll you may have been somewhat drawn to pile l but your messages are completely different for the most part just tiny similarities. You are also someone who is not afraid of being alone or lonely. You take pride in being in your own company because you know that is your happy place and peace. It is a place where you are not being disrespected and a place that you know is full of love and not competition, jealousy, or hate. You are also someone in the upside down who only has people who want to celebrate you constantly around you. Not only celebrates you but uplifts you and protects you from others who want to tear you down and see you at your lowest. In the upside down overall you choose happiness and have boundaries in place for those who want to take advantage of you, treat you horribly, etc.

How can you achieve the upside down? Tarot: Same Tarot Cards

Boundaries and Hermit Mode. Being okay with being alone and "hurting other people's feelings is how you can achieve the upside down. Some of you are not okay with setting boundaries because you have people-pleasing tendencies and are too afraid of losing people even the ones who treat you like crap. Shadow work would be beneficial for this pile in getting to the root of why you are afraid of being alone and being in your own company. Shadow work also in boundaries and understanding why you can't let people who treat you like crap out of your life. You know you deserve better than some of the people in your life and you also know that it is time for you to put your happiness first over others feelings.

Things you achieve in the upside down: Tea Tree Oracle Deck:

Mice: Discord among friends or family / Eagle: Triumph over troubles, and obstacles / Fly: A period of ill health or depression (from cutting ties) / February (the month you may start this journey) Firecracker: Excitement (new beginnings) / Butterfly: A Change for the better / Older Man: Dealings with an older man / Wreath: Sorrow over a loss / Desk: Pay attention to your work / Pin: New Job or Career.

Thank you for liking and reblogging my readings. I always appreciate you guys on here and on Patreon.

Stay safe and be blessed

[felassan]

Podcast: My Perfect Console with Simon Parkin - Episode 98 - 'Corinne Busche & John Epler, game directors, Dragon Age: The Veilguard'

Summary:

"Corrine and John are the director and creative director of Dragon Age: The Veilguard. Corinne Busche majored in digital animation at the University of Utah. In 2006 she joined the studio now known as EA Saltlake, working through the ranks to become a Design Director for The Sims series. John Epler studied English language and literature at the University of Alberta. After graduating, he was selling televisions when he applied to be a tester at Bioware. At the studio he began working as a writer and director of cinematics. Now, the pair have come together to lead development on the latest entry to the beloved Dragon Age RPG series, which launched at the end of October."

[source, two]

Notes/quotes from the episode, under a cut in case of spoilers:

John Epler: thematically, "DA:TV is ultimately a meditation on regret, more than anything else, not just as an amorphous theme, but how the way we deal with regrets shapes our lives. [Solas'] entire arc is motivated by the regret of what he had to do millennia ago". So many of the companions' and characters' lives are driven by regrets (wallowing, or letting it take over their lives, or facing them and taking a step forwards). "Every character has some different perspective on regret". This theme shows up in Solas, companions, side characters, faction stories and side villain stories

Corinne Busche: "When approaching this game, what was right for this game, it was about being really aware of what it means to be BioWare, first and foremost. The focus on characters. Getting back to our singleplayer roots. Really exploring this world, the deep lore that's been built up around this franchise. And, to be completely honest with you, what worked from those past games that caused our players to fall in love with BioWare titles in the first place."

John Epler: "A lot of the focus just came down to being part of a studio that has a very specific and very real strength in character-building, story-telling, and being on projects that maybe didn't center that strength as well as they could have. I personally love Mass Effect: Andromeda but we had open-world - that was a big thing in the industry at the time - and that starts to dilute your focus. We had Anthem, live service dilutes your focus. So for us, it was really, understanding, what it is that A) people come to this studio to do, people work here for a reason, they wanna make big stories that you can play and which allow you to be a hero of your own creation, but also a focus on characters, a focus on that experience of living in a different world. And for DA:TV, we really wanted to make sure that we got back to those things that made the studio what it was, that contributed to what I would call the 'golden age of BioWare', when, you know, there was hit after hit being turned out. DA:TV was a very conscious return to that with the focus on characters, storytelling, and being just this really bombastic singleplayer RPG that allowed you to play through the story as yourself if you want to, or an idealized version of yourself, or someone who's really different to you. That's the joy of a custom protagonist."

Corinne Busche: "I felt very supported through this, by both BioWare and EA. It's intimidating to buck trends in an era where it feels like almost every game must be an open world, to say, you know what, that works for those titles. For us, the way in which we tell the best stories and be true to our roots - a more handcrafted, intimate experience is appropriate. And just to have that support from within, around getting back to those elements we do best, was fantastic."

John Epler: [around 5 years into development, around the time when Corinne Busche joined the team] "The challenge of the game at that time was it was a bunch of different games that were kind of being spearheaded by different people. There wasn't really a cohesive vision or direction at the time. I was narrative director so I had my storytelling corner and I'm like, okay, we need to focus on character, we need to focus on story, but everywhere else there were so many competing ideas and competing priorities that we had, I mean, conservatively, I'd say three different games going on. So Corinne joined the project, and reached out to me on Slack, said hey, you know, I'm joining, I'd like to talk. And I remember coming out of that meeting with this profound sense of relief, like okay, finally. Because, as narrative director, there's only so much you can do to shape the course of a project, and here comes Corinne, very sharp, very clearly understands what we're doing, and is asking all the right questions. It was just this moment of, okay, good, there's an ally here, there's someone here that knows what they're doing, that can pull some of these visions together into something more cohesive. I'll say, working with Corinne from day one has just been an absolute pleasure, because Corinne gets games, Corinne understands how games work, understands how they come together. I think it's something that we take for granted, but not everyone in the games industry necessarily knows that."

Was Corinne Busche nervous when she got the call to join the project, a project that was 5 years deep? Corinne Busche: "You know, I was, but I was also tremendously honored. Maybe I'm a glutton for punishment but I love a good challenge. And it's kind of, to be honest, become an aspect of what I do, to join teams and help empower them and get where you need to be. I will say, Dragon Age, we talk about how we don't always get to work on or design the games we play. While it was intimidating, Dragon Age is one of my all-time favorite series. I was one of those people that waited in line outside GameStop until I could get my DA:O copy. I remember walking home with it in hand. So it was surreal, it was surreal. I was aware of some of the explorations, some of the difficulties, what was working, what was not. When I joined we had collectively made as a studio the decision that this needs to go back to a singleplayer game. And I will say, when I picked up the controller, pulled down the build and played for the first time, it was still that multiplayer concept. Yeah, I had that moment where I went, whoa, well, okay, you're in it deep now lady. But what a privilege, and to look back on what makes a BioWare game so special, and to see the talent within the team, it felt very achievable, it did."

What was the main thing that Corinne Busche perceived where the team may have lost their way a lil bit and needed a hand back on track? Corinne Busche: "Well, here's my perspective. I wouldn't even say the team had lost their way, to be honest. There were a number of concepts that had been explored, and there are merits to that. There's a lot of good learnings that come from exploration and indeed failure. In some ways you learn more from that than you do from success. This was a situation where we had an outline of a story, and speaking of my first interactions with John, I had much the same feeling of, okay, this is somebody that knows what this game needs to be, what it can be, that can realize its potential. It was very assuring. It really was looking at, what did we have, what can we keep? And a big part of that was that initial story outline, it was the tech stack that we had, some of the ideas behind the game, about it being more intimate, being true to the deep RPG strategy, the pause and play gameplay, but also an awareness that this is, as with all Dragon Age games, a reinvention, and that intimacy, that immersion, stepping into Rook's shoes was going to be a very important part of this journey for us. So that is to say, we really dissected everything. We took this back down to its studs, whether it's gameplay, progression, mission game flow, I can't think of any rock we didn't turn over. In fact, John, correct me if I'm wrong, but my recollection is, I think there was only one mission that more or less survived in a recognizable form in the game, that being the Siege of Weisshaupt."

^ John Epler: "Yeah, you are correct. That is only mission that I would say looks like it did back when Corinne was joining the project."

[character limit text break!]

Were they given a deadline that the game had to be out by that was looming over? Corinne Busche: "There's always a deadline, and it's important that there is because that creates a sense of drive, prioritization, velocity, you learn what the team can do together. What I will say is that we had tremendous support from within BioWare and EA when we said, look, we've discovered the beating heart of this game, what makes it work, and we're not ready yet. We're not at quality, we think we can do more, we can push it further, we're very transparent with that, because it was important to us that this is a game that is worthy of BioWare and worthy of the title of being a Dragon Age game. So when we go back to that, well, I'm really happy to say that, it wasn't always the most fun conversation, but I'm really happy to say there was a lot of support, commitment and interest in making sure we did get the time we needed."

John Epler and Corinne Busche asked to do this interview together as opposed to only one of them (as DA:TV was a team effort of many people)

[source, two] <- listen to podcast here!

[moonbeamastrology]

Dream Messages

Hello everyone, it’s been a hot minute since i posted a pick a card but uhhhhhh here u go lol. this pick a card is all about the messages your dreams have been trying to tell you. Center yourself, take a few deep breaths and chose the buggy image that calls to you. Take what resonates and leave the rest. I hope that this pick a card serves you well <3 love u

Pile 1- Caterpillar 

Dream Oracle: Dog, Baby, Falling, Elevator 

Tarot: 6 of cups, 7 of swords, 8 of swords, 9 of swords, 10 of pentacles, Temperance

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Hey pile 1 <3. You’re going through a period of growth right now (whether you resonate with ascensions, elevations, level ups, glow ups, etc) we have an ascending tarot number order ending with temperance. You may be super in your head and overthinking a lot right now or dealing with a lot of regret over the past or anxiety for a new experience (job, class, relationship, or creative project) but your dreams are trying to show you that everything is working out in a very aligned way for your best interest (*incredibly* stable, harmonious, and abundant). You’re being asked to follow your instincts during this new period and that it may not be exactly what you had envisioned or hoped for but it will be just as good or even better so be open to what the universe is trying to deliver to you. Everything will work out possibly even overnight (I’m seeing this build up of anxiety like “omg this is all going to blow up and explode” and then the situation is resolved in like the chillest manner ever). You’re undergoing *a lot* of healing while you sleep (possibly past life healing as well or having dreams of past lives) if you’ve been waking up exhausted or waking up multiple times during the night this is why (maybe check the time you wake up for some it could be a really opportune manifesting time). If there’s healing work you have been avoiding then your dreams are showing you what needs to be healed. I don’t get the feeling that it’s anything major, it’s something smaller that you’re just not really processing (character development/plot?? lol). Avoiding the work could cause a bigger problem in the long run. Your dreams have been reflecting your own reality so if you’ve been having stressful dreams, take a look at what the stressors are and how they could relate to your current experiences. Also so many cards came out so some of you could be feeling really overwhelmed at this time, make sure to delegate and to ask for help where you need it. At this time your dreams are trying to show you that you need to connect with what’s really important to you. Follow your instincts/intuition, do what you need to do but stay focused. I love you!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Dog: I pat myself on the back for expressing my instincts for love and loyalty. 

Baby: With complete trust I allow the universe to midwife me into this new chapter of my life.

Falling: I am grounded in the bedrock of the here and now, rooted to the heart of unconditional love.

Elevator: I am moving up in the world, and I grow and glow from glory to greater glory.

Pile 2- Moth

Dream Oracle: Bridge, Dance, Chase

Tarot: 7 of cups, The Hanged Man R, 4 of pentacles 

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Heyyyyy pile 2 are you guys into reality shifting or quantum leaping? If not, maybe there’s something you’re trying to manifest right now. Bridging that gap between where you are and where you want to be (what you want is already aligned). Maybe you’re literally dreaming of your dream life. You could also be experiencing some choice paralysis or you have a lot that you want to manifest in this life. Your dreams are telling you which manifestation is the most important to you right now. If there’s no indication then sit with yourself and really listen to what your heart and soul are calling you to. I feel that your dreams are trying to show you that you have subconscious blockage that’s preventing the manifestation. Or they’re showing you that you’re holding onto something that maybe you consciously don’t realize that you are. Subconscious programming/subliminals while you sleep would be really beneficial to you at this time (if you already listen to them then this is confirmation that it’s working). Drink more water. Change your perspective on how you can achieve your goals, maybe try something new (like spoiling yourself). I feel the key would be to really tap into your sensuality and luxury (big Taurus energy). Sacral chakra healing. Look into masturbation manifestation. Treat yourself how your dream self would treat you. Find out what self care really means to you. I do feel like you’re taking steps to achieve your goals so be proud of yourself for that. You are really powerful at this time, there’s just some illusion/blockage that needs to shatter before what you want manifests. Your energy felt really good pile 2 and your manifestations feel so close. Keep up the good work! I love you!!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Bridge: With my heart wide open, I realize that I am the energetic bridge that connects me from where I am to where I want to be.

Dance: Life is my dance partner, and I let it lead each step, each groove, and each move I make.

Chase: I can run but I can’t hide from my power.

Pile 3- Grasshopper

Dream Oracle: Ceremony, Elevator, Fire

Tarot: 2 of pentacles, The Devil R, The Lovers S

(The dream oracle cards could have some themes that have been showing up in your dreams lately so check for some extra confirmation <3)

Hey pile 3 I’m seeing that you guys are going through a major ascension/upgrade/level up right now. You could be going through a flame initiation or a kundalini awakening (iykyk). It feels like you have rediscovered your fire/passion recently. This fire is one of your greatest untapped gifts for real, use it wisely and intentionally because I feel it could burn people in your life if it’s not expressed. You could have just become aware of this potential and Spirit is congratulating you on that. You have come a really long way, healed, and taken accountability, it shows in your energy levels. Getting clear on what you want. There’s lots of good to come soon. You’ve released a bad habit/addiction/relationship/karmic (Spirit applauds you). If you haven’t released this yet then your dreams are showing you what it is and telling you to let go. Some situation is giving you a headache. I feel there are some distractions around and that’s what your dreams are showing you (most likely a person, unfortunately). “Glitter” by Tyler, The Creator except not all that glitters is gold. You have a really beautiful passion and fire within you, take care of it. I feel like telling you that Spirit is really really proud of you for this. I know this reading was really short but you just achieved something really awesome so I feel like some pressure has just been released so give yourself a little grace at this time. Pile 1 is also going through a level up but their energy was much more overwhelmed and worried but maybe there’s a message for you there as well. I love you!! I’m so proud of you!!! <3

These mantras/affirmations come from the dream oracle deck, utilize them if you feel called to.

Ceremony: I honor the changes through which I am going, growing, and glowing!

Elevator: I am moving up in the world, and I grow and glow from glory to greater glory.

Fire: I marvel at the miracle of alchemy as I transform and awaken to the full radiance of my destiny.

[mushyposts]

TUMBLR PLEAAASE LET ME POST THIS NOW PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE.

OF COURSE!!! This is the sort of analysis I could honestly talk about for hours, and if you have ANY more thoughts on my fic, please please PLEASE dont be scared to message me and hash it out!! I absolutely love the chance to think critically and analytically about my work.

You are absolutely not projecting, and even if you were, that would be entirely valid!! Creativity exists as a vessel for us as humans to feel, and if my writing at all helps you process any feelings you have around the themes I explore in it then I think i have more then succeeded in my task as a writer! : D

I also think that as a writer, I can put as much intent as I physically can into my writing. I can spend hours working to make sure a certain theme is perceived the specific way I want it to be, but if someone takes it a different way then I cant change that! I can take it as it is, and from there move and try to approach the theme in a different way, but people all have different live experiences that will make them see what i write differently. My experiences with parental figures, their presence, lack of, and their affection towards me will always be different to yours for example, and that means you will see how I write the parental dynamics in my writing different to how I do! Does that make sense?

Okay onto the actual analysis LMAO!! I think that people get caught up in this idea of "The choice was made for the greater good, so he should be absolved." and although yes, there is merit to understanding Hakoda didn't want to leave and was doing what he thought was the best choice for his kids and the future of his tribe its also SUPER important to understand that there were other ways.

A few things when considering the argument of Hakoda taking ALL the men, is firstly that we don't actually know how many people were in the "fleet" and there is some defence to the idea of them needing every working hand they can get, however I also think that alongside this argument is if Hakoda was doing this to protect his tribe it would have made sense to at LEAST leave enough men to defend them, or train Sokka and the other younger boys to have some form of defence.

I think the closest we get at seeing how many are in the fleet is pre-black sun, when they all meet up, and even then those numbers are skewed because of the involvement of other groups of people. EG: The swamp benders, the earthbenders and then the people who took residence at the northern airtemple. I do, however, personally believe that there should have been some men left behind to defend.

Another thing to consider is the canon timeline for when Kya dies and then when Hakoda leaves and then to canon actually is kind of inconsistent? We can assume Hakoda left around when Sokka was 13, but during the flashback of Kya's death along with the flashbacks in Bato of the water tribe where we see Hakoda leave, Sokka actually looks a lot younger. As far as I'm aware, as a show only watcher who doesnt actively intend on reading the comics, we dont really know how long the time between Kyas death and Hakoda leaving is. I even say at the start of my fic that I fucked with the canon timeline a bit to make it line up a bit better.

I think the show acknowledges Hakoda's abandonment and the complex ways thats hurt both Sokka and Katara in subtle ways. Katara very outwardly displaying her upset, albeit initially passive aggressively, she does eventually burst out, telling him "we needed you." and Hakoda apologises. Sokka is more internal, he obsesses over his ability to explain his plans, how he's perceived by his peers, an obsession with masculinity and what it means to be a man when you were never truly taught it in the first place.

I also think something that people tend to get mixed up with when it comes to critiquing Hakoda as a father, is they often equate being a bad dad, to being an abuser.

Hakoda, at least in my interpretations and I never intend for him to come off as so, isnt an abusive father. He is not a perfect father, he has made many choices that led to the long lasting hurt of his children. Speaking in the development of my own fic and how i've worked with Hakoda's character, he is an absent figure who was faced with an impossible choice and should have thought through it in more depth. He made a choice, and although its hard to fully say without a doubt he chose wrong, it had severely negative ramifications on the mental well being of his children.

Theres a lot to be said on the nuance of abuse, neglect, absent parental figures, especially fathers, and I don't want to speak TOO heavily on this because again, its such a nuanced and complex topic that I think I couldn't even begin to unwrap in tumblr reblogs. Theres some incredible fics out there exploring this with Hakoda and Sokka's dynamic, and I even have a one shot in the making all about this stuff in the canon universe seperate from my writing, but I just REALLY want to emphasise that I am so aware of how Zuko will come off to Sokka as a replacement.

I think in Zukka fics, or any fic with their dynamic, Sokka is often used as a tool for Zuko's healing, and his own trauma and negative experiences are put on the backburner in turn for Zuko's more outwardly present trauma. This is never something I want to do in my writing, I want to give a stage to each characters trauma, experiences and lives and try to show that things arent always as clean cut as they seem.

Hakoda abandoned Sokka and Katara. he left Sokka to be a man, without truly giving him the tools to do so.

Hakoda saved Zuko from death, and gave him a chance at life again.

These are two things that can exist at once, and the existence of one does not negate the other. People are a mess of good, bad, neutral, and its so hard to untangle it. Sometimes it doesnt even need to be untangled, sometimes you just need to hold the mess that people are and know it isnt a slight on you. You didnt cause the tangle, some tangles just are, yknow??

I also do personally believe in canon there are a lot of gaps that dont fully make sense in reference to Hakoda's character, and I think he honestly could have been executed a lot better in canon, so thats also something I like to consider whenever I am thinking too hard abt Hakodas character!!

I hope this made ANY sense at all. I usually have to sift through my writing like, a hundred times to get any kind of sense out of it, but truly this has been such a pleasure to write about!! : D Ur thoughts are so well written, and its incredible, as i said before, to see people picking up on the more nuanced things I'm trying to set up for future chapters!! it helps keep my steam for writing this honestly WAY bigger fic then I intended going!! : D I am MORE then happy to indulge!!!! If anything, this is indulging for ME! So thank YOU!!!

(Also, to answer ur tags, it isnt bad ur a bit mad at Hakoda!! He's flawed, thats okay! He's made mistakes just like anyone does. His just have more ramifications since he's the adult. I am a HUGE Hakoda stan and I do love him, but trying to work around canon and make him be a good father... A bit tricky!!)

I already put this on ao3 in a comment but you made me cry so you have to see it twice now. I know this entire story is Zuko-centric but I literally can't stop thinking about what this au means for Sokka.

Ok I just have to say I felt so heartbroken for Sokka here. All I could think about was how all of a sudden there's a boy in the place he's supposed to be. HE should be travelling with the men, HE should've been with them for the last three years, HE should be trusted enough with all this important stuff he should know if he is the next chief/acting chief.

He is being told this new kid has seen and done things the most skilled of warriors couldn't have done, like he is this almost untouchable standard Sokka can't reach. Then to be told he's taken Sokka's place in the tribe as Hakoda's and Batos' adopted child, teaching him how to be a man over the three years Sokka didn't even know his father, never a letter, never knowing when they would come home. Then being told by that same kid that he was only playing war. not to mention the piercings and jewellery he's adorned with.

Sokka has been the leader of the remnants of the Southern Water Tribe for three years, and due to the strict gender divides, had no one to teach him how to lead in the way a chief would. He has been the one hunting, defending, in charge of the future of their civilisation, the education of the children, which is really important in their culture. the memories of his father would be so twisted to the memories Hadoka has of Sokka. Sokka, in the months before he left, lost his mother, protecting his little sister. he then saw his father fall deep into depression, becoming very detached, and from what is described, angry and violent, not towards him, but that his still scary behaviour to witness. Then, his father left, and he was told he couldn't come, and that he was in charge of the village. Even though it was probably to boost his ego at the time more than anything, the impact on Sokka in that moment, combined into quite literally what his job becoming.

Just imagine when he finds out the secrets Zuko's hiding and how his father and Bato knew and didn't tell him. Sokka has struggled with feeling like he isn't important, as a non-bender and his relations with his sister, her being a prodigy + a bender, and his father, always feeling like he wasn't enough for his dad, not good enough, not smart enough, not needed, but the Zuko's good enough, Hakoda loves him.

Zuko, who has had an incredibly traumatic and difficult childhood, the last three years of his life is where he has found and made a spot for himself in a positive community that loves him and supports him, Sokka has become increasingly more and more isolated, and his sense of self has changed even more dramatically in the last few weeks.

Sorry for the long rant, but I could just feel Sokka's fears and insecurities screaming at me throughout the chapter. Love this work though, just cried for Sokka <3

HIII OH YOU SO GET IT!! OH YOU SOOOO GET IT!! The fic is for SURE Zuko-centric, but I have been intentionally layering on the potential for his arc to align with Sokka's in completely the opposing way. Zuko has everything Sokka wants, he has a space with the crew, the warriors. he spent the last three years with his father and Bato, bonding, developing his identity as a person alongside the tribe, welcomed in, he has gotten to be everything that Sokka has always wanted. Meanwhile, Sokka has everything that Zuko wants. Sokka was home, somewhere safe with people who cared for him and looked up to him, with his sister, away from his parents and in a position where he was in charge of his own life. Its such a twisted, complex situation where the two crave, desperately, what the other has without thinking about the context. Without thinking of what got the other to the point of having what they wanted, both in turn. IM SOOO happy to see someone talking about Sokka ohhhughhh im so fucking happy. I think a lot of people have focused on Sokka's initial attitude towards Zuko, without thinking about every single thing you've brought up in this beautifully constructed comment, of which I am really excited to eventually flesh out when I am back from hiatus. Sokka, more than anything, wants to be a warrior alongside his father. For Zuko, he doesn't think Sokka fully understands the gravity of what that would look like, especially after having experienced such a heavy loss as he had recently. (RIP king im sorry) but for Sokka, he see's a replacement. he doesnt know the nuances, not for lack of intelligence but he just literally hasnt been told and although he is owed explanation he isn't owed Zuko's story in its full, of what led Hakoda and Bato to the decision of keeping him on board. I firmly believe if Zuko had have been older, or had have been a child from any other nation, Hakoda and Bato would have not kept him. I actually go over this a lot in the early chapters where they're deciding wtf to do. It genuinely ended up being a problem of "well. No matter where we put him he's gonna get killed. How fucked up is that, safest place for this kid is LITERALLY on a warship of the enemy. great." I also think acknowledging the fact that Zuko HAS had a lot of support and comfort in the last three years whereas Sokka has not is a super important point to be made! Despite the current circumstances, and the ones that led Zuko to being in the position he is/was, Zuko did have support which Sokka lacked. TBH, if I hadve had more wiggle room and decided to fuck with canon more then I already had, I would have left a good amount of the warriors in the SWT, unlike in canon. Or had Hakoda go back to leave soldiers there when he realised they were going to be gone for longer then what I am assuming was initially planned. However I was more then aware that would SIGNIFICANTLY change the circumstances of Sokka's experiences and how it aligns with Zuko's, in canon and in the fic, so i chose against it. This is such a sporadic messy reply I am just so happy to get a comment picking up on all the stone I've been laying for a big discussion on the details of Sokka's own trauma and how its going to clash with Zuko's.

All this to say, Sokka will absolutely be getting his turn to hash out everything you've said here and I can promise you no stone will be left unturned when it comes to his trauma and life experiences!! I think a big thing I am most excited for is having the two hash it out and realise where their lives overlap, where their feelings and experiences align and managing to acknowledge that each others traumas dont cancel each other out. Zuko's experiences do not cancel out Sokka's, and Sokka's do not cancel out Zuko's.

[uygfiug]

ive misjudged the passage of time to a disastrous degree again :(

[vulpinesaint]

i don't have to be unwell about religion anymore i got into crochet

[intertexts]

Three Days into the semester and i can already feel the ambient stress accumulating.

[nedconte]

i'm trying to start working on another lil terror post, and i thought i'd rotated this idea in my mind long enough that the actual editing part would be relatively easy, but this one hurts so much 😭 this show went so incredibly hard with some scenes holy shit

[thats-a-lot-of-cortisol]

Aspect of Order: Primordial & Present-Day

One of the first deities, part of what is known as the Primordial Triad. It created the planes alongside the Aspects of Chaos and the In-Between and held dominion over the Material Plane. It embodied order in the way nature has order: the life cycle, gravity, the tides, the surety that the seasons will change, the patterns that appear in flora and fauna alike, the symmetry of pinecones and butterflies. It was associated with the night as a time of quiet preparation where the world rests, and when one can see the remains of creation in the darkened sky. It is said that the two moons of the Material Plane are its eyes, watching over its creations.

All three members of the Primordial Triad are referred to with "it", so ancient and unfathomable that applying a mortal, transient concept of gender to them seemed almost blasphemous.

Almost.

The modern-day conception of Order is quite different. Though she still reigns over the night and natural laws, her followers have placed her at the forefront of the creation process, reducing the In-Between's role and rejecting Chaos altogether. Though most present-day cultures think of her in this way, many of them do not emphasize her: she is an invisible Over-God, keeping the other deities and forces in line and maintaining cosmic balance from behind the scenes. In places where she is worshipped heavily, however, she is placed at the forefront of the pantheon. In those cases, worship of deities with overlapping domains is either illegal (ex local gods of justice) or considered secondary to her (ex the god of the Wilds). The worship of smaller, local deities is usually discouraged or suppressed over-all in these areas in order to encourage a more structured, uniform religious practice. While both aspects of Order championed paladins, Primordial Order also championed druids and rangers while Modern Order champions clerics.

Ancient theologians debated whether or not Order and Chaos were two aspects of the same being (ironically, there was no question that the In-Between was its own separate force). However, following the iconoclasm that effectively forced Chaos out of the pantheon and created the modern conception of Order, such lines of thought were considered heretical, and then blasphemous.

The iconoclasm did have an unintended consequence, however. Crying motifs appeared in some art of Primordial Order around that time, particularly in the areas that resisted the iconoclasts more intensely. Some scholars believe that it may have been a direct reaction to the event: Order mourning the loss of its counterpart. Others have argued, however, that the lack of such motifs (or equivalents) in depictions of the In-Between prove this wrong. After all, why would it not also be grieving?

[sexyleon]

🥲

[usagifuyusummer]

could you draw Peri hugging Timmy?

Oh hello, this is my first time having such requests here. Hm, I can, but I need to practice it first. When I think it looks good, then I'll repost this. 🙏

So sorry for the late reply, I'm kinda busy with university assignments... 😭😭😭

Peri hugging Timmy huh, sad or angst angle... I will sketch on this for a while.

Update (1st September 2024)

I did your request, yayyyy!!! Thank you <3

It was challenge to keep my phone from exploding on the surge of art projects that I've been doing as of late, but you helped me in toning town some of my creative urges for now lol. (Before I go mad wild again on FOP stuff.)

I hope you liked it... Uh, I tried... 😫 Have a nice day kind person. 💐

[evermorecountsastherapy]

just had the sudden realization that the reason I haven't been motivated to write the next chapter of Seven Devils isn't so much bc I can't find any writing motivation but rather bc I've planned for the next 3 chapters to deal with some pretty heavy stuff and I'm not sure if I'm even ready enough to write it yet...... even after not touching the story in over 6 months now......

[fxrheisenn]

Andrus Laansalu talked about making Disco Elysium at EKA (Estonian Academy of Arts)

"Initially, the church wasn't a focal point. There were certain characters that needed to visit this location, and I asked, "Seriously, what do we have in our church?" The others replied, "Nothing at all. Our church is completely bare—just a wheel, really. It's quite basic."

That's when I decided to unleash my creativity in the design. For example, they chose to install a glass structure at the top of the church to create a reflective surface. It was like placing an optical clock up there. Therefore, one of the most crucial aspects of designing the church was ensuring the lighting was just right to create the desired atmosphere."

"Let me show you an example of Baroque architecture, which is rich in detail. We're also designing the interior of the church based on large cathedrals. However, the foundation you use might not yield the expected results, because the church itself doesn't require such intricate details. Sometimes, it's about simplifying the design."

"I used Articy for the initial scriptwriting of Disco Elysium. The image only represents a tiny fraction of the text and choice variables involved. This system was also the reason I eventually abandoned the project after a year of outlining the script and shifted my focus to becoming a sound designer. My mind struggled to keep up with the dynamic graphic rules, but fortunately, a more talented writer took over afterward."

"In terms of sound design, it's essential to develop different layers to bring out the charm of the church as a cohesive space. Although this represents only a small portion of the overall design, each layer actually requires a significant amount of time to compose the whole....... Whenever there's a shift or a change due to the dialogue itself, you need to adjust the background sounds. Each time you modify the details in the dialogue, I have to refine the background audio, ensuring that these elements build upon each other like an intricate layer of work."

"It's funny how many scenes involve characters getting smacked in the face. My job was to recreate those, so I locked myself in the bathroom with a recorder and hit my forehead until it turned red.

As a sound designer, I really dig those unsettling, drill-like sounds. So, I mixed in creepy lectures, metal scraping, moans, and cries of pain—because I just love that stuff! (laughs)

Players will be moving through all kinds of areas, so it's super important to make the sound transitions feel natural, trying to create a more immersive vibe in certain spaces.

With all the scenes featuring big cranes, you can hear them from far away, and I wanted to capture that eerie ringing in your ears. That's going to be a thing throughout most of the game. I've found ways to really mess with players while they're playing!"

"I've come across a lot of old objects (like phones and radios) that I needed to perfectly replicate the sounds. I started to become a bit of a hoarder, buying up different models of old phones whenever I found one to add to my collection. The sound effects I can simulate from them are really impressive."

"Some of the devices don't actually exist in real life—just a mix of architecture and tech. When I need to create sound effects, I first look for something similar that exists in our world, then I try to simulate what the sound and appearance of that thing might have been like a century ago.

Towards the end of the game, there's a character carrying a fuel canister. We needed the sound of the canister, so we dug one up from our garage—it had been sitting there since it was five! I realized this would make the sound perfect. So, it had been there for 50 years, and after 40 years, it finally found its purpose.

In some places, I needed unique sound waves, and recreating them was a real headache until one day I happened to walk by a swimming pool and stumbled upon an old wartime torpedo. You can rotate the torpedo's probe, and it slowly rises up, like a proud zombie head. The sounds it made were exactly what I needed!"

🙋How did you manage to get funding?

"Well, since we're in Estonia, you just need to know a wealthy person. You don't need five people—just two who can network, hang out together, and convince them to keep investing! (laughs) Back then, we constantly ran out of money and would tell them, 'Oops, looks like we spent it all! Can you invest a bit more?' That's how we made it through!"

🙋How did you all come together to make the game?

"Luck. It usually doesn't happen this way, and that's the key difference. It has to be. If not, you couldn't create a game of this scale - well, I mean in terms of budget. But creatively, Estonia definitely has writers and artists who can pull it off. With such a small population, there are a lot of quirky folks who are good friends. We were really lucky, though - lots of fortunate circumstances came together. It brought the right people together, allowing those talented fools to collaborate with us. They had experience but hadn't tackled projects of this magnitude before. So yeah, luck is pretty important!"

Lecture experience shared by 白兔YIYANG SUN on 小红书, reposted & translated by me with her permission.

[insertdisc5]

📚 A List Of Useful Websites When Making An RPG 📚

My timeloop RPG In Stars and Time is done! Which means I can clear all my ISAT gamedev related bookmarks. But I figured I would show them here, in case they can be useful to someone. These range from "useful to write a story/characters/world" to "these are SUPER rpgmaker focused and will help with the terrible math that comes with making a game".

This is what I used to make my RPG game, but it could be useful for writers, game devs of all genres, DMs, artists, what have you. YIPPEE

Writing (Names)

Behind The Name - Why don't you have this bookmarked already. Search for names and their meanings from all over the world!

Medieval Names Archive - Medieval names. Useful. For ME

City and Town Name Generator - Create "fake" names for cities, generated from datasets from any country you desire! I used those for the couple city names in ISAT. I say "fake" in quotes because some of them do end up being actual city names, especially for french generated ones. Don't forget to double check you're not 1. just taking a real city name or 2. using a word that's like, Very Bad, especially if you don't know the country you're taking inspiration from! Don't want to end up with Poopaville, USA

Writing (Words)

Onym - A website full of websites that are full of words. And by that I mean dictionaries, thesauruses, translators, glossaries, ways to mix up words, and way more. HIGHLY recommend checking this website out!!!

Moby Thesaurus - My thesaurus of choice!

Rhyme Zone - Find words that rhyme with others. Perfect for poets, lyricists, punmasters.

In Different Languages - Search for a word, have it translated in MANY different languages in one page.

ASSETS

In general, I will say: just look up what you want on itch.io. There are SO MANY assets for you to buy on itch.io. You want a font? You want a background? You want a sound effect? You want a plugin? A pixel base? An attack animation? A cool UI?!?!?! JUST GO ON ITCH.IO!!!!!!

Visual Assets (General)

Creative Market - Shop for all kinds of assets, from fonts to mockups to templates to brushes to WHATEVER YOU WANT

Velvetyne - Cool and weird fonts

Chevy Ray's Pixel Fonts - They're good fonts.

Contrast Checker - Stop making your text white when your background is lime green no one can read that shit babe!!!!!!

Visual Assets (Game Focused)

Interface In Game - Screenshots of UI (User Interfaces) from SO MANY GAMES. Shows you everything and you can just look at what every single menu in a game looks like. You can also sort them by game genre! GREAT reference!

Game UI Database - Same as above!

Sound Assets

Zapsplat, Freesound - There are many sound effect websites out there but those are the ones I saved. Royalty free!

Shapeforms - Paid packs for music and sounds and stuff.

Other

CloudConvert - Convert files into other files. MAKE THAT .AVI A .MOV

EZGifs - Make those gifs bigger. Smaller. Optimize them. Take a video and make it a gif. The Sky Is The Limit

Marketing

Press Kitty - Did not end up needing this- this will help with creating a press kit! Useful for ANY indie dev. Yes, even if you're making a tiny game, you should have a press kit. You never know!!!

presskit() - Same as above, but a different one.

Itch.io Page Image Guide and Templates - Make your project pages on itch.io look nice.

MOOMANiBE's IGF post - If you're making indie games, you might wanna try and submit your game to the Independent Game Festival at some point. Here are some tips on how, and why you should.

Game Design (General)

An insightful thread where game developers discuss hidden mechanics designed to make games feel more interesting - Title says it all. Check those comments too.

Game Design (RPGs)

Yanfly "Let's Make a Game" Comics - INCREDIBLY useful tips on how to make RPGs, going from dungeons to towns to enemy stats!!!!

Attack Patterns - A nice post on enemy attack patterns, and what attacks you should give your enemies to make them challenging (but not TOO challenging!) A very good starting point.

How To Balance An RPG - Twitter thread on how to balance player stats VS enemy stats.

Nobody Cares About It But It’s The Only Thing That Matters: Pacing And Level Design In JRPGs - a Good Post.

Game Design (Visual Novels)

Feniks Renpy Tutorials - They're good tutorials.

I played over 100 visual novels in one month and here’s my advice to devs. - General VN advice. Also highly recommend this whole blog for help on marketing your games.

I hope that was useful! If it was. Maybe. You'd like to buy me a coffee. Or maybe you could check out my comics and games. Or just my new critically acclaimed game In Stars and Time. If you want. Ok bye