#and how do SO MANY people believe that without questioning it? how.

[lonelyroommp3]

originally put this in the tags and realised it made a massive unreadable block of text sooo putting it in the body instead

i also think it is very very helpful - especially with things like denser political/economic/scientific articles - to see if you are able to neutrally paraphrase the content into your own words (your OWN words!! not feeding it into chatgpt etc!! the work of doing this is the entire point). you want to check if you are able to answer basic questions based entirely on facts provided within the body of what you are reading, with minimal inference/filling in gaps/jumping to worst (or best) case scenarios.

the best questions to ask deal with those fundamental question words we all deal with in primary/elementary school

what: what is happening? what has been discovered or proven?

when: when was the article published? (<- arguably the most important question; check you're not reposting content from, for example, the previous trump presidency as if it's current news). when did the events being described happen, or when are they planned to happen?

where: where is it happening? (in particular, check that you are not falling victim to phenomena like us-centricism here. e.g. it's wild that i have to say this but seeing as it's a real mix up that's happened on here, if an article mentions "georgia", are they talking about the country or the state?)

who: who is making it happen? who are they working with? who are they working against? who are these people in a broader context (e.g. if a government official is mentioned, can you identify what branch of government they work for? if a scientist, economist, businessperson, etc, is mentioned, do you know what company/institution they're affiliated with and what their specialty or industry is?)

why: why is a politician (in their own words) enacting a specific policy? why is this economic phenomenon happening?

how: how is this policy going to be enforced? how did scientists make this discovery?

and some bonus what questions: (in the case of e.g. government policy) what barriers might they face towards enacting this? what are some potential (realistic/tangible/short or medium term - this is not the place for long term catastrophising) consequences if it does/does not come to pass?

if you are unable to answer these questions (or you just can't be arsed - happens to us all sometimes) you have two options: don't repost the content at all, or repeat the process finding additional sources that fill in the gaps you were unable to answer the first time round. because either you don't understand key fundamental factual aspects of what the original was trying to say, OR the source itself is too vague/biased/unreliable/uninformative to be used as a worthwhile source of news in its own right.

it should go without saying that this goes hand in hand with op's original points about checking for bias, credibility, etc - you may be able to answer all of these questions based on a single article but the "facts" presented to you therein could still very well be total bullshit. but i see so many examples on here of people reposting articles where it's very clear they have skimmed it and filled in what they think it is saying, so i think it's very important to not just check how reliable & trustworthy your news is, but also to make sure you actually understand it before you share it any further.

it's completely okay to not understand things on your own, but sharing - and unquestioningly believing - things you don't fully comprehend based on what you kind of think is going on (especially if you append some sort of fear-mongering summary based on the worst case scenario you could possibly glean from the headline or a brief skim or an explainer from your favourite generative AI model) is a very common way not only for misinformation and panic to permeate, but also for propaganda to sink its teeth into you.

(p.s. you don't need to actually write down and paraphrase every single news article you read - just asking the questions in your head can be enough and it becomes a pretty much automatic process once you've had enough practice at it - but if you're really struggling with a particular article writing it down like it's a proper school worksheet can be helpful. yes, it's extra work, but combating the spread of misinformation is worth that work.)

Not perfect and not always right but basically:

Is it a screen shot?

Is there a link?

Did you click/read the link?

Was it a real source (AP wire, local news, the original online post - not Fox, not the Sun, not NY Post, etc)?

Did you find any confirmation?

Did it strongly confirm a bias or suspicion?

Did it make you feel angry, smug, disgusted, superior, and/or helpless?

Is it important enough to you that you think it needs to be shared?

Do you have the energy, time, ability to research, confirm, and provide sources, links, and some additional clarifying details?

Generally I have this in mind, not necessarily always and not always observed, and I forget and blah blah. But it's a pretty simple guide to remember, and honestly items 1 and 9 cover me most of the time.

[lemotmo]

💙💙💙 love love love. Please tell me you were the mutual she asked??

Q. I know we're all excited about 911 finally going there with Eddie and Buck but what do you think are actual realistic ways they can do that? In your opinion what's a believable way the show can give Eddie his oh moment? What's a realistic show way they can have their confession to one another? I cannot seem to settle on what I think are truly realistic expectations.

A. Full disclosure I struggled answering this, lol. Not because I couldn't think of ways the show could accomplish both of these things but because every scenario I came up with felt too fanfic. I mentioned it to my friend and he agreed basically saying I've clearly been reading too much fanfic, haha. But then I mentioned it to a mutual, and she said something that should have been obvious to me but truly didn't even occur to me. She said it's been 7 years in the making there's not really anything they can do at this point that hasn't happened in fanfic already. She's absolutely correct. I don't think 'realistic' expectations are necessary. Personally I like the idea of Eddie's OH moment occurring while he's in Texas with Buck nowhere around. On a momentary side note, I'm stunned by the number of people who truly don't think Eddie will go to Texas because I absolutely believe he's going and I think he'll be there for at least a couple of episodes. There are things Eddie needs to do in Texas. Conversations and forward movement between him and Christopher, that movement cannot happen off screen or over zoom. They have to film it. The audience has to see it. Eddie also needs to confront his parents on some level. At some point the show has to have characters be held accountable and face deserved consequences for their canon behavior. Completely ignoring Gerard's and Tommy's past problematic behavior in favor of quick and easy write-offs cannot be repeated with the Diaz parents. Eddie has earned that confrontation and frankly his character needs it in order for him to fully move forward.

Okay back to your question, my apologies for the sidetracked thought. The show was clearly mirroring season 5 to some degree in 8a. I see that continuing in 8b at least in some capacity. They cannot just do another shooting arc for Eddie so having him return to Texas, which is absolutely a regression for him, is another way to tear him down to the studs emotionally and mentally without physically tearing him apart again. I think most of us believe he's over corrected his Kim mistake by allowing Christopher to run away to Texas and avoid things instead of dealing with things, but it makes character sense for Eddie that he would allow Chris to do that. Most parents would tell their kid that they can be mad at them from home but Eddie didn't do that. He let Christopher decide for himself what he wanted to do. He gave Christopher the voice and choice his parents never gave him. Eddie's parents never asked him what he wanted or how he felt about anything. His opinions, his feelings and his own wishes were never given consideration when he was growing up. He was told what to do, when to do it and how to do it. Eddie doesn't know how to want things for himself. He doesn't know how to ask for them. He really doesn't even know who he fully is as a person. He has spent his entire life reacting to what life threw at him. He's never had many choices for himself. His parents, the church, fatherhood at a young age, military and then the fire academy. Eddie reacts to orders and circumstances. He doesn't make choices. The one choice he made for himself was choosing to move to L.A. Having him 'move' back to Texas means undoing the one choice Eddie has ever made for himself. It's the perfect way to get him to his OH moment. Dealing with his parents and the reminder of how he's never been good enough for them. The conversations he and Chris will need to have in order to mend what Eddie never meant to damage (there is an entire argument to be made that Kim is really the villain here because Eddie never invited her to his home and never asked her to act like Shannon but that's a separate post). Doing all of that without the constant comforting, reassuring presence of Buck will probably be eye opening for Eddie. Buck is the one person in his life who is always on his side. Buck always has his back. I like the idea of Eddie just being emotionally exhausted and realizing he would give anything to just be able to talk Buck in that moment because Buck would make him feel better just by being there. I don't think it would require much else for Eddie to get there at that point. A little montage or moment of Eddie realizing all the times he has actively chosen Buck, without even knowing it, and all the times Buck has been there for Eddie without him even needing to ask him. Eddie's moment coming like that seems fitting for him. I also like the idea of Buck having a little spiral once he realizes the full extent of his feelings but Eddie having a moment of relief when he realizes his feelings. A deep exhale of a breath he didn't even realize he had been holding his entire life. A realization that without even trying they have chosen each other time and time again. A new found clarity that his past relationships never felt fully right not because something was broken in him but because he was missing this piece of information about himself. They made a family and it wasn't hard. It wasn't difficult for them. It happened so effortlessly because it's what's right and meant to be for them and him. Then Eddie having a moment of actively, and purposely choosing Buck and their life and family of 3, and the rest of the 118 by extension, in L.A. That's what I want for Eddie.

The Buck and Eddie love confession is where I'm not sure Tim would be able to resist the big dramatic moment. Eddie and Chris back in L.A. and Eddie back with the 118. Neither he or Buck have told the other how they feel yet though. I can see them being on a call and maybe one of them gets trapped and they can't get to him immediately so he believes he's going to die and maybe just starts talking into his radio needing to say it before he dies. The one on the outside immediately knows what's happening and says 'no not like this and not here. You wait until we get to you and you tell me in person'. That way the audience knows what's coming but it allows Buck and Eddie to have the actual moment and confession between just the two of them at Eddie's house. On the couch or in the kitchen. I just really want their first kiss to be in one of those spots. But the truth is, for me anyway, there's no wrong way for them to do it. There is also no way to do it that will please everyone. Whatever way they choose will be fine with me. I will be sat, I will be giddy, I will be emotional and I will be flying. Just give it to me, please.

Thank you Nonny! Much appreciated! We can all use some Buddie distraction on a truly blue Monday like this one.

First of all... Was I the person she talked to? 😋

Well yeah. 🙂‍↕️

My exact words were:

"The problem is that the slowburn has been slowburning so long now that all of the possible 'confession' and 'first kiss' scenarios have been written over and over again. So no matter what the show comes up with, it will always feel a little fanficcy because of that."

I still stand by that. No matter how they will pull this off, somewhere someone will have already written it down in a fanfic. 🤷‍♀️ Not that I would mind one single bit. This fandom has the best writers.

And I've said it before and I'll say it again: I truly don't care how they'll pull Buddie off. I'll be happy no matter what. I'll scream, cry and go a little insane though, I admit it. 🤣

I like all of Ali's ideas on how they might come to their realisations and what the confession moment might look like. I agree with so much of it.

I'm also 100% sure that Buddie IS happening and that Eddie IS going to El Paso. He'll be there for a few episodes, no doubt about it. It's like Ali said, he needs his moment to shine. And I'll love every second of it, because I truly believe that Eddie deserves his happiness, but as long as he keeps denying himself 'joy', he'll never get that happiness.

He needs to break free from the shackles of other people's expectations and only then will he be able to pursue what he truly wants: happiness and joy, no matter what it looks like. And I believe that, in Eddie's case, it looks like his son at home in LA and embracing his romantic feelings for his best friend Buck.

I can't wait for the show to come back in March. I've missed my dysfunctional found family of firefighters so much. 🤗

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[the-golden-comet]

✨🌺 Author Ask Tag 🌺✨

Thank you so much for tagging me for this, @aalinaaaaaa ! I will also leave this +open for anyone else who wishes to answer (if they want) and may come across this on their feed 💛✨

I’ve espoused lots of juicy information from my two published works Peter Hart and Your Wish Is My Command, so now it’s time to focus a little more on my current WIP: In The Realm of Giants 🌺✨

1. What is the main lesson of your story? Why did you choose it?

Excellent question! There are a few lessons in ITROG that are highlighted throughout the book:

The lengths family will go to protect each other. A huge theme is family bonds, and how the love and support of the village reflects the Viking’s desire to protect their people.

Taking risks to develop characters and learn lessons. Some of those risks are learned the hard way…for instance, getting abducted by a giant because Tyr foolishly believed if he could get away with stealing once, he would smugly and spitefully do it again. However, if not for the risks and consequences of taking said risks, he would have never explored the area outside of his home and experience the adventure. Equally so, his father wouldn’t have been able to see his son shine on his own without feeling the need to always guard him.

Forgiveness. Not only for Stefan and Tyr or Tyr and Gustav, but also Stefan and Gustav. Learning to forgive mistakes of their ancestors, to see everyone’s different perspectives on the same conflicts, and to achieve mutual understandings.

All of these lessons are very comparable to everyone in one way or another, applied to a more high-fantasy scene to give a sense of excitement and relatability 💛✨

2. What did you use as inspiration for your worldbuilding?

Norse Mythology, especially centered around Jötunheimr and Yggdrasil. I also sprinkled in some Disney-esque family values and dynamics. ✨

3. What is your MC trying to achieve, and what are you, the writer, trying to achieve with them? Do you want to inspire others, teach forgiveness or help the reader grow as a person?

Tyrell’s objective changes throughout the novel. A consistent goal is for him to achieve independence in a way that still serves his viking clan—the people he loves. However, his goals take a sharp turn when he finds himself kidnapped by a giant, where his main objective becomes to survive and make it back home in one piece.

What I always want to achieve in my MCs is that there is no “flawless” character—everyone has their strengths and weaknesses, and seeing their vulnerabilities helps make them a more relatable protagonist. Sometimes, it’s the flaw that makes a character unique and stand out, memorable, endearing, or something that a reader roots for the protag to overcome. The more those strengths and weaknesses are explored and utilized in a plot or conflict, the more developed a character is, and overcoming their own weaknesses is something that anyone can relate and cheer for.

4. How many chapters is your story going to have?

At least 69, as is my brand. The word count is estimated anywhere between 120k-155k words.

5. Is it fan fiction or original content? Where do you plan to post it?

Original Work! I posted a variety of fanfiction and Originals, and post the full stories to my Archive Of Our Own account always. I do optional/additional support by providing a digital copy on Amazon Kindle eBooks, but that is only if people want to support me further (I don’t have KoFi or Patreon, as my writing pace varies. It finishes when it finishes 💛)

6. When did you start writing?

I started writing fanfiction in 2009 back on old fanfiction.net. Original writing started in 2014 with the development of Peter Hart.

7. Do you have any words of encouragement for fellow writers of writeblr? What other writers do you follow?

It sounds cheesy, but it’s true: Follow your dreams. Write the book that YOU would want to read, and be your biggest writing fan. I go back to my own books all the time, and because I enjoyed writing them and took the time to develop them, it was just as enjoyable reading-reading them from a casual point of view, and not a technical one. Get your heart out there, because there’s only one of you—one unique brain with wonderful ideas waiting to be actualized. Learning by doing, and remembering what inspired and motivated us to write in the first place—don’t lose that sense of wonder 💫✨

I follow SO many writeblrs. I’m excited to see what the community all is doing, and everyone has their own unique flavor of writing that is creative, fascinating, and inspiring. To name just a few: @wyked-ao3 , @gioiaalbanoart , @jev-urisk , @tragedycoded , @clever-pennname , @illarian-rambling , @autism-purgatory , @deanwax , @mk-writes-stuff , @words-after-midnight , @justabigoldnerd , @pippinoftheshire , @avaseofpeonies , @alinacapellabooks , @kaylinalexanderbooks , @drchenquill , @theink-stainedfolk , @the-inkwell-variable , @indecentpause , @glasshouses-and-stones , @addicted2coke-theothercoke , @asassydork , @aalinaaaaaa , @zackprincebooks , @lychhiker-writes , @yourpenpaldee , @oliolioxenfreewrites , @nczaversnick , @mrbexwrites , @peach-the-gospel , @finickyfelix , @aurumni-writes , @paeliae-occasionally , @agirlandherquill , @fantasy-things-and-such , @castiels-favorite-dumbass , @honeybewrites , @thatuselesshuman , @thecoolerlucky , @authorcoledipalo , @48lexr , and @thecomfywriter . There are many, MANY more that you should go check out and follow! Lots of beautiful minds in creative spaces 💫✨

[uncle-fruity]

I appreciate everything OP said here, and so much of it rings true. And while we're on this topic, I wanna bring up something I've been mulling over that I think is related.

We have got to stop thinking of marginalized people as a monolith -- even when that homogenized version in our heads is mostly positive. What I mean is that not every trans person is a good person. Just like not every cis person is a bad person. There will be trans people who are uninformed, willfully ignorant, rude, mean, abusive, manipulative, misogynistic, hypocritical, and honestly pretty bad allies to anyone who they don't understand or don't like or who challenges their worldview. There will be cis people who are extremely well-read on the issues, understanding, supportive, encouraging, open-minded, willing to listen & learn, kind, respectful, dedicated transfeminists, and honestly some of the best allies you'll ever have.

There is this sort of underlying assumption that trans people will always understand each other better than anyone else, that we are safer with our own, but that's not always the case. It is fair to assume that trans people are more likely to connect with and understand each other, but it is (clearly, as demonstrated) not guaranteed.

That's because we are humans! Humans are messy, complex, often hypocritical, nuanced beings. We all have different experiences, surroundings, relationships, beliefs, and priorities that make us who we are. Gender is just one facet of the many many things that come together to make us wholly human. Being trans doesn't make you a good person; it makes you trans. And while being trans may give you valuable insight on gender dynamics and trans oppression via direct exposure, it does not automatically make you a scholar or expert on all trans experiences or the historical context that feminism & transfeminism is built on. That kind of information must be actively pursued if you want a fuller picture.

This is why I've been going off about critical thinking so much -- because if you aren't being critical about this, it gets very very easy to fall into a reactive and/or bigoted and/or narrow mindset, and that can be genuinely harmful to yourself and others if you're not careful. Especially on Tumblr, where someone could very easily misrepresent their identity to stir up shit and push transphobic rhetoric behind the mask of an assumed ally. Thinking critically is a vital tool to help us avoid being manipulated by a false or disingenuous narrative.

When we say, "Listen to trans people," we mean that you need to pay attention to a wide variety of trans people and what we're talking about -- because we will and do agree AND disagree with each other on a number of issues all the time. But the more of us you listen to and consider, the more likely you are to see patterns of oppression and common trans experiences that will broaden your worldview and help you make a better informed decision about what to believe or what to look further into or how to spot common anti-trans sentiments/dogwhistles. "Listen to trans people" is not followed by the secret phrase, "and thoughtlessly accept everything they say about trans issues." Anyone who demands that you agree with them without room for question or comment or criticism is trying to control the narrative. Even if there is good reason to believe someone knows their shit, it never hurts to dig deeper into the worldview someone is trying to get you to internalize before you do so.

So, with that in mind, I encourage everyone to really take stock of their priorities & values within activism and judge people on their actual behaviors & impact & quality of information they present, NOT just their stated identities. If something a fellow activist said feels uncomfortable or rubs up against your values, it's okay to examine that feeling and ask questions to figure out what's at the root of it. The trans women who act the way OP described are not representative of all trans women, nor are they necessarily our allies. The same goes for misogynistic & transmisogynistic trans men. Or trans people of any sort who subscribe to any flavor of gender/bioessentalist ideology. That isn't to say that we don't fight for their rights or support them when they fall victim to systemic violence or ignore their issues or give up on trying to educate & elevate where we can -- we are still fighting the patriarchy for everyone's benefit. But, critically, we also don't have to accept hateful rhetoric into our communities and theories just because the fuckos spouting it off are trans.

honestly, as a trans woman who's running a fairly 'popular' or whatever queer blog, i've noticed so much shit in the past 2 years and i'm just gonna lay it out for y'all. it's a new year. it's 2025. i do NOT wanna carry any more of this bullshit forward. i'm calling everything for what it is. if this pisses you off, unfollow or block and move on.

as someone else put it in the tags on one of my other posts:

i am sick and tired of not talking about extremely important queer conversation topics for the sake of "keeping the peace".

this is not giving trans women and transfemmes a better quality of life to attack literally every every and all trans men for being trans men. it's making people fucking scared shitless of us. i hope people realize this isn't helping improve the opinion other people have on trans women and transfemmes. it's making people absolutely fucking terrified to even exist around us, because we've gotten to the point where we're attacking literally everyone and anyone who says something we don't like. people are fucking terrified of talking around transfemmes and trans women and it's time we broke the silence on that.

other transfemmes and trans women: do you seriously, really want other trans people to be scared to death of you? do you really want other trans people to be absolutely fucking terrified to speak around you because they're scared of getting fucking yelled at? do you really want other trans people to be utterly terrified to speak up about their own trans issues for fear of being told they hate you? do you really want other people around you to feel utterly terrified to talk about anything queer related at all for fear of being corrected, looked down upon, or verbally harassed?

i am just completely done with this environment we've fostered where basically everyone is on pins and goddamn needles holding themselves back from having real, genuine, impactful, substantial conversations about gender because they're absolutely scared shitless of being called transmisogynistic and publicly cancelled and harassed at all times for saying something as simple as "trans men don't have it easy" or talking about how AFAB people can also be trans. it really does not take much at all to set people off on this website and start accusing people of being transmisogynists left right and center.

i'm not participating in this weird mind game anymore. i do not like how this is being used to control the narrative on transness and trans experiences.

i am done with having to walk on eggshells in every. single. conversation. we have about gender.

i am done with acting like talking about transmasculinity and transmanhood is somehow magically attacking and silencing trans women and transfemmes.

i am done with people having to tack on massive disclaimers saying that they're not attacking trans women and transfemmes just for talking about their experiences on just about every post people write about gender.

i feel like every conversation about gender on here has to be so fucking sterile and calculated and meticulously planned out and stripped of most of its contents in order to not immediately get slammed with a "oh so you hate trans women" or a "oh so you're transmisogynstic." it's fine to point out genuine transmisogyny, i'm not gonna say you have to put up with it when it's real, but can we acknowledge that people are leveraging the fear other people have of being called transmisogynistic to shut people up?

at this point it's being used as a scare tactic and i'm so over it. i loathe how accusing people of being transmisogynistic is a default insult. trans men can't make a post about transmasculinity without someone getting pissed off and calling them transmisogynistic. trans men can't talk about a goddamn thing without being told to shut up, for some reason? why is this happening? like literally why are you doing this? trans men can't talk about ANYTHING at this point. like they needed to be able to coin words for the specific types of oppression they face so they could talk about it, and instead they just get fucking yelled at and told they're being copycats and that the violence they faced wasn't real? what the actual hell is this accomplishing?

why are we acting like we own oppression and no one else can even come close to understanding what its like? come on now, we don't own the goddamn concept of oppression. we also don't own transness. i am sick to death of this idea that transfemininity and trans womanhood are the only "real" ways to be trans. we do not own the concept of transness. it's not just about us. "trans rights" applies to more than just us. it can't be about us all the time. WE are the ones being self centered right now. WE are the ones who are forcing the conversation to be about us in situations where it's completely and totally inappropriate.

we need to say it for what it is: we're fostering an environment where, at this point, only trans women and transfemmes are allowed to talk about anything queer related at this point. like can we call it for what it is? for some reason, trans men and transmascs aren't allowed to talk about trans manhood or transmasculinity at all. ever. they're not allowed to say a fucking peep. they have to shut up and listen to a trans woman explain it to them, because for some reason, the trans woman knows trans manhood better than the trans man. this is out of fucking control, we should not have trans women explaining trans manhood to other people unless they are also a trans man. this is just unacceptable. transfems attack transmascs who speak for transfems, and yet this is seen as good and the norm?

you are not cool if you hate trans men and misgender them on purpose. this isn't feminist. this isn't progressive. you're not getting back at the patriarchy- most trans men do not benefit from patriarchy and never will- you would understand this if you listened to them. instead of talking over and for trans men, and listening to people who talk over and for trans men, if you listened to trans men, the source, you'd understand that no, transmasculine lives are NOT easy and no, trans men do not instantly benefit from patriarchal society if at all, ever. if you listened you'd understand that T doesn't make people aggressive and hostile and evil. if you listened you'd understand that there are a lot of wonderful, loving trans men out there are who are not transmisogynistic just by virtue of existing.

nobody is saying that we want to you prioritize men over trans women when we talk about trans men's rights. we're not saying that we need to talk about men all the time and never talk about women, and that men are the only ones allowed to talk, now. we really have to let multiple people participate in conversations. we can't keep doing this thing where One Gender Has To Be Superior Over another. that's gender essentialism. why must you keep yourself trapped inside the binary like that? why are you so desperate to stay stuck inside of the machine that's trying to destroy you?

challenging someone else's transphobia is not being transphobic. challenging someone else's behavior is not hating them or their gender. criticism is not an attack on trans womanhood and transfemininity. transfemmes are trans women are not immune to criticism and we need to stop acting like we are. we're not. we've created an echo chamber where only trans women and transfemmes are allowed to talk right now and it's not transmisogynistic to point that out, because it's literally happening before our eyes.

if we're demanding that other people treat us better, why are we treating other people like shit in the process to get it?

stop silencing other people talking about other trans experiences. transfemininity and trans womanhood are not the only ways to be trans. stop forcing yourself into conversations you don't belong in. if you don't want trans men do that, don't do it as a trans woman. don't barge into conversations you have literally 0 stock in just to be rude and mean and make the conversation about trans women instead. let other people talk. this has gone on for way too long.

let. other. trans. people. talk. we shouldn't have let it get this bad. but i'm not letting it stay this bad. if you want to accuse people having genuine conversations about transness of being transmisogynistic just because they're not a trans woman, then feel free, i'm not gonna stop you, but i'm not listening to you. i don't care anymore. i'm sick to death of not being able to have REAL conversations on here because some people don't like being reminded that they are not the only people who suffer under cisheteronormative patriarchy. if you can't accept that you are not the only one who suffers under patriarchy and that men need to be liberated from patriarchy as well, then i'm not interested in having a conversation with you to begin with.

seriously, if any of this bothers you, please just block me. i'm not participating in these dumb ass little mind games anymore. i do not give a singular shit about offending people who think this behavior is okay. i spent way too long being afraid to speak up about real world issues because of shitty internet trolls. i don't give a fuck if someone you don't like speaking about their experiences hurts your feelings- you are the problem here.

this is affecting real people in real time and i care about that. i care about people, not stupid ideologies and fighting over who is or isn't "really trans". i care about people, not fighting over labels. open your mind and understand that is is about real ass people, and not just ideologies. trans men and mascs are real ass people. they're not antagonists made specifically to attack and piss off transfemmes and trans women. enough of this.

[somerandomcockroach]

Honestly decepticon prowl

I see his brain going 'if you can be ten steps ahead, why not be at LEAST twenty steps ahead?' to himself. In a mirror.

Barricade however seems rather clueless, not listening to certain things, communications officer with soundwave, barricade is the one to send in if someone HAS to be captured, he can endure a lot of mind games and trickery and has been known to come out with information instead of whatever falsities that he gave the autobots.

Prowl is smart, rarely seen, immoral, a walking grey line that somehow got on the decepticons side (?) however they aren't sure if he is, don't know where he is to get the upper hand of it to make sure he is.

Prowl knows enough about both sides he could stall the entire war, one side gets an advantage then the other gets lucky, and if a side pisses prowl off? They start losing for a little while, not enough to make a difference, but it happens.

The autobots... kind of know barricade, all of them know the tricky decepticon, except Red Alert, who knows barricade as a traitor. Why red alert? Because it's hard for anyone how knows him to question if he's serious or not. (Kill me I love idw version of red alert)

Anyway prowl being powerful yes... but in the mind way, Shockwave hates him.. only because Prowl throws a wrench in shockwaves backup plans, somehow, someway 'barricade' is curious and is known as a bad shot, he wanders, he is known to be an olay conversation, a little boring, but barricade is okay in everyone's book but shockwave..

Okay i gotta stop there, sorry to ramble... Imma go to my snacc collection now, hope you liked the ideas! 🍬

OH OH OH okay ahah okay I, I might really like to hear any rambles about people's ideas and looks on decepticon Prowl so feel free to ramble ahah Mmm, I think in Prowl's case it isn't an exaggeration to say that he needs to count 100+ moves ahead You just made he realise that he might end up being a good liar in such sircumstances? Like I always think of him as a bad liar because his face acts unproportionally to what he says. But his face movements are so barely noticable that maybe only Jazz and Red Alert could notice them (I didn't see enough of Red Alert in idw, I need more info on him I see people loving him pfehge) Barricade being clueless because he is busy coming up with the new tactical strategies while still doing him job so he loses some things he is said to. Oh god yes you made me realise that he is also sent on interrogations to get out information, autobots could learn about Barricade from here, a chance of someone running away. OH, Prowl is some kind of mistery just like Jazz. Prowl death bringer and Jazz life bringer to neutrals. One works undercover with decepticons, other undercover with autobots to help the ones who mustn't be involved in their war. (There would have been so many facts and details that shouldn't be on the front page but ahah let it be) OH Prowl was working with Primes. He was leading operations. He was responsible for Megatron's case when he was a gladiator. He knows enough of autobots' inner info. There is just one misconception. He was a Prowl back then. I wonder how he can trick everyone to believe Prowl is dead (seems easy but he wasn't a low figure to cover it was easily) unless he just made sure everyone who was working with him fell down under Prime's fire. I wonder if he changes his painting

OH mmm yes his plans could always be on the way of Soundwave's backup plans. So far in idw I saw that 1) Shockwave sometimes acts on his own too without Megatron knowing because he looks at possibilities of the world changing from the war 2) Soundwave ending up randomly anywhere ahah Pffffffht, "What do you mean you pissed off Prowl and we lost 3 squadrons a joor ago?!?""

[the-box-of-mine]

Melinda and demetrius: splitting and dissociation (part 2)

I was talking in the first part here about Melinda and her splitting episodes. In this part I will talk about the oldest son demetrius.

There's no lie in the fact his appearance was surprising, but also everyone knew that he didn't seem right.

But also he's very mysterious and understanding him is quite a challenge with the very little context we have of him. So let's dive into his character a little.

The unfocused look, very intimidating look, and eyebags under his eyes. Hell yeah, he got freaking 6 stellas and didn't even seem happy about it. He just looked very tired and just wanted to go to rest.

Damian and the rest of the gang approached him, and damian went to congratulate him of his achievement. But it seems that Demetrius looked very intimidating to him so he started to stutter. Demetrius took the lead of the conversation and asked him about his Stella (which indicates that Demetrius is actually looking at the progress Damian does academically, which is the most important aspect of demetrius's life). Normally when asked this type of question, it's normal to say "yeah how did you know?" "Yeah what do you think?". But not damian (my little child seems to struggle)😭, he instantly jumped into "how do you think father would think?" ,which is wrong in different aspects, firstly demetrius is the one who asked about his academics, so it felt very disrespectful to do that. Secondly , knowing how Damian gets annoyed with the girls in his class asking constantly about his father (and he's the second son with less remarkable achievements), I'm sure that Demetrius himself has even worse share in this experience, he doesn't even seem to have friends because he feels in different league, and people either intimidated by him or try to use him to get to his father. Lastly, it's their second time talking to each other in school, and damian still asked him in the same matter (about their father) which really gives an impression that he has nothing to ask about but this. But of course Damian didn't mean that, he's a little child who is trying to reach his family, Demetrius himself seems to have also problems with reaching out to others.

But even then he didn't get mad, even in his mind, he didn't get annoyed at damian, he just swayed away keeping his boundaries without any addition, something that neither Melinda nor Donovan did (imo he still got judged wildly). With one struggling with her emotions and splitting episodes, and deadbeat neglectful dad. Which made me believe that he is the one who has higher chances with having a stable relationship with damian. I talked more about this here but to summarise, demetrius is quite surprisingly patient with damian at most times. Considering their parents and his age too.

Now into his interesting mind, in chapter 93, anya tried reading his mind but got nothing at first, and the things she got was he (I don't understand) questions.

This hit very different seeing chapter 110, when Melinda said Donovan can read mind and even demetrius had been saying that.

A lot of people drew to the conclusion that Demetrius has this habit of blocking his mind since he knew his father can read mind, he restricted himself to not have any thoughts at all, which is very painful to think about, making your child anxious to this point is really a new low truly, donovan.

There had been questions about how this is even achievable, a state of blanked mind of barely any thoughts, Mr green talked a little about it when he was with damian and his friends. But let me explain this more.

What is demetrius doing is very similar to something called "dissociation", it's a state of complete stillness of thoughts, flowing through the stress, you can say it's like putting your mind in an autopilot mode. It's a coping mechanism many people do in response to stress and trauma, and its severity changes from one person to another.

Now it seems very peaceful coping mechanism, but it's a hell itself, it's like getting into a deep hole with, the more you get deeper, the more difficult it's to get out of it. The more time you spend doing it, the more it's hard to keep up with your life and tasks.

I'm pretty sure that if Demetrius had been doing it from a very young age, it means he definitely is having difficulty in keeping his thoughts flowing, and that he is not voluntary and completely controls his mind.

Now, what could happen if someone is dissociating excessively? It leads to many mental disorders and problems. The most insightful of them are (dissociative disorders). The three main disorders are (ranked with severity from lower to higher)

1-Depersonalization/ derealization disorder.

2-dissociative amnesia.

3- dissociative identity disorder (aka called multiple personality disorder in the past but the medical term changed)

Now I'm very sure with the amount of excessive dissociation demetrius expressed (and even indicate he started doing it very early). I'm sure he has derealization disorder, he's very out of touch with himself and feels very separated from his reality ,which is a perfect description of this disorder. I wouldn't be surprised if he had dissociative amnesia, like I wouldn't be surprised if he said he doesn't really remember having dinner with his family in chapter 106 (he really was out of touch and just eating his food, not giving care to the tension felt in that time).

(until now he didn't show any signs of being a system or having DID)

I'm sure he also has different mental struggles other than dissociation, but this one is the clearest one. Him and Melinda showed very clear signs of mental health struggles, I tried to analyse that, I hope that they both heal and get the help they need.

[phoenixeclipse-lmkau]

Hello! I have a question about the two oldest twins.

So I’m assuming that when reader goes back to her world it’s after the twins are born right? Do the twins go back with her and are they still demon monkeys or do they turn into humans while in readers world?

Actually, that's not true. In terms of where they were born. I do like your idea though it’s very neat and would also be very angsty~

Also, I actually got two questions about this one from you and one from a person on A3 asking for more information about how they came to be and stuff. I am so glad people are interested in them. Love these two!

Sun Bao and Sun Tao - Birth Lore/ notes

Unofficial (still working on them)

- It was when you returned home, after seeing your husbands scream for you to stop, after leaving them behind for what you believed was the last time that you found out.

- They would no longer only be in your past because when you left you carried a piece of both of them with you.

- It started with the nausea and morning sickness that became regular. Then it was the weight gain, at first you didnt think much of it, you and your once dead beat older brother had gotten good jobs and you were able to eat better now. That was until you noticed that you were only gaining weight in your abdomen.

- You tried to simply start excersizing more but the gain didnt stop. So you planned to go to the doctor, but before you could schedule the appointment there was a knock on the front door.

- Confused you went to go see who it was and kind of froze at the sight of Isa-Bella, Boris' older sister in the doorway. Her face had a nervous smile and she held a bag in her hand.

- You were cautious when you let her in but she didn't intend to bring you back to the other world, on the contrary she came to tell you NOT to go there for several reasons.

- The first being that your husbands were sealed away once again and they had a specific amount of time before they were supposed to be released.

- The second being that... you were pregnant. The fear and horror that you felt was unmatched, you had just left both of your husbands. You had just given up the last chance you had with them not only because you were sure they would never want you back even if you did return. After all when they thought they abandoned each other they had gone crazy and tried to kill each other on sight.

- So what were you going to do with a child!? And what if they turned out to be a monkey demon!? How would you explain any of that!?

- There was one more reason that Isa-Bella was telling you to stay here. The child in your womb was poweful beyond belief and that kind of power would attrack many to try and take it. Without a mate to protect you then you'd be risking the life of yourself and your child or apparently cubS.

- Which you found out when you gave birth to them. It was too dangerous to go to the hospital. Not when you didnt know if they would be human or monkey demon.

- You nearly died of bloodloss when you gave birth but were lucky enough that Isa-Bella helped you. She helped you when you needed it with many things and was the first to hand you your cubs.

- Twins that seemed to absorb energy from both Wukong and Macaque, you weren't sure how but they were from another reality and with all the things you've seen so far this was far from the strangest. Your precious little Bao and Tao~

~

Now I did get some opinions on this before I posted it so I will be adding those now. The one who helped me was. @miifu666

- The reason that reader did not conclude that she was pregnant for was because she thought she was just getting bloated from like the food she was eating. She didn’t think she was pregnant.

- She also had a cryptic pregnancy where she didn’t grow that much.

- This is because the cubs were instinctually, trying to protect her and themselves. Normally cubs like them would have two parental figures that they’re able to sense around them. at this point in time, they only have one because of that a natural instinct with in them was trying to stay hidden and keep them safe.

- And it worked perfectly, so perfectly that their mother didn’t even realize they existed.

- another small note that I have not mentioned was that when they turned five they actually go back to the JTTW world~ I’ll also say about that for now though hehe~

[skimmingmilk]

Hi, thanks again for answering my first ask about Tails and Shadow and Sonic! Similar question here, do you have any headcanons/ideas/musings about Tails and Sharp that you can share? I love their dynamic in the Sharp Edges collection you wrote, and I'm a sucker for any Sonic Prime AU where Tails is the one who interacts with other versions of Sonic. Thanks!

Hi! No problem, I love answering questions where I can and talking things out :)

Ah! I'm so excited you want to know more about Sharp and Tails! :D That's so cool, thanks for being interested! I also really love Tails getting to interact with other versions of Sonic, so I'm happy to do my part to add to it <3

Sharp is (only a little) reluctantly following along with Tails's scheme under the guise that he just needs to make sure the kid keeps a low profile and doesn't end up back on Satine Rouge's radar while they're in Rogue's Row. He can't have his reputation damaged, after all, it's what allows him what little freedom he has to help people. But it's also exciting! Helping Tails on these missions gives him a boost of adrenaline that he's been kinda missing. And he doesn't even have to pretend to kill anyone!

The two of them are very similar to how Nine and Sonic are, they bond quick because they work well together and because Sharp is so similar to Sonic, just a little... sharper. They're also pretty snarky with each other, which they both enjoy, but Sharp will downplay Tails's accomplishments without remorse in a way Sonic would never. Sharp isn't as sensitive to striking an insecure nerve because he doesn't know it's there.

Tails can handle it for the most part, since he's a little more aware of Sharp not being Sonic than Sonic was of Nine not being Tails. He's taken aback occasionally by Sharp's bite, especially when it's anger that's directed at him. He can handle sarcastic quips and even the threats of violence (because he knows he won't follow through), but sometimes things get a little raw and feelings are hurt. But there's still so much Sonic in Sharp that Tails can't help but care about him. Just like it's so easy to forgive Sonic (almost annoyingly so), Tails forgives Sharp as naturally as breathing.

And Sharp's not used to that. It's every rogue for themselves where he's from. And while he's done his best to make sure others have a chance at a fresh start, no one's ever returned the favor. No one's ever cared.

So Sharp and Tails butt heads more than Sonic and Tails do, especially once they leave Rogue's Row to search for more of the prism shards. They're not completely in sync. Mostly because Tails believes Sharp can be more than what he lets himself, and Sharp doesn't want to be told who he is by someone who barely knows him. He also doesn't want to be responsible for anyone other than himself, but is frustrated by how easy it is to want to look out for this lost kid. And how much this kid's opinion of him matters. He tries to resist the attachment at first, but just like Nine found hope and happiness in Sonic, Sharp finds the same meaning in Tails. His bond with him opens him up to become someone that will eventually be the person Nine needs (and Nine's going to get a bit of an extra journey to complement that, too).

Tails will also get to interact with two other Sonics in that AU, too! Drift (from No Place) and Snare (from Boscage Maze), though Snare's name might still change... His bond with both of them is still special, too, but when they meet Sails and Mangey, they're able to bond with them much sooner than Sharp is able to bond with Nine. Sharp and Nine don't really connect until the very end of the adventure, since both of them are too attached to Tails and Sonic, respectively.

Sorry, this totally got away from me! I have so many feelings about my Prime AU and every intention to write more of it if I wasn't so behind on Picket Fence stuff. I'll leave a little snippet of Sharp and Tails chatting though as a treat <3 I can't remember if I've ever shared it before, so sorry if I have, but it takes place a bit after "Keep a Sharp Eye."

Tails sighed at his Prower Paradox Prism Position Predictor Mark 5 when it showed no sign of there being anything remotely like the energy signature of the Paradox Prism nearby. "It's gone." "Told ya it was still busted." Tails ignored him. "But my calculations were precise. Nothing else gives off any kind of energy readings remotely similar. Something had to have triggered it. Or at least had enough of a disruptive frequency to confuse the P.2.5.P." "Weird. Maybe it has something to do with the other you I just saw." Sharp cupped his chin, foot tapping thoughtfully. Tails's attention snapped to him so hard he nearly gave himself whiplash. "What?" "There was another you up in the trees. Right when your gizmo thing stopped working." Sharp twirled his index finger in the direction of the P.2.5.P. Tails gaped at him. "Why didn't you tell me?" "Well, it looked like he was kinda trying to kill you. Like everyone in this city," Sharp reminded him, an edge to voice befitting his name, before he leaned back with a shrug. "Thought it was better if you didn't know you were being actively sniped." Tails could still only stare at him slack-jawed. There were plenty of times Sonic had rendered him speechless over the years, but the dissonance of what he knew about these two versions of his best friend and all their other friends was thoroughly giving his processing capabilities a run for its money. He needed an aspirin. "I thought you said you'd never seen another me in this dimension?" Tails finally ground out. Sharp narrowed his own eyes at his tone. "I hadn't. You're the first you I've ever seen in my life. That guy up there was the second."

[mc-critical]

Bonus:

2.22 (46) / 2.24 (48) / 2.25 (49) / 2.35 (59) / 2.39 (63)

[theheirofthesharingan]

Every time I hope Sasuke fans won't stoop any lower in their hate by inventing lies about Itachi and giving out uninformed, terrible takes, I'm proven wrong. Some, to feed their hate boner for Itachi, don't shy away from creating myths just so they can go "Look, evil Itachi."

Simple math will tell you the 50000000000 or whatever numbers you've used is pure, unadulterated bullshit. Maybe look at Manga canon instead of Reddit or Quora or TikTok for factual information on Itachi? Kishimoto wrote him, not the fic writers who use these stats for angst effect in their stories.

In simple words, there is no textual evidence to any of your claims. Do the math and you'll know. If not, then do let me know, because I would, more than happily, do it for you. I'm tired right now, and don't want to waste my time on this more than necessary. I'm also hoping Itachi novels isn't your answer to this, because come on.

Now, onto, How would Mikoto and Fugaku react?

They would be ashamed of themselves, if they have any sanity and conscience in them left at all. It was their decisions, their neglect that led to the massacre. Danzo and Hiruzen are the secondary characters in deciding whether massacre happens or not, or whether Itachi is the one to do it. Fugaku allowing him to join Anbu, not supporting him through his worst times, and Mikoto as usual being a neglectful mother to a traumatized child, plays the bigger role in every thing Itachi does.

Fugaku set the foundation of Itachi's character in his formative years, but by using and neglecting him. The man failed to be a healthy father figure to his own child. Just because Mikoto and Fugaku were better parents to Sasuke doesn't make them the parents of the year. They were both terrible parents to Itachi.

They would certainly not approve of Itachi torturing Sasuke, but they would know it was their own failures that Itachi had to take measures he did so Sasuke doesn't fall in the hands of the likes of Danzo.

Unlike his fans, Sasuke does see Itachi's side of the story, and although he doesn't approve of it (and even questions it too), he sees the picture as it is meant to be seen. Mikoto and Fugaku (unlike their sympathisers) would manage to see too that Itachi hated himself enough to punish himself for years.

No one would hate Itachi for everything more than Itachi would hate himself.

I desperately want to know how Fugaku and Mikoto would have reacted to how Sasuke was treated after the massacre. Same with Shisui actually.

I wonder if they would have accepted death the same way or instead would have fought Itachi had they know the fate waiting for Sasuke.

Neither fugaku or mikoto fought itachi as one they couldn’t bring themselves to harm their child. But secondly because as their dying wish, itachi promised he would look after Sasuke. And what did he go and do? Torture this boy beyond comprehension. He never needed to go that far. Sasuke witnessed the Uchiha massacre at the hands of the brother he loved more than anyone over 500,000 times. At the age of seven… he is torn away from everything he loves because of his brother, I think that’s enough to make someone hate another. The extra step with the tsukuyomi really was not necessary. And twice?! Uh huh… it shouldn’t be surprising itachi wouldn’t respect the dying wish of his mother and father considering that atrocities he committed against them already. But it’s still heartbreaking. Idk if I were Mikoto or Fugaku I’d be pissed. And I wonder what Shisui would think. Not only for itachi to kill the whole clan, but then his future crimes too against both Sasuke and as a criminal. Shisui is slightly more complicated as he didn’t support the coup and wanted to protect Konoha like Itachi. But Itachi took it so much further.

The Uchiha clan are the clan of love. They do everything for their family. For itachi to do this is a complete disregard for their culture and everything they stand for and feel. Idk if I were an Uchiha, I’d be appalled.

Just had some thoughts about this and how Itachi completely disregarded his parents’ sacrifice

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[bettsfic]

one of the best decisions i've ever made was to stop arguing.

i'd always been an arguer. i was defensive about everything and mindlessly contrary. it wasn't all my fault; i was (and still am) talked down to and patronized a lot, and when you live your life that way, you become kind of a raw nerve and dedicate a lot of energy to trying to prove yourself. someone even told me once, "it's just fun messing with you. you get so upset."

at 23, i was working in an environment where about a half dozen middle aged conservative men were always telling me what to do and explaining things to me. i either argued with them when they said heinous things or stewed about it for hours or even days. and so my new year's resolution one year was simply: no arguing.

it felt a little like defeat at first, like i was no longer standing up for what i believed in, even though no matter how right i was or how much proof i had for my claims, no one had ever been swayed by anything i told them. part of that was because they had no respect for me and didn't take me seriously; the other part was the simple truth that arguments are almost never productive. when someone says something and you immediately reply with, "you're wrong and here's why," a wall goes up and nothing can go over it.

i couldn't just let these men talk at me though, so i started asking questions. not leading questions, not with an intention to prove a point or walk them into a corner. i genuinely wanted to understand how they came to shape the opinions they held. i realized that understanding and agreeing are two different things, and just because i seek to understand doesn't mean i condone.

a truly fascinating thing happened: these men walked into corners all by themselves. it turns out nobody had ever actually tasked them with speaking their opinions aloud to a neutral audience. no one had ever been sincerely curious about them and their views. sure, their loved ones probably asked, "how are you doing?" all the time as a show of affection, but that's much different than, "what do you think?"

knowing what i know now, i think that's true of everyone. how many people ask you for your opinion and listen to what you have to say without speaking their opinion back to you? without judging you? how many people actively and intentionally try to understand you?

it's been over ten years since my resolution and i think i can count the arguments i've gotten into on one hand. one finger, even. it's amazing what happens when someone tries to rile you up, pick a fight with you, and your only response is, "can you elaborate on that?"

you can work someone into a very open and vulnerable state when you ask questions. they eventually run out of their usual talking points and move into the personal. when i do this, it's not like therapy; i'm not trying to help anyone. and it's not like teaching; i'm not trying to educate anyone. i just want to understand how people reach the conclusions they've come to. even after all these years of asking questions and not arguing, it still amazes me how few people in this world feel understood, and how easy it is to get them to open up when you say, "i want to know what you think."

[biteyoubiteme]

black cherry flavored

ot5 txt x fem!reader

synopsis: how many ghostfaces are there again?

warnings: 🔞!!! gangbang, mentions of drinking, getting scared, fearplay? reader gets chased through house and doesnt know who it is, knifeplay (only used to cut off underwear), clit play, mean dom moments, filming during sex, slight breeding kink, unprotected sex, multiple orgasms (f!), creampie(s), marking, subspace, fingering, oral (m! rec), hair pulling!, overstim (f!rec), she/her used prob forgot some

wc: 9.2k (this one got away from me)

an: this is not proofread at all im so so so sorry forgive me sweet angel ily but I cannot believe october is over and this event has come to an end ;-; I hope you guys like this one! im a HUGE horror movie fan so I was excited to do this and hopefully it turned out well. I went with a different approach for a scream fic that was kinda based on different aspects from the movies and I hope you like it! feedback is appreciated :)) [m.list]

this is apart of my mini kinktober event check out the rest of the fics! [dumdum m.list]

"whats your favorite scary movie?"

You roll your eyes, hand coming up to cover the screen of your laptop. “Aren't you supposed to be doing your own work not pestering me about mine?” 

It was late in the night, the library dead silent besides the hum of the heater and faint typing on stiff keyboards. The door to the study space was cracked just enough to hear the elevator if it dinged, the indicator the floor would soon be closing for the cleaning staff. The clock on the wall told you it was close to one in the morning, only an hour away from the library being cleared and closed.  

“I'm avoiding the rest of my essay,” beomgyu shrugs, clicking his pen as a signal for an end to the line of questioning. “Annoying you just seemed like a better plan,” 

“Annoying all of us, I needed this done an hour ago,” yeonjun doesn't even look up from his laptop, glasses sliding down the bridge of his nose, lenses glossed over with the light from his screen, fingers speeding over the keys only to pause and jam the delete button. “Fuck, i lost my train of thought,” 

“It's already late, just turn it in tomorrow morning,” huening suggests, slouched back in his chair, thumbs nibbly swiveling on the joystick of his switch. “The syllabus said it was ten points off no matter how late after twelve you submit it,” 

“Don't talk to me right now, you got yours in on time. And I'm getting this done tonight whether I like it or not. I won't be able to handle looking at it tomorrow morning. the paper just won't get turned in at all if that happens,” yeonjuns back to typing furiously squinting at his laptop not noticing kais grin. 

“You should have listened to me about meeting up at nine, but nooo-” 

“Huening,” yeonjun warns. 

“I'm just saying…” 

Yeonjun picks up one of Soobin's scattered pens from the table, tossing it at Kai hitting him in the lap. And when Kai just laughs, Yeonjun picks up a few more to throw, the showering of pens making Kai yelp. 

“Shhh,” soobin doesn't even lift his head to see what's going on. He and tae had been trying to sleep for the better part of two hours, Taehyun having found success, sliding two chairs together to prop his legs up. He pulled his hat down over his eyes and hasn't said anything since closing them. Soobin only crossed his arms and laid his head down, leg bouncing showing he was still struggling to actually find it in him to sleep without his bed. 

The six of you usually booked the room on Friday nights from nine to two, blocking the time to try and catch up on work before the weekend. It was either the time you got the most work done or none at all. You're surprised it took beomgyu this long to finally turn away from his assignment at this point he's usually at the whiteboard doodling or trying to get everyone to play dirty hangman. 

It was easier to get all of you together here instead of one of your small dorms, the space hardly big enough for three people let alone six. In the library you didn't have to worry about cramming together, the fourth floors study spaces equipped with long tables and eight chairs. Out of the two libraries on campus this one didn't have many people visit often, especially not when the walk from any of the dorms was twice as long. The fourth floor was empty and quiet except for the group's laughter on nights you didn't worry about work. 

“You didn't answer that question,” beomgyu points out again, pointer finger pushing away your hand blocking the screen, “what's your favorite scary movie?” 

“I didn't answer it because I can't choose,” you confess, scrolling through the paper you're writing for class. 

“Is your homework twenty questions?” soobins voice is muffled, annoyed and sleep-ridden. 

“No-” 

beomgyu cuts you off before you could explain, brows scrunching as he reads. “Looks like it, this one is ‘what are the rules around sex’ there is no way this actually for your class,” 

“What?” this pulls soobins head up, the messy strands of his dark hair sticking up around his forehead. 

“Of course you wake up when you hear the word sex,” yeonjun quips, pursing his lips reading over his work on his screen. 

“No need to wake up you type so loud i couldn't fall asleep,” soobin says brushing his long fingers through his hair, you always noticed the later it got the grumpier he became, pouting lips and half lidded eyes always making an appearance after midnight. 

“It's for my film studies class. We’re learning about the rules of horror,” its clarification enough for soobin who nods but beomgyu lets his head tilt to the side, the vision of a question mark. 

“Rules? You can't just send a killer in, have them spill some blood, and call it a day?” 

“You could, but i'm sure it would follow a pattern, even without you realizing it,” scrolling through your work you pause on the first option. “First you have to think about the time period when the movie was filmed. Most of the popular ones ranged from the 80’s to the early 2000’s. A huge push in most cultures is the topics of sex, drugs, and money. It's the three things people try to control the most. Throw a bunch of badly behaving teens in with a psycho killer playing god and you can tell the masses how wrong something is. Like having sex,” 

“So wrong it would get you killed?” 

“Yup, in most, if not all, horror movies the people who have sex on screen or are known for sleeping around get killed off, leaving the poor virgin alive. Main characters who live to the end also don't drink, or do drugs. Rich people aren't safe, especially if you have a big empty house with lots of stairs, doors, and windows. The more for you to make the wrong decision not to exit from,” 

“Then who does live?” Kai asks, game paused in hand. 

“The girl next door lead, never her boyfriend, the camera man, unless you see him leave the group because you should never leave the group under any circumstances. But everyone else is fair game. Oh and if you say ‘i'll be right back,’ the lines a killer in and of itself,” 

“So I'd die because I like to have a good time?” yeonjun asks, fingers paused on his keys as he looks over at you. Everyone but tae is turned in your direction, listening intently. 

“Unless you're the killer, or lucky because you weren't in line of the camera when you decided it was smart enough to leave the house. It's very kill or be killed. Another rule is to never trust anyone,” 

“The list just gets longer and longer,” soobin sits back in his chair, arms crossed behind his head as he stretches, “you know i saw this one post on twitter that some people like the whole masked killer thing, gets them off,” 

“Of course you would be on twitter looking at stuff like that,” gyu fakes disappointment, shaking his head, “this is exactly why you wouldn't survive, you're a closeted perv,” 

“I don't know about closeted perv, he was openly scrolling past hentai the other day in the dorm,” yeonjun is back to typing, soobin kicking the foot of his chair. 

“Past it, i didn't pause on it,” 

“It was on your for you page! Clearly you have a habit of liking things akin to it,” 

“I don't know, I think it's kinda hot, the mask thing. or i guess more so the build up of fear, it's almost like foreplay, your pulse starts going, you get all flushed. And I did see this clip of these two guys dressed up…” this wouldn't be the first time any of you confessed to watching something that turned you on. All of you had been friends for years, growing up nothing had ever been an off limits topic. You can see the video in your head, the way they held the girl between them; how they manhandled her down onto the bed. 

“So you and soobin are both freaks,” beomgyu grins, the need to tease showing right in his eyes. 

“A threesome is not freaky,” Taehyun states, breaking his silence, hat still over his eyes, fully relaxed and laid back. If you hadn't known the sound of his voice you would have assumed he was still asleep, if he had even been asleep in the first place. 

“Agreed, anything over three is a little freaky,” soobin shrugs, bending over halfway out of his chair to pick up his fallen pens. 

“So would you? Sleep with more than two people at once?” gyu asks, the tilt back to his head, “this is the true test if you're freaky or not,” he chuckles. 

“I mean yeah… would you?” The question is directed at the room and you watch the question lay over them like fog, each of them thinking for a second, blank expressions all the way around.

Taehyun was the first to respond, shrugging his shoulders before nodding briefly, “I wouldn't let the opportunity slip by if it was offered,” It was a unanimous yes from all of them, the hummed agreement not too surprising. 

“Done!” yeonjun smashes one last key before stretching big, “finally fucking submitted, and right before we have to leave, im surprised the staff hasnt gotten around to our room yet to kick us out,”

Taehyun pulls his hat from his face, sitting up with a yawn, “good, i needed my bed two hours ago,” 

It always felt so good to sleep in on a saturday after a study session like this, you could already feel how cozy it would be to wrap up in your blanket. And even if the mattress was shit with or without the foam topper, it was better than laying out in the chairs like taehyun just was.  

All of you cleaned up the space, making sure to tuck in the chairs, pick up the discarded cups of late night bad decision coffee. Squishing in the elevator together, bags bumping into one another before you filed out; passing all the empty desks and empty aisles of books to make it out the front door. 

As soon as the outside air hits your cheeks you know it’s going to feel like a long walk back to the dorms. the boys tucking their ears into hoodies, zipping their jackets up, you and kai lived in the dorms on the opposite side of campus from the rest of them, their walk shorter by only a few minutes. 

“Okay we’re still on for dinner tomorrow right?” Kai asks the group. 

beomgyu’s jumping on the balls of his feet to try to generate some warmth. “literally just text us, I cannot think about tomorrow when i’m this cold and sleepy,”

“Yes, we’re still on, I've been craving anything other than dining hall food for the past week,” yeonjun adds, shivering as he pulls the straps of his bag closer to his chest. “We'll still meet up back here like usual,” he was walking backwards as he said it, already a few steps behind the others, “but see you guys tomorrow or should I say ‘i’ll be right back!’” he jokingly yells while the others wave goodbye. 

“don’t play jjunie, you might be next! don’t trust anyone!” He gives you a silent salute in response as you and Kai head out for your walk. 

Instinctively the two of you are shoulder to shoulder, bumping into one another every other step. Silence following each muffled step on the pavement. Sometimes the two of you didn't say anything until you split on the elevators. a quick ‘goodnight’ or ‘see you tomorrow’ thrown out as you step out on your floor, waving as the doors closed back up so he could go up one more level. Other nights it was the two of you giggling trying to keep it down as you walked under the moonlight, too late to be loud. 

You wrap your arms around yourself, shivering as the wind hits the treeline. spots of orange light from the spaced out street lights are rare, casting the two of you in darkness every time the moon is behind the clouds; every several feet the hash light is back in your path. 

“So you'd live? In a horror movie?” Kai asks, hands shoved deep into his pockets, shoulders to his ears from the cold. The wind is hitting him right in the face, tossing his hair from his eyes where he liked to keep it. He asks it so softly, the question highlighted in the divot of his brow, nose pink, face washed in the glow from the moon. 

“I'm not really a virgin so…,” it's not an embarrassing confession but when it's this late with his eyes trained solely on you it's like a spilled glass of red wine on white sheets. Impossible to look away from. 

“You wouldn't live for knowing how people survive?” 

“The smart ones usually die from bad luck, they know to head for the car waiting in the lot but forget the keys or if the keys are still in the ignition they never check the back seat. They know if you run into the woods to escape you can hide, but how unlucky for a rusty forgotten bare trap to be waiting for your next step. or if you miss that one here's a log to trip over, only to tumble down a hill and break your neck. Call the police? You're in the one movie a phone works only for you to forget never trust anyone because the police work for the killer,” 

“So none of us make it?” It's such an open question the way he asks it, the hopeful twinge hitting the ending, twisting it into something it shouldn't be. Written right over his features the soft words unsaid, can't we? There has to be a way.

“This isn't a movie kai, we’re fine,” 

“I know, it's only a question,” he's so easily flustered when alone, second guessing everything he says, as if one slip up will make you hate him. Now he's blushing, both of you falling back into comfortable silence. You can tell he's thinking by the way he's biting at his cheek, eyes watching his feet, making sure not to miss one step. You assume it's the end of what he has to say, his silence following you all the way back to your floor. The elevator doors opened finally giving him the courage to speak up. “Do you…” 

“Hum?” you lift your arm to hold the doors open, turned to see him struggling to get the words out. 

“Do you want to come with me to my parents cabin,” he says it all in a rush, avoiding looking you in the eyes just in case you reject him. “I mean you don't have to, the guys won't be there and if it makes you uncomfortable-” he cuts himself off, hand at the back of his neck, trying to rub away his embarrassment, “forget it- forget i said anything,” 

“It's okay, I'd love to go. where is it?” 

“Um it's like two hours from campus, my parents need me to check on it just cause and i thought, why not make a weekend of it? I mean, you can finally sleep on a real mattress, not whatever was issued here,” 

A weekend away did sound good, perfect after the semester you were having. And Kai is as sweet as they come, spending time with him wouldn't be bad at all. “Sure, when are you thinking?” 

“Next week?” 

It was all so very innocent, a sweet boy asking a girl to join him on a weekend getaway. He even packed you snacks for the drive, let you pick all the music, and made sure to carry your bag in when you arrived. 

You weren't stupid enough not to realize why you were here and the other boys didn't get an invite. The whole week you thought it over, pushing around the idea of being with him. And you could tell he was tossing it around all throughout the drive, periodically blushing without saying a thing to you, hands tightening on the steering wheel; knuckles turning white from the pressure. 

Halfway through the drive you realized exactly what he meant by cabin. Not the kind sitting near the edge of a trail, but one hidden deep into the woods for perfect seclusion. Kai had a late class to make up for and the two of you didn't get started on the drive until the sun was already setting behind the trees. Every shadow thrown across the road drew longer and longer as the car kept on. 

The gravel driveway leading up to the cabin was a stretch, but when you finally broke past the winding path the gleaming two story was not very cabin like. The windows reflecting the cars headlights back at you expanded most of the first level. Wraparound porch dotted with chairs, and a swinging bench. As soon as kai killed the engine the silence stumbled in, darkness spilling over the scene as you climbed out of your seat. 

“This place is huge,” you whisper, as if anything louder would disrupt the peace of the outdoors. You held your phone's flash up in front of you, huening fumbling to put the key into the lock on the first try. Each attempt from his shaking hand failed.

“Here,” you took the key into your own hand, twisting the knob and pushing the door open. 

“Sorry,” his voice wavering as he flips on the light switch, “i'm just- you know-,” he cuts himself off not wanting any more embarrassment to follow him. 

As soon as the lights come on you can't see anything outside, the windows a reflection of the room. A tv hanging over a huge stone fireplace, welcoming couches spaced out in a semi circle around a wooden coffee table, a bar topped with dusty glasses pushed in the corner. Kai kicks off his shoes by the door, walking further in you notice the dark hallway leading deeper into the first floor, a staircase waiting right by the entrance. But kai ignores it all while walking towards the kitchen. 

“I mostly have to check the doors and windows to make sure no one broke in,” he's trying to fill the silence, rambling to kill his nerves,”one year we had someone steal the tv, we don't really leave much now just incase, so that's why it looks so empty,” 

“People actually drive all the way out here and break in? The last time i saw a turn off the road before this one was an hour ago,” 

“You never know, it's best to just check and fill out a report sooner rather than later,” in the kitchen the backdoor is made of two foggy planes of glass, only the outline of kai seen in the weavering shape. He twists the knob and to your surprise it gives way and opens, “damn one of my sisters must have forgotten to lock it last they were here,” You lean your hip against the kitchen island, taking his explanation as is. 

“They come out here to check too?”

“Rarely they mostly come with their friends but stopped when they realized there is zero phone service this far out,” 

“There isn't?” you hadn't even checked to see if your phone was working, “what if someone had broken in? You have no phone to make a call from,” 

He chuckles pointing past your shoulder, right on the end of the counter a sleek black cordless landline rests in its holder, the blinking red light showing one waiting voicemail. “Sometimes it can be spotty but for the most part its a solid line of communication,” 

Hand still on the knob of the backdoor he locks the door before walking over to the pantry, finding only a crate of dusty wine and a stack of old jiffy pop popcorn. 

“Wait, I didn't think they made these anymore,” you reach out for the thin metal handle attached to the panshapped popcorn container. Shaking it you hear the rattle of the kernels, “when i was younger i thought it was just something people had in movies,” 

“My sisters and i love the stuff, it's also easy to pop outside over the fire,” 

“So all you leave is popcorn and wine when you're not staying here?” you tap the crate of wine with your foot, his grin boyish and shy. 

“It's a good thing for us now i guess,” 

It's what leads you to sharing the bottle, passing it by the neck as he gives you a tour of the house. His lips right at the spout, nerves loosening up with each sip he takes, creaking steps leading up the second floor. “And here is my room,” 

It’s right at the end of the hall, bed neatly made with a single stuffed penguin sitting against the pillows. “You left him here all alone?” You ask, picking up the plushie, Kai's standing in front of the closet, the slatted doors making up most of the wall behind him facing the bed. 

He shrugs placing the half full wine bottle down on his dresser, “someone needed to protect my prize possession,” he falls right onto the mattress, head thrown back, hair spilling against the pillows, “i always sleep so good in this bed,” cheeks flushed from the wine, half lidded eyes watching you from under his lashes. It's an invitation you don't pass up. 

You climb in after him, feeling relaxed from drinking even if it was only a little bit, you can tell it's helped him too, his lazy smile so blissful. “I'm sure this bed is good for other things too,” you don't even care about being bold, not alone with him under you as you dip your head, nose brushing his. 

The first kiss is so soft, a brush of lips together lasting no longer than a second. Kai whines in the back of his throat, an ache for more hidden in the desperate sound. It's addicting to have someone seem so needy for your attention, his legs instinctively tangling with yours, hand at the back of your neck pulling you back down for another kiss.

The two of you fumbling to feel at each other, your hand sliding up under his shirt to touch his warm skin, his stomach flexing at the brush of your cold fingertips. His hand at your waist pulling you closer to him, needing you as close as he can get you. The kiss is sloppy in seconds, his tongue sliding against yours, noses bumping as you breath in each other.  You can feel that he's semi-hard, pressed against your thigh between his legs. 

He's a mess, whimpering when you pull away to take off your sweater, leaving you braless in a tank top. greedy hands back on you, pulling you back down on top of him, he’s grinding onto you desperately, fully hard from only kissing. 

every little noise he makes is caught in your mouth, his fingers fumbling for the button on your jeans. you have to pull away after his failed attempt, giggling as you brush his hair back, “it’s okay to take it a little bit slow huening we have all night,” you remind him, “I don’t want you cumming in your jeans when it could be in or on me,” he's looking up at you with total devotion, with an expression that lets you know he'd let you do anything if you asked. 

“Please?” and it doesn't even matter what he's begging for, you would let him do just about anything in return for looking at you like that. 

You're quick to rid yourself of your pants, falling back to the bed and letting him roll on top of you. Hands in his hair as he presses into you, one hand holding himself up while the other snakes down between you two. The soft gasp you let out eggs him on, drawing soft circles over your clothed clit like he knows exactly what to do. You twist your fingers into his hair, his lips tracing down your neck, hips back to grinding into your thigh. At first you don't notice the smell of popcorn. It's faint upstairs, wafting in through the vents, buttery and warm as kai slips his fingers into you. Your hips rolling on his hand, meeting every thrust, heel of his palm pressed to your clit. 

It isn't until the popcorn starts to burn that you say something, the tang in the air subtle as kai sucks hickeys on your sensitive skin. “Is something on fire?” 

Kai pulls away from the crook of your neck, “what the fuck?” breathing deeply to catch the scent. It's clear in the air now, hanging around like a question. “Stay here,” 

it's so unceremonious when he pulls his hand from your panties, fingers dropping onto his tongue to clear them, “i'll be right back, okay?” 

“O-okay,” you're confused more than anything, knees pulling in feeling overly exposed all of a sudden. It's silent in the house, the soundtrack of your kissing dimmed to nothing, before it's replaced with the creaking of his dissipating steps down the stairs. 

You feel a little foolish sitting in his bed, the crumpled sheets and discarded plushie a reminder that this is not normal for a hook up at all. Letting out a long breath you push out of the bed, all relaxation felt before now gone as you reach for the wine bottle on the dresser. You take a heavy swig from the bottle, needing your courage back. It felt silly to worry over burnt popcorn. 

Your stomach turns, sickening realization settling in. the two of you had only picked up the wine, neither of you even put the jiffy pop close to the stove's burners. You're quick to look for your phone, checking in the pile of your clothes on the floor, and finding nothing. Your bag was by the door downstairs, right next to the shoes, if your phone wasnt up here it was bound to be in your bag. 

You didn't say anything as you made it to the top of the stairs, not until the phone rang. Not the familiar song that came through your speakers but the deft echo of a warning siren. The kind of ringtone that was played in a movie when someone was receiving bad news, and it didn't stop, traveling up the stairs, playing once, twice, until nothing but silence. 

“Huening?” your voice wasn't as strong as you wished, faulting at the end as you took your first step down the stairs. 

No response. 

The last step creaks under your weight, the sound triggering the phone, that chilling ringtone back in the air. All the lights are on, nothing outside the windows visible as you watch your reflection walk past. You look right at the front door as you walk past, all of your things still in place, even Kai's shoes are still right where he left them. 

In the kitchen you find the ringing phone, the little screen bright green as it shows the incoming call. The skins faucet turned on, the pelting water beating down on the thin aluminum foil of the jiffy pop, hastily tossed into the basin. Thin rivulets of smoke still curling from the singed popcorn. The stove's gas burner still lit with a blue flame. 

The ringing continues as you turn everything off, feeling suddenly too cold and alone standing under the golden lights. It doesn't help that you're only dressed in your panties and tanktop, bare feet padding across the tile to pick you the phone. 

Unknown caller. Read the directory, not even the number shown underneath. You hit answer before you could think better of it. 

“Hello?” your pulse was in your ears, washing down your neck, but you're stunned to recognize the voice over the phone. 

“What's your favorite scary movie?” 

You can't help but laugh, the sound bubbling up before you respond, “kai, are you using the ghostface voice on me right now? You already had your hand down my pants no need for the theatrics,” 

You can't even pick up a trace of his real voice over the filter, the soft chuckle on the other line trickling down your spine. “You didn't answer my question, you have to have a favorite, what comes to mind?”

“So we’re quoting the movie now?” you ask, looking around the kitchen, leaning back against the countertop. “Should i go all in and start asking to make it to the sequel?” 

He chuckles, so soft and sensual, unlike his usual boisterous laugh. “Maybe…but a little birdie told me that you're not a virgin and you know what happens to those who sleep around right?” 

“Enlighten me,” you cross your arms smiling at your reflection in the window. It's a bit silly to be here roleplaying in the first place but it's not like you're against it. What gets you is that it's coming from kai of all people. So soft and sweet, giggling and shyly walking you home. But you truly never know what a persons into until you're faced first with it. 

“They don't last very long,” so smug as he says it. 

“They don't?” 

“Nope, and you have a list of things that you've already done wrong. I don't know if you truly deserve to make it to the sequel,” 

“Oh? What did I do wrong?” you smile, checking out your nails, thumb running along the bed of your cuticles as you listen. 

“Humm, let me see. First you're all alone in that big old house, did anyone ever tell you never to go into the dark and scary woods all alone?” 

“I'm not alone, i have you,” 

He ignores the last half of your statement, “Aren't you? hum, funny how i don't see the boytoy around anymore,” 

“I can't believe you planned all of this, who knew you would be so freaky? I can't say that it doesn't turn me on though,” 

“Oh? How cute that you still think I'm your little boyfriend. I mean didn't you see the signs? The door was unlocked in the back, popcorn on the stove when you didn't put it there, and now a missing boy toy. It's a shame you seem to have forgotten everything you've learned in class, or maybe it was the wine,” 

“A few sips won't make me stupid, seriously huening come out, i want to get back into your bed,” you push off the counter, walking back toward the living room until you're stopped dead in your tracks. The sound isn't coming from the phone but just up ahead around the corner.

Your laugh echoes in the empty house, followed by your own words, “it’s okay to take it a little bit slow huening, we have all night, I don’t want you cumming in your jeans when it could be in or on me,” 

You follow each line into the living room, the tv on and showing a video of only minutes ago. 

“Please?” kais weavering voice seems so loud here instead of between you two. 

You can see yourself push down your pants, watch the way the two of you fall right back into each other. Only now you're seeing it from the perspective of the closet, it's the only place you could think of that he would have placed the camera. The slats of the wood even in frame. It's like someone dropped a bucket of ice water on top of you. Standing in front of the tv as if you're Carrie from the prom and someones set up a cruel joke. 

“Cute huh?” the voice over the phone asks, that little laugh following right after, “i sure think it is. Look at the way your body reacts to his fingers, you’ll be that pretty for me won't you?” 

You feel the hair on the back of your neck rise, the house too big for this kind of game. Even just standing there now alone it felt like you were a fish in a bowl, stuck to be watched from all sides. And not from the video but from the figure standing right on the outside of the window. 

He was dressed in all black, nothing like what kai had been wearing before. And covering his face the dripping white mask of ghostface. You only catch a glimpse because the lights are on but it's enough to remind you that maybe this isn't a joke. “Are you outside?” 

“I don't know? Am i?” but as he says it you see down the hallway a dark figure step out of a doorway. 

Everything in you freezes, your heart rate plummeting, a cold sweat breaking out across your skin. You hadn't even noticed your fingers had been trembling before, not until your deathgrip on the phone starts to hurt. “Don't hang up on me,” he warns over the line, but the person down the hall doesnt even have a phone in sight, his slow prowl reminding you to move. 

You take off back towards the kitchen, the back door playing in your head as the best possible exit but as soon as you're in front of it, tugging on a door knob needs to be unlocked you see the haze reflection of two more figures waiting right against the glass. You can hear the laugh of the person on the phone even if it's not to your ear as you rush to pull open any drawer that might have something in it to protect you. But every pull leads you to find nothing at all, “what the fuck!” 

The door shakes as they try to pull it open, the glass rattling as you lift the phone back to your ear, “okay huening, that's enough, i get it, ha ha, funny, but seriously-” 

“Were you looking for a knife?” he cuts you off, voice so calm when you're falling apart. 

“What?” you're exasperated, huffing the question like it's a slap in the face. 

“I know where one is, if you want it,” 

It's then that the masked man from the hall comes into the kitchen, the steel knife in his hands glinting in the light. “You have to be fucking kidding me right now,” youre desprate to find an explanation for this. The island is between the two of you, his head tilting to the side, the open mouth of the mask mocking you as he takes slow steps around the marble. You're matching his every move, both of you circling the kitchen like two fighters waiting for the ding of a bell. 

The door rattles again, the sound making you yelp, hand pressed to your racing heart. It's the distraction you need to bolt right through the kitchens arch way and run to the front door. 

You're moving so fast you have little time to slow down, partially slamming into the door, fingers fast to twist the locks. 

As soon as it's opened you're standing face to face with another ghostface mask, his black clad outfit sticking to his figure as he towers over you, phone hovering right over the mask's gaping mouth. “Hum not out the front door i guess,” 

You try to slam the door shut but his boot clad foot moves fast catching it right before it could close completely. Spinning you run towards the stairs, the sound of their following footsteps close behind. The door to the bedroom is still wide open as you barrel through turning around and throwing the door closed and twisting the lock. 

But it's only a moment of relief when you feel a hand clasp around your mouth. Your scream is muffled from their fingers, your eyes closing as if that would fix the situation, the phone in your hand falling to the floor, “Shhh it's okay,” Kai whispers, a strong arm wrapping around your middle pulling you closer to him. 

The weight is lifted off your shoulders hearing his voice, hands wrapping around the one covering your mouth to tug it away. “What is going on?” you ask, pulling yourself away from him. your back is to the door and he steps closer backing you right up against it. 

“Didn't you say you found it kinda hot, the whole fear thing?” he asks, leaning close enough to kiss, “i wanted to make it extra special for you, and you don't mind if we all share you, right?” his knuckle lifts your chin up so you’re eye to eye, nose to nose, his normal shy smile turned devilish. “All you have to do is say no,” 

It was crazy to say yes. your heart still pounding, breathing only just starting to regulate, and yet you want him, you want them. “I-I don’t- I don’t want to say no,” 

“Then don’t,” he pushed his whole body against yours, engulfing you in his warmth, taking you for another kiss like you hadn’t left the room at all. You don't even notice him unlocking the door, not until the knob is shaking against your back. 

Kai pulls you towards the bed, the closet doors behind him open showing the empty space with a lone camera on a tripod. The red light looking back at you like a warning, you looked right down the barrel of the lens wondering if you would ever see this again, and praying that you did. Kai fit his fingers over you eyes, “don't look at it, don’t think about its there,” 

You hear a chuckle, so similar to the one over the phone, only without the filter. Now so easily recognizable as yeonjun, you can picture the way his mouth looks as he does it, his canines on display as he smirks. You don't even have to see him to know, you've known all of them so long you're sure one touch and you could guess who was who. And with both of kais hands on your eyes the brush of someone's fingers on your cheek lets you know exactly who it is. Soobins hands are the softest of the bunch and your face tilts in his direction. “Soobin?”

he lets out a huff of a laugh, “you caught me. And you know it's kind of rude not to open the back door when we come knocking,” 

“You scared me,” it's a soft confession that they all chuckle at. 

“Did we?” beomgyu teases, so much closer than you expected, the ghost of his touch going up your arm, goosebumps popping up along the trail. 

Your senses are on overdrive, pulse loud enough to be heard if one listens close enough, every little thing heightened by your fading fear and covered eyes. You feel a hand slip down your stomach stopping right before your panty line, a single finger sliding under the waistline to pull it and let it snap back against your skin. You jolt from the contact, body flush with kai’s, his hard cock pressed to your back. 

You hear rustling from the closet, and kai lets you go, letting you see yeonjun taking the camera in hand. He's adjusting the viewfinder, the others standing in a circle around you, it should be intimidating, the masks off now, looking at you like you're something to eat. It's taehyun that steps forward first, thumb reaching out to drag across your bottom lip. You open your mouth letting him press the digit flat against your tongue. 

“You’ll be good for us, won't you?” he asks, and you close your mouth sucking his finger as you nod. He smirks, “i want first,” 

It's all he says before he's pushing you down on the bed. It's so quick the air is almost knocked right out of you, your hands scrambling to find purchase on the beds duvet cover. It's almost a shame how wet you already are, the way your panties are cut away, the cold knife in taehyuns free hand only just brushing your skin. The fabric tossed around from person to person. “I did most of the work,” kai adds as you bury your face into the sheets, “she wouldn't be this prepped if i didn't start early,” 

“And that's why you have to wait,” “You didn't even get her off,” they talk over each other.  

“You guys didn't give me time!” kai tries but they ignore him when you give a sharp whine. 

Taehyun shoves his fingers right into you, your body so willing to take him in. but you hear his belt being undone with one hand, and it's a shame you cant see the way his cock looks from this angle, because as he pressed the tip right at your entrance, slick fingers helping to lude up his veiny shaft, you can tell he's going to be the perfect stretch. 

Your moan as he sinks into your warm heat is echoed by the rest of them, a choir of the perfect voices turned husky and wanting. “Holy shit,” teahyun breathes his hand pressed right to your lower back, your feet dangling right off the edge of the bed, toes only just barely touching the ground. 

“Doesn't she feel amazing?” kai asks, “fuck i bet she fits like a fucking dream,” gyu adds as he walks over to the other side of the bed climbing in to lay against the headboard. His zipper was already undone, pants low on his hips as he watched you get pounded into. 

Because tae was not holding back anymore, it felt like he had been waiting all night for this exact moment, to chase his high without question. And your pussy was so welcoming, sucking him in, practically begging for his cum. 

Yeonjun walked around the bed, zeroing the camera in on you as your legs bend, heel of your feet pushing on taes thighs. Taehyun wraps his hands in your hair, tugging your head back, extending your throat to the camera, arching your back just right, “i want to be able to watch back how you looked while i fucked you okay?” 

“Oh, look at that, huening marked up our toy already,” soobin reaches out a finger, tracing over the hickey kai had left on your skin, your eyes were wide and begging as you watched him, mouth caught open in a moan as taes thrusts turned sloppy. “Fuck, look at that mouth,” 

yeonjun bent down to catch the image. “I think someone needs to fill it,” 

Soobin didn't need to be told twice. He was tugging his cock out of his jeans, leaking precum already dotting the tip as he gave it long languid strokes. Your mouth was already watering at the sight, knowing taking him down your throat would be a task but one you wouldn't back away from. 

But taehyun was already cumming, orgasm cresting as he slammed his hips into your ass, cock twitching as he let out a deep rumbling moan. He let go of your hair, head falling forward into the duvet as he stilled inside you pressing as close as he could get, the tip of his cock hitting you just right as he spilled inside you. 

“I want next!” gyu calls out, raising his hand like he knows the answer to a question. 

“No-” soobin starts but beomgyu is already moving from his stop on the bed as taehyun pulls out, the gush of warmth leaving your cunt dripping down your thighs. Yeonjun is quick to catch the sight on film. 

“Look at that,” it sounds so endearing coming from him, a true sight to behold as you whine from the feeling of being empty. You feel like a ragdoll as soobin pulls on you, tugging you further up the bed so that you're on your hands and knees in front of him. 

“Open,” his tip is already prodding at your lips. You feel the bed dip behind you, gyu finding his place as he drags his fingers through the leaking cum traveling down your legs, he does his best to shove it right back into you, fingers dragging over your clit, circling it as soobin shoves his cock right into your mouth. 

You give a muffled yelp, tongue flattening to make it easier for him to slide in and out of. His head is rolling back, hair spilling around his ears as he moans. He twists his fingers in your hair, both hands wrapping around your head to bob you up and down on his dick like his own personal toy. You're nails dig into the sheets, the sloppy sounds of him fucking your throat taking up the most sound. 

Beomgyu keeps one hand on your clit and the other guides his cock into you, he's quick to snap his hips forward sending you forward on soobin, until you're choking for air. Moans sending vibrations up along soobins shaft. His eyes tighten, needing to pull away before he cums too quickly, face flushed red as rivulets of your saliva still connect you to him. 

The constant pressure put on your clit from beomgyus fingers has your stomach tightening in knots. Now that you're not taking soobin in beomgyu picks up his pace, the skin on skin slapping sounds melding with your whines. “I want you to cum for me, i want to be the first one to make you cum, please,” he sounds so desperate, not matching the way he drills into you, tip hitting your cervix in a mix of painful pleasure. He can feel your fluttering walls, every particularly hard thrust making your cunt react just right. And when you cum hes a blubbering mess, “fuck fuck fuck-” not expecting to cum so fast, but youre drawing it out of him, with each little sound you make. He's almost embarrassed by how long he cums for, head falling forward to rest on your shoulder blade, his dick pulsing inside you, curses turning to nonsense, the drawn out, “fuuu- ahh, ah,”  

“Look at how pretty she looks when she cums,” yeonjun smiles, bringing the camera close to catch the way you are trying to blink the spots from your vision, “soobin next? Or maybe kai? Both of them seem to have waited so long for you,” 

Kai leans back against the dresser, arms crossed as he watches you, expressionless as he follows the shape of your body. Only one of your tank tops straps are on, your breasts already spilling out from the thin fabric, soobins eyes caught on your peaked nipples as he strokes himself. But you look back over to huening, the way he's standing there like he's unaffected at all. But you know it's not true, not when he's straining in his pants, the bulge itself drives you insane. “Hyuka?” 

The shyness in your voice is what does it for him, beomgyu only just pulling out of you with a hiss. More cum dribbling out as he pushes his hair back looking at his handiwork. Yeonjun is right next to him too, getting the perfect shot. 

Taehyun languidly lounges back against the headboard, cock still hard as it rests against his stomach, hand wrapped around the base as he watches you. It distracts you enough not to see kai moving replacing gyus spot. 

Kai wraps his hand in your hair but unlike taehyun he forcefully pushes your head down into the mattress. The whole mit of his hand cups your skull, your whimper making him chuckle. His free hands traced up your side, slipping under your tank top as he feels along your skin. “You know I was thinking about this the whole walk back after our study night?” his hand dips down fingers sliding along your wetness, “i kept thinking about how perfect it would be to absolutely ruin you,” 

You're already sensitive from finishing already and kai can tell as your thighs tremble but it wont stop him from pinching your clit. Your hips push back against him, yelping as he goes on to rub circles over the bundle of nerves. “Seeing it happen- watching you get used as a little cum dump is so much better than I ever imagined,” he works your clit, building up his speed until your back is arching, nails biting into your palm as you feel your orgasm building too quickly. You're trying to rock back into his hand but the way he has you bent helps very little. Your cries heighten until he pulls it all away. 

“No huening please!” 

“Aww how cute, she's begging,” beomgyu laughs and you're whimpering in response. 

“Kai…please!” 

“You're already doing so well because i want you begging to be filled with my cum, crying from how badly you want it,” his hand goes back to your cunt, pressing into your clit rubbing at a pace that has you seeing stars, your hands scratch out for looking for anything to hold onto. Yeonjun takes your hand in his keeping the camera facing your reaction as your eyes roll back. Its in the middle of your climax that kai pushes his cock into you, finding a punishing rhythm as he fucks you into the matterss. 

“Beg for it,” he growls, hand in your hair twisting in the strands. You can feel him all the way to your throat, stretched out so good, he presses right into your gspot like he was made for you. 

“P-please- hyuka i need it- i-” you cant even get the words out anymore, the squeaking of the bed building as he increases his speed. You can hear the wet sounds of the other boys jerking off, “i want your c-cum, i need it,” 

“Louder,” yeonjun mutters in front of you, your death grip on his hand not loosening anytime soon. 

“I want it! I need your cum, please!” But Huenings is so lost chasing his own high that he drops his hand from your clit to grab your hip, his bruising hold and brutal thrusts making you cry out. 

Beomgyu reaches down under you, fingers finding just the right rhythm to send you over the edge at the same time kai cums. His faltering thrusts and throaty moans makes you feel weak. Your cunt is strangling his cock, his release pushed as deep as he could get it into you. When he pulls out you collapse onto the bed, completely used up. 

It feels never ending body too tired already when you feel soobin climb into the bed. He lays right behind your exhausted form, both of you on your sides facing yeonjun, “look who's next, do you think you could get another one out of her? I hear you're only a freak in theory and not practice,” 

But soobin doesn't take the bait, one hand sliding under you and wrapping around your chest, hand coming up to cup your breast, fingers twisting your hard nipple, and the other lifting your leg to get better access to your leaking cunt. Your thighs are so sticky soobins fingers slip on his hold, having to tighten his grip to make sure he can keep you open. He's been ready since the start, his cock aching as it prods your now puffy swollen cunt, so used you're sure you would be sore for days. 

When he sinks in your whimpers are so soft they are hardly heard. Yeonjun is kneeling on the floor, arm holding the camera resting on the bed. He captures the way soobins dick slides in with ease, no resistance now with how much slick is coming out of you. Every drag of soobins cock comes away stained in white. A ring of the combined cum circling the base, balls sticking to your skin with every thrust. 

His breathy moans are lost against your neck, pitiful little sounds before he's muttering, “im sorry, oh god- im-” 

“Don't you dare cum yet,” yeonjun warns soobin, who pauses his thrusts trying to listen but can't find it in him to restrain. Yeonjuns fingers pinch at your clit, your whole body reacting to the feeling, jolting you back to life as you cum. soobin unable to handle the pressure and is a complete mess, whimpering as he pulls you closer, hugging you as if he could merge bodies. 

It took him a while to finally pull out, a much needed break for only a few breaths before yeonjun passes the camera to taehyun to keep the filming going. You can feel the weakness all the way down to your bones, sure if you stand you could collapse to the floor, legs too weak to hold you up. But yeonjun is looking at you like you're being served on a silver platter, all done up with all the best fixings. 

“Best for last huh?” he grins climbing over you brushing under your eye to catch a single tear that's fallen from your overstimulation. “Its so fun to see you so dumb on cock, so unlike how we usually see you,” 

You hum in response as he pushes your legs open, hands at the back of your knees pushing them to your chest. When he puts them over his shoulders you whimper, reaching out to wrap your arms around his neck as he sinks into your wet heat. Bent in half you feel your toes curling, sure that if you came one more time you would be better off sleeping for the next year. “I think this is good practice, don't you?” he asks like you'll respond to him with anything other than a string of muffled whimpers. Your body is coated in a thin layer of sweat, sticking to his skin as he takes a slow pace. It's like he's apologizing, lips peppering across your cheek, down your neck. “We’ll keep you so happy, stuffed full like you deserve. Would you like that?” 

You're nodding, eyes closing as he uses you. You don't even notice the way your body is reacting, that slow rise of your next orgasm building up, “i-” you can’t think about cumming again already feeling so dumbed out. 

“Hum? Are you going to cum, pretty?” he picks up his pace, sinking his hips and hitting you right against your g spot. Your head rolls back as it washes over you, body tightening until you feel like you’ve combusted into little particles. “Oh look at that, so perfect for me, your pussy feels so good when it's squeezing me like this,” it's all he says before he’s trembling, a guttural moan taking over as he cums, you swear you can feel its warmth spreading throughout you. And when he pulls out he takes the camera back from taehyun focusing it in on the sight of all the combined release staining your folds. 

“Look at how she pushes it out,” beomgyu says, mesmerized by the way you look leaking so much cum. But it's Kai who leans down, fingers collecting anything he can before shoving all the cream right back into you. “Its almost like she wants us to fuck it right back in,” 

🏷taglist: @kissmekissykissme @bts-txt-ateez @apeachty @stwq2349 @isa942572 @tomorrowxforever r @beestvng @soobingf-blog @lovinjjong @lola-horore-553 @cypher-03 @midnight-mochii i @hueningwhy @choibeomning @soobinbunnie5 @yunjinswifee @cupidtaehyun @bamgeutsz @prince-jjae @nessaassen02 @iluvhyukaa @mrsjohnnysuh @wand3rlustm3

thank you so much to @beomiracles @prince-jjae and @thetxtdevil for beta/proofreading the first part of this fic!

[lizardsfromspace]

I do have to impress on anyone who wasn't around for it how batshit the reality boom of the 2000s could be. Especially on Fox.

Here are some 100% real 2000s reality shows:

Who's Your Daddy? A woman has to guess which of eight men is her biological father. One of them really is, and if she guesses right she wins $100,000. If one of the seven fake dads convinces her to guess them, he wins $100,000.

Black. White. A white family learns about racism by living a month in blackface, while a black family spends a month in whiteface. The black family was a real family, but the white family was just some actors hired to put on blackface to prove racism exists

Without Prejudice? Five strangers decide which of five strangers gets a cash prize based off clips and their answers to political questions. Cancelled when one of the choosers openly said he'd eliminate all black contestants

Welcome to the Neighborhood. Three conservative white families in a Austin subdivision decide which diverse family gets to move in. Unaired due to being literal housing discrimination

Seriously, Dude, I'm Gay. Two straight men try to pass themselves off as gay and whoever seems more gay gets $50,000. Unaired due to. Due to. Due to

Playing It Straight. A woman tries to find love among fourteen men, half of whom are straight and half of whom are gay, and she must eliminate two men she believes are gay each week. If she ended up picking a straight man in the end, they'd split a million dollars; if she picked a gay man, he'd win a million dollars

Boy Meets Boy. This was Playing It Straight but starring a gay man and he had to eliminate straight people

Who Wants to Marry a Multimillionaire? He wasn't a multimillionaire. He didn't even have a million dollars in liquid assets. He had a battery conviction Fox claims they didn't see. Because it was the 2000s, somehow this ended up with the woman he won being widely vilified and turned into a national punchline. How dare she complain about a massive corporation tricking her into marrying a lying abuser, good thing Matt Lauer's there to take her down a peg

The Swan. A "ugly" woman is given plastic surgery and wins a prize if she's the hottest at the end of the season. If she's not hot enough by the show's standards she's eliminated and called ugly on national TV

The Biggest Loser. Overweight people engage in competitive crash weight loss that often led to awful health complications. Studies showed basically everyone on the show regained any weight they lost once it was over and they didn't have abusive trainers demanding they take huge health risks to win a competitive weight loss competition. Like the others, this one was cancel-oh, it was a massive hit that ran for 18 seasons? Yikes!

Wife Swap and Trading Spouses. These were the same show and had a wife from one family go to another family that was different politically, racially, culturally, religiously etc. Most famous for the God Warrior

At the time people focused on the likes of Fear Factor but looking back it's wild how many of the worst shows toyed with politics. So many of these shows have a premise that's like "what if we exposed these conservatives to these people they hate?" or hyping themselves up as Important Experiments. Then they'd freak out when they got the kind of viral bigoted freakout they were trying to construct the whole time.

There were also a bunch of horrible reality shows, thankfully this time mostly unpopular, in the 2010s that based themselves around economic themes as a response to the market crash, but that's a story for another time

[shiftthemoon]

reality shifting isn’t hard. you’ve been told it’s hard because everyone’s too scared to admit it’s not. they cling to their 800-step methods, their must-have crystals, their perfect conditions because they think that if they let go of that control, they’ll fail. but here’s the thing: the more you try to control the process, the more you convince yourself it’s out of your control. and that’s the problem. that’s why so many people feel stuck. shifting isn’t some big, far-fetched thing. it’s just you. it’s always been you.

we’re conditioned to think we’re powerless. think about it—school, work, society, all of it drills this idea into us that everything has to be proven, earned, validated. so, when you hear about shifting, your brain freaks out and says, wait, wait, this is too easy, this can’t be real. and then you spiral. you overcomplicate it. you make yourself think you need the “perfect” script, the “right” subliminal, or that you have to meditate for three hours while the stars align perfectly. like, no… you don’t. all of that? it’s fluff. it’s noise.

at its core, shifting is belief. just belief. no, really, let that sink in. you don’t need to “do” belief perfectly. it’s not something you master through sheer willpower. it’s something you already have. you’ve believed in things your whole life. you believed in gravity without needing proof. you believe your favorite songs are beautiful without needing to explain why. belief is natural. it’s effortless when you stop overthinking it. that’s the energy you need to bring to shifting—trust. trust that your mind knows what it’s doing, and that if you let it, it will take you there. every single extra thing you pile on? the overthinking, the doubt, the need for guarantees? that’s what’s slowing you down. not the “lack of progress,” not some mythical “block”—it’s you convincing yourself it’s harder than it is.

and let’s talk about social media for a second. oh my god, the shifting community on social media… i get it. it’s comforting to see other people on this journey. but let’s be honest—how much of that content is actually helping you? like, really? 90% of the time, scrolling through shifting advice isn’t inspiring; it’s overwhelming. everyone’s got their own opinions, their own “best methods,” their own rules. one person says scripting is a must, another says it’s a waste of time. one person swears by affirmations, another says visualization is the only way. and before you know it, you’re sitting there questioning everything you thought you knew, wondering if you’ll ever get it “right.” spoiler alert: you already know how to shift. you don’t need a thousand voices telling you what to do. in fact, the more you listen to them, the harder it becomes to hear yourself.

take a break. seriously. log off the apps. give yourself space to breathe and think. ask yourself: why do i want to shift? what’s stopping me? what feels right to me? no tiktok trend, youtube guide, or reddit post can answer those questions for you. only you can. and i know that sounds scary. we’ve been conditioned to think we need external validation for everything, but shifting is a deeply personal thing. you don’t need a step-by-step tutorial. you need to trust your instincts. that’s it.

and let me be clear: i’m not saying methods or subliminals are bad. they’re fine if they help you feel aligned. but they’re not what makes shifting happen. you are. methods are just tools. if you use them, great. if you don’t, that’s great too. because the truth is, shifting isn’t about doing things “right.” it’s about letting go of the idea that you need to.

so let me break it down for you. the only things you really need to shift are:

1. a desire. you have to want to go to your desired reality. no brainer, right?

2. belief. this is the big one. you have to trust it’s possible. no “what ifs,” no “but hows.” just trust.

3. persistence. if it doesn’t happen right away, that’s okay. don’t give up. if you’ve ever learned to ride a bike, you know that falling doesn’t mean you can’t do it—it just means you’re learning. shifting is the same.

that’s it. no fancy rituals, no endless research, no “perfect” conditions. the process is simple because it’s natural. you’ve probably done it before without even realizing it— the only reason it feels hard now is because you’ve convinced yourself it has to be.

stop making it harder than it needs to be. shifting isn’t this unattainable, mystical thing reserved for “chosen ones.” it’s something anyone can do. you can do it. your mom can do it. that anti-shifter lurking in every crevice of shiftblr could do it. you’ve always been capable. but you have to stop getting in your own way. stop doubting yourself. stop relying on others to tell you what’s possible. this is your journey. own it.

and above all, be patient. shifting is not a race. it’s not about how fast you can get there or how perfect your dr is. it’s about trust, intention, and focus. log off, tune into yourself, and let it happen. shifting has always been yours to claim. it’s not something you need permission for. it’s not something you need to earn. it’s just you, your mind, and your belief. always has been, always will be.

[mygnolia]

to weave my love ⭒ n. riki

⭒ SYNOPSIS -› Riki is good at many things- dancing, making fun of his friends, playing it cool (debatable.), Hell- he’s even good at saving people from falling buildings without getting whiplash. But the things he’s bad at? Well, it’s asking you out to prom, and trying to balance the shared assignment he has with you…while being Spider-man.

⭒ PAIR -› spiderman!nishimura riki x fem-pres!reader

⭒ GENRE -› fluff, banter, action ⭒ TROPES -› classmates to lovers, idiots to lovers ⭒ WC -› 17k (i’m sorry idk why either.)

⭒ INCLUDES -› SPOILERS FOR GREAT GATSBY, cursing, non-graphic injuries (reader discretion advised), yes i made the patching up with first aid kit trope SUE ME!! takes place in a busy city similar to new york never specified, reader is rich, jake and heeseung are seniors and riki’s a junior, is riki stupid? yes… jake reveals stuff because he is also a little silly, reader wears a red dress!

⭒ GREAT GATSBY -› basically jay gatsby has this weird amt of money but no one rlly knows how he got it (nefarious reasons) and hes been in love with this girl daisy for five years but then she got married to tom buchanan but he gets rich so he can get the house across from her and wistfully watch her and he pines after her like CRAZY but he dies at the end

⭒ REN SAYS...special huge fat kiss to thena @sensitively-taken you will be in the will when im a millionaire THANK YOU for helping me with so much of this I WUV U AND I WLL BE WAITING FOR UR HUENING FIC!!! | LIBRARY

NISHIMURA RIKI MIGHT DIE FROM PRE-ADULTHOOD STRESS, IF THAT’S EVEN A THING.

What exactly does Riki have to worry about as a seventeen-year-old junior in high school? Right now, his most daunting responsibility is catching up on the chapters of The Great Gatsby because the only thing Riki’s actually read from the novel is that the main character shares a name with his best friend and senior, Park Jay. His second most daunting responsibility is handling the fact that with the new seating chart in his Literature class, it means he’s sitting next to the object of his very subtle affections, you. 

See, the problem with having a crush on you is that Nishimura Riki’s committed to thinking that you’re way out of his league, and unfortunately, the boy believes that almost too well. Not only are you minted beyond his wildest dreams (having seen your posts on social media), but you’re hardworking, helpful, and dedicated to your role as student body treasurer. He’s already understood that you’d never go for a guy like him. Maybe someone more like Park Sunghoon, whose parents’ salary matches yours. If Riki lived in a rural estate with generational wealth, handling the whole ‘Spider-Man’ thing might be a bit easier for him, considering he wouldn’t have to try so hard in school. It might even change the fact that Riki dealt with some alleyway criminals last night and is currently catching up on lost sleep, as your English Literature teacher goes on and on about a project on the book you’re reading. 

In class, and even sometimes outside of the classroom, your small tendency to not pay attention to your surroundings has landed you in some awkward situations—like now. 

“I don’t really tell anyone this, but I hate Daisy.” And instead of getting a response, you glance over to see Nishimura Riki slumped on the desk. Without trying to make preconceptions about what could land him in a situation like this, you poke his arm, stifling a smile at how his eyes widen when you’ve caught him rubbing the very obvious sleep from his eye. 

“Sorry,” he whispers, still fighting the post-nap grogginess, “Did I miss anything?” 

(Nope.)

Shaking your head, you return your attention to your teacher as he continues to answer questions. The second Mr. Yoo assigned a report, you wanted to die even more considering the work you had to do on top of the impending due dates. But for it to be partnered? And for you to get seated and paired with the one boy who's known for not caring about school? Maybe things are a little stacked against you, but there has to be a reason why Riki’s somehow still passing all his classes…right?

Considering it’s the last assignment about the book, you’re glad that you already read it so many times to know what you want to put into words. And in retrospect, answering a few open-ended questions about it can’t be that hard—the hardest part would be getting your partner to stay awake in class. 

A small tap at your side makes you turn to face Riki, who you see has frantically written a page full of notes about the project in the past three minutes and how he can succeed. “Can you go over the first part? Sorry…I was…y’know.” 

“It’s a partner project. And we’re partners.” You wince at the awkward wording. 

Great! Riki was caught sleeping and that was your first impression of him for your paired assignment? Riki feels so stupid in front of you right now—in front of your meticulous notes with annotations and proper highlighting. He wants to curl up into a ball when he sees you glance over at his haphazard attempt to look like he was paying attention when, in truth, he was trying to remember the dream he had just ten minutes prior. When you offer him a small smile and nod, leaning over with your notebook in hand, he sighs in relief, thanking whoever it was that let him get away with his naps without the consequence of irritating you afterwards. 

The bell rings when Mr. Yoo stops talking, and you pause, startled by the sound. Instead of leaving, however, you pack your bag and shuffle to his side of his desk, continuing to parrot details about your report in hopes that it all makes sense. You need to make sure he knows what he’s doing. 

“I think one of the questions he mentioned was like ‘Is Gatsby a good person?’ and do you remember how in Chapter Eight…” The rest gets zoned out and forgotten in the boy’s head, because he in fact does not know what happened in Chapter Eight. He doesn’t know what happened…in any part of the book. But he agrees anyway, pretending like he understands what scene you’re trying to explain. What he notices is how thorough and dedicated you are towards ensuring he comprehends what you’re explaining, and although it could be because you don’t want him to fail you both, he chooses to believe you’re doing it because you tolerate him. 

You’re so engrossed in covering all the little details and telling him random tidbits regarding the book that you don’t realize your feet have made it all the way to the cafeteria. “But here, let me get your number. I’ll totally explain more over text.” 

Riki is definitely not freaking out when he silently grabs his phone and hands it to you with the contact page, staring a little longer than necessary at the cute smiley face you added to your name. “Thanks,” he mumbles, forcibly tearing his eyes away from the ten digits of your number, “For helping me with this, too.”

“Of course! The Great Gatsby is a fun read for me. A little hard to read sometimes because of some of the characters, but still easy to understand.” And Nishimura RIki realizes that he has to do well. He’ll read the book five times over if it means gaining your approval. 

Jake notices something a little different about the tuft of black and blonde hair when his friend walks in. The first thing is that he’s actually here, and that you’re next to him, smiling. The boy rubs his eye to make sure he’s not dreaming somehow, but when he looks up again, you’re waving goodbye and joining your friends across the room. 

“Did you get hit with something while fighting a villain that makes you more bold? I feel like I just saw you and ____ talking,” Jake starts when Riki finally joins him with his lunch. 

Riki laughs, shoving Jake’s head out of embarrassment and opening his chips. “It’s just school. Got some project in English and she says we’re partnered.” He looks over at his friend chuckling, rolling his eyes at how Jake pokes at his side and wiggles his eyebrows. 

“I better hear you two are dating by next week.” 

“Who’s dating by next week?” Heeseung places his bag of food in front of them and takes a seat, opening the fast food he got last period and stuffing a fry in his mouth. 

“Riki and ____. Let me have one,” Jake answers, reaching inside the bag. 

Heeseung looks over at his junior curiously. “You asked her out?” And the two older students hear a groan from the boy in question. 

“Me and ____ aren’t anything, for your information.” He prods at the vegetables on his tray and takes a bite before a look of displeasure washes over his face. “You’re both way too excited for two guys who do not have girlfriends.” 

“Hey! You know the girl I’m always fighting with is the reason why I’m single. I have to focus on studying to do well in school to do better than her.” Heeseung’s whining falls on deaf ears as Riki smiles victoriously, seeing how defensive the former got. 

Jake offers him a shrug of defeat. “I got nothing.”

The three of them fall into normal conversation and Riki finally explains everything that happened during English.  “So you’re telling me your plan to ask ____ out went down from 18 months to 6?” And with a nod from the younger, they both groan once more. Heeseung exclaims, “We’re both going to graduate, dumbass. Make the plan go down to like…two months? Please?” 

Jake cuts in before Riki has a chance to respond. “Make it one and a half, so we can see you with a prom date before leaving forever.” 

“You act as if you’re going to die after graduation. It’s like you’re begging to be a super senior.” 

And they’re silenced immediately. 

“Do you think the guy I was with earlier hates me?” you ask on the other side of the room. Minjeong stares at you blankly, waiting for your explanation. “I don’t know if you saw when I walked in but I was talking to this really tall guy with blonde hair and black tips. He seemed really out of it, like he kept staring at me and nodding. I think I scared him off by talking about the book too much.” 

Sunghoon, who is also listening in, opens his neatly packed lunchbox and begins mixing his noodles. “I think you did scare him off, ____.”

“Not helping,” Minjeong interjects, “Just talk to him more and maybe he’ll warm up to you. You two sit together in class anyways, so hopefully he’ll talk more?” 

“I know him,” Sunghoon comments, “Well, sort of. I’m friends with Jake who’s friends with Riki, and it seems like all that boy does is sleep.” 

“Maybe he’s really good at subconscious in-class comprehension?” you try, taking a bite of your sandwich. “I just hope it doesn’t interfere too much with treasurer stuff.” 

NISHIMURA RIKI MIGHT DIE IF HE SWINGS INTO ANOTHER WALL AT 100MPH LIKE HOW HE ALMOST DID TONIGHT.

All he’s had on his mind since school ended till now is how he should probably text you, if he really discarded the slimy acid monster from last week properly, and when the prom theme is going to be released, but there’s something amiss that confuses his spidey-senses and makes Riki much more alert. 

He snaps out of whatever train of thought he had before, focusing on the situation at hand and looking around to follow his instinct. Riki cautiously plants himself on the side of a random apartment building to get a sense of what's going on. A tingle of some sort of in the air permeates the material of his suit and leaves him shivering from the cold. 

He doesn't like it one bit. 

Moving to the side of the building to the top, the boy finally catches a glimpse of something when he gets a decent view of the city and highway systems. Riki knows something’s wrong with the bridge the closer he gets. He zips from one side of the tall, metal tower to the other, crawling down on all fours making sure he isn’t caught. He feels the electric feeling once more, only amplified. It runs up his spine and he wants to slap it, almost like a frantic, summertime bug. The air around him is charged with something he has never recognized before. With a puzzled expression under his mask, Riki continues to investigate the surrounding area. 

Riki finds a lone figure with some sort of attachment to his left arm, like a long glove made out of metal. The bulkiness of it seems to have no impact on his body as the man fiddles with the contraption, and the boy watches with bated breath as the machine fizzes and spurts with electricity. It begins to glow as power concentrates on his plated palm and the superhero sees it for the first time. It’s like a fizz, like a match striking at fire only to produce a quick burst of friction, but it almost feels liquid when he watches the person play with the flickering blue ball of electricity. It dances in the dark in a hauntingly beautiful way, with bolts jutting out from the metal as it spurts and buzzes with a life-like manner. 

A spark. 

“Hey, what the hell do you think you’re doing?” The sound of Riki’s voice from the end of the bridge causes the stranger to look up with wide eyes. Although Riki fully expects it to simply enhance strength or block damage, the immediate strike of blue that flies straight towards him is anything but defensive. With a yelp, he jumps away, this time refusing to show himself. 

What the hell was that?

He knows he should go back down there to change things and get the person and the metal pieces away before it escalates, but when he goes back down to watch, it's ten times worse. The bright blue illuminates the scarred face of the villain as he’s picked up the metal arm–but this time, it’s no longer clunky and sparking, but fused into his arm. 

Riki’s face pales at the sudden change before his body acts on its own and he shoots out a web to stop the man. 

The villain is shocked by the intrusion, but quickly yanks free from the webbing and flicks another bolt of electricity, one that flies much faster now that the metal flows into the arm instead of simply resting on the skin. It’s unlike something Riki has ever seen, something that is so controlled in motion and yet so erratic in nature, and it instills a deathly fear when it grazes his arm he hisses in pain. The sharp feeling springs Riki into action as he jumps away. He’s lucky another bolt isn’t sent his way, seeing how the villain’s too busy marveling at the power of his new gadget.

“You know that fucking hurts, right?” He yells out, cupping his wound. “Maybe leave the gadgets to the kids!”

The man scoffs. “It better have hurt. I sacrificed half my body for this to work.”

“But why?” All Riki wants is answers. Some sort of explanation.

The man charges up yet another bolt, almost like a laser gun is built into the machine. “Less talking, more running, Spiderman.” 

That scared the shit out of him. 

The boy doesn’t have time to think as he jumps out from the dark tunnel to the bridge and up the metal towers—he hates having to fight with people right below. The villain follows in pursuit, almost crumbling the metal with his engineered arm as he hoists himself quickly. Riki continues to jump between the structure to avoid the flashes, trying to get out and apprehend the man as quickly as possible. When he reaches the top, however, he feels death is near as he glances down at the villain below who’s quickly gaining on him. He shoots out webs to slow him temporarily, letting himself fall and swing from the side of the tower to escape. 

What he doesn’t see on the way across the bridge is the flash that misses his cheek and hits his thigh instead. It burns, and mid-air, Riki gives the wound a quick assessment before he lands on the metal, immediately forcing his body to climb. While dealing with his wound, he fails to notice the villain swinging from the bridge support lines to meet him. 

He needs to end this fast before he becomes burnt toast.

Riki doesn’t often rely on instinct to carry him, but he can tell that the villain he’s facing isn’t just a criminal. 

“Land another hit, would you?” he tries to say, his voice strained from the pain in his arm and leg. It doesn’t do much to deter the man in front of him as the arm continues to destroy and bend the metal on the way up. “What are you going to do now, Sparky?”

The man says nothing, charging energy into his metal glove again before aiming and focusing on the target: him. 

Riki jumps off, not able to properly land his web in the right spot as he goes from one section of the bridge to the other. The man behind him looks enraged at the boy’s attempt to escape—so much so that he reaches out with his normal hand to try to grasp the suit when Spider-Man swings past him. Instead of the feeling of fabric, the villain feels sticky spider fluid on his fingers. Riki shoots out a web, one that curls around the villain’s wrist and drags him off the tower. Instead of being able to launch him into the surrounding waters, the man slips from the poorly shot-out webs and falls from mid air into the sea of frantic cars, including one semi truck that collides directly with his arm. In the air, the boy winces when he hears honks and shouts from the impact, hoping it’s the last time he’ll have to witness it.

With his gaze trained on the falling figure, the weakly attached web breaks, and Riki all of a sudden starts falling down as well. He curls up defensively before bracing for impact, curling into himself when he feels the metal dent and the truck driver scream from outside of the parked vehicle, the body of the villain right in front of it. 

Riki staggers, holding onto his arm and thigh the best he can before getting up. With wobbly steps and a small jump, he lands near the unconscious man, whose metal arm is cracked and fizzling—something that Riki knows is bound to leave more scars. 

“Call the police. I’ll get rid of the pieces.” Although Riki wants to figure out who the criminal is and make sure he’s properly apprehended, the gashes in the boy's limbs leave him winded and exhausted. With hot metal scraps bound together by webbing in his hands, Riki swings out and dumps it somewhere rural, trying his best to cover the pieces with the pounding headache that 

Riki revisits the secluded spot under the bridge, looking for clues to the man’s identity, and his expression falls when he notices a lanyard dangling near a trash can. 

His name, his position, and the company. FLiGHT Corp. The company name caught the boy’s eye, and he pockets the item before leaving. 

It seemed like he was a normal research scientist, but Riki’s recollection of the scars and tattered skin leaves him retracting his last thought. He heard something about the failure of a time travel machine at FLiGHT, and if the mass of the incident was anything to go by, he was in the center of it. 

No matter how many times Riki tries to get it out of his head, on the way home, all he can think about is the inexperience he displayed and the lack of response he gave Riki during the whole time. But Riki can’t bring himself to really take away someone’s life—and maybe for that, he’s a horrible superhero. 

He knows he should stop the man before it's too late, and especially with how many self-proclaimed villains there have been, it's not easy to see so many innocent people ruin their lives chasing a power that inevitably consumes them. He knows it’ll only get worse if he lets them run free.

And while the superhero has never been fully honest with himself, there are many times where Riki hates his role as Spider-Man, and wishes that he was just some teenage boy who didn't have the lives of others in his palm. He wishes he didn't have to sacrifice so much to stay behind a mask—and he wonders deep down if there’s anyone else who felt the same. 

His swings lead him across the city above hundreds of lives he has to protect, and he tries to find some semblance of peace. He thinks about how he has his homework due despite having just risked his life, he thinks about how your project is going—and about you. 

In the night under the stars, Nishimura Riki wishes for something just a bit normal. He wishes a good night for himself, but also for you, wherever you could be.

NISHIMURA RIKI MIGHT DIE FROM TRYING TO READ THIS BOOK IN ONE NIGHT.

The Great Gatsby is exactly like how you described it; a little hard to get through but fun with the plot’s eccentric characters. He’s pretty sure he could’ve just used a detailed SparkNotes explanation for the book, but having a crush can make someone do weird things. And in Nishimura Riki’s case, his infatuation has got him reading a novel about morally-skewed characters and rich society to impress you. 

When you come into class barely on time, Riki gives you a confused look when you sit down, but doesn’t comment on it any further. Instead, he takes out his book and tries to act like his eyes weren’t closing shut from exhaustion by the time Daisy was finally confessing how she loved Gatsby. 

The moment Mr. Yoo stops talking, however, Riki isn’t asleep—much to your surprise. He has his book out, pages filled with sticky notes and a whole section of his notebook dedicated to characters (written in bright red to keep him awake) and their traits. 

“I got it.” It’s the first thing he says when you two are left to do in-class work. It’s ominous, and maybe a little too enthusiastic in a high school literature class for a boy who doesn’t even care that much for school, but you’ll accept it with open arms if it means you get a helping hand on your project. 

“Continue,” you tell him slowly, leaning back in your chair to listen to him. And you don’t know why, but a small part of you thinks that the boy who sleeps every period the book was discussed wouldn’t have much to say or contribute to such an open-ended prompt, but life is full of surprises. 

What you fail to notice is how Riki is nervous and his stomach does at least twenty flips before he swallows dryly and starts rambling in hopes to impress you and redeem himself from his embarrassing slumber a few days ago. 

“So you know how our prompt is based on one character and basically all their actions?” he asks, and you nod, absentmindedly thumbing a sheet in your journal. “I’m thinking we should talk about Jay Gatsby because so much is revealed to us about him that we might as well use it to our advantage. Y’know, talking about how the theme of exploitation and secrets is veiled under Gatsby’s desire for Daisy.”

“You don’t think Gatsby’s a good character?” Riki wants to tell you that Gatsby is more relatable than good or bad, but he shakes his head. 

“I mean, not really.” He feels like with those four words, he’s completely changed the trajectory of his relationship with you from a positive slope to completely downhill—and a wave of panic washes over him. “Should I? I mean, I could see him as more redeemable if you gave me examp-“

You wave your hand to quell his worries. “To be honest, I don’t like him either. But he’s an interesting main character to write about, so I think we should go with your idea.” 

To win your approval feels like he’s won at least three fights against a villain in a row without getting any bad injuries—it feels good. And for the rest of the period, you are able to finish a detailed outline of your work for the next few weeks, mapping out sections for each other, and he even gets to see a part of prom planning on a word document you had open. He considers your shared productivity a win when he packs up and bids you goodbye before leaving for lunch. 

One wave doesn’t catch Riki’s attention from across the room. Not even two, or three calls of his name could get Nishimura Riki out of his thoughts, and Jake frowns before moving up in the lunch line. 

“Something’s caught your eye again.” Jake feigns innocence and sighs dramatically as he places the food down next to Riki’s plate. “Could it possibly be our school treasurer?” Jake laughs, leaning over to catch a glimpse of what’s got his friend so entranced and non-responsive.

Riki scrunches his nose, annoyed, but never breaking his gaze from where you’re sitting. “We talked in class–like, a lot,” is all he says, paying his friend no mind. “She’s genuinely so understanding.”

“God, I don’t think you can be any more down bad for her than you are right now.” Jake picks at his food, and despite his concentration directed towards the olives on his pizza, he’s able to dodge the flying loaded nacho that goes his way, even if he wasn’t the one with superpowers.

“Can you shut up?” Riki grumbles, laying his head on his arms as he notices you smile and point to something. “I just got pummeled into a semi truck last week. Let me have this before I die tomorrow.” 

“Very grim,” his friend notes, ruffling the younger’s hair, “I think this is exactly what all of those mental health assemblies that we get are for.” And Riki basically tunes him out, too tired to fight and too used to the teasing remarks to come up with anything useful in response. 

Riki sits up a bit, letting his head rest on his propped elbow as he looks at the school food and touches another nacho gingerly. “Y’know, I read the book for English so she wouldn’t think I’m an idiot.” 

His friend snickers, successfully pulling out yet another sliced olive from the cheese, much to the disgust of Riki. “She probably already thinks you’re an idiot.” 

The superhero debates throwing another cheesy nacho in Jake's face, before deciding to eat it instead. “Don’t say that asshole! You make it seem like I have no chance with her.” 

Jake shoots him an exasperated look that makes Riki break eye contact. “That’s because you don’t.” 

“I’ll prove to her that I’m worth her time.” Riki says somewhat wistfully, still stealing glances from a few tables away. “Maybe I’ll ask her out to prom, show up in my suit. Do that cheesy upside down kiss shit people say Spiderman does.” When his friend raises an eyebrow at him, Riki shrugs. “I will! Well-maybe not the Spider-Man thing, but prom definitely.” 

Jake continues to look at him unconvinced as he takes a bite out of a slice of pizza with mangled cheese. “You barely talk to her in class and you think you can ask her out to prom as Nishimura Riki?” And the younger grins, eyes still stuck on how your eyes crinkle and how your shoulders shake with laughter. 

“Yup.” And his fate is sealed, just like that.

“What’s your project about, anyways? Didn’t you tell me last night that she gave you her number? Must be pretty serious if she wants to text you.” Riki furrows his eyebrows and shakes his head. 

“It’s just tying the theme of the book to one character and writing about how they show it. So we did the theme of money and Gatsby, because it’s easy and mentioned so many times.” 

Jake gawks. “You must really like her,”

“I was planning to read it regardless of who I was partnered with.” 

“Okay- that’s debatable.” There goes another one of Riki’s nachos.

“Gross.” 

He thinks things are going pretty well for you two. The report is being written and your quotes are basically finding themselves, so Riki should give himself a pat on the back for pitching the initial idea for how to go about your assignment. Maybe reading the whole book offered him a few useful pointers, and he goes to sleep that night satisfied with your progress. Maybe Heeseung and Jake were right—maybe he could finally ask you out by prom. 

NISHIMURA RIKI MIGHT DIE TRYING TO SAVE THE CITY FROM YET ANOTHER MONSTER TERRORIZING THE STREETS.

He wakes up the next morning, not expecting his alarm to alert his senses to danger. It rings in his head and makes him feel delirious, trying to shake sleep off as he looks out the window for any visible sign of what's wrong. If he could hear the danger in his head then that meant someone could be hurt, and he could go to school without a few hours of sleep if he worked fast enough, right? 

Riki slips into his suit without much thought and goes to crack his window open, only to look back at his clock and read the horrific time of 6:23AM. 

Who the hell picks a fight with a teenager at this ungodly time? 

Then, he shoots from his wrists, once, twice, and suddenly, he's off, covering more ground through the air in just three seconds than he ever could while walking or running for minutes on end.

The source of his tingling spidey-sense is some large metal centipede creature that was setting off car alarms in a neighborhood near the market. Thankfully, no one was really awake to be caught in the crossfire, but he has to figure out how the hell he's going to catch that thing in...he checks his watch…twenty minutes? 

Hopefully, his instinct will help him win this time—again. 

The web he shoots out does nothing to stop the monster, and considering how it connected them both, the threads only drag the superhero to the edge of the building he was initially watching from. With some yelling and pulling, he finally detaches, and realizes that the odd sizzling feeling in his bonds must be from the same source as a few days ago; Spark. 

He had this gut feeling that a villain as strong as him wouldn’t have been destroyed so easily, but his wounds were so deep and the blood loss so bad from a few nights ago that he couldn’t have truly dumped him in the ocean without fainting or suffering something permanent, and although Riki hoped things in the universe would work itself out, the presence of the giant fifty foot insect alone is proof that things were not in his favor. 

He jumps off the building onto another, working quickly as he strings up a few webs between the houses as a wall for the monster, watching it slide and knock over cars in its wild pursuit. The monster spends a few seconds breaking down the wall of webbing and climbing over it, the many legs easily breaking through. As the superhero jumps across buildings and keeps track of the centipede’s movement, he has no idea why it isn’t going for him, and that makes his job much harder without the attention of the monster. One glance at the direction the centipede is headed in sets off another ding in Riki’s head—but this time, it finally clicks why the centipede is headed away from the boy. 

It’s attracted to the power plant. 

Riki immediately jumps and swings off of a lamp post, using the momentum of gravity and the force of his swing to propel him faster than the slithering creature. Squinting, he holds out his fist and points his pointer and pinky out, following the movement of the centipede as he aims. 

Bam. 

He sends clusters of silky white threads down precisely at the first pair of legs to pin it down. The webs stop the creature momentarily, and Riki doesn’t have time to watch how the body shrinks up and fizzes out with blue shocks as it tries to wiggle loose and malfunctions. This fight would be over soon, and the boy smiles when he jumps down to shoot more webs to apprehend the centipede. It wiggles and sends electricity out through parts of its body, trying to pry itself out. He expects it to simply be a robot of sorts following a mission considering its avoidant behavior, but as he approaches the tail, the monster suddenly swings at Riki, and its mass and speed is incomparable to the boy’s reaction speed. 

Riki lands into a tree and someone’s garage, feeling the crumbling wall falling all over him and the sudden pain blooming in his lower back. 

This fight will, in fact, not be over soon. 

With his superhuman abilities, Riki grabs onto the metal of the car beside him to hoist himself up, coughing from the dust, and jumping over the rubble to see how quickly the centipede creature can get out, without regard for his current state. The sound and rumble of the giant monster is all he needs to know that the traps are effective, but not at the previous capacity. 

The plan is simple: apprehend the legs and crush the head, where Riki assumes the decision-making and programming is taking place. But the monster’s angry and erratic actions throw a wrench in his plan. Its legs move faster, digging into the cement and leaving ruin in its wake as it continues down the road. While both the villain and superhero are fast, the distance between the power plant is finite—and only grows smaller and smaller.  

Although Riki can feel the bruises coming, he runs and swings, hearing the wind in his ears as he catches up to the centipede in no time. He tries the same tactics again–aim, shoot, stick, all the while keeping his distance. Although the monster’s body spans incredibly long, and should carry an immense amount of weight, the way it snaps at Riki’s flying body and sends shockwaves through his core leaves him shivering as his body slams into the ground, coughing. It hurts all over, and it feels like there’s weight on his eyes when he tries to open them and get up. His head is spinning as he staggers onto his knees, clutching his chest as he watches the centipede shrivel and crackle. 

It seems like the voltage produced is a double-ended sword, one that burns up the centipede body as much as it deals damage, and with the way the mutant creeps towards the electricity of the plant, Riki gets the feeling there’s a magnetic pull that forces the mutant to continue to crawl even against its instinct to stop. 

Despite his waning strength, however, Riki knows better than to half finish the job like last time. He creates a net from experience, weaving together the thickest and most durable threads to trap the entirety of the slowly approaching creature. It seems to crawl slowly up the makeshift barrier, knocking its head against the white and spreading the bright blue waves of its energy throughout. The boy watches as the thin white mass absorbs all of it and clings to the creature. It works, finally, after his attempts to nullify its movements, and he knows that despite the ache in his every step, the almost mummified centipede that hangs between several roofs for all the neighbors to gawk at is his sure sign of victory. 

All he remembers is hearing a familiar call of his hero name before his legs give out and his head hits Jake’s chest. 

Holy fucking shit is the first thing Riki thinks when he wakes up. 

He’s not out of his tattered suit and he feels grimy all over, but his body has done wonders in reducing the otherwise fatal injuries he got. No human body should be able to withstand two energy-filled blasts, but his suit and superhuman healing are of greater help than ever in alleviating the damage from his wounds. 

He knows why he’s in his bed with bandages thrown over his open wounds. He knows that every time something like this happens, it’s Jake who shoos away the concerned civilians, telling them he’s a medic. Jake is not a medic—rather, he’s a seventeen year-old boy who knows about his friend’s double life and with all the times he’s saved Riki, someone might as well dub him the greatest medic of all time. 

The clock on his bedside table has only served as a bearer of bad news. He looks over to see how it’s practically midday, and he’s missed yet another day of school from fighting crime. He’s in no condition to get up or get his bag, seeing how his hair is frizzy and his cheek has a cut that would warrant questioning. It seems only fair that he stays absent, and before he falls back asleep, he only prays you aren’t too mad at him for leaving the seat next to you empty.

But you aren’t mad, just worried. The soreness in his muscles doesn’t go away though, and he groans when he sits up in his bed, with bandages around his arms and an ice pack discarded next to him. 

He’s most definitely not coming to school like this. 

While you bore holes into the clock hanging off the wall, that doesn’t speed up the time. Two minutes pass, then another minute. As your classmates find their partners and begin discussing, you notice how the room gets louder with the due date looming near. It’s the first time you’re alone without the familiar boy beside you, and something hangs low in your chest when you put in a pair of earphones and open your laptop. 

Riki’s absence should have no effect on you. After all, you’re both just high school students who’ve talked once or twice, and yet you still look over at the empty chair. Staring doesn’t make Riki appear, though, and you return to your edits. It feels empty without his insight, or without him asking you to help him with a passage. Riki was your solution to all things boring. If he wasn’t doing his work, then you two were laughing at something on his phone. And if you agreed to both do something other than the report, then you could ask for an extra opinion when deciding prom details. There was something freeing about working with him that attracted you. Riki knew how to lighten the mood on days that weren’t so good for you, but he also worked hard and let loose at the same time. There was a perfect balance in Riki’s life that you aspired to have; it was a good mix of playful, dedicated, and fun all in the same vein. 

The words blend together on your screen. Jay Gatsby this, Tom Buchanan that, it all looks monotonous the more you keep trying to read and comprehend what exactly you’re talking about. 

Before class is dismissed, Mr. Yoo steps to the front of the classroom to gather everyone’s attention. He introduces your new novel for the next month, explaining yet another large assignment associated with the text. 

Truth be told, you don’t pay attention to any of it. 

The only thing you remember to do is to grab extra copies of the printed graphic organizers, as you get out of your seat and rush out when class ends in pursuit of one specific boy. 

“Sim Jaeyun!” The call of his name diverts Jake’s attention from his phone to your waving arm as you weave through the students and finally reach him. 

“You can just call me Jake,” he explains, “what’s up?” 

You begin to reach into your backpack, trying to feel for your folder, and pull out a few sheets. “These are for Riki.” 

Jake cheers internally for his friend who’s busy recovering at home. “What, you got a crush on him or something?” 

He tries to play it cool by teasing you, but the smile you bite back leaves the boy questioning if there really is anything going on. Jake knows better than to tell you anything about Riki’s feelings, and opts to instead grab the papers and to thank you for looking out for his friend. 

“Is Riki okay?” You have to know, just to make sure he’ll be here tomorrow to cure your boredom. 

What Jake says is much different than the nonchalant wave and half grin he gives you. “He’s just bedridden.” 

“That’s pretty serious! Did he come down with anything?” He seemed fine yesterday, so what’s the catch?

He blurts, “He just got badly hurt.” 

Immediately, Jake knows he’s fucked up. 

Your confusion and silence answers him far more than words ever could–he basically hears the gears turning slowly in your head.

Jake weakly defends, “His parents had a fight with him because he hit his head or something. He’ll be fine by tomorrow. Just bedridden from sadness, y’know?” 

The look you give him is unconvinced, but when Heeseung pats him on the shoulder and waves to you, the boy realizes that maybe staying quiet would’ve been the better decision. 

“I’ll see you later, ____.” And he’s off, waving half-heartedly and dragging a very confused Heeseung out of the cafeteria. 

NISHIMURA RIKI MIGHT DIE TRYING TO WAKE YOU UP AS GENTLY AS HE CAN.

Ever since March started and flowers began to bloom, your energy seemed to do the opposite, dwindling until Riki catches you mirroring his frequent in-class action: sleeping. And it worries him beyond belief, because you’re not the type to fall asleep like… ever. However, Riki does not have the heart to wake you up, even if it’s with a little nudge that you probably barely feel with how light he taps. It breaks his heart to have to ask you to review what he has done, because the bell is about to ring and the teacher might just send you to detention if he catches you off-task. 

The allergies always make Mr. Yoo irritable, and Riki knows not to get on his nerves. 

Your eyes flutter open to the pokes and prodding from none other than Nishimura Riki, who gazes at you softly when you adjust to the bright classroom setting once more. 

Panic settles in. “Wait- how long was I sleeping for?” 

He shrugs and scrunches his nose, not giving you an answer as he finishes scribbling something in his notebook. 

“Oh my god, I’m so sorry.” Your hand squeezes into a fist at the frustration that you’ve let your partner down. 

And yet, Riki seems to be unfazed, frowning when he sees you stressing out. “Don’t ever sweat the little things, yeah? If there’s anything you ever need to talk about–trust me, I know what it’s like to have a lot of pressure on your shoulders.”

Smiling at him, you respond with, “Thank you, really.” 

Being treasurer is daunting in the spring. It’s full of requests, forms, and small tasks that leave you spent by the end of the day. “But,” you glance at the clock to see just how much time is left, “how’d you know?” 

He motions to your open computer with a now dark screen. “I saw your document pulled up. ____’s tasks or else she will be kicked out of student government,” he taunts, snickering when your eyes grow wide with embarrassment and you lightly nudge his shin with your foot in warning. 

“It’s not polite to snoop,” and although you say that, you catch something in your peripheral vision. It’s a few drawings of a figure and gadget drawn, shaded from rigid shapes with small descriptions pointing to different places. You weren’t sure what was more surprising; how good the drawings were, or the subject of his imagination. 

Weird. Inherently, there was nothing wrong with Riki drawing a villain, and you chalked it up to him being creative. Nothing more, nothing less. 

He puts his hands up in surrender at your last comment, his grin showing anything but. Just one look at the boy makes you realize that everything you’ve just thought about is foolish. 

There’s no way he’d have time to be a villain and a student. With one final thought, you let your raging thoughts rest and focus on the present; him. You’ve seen his hair messy, especially after his naps, but when Riki tries to style it like how he did today, you pay more attention to the streaks of blonde and how he often hides behind his bangs and scrunches his nose. It’s cute. He’s cute.

The truth is, you enjoy being around him like this, joking around and never worrying too much about your responsibilities and expectations. It’s refreshing. Being around Riki gives you the feeling that things will be okay in the end. 

You snap out of your thoughts to see that his desk is empty, while your’s hasn’t changed one bit.

“You’re going to sell prom tickets now, right?” He makes small talk before leaving for lunch, closing the notebook you were suspiciously eying before slipping it into his bag. 

“Yup,” you answer, popping the ‘p,’ “I’ll see you later,” and you two part ways.

All the long lines and constant distribution of change doesn’t allow much wiggle room for you to daydream. As time goes on, the ticket-selling line grows smaller and smaller, but the only thing you truly care about is eating the lunch your parents packed you. Your sandwich is probably sad and soggy now that there are only a few minutes of lunch left. When you finally sign off one last time after triple checking the forms are all correct, you let out a sigh, leaning back and finally getting a break. 

Then, it hits you that you’re not even sure if the boy you’re fawning over is attending the biggest event of the year, and you feel stupid for forgetting to ask. 

-

Yesterday was a rookie’s mistake–today, you’d make sure you get an answer from him.

“Are you going to prom, Riki?” is the first thing you ask when he sits down, grabbing his book and laptop with a little too much enthusiasm. 

“I’m thinking about it.” Yeah, whatever confidence he had when convincing himself he’d ask you out isn’t serving him well at this moment. Quite frankly, Riki feels lame as ever trying to be nonchalant around you. “You?” 

“I’d have to set up, so I would be there, yes. But whether or not I have a date is another story.” You smile to lighten the mood, but Riki watches you and nods, focusing back on signing into his laptop and getting his notes for the new book you’re reading. 

“Well, you’re not the only single one here.” And he wants to reprimand himself for saying something without thinking. “If someone asked, would you say yes?”

You think about it carefully, really because you don’t have anyone in mind when it comes to prom if Riki’s not planning on going. “It’d have to be someone I know—someone I talk to somewhat regularly. I’d be nice to be with someone who doesn’t make it awkward.”

Nishimura Riki might die from over-thinking if he keeps on wondering whether or not he fits that description to a tee.

RIKI'S TO-DO LIST BEFORE PROM

☐  talk to ____ regularly 

☐  don't make it awkward 

☐  be..cute? 

The boy decides that his superhuman responsibilities might be easier to complete than any of those three things. 

He switches the subject to stop his head from hurting too much. “Did you finish the report?” 

You still, and Riki’s question reminds you of the report looming over your head. In your defense, you two hadn’t brought it up much in the past week, and he didn’t seem to worry over how much of your time was spent emailing teachers or making spreadsheets. Although caught off guard, you’re quick to respond with, “What did we have to finish? I thought we were done since last week, but if there’s anything else-” 

“Sorry,” he rushes out, biting his lip, “I meant, if you finished reading it.” And the answer is no, you haven’t read it since your last edit on it three days ago. 

Within a few clicks, you find the document and scroll to the bottom, seeing the small note that Riki left that said ‘let me know how it looks.’ It’s sweet to know he thought about your input as much as you did his. 

“While some can agree that Gatsby’s rise into high society was sketchy, Gatsby still retains the same reserved character from years ago, and doesn’t manipulate others into success or use his money for nefarious purposes. It’s not like he changed after his wealth, and it could be argued Gatsby loved Daisy until his last breath and was willing to die as long as she was happy, emphasizing the theme of sacrifice. 

So, is Jay Gatsby a good person? The question targets the morality of a character who many can empathize with. Those who are charmed by his overwhelming love for Daisy would say that he’s committed textbook crimes, but focus more on the intent behind it. To pine after someone from a distance isn’t easy, but to pursue her after years of separation is even harder. It’s universally agreed, however, that love as a driving force doesn’t nullify what he’s done to others and the dirty schemes he’s enacted to gain the power he has. Therefore, Gatsby makes for an interesting main character, and highlights just how twisted a system around money can be.” 

The last page is–for the most part–his writing, and your admiration for him grows when you finish reading and scroll to hit your Works Cited page.

“It’s good,” you tell him wholeheartedly, “Didn’t think you had it in you.” 

Riki cracks a smile at your light teasing, soaking up your praise. 

“Now you know.” He shrugs. And he can only hope that you like him as much as you like his literary skills. 

NISHIMURA RIKI MIGHT DIE WHEN HE COMES TO THE REALIZATION THAT HE IS EXACTLY LIKE JAY GATSBY,JUST WITHOUT THE MONEY—DESPERATE FOR THE GIRL OF HIS DREAMS, DYING YOUNG, AND A FRAUD HIDING BEHIND SECRETS.

Nevermind the last one, he has to hide when he has an identity to protect as the city’s only superhero, but Riki feels his heart sink to his heels when he read a few weeks ago how much Gatsby simply adores Daisy. When Gatsby died, he scoffed, closing the book with a sudden disinterest. If he were the male lead, he wouldn’t have been laying in a pool for target practice. Maybe being a superhero teaches you how to avoid being easy bait for all your enemies, or maybe Gatsby was too carried away with love to think straight. 

Fighting crime gives you insurmountable experience with sneaking around, but it wasn’t something he could just teach to anyone. When he gets this horrible gut feeling that something’s happened to you, he just knew something was wrong. He might not be easy to catch, but for anyone else? Definitely.  

For everyone else, prom was a month away, but for you, it was three weeks of talking to your advisor and president, arguing with your other board members, and sitting behind that damn money box for another five days to sell tickets. For you, it was realizing that you were supposed to buy streamers and balloons yesterday on your way home from school. It was the thinly veiled disappointment in your board member’s texts when they told you they were at a loss for words. ‘I’m sorry, and I know you’re busy, but how could you forget? Prom is so important for all of us. What if they don’t have what you need anymore?’ It all repeated in your head as you bit your lip in frustration and slipped on the first pair of shoes you could find. Although it was dark and dangerous, you could care less if it meant avoiding the passive aggressive comments you’d get tomorrow during your meeting.

There it is again: that little tendency to not pay attention to your surroundings. 

You yelp when you feel someone grabbing your wrist and pulling you in, muffling your screams as he pulls you along. To see him on the news was worrying, but to see Spark in person with your life on the line is even worse. 

Tears spring to your eyes as you struggle against the metal to no avail, and you curse every previous moment you spent worrying about balloons rather than your safety.

Spark suddenly stops, shoving you against the wall before his hand grabs a brick with his metal arm, beginning to climb. “Don’t let go.” And you don’t think twice before holding on.

The city view would be beautiful if you weren’t hearing your heartbeat in your ears or if you weren’t dangling from the railing of some company building, trying to wiggle yourself free of the rope around your wrists. 

Spark speaks up, drumming his fingers on the railing next to you. “You wouldn’t happen to know where your friendly neighborhood Spider-Man is, would you?” And you furrow your eyebrows, genuinely questioning for a moment if he really knew how the superhero operated. 

A voice from across the street puts a temporary hold on your thoughts, and you glance up to see a flash of blue and red soaring through the air, followed by a groan and a beam of light next to you. Seeing Spark’s powers right in front of you spurs you into action, yanking at the rope and trying to take tiny steps away from where they were fighting.

“From what I’m seeing, you wanted to hold someone hostage because you’re not feeling too good, huh?” Spider-Man shouts as he shoots out webs and blocks hits. You shake your head in partial disbelief of how unserious he is, but also how unbelievable all of this seems. “You tried to take a potion or something? I’m going to tell you this now, but these usually don’t work.” 

Riki’s assumption is right, and considering how Spark now has a leg and arm from metal instead of just the arm, the procedure for the additional limb couldn’t have been easy. The superhero still proceeds with caution, making sure to pay attention to anything new as he dodges and fights back. 

The villain immediately gets back up, stumbling for a moment before he regains his stance and runs towards the boy. You hear the clanging of fist hitting metal from their fight, and considering the difference in height and build, you’d expect Spider-Man to be easily flung to the side, but he holds his weight in battle. 

Riki aims for around the left shoulder, where an abundance of stitches cover the skin and fuse the metal into muscle. He lands a hit, and almost another one, before a punch to the side knocks him from his momentum. The boy wheezes when his back makes instant contact with the ground, rolling and getting up before Spark has time to shoot. 

He notices how quickly the gadget generates electricity now. Before, the beams took longer, and were easily predictable, but now, it glows bright for a moment before it fires directly in Riki’s path. The boy dodges the first, but the second one almost hits the top of his head before he ducks and creates distance. 

From the roof-top, Riki scans his surroundings before making the split-second decision to jump. 

He swings to the other side of the building, keeping you in his peripheral vision as he works on apprehending the villain in front of him. They spring into yet another fist fight, with Riki’s agility easily letting him avoid punches and land precise hits to make the previous injuries even worse. 

You think Spider-Man has the upper hand in this, seeing as how none of Spark’s punches seem to slow down the superhero, but you hear something loud before you can register it. 

You figure out what happened after Riki stumbles and suffers a blow to the stomach, sending him tumbling to the edge of the building. Spark knew that Spider-Man was avoiding his left arm—he knew that one wrong move paired with the tungsten material would have a lasting effect on the superhero’s fist. 

Riki coughs from the impact before his spidey-sense rings, pulling him back into battle as he runs as fast as his body can take him. 

You. He still needs to save you. 

With renewed vigor, he continues to avoid the flying sparks as he ducks between structures and uses the terrain to his advantage. He can tell, though, that the villain is slowing down. The shots are less accurate–a telltale sign that the enhancer Spark tried is working against him. 

Between all of the chaos, Riki finally lands a proper web, yanking as hard as he can to pull Spark to the ground. He stumbles, grasping at thin silk before Riki lets go on his side. The villain’s balance is off, giving the boy an advantage as he closes the distance, hopping over a thrown slab of metal and landing a solid kick into Spark’s ribcage. As he stays down, Riki continues to aim for muscle and flesh, his head spinning as he packs punch after punch to keep the villain apprehended. 

Spark’s body–curled into itself to absorb the hits the best that he can– hides the growing blue flash that he’s slowly charging up with his remaining power. The moment it escapes from under his abdomen, Riki directs his efforts towards avoiding the electric glimmer. The villain rolls over, his body tattered from the consistent injuries, and he fires what seems like an intense bullet of energy. It zips by the boy’s cheek, cutting the mask and leaving blood to run down in its wake. Time slows down as the superhero tries to process the unlocked speed of the burst, and Spark loses focus marveling at his new abilities. Never before had either of them seen power so concentrated, and it inflicts both fear and excitement. 

He lifts his arm, the other holding it up for support, and Spider-Man notices the fizzle of bright blue. Riki’s about to jump out of the way, preparing for yet another high-speed bullet, but before Spark fires, something clicks. The arm doesn’t directly point to Riki–but it skews off to the right.

Except, he’s no longer aiming for Riki in the split second that the boy blinks. He’s suddenly aiming at you, where your hands are tied to the railing and your feet are dangling from the bent metal that holds you precariously over the edge, leaving a fifty foot drop in its wake. When you see the blue energy in the villain’s palm growing slowly bigger, you pull at the rope desperately with zero regard to the tender rawness of your wrists. 

In your attempt to somehow break the rope, your cry of fear snaps Spider-Man into action. 

Riki pushes his sore body to jump as quick as he can, leaping across the rooftop to the building over. He easily avoids the metal railing, grabbing onto your arm as he yanks hard on the rope, the force of it separating a piece of metal from the railing. He immediately jumps, sending out a web to swing him back up. It all happens in a flash–first, you were bound to the edge about to fall to your death, and all of a sudden, you’re tightly pressed against Spider-Man’s chest with your bound wrists still attached to the metal. Shutting your eyes, you trust Spider-Man entirely, closing your eyes to avoid seeing just how far up you were. Wind rushes in your ears and leaves your stomach fluttering with butterflies until the superhero sets you down on a secluded rooftop. 

“Please,” he begs, “don’t leave. I’ll be right back.” 

You’d be a fool to do anything but wait. 

Riki checks on you one last time before diving down, springing himself back up with another web. The damage from the blasts is recognizable even from far away, and yet, he notices the reflective shine of a metal arm on the edge of the building before Spark lets go. 

To Riki, Spark is dead after dropping from a fall having taken that much damage, but he hears no impact. Making haste, the boy fails to find any figure no matter how hard he looks, but Spark’s laboratory has to be here somewhere. The badge from a week ago was stuck on Riki’s mind, and he could only imagine the reasons why he pursued this life. Was he recreating something? If he needs to power some sort of machine, then the heart of the city is a perfect place to harness the electricity for any large scale project. As much as he wants to dedicate the rest of the night to searching the city for some sort of clue, the fact that you’re still stranded on that rooftop after having just experienced a life-changing event blares like an alarm in his mind. 

He quickly leaves, returning to where you’re seated.

Without the fear of falling to your death from earlier, you were able to focus on undoing the knots from the rope. Red scratch marks and irritation bloom on your wrist, and the reality of it all happening still hasn’t settled in. Despite not being harmed once, the fear and incessant pounding of your heart overwhelms your senses, and it leaves you heaving with confusion. 

A pair of footsteps only become apparent as Riki walks closer, taking a seat beside you and letting out a large sigh. He stares at the stars silently as if he doesn’t have a cut on his cheek and bruises waiting to paint his skin purple–as if he isn’t hiding his true self under a facade. 

“You’re not hurt, are you?” You shake your head, grateful that Spider-Man was the reason you got away without a real injury.

“Thank you, really, for saving me. I don’t know how you manage to do it.” 

Riki chuckles under the mask. “Eh, you get used to it,” you hear Spider-Man say. “You fight a couple bad guys, get over a fear of heights and eventually you get the hang of things.” 

Scoffing, you gently rub at your wrists to ease the redness. “Easy for you to say. I haven’t been taught a crash course on how to avoid being supervillain bait just yet.” 

“Maybe you should learn it sometime,” Riki responds absentmindedly, “someone like you shouldn’t have been out so late doing whatever it could’ve been.” 

Sighing, your mind drifts off to think about the balloons and streamers that are not in your hand. “I had stuff for my upcoming events.” 

He knew about all of it when you’d explain your cryptic reminders and notes on your computer, but he still feigns curiosity. “What upcoming events?” 

“Just prom,” and he hears just how strained it makes you. 

Riki tilts his head in faux confusion. “What do you have to do for prom?” 

He notices how you immediately slump, as if the mere mention of prom deflates your happiness. “It’s only a few weeks away, and I was supposed to get decorations for our venue yesterday. I just wanted to slip out before my parents noticed.” 

Despite the fabric over his eyes, Riki’s expression shifts from surprise to pity when he understands your stakes. “You still need to be careful. Is your student council strict?” 

“Not strict necessarily, but judgemental–I ran for the position because I thought I could help my school raise funds and find more opportunities, but it just feels like no one truly wants to try anything new.” You wave it off as if it’s not that important, as if it isn’t the reason why you find yourself stressed so often. “I just don’t want to disappoint or give people something to talk about.” 

Despite not being involved with school the same way you are, the boy next to you resonates with the fear you currently face. The fear of letting people down was a large part of why Riki continued to put on that mask and step into the most dangerous situation of his life; he never wanted to sit down to hear the news that Spider-Man quit. 

So he keeps doing his job, even if some days are harder and some fights aren’t worth winning–just like what you do. 

“Yeah, I get that,” he tries to console, “You must be doing a lot for everyone around you, and I’m sure a lot of people appreciate what you’ve done. Don’t beat yourself up too much, yeah? You’ll always have me.” He smiles, but he knows you don’t see it. You’re looking at the stars, trying to calm your mind and return to your life before everything happened. 

You glance over at Spider-Man, wondering if he’ll truly be around for you when you need it. “If I need to talk to you, should I step out of my house past 8PM again?” 

Riki chuckles, watching clouds slowly dim the moon’s glow in their path. “If I’m not fighting crime, I’ll show up at a moment’s notice.” 

There’s no way he means it, but you grin, feeling a lot of the pressure and stress of earlier slowly wash away. After all, nothing happened to you–Spider-Man made sure of it. Maybe things really were going to be okay. 

“Let’s get you home, yeah? Don’t you have stuff to do anyways?” 

You shrug, nothing really coming to mind. As you get up, you remember having to run a plagiarism check on your work, and how Riki told you to text him when you got home after your student government meeting. 

Riki. Spark. Spider-Man. 

“Wait,” you tell Spider-Man, sitting back down on the cement, “I need to talk to you about something else, too.” 

“It’s not like my dinner’s getting cold,” the superhero mumbles quiet enough that you can’t hear. 

“There’s this guy,” you start, paying no mind to how dirty your clothes are getting when you cross your legs. 

Spider-Man scoffs, looking off into the distance, and it makes you believe he has to be your age or older. “You have a crush on him, or something?” And a whole tidal wave of deja vu hits you in the chest. 

‘He must be badly hurt’ isn’t just something people say. People don’t just draw insanely detailed drawings of Spark’s arm and machines without notes to follow unless they knew. People wouldn't just randomly miss school without any impending signs. You’re sure of it–the tired naps in class, the random drawings of superheroes and superhumans alike, or how awkward he could act–it all makes sense.

Your classmate, aka Nishimura Riki, aka the guy who you’ve questioned if you had a crush on for the past few days, might be a villain. 

The swirling feeling of trepidation in your stomach leaves three words running around your head. 

What. The. Fuck. 

Although you tried so hard to stop thinking about it, Jake’s comment from before rubbed you the wrong way. It was sometime last week where you couldn't get your mind off of the implications of his words, but that feeling was brushed underneath your responsibilities. 

Until now. 

“Yeah, there’s this guy,” you breathe, feeling your chest constrict, “Nishimura Riki. I think he’s Spark.” 

His blood runs cold. 

“You think this…why?” 

You take a deep breath, trying to organize all your thoughts. “Well, first, it was his friend, Jake. He said that Riki was badly hurt, and I was really confused at first, but tried to let it go.” 

Riki was going to strangle his best friend. 

“And then, I was looking at him in class, right? And keep in mind, he’s pretty cute, and we sit next to each other, so I just noticed how good his hair looked that day, but his notebook was out, and I saw all these drawings of Spark. Like, the arms, the metal things, even the projectiles! Who would know the ins and outs of that thing if it wasn’t Spark himself?”

He didn’t know what to think about first; the fact that you gushed about him for the first time, or if he should even tell you that Spider-Man would know those things, too. 

“And sometimes, I notice he’s a little awkward around me. I can’t explain it. It’s like he’s paying attention to me. That must’ve been why he captured me.” He wants to laugh at how damn close you are to figuring it out, but in reality, nothing is funny about the situation. 

Nishimura Riki is actually listening to this, right now, as Spider-Man–not Spark. The awkwardness, though? It was his crush on you, and was not superhuman related in the slightest.  

“I don’t know,” he attempts to divert, pretending to focus, “I saw a badge for FLiGHT. You know the company that’s been making time traveling machines? I saw a glimpse of his name and face. It’s not that guy you mentioned.” 

You raise an eyebrow. “And you haven’t gotten him caught?” 

“Villains aren’t easy to find, y’know. It’s not like playground hide and seek,” Riki defends, crossing his arms. 

You shrink in your spot, feeling sheepish for questioning a superhero so bluntly. 

“Plus,” he continues, “Spark has never had a hostage. Wouldn’t it be pretty mean of that friend of yours to kidnap a girl from his class?” 

“Yeah—that makes sense. Thank god,” you breathe, closing your eyes momentarily. “Then what do you suspect all that evidence leads to? Maybe he’s a secret agent?” 

“I think,” Riki continues to keep up his clueless facade, “Your friend might just be clumsy. Or creative. I mean, maybe he went through a break-up?” Nice one, Riki. 

You shake your head. “No, there’s no way he has a girlfriend. You’d think I like guys who are taken?” Scoffing lightly, you then remembered that Spider-Man really would have no idea who any of you are. 

He shrugs and stands up stretching before motioning for you to follow him. “I have no idea what you high school kids do. Come on, let’s get you home.” 

As you hug him tight, the cold air whips around your body and leaves goosebumps in their wake. You barely open your eyes from the fear of seeing yourself inches from hitting a building or up in the air. Spider-Man only yells his confirmation after asking how to get you home, finally placing you on the ground outside of your large gate. 

“Thank you for saving me tonight.”

“Anytime. Figure things out with that friend of yours, and don’t go out late, okay?” You nod and take his words to heart. 

“Goodnight, Spiderman.” 

—-

Nishimura might die. One, because he has this horrible guilty feeling in his stomach, and two, because of a villain. 

Yesterday, he ignored the salmon and rice bowl that waited for him back at home, choosing to follow the coordinates he saved on his phone after he took you home. It led him to a seemingly harmless auto-shop, with an arrow on his GPS pointing to a garage that was shut down completely with nails and blocked with boxes. The exterior pointed to it being abandoned, but Riki suddenly saw some light coming from a makeshift above.

The boy scaled the wall as quietly as possible, glancing into the source of the whirring. He caught small glimpses of something–metal, glowing, blue. 

Or at least, for a few seconds it was on until the power went out. 

The voice that complained from inside the room sounded identical to the man Riki fought. Spark grumbled, turning on a flashlight and quickly waving it around. Riki ducked from the window and held his breath, waiting for the man to suspect something. 

Nothing. 

One lightbulb slowly flickered back on, and then the other dingy light followed. The space was cramped with the metal equipment in the middle, resembling what Riki had seen in the news. 

He was right–it was the same time travel portal that was ruined from a few months ago. 

Spider-Man continued to observe the man as he worked and drilled, plugging certain wires or pausing momentarily to read from a journal. To anyone, it’d seem peaceful, like some sort of renovation project. But in reality, it was so much more than that. 

Riki searched for any sort of information about the machine, trying to see what exactly was left to do until his gaze landed on something. 

There was some sort of date on a bright pink sticky-note, and Riki’s eyes widened when he finally comprehends it. 

The machine was scheduled to be completed tomorrow. 

-

A street lamp next to Riki dies out—which was a clear sign that something was powering up. From the dark, he hears the metal from the same place as last night moving again, and he knows that Spark has left. His presence sends anyone down the street and immediately running, leaving the area for only them two. 

Riki finally sees the completed metal build. Half of his body is wrapped in or replaced with metal parts as he sets down the metal portal, beginning to push it in the direction of the power plant. 

A truck or car would make things much easier, but whatever.

Riki wants to cry from fear and run away. He wants to leave and pretend he never saw anything from last night. 

He’s going to die fighting Spark and he will quite literally a) never finish highschool and get that stupid diploma, b) finish explaining how Gatsby is not a good person and is naturally selfish, and c) he’s never going to tell you how he’s had a small crush on you ever since he saw your cute campaign video as to why you should vote y/n l/n for student body treasurer last spring. 

“You sure that thing works?” Riki asks, jumping into action as he sends webs to immobilize the machine. 

“You’re annoying, you know that?” Spark sends a projectile in the superhero’s direction, hitting the wall behind him instead as Riki jumps out of the way.

With another duck mid-air and the roof of a flying car dangerously close to his nose, Riki thanks the dance practice he does for his flexibility as he shoots another web and swings away. 

Spark is uncontrollable by now, sucking the light from street lamps and fizzing wires in his wake. He has no idea how he’s supposed to get in contact with the villain like before. The body of his suit fizzes with bright electricity that sizzles and pops. It illuminates Spark’s figure, making him easy to spot, but not so easy to defeat. It’s an overload of power, causing the voltage to escape between the joints and gaps of the metal pieces in his suit. And Riki can feel it; the air is heightened and so are the stakes of this fight—and with how the man that stands in front of him looks upgraded and menacing, he knows only one person can make it out of this fight alive. 

“You injected the city’s ‘Gas and Electric’ into your system or what?” Riki calls out, making light of the situation. If he’s being honest with himself, he’s scared out of his wits seeing the six foot figure with blue and white shooting from every crack, looking like a nightmare to touch.

Riki avoids a few more angrily thrown objects, using the momentum of his jump from the side of the building to zip from the top of a yellow fire hydrant to go from one side of the street to the other. “You’re slow!” He taunts, tucking in his legs to avoid a shot of electricity directed at him. 

The screech of metal from the nearby hydrant can be heard as the top flings off, making Riki lose his anchor/ Before he can process it, instead of smoothly landing on the building, he crashes into it faster than expected, groaning when his back makes contact with the glass and he tumbles into the living room of someone’s apartment. 

“Fuck,” he curses, fighting his aching limbs to get up once more. 

And the solution hits him. Literally. 

When he steps out and quickly attaches a web to the top of the building, he’s met on the way up with a splash of water from the hydrant to his face, and Riki splutters as he wipes his mask, regaining focus as he lands on the concrete and hides behind the ledge. 

Water. If he can get it in contact with Spark and pour enough water on the right spot, the excess of electricity blazing from his mechanical body should work against him. 

“Too scared? You should know better than to run away.” The superhero rolls his eyes, crawling away silently to avoid being seen by Spark. Riki does his best to look around for something, and finds a black flower pot in the corner, using a web to grab it before he scales the side of the building and runs away while Spark is distracted as the villain also climbs the wall to face him there. But when Spark climbs the ledge and scans the premise, Riki is nowhere to be seen. 

Instead, Riki swings across the street and fills the pot with water, heaving the extra weight as he shouts out from the sudden pain in his side. He stumbles on the pavement, crying out from the injury as the pot falls with his whole plan. 

Maybe this is where Spider-Man dies. 

He sucks in a deep breath before rolling from his back onto his knees, ignoring the wound to pick up the flower pot. The hydrant still shoots out water, and the superhero rushes towards it, causing Spark to follow. He narrowly avoids another shot from behind him, reaching the yellow hydrant before dropping the pot on the ground. Spark is th 

While Spark has always been intelligent, Riki could tell that the man didn’t fear the water, believing he’d be invincible to the elements now that his suit was perfected. There was something off, Riki could tell, and he would make sure to use it to his advantage. Spark was uncontrolled, and his powers drastically decreased the more he used them. There’s no way his body isn’t in overdrive with how recklessly he’s been letting himself get hurt. 

Riki uses a web to get himself on higher ground instead of fighting, waiting for the supervillain to follow. If he could get Spark off the edge and fall into the growing puddle of water, it should slow him down. 

Spark scoffs. “Run away, then. Like you always have.” Riki hears the wall crumbling under the villain as he climbs within seconds, immediately preparing to fight when he makes it onto the rooftop. But Spider-Man was also prepared, jumping from his crouched hiding position and attempting to catch Spark off guard. 

All he can focus on now is pushing him off. There’s no way it’d be easy, considering he had to focus on his touching any of the electricity off of his suit. Riki delivers a kick to Spark in the ribcage near his heart, where he’s fused metal into flesh. The villain coughs before taking a step back, his metal arm reaching for Riki’s outstretched leg. He grabs it, twisting with anger before the boy meets the ground in a violent throw. Not only is the slam greater because of the enhanced strength, but the power seeps into Riki’s skin, leaving it hot from the energy radiating off of his palm. 

The boy groans, flipping to his side to avoid a fatal hit to the chest. He reaches for Spark’s normal arm, swinging the villain’s body away with as force as he could to create distance between them. 

Riki has been in enough fights to simply know when to run, even if he doesn’t know what’s coming. He could feel the tingle of the charge as it powered up, and with its energy so unrestrained and its user so unstable, the large attempt to hit Riki sends the villain stumbling back from the force. The more Spark uses his powers, the more likely he’s going to end up dead. 

“Your skin can handle that anymore!” he shouts, getting ready to swing himself closer as a plan manifests itself in his head. “You’ll die like this!” 

Spark seems to know that too as he wipes his mouth and recovers from Riki’s attacks. 

“You think I care?” He shouts, desperately pressing his wounds to stop the bleeding. “You think I have anything else for myself?” The vulnerability of his character shines through as he clutches his bleeding wound without regenerative powers to help. “You think I didn’t know that when I did it to myself--what they did to me?” 

Riki doesn’t respond, grimacing as he continues hand-to-hand combat. Although he takes a solid punch to his jaw that’s forming a deep purple bruise, he manages to trip Spark onto the ground.

The man stumbles back from the head injury, the pounding from earlier not letting him to think straight. Riki doesn’t try to injure him anymore, but he instead blocks an incoming punch and tries to force Spark towards the edge. 

The villain barely notices how much space there is left, and the boy lunges with full force. They tackle each other into the ground, and Riki gets off after apprehending him once more. 

The city's a mess, and Spider-Man’s eyes want to shut down so badly, but he takes a few steps in Spark’s direction, pushing him off the side of the building as quickly as he can. Riki hears the thud before he peeks over the edge, seeing the water erode all of the engineering from the machinery. He slowly descends from the rooftop. 

“You were in the accident, huh?” Riki shouts on top of the plethora of sounds. Pain, buzzing electricity, splashes of water as he lands next to Spark; it all echoes in his ears as he pours the water from the pot on Spark’s body. “Why did you try it? Why did you want to go back so bad?”

“If I could go back,” Spark coughs, trying to get away from the large pool of water, “I could’ve prevented the accident from taking the lives of the people around me. I could’ve saved them.” 

Spider-Man understands loss, and he understands the regret that comes with failure. He understands how the man in front of him feels after having everything taken away from him, but his emotions could never justify his actions. 

“You know you can’t change things,” Riki responds, “You tried your best, Spark.” It’s the last thing Riki tells the villain before his body slumps and police sirens grow louder and louder. It’s the last thing that he continues to think about, even if the medic quickly assesses the severity of his wounds. 

“I’m fine- really,” he pushes away the hands of a concerned woman as she holds a roll of bandages. “There’s something else I need to do.” 

Riki knew he had to tell you about this–he couldn’t just let you confide in him about..well, him, without your knowledge. And Riki wasn’t morally perfect, but he knew an explanation would be the only way to fix things.

Your house looks different when jumping over the fence instead of standing in front of it. When he realizes he has no idea what room belongs to you, he racks his brain, suddenly remembering how yours was the only one with a gray balcony over the pool. And so he climbs, slipping from the exhaustion creeping into his body. 

You’ll understand after he explains everything, right? 

“____, a little help?” And what the fuck is Nishmura Riki doing outside of your door? You go to investigate the muffled sound, inching towards the curtains and pulling them back to expect him there. When you hear a half yelp and a hissing sound that follows right after, without a person anywhere in sight, your heart drops to its stomach. 

Do not say it’s true. 

“Riki, where the fuck are you?” you ask, traversing out when you don’t see him anywhere across the glass. 

“Down here.” You run in the direction of the voice, and your eyes grow comically large and you gasp, staring down at the sight before you. 

“Holy shit.” 

There Nishimura Riki is, with his mask half burned off his face and his blonde and black hair messy and matted to his forehead with sweat. The suit is ripped in multiple locations with gashes and purple replacing the healthy skin underneath. His face is in more of a grimace, as he holds onto the web with both hands and one foot planted on the stone of your balcony—read; the bottom of your balcony. 

“A little help?” And you see his sheepish emotion through the tattered fabric, embarrassed after you had to find him in such a compromising situation. “I’m a little worn out and I think my webs are getting weaker.”

You’re a little frustrated with him for being out so publicly, but more scared and worried for his condition. Your gaze narrows on the mask, tattered and covered with scratches, but clearly visible. It was Spider-Man’s mask. The material gives way to a familiar face, and your mind almost blocks you from putting the pieces together. It’s impossible, almost horrifying to think of the implications of what it means to wear the blue and red suit. 

Instead of being the villain, Riki is, in fact, the savior.

The harsh truth is that your classmate, who you spent the last month working on a project with and suspected was a villain, is the same superhero that went out and risked his life every night fighting crime. It’s jarring to see him like this, breathing heavy and straining against the stone of the balcony, and his cough snaps you out of it. “What the fuck do I do?” 

Riki tries to put his hand up in surrender and shuts his eyes at your harsh tone. “Okay, okay, I get-“ and he cuts himself off with a yelp as his footing slips. 

He holds out his hand, and you immediately bend over the smooth railing to grab it, leaning back on the heels of your feet to help him up the most that you can. You’re filled with confusion when the boy hobbles over the cool surface of the balcony and lets his head rest on the stone, not saying much as he catches his breath. You watch the rise and fall of his chest and how his right arm goes to nurse the left side of his ribcage, wincing and sucking in a pained breath as he assesses the smear of red on his fingers. 

Sitting there with your mouth agape, you’re not really sure what to think about first; to check if RIki’s alright, to think about how your city’s greatest superhero is your English project partner, to yell at him for going to your house instead of his house to fix himself up, or to think about how good his side profile looks in the moonlight. Maybe you should’ve just been relieved that the boy you started to like wasn’t a fear-inducing villain.

“Okay, first of all, we need to have a huge talk. But I’m not a medic Riki- I’m going into accounting for fuck’s sake.” He hears the amount of curses flying from your lips as you ramble, and sees how stressed you look watching him sit against your railing. 

“I don’t know how to help you. And also,” you lower your voice and scoot closer, looking around at the large property to really make sure no one’s listening. “you’re Spider-Man?” 

The information all hitting you at once is worse than when your history teacher told you your essay was horrible. At least then, in her office, you could process everything. But here? You’re about to faint. 

“I’m pretty cool, huh?” And of course Nishimura Riki says such a thing, taking deep breaths as he shallowly presses on the blossoming bruises on his skin and wipes the sweat from his brow. 

“Pretty fucking stupid is what it is, Riki.” You cross your arms and try to take a look at where he’s been hurt, hoping that at least he has some sort of regeneration ability that helps him heal much quicker—because there’s no way he could deal with all of this on top of school. 

“I have my reasons,” he says, his voice quiet. 

You pause. “For being Spider-Man?” 

“No,” he shakes his head. “For coming here.”

“What could possibly make you want to come over to my house instead of the nearest hospital? What’s that important to you?”

“I really want to ask you to prom.” 

You simply stare at him, surprised. 

“You came to my house, even though you’re like, a punch away from passing out, to ask me out? And you couldn’t have, I don’t know, asked me anytime during the classes we have together?”

Riki somehow finds it in himself to frown and shrink from your angry piercing gaze. “I can’t because talking to you makes me nervous–so yeah, I’m sorry I’m half conscious on your balcony in my suit instead of at your door with a poster.” 

You’re conflicted, your mind still reeling from the recent discovery and your flood of emotions. Ever since you questioned his identity on top of your feelings for him, you had a hard time really knowing if you could like Riki if he turned out to be a villain, so to know that he proved both of your theories wrong leaves you quiet as you think. If possible, the color in the boy’s face drains even more when you go back inside, but the door stays open, and he thinks he hasn’t ruined things after all. You emerge with a bottle of isopropyl alcohol, a bowl of warm water, and a pristine white towel. 

“I’m not mad about that, you idiot,” you reprimand him, setting everything down as you examine the cuts on his face. You squeeze the towel and start to dab at his skin, avoiding the cuts as you clean it. “Who does this for you if not me?” 

“Jake.” 

“Seems like a pretty good friend.” Riki nods in response. 

 “I’m sorry,” he sighs, sitting up to properly address you, even if you weren’t able to meet his gaze. 

“For what?”

“For putting this on you–all of it. Not just the whole Spider-Man thing.” He knew he’d have to tell you at some point, or else it’d eat him up inside to know he kept all of it from you. 

“Look at you, saving me mid-air and talking to me as if you didn’t know who I was.”

You notice a flash of regret through his wince as you clean up a cut with antiseptic. “I meant it when I told you I knew what it was like to have a lot of pressure.”

“Guess I wasn’t so far off, then. If we never talked, would you have told me?” Riki shakes his head, and the simple motion leaves you somehow disappointed. 

“How do you ever tell anyone you’re…y’know, Spider-Man?” Even if it’s a hypothetical, you shrug, not being able to answer.

“How’d Jake find out?” 

Riki chuckles and hisses at the same time before trying to remember. “I think I just kicked his window in after a nasty poison got hold of me. He was a little too excited to have Spider-Man on his bedroom floor, and less excited to know it was me. I’m not really supposed to tell anyone, though.”

“Then why’d you tell me? You could’ve just gone back to your friends.” 

“I felt guilty–I know, I know, it sounds stupid. I’d definitely get my identity revealed at this rate.” You shake your head. 

“Not stupid. Keep going.” 

“I didn’t care that you suspected me, or if anyone else did, because I knew it was never true. But I felt so bad knowing you were sharing to me how you felt without even knowing it was me who was listening–like I was holding something from you.” 

You admire his honesty, and when you look at his furrowed brows and his lip that he’s been gnawing from worry, you can’t even imagine what he’s had to hide and do for this. In a way, you look up to him more, for trying his best even if he’s gotten all odds stacked against him. Riki’s commendable in your eyes–he always had been, ever since you woke him up in class. 

“I like those things about you, Riki. That you’re honest with yourself and the people around you as much as you can be, and you try to help others when you can. I’m glad we got to know each other more this past month.” Talking to him feels different than talking to Spider-Man from a few days ago; it feels raw, like you’re not just confessing something to a brick wall anymore. If none of this ever happened, you doubt you’d get the chance to tell Riki any of this properly. 

The boy stays silent, taking deep breaths while processing what you’ve told him. “I’m glad I could help you out.” 

You furrow your eyebrows. “I hope you know I don’t like you because you help me out. I like you because you’re attractive, and because you’re genuine,” you blurt. 

Riki laughs despite his ribcage hurting everytime he does so. Riki nods and mumbles a ‘thank you,’ also glad to truly get to know you. While his crush was more of an infatuation with your hard work and amiability, the past few weeks really opened his eyes to who you were. You never wanted to disappoint, and even if your recklessness left you in some dire situations, Riki could see how much effort you really put into things. 

There wasn’t anything else he needed to tell you–you were smart enough to see how much he cared about you.    

You’re so close, your lips glossy with lip balm as you watch him carefully. You hear and see it all; the heavy, labored breathing from his body healing itself rapidly, and the way his hand is full of rough cuts and calluses as his fingers intertwine with yours. But your eyes catch a glimpse of his mask tossed to the side, the blue shining in the corner of your eyes as you’re reminded of who he is right now, and what role you play. You are still ____ ____, but he’s a superhero.

It makes you momentarily forget whose suit you're peeling away, whose skin you're cleaning. It reminds you that he’s just the boy in your English class that you fell for. “What does that make us?”

“Prom-goers,” he answers with a slight nod. 

You smile, wiping a cut before placing the towel back into the bowl for the last time and getting up. “We can be prom-goers, yeah.” 

You’re not sure if you’re ready for anything, and you’re thankful that he understands that, too. As much as it warmed your heart to see him again and hear his confessions, the blaring truth still hangs over your head. You grab his mask, finally looking at him before handing it back and grabbing your things. His secret identity wasn’t something you could just ignore. 

“Go home, Spider-Man,” you turn your back on him, and time slows when you falter before sparing him one more look. “I want you as Riki, not like this.” 

MAYBE NISHIMURA RIKI DOESN'T NEED TO DIE–OR ALMOST DIE–ANYMORE. 

He went home that night with his scars somewhat cleaned and his bruises miraculous healing on their own, and even if slipping through the window left him clutching his side in pain, Riki silently jumped up to celebrate his multiple victories before slipping out of his suit and finally getting some rest. 

Riki’s scared of how he’s affected your relationship. He’s worried you’ll avoid him in the halls, and he’s worried you’d never want to see him again after putting you through all of it. As much as he'd understand how upset you'd be towards him, he hopes he did the right thing by telling you.

But you see him on your way to English, and you call his name. His eyes search for yours in the crowds, and you two see each other before you crush him in a hug. 

Riki isn’t sure how to feel at first, but eventually wraps his arms around you as relief settles in his stomach. 

“Thank you for saving me, Spider-Man,” you whisper, loud enough for only him to hear. 

He smiles at you, ruffling your hair as you go to English together. “Anytime, ____.” 

NEVERMIND, NISHIMURA RIKI MIGHT DIE WHEN HE SEES YOU IN YOUR RED PROM DRESS.

But first, he has to try something out. 

He curses to himself when silently zipping from a tree outside your family property to the top of your house, staring past the ledge two and luxurious stories to your well decorated porch light and door. He just prays that Google Maps is  right about how secluded the area is, so no one can see him pacing around your rooftop, with flowers elegantly wrapped in his hand (courtesy of your mother’s sleek envelope from a few days ago). 

“Fuck it,” he says to himself, shooting a web and dangling himself down. Riki’s upside down figure watches swirled window frames and meticulously designed accents as he descends, and he wonders what kind of shady business your parents could’ve done to afford something so grand. 

He faces your door—hanging down instead of rightside up, but he’s still here on time like he promised. 

The door opens at 6:00PM like he instructed you to, but what he didn’t tell you what to do was shriek and slam the door. On his nose. With a loud yelp, Riki clutches his nose, rubbing the spot you hit and trying to apply pressure to alleviate the pain. 

When the door slowly creaks open again, you face with the image of Nishimura Riki, aka your boyfriend, aka your English partner, aka Spider-Man, curled upside down in the fetal position as he cradles the sore spot on his face and swings slightly from the breeze. 

“You scared me, dumbass! How was I supposed to know it was you? It was so hard to see!” 

Although muffled, Riki’s able to mumble, “You have a porch light for this reason, _____,” and a jab at his stomach from you follows his sarcastic remark. Finally, his nose feels better, and he straightens out to finally look at you. 

Pretty, pretty, pretty, and the boy wonders how you look even more stunning with a glittering red dress and perfectly done make-up. “I like the red,” he says, trying not to freak out over your beauty. “Reminds me of a certain neighborhood superhero.” 

“I have some blue spider earrings to match.” With a beautiful smile, you turn to show him the little accent, and it melts his heart. “Are you okay, though?”

“I’m fine. I should’ve probably put more thought into that.” 

You snicker, sliding into your heels and closing the door behind you. 

“One of us is better at romantic gestures, it seems.” It warrants a scoff, and Riki brings a gloved hand to poke at your forehead teasingly.

“Let me have a do-over, then?” And the way your lips curl up into a bright smile leaves him quiet and in awe. 

“What, were you going to kiss me? Very original, Spider-Man.” With the way the fabric shifts over his features, you can tell he’s pouting. 

“I thought girls liked this.” 

You shrug, pretending you aren’t swept off his feet by the effort he’s put in. Taking a step in his direction, your hands reach up to gently pull the mask over his chin, ears, and then his nose. 

Whispering quietly, you ask, “You’ve kissed other girls upside down?” 

Riki’s quick to shake his head. “You’re the only girl I’d withstand a head rush for.” And god, you just can’t stop yourself from grinning at his sweet, genuine words.

You lean in, placing a small kiss on his nose as a silent apology. Then, you close your eyes and lean into him once more, feeling his hands carefully holding the side of your head and his lips on yours. Your kiss with Riki is saccharine and slow, making you pull away when the urge to beam at him is too much. Your cheeks definitely hurt by how romantic he’s being, and you can’t resist kissing him once more.

“I’m not gonna lie,” he starts, finally letting himself down, “It feels weird.” 

“You ruined the moment.” And he really didn’t, but you enjoy his subtle reactions to your light digs at him. 

“Whatever.” Riki laughs. “Stay here, I’ll be right back.” 

You nod, sitting down on the porch and dragging a manicured nail over your lips with the ghost of his affections, thinking about how you literally just kissed Spider-Man. 

Riki comes back, dusting off his suit and smoothing out the wrinkles, with a large bouquet of red roses and one blue one snuck in there. Your lips stretch into a grin and you accept the bouquet, keeping a mental note to read the card in there.

“You never cease to amaze me, Riki.” It’s the last thing you mutter to the air before you loop your arms around his neck, urging him to lean down as you kiss him once more—this time rightside up, but still as sickly saccharine as the one before it. Your heart is fuzzy with fondness and your eyes glitter with adoration. 

“So, which kiss was better?” he asks when you pull away, a little breathless and dizzy.

You swat his arm and walk past the gates, seeing the sleek limo waiting by the curb. “I don’t know, Spider-Man. Maybe show up in your suit and we’ll try it again.” 

REBLOGS AND FEEDBACK ARE ALWAYS APPRECIATED AND ALWAYS READ!

RIKI FIC DONE!!!! ngl y/n u were right there how did u not know riki was spiderman but whatever idc she's a hard worker not smart LMFOAOAO. my first ever action fic so i hope you enjoy! also i hate the ‘oh he pined after her for 4 years she liked him for 2 months’ bs because I WAS IN IT. and it sucks so i tried to deviate from it :)

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