#and giving his perspective

[preservationofnormalcy]

[I am in a nature preserve in rural Louisiana. A small ranger station-like structure in the middle of the wetlands welcomes me through chain link fences as my driver signals his approach, and as I exit my vehicle, a man steps out of the station.

He is heavy-set, tall, a little overweight but in that working-man sort of way where his strength is evident. He’s wearing a white labcoat over a colorful shirt and jeans, with messy hair and old school mutton chops. I can’t decide if he’s going for a vintage look or just doesn’t want to deal with his facial hair. Huge hands clap together once as I walk up to the building, and he smiles.]

Meghan] Mr McCollough?

Jethro] Please, please ma’am, call me Jethro. Please, come in.

[The first room seems typical of what I would expect a station in the middle of the swamplands to look - a cot, couches, radios and locked long glass-paneled cabinets with guns. A large metal door on one end leads me into the next room, and this one is different. Computers, rows and rows of filing cabinets, and haphazard piles of paperwork on a laboratory benchtop that yield to clean, colored tape-zoned areas holding glassware, boxes of “Vacutainer” tubes, plastic racks. A well-used benchtop centrifuge in the sun-bleached cream and baby blue colors of equipment from the 80s holds tubes of separated liquid – clear on top, a strip of white, and deep red at the bottom. Another metal door on the opposite side leads further into the building. He gestures to a somewhat empty table with a chair on either side.

Jethro’s accent is slight but noticeable, quiet but gregarious. He doesn’t sit yet, but fumbles with a kettle and a hot plate.]

J] Don’t get many visitors out here. Pardon the mess. Tea?

M] Oh. Please, actually.

J] Yes, ma’am. The people above my head tell me you’re here to ask questions.

M] That’s right. I saw the, uh… immunization posters in the Virginia site I toured.

J] Oh, sure. That’s been routine for decades, now. Since they were developed in the 50s. Lots of progress, of course, but always lots to do. Half the issue’s the paperwork, you know. But, uh, yeah.

M] Does everyone get immunized?

J] If I had my way, yes. That’d be the right way to do it. But no, it’s only really required for so-called high risk zones, that’s what they decided.

[He gives me a wry smile over his shoulder.]

J] This here’s a high risk zone, ma’am. But…you won’t be here long enough for it to matter.

M] …here’s hoping. Umm. I had a list of questions.

J] Top of the list is probably “Jesus H, they’re real?”

[He laughs briefly at his own joke.]

M] …my work is more about the efficacy and efficiency of the Office’s divisions, departments, and programs. But yeah, kind of.

[He pours the hot water into two teacups, and hands me one, sitting on the opposite side of the table. His cup looks comically small in his large hands.]

J] Get the feeling you’ll be asking that a lot in the next months.

M] I do too. Let me see… what is the objective of the… Abnormal Virology Department?

J] So our mission statement is about the research, control, and prevention of diseases – viral diseases specifically, but other stuff comes up, but y’know, that’s another story – uh, diseases that fall outside the Office’s definition of “normal,” and our big goals hopefully are curative or preventative treatments for those diseases. It’s a tall order.

M] And… lycanthropy is a virus, like the flu?

J] I mean, as much as any virus is like another. Each one’s unique, even the flu subtypes, but yeah. If I may use some jargon,

[He pauses with a hint of eagerness for affirmation before continuing.]

J] It's a lysogenic virus, so if you get infected, it integrates into the host genome, more like, uh, I guess herpesvirus is one most people would know. Once you get it, you got it for life because it hides in your DNA. Like herpesviruses too, you have lytic phases too, where it becomes active again, it emerges out of the genome based on cues from environmental pressures or host conditions. Like the phase of the moon, you know, which is kind of unique. When it’s not actively causing disease, when it’s just sitting in your genome at these sequence specific integration sites across the chromosomes, it also screws with normal gene regulation. The sites it sits down, you get dysregulation of normal transcription, you start growing more body hair, eyes change color. Where the virus integrates is a little different across host genetic backgrounds, think like ancestries; do you know SNPs?

[He clears his throat.]

Anyway, that lysogenic, passive phase is why we need the boosters, it’s laying low, immune cells don’t see anything to protect against, and it preferentially hides out in memory B cells, some lymphocytes, and that also kind of messes up a normal immune response. Which is why you have the immunoglobulin in the shot too, but that’s getting into the weeds. Because if you don’t have a way for the immune system to stop it quickly when it decides to jump out of the genome again, then, of course, you have the active phase, which… you can guess about that.

M] How successful would you say the treatments are?

J] It’s pretty good, especially given this stuff is almost the same as we were using mid-century. If you have a healthy immune system, if you’re vaccinated at least a few weeks before exposure, so you have your standard immune repertoire ready to go, and then they’re exposed – assuming the inoculum isn’t, you know, that can be pretty high sometimes – then they probably won’t “catch it,” so to speak, it’s neutralized and doesn’t integrate into the genome, so you don’t have a permanent case of it. We can also suppress symptoms with treatments for those with especially bad cases. Treatment’s kinda heavy, with the administration and the side effects; not like you’re just popping a pill under your tongue; but once it’s taken hold, there’s no, uh, no real cure.

[Jethro is quiet for a moment, taking a glance out the window as he drinks.]

J] … listen, ma’am. I’m biased. I got a personal stake in all this. I’m kind of a lab guy, sure, but sometimes I go out there and actually… you know. I’m the boots on the ground here too. And I don’t carry the big guns like the guys in Security do, no, I’m here giving out shots to kids and families. There’s communities in this country, whole towns out in the swamps or up in the hollers that are majority-infected. They live with it, they make do. And they have a chance at that, at life, because of us. Hard to quantify, of course. If you’re looking for hard numbers, I can try and find ‘em–

[He gestures to the filing cabinets.]

J] If you got a week or two.

M] We can… coordinate records later. But we’ve successfully eradicated things like… you know, smallpox. Can we eradicate things like lycanthropy?

[He gives me a strange, wary look and picks up a plastic knife from the table, oddly stirring his drink. I take a sip of mine.]

J] I’d be careful, talking like that. Lotta people don’t just think they’re sick, they- we’re talking about people. People with a condition, sure, but the minute you start talking about eradicating is when we start having camps again.

M] … again?

J] There’s rural areas in this country that the Office hasn’t been in for decades. We aren’t welcome.

M] Can I ask what happened?

[Jethro takes a deep breath.]

J] In ‘55, the United States rolled out its polio vaccine program. Of course, the Office used the infrastructure, hustle and bustle of the whole thing as a cover for our own lycanthropic treatment programs. We, and when I say “we,” I mean the Office in general of course. I wasn’t even a pup then. But a couple Office research groups, the Wagner lab, they’d done deep research into the condition, validated a few hypotheses, and they were ready to pilot the production of a vaccine. They just needed plasma. From infected hosts.

M] … I think I see.

J] Yeah. Yeah, back then infected folks were basically ignored unless they were in legal trouble. Legal personhood hadn't been extended to lycanthropes yet.

M] Legal personhood?

J] Ask Ferd about that when you get back to Virginia. Unfortunately, that plasma was taken from… people who didn’t volunteer. Inmates at first, murderers. But scaling up collection, then it came from people who stole some cows, and then people who were even just accused of things. When the Wagner people showed the shot was actually working, the Office needed a lot more to even think about rolling it out everywhere it was needed, and people weren’t really volunteering, so…

[He sighs.]

J] We shouldn’t have been surprised when a lot of communities then rejected us after that. Word travels fast, and the symbol–

[He taps the OPN crest on his badge.]

J] –became the mark of the Beast. Figuratively. It’s been decades getting to the point where we can help people, and pardon my bragging, ma’am, but it’s people like me who are the reason why we can. Part scientist, part… social worker, I guess.

[The phone rings, and Jethro slides over on his rolling chair to answer it. He seems immediately worried, and after a moment of conversation he hangs up and rubs his face.]

J] Real sorry ma’am, gonna have to cut this short. I know you had a long trip. Maybe I can meet you somewhere that ain’t so out of the way.

M] Oh. That’s okay, Jethro. Um. How’s next Saturday?

[He rolls over to a calendar on the wall. July 2021.]

J] No… no, I’ll be needing a day or two off ‘round then. For the… weather.

M] …I think I see. I’ll call you, we can finish over the phone.

J] Probably for the best, ma’am. If you’ll excuse me, I got an emergency downstate. Small outbreak just confirmed, got some of that social work to do.

M] Should I be worried?

[He grins, throwing his labcoat onto a chair and pulling a dirty jumpsuit out of a pile.]

J] Hell no, ma’am. We’re professionals. Ain’t gonna be any rowdy gators causing any trouble.

M] …gat–

J] I trust you’ll see yourself out, ma’am.

(Buy the poster here!)

[drizzledrawings]

There’s a good man within you Arthur, but he is wrestling with a giant

[astearisms]

catalysts, protectors

[000marie198]

I don't care how excited it might make some people, I don't like this remake

[casscainmainly]

God this panel kinda drives me crazy. From Batman & the Outsiders #17, Shiva asks Duke about his suit, whether it was his choice. And how does Duke respond? He... doesn't. He parrots what is clearly something Bruce said to him, but never clarifies whether it was 'his choice' at all. Because both him and Shiva know it wasn't. And he acknowledges that his suit, with all the Batty-ness (ears, symbol), was specifically designed to make him like Batman.

Then Shiva suggests dark red, which is what Duke wore in We Are Robin and has connotations to Robin as a whole. Duke's reaction - can we let it go? - can be read in many ways, but to me it suggests Shiva's words hit home. He does miss the Robin colours. Becoming the Signal wasn't his choice, but becoming Robin was.

(And throughout this run, Shiva says both Cass and Duke are being held back by Bruce. With Cass this is a clear allusion to being Orphan over Batgirl, so it's not farfetched to read this conversation as being about how Duke was denied Robin to become Signal).

Duke-as-Signal is a symbol of 'people like Batman', but Duke-as-Robin was a symbol of youth, of community, of diversity and of choice. He was a Robin formed without Batman. I know there's no going back, but having Bruce choose the name, the suit, and the time of day that Duke goes out makes the Signal such a fraught identity. I love the yellow, the suit, and the daytime aspect, but I just wish they were Duke's choices, not Bruce's.

[l4tchk3y]

I thought it would be fun to draw Espio using a couple different weapons and it was. :3

[poorly-drawn-mdzs]

Bonus 13: Beware the Grapes of Wrath.

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[sualne]

egghead loof

[kelpermoosee]

My friend labeled this “toxic aromantic yaoi” and I couldn’t agree more

[erinwantstowrite]

will peter be like an older brother to miles in lof ?

absolutely he is

there's about an 11 year difference between them (Miles is 14, Peter is 25), so it's a lot more like the older brother type of relationship that Peter has with Tim (despite Tim being his uncle). Peter has mentored(ish) other young heroes by this point (mostly in the Bats' universe) but since Miles is another Spider-Man, Peter takes up most of the responsibility in making sure Miles is safe and teaching him the ropes. That's HIS sassy child genius, thank you, and he's not a sidekick, he's Spider-Man.

He was also adamant that Miles tell his parents immediately, and gets along great with Rio and Jeff.

Which is HILARIOUS to me because at this point in time, Peter has built up a persona for the public eye just like the Bats did. In Rio and Jeff's eyes, they're gobsmacked that the clumsy, scatterbrained, and "scaredy-cat" kid that Tony Stark adopted a while ago is Spider-Man. (Technically, none of this is a lie. Because Peter is a terrible liar unless it's For the Jokes, and often comes across this way even if he hadn't meant to.) They're wondering how he pulled that off since he's the same age as Spider-Man, who is known to be an Avenger, and associates in the same circles as Peter. It helps that Peter and Spider-Man have been in a social media war, and that Peter works at the Daily Bugle that is known for disliking Spider-Man. Peter's been taking lessons for years atp to keep his identity safe. Which is also bonus points to Peter, because the two can tell that secret identities mean everything to him, but he told them who he was in a heartbeat (literally the very first thing he did when he found Miles).

In other words: Peter was ecstatic to become a teacher for his own matching superhero kid and it's one of the most important bonds in his life. That's his baby brother now!!

[seagreenstardust]

I cannot believe the canon bkdk dynamic though.

Katsuki, completely whipped, 100% on board to spend the rest of his life with Izuku, living the dream as heroes.

Izuku, completely oblivious to his own worth, oblivious to how Katsuki really feels about him now, just so oblivious to it all.

[interstellarvacuumcleaner]

So. I was watching the RGG Direct, and then a ~Vision~ came upon me in Jima Jima chat after talking about how NishiMinami would sleep on Goromaru...

behold: that one piece screencap but Goromaru crew quarters ✨

[shitpostingkats]

Let's think about this whole series of events from Nahyuta's perspective real quick. You're doing your normal work things (you travel a lot) when suddenly out of the blue your little brother who you've kinda resigned yourself to never seeing again shows up AT YOUR JOB. And you both have a lot of issues regarding this so you don't exactly talk but it's still wild it happened. Well time to leave the country and probably never see him again. Except you go back home and this american tourist is at your office and he's like hey I heard you were picking on my employee. And it TURNS OUT your little brother not only went into the same field as you (makes sense), he also works for this random american guy who for some reason is in your home country on vacation (makes less sense). Just when you think things can't get any worse, your second dad breaks out of prison, shows up to your work and calls you by your dumb childhood nickname in front of all your coworkers.

[namisweatheria]

One Piece means a lot to me as a disabled person, which I think would be pretty surprising to anyone who only has a surface understanding of it. The supposed central theme of "follow your dreams" would be pretty alienating to someone like me, right? It really, really would be, if that's what it was actually about.

However, that ignores that Luffy's dream is to be the most free person in the world. And to attain that goal, the first thing he does is find friends to live life with. Over and over again, from the very beginning, he takes on their burdens, all in the name of being the most free.

Do you see what that would mean to me, as someone who needs more help to get by than is considered culturally normal, to the point that it puts me in a whole socially manufactured category of "other"? Not to mention, because of the infantilization of me due to that category, because of being forced so squarely into the "cared for" role, taking care of other people is deeply meaningful and empowering for me. However, the myths of independence and universal natural ability often make it emotionally difficult for my loved ones to accept that care.

The fear of asking for help, the guilt of being cared for, the weight of someone you loved who could not be as free as you, the insecurity of not contributing enough, the fear that you were born wrong, the self-hatred that says you are not worth the effort, Nami Sanji Zoro Usopp Robin Chopper Ace they all explore the painful obstacles to free connection. Through deeply impactful stories that weave beautifully into the larger one.

All centered around this one person who views loving them and living with them and carrying them as essential to his freedom. Who cannot, for countless reasons, live a normalized life of Structured Relations. Who views exploring and bickering and suffering and laughing with them as the ideal way to live. Who repeatedly puts his life and limbs on the line to do so.

To me, it is an ultimate privilege and freedom to carry other people's burdens. To care for them and live with them. This is central to my whole perspective, and is completely informed by my life experience as a disabled person. I rarely see it reflected back to me. Let alone as powerfully and beautifully as Luffy does.

Nor the other half of it, of wanting to create this life with people in ways that aren't socially normal or approved. Of creating many varied lifelong intimate relations among equals, rather than conforming to the expectation of choosing One Person to live life with and then Creating More.

The utter lack of roles and norms is just as integral and powerful to the exploration of freedom and connection! It is meaningful to me as a queer person, yes, but even this is deeply influenced by my disability. I could never be that One Person, despite everything I have to offer, there is logistically far too much that I cannot do to be someone's equal partner in this society that demands so much from all of us. However, even if I could, I wouldn't want to! It doesn't make any sense to me to only have two people navigate life together on such intimate terms. Can't the demands of society be more comfortably met in a group? Isn't life more fun that way?

We are taught that we can and must do everything ourselves, I just happen to be one of the people that never had a chance to buy into that lie. To learn very early not just the necessity of interdependence, but the joy in it. To learn that it is most comfortably lived with more people involved. To me, close relationships are, love is, a natural extension of that understanding. One Piece celebrates interdependence constantly from the start, while never pretending that it is always easy.

The obstacles to free connection that I mentioned before, they are interspersed throughout the story, and they are always met with "I do the things you can't do, and you do the things I can't do." With, "Of course I can't use swords you dumbass! And I can't cook either! I don't know a damn thing about navigation! And I can't lie!"

These are intentionally impactful moments, and they define the series. I found it very fitting that the Fan Letter focused on a character who was empowered by Nami to feel free and live adventurously despite not being the most physically capable. The character is able by our definition, but the story is very affirming in a disability way, and it was extremely One Piece. I loved how it acknowledged this deep connection between One Piece and the lived reality of disability and celebrated it as integral as it is.

I also believe that absolutely none of this is intentional. It is simply an earnest exploration of human relationships, emotions, and behavior, and it naturally arrives at a radical and disability-affirming viewpoint. Because we are the monkey wrench in the deeply unhealthy (lol) and dominant line of thinking that independence is all. So naturally anything that also disputes that thinking has a disabled-perspective feel to it. The best part is how much it doesn't give a fuck! One Piece is aggressively against conformity in human relationships, in a way that is hard to find in our new world of self-conscious authors.

It's also, you know, the worst part, in terms of all the outrageous bigotry and offensive character design, but god damn it if it doesn't elevate the good parts to unbearable heights. Even the bad character designs can sometimes be more impactful for their intentional "ugliness", when those characters are inevitably taken seriously despite their appearance and the stereotypes they play on, it hits hard every time. I do have a simple hatred for many choices, there is no pay-off for much of the awful problems in numerous character designs and dialogue. But no matter how upset I can be by those things, in the end they can't succeed in pulling me away from One Piece. It's just so crazy and unique and great and terrible and beautiful and I LOVE IT.

[topnotchquark]

Nico saying that Lewis gives his daughters boxes of presents every Christmas just got caught in my mind.

Imagine you were a mixed race boy born in Hertfordshire, different from everyone else around you. Bullied in school, being raised by your father to compete in a sport where money is very much of essence and you and your family do not have a lot of it. And then you meet this other boy who comes from the kind of life you dream to live one day. You're friends and fierce competitors. You find solace in each other. You visit Monaco for the first time with your friend, dreaming up the life you will have when you make it, when you beat out of the mould that the world thought it could capture you in.

And then you two grow through the ranks and you're at the pinnacle of your sport and you have what it takes to win and the world recognises that you can win. And you win. You win with your friend and fiercest competitor by your side fighting with you for those wins, and this fighting ruins something something that was valuable to both of you when you were still innocent and unsullied by life.

But despite everything that went into the doing and undoing of this relationship, you still realise that this person you once called a friend has a life and family beyond your bitter dynamic. He has children, and children need love and affection and good memories. And you're a better man now so you understand that. So you make sure the kids get gifts on Christmas. And you make sure of it every year. Afterall, if you met someone you loved deeply when you were both kids, wouldn't you feel a pang of nostalgia when they had kids. Wouldn't you try to extend the warmth that you couldn't find for your friend to his children. Afterall, whatever happens during childhood basically remains with you forever.

[rigginsstreet]

The thing about billy is that he was marked for death the second his mom left him with neil.

He was either gonna die by Neil’s hands or, as we saw on the show, he was gonna go down such a self destructive path it would send him into an early grave of his own making.

So him dying at 18 isn’t really shocking. The part of it that was never written in the stars for him previously is that in his final moments he got to take some of his power back. He made the choice to stand against his abuser (the mindflayer) in the name of saving someone else. He got to fight back against the thing controlling him and contribute to its demise. Something he likely would’ve never gotten a chance to do with neil.

The tragedy is that he dies anyway, and no one can even give him the courtesy of acknowledging what that tragedy is. Not the writers, not the fandom, not the characters within the show.

His death becomes Max’s tragedy, it can’t even be his own. Nobody cares what billys death means in the context of billys life. Just like how nobody cared about billy when his mom left or when his dad was getting physical with him or when he started lashing out because of the abuse.

Nobody ever cared for billy, so why was he expected to care about anyone else?

He was never treated as a person, just a presence. And an inconvenient one at that. So of course he was never gonna make it to a long fulfilling life. And nobody ever thought to step in and intervene because well, Billys a problem, right? So what does it matter if he’s gone?

And you start to realize how inherently cruel the entire stranger things narrative is because there’s a clear line of people “worth” saving and those who aren’t. And if someone’s too much trouble then well, they’re expendable.

Billy was too much trouble for his mom to make her clean escape. He was too much trouble for not fitting in to Neil’s ideals of the perfect son. He was too much trouble for max as a brother. Too much trouble with all the rage and hate he had built up for the world around him for not protecting him.

So in the end, really, what was left for him to do?