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lotusarchon · 2 months ago

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nezha is a child in the show isn't he? why are you shipping yourself with a minor and writing romance with him?that's so creepy,,,, how are you talking about dynamicsimp when you're doing worst 🤮

Found this cute Nezha fanart anyways

I knew I had to deal with one of y'all eventually but I didn't think it'd be this soon. Damn, at least let me hit 100 followers first 😞

Anyways uh. Nezha's first introduction in season 3 came out in like, what, 2022? I'm assuming it is, because I started LMK in March of 2023, before s4 was released and already found the show up till s3 by then. S5 just released this year, of which we've seen a weird increase of Nezha screentime of which I'm not complaining.

Point blank. The Nezha age controversies are getting old and boring. New fans and old fans need to chill out with those issue about the age business.

1) It's confirmed the Lego Monkie Kid version of the deity known as Nezha is an adult.

2) This is a god of an Eastern religion who is still very much worshipped to our modern day. If you did your research, you should be able to take note that Nezha isn't only seen as a child god, but even portrayed as someone older. I'm not a Daoist nor Chinese, so I advise you check this blog ( @/ruibaozha ) for more information on the subject matter.

3) As is the case with modern media and adaptations, different shows will portray religious figures according to what works for their plot. In the movie Nezha 2019 (forgot the title whoops), Nezha is portrayed as a child, as we are seeing a comedic but angsty interpretation of his origins. In the Legend Of Hei, we see him portrayed as a child, assuming for comedic purposes and to bond with the MC Hei.

3.2) If LMK wanted to portray Nezha as a child like his appearances in Journey To The West, and the Fengshen Yanyi (?), you must understand then his design and personality would've been portrayed more childish or at the very least a mixture of mature and childish. We can see this by comparing LMK Nezha and TLOH Nezha = both are stern but where one acts, looks and often shows childish traits, the other acts like an exhausted 25 year old who needs therapy. LMK HAS made children in the past, as we've seen with the Lady Bone Demon's Host and in season 1 a few kids here and there as background characters. If the show wanted Nezha to be a child, I'm certain they would've given him a similar model.

4) If in the instance that, let's say, the god known as Nezha was a child, and LMK Nezha is an adult, you SHOULD separate fiction from religion. Do keep in mind that Sun Wukong is still very much worshipped, however, I have seen fans, in and outside of LMK, who have written heavy NSFW and simped for him. A god is not the same as a fictional character, because by that logic we shouldn't be simping much less writing NSFW of Wukong either, given his story in JTTW where he becomes a Buddha.

5) I do not like proshipping much like any sane person. I also HATE aging up minors in fiction just for something like self shipping or to write nsfw. I have been in fandoms before this one: Jujutsu Kaisen, Tokyo Revengers, and My Hero Academia specifically, and it makes me uncomfortable seeing porn written of actual minors with excuse of them being aged up. I'm not so hypocritical I'd dare to want to do the same, not when I'm uncomfortable with anyone else doing it. If LMK Nezha was a minor, and there were sources to even prove as well within the series he's a child, then obviously, I would NOT be shipping myself with him, much less write romantic/nsfw content with him. I'm an adult, and I don't feel comfortable with minors in general, so why would I want to write romantic content about a FICTIONAL minor??

If you can find any source that proves me wrong, I'd like for you to do so. But until then, you, and everyone else who still wants to entertain Nezha's age; please stop.

I get it. Some of you like to headcanon him as a child so as such, seeing content with him as romantic or nsfw is uncomfortable. I understand, I do; I headcanon Mei as an aroace lesbian so sometimes it's uncomfortable finding any kind of content with her being paired with others. I do understand where you're coming from with your discomfort.

But I feel like, considering season 5 and hopefully if there's a season 6, the whole thing is just dust now. S3 must've been released in 2022, so it's been nearly two years since Nezha's appearance in the show. People headcanon he's a child, and people prefer to like the confirmation he's an adult. We get it, that's what fandoms are, different views etc.

But calling people proshippers or creepy or pedophiles for not adhering to YOUR headcanons is not only fucking stupid, it's just hilarious and way too old, AND just...boring. Especially considering I feel uncomfortable around minors and hate proshipping with a passion. There's genuinely nothing wrong with liking a headcanon, but if someone likes something that isn't problematic and doesn't adhere to your preference, I think you need to breathe a bit.

I was saving this off for last however, you hit the nail on the coffin with this. There is a literal document talking about the disgusting actions of DynamicSimp. If you still choose to like them that's fine, but forgive me for pointing out how hypocritical it is for you to bring up the person who purposely shared porn with minors to someone who avoids minors like they're the rat plague of the Middle Ages. 🤔

"you talk about DynamicSimp but you're doing worst"

Do you mean writing porn for a character who is confirmed to be an adult? Do you mean ensuring that my 18+ blog isn't found by minors and if it is I'll block them? Do you mean supporting someone who's harassed others about Nezha's age?? Do you mean being an absolute creep around children?? Do you mean breaking the boundaries where people have clearly expressed discomfort? Do you mean romanticizing abuse amongst other things for an au clearly being consumed by minors with no regards or wellbeings?

I wonder who's the worst. Me, the adult who only recently turned 18 and has limited his interaction with minors outside of family members, or the however old they are person who has a literal document and their victims speaking up about their actions, and who to my current knowledge has not spoken up about this and is still posting and carrying on without a care in the world?

Well zoinks Scoob, guess we're not making outta this one alive 😟

Edit: .....*disappointed sighs* I think some people really oughta chill out in my comments. Anon, I blame this on you 😭 why did you bring this here holy fucking shit dawg.

Alright. Alright uh.

Okay, so while I do appreciate being told the reasons as to WHY Nezha was "aged up", because a writer wanted to justify shipping Wukong and Nezha...I feel like the entire, "ah, but this says, and that says here-" about Nezha's age is just ridiculous at this point.

Yes, I understand, this is justifiably weird.

However.

Has anyone else refuted Nezha's age?? And I mean the canon show writers? Has anyone working on Lego Monkie Kid made a statement saying: "This person is disgusting, LMK Nezha is a child." Because, respectfully, unless canon sources provide information on it, I'm not going off based on the fandom opinions.

I'm not happy I have to edit this post to add this, much less try to explain anything, but, oh well.

1) "Ali, you're just trying to justify yourself and keep writing for a child." Listen. I've been groomed and dealt with fucking weirdos my entire life. Trust me when I say whenever I hear about proshipping it SICKENS me to the core. I HATE proshipping. I don't care what the excuse is, proshipping is disgusting.

I'm not mentioning the interesting fellows in my comments because it's pointless and honestly to make drama over this is stupid. But I was given some context to understand where they're coming from, and I do in fact appreciate it. Justifiably I don't blame them for their annoyance/disgust towards the writer Sarah (?).

What I will say though; typically in a situation like this, I'm certain someone in the team would've made a statement about this to explain that the writer is wrong. I'd assume at least one writer, someone OFFICIALLY on the team would've denied this proclamation of Nezha being an adult. I have not seen ANYTHING that says the show denies Nezha being an adult.

2) My friend, who was also in the comments (hi), is a native Chinese and a Buddhist for six years. I also have another friend who I'm not mentioning but ALSO is Chinese and WORSHIPS Nezha. They have more knowledge than someone like me does have on this matter, and I find it really odd how people immediately cite wiki and website sources to say, "Nezha is an eternal child!", and, "No where else says Nezha is an adult."

As I've said. If there are sources including the staff from Lego Monkie Kid that claims Nezha is a child, then I am more than willing to delete any content I've made with him. Full honesty, I have no intention of keeping any content with canon, confirmed minors on my blog.

But not only have I found anything that says the official story writers deny Nezha's an adult, but my friends, who are again, both Daoist and native Chinese, are aware that he ISN'T an eternal child.

If you are Daoist and/or worship Nezha, then by all means you can tell me that what I'm doing is wrong and correct me about Nezha's age. I'm willing to listen. If you also find information where the writers claim Saraha is wrong for her statement, provide it. I'm a person that likes reasoning, and I'm willing to see reason.

3) "Ali, you're not gonna see reason you're just trying to defend yourself again-"

Okay, backstory time: last year when I joined LMK, when I myself was a minor, I thought it was okay to write nsfw content for the character who was Lady Bone Demon's Host. My friends at the time did not tell me what I was doing was bad, so of course I kept it up, until someone pointed out that Bai He (fan name) is actually a minor in the show and was also confirmed by the show's producers. I felt so disgusted about it I deleted all my posts made on my old AO3 about her (which is faeriicrafts and still up surprisingly) and offered a sincere apology to the fandom about writing nsfw content for her. I changed and learned, and now I feel grossly uncomfortable seeing anyone writing nsfw for her despite the canon confirmations.

Justifiably, if more information about Nezha is released within Lego Monkie Kid, of which it's confirmed he's a child, I am more than eager to delete everything I've written about him, and even apologize again for writing nsfw with a minor.

To be honest, I just feel uncomfortable with the comments who are denying actual Daoists for the sake of; "I've done my research, no other sources has said Nezha is an adult, you're lying about worshipping him!!"

It's uncomfortable and really off-putting how you can tell someone that about their religion. Yes, this is for you specifically, that one commenter who jumped in and on my friend. Even if she has long since stopped worshipping Nezha, she very much did once. And I've gone to actual Daoists to ask more information about Nezha and the religion in general, who has in fact confirmed Nezha isn't just a child. I get that this is the internet, people can lie about anything. But it's still uncomfortable, solely because had anyone else claimed they're Daoist or ex Daoist and agreed with your opinion, you wouldn't have said that.

I'll reopen my comments within a few minutes, but don't be a disrespectful cunt. And can you maybe not deny someone about their religion? Even if you don't believe them, that's genuinely not an excuse. Because I know damn well, had she agreed with your statement, you wouldn't have pulled that.

Gods. I can't say I'm not surprised, but I'm just impressed about the lengths people will go for something.

Anyways, I've said my piece. If official show writers (because my Daoist friends have already told me what I needed to know) claim Nezha is a child, I'll delete my stuff with him. If not, then I'm not stopping posting Nezha content.

Toodles.

#ㅤㅤㅤໂ♥︎̼̻𓈒ིུ𖥨᩠ׄ݁ field of flowers 🌸#anon #lmk nezha #third lotus prince nezha #monkie kid nezha #nezha x reader #nezha fanart #nezha #lego monkie kid #monkie kid #sun wukong #shadowpeach #yandere lmk x reader #this shit is old news some of y'all need to genuinely rrlax #*relax ffs #but fr relax and chill out dawg

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yumeka-sxf · 10 months ago

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Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]

Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅

But before I get to the summary, a few notes:

I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!

I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.

And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!

Again MAJOR SPOILERS BELOW!

The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.

At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.

As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).

Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.

They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.

Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.

Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.

They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.

The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.

There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.

Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.

Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.

The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.

Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.

From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.

Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.

He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.

The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.

Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.

Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"

Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.

At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.

Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.

In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...

Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.

Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!

Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).

Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.

Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.

Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"

Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!

Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.

Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."

Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.

Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.

Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.

He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.

Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.

Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.

Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.

Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.

Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.

Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.

The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.

Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.

Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.

After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.

The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.

Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.

As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.

Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.

At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.

After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.

In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.

Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.

Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"

Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.

As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.

The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.

Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.

Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.

Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.

Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.

Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.

The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"

Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.

Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."

The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."

At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.

Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.

At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.

Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"

Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"

-----

Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!

Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!

#spy x family #spy family #sxf #spyxfamily #loid forger #yor forger #anya forger #bond forger #twiyor #sxf spoilers #sxf movie #sxf movie spoilers #sxf code white #spy x family code white #sxf anime

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echoingspectrum · 5 months ago

Text

𝑇ℎ𝑒 𝐺𝑎𝑚𝑒𝑟'𝑠 𝑃𝑒𝑛𝑐ℎ𝑎𝑛𝑡

☆ pairing : gamer!streamer!dan heng・character!reader

☆ synopsis : how does it feel to be in dan heng's shoes and vice versa?

☆ word count : 1.1k words

☆ cw : ooc!dan heng・that's all~ here's the headcanon!

⌗ Oh, how the tables have turned~ Instead of the usual gamer you and character Dan Heng, this time it's the other way around, with Dan Heng behind the screen and you as the newest character that developers have introduced to the game in the early version.

⌗ I imagine Dan Heng plays Honkai Star Rail 24/7, so he knows every lore like the back of his hand. He must have a deeper understanding of the game mechanics and its attributes, creating a sense of career for this game. Like a cute nerd he is~

⌗ Not only is he a gamer, he's also a streamer. He streams moderately, sharing tips and tricks with his fellow gamers, but he is known to stream Honkai Star Rail contents. He enjoys engaging with his audience and discussing strategies, making him a valuable resource for the gaming community.

⌗ He even streams with his fellow streamers, especially with Caelus. They often get labeled by the viewers as the chaotic duo due to their dynamic and entertaining banter during gameplay.

⌗ Now, let's proceed to you~

⌗ With version 2.4 approaching, there was a leak of your character saying that you'd be one of the important figures of one of the Xianzhou Alliance, and everyone was suspecting that you'd either be one of the swordsmen or the arbiter-general, similarly to Jingyuan or Jingliu.

⌗ Do you know the Silhouttes marketing drip that the HSR developers posted? There were eight of them⏤including you. Ever since the new March 7th drip marketing, everyone has been hyped for the following characters that are soon to be released.

⌗ There are four characters hailing from the Yaoqing, others from the Zhuming, and March categorize in Luofu. One in particular that caught their attention is your silhouette banner, which illustrates your figure with your desired weapon in your grasp, bird crane origami surrounding you, and a subtle winged dragon shadow hovering in the background.

⌗ Meanwhile, Dan Heng, being one of the lore fanatics, has speculated that you may be one of the Vidyadhara species like Bailu⏤Correction. He's not just speculating; he's certain of his theory. Despite the lack of the draconic features in your character, you're somehow linked to the Vidyadhara race.

⌗ The developers dropped an animation where the five high elders of Vidyadhara are shown, and one of them bears a striking resemblance to your silhouetted character. This has sparked even more speculation from Dan Heng about your true identity and affiliation to the Vidyadhara race.

⌗ Despite you're in a cameo, Dan Heng is captivated by your character design; it's aesthetically pleasing to the eye. The developers must increase their efforts to include more details about your character in future updates to satisfy the demands of players.

⌗ Although he notices that you lack the draconic features present in the other high elders, this would mean that your hidden role must be disclosed in later updates.

⌗ While streaming, Dan Heng nonchalantly talks about you and the design itself, even theorizing what unit you will be in the future and the most effective relics that would give you massive damage.

⌗ Do you guys know those informative videos where content creators break down every aspect of a character's abilities, potential damage, which lightcone suits them, or what pieces of relics would give them a buff? Dan Heng is one of those, except he's quite immersive when it comes to you.

⌗ The audience quickly notices how passionate Dan Heng is, and they labeled him as a SIMP for you. He himself hasn't noticed how well absorbed he is into you, which is terrifying to say the least.

⌗ Imagine the day when the new patch was released and Xianzhou had added a recent interlude story mission, which somehow ties to you and other characters, and Dan Heng immediately logged in to the game with breakneck speed.

⌗ Do you guys know that every time a new story is added to the game, there's the main cover of the chapter? Where are all the major characters going to be included in the story? Yeah⏤that's basically what Den Heng is seeing right now! There's a midnight-isque backdrop, and the characters are having a smile on their faces, enjoying whatever the heck they are doing. But that's not what Den Heng is focused on.

⌗ In the corner of the cover, there's a suspicious figure in a clay blue colored cloak that seems to be hanging around with several children who are all circling around the figure. Squinting his eyes, he sees a tuff of your hair out of the cloak. He's now certain that you'll be part of the story somehow.

⌗ During the story, Dan Heng ( he's streaming the walkthrough ) secretly basks at every moment of your screen time; he screamed internally at your first appearance⏤or every time of your appearances; he would take a minute or so to glance at your expression and design every chance he gets. His fangirl moment.

⌗ Your voice was pleasant to hear. The audience started to spam him with SIMP texts in the chats or even memes due to his not-so-subtle, flustered reactions. Overall, he enjoyed the mission story. Because you were in it.

⌗ Now, he's waiting for anyone who leaks your gameplay.⏤Who am I kidding…HE'S THE ONE WHO LEAKS YOUR GAMEPLAY AND IDLE ANIMATION. He may seem to be a reserved guy, but mentally, he's zealous. He enjoys and approves your gameplay and animation because they are appropriate to your character and your aesthetic.

⌗ One of your idle animations consists of creating a bird crane origami and letting it fly away, watching it with awe. A unique feature of this is that for each bird crane origami you've created, different colors and patterns are displayed.

⌗ Another idle animation of yours is⏤since in your default form, you appeared to be human. Then clouds materialize and envelope your figure. With a burst of wind, it showed your Vidyadhara form.

⌗ In your gameplay, however, before entering the battle, you were still in your default form. Following entering a battle, you've changed into your Vidyadhara form, draconic features and all. Similar mechanics with Firefly/SAM. Your author is biased when it comes to dragon-based characters. I'll let you imagine your basic attack, skills, and ult.

⌗ Once your banner is dropped, oh boy…Dan Heng is going to E6 and S5 of you and your signature lightcone. AND HE FRICKING DID! Giving you the best relic and maximizing your talents. Every battle he encounters, he always wins, and hearing your triumphant voice line, he's proud of himself. This guy is fucking devoted y'all. If only I had money, then I could E6 Imbibitor Lunae.

⌗ He subtly boasts you and your build to his viewers and his fellow streamers. Caelus lost his 50/50 in your banner and got Bailu instead, but at least it's also a Vidyadhara. Overall, Dan Heng adores your character and loves to see more of you in the future patches.

#☆ echoing depths #honkai star rail #honkai star rail x reader #honkai star rail x you #hsr x reader #hsr x you #character x you #character x reader #dan heng x reader #dan heng x y/n #dan heng x you #x reader

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iliveforyouilongforyouvesuvia · 1 year ago

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The Arcana HCs: How M6 act when they're sleep deprived

Julian

What do you mean? This is his permanent state of functioning, MC, he wouldn't know who he was if he wasn't exhausted

Now give him back his coffee. He wasn't done with that

Julian's version of properly sleep deprived is akin to a normal person's version of "so close to dead they've never felt more alive"

You'll only know he's at the true edge of his exhaustion when his eyebrows reach a new height of bushiness and his pupils dilate to two tiny pinpricks of black in a sea of shaky grey

His normal eye will be so bloodshot that you'll have a hard time telling which one needs an eyepatch over it

Be prepared for the theatre kid plague doctor version of zoomies

Were you hoping to read your book quietly? Not anymore!! Allow him to spice up your story by assigning different voices to your beloved characters and loudly reading them from atop the table

Better yet, watch him vault from the table to the windowsill as he demonstrates the dashing hero's getaway!

The plot takes a turn as the book goes flying into the sink and he continues undaunted, improvising a three person fight scene with the lid off your soup pot and the fire poker

This ends when you either guilt him into bed or he crashes mid-sentence

Asra

To say that they don't take well to being sleep-deprived is an understatement. They exist in a constant state of "just rolled out of bed and will happily roll back in." Life revolves around sleeping in

He can lose an hour or two of sleep here and there. It's not even super unusual for him to accidentally stay up into the wee hours of the morning because he got stuck in a curiosity spiral

But they usually make up for it with cat naps through the next day. When that proves impossible, though -

There's no nice way to put it. He's grumpy. Irritable. His tendency to make sarcastic, cutting comments about things he doesn't like increases tenfold

Their hair gets frizzy, the annoyed wrinkles around their eyes could rival an elephant's, and their usual easygoing expression is replaced with a scowl so deeply disgusted by existence that it rivals Muriel's

He doesn't yell or snap - no, he just stumbles through the shop with his hair in his eyes and a random object in his hand (is that a half finished rendering of the Palace carved on a banana peel?)

Be prepared for them to mumble out all kinds of hilarious swear combinations as they give you their real opinion on yesterday's finnicky shop patron. They'll read her outfit to filth

Nadia

She just gets stressed and depressed

And depending on how bad the deprivation is, slightly panicked

First she gets stuck asleep for literal years. Then after waking up she can't sleep enough, thanks to headaches and nightmares. She's just so done with the discomfort of it all

She also associates you with being able to sleep in a way that is safe and restful, so you're about to become a personal stuffie

If you complain, she'll immediately apologize and leave you to go about your day. Otherwise she doesn't realize what she's doing

You're coming with her. Everywhere

She's either got your arm looped through hers, her hand holding yours, or (depending on your height) your shoulders tucked firmly into her side while she runs her fingers through your hair

She will instinctively tighten her grip on you if you squirm

If she gets too lost in thought while she tries to get her tasks out of the way, she will bodily pick you up and carry you from room to room like an animate teddy bear. You are her comfort item now

Forgets to verbalize her thoughts. The plan is so clear inside her head, no need to pause to enact it

Which is how you ended up plopped on a horse with 0 explanation

Muriel

Oh dear

His anxiety skyrockets. Sleep is his coping mechanism for an ugly world. Sleep is an escape. And now sleep is ... unavailable???

His personality slowly shifts. Is he still grumpy? Yes, but faster now. Without access to the thing that helps him feel safe, he's full of anxious energy to the point of becoming frantic

Starts obsessively doing everything he can so that sleep is possible again. Is there a lot to get done? move out of the way.

Is it insomnia? He's trying everything from filling the hut with myrrh to making an uncharacteristic march into town so he can raid the shop for remedies while Asra looks on, jaw on the floor

He'll do anything, just let him sleep

Absolutely refuses to have anything to do with alcohol to make him drowsy, though. The same goes for any type of strong sleeping enchantments, medicines, or potions

He wants to maintain control over his body

It was a strange experience to come back after a day out to find the entire hut rearranged, with a borderline manic Muriel pacing the floor and muttering to himself about "something soothing"

Apparently that was you, by the way, you were all he needed. He took one look at you, heaved a sigh of relief, and then dozed off to the sound of you puttering around

Portia

For someone who's usually so cheery and on top of things, she gets really mellow and spacey - almost childlike

You will have to repeat yourself up to five times before she's able to process your question and tell you that she moved your shoes to the closet because she needed to sweep earlier

Slow frog blinks, first one eye, and then the other

Keeps putting stuff down where it's not supposed to go and then completely forgetting about them

Why is there a wet bar of soap on her pillow. Why is there a teacup half-buried in the garden. Why is Pepi covered in flour

If the reason for her sleep deprivation is overwork, there's no chance of her getting anything more done until she's had a full eight hours of rest. She physically cannot focus enough

If the reason is just insomnia, she just gets sad. One glance at Pepi curled up into a cute little roll and snoozing in a sunbeam will lead to silent tears pouring down her cheeks and quiet sniffles

Gets so so sweet - she already is, of course, but to a whole new degree. If you bring her a cup of soothing herbal tea, she'll look at you like you're a fairy and whisper "thank you" while she cradles it

A good backrub is usually all she needs to conk out

Lucio

He values his beauty sleep and he is not happy when he doesn't get it. Do you know what it takes to maintain skin like his??

Loud and cranky but refuses to acknowledge why

He wouldn't feel this lousy just from not getting enough sleep! What are you talking about? This is clearly some kind of foul magic or sickness at work - check his temperature! Is that a fever??

He doesn't need sleep, he needs answers. Who's fault is this? Who does he need to beat up? Leave him alone!

Wait no no no he didn't mean that, don't leave him alone, MC please, he loves you, don't go (note: you haven't moved)

He knows what he needs to do. He needs to hunt down whoever or whatever is causing this misery and force them to put an end to it

It must be some kind of curse. Loud noises hurt his ears, the sun is too bright, his eyes are tired and itchy, his brain is full of fog, his whole body feels slow and heavy, this isn't right!

Maybe this is actually his cue to throw a party - no? Yeah okay, he wasn't really feeling up for one anyways

Which is clearly another symptom of the curse! MC, help him!

You'll have to change tactics and tell him that you'll only be able to help him kill the curse if he falls asleep so you can see his dreams

#ask arcana brainrot #the arcana #the arcana headcanons #the arcana hc #the arcana game #asra the arcana #julian the arcana #nadia the arcana #muriel the arcana #portia the arcana #lucio the arcana #asra alnazar #julian devorak #nadia satrinava #muriel of the kokhuri #portia devorak #lucio morgasson

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icanseethefuture333 · 11 months ago

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PAC: How will you celebrate your birthday? 🎂💓

It's my birthday month and I'm feeling festive so let's celebrate together!

Pile 1:

Shufflemancy -

It's Ya Birthday by Fly Boi Keno

Come Get Her by Rae Sremmurd (Angel number 333 is significant since the song is 3:33)

Twist & Turn by Popcaan ft. Drake & PARTYNEXTDOOR

Control, Gifts, Money, The Empress, Two of Pentacles, & The Fool

For your birthday you plan to do things your way! And if people can't get behind it, there's the door. "My highway or the highway!" You could have people follow a certain theme for your birthday. You will look very beautiful and stunning for your birthday, I can also sense a glow up happening for you! You could plan mostly how your birthday will go and will feel quite satisfied when everything falls into place. You will be strict when it comes to planning your birthday and will make sure everyone follows the rules, but when the day finally comes - you will have such a blast! I'm seeing overall abundance and fun adventures coming for you in this age. You will receieve plenty of gifts and money as well 🤑. You could possibly be a Taurus or Libra sign, pile 1.

Pile 2:

Shufflemancy -

Birthday by Anne Marie

Eternal Sunshine by Jhené Aiko

All My Friends by Snakehips ft. Tinashe & Chance the Rapper

Ice Queen, Long Distance, Travel, Nine of Wands, The World, & The High Priestess

I see that you have been through a lot this year, pile 2! Or have been through a lot in general. I almost feel like this bittersweet energy. You are appreciative of the lessons you've learned in life but also are mourning a part of yourself that's from the past. You might be moving on from something that you had to walk away and that was very difficult to do, whether it was a relationship, job, etc. With each story that ends, a new story beginnings. I actually see more opportunities coming into your life! You could possibly a water sign (Cancer, Pisces, or Scorpio). There is something significant about water here, the river or ocean specifically. I see for your birthday you will be celebrating near the water. You could travel overseas and vacation on the islands, or you could take a trip to the beach. I'm seeing that you will celebrating your birthday with a few close friends and family members. Your intuition could increase more during your birthday. You will notice many signs from the universe and you could possibly have an epiphany about your life purpose. You will mature gracefully in spirit.

Pile 3:

Shufflemancy -

Live Your Best Life by Joseline Hernadez

Post To Be by Omarion ft. Chris Brown & Jhené Aiko

Block List by Rico Nasty

Young Male, Dating, Beauty Queen, Two of Wands, Queen of Cups, & Four of Cups

Your birthday is gonna be pretty spicy, pile 3 😳! I'm seeing for your birthday you could have a date with someone you have been talking to or will meet from a dating app. I'm getting mostly hook up vibes but it will be fun and sexy 😋! You are looking to fulfill yourself sexually. I believe you are someone who has a specific fantasy and wish to bring it into reality. I don't see you and this person staying together, you might even block them afterwards 😭 (crazy 💀). You have high standards and know your worth, so you refuse to settle for less. You know you are beautiful and deserving of the best. This pile is all about getting their shrimp and lobster 😝

Pile 4:

Shufflemancy -

Birthday by Selena Gomez

Fergalicious by Fergie

Unconditional by Kehlani

Children, True Gem, Destiny, Two of Cups, Six of Wands, & Ace of Pentacles

I see self love playing a big factor for you on your birthday. You could do something that will honor your inner child specifically. You could be realizing how special you are, pile 4! There is an outpour of unconditional love towards yourself and the past versions of you. Self love, acceptance, and confidence is what you will be celebrating for your birthday! I see for this age you will be turning you will implement your dreams and goals into reality. Pursuing the destiny you have created for yourself. Well done!

Pile 5:

Shufflemancy -

Piñata by City Girls

Truffle Butter by Nicki Minaj ft. Drake & Lil Wayne

Sauced Up by Fifth Harmony

Passion, Open Relationship, Triangle, Ace of Cups, Three of Cups, & Justice

For your birthday, I see things actually getting pretty heated. There is some sort of tension between you and someone, whether it's sexual or aggravation, possibly even both. You could go out with your friends to a club to celebrate your birthday. I'm seeing drinking and alcohol, bottles with sparklers. I'm seeing also a scenario where your friends could fight for your attention. I'm getting like "no I'm their best friend!" "No I am!" Kind of energy. This could also be people who like you romantically. Everyone seems to want your attention on your birthday lol! You will have to be fair and make sure to keep everyone in consideration. You could even get people party favors for attending your birthday party or coming to the club to celebrate. You may pay for other people's drinks as a way to keep everyone happy or keep the party going!

Pile 6:

Shufflemancy -

Ratchet Happy Birthday by Drake

Roses by Abra

Blkswn by Smino

Young Female, Dating Queen, Spiritual Growth, The Devil, Eight of Cups, & Queen of Swords

For your birthday, I see you walking away from whatever doesn't serve you, pile 6. You will realize something isn't working out for you and is actually hindering your personal growth. I'm seeing that this actually had been quite toxic for you or had negative attributes. Whether it was a relationship, job, or past vices/addictions. You will be moving on from this phase and will start to realize your worth. You could choose to focus on "dating" yourself, meaning to focus on being alone for a while to get know who you truly are and what you would like to accomplish in life. I'm seeing spiritual growth for you in this age and you will learn to set boundaries. People could also praise you for overcoming these hardships and will commend you for your strong character. People could give you flowers or letters for your birthday specifically, or something that is a token of their appreciation.

#pac #pick a card #tarot #oracle cards #oracle #pick a pile #tarot readings #free tarot reading #free readings #astrology #astro observations #astrology observations #manifestation #self concept #law of assumption #Spotify

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ataleofcrowns · 2 years ago

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New Chapter Released!

Hello again! Hope your winter has gone well ❄️

With the public release of this new chapter we’re setting up the Crown's daily routine as a monarch, while romance and courtly intrigue continue to build:

Diverging paths depending on your love interest, including scenes from your main LIs point of view! R and A accompany the Crown, but what are D and X up to in the meantime?

While the Crown becomes used to ruling, each LI experiences a shocking revelation in their main route, one that will cascade into future chapters

The Crown continues to grow and learn, being tutored in various subjects to increase their knowledge

Tutoring is not merely in theory: the Crown enjoys physical training, as well. Choose your favorite weapon and shape future fight scenes!

The Imperial Court is finally taking shape. Choose certain positions, receive political proposals, even form an alliance, if you have the points...

A few additional changes made to the game overall:

The codex page for the Crescent Blades has been added, including character art! It should be unlocked for all saves that are past Chapter 1

Changed various lore related names, mainly the ones referring to the Major Spirits, in order to better reference the Zoroastrian inspirations that Arsur's religion is based on

Darkened the background color further to be friendlier on the eyes. Some day, I'll add a proper dark mode, but that day is not today haha

Edited the Arsurian Calendar to match with the new background color, and also corrected the start and end dates of the months!

IMPORTANT: It's highly recommended to replay the entirety of CH9 before getting to CH10. CH9 has some changes relating to LI relationship stats, so if you don't go back to play through those, you risk relationship flavor text messing up in CH10. Such as a high relationship being described as a low relationship, things of that nature.

Thank you for all your patience and support, I hope you enjoy the new chapter with the nearing end of this winter 💖

For those that are unfamiliar with the game

A Tale of Crowns is a high fantasy romance story, told in the form of a text-based interactive novel with choice mechanics. The setting is inspired by Kurdish culture as well as other historical settings in the Middle East such as Ancient Persia, but it also draws heavily from other cultures and countries in the region.

Your character is native to Arsur, a vast empire overseen by a single ruler known as the Crown. Unlike traditional monarchies, however, the title is not inherited through blood. Whenever the Crown dies, their famed golden eyes pass on to the one chosen by the Spirits of this world to be the new Crown. In this story, your MC takes on that role.

There are four different love interests to choose from, whose genders will be customized to suit the preferences of your Crown. You can find more info about them on the blog page!

Also note that this current version of the game is safe for those 16 years and older.

Like the premise so far? Play it and give it a try! The entire game is free!

If you enjoyed the game, please reblog! Share it with your friends! Recognition and reader interaction is just about the only thing I get in return for creating it ❤️

#interactive fiction #interactive novel #twine game #interactive story #if game #a tale of crowns #chapter update

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lurkingshan · 5 months ago

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Helloooo, Shan! This is a bit out of left field but it’s something I’ve been wondering for a while. BL has developed more as a genre and shown itself to be increasingly sociopolitically aware (whether or not it effectively engages with that awareness beyond marketing is another thing), do you have thoughts on any sort of progression of how women and girls have been portrayed? Or observations on the general state of women and girls in BL? It seems to me their roles have become meatier, not just one-dimensional femme fatales or fujoshi. Or am I projecting a false narrative of genre evolution? 🤔

Hey Megan, thanks for sending! I love an out of left field ask. And I agree with you, I do think there has been a clear evolution in the way women characters are portrayed in BL, and I have been making note of it where I see it.

It used to be that female characters in BL were mostly just there to be antagonists, either as villainous femme fatales trying to break up the couple (like Plern Pleng in TWM) or fujoshis inserting themselves into the main couple's relationship in really inappropriate and fetishizing ways (like Pang in Love Sick). Even the precious few decent women characters from early BL (like Manow from UWMA) are still really only there as side characters who provide support to the boys and/or a bit of comic relief. Women in early BL were either problematic or kind of an afterthought in the narrative.

But more recently there have been BL dramas featuring women who are more fully fleshed out and actually a crucial part of the story. This is not linear and consistent, of course--there are BLs airing as we speak, like Knock Knock Boys and Blue Boys, that are still relying on women as primary antagonists--but there has been some growth. Here are some of the characters I find particularly notable in regards to the role they play in the narrative:

Ae Ri, The Eighth Sense

Ae Ri was a notable character because the narrative set us up to think she was going to be a typical femme fatale. She seemed to like Ji Hyun and we were naturally inclined to assume she would be an obstacle to him pursuing Jae Won, until the show completely turned that on its head and made her a knowing ally instead. It was a delightful surprise and she remained an important support and get a grip friend for Ji Hyun throughout the story.

Nara, La Pluie

Nara is another in the category of the subverted femme fatale trope, but this show took that much further by writing her with so much empathy and making her a fully fleshed out character with her own arc and even the start of a new romance by the end. It is still the best treatment of an ex-girlfriend character I have ever seen in a BL.

Fujisaki/Pai, Cherry Magic

Speaking of trope subversion, let's give a shoutout to these two corrective takes on the fujoshi archetype. Each version of this story did it a bit differently, but the common thread was that Fujisaki and Pai only wanted the best for their friends, and kept a firm line on how much to interfere in their relationship. Fujisaki is gentle and kind, offering small encouragements and nice gestures. Pai is much more of an enthusiastic fangirl so I was a bit weary at the start of her story, but the show used her fannish interests as an opportunity to model respectful fan behavior and I was quite pleased in the end.

Yiwa, Wedding Plan

And of course, I have to mention the current title holder for best female character in a BL, Wedding Plan's Yiwa. She is not only a great character in terms of having a fully formed personality, clear motivations, and a great set of relationships, she is also the engine that drives the entire narrative. I am still kinda amazed she exists.

This is separate but related to the recent increase in GL content and GL side couples in BLs, which is also getting steadily better. And I want both! I want solid GL dramas where the girls own the narrative, and I want BLs to write women better when they choose to include them in the story. I'm encouraged by the progress we've already seen.

#the eighth sense #la pluie #cherry magic #cherry magic th #wedding plan #multi bl #bl tropes #shan answers

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thankssteveditko · 11 months ago

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Sony's PlayStation 5 Presents Insomniac's Marvel's Spider-Man 2 (the third game in the series)

I beat the main story and have enjoyed my time with the game overall! I want to talk about spoilers and things that I liked and disliked in the story, so here's a post with some scattered thoughts.

(Hello! I haven't forgotten that this blog exists! Like I said, no update schedule, I will read more of the Lee/Ditko comics whenever I make time for it. I've actually been sitting on a mostly-complete version of this post since I beat the game in October, thinking that I'd finish the rest of the side quests so I could throw in thoughts on those. But... eh, I'll do that whenever the inevitable DLC rolls around. I just wanna get these thoughts posted.)

Spider-Cop No More

First off: they downplayed the cop shit!!! This was the first thing that really struck me about the game, and I'm stunned that they actually listened to criticism on this. I thought we'd just be stuck with it forever.

It'll never be completely gone, of course. Spider-Man is always going to leave criminals webbed up for the police to take to prison, hoping that they'll do their time and come out the other side as Productive Members of Society. That's just a thing I begrudgingly accept as part of the genre that will probably never go away. But Spider-Man is no longer repairing police surveillance networks. You're no longer beating the shit out of random drug dealers. Gangs of escaped convicts still wearing their orange jumpsuits are no longer terrorizing the streets of New York.

Instead, Peter and Miles are played more as firefighters. Sometimes very literally! They work with firefighters, they rescue people from collapsing buildings, they rush injured people to the hospital. In general there's a huge increase in the number of random onlookers present during the big action setpieces, and the Spider-Men frequently have to save them from harm. One of the major side quest lines is even literally about a cult of arsonists, and you'll routinely find burning fuel tanker trucks you have to extinguish with your webs. It's great! Love this for them.

I also generally liked the side missions in this. There's a lot of good stuff with the Spider-Men being neighborhood heroes willing to help out anyone in need, no matter the problem. Some of them can get corny, sure, but that street level stuff has always been the real heart of Spider-Man to me.

Gameplay

The gameplay's as fun as ever. That probably goes without saying. I will not be spending a thousand words explaining that swinging is fun.

In particular, I really liked the changes to the Focus mechanic. I never loved the way Miles' game made you choose between healing and doing your special attacks, but here your four specials have their own cooldowns, and the Focus meter is spent on either healing or finishers. It still offers that risk/reward element, but those vicious cycles where you can't do any real damage because you keep needing to heal aren't nearly as bad as they were before.

Personally I didn't turn off the swing assist or turn on fall damage, because the streamlined swinging never bothered me in these games, but I'm glad the options are there for people who want them.

Kraven

I liked Kraven in this! I liked the way they leaned into his Hunters being this weird death cult, and him wanting to go down in a blaze of glory against a worthy foe, to the point that he's actually disappointed anytime a foe can't kill him. It riffs on things people liked in Kraven's Last Hunt without being the exact same story. I like that Kraven's gang is renting out this manor or whatever and just being a complete terror to the wait staff. I liked the way Kraven hunting Peter's rogues' gallery clashed with Peter's belief in giving his villains second chances. I liked that they were willing to have Kraven kill off a couple of the minor villains from the first game to sell how dangerous he is. (I know some people hated this, but like, come on. We already fought the Sinister Six. They don't need to do that again.) I like the way Kraven pushed Peter to the absolute brink, turning him more and more aggressive with the Black Suit. Good stuff all around, even if the Hunter enemy types did wear out their welcome a little bit by the end.

The Black Suit arc

I think I liked the way Insomniac handled Peter's Black Suit arc overall, but there's a tradeoff here.

They REALLY lean into the body horror tentacle stuff, with Black Suit Peter basically just being a skinny Venom by the end. The sequence where you play as Mary Jane while the symbiote puppets an unconscious Peter's body around and goes on a rampage against the Hunters was REALLY great at selling how scary Peter is becoming, and it made me completely change my tune on the inclusion of the MJ stealth missions in the sequel. Having to beat an out-of-control Peter as Miles immediately after Peter beats Kraven was also really good. This is all cool!

BUT, the thing is... with the symbiote powers being so freaky from the start, it really pushes my suspension of disbelief when Peter and co. take so long to become wary of it. I guess when you've been bitten by a radioactive spider and given superpowers, and when you live in the same universe as the Avengers and the X-Men, your perception of what's "normal" is going to be pretty warped. But they buy the whole "organic exosuit created to treat Harry's illness" story WAY too easily lmao. How do the self-aware slime tentacles help with his illness, exactly?

And I'm not sure how I feel about giving Peter Anti-Venom powers in the last act. It feels like it's primarily a concession so that they can give players that branch of their skill tree back, but honestly, the designer in me thinks it would be really cool (if risky) to just permanently lock players out of Peter's most powerful skills past a certain point. Yeah, it'd definitely piss people off, but it drives home the idea that Peter's given up greater power because it's the right thing to do. It'd put you in his shoes! Instead he just gets the symbiote powers back, but it's fine because the Venom voice in his head is gone and also the slime tendrils that explode out of his body are white now, which means they're good.

I have to say it. I'm sorry. The glistening white goo... they turned Peter into the Amazing Cum-Man. I changed back to the Classic Suit after rolling the credits and forgot I still had the Anti-Venom skills equipped, so I just saw regular old Spider-Man exploding his white goo everywhere. Terrible.

Assuming Peter is just stepping into more of a supporting role to Miles and not fully retiring after the events of this game, I really hope the Anti-Venom stuff is gone. I get that he needed it to counter Venom, but that's not what I want for Peter Parker.

Miles

Miles is good in this, and I really like his arc where he struggles with whether or not he should avenge his dad by killing Martin Li. I like how all that plays out. Unfortunately, they don't quite stick the landing when it comes to making him and Peter feel like equals in terms of narrative focus. His arc is definitely the B-plot to Peter's for the middle chunk of the story, which I guess was kind of inevitable since they decided to do the Black Suit arc. But Miles does at least get a lot of moments to shine, and by the end he's very much taking the lead as the main Spider-Man.

Becoming the main Spider-Man also gets Miles a new, wholly original suit that ended up being super controversial, and honestly... I kinda like it? Or at least I like what it's going for, even if the actual design could still use some work. It's something totally unique for Miles, and I like spandex/streetwear combo suits like what the Spider-Verse movies have popularized. But showing his hair is really pushing the limits of his secret identity. He hangs around Brooklyn Visions WAY too much for his classmates to not recognize his voice and haircut. And I understand why people would be wary about it becoming his "canon" look moving forward. But I think it's got potential.

On the subject of Miles, though, I will say that while I liked Miles' side missions, it feels like he's often saddled with the game's broad, kinda touristy, kinda token attempts at Showcasing The Diversity Of New York, in a way that Peter isn't.

I like that Miles has a deaf graffiti artist girlfriend that he and Ganke sign with, and I like that there's a series of side missions that explore some local jazz history, and I like that there's a mission where Miles helps a gay classmate ask his crush to prom. I like all these things! I like Spider-Man being involved with his community, and that said community includes such a wide variety of people! I like that this game slows down to savor these types of moments instead of just being all action all the time! But when I step back, I notice some patterns.

Hailey doesn't have a big role in the main plot, especially when compared to MJ, but Miles gets a side mission where you briefly play as her with muffled audio to teach you what being deaf is like. There are no major queer characters in the story - unless you count Felicia showing up for exactly one mission to mention she has an unseen, unnamed girlfriend in Paris now - but you get a side mission where Miles helps out a gay couple at his school, who then never come up again. To put it very uncharitably, they can feel like Very Special Episode missions. It's like the devs going: we're going to give Miles a Gay Mission, and an Impaired Hearing Mission, and a Cultural History Mission, so that we can say we touched on these things, but we're gonna make them all optional and keep them far away from the full-blown Superhero Stuff like fighting costumed villains. Those flavors cannot mix. Meanwhile, Peter gets to have a whole elaborate subplot about teaming up with Wraith to track down fucking Cletus Kasady. There's an imbalance here, and I think it's part of the reason why Peter still feels like the "main" Spider-Man for so much of the story.

I think this was all written with admirable intentions, but as others have pointed out, you can kinda tell that this game was mainly written by some white guys based in California. These attempts at depicting various marginalized groups can feel kind of detached in the same way that Insomniac's map of New York doesn't quite line up with the real thing. But I dunno. I'm not really the one to dig deep into some of this stuff as a white woman from Florida. I would be curious to read others' takes on this.

Maybe I'm just being overly cynical about the writers' well-meaning but corny and kinda out of touch liberal politics because of the podcasts.

The podcasters

I wish Jameson was in this more! They psyched us out by giving him a full character model for, like, two scenes. I like him being MJ's boss, but I wish we saw inside the Daily Bugle offices to get more Jameson.

At least his podcasts are better than the ones in the Miles game, though. Him completely trusting in Roxxon was just too much for me. Here he condemns Oscorp for the symbiote shit, and he also gets some moments where he takes the ongoing crises seriously and isn't just ranting about the Spider-Men. He isn't just a conspiracy theorist crackpot here. Shit like his "fuck Spider-Man, we have a justice system for a reason" speech makes him feel more like a human being with a point of view, rather than just a caricature. Definitely an improvement.

Unfortunately, I still find The Danikast grating. I'm sorry, Ashly Burch. It's not your fault. The quirky heckin' wholesome millennial podcaster lady who catches you up on current events and then reminds you to drink 64 ounces of water a day in the same breath is just too much for me. At least she doesn't have any lines as bad as her throwing in a "damn" and then going (direct quote here) "That's right - no censoring! That's how REAL I'm being right now!" like in Miles' game. Instead they give her this, like, almost psychic insight into the main plot to try and make her the angel on Peter's shoulder. The second Peter gets the symbiote she's like "Wow, y'all. Have you seen Spider-Man's new black suit? Something's different about him. He's been giving me such bad vibes lately. #NotMySpiderMan" Also she's supposed to be this, like, underdog independent podcaster who started her show on a whim and has become the voice of the people... but she's got billboards plastered all over the fucking city. Which makes her feel like an industry plant lmao

Again, there's a detachment with the writing. This is, like, some middle aged white liberal game dev guys' idea of what a modern leftist teenager would think is a Cool Activism Podcast. Unfortunately, because Insomniac thinks Danika's a hero, Mary Jane's triumphant ending is that she quits her job at the Bugle to become a podcaster, too, delivering a thinly veiled monologue about the pandemic to kick off her new podcast literally titled "The New Normal." She's going to save the world with podcasting, because that's the highest form of activism, I guess.

Venom

So! Venom! Venom was... okay.

Surprising no one, Harry Osborn is Venom. Harry's okay both as himself and as Venom, but I'm not sure his arc is a smooth one. He starts out as Peter's comically perfect best friend who returns to reminisce about the good ol' days and hand him his dream job on a silver platter, and then later he becomes a little ball of rage over the fact that Peter gets his symbiote and can't/won't give it back. I'm not sure that pivot is handled the most convincingly. You kind of have to write it off as the symbiote messing with their heads, I guess.

When he actually becomes Venom, I'm... mixed on the execution. On the one hand, the cool factor is absolutely there. He's a very cool big monster, and Tony Todd is great in the role. But he also wants to take over the world and make everyone a symbiote, and aside from any lingering resentment towards Peter, that's really all there is to him. It makes for a good video game to have a bunch of symbiote enemies and creepy symbiote nests and symbiote tentacles climbing up the sides of buildings in the last act... but is that really what I want out of Venom? Probably not. But he sure does look cool as a big monster guy to fight, and I was happy he was briefly playable.

Suits

Part of me feels like there's something lacking about the suit selection here, but almost every suit I liked in the previous games is back, and also I'm the type of person to give Peter the Classic Suit the second I unlock it and use that for most of the game. So does it really matter for me?

Peter's selection feels dominated by the various live action movie suits, but I get that those are going to be some of the suits people want to wear the most. I wish he had the Peter B. Parker skin to go with Miles' Spider-Verse alts, though. No idea why it's missing. Really I think I mainly just want more of the Spider-Verse designs.

Also I've complained about how most of the original suits designed for these games make Peter and Miles look like they were bitten by radioactive Alienware products, but I can just, you know. Wear other suits.

Misc thoughts

Everyone's already made this joke, but it's extremely funny that the Avengers didn't help with the symbiote invasion. Took one look at that and decided it wasn't their problem

On the subject of other superheroes, I do wish these games would acknowledge the Fantastic Four more. Peter's close relationship with that team feels woefully underutilized in his various adaptations

I like the trope of a boss fight that's a heightened version of a personal conflict between two people who are close, where throughout the fight the boss is airing out their grievances while the hero tries to get through to them emotionally. That especially works for Spider-Man! But WOW has Insomniac played that card a lot of times by the end of Spider-Man 2 lol

They're teasing the addition of Silk, I guess? I'm gonna be honest, I don't know shit about Silk, but I guess it was inevitable that they'd give us some form of Spider-Woman at some point. Gotta work all those costumes in somehow, and they're not brave enough to let one of the boys cosplay as Spider-Gwen.

They WERE, however, brave enough to let Harry say he loves Peter. I liked that little moment. They presumably meant it platonically, but clearly ol' Yaoi Lowenthal knows what's up

Post-leak addendum

So, obviously, by the time I got around to finishing this post the big Insomniac leak happened. I wish the game industry wasn't so secretive that it took a massive, dangerous data breach just to get our hands on some very basic info that would be public knowledge if Insomniac was a film studio, but here we are.

We now know that Insomniac spent somewhere around $315 million making Spider-Man 2 - triple what the first Spider-Man game cost to make. A quote about this from a leaked presentation has been stuck in my head ever since I first saw it on Twitter. “Is 3x the investment in [Spider-Man 2] evident to anyone who plays the game?”

To be honest, I'm not sure it is.

I liked Spider-Man 2, but I'd probably say that overall I liked it about as much as the first game. It's certainly a somewhat bigger game, with marginally more realistic looking graphics thanks to the power of the PS5. But I think I could do without ray tracing and more realistic hair rendering and whatnot if it meant that these games didn't take like five years and hundreds of millions of dollars to make. I could not give less of a shit if the swinging animations were recycled between games. I'd be fine with them being shorter, too.

I like these games, but as we look at that leaked project lineup and realize that Insomniac is turning into The Marvel Game Studio, I think about how many smaller, more original games that those resources could go towards if they scaled back the Marvel stuff just a bit. How many Ape Escapes or Patapons or Gravity Rushes could get made for the budget of just one of these massive AAA tentpole games of Sony's, which are apparently barely even breaking even? How many could be made for the budget of the "smaller, cheaper" Miles Morales game, which somehow cost $156 million to make despite using an updated version of the same Manhattan map from the first game? Hell, how many smaller games could have been made with the $39 million that went into remastering the first Spider-Man game for PS5 a mere two years after launch? How many people will lose their jobs if any one of Insomniac's upcoming Marvel games underperforms - which, in this case, could mean selling "only" 5 million copies? And would hardcore PlayStation fans even accept those smaller games at this point, now that they've been trained to only appreciate mega-budget Prestige Games with cutting edge graphics and treat everything else with disdain? How much worse will this get as the graphical arms race continues?

I think I just miss Japan Studio. Fuck Sony. Uhh but anyway the Spider-Man game this post was supposed to be about was good, some writing complaints aside. 8/10

#tsd post #other media

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dokidokitsuna · 2 months ago

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O.R.C.A.’s Directory

(Finally coming back to this concept after several months ^^;)

O.R.C.A. in #re_rise doesn’t just run Alterna in the background and give you orders– it’s a system you interact with regularly as the player; a database that facilitates your adventure and keeps track of your accomplishments. It is accessed through terminals placed at key spots on each site, which you have to find, activate, and physically walk to if you want to use them.

Most of the contents of the Menu (except the Sunken Scrolls) are now consolidated into O.R.C.A., along with a few bonus features~

Alterna Archive: Basically the Alterna Logs– all the information about Alterna’s history, from creation to collapse (referencing my rewritten version of this backstory, of course). As you clear lab spaces with different weapons, earn Golden Eggs, activate terminals, collect Nostalgic Devices, etc., the files will be decrypted line by line. Basically, anything that contributes to your percent completion of the game will count towards this…so just enjoy Alterna the way you like, and you’ll eventually reveal the entire archive without too much extra effort. ^^ This story is O.R.C.A.’s gift to you; your reward for reawakening its home.

Lab Notebook: Notes written by the ‘mysterious researcher’ currently working in Alterna, earned in order from newest to oldest, so we can gradually learn what the Fuzzy Ooze is and why he made it, as well as his origin story and true identity (in his own words~). These replace ‘Log.exe’ from the actual game. Lab notes are found by reaching computers hidden within the lab spaces, kinda like the Power Egg packs. They are purposely placed in the more challenging spaces, and you must clear the space in order to take the note with you– if you wanna learn the main antagonist’s secrets, you gotta put in the work. ^^

Wellness File: Records of Neo Agent 3’s responses to the environment, once you obtain the biometric monitor in Cryogenic Hopetown (more on that later). This is essentially an account of how the player character is feeling at each point in the story– a new entry will be created after each encounter with a major character (Deep Cut, the King Salmonids, the Squid Sisters, etc.) or a particularly interesting Alterna landmark. ;)

Nostalgia Index: List of all the Nostalgic Devices you’ve collected, which Alterna citizens they belonged to, and what they used them for. The citizens’ names are redacted, but you do get to learn a bit about the different kinds of people who lived in Alterna, and connect with them through the items they left behind.

Skill Tree: Basically the same as the in-game version, minus the Hero Shot buffs– in #re_rise you don’t get the Hero Shot until you gain the Hero Gear in the last stretch of the game. Instead you borrow from weapons’ lockers placed around Alterna…meaning you can carry the weapon of your choice as you explore each site, offering you a wider variety of strategies to use on those balloon challenges, for instance. ^^ But I digress…

Camera Roll: One of the Nostalgic Devices you can find is a digital camera, and once you’ve obtained it, you can take pictures with it and upload them to the terminal (as well as your regular photo gallery, when you’re back on the surface). The Alterna Camera comes with its own special filters, and characters you aim it at will pose for you. ^^ This feature is basically just for funzies, but if you can snap a picture of that large figure lurking in the shadows, you’ll earn a special clothing item.

Messages: Occasionally you will receive mysterious messages, warning you with increasing severity to stay out of their laboratory (and bring back their golden eggs…sure sounds familiar). Are these warnings for their sake or for yours…?

Map: Even the site maps are only accessible through the terminals, they’re not available whenever. Maybe that would be a controversial choice…but I think it’d be okay in this instance, since (a) the Alterna islands are pretty small, and (b) I’ve invented a fun system that might help– the Sticker Beakons! ^^

Around Alterna, you can find Sticker Sheets with 3 Sticker Beakons each, to place and replace wherever you want on any island. They shine like actual beacons so you can use them to navigate while you wander around on foot, and once you reach a terminal you can jump to them like normal Squid Beakons. They come in different shapes and designs like the stickers from Hotlantis, and double as actual stickers you can place on your locker, once you’ve found them in Alterna. ^^

I feel like forcing the player to walk around is more forgivable when you give them something cute and customizable like this to play with. :D If you want to use all 18 Sticker Beakons on one island at a time because you’re super directionally-challenged, you can. If you want to use them to simply mark your favorite Alterna landmarks so you can jump to them easily, you can do that too.

Maybe as a compromise, I might add a ‘Return to Nearest Terminal’ option in the Menu…but I think encouraging the player to get out there and actively explore can’t hurt. Part of my philosophy with this re-concept is to make Alterna an interesting place that the player would WANT to explore, and all these added collectibles are part of that.

#splatoon 3 #re_rise #new agent 3 #smallfry #o.r.c.a.

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rhysdarbinizedarby · 1 year ago

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How ‘Our Flag Means Death’ Became the Funniest Show on TV

Creator and showrunner David Jenkins breaks down the new season of TV’s most adorable star-crossed pirates.

Our Flag Means Death debuted in March 2022 to respectable viewership numbers that grew. And grew. And grew some more. With each week of its 10-episode run, viewership increased, eventually tripling its original audience. The little gay pirate workplace and romantic comedy-cum-historical fantasy that could is back for a second season on Max, and fans will be glad to know that piracy power couple Stede Bonnet (Rhys Darby) and Ed Teach, aka Blackbeard (Academy Award winner Taika Waititi) won’t be parted for long.

The first season of Our Flag Means Death introduced viewers to fictional versions of the real historical figures Stede Bonnet (aka The Gentleman Pirate) and Blackbeard, as well as their respective crews. The two captains instantly forged an unlikely connection. Stede, who decided to exorcize his midlife crisis by abandoning his family and taking to the seas, despite being at best a piracy novice, hero-worships Blackbeard and is thrilled to make his acquaintance. The fearsome Blackbeard, who among friends goes by his real first name, Ed, is taken with Stede’s commitment to enjoying the finer and frillier things in life, marveling at his new friend’s on-ship library and massive, beautiful wardrobe.

While the two captains are an odd couple, each of their crews regards the other as an entirely different species. Aboard the Revenge, Stede reads bedtime stories to his crew and encourages them to use their words when conflicts emerge, while on Blackbeard’s ship, Ed’s first mate Izzy Hands (a deliciously scowling, jealous Con O’Neill) rants that his captain is now a shell of the terrifying legend he used to be. Over time, Blackbeard’s crew begin to appreciate the healthier work-life culture on the Revenge, where there’s room for romantic and collegial dyads to form and pair off.

Of course, the path of true love never runs smooth even for a couple as invested in each other as Stede and Ed. At the end of the first season, the crews are split between ships and land, and Ed believes Stede has permanently abandoned their relationship for his original family, causing a heartbroken Ed to revert to his fearsome Kraken persona. As the second season opens, Stede is frantically trying to get back to Ed and explain that he’s all in on their relationship. Ed’s behavior has been swinging erratically from depressed to murderous, even toward Izzy, and when the two captains and crews meet again, there’s an extra twist: Stede and company have been co-opted by the far more capable and successful Chinese Pirate Queen, Zheng Yi Sao (Ruibo Qian).

On the eve of the second season’s three-episode premiere, creator and showrunner David Jenkins reflected on the series’ approach to workplace dynamics, male friendships and romance, and the character arcs he’s most excited for fans to see.

The first three episodes of the season premiere feature a bunch of breakups and reshuffling of romantic and work relationships—not just Stede and Ed. Were you chasing anything in particular, narratively, by splitting up so many dyads?

Definitely. To watch the effects of Stede and Blackbeard’s relationship reverberate through everybody's lives is so interesting. Their separation doesn’t just happen to the two of them, it’s happening to all of them, because they’re a family. Just as the breakup reverberated throughout both crews, getting back together is going to do the same thing.

That makes sense.

The goal was just being true to the character beats and finding ways to make them ring true. Oluwande (Samson Kayo) and Jim (Vico Ortiz, they/them) are friends who got romantic. It rang true to me that they’d watch each others’ lives move forward, and then come back together to find that they still care about each other, and each of them is also happy for the other person. I've seen that happen in real life a bunch of times, but I don't see that dramatized a lot. I think there should be a lot of different flavors of relationships in this show. And there's so many different pairings that you get a lot of chances to be like, “Oh, how are these two different from Stede and Ed?”

How does that relate to your interest in exploring tenderness and vulnerability in male characters? In previous interviews, you’ve referred to Our Flag Means Death as examining the burlesque of masculinity. What does it bring to your work to be exploring it over the course of many hours of storytelling?

That’s an area where Taika’s and my interests overlap a lot. There’s something so understated about his sensibility—I think some of it derives from his New Zealand accent, actually—that suits asking questions about masculinity. And it's fun to look at pirate stories, to play against that genre’s whitewashed, heteronormative conventions. Growing up as a guy, you get a lot of pressure to be just one type of a guy, the guy who refuses to feel things. Men are in terrible trouble in that way. We’re getting better about talking about feelings, but there’s so much more to cover—body dysmorphia, vulnerability, not just talking about feelings, but understanding them and having this whole range of emotions—those are always the things I want to watch.

Do you have favorites among on-screen stories that make room for a broader emotional palette?

Heat and Midnight Run are two really lovely Robert De Niro movies where characters have these very big emotional lives. It’s a similar thing with Robert Redford and Paul Newman in Butch Cassidy and the Sundance Kid. I like extending that. We can push it further, because there's so many different ways to be a man! Not everything has to be a shoot ’em up action thing where people don’t have feelings. A lot of men feel like they need permission to just be their weird selves, to be funny, to dress differently. Try some different things! Maybe wear a color! Put some product in your hair! Don't worry about it, it's gonna be fine. You're gonna be fine.

Our Flag Means Death is not a casual show. It’s very funny and playful! But there is not one single frame of the show that plays it cool. As an artist, what’s the significance of qualities like sincerity and earnestness?

I hate coolness, it’s so ungenerous. And I like that you said that it’s not casual. I’m not a casual guy. This is a deeply uncool show. There’s something so special about seeing comedic actors like Rhys or Taika, who are so used to coming into a scene, being incredibly funny and destroying, and then leaving, having to use their earnestness, and not using their weapon of immediately diffusing it by going for a laugh. When I see that, it makes my heart leap. There’s something particularly special about seeing a comedic actor do it.

It’s really fun to watch comedic actors dispel the notion that dramatic acting is 180 degrees away from comedic acting.

Characters that call for that type of performance are a lot of what I love about Robert Altman, Christopher Guest, and Harold Ashby movies. They’re comedies, but those characters really grow and they experience pain, and the pain they feel is real. And then the funny shit that they do is even funnier because of it. Those are the things that bring me the most joy.

Tell me about Zheng Yi Sao, the Pirate Queen. She’s such a good foil for Ed and Stede—her ambition, competence, and leadership style are all so distinct from theirs.

Zheng Yi Sao is the most competent pirate captain on our show, and was the most successful pirate captain in history. She lived about 100 years apart from these fellas, and she was so successful that China had to cut her in and do a treaty with her so she would move on to some other field. She wound up making another fortune in gambling!

One thing that jumped out at me in these first three episodes of the season is how much therapy-literate dialogue is used—where did that come from?

I just think it's funny. The thing about a workplace is that they all see everything that’s going on with others, because they're all on top of each other all the time. I don't want to go l too far with it, but it’s fun that some of these characters can see that one of their friends is in a weird relationship with his boss, and then say “hey, you might want to look at that.”

Where do you think that comes from for the characters themselves?

There’s a level of care on that ship that Stede almost infected them with in the first season, and now those ideas are more alive because of how Stede built the Revenge’s culture. You can see that that spirit is still kind of alive when Jim tells the story of the wooden boy to Bang to calm him down. That’s a little bit of Stede’s kindness being alive in the world still, and of Jim needing and being able to call on it now that everything’s so dark. For them to go from an “every person for themselves” ethos to thinking “there was a time when life meant something on this ship, it doesn’t have to be this way” is interesting growth for the character, and is true to Vico as a person. There's a real kindness to how they carry themselves—they’re one of those people that just makes everybody feel safe. It’s nice to see some of those character traits bleed through to Jim.

Without getting too spoilery, what’s coming up over the rest of this season that you can’t wait for viewers to see?

I’m really excited for Izzy’s journey. Con O’Neill did such beautiful work, and getting to see where that character goes and how he grows, I think is one of the most exciting things of the season. To see where Ed and Stede’s relationship goes is gratifying—to see how they navigate each other and find, hopefully, a more mature way of being together.

Jim's relationships with Archie (Madeleine Sami) and Olu develop, too, and more broadly, the crew coming together as a new kind of family, now that Mom and Dad are getting back together. I also like that Lucius (Nathan Foad) is back, and has an angry young man thing going on that he has to process. For Lucius to go through something really harrowing and have to grow up with it is so interesting, because he had all the answers in the first season.

We can’t not talk about the mermaid sequence at the end of the second episode. How did that come about?

We really have to pick our shots on the show, so that was very storyboarded out. I knew I wanted Kate Bush’s “This Woman’s Work” for the scene, so that was incorporated in it. Unfortunately, Rhys had had a really bad near-drowning experience shooting in a tank before, but I didn’t know that until we were working on the stunts! But when Rhys saw the gorgeous tail, and it looked so cool and beautiful, he decided to go for it. He knew the scene was going to look awesome. So he navigated that costume, which is basically a big flipper that he needed to move his entire core to make it work, and Taika’s there with all this glue to keep his wig on underwater all day. When it’s humming and all the departments are working, everyone feels safe. It gives everyone a feeling of “let’s do it—let’s jump in!”

Speaking of jumping in, what degree of pressure did you all feel coming into the second season, knowing how high the expectations were from the show’s incredibly passionate fan base?

I don’t feel pressure from the fans, I just feel unconditional love and acceptance, and I think that the writers room feels that too. We all want it to be good, and we want the storylines to be cool. But it’s less pressure, and more just the level of freedom that it gave us, knowing somebody’s watching. It makes doing all the hard work a joy, because you know it’s going to be appreciated. Some people will have critiques, and that’s fine.

I just know that this—the fan reaction to this show—will be the honor of my career. The fan community is so kind and nice and talented—it's just a good vibe, and it’s been safe and affirming for everyone.

We’re all basking in the glow of the adoration of the show from our fanbase. It’s infectious—when we all get together, it saturates every element of the show, and it's a very special thing for all of us.

Source: The Daily Beast

#rhys darby #ofmd #our flag means death #taika waititi #david jenkins #ofmd s2 spoilers

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anim-ttrpgs · 3 months ago

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A.N.I.M. Team Bi-Yearly Payments

It’s the end of July, a new patreon update for Eureka: Investigative Urban Fantasy is coming this week, and the A.N.I.M. team are getting ready to pay ourselves with the Kickstarter money. We’ve already paid our freelance artists @chaospyromancy and @qsycomplainsalot for all their work in advance, and they’ve produced some pretty incredible art for us already, some of which you can see if you check out their blogs.

The rest of the Kickstarter and patreon money is to be split up among the permanent team members on a twice-a-year basis, with percentages for the first payment calculated from the amount of money we have on July 31st.

I’ll cut straight to the point, we’re poor and though this is going to be a bit of a windfall for each of us, it for sure isn’t enough to live on. We all have other jobs, and A.N.I.M. takes a lot of our time.

If anyone wants to donate to our ko-fi, subscribe to our patreon, increase their existing patreon subscription, etc. in time for our team’s payout on the 31st, that would be greatly appreciated. Even if you’re seeing this after July 31st it would still be appreciated because then that money goes to our ability to advertise, hire artists, and pay ourselves in the future.

As a reminder, we run the A.N.I.M. TTRPG Book Club as a way to inject life into an industry/hobby that is being flattened under the weight of WotC's monopoly, and currently have a patreon milestone set for expanding it.

Signing up for our patreon at $5 or more gets you access to regularly updated beta copies of Eureka: Investigative Urban Fantasy, plus adventure modules and short stories!

Also as a reminder, for a limited time, you can currently get a beta copy of Eureka: Investigative Urban Fantasy completely free just for joining the A.N.I.M. TTRPG Book Club!

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agentrouka-blog · 4 months ago

Note

Do you think that the Dance is also meant to be a foreshadowing for the books like D vs fA or Jon? Because I feel like with how the story is centered to the Starks, whoever gains their support (obv Jon if he joins 😂) will win and we get to have a second hour of the wolf

Let's put it this way: The main novel series is the point, and the Dance of Dragons is a result of its existence, it is fictional historical backstory that is meant to inform, illustrate and foreshadow the events of the main series.

The first book of the main novel series was published in 1996. It already contained references to the Dance of the Dragons, and they reappear sprinkled through the series, increasing in detail and relevance.

What is interesting is that the thing most emphasized about the Dance in the main series is the intra-family strife. Brother v. sister - and transcribed into the kingsguard: brother against brother, metaphorical and literal.

Bran was going to be a knight himself someday, one of the Kingsguard. [...] Bran knew all the stories. [...] The twins Ser Erryk and Ser Arryk, who had died on one another's swords hundreds of years ago, when brother fought sister in the war the singers called the Dance of the Dragons. (AGOT, Bran II)

It's a popular, high-culture piece of music that plays on the multiple perspectives of the historical event.

Later, while Sansa was off listening to a troupe of singers perform the complex round of interwoven ballads called the "Dance of the Dragons," Ned inspected the bruise himself. (AGOT, Eddard VII)

A Clash of Kings (1998) contains no reference, though you could consider the entire developing civil war to be an answer to that first reference.

A Storm of Swords (2000) picks it up again in much greater detail.

Stannis - notably having killed his brother over the throne - emphasizes the aspect of treason while discussing the fate of his wife's uncle Alester Florent.

"It has always been so. I am not . . . I am not a cruel man, Ser Davos. You know me. Have known me long. This is not my decree. It has always been so, since Aegon's day and before. Daemon Blackfyre, the brothers Toyne, the Vulture King, Grand Maester Hareth . . . traitors have always paid with their lives . . . even Rhaenyra Targaryen. She was daughter to one king and mother to two more, yet she died a traitor's death for trying to usurp her brother's crown. It is law. Law, Davos. Not cruelty." (ASOS, Davos IV)

The song makes another appearance at Joffrey's wedding, once again emphasizing that it is a complex story from multiple perspectives. Also setting up the inter-Lannister collapse that has been brewing for a while and explodes with Joffrey's murder.

Collio began with his version of "The Dance of the Dragons," which was more properly a song for two singers, male and female. (ASOS, Tyrion VIII)

Jaime brings it back around to the kingsguard pseudo-brotherhood, which mirrors the inter-family aspect of the civil war.

The old and the new. Jaime wondered if that meant anything. There had been times during its history where the Kingsguard had been divided against itself, most notably and bitterly during the Dance of the Dragons. Was that something he needed to fear as well? (ASOS, Jaime VIII)

Given the mess that is made of the kingsguard in the coming book in KL and in Dorne... yes, Jaime.

By AFFC (2005) GRRM firmly establishes the Dance as a historical reference for destructive civil war over feuding siblings.

And the songs he chose . . . He sang of the Dance of the Dragons, of fair Jonquil and her fool, of Jenny of Oldstones and the Prince of Dragonflies. He sang of betrayals, and murders most foul, of hanged men and bloody vengeance. He sang of grief and sadness. (AFFC, Sansa I)

It also turns the focus on Criston Cole as an alleged external engineer of such strife. Interestingly, his arms resemble a ladybug, Targaryen colors but not Targaryen.

"Most deserve to be forgotten. The heroes will always be remembered. The best." "The best and the worst." So one of us is like to live in song. "And a few who were a bit of both. Like him." He tapped the page he had been reading. "Who?" Ser Loras craned his head around to see. "Ten black pellets on a scarlet field. I do not know those arms." "They belonged to Criston Cole, who served the first Viserys and the second Aegon." Jaime closed the White Book. "They called him Kingmaker." (AFFC, Jaime II)

Contrasting to Stannis, Arianne uses the Dance as an example of treason from the other side, trying to manipulate kingsguard Arys Oakheart into supporting her coup against her father and brother, even though by Dornish custom her role would more rightly resemble that of Aegon II because she is the legal heir and believes her father to favor second-born Quentyn. Notably, Criston Cole is blamed over all Targaryen's involved. Ridiculous but probably significant.

Ser Criston Cole. Criston the Kingmaker had set brother against sister and divided the Kingsguard against itself, bringing on the terrible war the singers named the Dance of the Dragons. Some claimed he acted from ambition, for Prince Aegon was more tractable than his willful older sister. Others allowed him nobler motives, and argued that he was defending ancient Andal custom. A few whispered that Ser Criston had been Princess Rhaenyra's lover before he took the white and wanted vengeance on the woman who had spurned him. "The Kingmaker wrought grave harm," Ser Arys said, "and gravely did he pay for it, but . . ." (AFFC, The Soiled Knight)

Quite fittingly, Arianne's own little "dance" ends with horror and death and deep regret on her side, while poor Quentyn is busy on the other side of the planet.

Meanwhile, GRRM keeps the subject current in ADWD (2011) after Tyrion joins the entourage of "Young Griff", mixing in a reminder of different perspective on historical events. And some dragonslaying. Clearly, he has compiled a lot of detailed backstory for this civil war by now.

Haldon was unimpressed. "Even Duck knows that tale. Can you tell me the name of the knight who tried the same ploy with Vhagar during the Dance of the Dragons?" Tyrion grinned. "Ser Byron Swann. He was roasted for his trouble … only the dragon was Syrax, not Vhagar." "I fear that you're mistaken. In The Dance of the Dragons, A True Telling, Maester Munkun writes—" "—that it was Vhagar. Grand Maester Munkun errs. Ser Byron's squire saw his master die, and wrote his daughter of the manner of it. His account says it was Syrax, Rhaenyra's she-dragon, which makes more sense than Munken's version. Swann was the son of a marcher lord, and Storm's End was for Aegon. Vhagar was ridden by Prince Aemond, Aegon's brother. Why should Swann want to slay her?" (ADWD, Tyrion III)

Dragonslaying comes up again in the context of Hazzea and the effects of dragons in general.

If I look back, I am doomed, Dany told herself … but how could she not look back? I should have seen it coming. Was I so blind, or did I close my eyes willfully, so I would not have to see the price of power? Viserys had told her all the tales when she was little. He loved to talk of dragons. She knew how Harrenhal had fallen. She knew about the Field of Fire and the Dance of the Dragons. One of her forebears, the third Aegon, had seen his own mother devoured by his uncle's dragon. And there were songs beyond count of villages and kingdoms that lived in dread of dragons till some brave dragonslayer rescued them. At Astapor the slaver's eyes had melted. On the road to Yunkai, when Daario tossed the heads of Sallor the Bald and Prendahl na Ghezn at her feet, her children made a feast of them. Dragons had no fear of men. And a dragon large enough to gorge on sheep could take a child just as easily. (ADWD, Daenerys II)

In a telling twist on the name that pulls it directly into the present and likely future, we look at burned Quentyn:

After the girl was gone, the old knight peeled back the coverlet for one last look at Quentyn Martell's face, or what remained of it. So much of the prince's flesh had sloughed away that he could see the skull beneath. His eyes were pools of pus. He should have stayed in Dorne. He should have stayed a frog. Not all men are meant to dance with dragons. (ADWD, The Queen's Hand)

Which echoes again with Arianne in her TWOW sample chapters (2010-ish), which (interestingly) also flesh out her relationship with Daemon Sand, an intentional reference to a prominent character in the dance linked to Rhaenyra.

"Once we know beyond a doubt whether these be friends or foes, my father will know what to do," the princess said. It was then that pasty, pudgy Teora raised her eyes from the creamcakes on her plate. "It is dragons." "Dragons?" said her mother. "Teora, don't be mad." "I'm not. They're coming." "How could you possibly know that?" her sister asked, with a note of scorn in her voice. "One of your little dreams?" Teora gave a tiny nod, chin trembling. "They were dancing. In my dream. And everywhere the dragons danced the people died."

Much like with Daenerys, this reference emphasizes the destructive effects of the dragon-based civil war.

Since Arianne's little stint as pseudo-Rhaenyra went nowhere, but the Dance references remain thick and strong, we can likely look at her upcoming connection to Aegon as the point of it all.

Incidentally, GRRM has already set up their future conflict:

Now, how do you suppose this queen will react when you turn up with your begging bowl in hand and say, 'Good morrow to you, Auntie. I am your nephew, Aegon, returned from the dead. I've been hiding on a poleboat all my life, but now I've washed the blue dye from my hair and I'd like a dragon, please … and oh, did I mention, my claim to the Iron Throne is stronger than your own?' " (ADWD, Tyrion VI)

This places Tyrion into the role of a Cole-figure, hilariously, having pushed Aegon into changing direction to claim the throne directly without Dany.

There's the strife between family members, kingsguards, factions, and manipulative third parties, all over a throne that really isn't worth it, told from multiple perspectives, bringing misery and destruction to the smallfolk.

All the extra material on the Dance of Dragons was published after ADWD, from A World of Ice and Fire (2014) to the novellas (2013-2024) to Fire and Blood (2018), with one small reference to the extinction of the dragons after the Dance in The Mystery Knight (2010). So all this backstory was compiled and built up in the service of of the main story GRRM is telling.

You rightfully bring up Jon, Daenerys and Aegon all together, but it's extremely unlikely that Jon Snow is going to be a driving factor in a Dance of Dragons 2.0 because he will only just find out that he has Targaryen ancestry, and in a way that puts him it in conflict with her Stark ancestry.

No, this war is going to be between two established family members who both have claims and means alongside the ambition to ascend the Iron Throne. Not quite brother v. sister but aunt v. nephew. Tragic, destructive, self-destructive. Much like what the Baratheon brothers have served us before. Only with dragons involved on Dany's side, while Aegon mixes it up by simultaneously representing the Dornish side of the story, through his mother Elia - which is a whole different kettle of fish.

Jon's presence in there is probably going to be a very interesting complicating factor that might go in many different directions, with mirrors to Robb's Will and Stannis' offer of legitimization (another theme in the Dance), to accusations of manipulation and ambition (Criston Cole). The role of the prophecy is also going to be explored in all its myopic self-destructive emptiness.

This won't be a copy of the first Dance, though.

If there is an Hour of the Wolf, it's going to preside not over scarred survivors, but over the ashes and corpses of King's Landing and the Targaryen legacy in Westeros.

#dance of dragons 2.0 #long post #asoiaf history #anti daenerys targaryen #aegon vi targaryen #jon snow #asoiaf speculation #many quotes

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entertext · 5 months ago

Text

HGSN Vol. 5 Q&A

[Extra content from Vol. 5. Questions are solicited from Twitter under the hashtag #ひかなつ質問. If you have any questions about the characters/setting, they might get picked up in a future volume.]

Q. What kind of an effect did Yoshiki's father's behavior have on Yoshiki?

A. Yoshiki's parents often fight, and every time, his father expresses his feelings through things like slamming doors, despite never saying much in response. After Hikaru's father's death, the time his father spent brooding also increased. Having grown up looking at his poor communicator of a father, Yoshiki was unable to respect his father, and started to feel disgust towards himself for growing to resemble his father year after year.

Q. I'd like to know what genres of music that Hikaru, 'Hikaru', and Yoshiki like.

A. Hikaru often listened to J-Rock and anime theme songs. 'Hikaru' will listen to any kind of music, but he is easily moved by lyrics. Yoshiki likes lyricless music with a gloomy atmosphere and often listens to it in his room alone.

Q. I'm curious about what kind of feelings 'Hikaru' has towards Kaoru! During the summer festival in Vol. 2, the image of Kaoru having one hand pulled along by 'Hikaru' and the other held by her brother, Yoshiki, was very charming.

A. To Hikaru while he was alive, Kaoru was like his own little sister, and he always looked out for her. Although he couldn't put his mind to it as much Yoshiki did, the actions he took unconsciously often helped Kaoru out. At the summer festival, such actions from Hikaru can be seen from 'Hikaru' too. After it became 'Hikaru', he was in a state as if he had been given the input "someone important as a little sister", so from Kaoru's perspective, he might seem vaguely distant.

Q. Do the memories of Hikaru that 'Hikaru' has contain all five senses that Hikaru experienced at that time? Do smell, sound, etc. and all of Hikaru's emotions at that time remain as a part of "Hikaru's memories"?

A. Yes. However, to 'Hikaru', it feels as if a massive dictionary containing "Hikaru's memories" was suddenly thrust into his head, so even if he experiences the same thing, it still feels new to him.

Q. While looking at the illustrations and such that Sensei has done up till now, I've thought that 'Hikaru' probably doesn't feel the cold, but how does 'Hikaru' feel when it comes to heat? In the story, he says "Wah, it's so hot!" and has the electric fan turned on, so it seems like he feels it more than cold...

A. Since he lacks an "instinctive fear of death", both the heat and the cold are simply fun experiences to him. His feeling of pain is dull, so even if his limbs go numb from cold, he doesn't mind, and any severe sunburns heal quickly too.

Q. Are there any other versions of the Labour Cat Mascot besides the cat whose hair grew long from overwork? And in that case, which is most popular?

A. There are also "Boycott Cat" and "Boss Cat" and others. The protagonist, "Labour Cat" is the most standard one, and is explosively popular among female highschool students.

Q. I'd like to know how you would rank Yoshiki, 'Hikaru', Asako, Yuuki, and Maki in terms of smarts!

A. In order of smarts, Yoshiki→Asako→Yuuki→Maki = 'Hikaru'. By the way, Hikaru when alive had about the same grades as 'Hikaru', but where Hikaru hated studying, 'Hikaru' finds it fun. However, he still doesn't understand the contents of the class very well.

Q. Among Yoshiki-kun's group, who is the best at drawing? And also who isn't very good at it?

A. The best at drawing is Asako. Maki also likes to trace anime so he's surprisingly good. Yuuki's drawings are crude but charming. Yoshiki draws in detail with careful observation, but the parts end up unbalanced. Hikaru ('Hikaru') is the worst at it.

Q. When did Kurebayashi-san start to be able to return impurities to the other side?

A. She was able to see impurities from childhood, but it was when she was a highschool student that she returned an impurity to the other side for the first time. Because that ended up being a rough time, afterwards she lived hiding her powers. However, because she ends up helping others out despite herself, rumours about them spread to her own inconvenience.

Q. Does Mokumokuren-sensei draw with analog tools? Or digitally?

A. I work fully digitally.

#hikaru ga shinda natsu #the summer hikaru died #hgsn spoilers

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onas-batlle · 8 months ago

Text

sacred new beginnings

pairing: lucy bronze x ona batlle

warnings: none

synopsis: after finding out that ona hasn’t gone on a proper date in years, lucy offers to take her out on a couple of purely platonic dates. just to get the anxiety out of the way, of course. why else?

a/n: i know people voted for this fic to remain an x reader, but i couldn’t bring myself to not make this about lucy & ona, so I edited it a bit! unsure if i will publish an x reader version of this because i’m not really bothered, but we shall see 😊 i also have no idea if there is a lake for fishing in barcelona, so suspend your belief for a bit please!

Ao3 Link

———

There’s no time to feel more out of the loop than when one’s circle of friends discusses their romantic escapades, and that was exactly how Ona felt as the number of dates she had been on recently was a big, fat zero. Being basically married to her job did not allow for many dating opportunities, and truthfully, once the Spaniard finally slowed down enough to even think about finding some romance - the lasting kind, not that friends with benefits type - the extent of her fame quickly quashed those chances. She found the increased attention rather overwhelming and quite frankly scary, and women only wanting her for her celebrity meant that a genuine relationship was not in the cards at the present.

Come to think of it, she wasn’t even sure she really wanted to play the dating game; the horror stories heard from teammates often causing her to recoil in her chair – Bruna’s about a date bringing their mother along and then having an allergic reaction to the shrimp still fresh in her mind. The last time she had even attempted a romance had been with Felicitas Rauch, and that had ended before it had really even began. She’d been basically celibate since then, and apparently, this was borderline unheard of, if the yell of Mapi León was anything to go by.

“What do you mean you haven’t dated in years?” Mapi questioned, the drinking of her coffee abandoned as she turned to gape at Ona.

“I don’t know, just haven’t really gotten around to it,” she shrugged, cheeks turning hot as she noticed the eyes of most of her club team on her. A certain pair of sparkling hazel eyes trained on her made her flush even darker, if possible, and she averted her eyes as quickly as she could. Despite her obvious discomfort, Mapi pressed on. “Not a single date or nothing?”

“Eh, had a fling with Feli for like a month before it kind of- “

“That was over a year ago, amiga. And from what I heard, you didn’t even go on a proper date,” Patri butted in, and Alexia smacked the back of her head as she regarded the Spanish fullback’s embarrassment at that statement.

Seeing the slightly pitying looks from her teammates, Ona went to speak, but before she could scramble together a sentence to alleviate the embarrassment, Lucy chimed in. “What’s keepin’ you from datin’ now?”

Ona paused, mulling over the reasons in her head before settling on an answer. “I guess I’m kind of nervous about dating again. I don’t even know if I can still flirt.”

A poor reason, admittedly, but better than revealing to her team about her anxiety around her sky-rocketing fame post-World Cup. At least she could attribute that excuse to everyone else’s constant anecdotes about bad experiences within the dating realm.

“Everyone is a bit awkward at least once, chiqui. There’s no reason to be nervous,” Alexia said soothingly, shooting a glare at Mapi who snickered a little at the fullback’s answer. After fixing Mapi with her own pointed look, Ona let out a sigh.

“I know, but I can’t help but feel that way, sabes?” That was met with an understanding silence from her team before Lucy slammed her hand on the table and shot up out of her seat.

“I can do it!” she boomed, a smug smirk on her face.

“¿Qué?” came the response from around the table, everyone furrowing their brows at what Lucy just said. Seeing the confused faces of her teammates, she slowly sat down again and cleared her throat before beginning to explain her genius plan.

“Think about it, Ona hasn’t gone on a date in ages, right? And she’s nervous about the awkwardness that will come along with it. If she goes out on a couple of fake dates with me, and I make it as horrific as possible, then she can get those bad date experiences out of the way, and get used to going on dates again! What do you say?”

With that, Lucy mimed an explosion with her fist and glanced around the table to garner people’s reactions. Mapi was nodding in agreement, Alexia’s brow was furrowed in contemplation, and Cata just looked thoroughly confused. Flicking her eyes towards Lucy, Ona saw the Lioness staring at her expectantly.

Truthfully, it was lowkey an awful idea, but Ona supposed that it would help her get the ‘back on the dating scene’ jitters out of the way and would allow her to spend some time with Lucy, who she shamefully had nursed a small crush on for a while now.

“Okay.”

“Okay?!” came someone else’s shout, but Ona was too focused on Lucy’s determined pump of the fist to locate where the protest came from.

“That was easy,” Lucy spoke into the Spaniard’s ear as she gathered her into a crushing hug, and grinned at Ona once she let go. “I will see you on Wednesday for Bad Date #1.”

There was nothing she could do but nod.

---

It was only when Ona was sat on the boat that the regret came rushing in, narrowing her eyes at Lucy who was fiddling with the fishing poles a few metres away. It was not a secret that she had a strong dislike for fishing, the smell of the bait, the unstable feeling of floating on water in a boat the size of a tin can, and the gleam of the fishhooks bringing her back to the disastrous fishing trips with her father and older brother.

Many days were spent in a small fishing boat, with her father’s disappointed sighs being the soundtrack to her disgust at the dead fish that surrounded her, and a lurching stomach created by the movement of the water below. She supposed this is why Lucy chose it for Bad Date #1.

“Chin up, darling. Let’s get ready to catch some big fish!” Lucy thrust a fishing rod at Ona, shocking her out of her memories and with a little bit of grumbling, the younger woman begrudgingly took it, Lucy’s face lighting up in a smile at her behaviour.

Following her lead, Ona attempted to bait her hook with a particularly fat mealworm that still wriggled between her fingers. Maybe it was poor timing, but a small movement from Lucy caused the boat to shift suddenly, and Ona’s hand got caught on the sharp point of the fishhook. She let out a hiss of pain and went to go suck the wound, forgetting that she was clutching a slimy worm in her hand until she was practically eyeball to eyeball with it. Not exactly expecting to be so up close and personal with a mealworm, Ona let out an almighty scream and tossed it away.

To her horror, instead of plopping harmlessly into the water, it found it’s way to Lucy’s lap. The older woman’s scream echoed around as well, and Ona had to stifle a grin as Lucy turned to narrow her eyes suspiciously at the Spaniard.

“Having trouble with your bait?” Lucy questioned and held up the worm Ona had sent flying in her direction, the initial shock having worn off and leaving behind an expression of amusement.

“I hate you Lucia Roberta,” Ona grumbled, swatting away the mealworm that Lucy had now started dangling in her face.

The older woman just laughed and dropped the bait back into the bucket, deciding that teasing Ona in the middle of a bloody lake was not a good idea. “Oh, you don’t really. Plus this hasn’t been too awkward now, has it?”

“I suppose not. I feel too sick to be awkward.” Ona did look a bit pale, and she quickly sucked in a breath and squeezed her eyes shut, trying to force her breakfast to stay down in her stomach where it belonged.

“Just try and focus on the fish, not the boat swaying.” Lucy advised, placing a warm hand on Ona’s shoulder. If she had been anywhere other than a small boat swaying in some water, Ona would have blushed, but she currently found herself rather preoccupied.

“Lucy, I don’t think you understand that the smell of the fish is also making me feel very sick,” she gritted out, clenching the seat she was sitting on with a white-knuckled grip.

“Look, I have some spare plastic bags if you need one, okay? Here, I’ll rebait your hook and we will try again.”

Ona opened her eyes and nodded grimly, accepting the plastic bag Lucy had in her outstretched hand and the newly baited rod. Once both of them had finally settled, casted their lines and were waiting for a bite, they began to chat a bit about Ona’s life with United in Manchester, and Lucy’s experience in Barcelona before Ona had come home and rejoined the team. Slowly the Catalan felt herself beginning to feel less ill, her teammate and friend doing a great job at distracting her from the situation that the Lioness herself had put them in.

After a half hour or so, they were interrupted by a tug on Ona’s line, and the Spaniard looked at Lucy with wide eyes. “What do I do?”

“Reel it in?” Lucy responded, grinning a little at Ona’s alarm.

“Mierda, it’s very strong!” Ona spoke as her muscles flexed, trying incredibly hard to reel the fish in. But the stupid thing absolutely refused to budge, the fish at the end of the line fighting for it’s life to remain in the water. A particularly strong tug made Ona almost fly into the water, and pleaded with her eyes for Lucy to give her a hand.

“Here, let me try.” With that, Lucy abandoned her line, and shuffled closer to Ona, the Spanish woman suddenly finding her senses overwhelmed with everything Lucy.

The press of her warm shoulder against Ona’s, the positively intoxicating perfume that she had on, and the fact that she was close enough that Ona could see the small sun spot close to her right eye had the Catalan so captivated that when the English woman said something to her, Ona jumped in shock and accidentally dropped the rod that she was holding.

The both of them watched as the rod got tugged away by the fish who was no doubt celebrating being free, before it eventually came to a stop a few metres away and floated, still, on top of the water.

“Lo siento,” Ona grimaced, biting her lip in embarrassment. She half expected Lucy to growl at her, but instead the other woman’s face split open in a wide grin, and she let out a laugh.

“That was one of funniest things I think I’ve seen in my entire fishing career.”

Ona glared playfully at the English defender before picking up a paddle. “We should go retrieve it, no?”

Lucy nodded and picked up the other paddle, the two of them slowly steering their boat towards Ona’s rod. Soon they were almost close enough to reach it, but suddenly Ona stopped her movements and frowned at something in the water just ahead of them. Lucy turned to look quizzically at her fellow defender, and nudged Ona in the side when she saw the slightly worried expression her face.

“Lucia… is that.. a shark?” Ona squeaked out, pointing at a grey shape that lurked in the distance.

Lucy squinted, trying to gauge what it was, but Ona had already begun to panic a bit, despite the fact that sharks were most likely not residing in a random lake in Barcelona.

“I don’t think-” Lucy managed to squeeze out but Ona had already snatched the rod out of the water and was now frantically moving her paddle as quickly as possible.

“I don’t care! Row, please Lucy,” the smaller woman begged, sending Lucy such a look of genuine fear that the Lioness just bit back a smile and placed her own paddle into the water to guide them back to shore.

Once they two of them had made it safely back onto land with Ona looking slightly green with fear and motion sickness (“Lucy, I’m not kidding it was a shark!”), the Spanish fullback took a few steps on shaky legs before collapsing into Lucy’s side, who wrapped her arm around the other woman’s waist to prevent her from falling over.

“Not a very successful trip, huh?” the English woman spoke, gesturing to their very empty cooler where the fish they caught was supposed to go.

“No, but at least we were not eaten,” Ona replied before checking her watch and looking back hopefully at Lucy. “I have 3 hours before my brother will be over, so would you want to go out for something to eat?”

“Well, considering the fact that we are currently fishless, and I don’t want to starve, I will accept.” With that, the pair made their way back to Lucy’s car, equipment in hand and chattering the entire way.

“What have you got planned for Bad Date #2? Might be hard to beat this.”

“Just wait and see, Ona. Wait and see…”

---

As soon as Ona stepped foot in the mini golf course and made eye contact with the tacky pirate ship that resided in a murky fake pond, she let out a groan and immediately turned on her heel. Lucy was quick to grab the smaller woman by the shoulders, however, and strong armed her towards the counter, the Lioness wiggling her eyebrows at Ona in amusement.

Saying that Ona hated mini golf was an understatement. She could stomach regular golf from all of the times that her friends had dragged her down to the nearest course, but to shrink the clubs and add on a bunch of screaming children made the experience almost unbearable. Plus, it was hard. No wonder Lucy chose this as a bad date destination.

“Can’t believe you brought me to a mini golf course of all places!” Ona complained, glaring daggers at the brightly colour obstacles scattered about everywhere.

“It’s only mini golf, Ona. The only people who are gonna witness this are like ten,” Lucy laughed while paying at the counter and motioning for the Spanish woman to select a ball colour.

“Well ten year olds can be very mean,” she retorted back, selecting a bright green one and pretending to throw it at her as the English woman pretended to collapse to the floor, wounded. With a yellow ball in hand, Lucy steered her towards the first hole and gestured for the younger woman to go first. “Aye, c’mon. Let’s see if you’re as good at mini golf as you are at football.”

After flipping her the bird and earning a very scandalised gasp from a nearby mother, Ona lined her body up to hit the ball and… missed. Lucy let out a bark of laughter from behind her and Ona turned to shoot her a glare, feeling the heat of embarrassment crawl up her neck as she puffed in annoyance at the English woman’s smirk.

“Forget being a World Cup winner, we’ve got a future mini golf world champion on our hands.”

“Why would they make golf, which is already hard by the way, even smaller?” Ona replied, disgruntled. Lucy, bemused but unsympathetic to her complaints just grinned before yelling “Swing again!”

To Ona’s credit, she did. But unfortunately, her club flew out of her grip and hurtled a few metres away, spinning just clear of a small child who toddled around another hole. Turning back to Lucy, the Catalan saw her bent double in laughter, unable to keep it in after watching Ona fling her club into the air. Seeing Lucy smile caused the corners of Ona’s mouth to turn up slightly, but she quickly tampered down the fondness that had begun to sneak its way into her heart.

“Ha, ha, very funny,” Ona deadpanned while she collected her club, wincing apologetically at the parent of the toddler she almost took out and traipsing back to Lucy who had managed to compose herself.

“How about I give you a hand, aye? So you don’t accidentally maim any more children.”

“I’ll have you know that I didn’t actually hit him,” Ona responded, blowing a rather childish raspberry at Lucy, “but I’ll take you up on your offer.”

She wasn’t too sure what the Lioness had meant by giving her a hand, but as Lucy dropped her own club to the ground and made her way towards Ona, the Spaniard eyed her cautiously. Wrapping her arms around Ona, Lucy let out a huff of laughter as the smaller woman tensed at the unexpected physical contact.

“Here, hold the club like this.” Lucy’s breath tickled the back of Ona’s neck as her warm hands grasped the smaller woman’s and left her slightly breathless, cheeks heating up for what felt like the thousandth time that day. Slowly Ona allowed herself to relax, opening herself up to the other woman’s guidance and moved where Lucy wanted her to stand. She felt herself almost mourn the loss of the fullback’s warmth as she released Ona from her hold, the slight autumn breeze making the lack of her body heat more apparent. Ona could blame her flushed cheeks on the cold, of course, but a feeling stirring in her gut begged to differ.

Shaking herself from those traitorous thoughts, Ona steadied herself to hopefully hit the ball accurately this time, Lucy’s cheers making its way into Ona’s ears.

“Don’t swing as hard as before. Give it a light tap,” came the encouraging advice from the defender, and Ona took a final breath in, not unlike one she’d take before a rare occasion when she would have to convert a penalty kick.

Ona heard the whoosh of the club through the air as she swung before she felt it make hard impact against something solid.

Clearly, she had overestimated the distance Lucy had put between the two of them, and instead of softly hitting the ball like she was advised to, Ona had swung the club back as far as she could, and had ended up smacking Lucy hard in the shin.

“Ow, fuck!” Lucy groaned, clutching her leg. “My legs are literally my money-makers, Ona, and you know my knee is hanging on by a string.”

“¡Dios mío, Luce! Are you alright?” Ona rushed towards her in horror, praying that she hadn’t given the Englishwoman an injury that could cause a premature retirement or one that would leave her benched for months. As the Spaniard bent over to peer at Lucy’s face, Ona could see that it had lit up into a shit-eating grin, the contact not as bad as she had originally thought.

“Ay, don’t scare me like that, idiota!” Ona growled, smacking Lucy on the shoulder as her thundering heart began to slow again.

“For a world-class athlete you sure are clumsy. Almost as bad as Less!” Lucy chuckled as she straightened up, before gesturing for Ona to take a fourth attempt at the ball. “Don’t worry about me, just focus and swing gently.”

“Missing the ball three times, accidentally throwing the club away, and now hurting you will definitely win for worst date ever,” Ona muttered as she went to take the shot, yet again. Her comment was met with a wry smile from Lucy. “That’s what we’re here for, no?”

For the next few hours, the both of them made their way from hole to hole, with Lucy expertly navigating the ball past the obstacles and Ona bumbling her way through them. It was positively infuriating how good Lucy was at everything, but every time she sunk the golf ball into the hole and shot a cocky smirk the Spaniard’s way, Ona’s insides turned to mush. Her own skill only improved marginally, but the more mistakes that were made, the more she and Lucy were able to relax into some comfortable teasing. Somehow, even when faced with the activity of her nightmares, Ona felt as though she was able to get into her stride and even start to enjoy herself a touch.

They were now down to the final hole, and while Lucy had given Ona a very thorough and obvious beating, the Catalan was determined to at least win one round. Whether it be pure, stupid luck, or what Ona will say later was complete and utter skill, the ball rolled into the hole after one single hit. Lucy didn’t care how it happened. All she cared about was that the other woman had actually just gotten a hole in one.

“You fucking did it!” she yelled into Ona’s face, as surprised as every single human being on the course that she had managed to pull that off. Everyone else had, after all, been witness to her poor attempts to golf for the past few hours.

“Sí, I did!” Ona shouted back, but the only thing she could focus on, even in the wake of her own sporting brilliance, was the cheeky sense of pride and fondness that was painted on Lucy’s excited features.

Not dissimilar to how she has done on the pitch, Ona hurled herself at her, Lucy tossing her club to the side in anticipation and catching the Spaniard with an unexpected passion. Tightly gripping her t-shirt, Ona could feel the other fullback’s rippling muscles under her fingertips, and as she gazed into Lucy’s elated face, she had to take a nervous swallow.

Lucy spun Ona’s body around, almost whirling into, but narrowly avoiding a treasure chest that had been bolted into the ground, and the only thing Ona found herself wanting to do was kiss her. So she did.

Even though the Spanish defender had just spent the past few hours humiliating herself in front of Lucy in the worst way possible, the English woman kissed Ona back with a similar joy, warm hands finding their home on the backs of Ona’s thighs. Lucy’s lips were as soft as Ona had always envisioned them to be, and a part of her soul seemed to sigh with contentment at the contact.

For a moment it was like it was only the two of them in the world, the screams of kids, chatter of people, and tweets of birds fading into the background. All Ona could register was the grip Lucy had on her thighs, the way their bodies fit together perfectly - almost like two pieces of a puzzle, and the way Lucy’s tongue teased the seam of her lips, making her head spin deliciously.

Soon they both had to draw back from the kiss, air becoming a necessity, and Ona leant her forehead against Lucy’s with a smile. After a few beats, the Lioness buried her face into her neck, and Ona felt Lucy’s mouth curve into a grin.

“My champion.”

Those two simple words had Ona’s heart beating a million times faster, and Lucy laughed at the feeling, but as she mindlessly walked them backwards, she lost her footing and sent the both of them stumbling gracelessly right into the man-made lake smack bang in the middle of the mini golf course.

The two of them let out a pair of matching god-awful shrieks at the sudden feeling of icy water, but they soon dissolved into peals of laughter at the utter absurdity of what just happened. Blind to the judging stares of the public around them, Lucy sent a small splash Ona’s way, which soon became a fierce splash battle as the Spanish woman - not one to lose a fight - sent tidal wave after tidal wave straight into Lucy’s face.

“Oi, you got that in my bloody mouth!” she groused playfully, and attempted to tackle Ona to the ground, the pair still floundering in the dirty lake. Unluckily, or luckily in the case of everyone else, a disgruntled staff member hauled the both of them rather unceremoniously out of the water and escorted them to Lucy’s car. Turns out Pablo did not care that Ona had won a World Cup before, and slapped the both of them with lifetime bans. If Ona celebrated the fact that she could never be dragged back to play mini golf again, then that was no one’s business but hers.

Despite being sopping wet in the middle of a carpark, Lucy in Ona’s eyes looked positively radiant. Droplets of water shone on her eyelashes, and her shirt clung to her body, showcasing every curve and harsh ridge of her musculature. There was no denying that she was mouth-wateringly attractive, nose ring glinting in the sun and lips turned up in a cocky smirk. Her eyes had also started to carry out their own appraisal of Ona’s shorter figure, and she shifted awkwardly from foot to foot at the way Lucy’s hazel eyes seemed to pierce into her soul. Her intense gaze made Ona feel as if the Lioness could peer into the very depths of her psyche, and quite frankly, that kind of intimacy scared her a little.

“What a, how do you say? What a freaking disaster,” Ona spoke, a timid attempt to break the heightening tension between the two of them.

“Guess I delivered on my promise on a second horrific date,” came the response, but they both knew that was far from the truth. The older woman’s dimpling smile and shining eyes undid all of her efforts to make that a bad date, and in a rare moment of honesty, Ona allowed herself to accept, if only for a moment, that she was falling in love with Lucy Bronze.

Following her small hum of agreement, they both fell silent again, just taking in each other’s presence. Ona tried to dull the burst of emotion that had welled up in her, but Lucy’s hand cupping her jaw and brushing away a stray smear of mud caused the Catalan’s breath to hitch and sent her efforts flying out of the window. Heart pounding unbearably fast, Ona broke away from her grasp and heard Lucy let out a sigh. “Gotta get you home now. It’s bloody cold.”

Ona nodded at her words and they both slipped into Lucy’s car, Ona apologising profusely for drenching and muddying the English woman’s car seat. The ride back was nice, the conversation light-hearted and easy, however it was impossible to deny the suffocating tension hanging in the air between them. As they pulled up to Ona’s house, Lucy turned to face her, and Ona noticed her gripping the steering wheel tightly.

“Guess you’re ready to go out and date new people now, huh?” Lucy spoke, a tinge of sadness lacing her words despite the small smile she shot Ona’s way. The Spanish fullback sent back a half-hearted grin back. “I guess so.”

The car was silent for a second. “I think I should be getting inside. I’ve got a meeting tomorrow.”

The only thing Lucy could do was say a quick “see you later” before Ona clambered out of the car and made her way to her front door. Pausing, Ona turned back to look at the car and caught a glimpse of Lucy staring at her with an unreadable expression on her face. It was only after she had let herself in that Ona finally heard Lucy’s car pull away from her house, and she finally allowed herself to collapse against the door, countless thoughts running through her head.

She was well and truly fucked.

It had been two weeks since her mini golf ‘date’ with Lucy, and Ona was just about to embark on her first proper date in literal years. As she stared at her own reflection in the mirror, Ona couldn’t help but mourn the fact that her feelings towards the English fullback were likely to remain unresolved. Things between her and Lucy had been rather stilted after that day, the only words exchanged being as mundane as asking for the time or to pass the salt. Truthfully Ona felt kind of hurt at Lucy’s indifference, but in all fairness, she hadn’t exactly tried to talk about that kiss either and instead had opted to ignore her, so it wasn’t fair to put the blame on Lucy. Maybe Ona was just doomed to be alone forever.

Shooting a glance at the clock and seeing that it was time to go, Ona swiftly brushed her hands once more over her outfit, checked her makeup, and grabbed her keys before heading out to the restaurant.

The girl Ona was going on a date with, Elena, was a friend of Alexia’s girlfriend, and her captain was adamant that this was a match made in heaven. Smart, funny, and a passionate Real Madrid hater, Alexia had also mentioned that Elena was accustomed to hanging around with footballers, so Ona didn’t have to worry that she was trying to date her for her five minutes of fame which was something that Alexia too has had some experience with.

The initial part of the date was nice, Ona thought, both of them just getting the small talk out of the way and getting to know each other, the two of them bonding over their shared love of a musical artist. The food was adequate as well, and much to Ona’s relief, Elena did not have an allergic reaction to the shrimp, nor did she bring her mother along like Bruna’s horror date. Things only took a turn when Elena hit her with a completely unexpected question.

“Who is she?” Elena spoke, “The girl you’re in love with.” Her query caught Ona incredibly off guard, and the only thing she could get out was an awkward stammered denial, which she knew was thoroughly unconvincing to even the most gullible of people. The expression on the other woman’s face wasn’t angry however, instead a soft look of sympathy painting her face as she placed a hand over the footballer’s.

A beat passed before Ona hung her head and decided to spill her guts to her date. “She’s my teammate at Barcelona and I’m pretty sure I ruined it because I’m so awkward. We kissed and then I ignored her the day afterwards which means that she definitely hates me, and not only have I lost my chance with her but I’ve also lost her as my friend, and now we are going to lose all of our games and then the Champions League because I think that if I have to go on the pitch with her again I will throw up. She even made me have fun mini golfing and everyone on Earth knows that mini golf es el deporte del diablo and that I absolutely despise it with my entire being... except for when I was playing it with her.”

Elena thoughtfully listened to Ona small spiel before offering her a gentle smile.

“I know I don’t know her, or the extent of your situation, but something tells me that she won’t be opposed to your affections. My advice? Go find her. Tell her how you feel. The worst thing she could do is reject you, and from the little that I’ve heard, she definitely won’t do that.”

“You really think so?” Ona said, feeling a little hopeful at her words.

“I do.”

“Okay.”

Ona sat there awkwardly until Elena laughed and motioned for her to get up. “What are you still doing here? Go!”

“Now?”

“Sí, now!”

Taking in a shuddering breathe, Ona strengthened her resolve and stood from her seat, slightly more invigorated. “Okay, I will. And I’m sorry for running out on you like this.”

“Ay, not the worst date I’ve been on. Good luck out there,” she grinned, and Ona felt a sense of overwhelming appreciation for the woman across from her. Maybe in another life they could have become something, but right now, all she wanted was Lucy.

“Gracias. Truly,” Ona responded before slapping several bills down on the table. “Dinner is on me by the way.” And then she was hightailing it out of the restaurant.

Ona found herself pounding on Lucy’s door before she had even registered that she had no idea what she was even going to say to her. A wave of doubt passed through the Spaniard as she wrung her hands on the doorstep, and thoughts of escaping to the comfort of her own home to down a tub of ice cream were getting increasingly more enticing. Those plans were short-lived however, because the door swung open and revealed Lucy who stared at her, her hazel eyes wide in surprise.

“Hola.”

She wanted to smack herself for that stupid opener, but Ona refrained from doing so as she could have sworn that she saw a corner of the defender’s mouth tilt upwards. Maybe all was not lost.

“Hola,” Lucy responded, and was quiet after that, silently telling Ona that the ball was in her court.

“You look well.” Nice one.

Lucy smiled properly at that one and decided to put Ona out of her misery a little. “You’re all dressed up. Hot date tonight?”

Ona didn’t miss the way Lucy’s grin became slightly strained at her words and felt a surge of confidence fill her heart, so she decide to take the plunge.

“Sort of. I- Look, Lucia, I’m sorry for how I treated you after our… kiss. I messed up and ignored you for like a week after, so now you probably hate me, and I can not blame you. I know we said that the dates were not real and for me to get over my nerves, but then I couldn’t help but start to pretend that this was real.” Lucy stayed silent, her expression unreadable, but her eyes were shining with something that made Ona’s stomach flutter, and she took that as a sign to keep going.

“The girl I was just out with, Elena, noticed something was off immediately, and so I told her that I love you. Because I do. And if I’m not wrong, then I think you like me too. If you do have feelings for me, I’m so sorry that I didn’t tell you sooner and spared us from all of this pain, because I’ve been stuck in this hole of sadness for the past couple of weeks. So por favor, just tell me that I haven’t missed my chance.”

“I love you too.”

Lucy’s response was quick, her words confident, and to Ona in that moment, she was sure that Lucy was the most beautiful person in the world. The small fly-away hairs that escaped from her bun, the freckles that were dotted across her skin, the stray eyelash that rested on the apple of her cheek, all made a rush of fondness spread throughout Ona’s chest.

With that admission, she tentatively reached out to rest a hand on Lucy’s jaw, and she leaned into Ona’s touch as her arms circled around the smaller woman’s waist.

“Can I tell you a secret?” Lucy breathed. Ona gave her a quick nod.

“I asked you to go on those fake dates hoping that you would give me a proper chance afterwards. I’ve liked you for a long time, you know?” she confessed, leaning in to brush her nose against Ona’s skin.

“You could’ve just said something instead of subjecting me to sharks and mini golf,” came Ona’s reply, but her tone held nothing but fond amusement.

“I still don’t think that was a shark,” Lucy, eyes crinkling in laughter as she thought back to Ona’s panicked paddling at the lake.

“I’m telling you, I saw a fin!” the younger woman protested, but there was no real fight in it, Ona long having accepted that she may have overreacted a touch. That didn’t mean she wanted to give Lucy the satisfaction of being right, though.

“So, how does Elena rank on the scale of bad dates. You must be an expert after both of ours, so gimme a number from one to ten. Spare no gory details,” Lucy smirked, her hands creeping up to place themselves firmly on Ona’s face, lips within a hair’s breadth away from the Spaniard’s.

“I think that was the worst date I’ve ever been on, because it wasn’t with you.” And hearing those words, Lucy kissed her.

#lucy bronze x ona batlle #ona batlle x lucy bronze #lucy bronze #ona batlle #woso fanfics #woso imagines #my fics

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