#and fuckass symbols

[starseungs]

rlly bad fever rn oof

[kaelidascope]

Blake dreams of a carousel. 

Animals dance around her with painted wings and fantastic golden saddles. She stands among them – watching them go by. Such an elegant contraption decorated with jewels and lights. A skin of paint meant to disguise a skeletal contraption of iron poles and chain-work shackles. It creaks and groans as the gears twist and turn, moving it round and round and round. It doesn't sleep. It never stops. It just keeps turning, and turning, and turning, playing the same lively tune as animals leap and pounce over and under, over and under, over and under.

From upcoming chapter 18 - Moment of Peace, dropping this week!

Read Midnight Menagerie on AO3!

[ewwis-but-fandom]

"oh kratos is a real man he's rational he doesn't have emotions he's so based for that" SHUT UP SHUT UP HE'S A BULLET JOURNALING KING HE WRITES ABOUT HIS EMOTIONS AND THE PEOPLE HE LOVES AND HE TRIES TO BE OPEN AND HE CARES UNAPOLOGETICALLY AND UNASHAMEDLY AND

[blackdragoncake]

A couple a cards, even

[strwbryfrogs]

haha lol i feel so normal about soukoku. haha (i want to inject this scene into my nervous system)

[jazz-kity]

well shoot

[aromanticannibal]

Weirdly i haven't seen ppl being mean abt Izuku this time around. My timeline everywhere is just

Bkdk from Jp artists. Izuku sensei. Bkdk from american artists. Izuku thirst trap. Kacchan thirst trap. Bnha movie/game. Izuku sensei. Izuku sensei. Izuku sensei. Porn of random character

The little i saw abt that collab are people being sad they can't get the burger combo or smth.

godbless

[navree]

i'm SO conflicted about the james gunn dc universe because it feels like for every piece of news i get that i like, there's one i get that i dislike

case in point, i like most of the superman suit that was revealed today, i really do, but i don't really like the neckline (it's giving new 52 superman) and some of the design details just feel off

[amanita-the-spore-druid]

The devil's hands have forever condemned my mind to sin, a reminder to all that hell is unable to cleaned off.

Every word of rejection to passion, to joy, to purpose, he whispered in my ear drove me further from my mother in the last year I could see her. And the last year she would ever hear me.

The devil is not a red man with goat feet, nor a handsome seductor, no. The devil speaks like an old friend. Wise and argumentative to the curious, sweet and playful to the lonely.

And the whole time he wraps you in a sweet embrace of safety, and makes you feel bad for refusing sin. That it is human passion to sin, and yet the meaninglessness of that passion cleans his own.

Once he's gotten all he means to take from your soul, he ensures that his imprint will always stay in your mind. He never leaves kind, or apologetic. And when that game is over, of he can not turn another poor soul to sin he will take what remains of you.

The devil's deal is not written blood, nor dealt dances, instead they are oaths he 'reciprocates' with crossed fingers. The devil's deal is written on time wasted with him. Time wasted obsessing over him, time wasted fighting with people who do love you because you don't see how he strains you and neither do they.

And the devil's deal, is dealt in a no-way equal exchange of his attention, for your fear, your power over your world. He takes those with anger and hatred for the forces that control them, and redirect that obedience they were taught to give the powers that bind them and use it serve his whims.

If you are lucky, for no reason but luck, you are a poor lost sinner. Of course that won't 'distract' the sharp-eyed from asking how you fell for his whims, nor telling children's stories no honest man spoke of.

And of course, there are the 'fallen'. Redeemed as any soul ever is. They fell, so of course they are always sinners. That is what people insist atleast.

It is impossible for us sinners to reclaim what we gave up. But promise, not to fall for a devil cloaked in kind words. The devil will make you see your free as a toy for the demons of this world, and your free will as a joke or nuisance.

Your fear is warning of harm in progress or incoming. And free will, is how we can take control of our lives.

Don't fall to the devil, and see to it no one else does. And remember, don't shun a fallen sinner who can be cleansed.

[cowboygideon]

I love so much how every time we see art and patrick before knee-gate, they're eating (or drinking) something "unhealthy." Like the hotdogs and the churros and the cigarettes, of course (which I'm now realizing are all phallic symbolism LMAO) plus the coca-colas and the beer. Because it just furthers this idea that Patrick is a kind of corrupting force to Art, who we know, as Ice, is a very controlled person. And then, during their final game, you have Art with his fuckass protein paste, or whatever, but Patrick with the banana, which obviously isn't unhealthy, but still something much more akin to the food of your average person—and he offers it to him! Jokingly, yeah, because he knows he's not going to take it, but also, like offering his hand, inviting Art to take part in his own corruption once again. Plus, a banana?? Could they have found a more dick-like food? Insanity.

Also I like that the one scene we have of the throuple in a room together (the party notwithstanding), Tashi is also drinking the beer. Because Patrick stokes the fire in her too, brings out a part of her that Art alone doesn't.

I was thinking about this because I saw a cut scene in the script, where Tashi and Art smoke a cigarette, and I found it really interesting. Because, for one, I understand why they'd cut it, since such a big part of the artashi dynamic is restraint, repression, both pushed further into the frigid parts of their personalities, so having them do something like that without Patrick around might remove some of that. But ALSO I think it was such a good scene because they both start coughing during it, and it sort of feels like their trying to make up for Patrick's absence with each other, but they fail. They need Patrick to push them completely out of their comfort zones—or else they'll just keep toeing that line between the familiar and the unfamiliar, safety and freedom.

Anyway, in conclusion, welcome back Adam and Eve and that fucking snake, enjoy your apple [polyamory].

[psychicwavementality]

🚨 🚨 ‼️ 🇨🇳🇭🇰 HK/CHINESE SUOPOST V2 PART 1 HAS LANDED!!

EDIT NOV 11 2024: So with recent Niisato interview news that Suo was designed to be a cool Chinese character, I have officially lost all words. Take my post as my "I called it so hard because it was obvious from the start, but I sure do appreciate the extra confirmation" cheer.

I never thought it would see the light of day because this draft got deleted like, 2 times and running. But it's here. It's finally here.

Below the cut is another long and lengthy Suopost V2 about his inherent Chineseness and, may I now congratulate, even further Hong Kongness! Not only that, but now we have Endo Yamato also starting to show signs of diagnosable Chineseness, and because my CN friend and I are ridiculously tweaky when it comes to overanalyzing characters who show even a smidge of Chinese in their eyes—this post was born! Sadly, because I am slow as hell when it comes to writing, this post only contains 11,000 words discussing Suo Hayato. You'll need to wait for Part 2 if you want to see me Hallelujahpost and Chinkpost Endo Yamato... blame my stupid baka life.

Now feast your eyes upon me having to correct my own errors in analysis that turns out to reveal even more Chinese connotations 😭😭😭💪!! This is VERY VERY long and has genuine deep analysis regarding a lot of China/HK culture/like 8 seconds of politics and 15 minutes of history + the weight behind some symbolism in Suo's name + theories regarding Suo's arc + Suo's absolutely yappable connection to 儒家思想/Confucianism.

Later in Part 2, we'll talk about Endo Yamato's biblical symbolism + alchemical influence + his connections to Suo, and how I can jokingly chinkpost him lol. I'll also be uploading a Reddit version of this post onto r/WindBreakerManga either tomorrow or the day after because I have to re-format a lot of things.

So strap in for a long and potentially mind-exploding ride because this is what happened to me while researching/writing all this. BTW, feel free to spam live commentary at me using Tumblr's comment function or something because I'd love to hear your thoughts while reading this whole gigantanorstus assfuck of a post... I'm not okay. I think I went insane. Niisato needs to pay me USD 1,664,800 for a new heart because I think mine stopped beating multiple times during research.

Before we begin, I'd like to tell everyone who has read my previous Suo chinkpost (v1) to DISREGARD EVERYTHING I SAID ABOUT SUO'S FLOWER BEING PLUM BLOSSOMS. You'd think I'd be devastated to find out I have to retcon an entire analysis because I picked out the wrong flower. You'd be expecting Suo to lose Chinese aurapoints. I shit you not: he auramaxxed HARDER. It's like opening a Pandora's Box; you learn about the real flower and then 5 trillion more connotations are thrown at you at Mach 20. It is more over than I thought possible when I wrote the traditionally symbolic Chinese boypreggers marriage room part. And one connection caused me to spiral into another, thus stretching this post's wordcount into unholy numbers 😭

Anyway.

In Suopost v1, I thought these fuckass flowers [IMG 1] next to Suo were plum blossoms [IMG 2] and, ngl! They look plenty like them. But after I read this mind-blowing char analysis + theory document made by u/Snowy-kitten, my jaw fell as:

Oops, Suo's name means Chinese redbud [IMG 3], and if Sakura's flowers are sakura, then Suo's flowers should be redbuds. Damn, I got it wrong, time to rewrite my Suopost. Sorry for spreading misinformation gu—

...What are these flowers called in Chinese anyway?

why do i hear boss musicHOLY SHIT OH MY GOD THEY'RE CALLED 紫荊花. OH MY GOD OH MY GOD OH M

Taken directly from the wonderful and super informative document which I highly advise you to read to fully understand this post, especially if you have time:

Su (蘇) – sappanwood, a wood that can be made into medicine used to improve blood circulation, treat wounds, and alleviate pain. It also symbolizes revival, resurrection

O (枋) – sappanwood or a tough wooden plank that can be used for crafting, maybe symbolizing the bridge of communication between other characters?

Suo (蘇枋) – Sappanwood, a deciduous shrub of the legume family (ie a small shrub that loses all its leaves in winter), or Chinese redbud, symbolizing family harmony, can be used as treatment for fever (No wonder why Sakura recovered after Suo visited him)

Haya (隼) – Falcon, a symbol of nobility (high status + wealth) in Japan, also symbolizes bravery, power and vision, is an icon of pursuit and movement, heading toward success (Falcon in other cultures also symbolizes freedom, which might have something to do with Suo’s dream – the liberation of slaves)

To (飛) – Fly or Flight

Hayato (隼飛) – Flying Falcon

Analysis: Most likely the key to the success of Sakura or Bofurin’s rebirth, if Sakura became the leader of Bofurin, Suo would most likely be his right-hand, just like Hiiragi and Umemiya

- Although Chinese redbud symbolizes family harmony in Chinese culture, it also symbolizes betrayal/death due to betrayal in the Bible

- Unlike other characters, Suo’s name contains more than one species of tree, would this be a hint of him having more than one identity, hence the traitor theory?*

*I'll elaborate with my own understanding on the traitor theory expanded from the information I've gotten from u/Snowy-kitten's document. Please please pleaser read their theories and their analyses!! It's super super good and deserves so much credit and a lot of this post is built from it.

-

1. Suo and the 'Chinese Redbud'

Suo's name is extremely fucking insane if viewed from a cultural lens — specifically the symbolism of the 'Chinese redbud' as well as some themes of the 'sappanwood'.

If you're from HK you might already be freaking out with me when you saw those three Chinese characters: 紫荊花, AKA the Chinese name of Suo's second plant after the sappanwood. You might be thinking, User Psychiwavementality, is it truly joever as it is? Is there no coming barack from the HK suoposting? Have we found salvation? Is Suo from Hong Kong, better yet, the Wind Breaker version of Sun Yee On or 14K???

Unfortunately, I have to inform you: no. 🥲 Suo's flower is NOT the bauhinia, known as the '洋紫荊' yang zijing/bauhinia x blakeana/羊蹄甲屬 (yang ti jia shu) which happens to be the official flower of Hong Kong.

Suo's flower is the '紫荊花', or the zijing hua/cercis chinensis, which, in China, can be found in southwest Guangdong, southern Guangxi, and southeastern Yunnan the most. <- These could be places Suo hails from!

However, the Chinese redbud/ZJH and the Bauhinia/YZJ are often used interchangeably (and also incorrectly), causing confusion and mix-ups between both flowers, as HK's 'yang zijing' is sometimes shortened directly to 'zijing'.

Outside of WBK, this shortening is a topic of political discussion. For reference, there is debate around the could-be or could-not-be intentional omission of the 洋 (yang) character in Mainland China when referring to the yang zijing (making it simply zijing (hua) and not the YZJ) as well as how it affects HK.

There was discussion when the HK's Gov. omitted the 'yang' and referred to the YZJ as the 'zijing hua' in our Basic Law. If you want to get a gist of the discussion it feel free to Google Translate this image because mobile Tumblr only lets me embed 10 images and I need to use it sparingly lol.

From Wikipedia:

洋紫荊作為香港法定代表花卉，在《香港特別行政區基本法》第一章第十條提述香港區旗及區徽時被稱作「紫荊花」，英文版則使用泛指羊蹄甲屬的「bauhinia」。然而「紫荊花」一名除在中國南方多泛指羊蹄甲屬外，也可以泛指紫荊亞科的其他花卉，甚至特指紫荊屬物種紫荊（Cercis chinensis）的花。紫荊與洋紫荊兩個物種的花朵外觀有顯著分別，但因中國大陸媒體多依照「紫荊花」一名來宣傳香港市花[註 3]，引���部分中國大陸民眾誤以為香港市花為紫荊的花。

(Edited MTL):

As the legal representative flower of Hong Kong, Bauhinia is called "紫荊花 (ZJH)" when referring to the Hong Kong regional flag and regional emblem in Article 10 of Chapter 1 of the Basic Law of the Hong Kong Special Administrative Region.

The English version uses "bauhinia" which generally refers to the genus Bauhinia. However, the name "紫荊花 (ZJH)", in addition to generally referring to the genus Cercis chinensis in southern China, can also generally refer to other flowers of the subfamily Bauhinia, and even specifically refers to the flowers of the genus Cercis chinensis.

There are significant differences in the appearance of the flowers of the two species, Cercis chinensis and Bauhinia x blakeana. However, because the mainland Chinese media mostly uses the name "紫荊花 (ZJH)" to promote the municipal flower of Hong Kong, some people in mainland China mistakenly believe that the municipal flower of Hong Kong is the 紫荊花 (ZJH).

(I'm not shitting you when I tell you even Google Translate didn't pick up on the nuances between yang zijing and zijing hua 😭😭 also the scientific names have me tripping so the MTL might be wrong yet I'm too blurry to correct it properly... if any native Chinese speaker wants to write a proper TL in the comments I allow you to help me!!)

2. What does this mean for Suo?

The Lack of '洋 (yang)':

(This part touches a little on HK/China/UK history and politics.)

Now that you know the difference between the 'yang zijing' and the 'zijing hua', let me explain some possible symbolism that Suo might carry by having the ZJH as his other plant and not the YZJ.

In Chinese, '洋' means 'foreign'. And yes, Suo likes foreign tea and cakes. Anyway, some people think that the omission of '洋’ is a way to be politically accurate as it may carry connotations of HK being colonized by the UK, and the Mainland Gov. is known to be against the colonization of Hong Kong, often being reluctant to admit that HK belonged to the UK in a brief period of history after signing an unequal treaty. The Mainland Gov. commonly asserts that HK has always been a part of China even during the colonial period, claiming that HK was rightfully returned to its roots on the 1st of July, 1997.

Hence, there is the omittance of 'yang/foreign' from 'yang zijing', whether unintentional or not, when referring to HK's flower, resulting in many current-gen Mainlanders referring to it as the ZJH, which if intentional, could be used as a way to linguistically minimize the alienation between HK and China.

Theories/Speculation as to why it was omitted:

There are multitudes of reasons why Nii Satoru could have chosen to use the ZJH instead of the YZJ in Suo's name.

On a practical level, one reason may be because Suo's name is intended to have double meanings—sappanwood and the Chinese redbud—to show that he has two sides to him, most likely being connections to Chinese culture. Nii Satoru might have been unable to use this two-sided symbolism if he used the YZJ instead, hence why he used the ZJH instead of the YZJ; furthermore, there is a cultural story that comes with the ZJH that could very well coincide and foreshadow Suo's arc which I will explain soon. I personally think this is the most likely reason.

Another practical reason is that Nii Satoru genuinely had no idea there was a difference between the YZJ and the ZJH and, if he ends up revealing that Suo is a born-and-raised in HK lad, he made an honest mistake while trying to hint at Suo being from Hong Kong.

Nii Satoru could also not want to be too 'on-the-nose' when hinting at Suo having correlations to HK, OR he wanted to imply that Suo was originally from China and immigrated to HK at a young age — or it could be hinting at his ancestors moving from China to HK, which was common back in the 'golden era of HK' spurred forward by its advancement in the film industry as well as budding business opportunities for being an international trading hub. Either way, it could have meant to be a nod towards Suo being from China and not Japan/HK etc.

On a theory/canon level, Suo could have intentionally chose this Japanese name for himself and intentionally omitted the '洋 (yang)'/'foreign' character. He could've done it because he dislikes its implications, that he's a stranger in a foreign land (Japan). Or he could be touchy about his identity as a 'foreigner' — what differentiates him from the Japanese? Hence why he dresses and expresses himself so Chinese-ly — or he could've done it to show that he's freeing himself of his roots — people who leave their OG culture behind often become walking time capsules of That Particular Period, and the loss of '洋 (yang)' could also imply he's losing his connections to Hong Kong/the triad. The latter ties in with my tiny theory that Suo's hair is short because he cut it as a way to symbolize him breaking away from his shixiong/shidi, yet his past still haunts him in the way his tassel earrings resemble long hair at times. (The flower meaning of ZJH is also very very in line with this latter theory. I will elaborate more in my next part about the meaning of the Chinese redbud/ZJH.)

Suo could also be omitting this character on purpose to reconnect with his Chinese side after immigrating to HK and then Japan, I suppose? This might be EXTREMELY controversial to show in HK/China if he shows bias towards one side's culture by stepping away from the other, and I don't see a way this can be written without stomping on one side's good graces + provoking political disgruntlement amongst HK/CN readers, so this is probably not going to be an option up for consideration (hopefully).

Furthermore, if Suo also shows favor of JP culture/claiming that he's JP over being HK/CN as his arc and that he's abandoning his past identity as a Chinese/HK person, I promise you that some CN readers might become unhappy as there are long-standing grudges between the Chinese and the Japanese from WW2 that are too long to elaborate here. If you're curious to learn about it, search up 'Nanjing Massacre' and 'Unit 731' to see for yourself — please heed a TW for extreme brutality and inhumane torture.

OK, this is the last of all things political, but I promise the historical part will still continue. Let's move on.

3. The Meaning and Stories Behind the Zijing Hua/Chinese Redbud and The Yang Zijing/Bauhinia x blakeana

In Chinese culture, the Chinese redbud/zijing hua has a well-known cultural story behind it. It is deeply tied to the flower meaning of the Chinese redbud -- which has core symbolisms of familial reunion/love (親情) and brotherly harmony (兄弟和睦). And to any SuoSaku enjoyer's delight, they also symbolize steadfast love, passion, and affection; it is known to be a well-received gift for husbands and wives; it can even symbolize a strong and loyal friendship (if you're into that). The growth structure of a Chinese redbud, as said by a user in an online Chinese forum to whom I will graciously quote:

3、倔强坚强

紫荆花的花语为倔强坚强，紫荆花的花朵生长的十分紧凑，就算在阴雨天气，叶片被大风所吹动，不断摇慎态摆，也不会掉落，好似一位倔强的人，永远不会向困难低头，努力拼搏，最终收获成功。

(Edited MTL):

3. Stubborn and strong

The flower language of the zijing hua is stubbornness and strength. The flowers of the zijing hua grow very compactly. Even in rainy weather, the leaves are blown by strong winds and keep swaying cautiously, but they will not fall off. Just like a stubborn person, they will never bow their head to difficulties, work hard and exert oneself to the utmost, and ultimately achieve success.

It can also symbolize new beginnings, just like Sakura's sakura:

紫荊花的象徵意義 紫荊花象徵著愛情、美麗和純潔。 在中國傳統文化中，紫荊花還被視為春天的使者，寓意著新生命和新的希望。

(Edited MTL)

The symbolic meaning of zijing hua symbolises love, beauty and purity. In traditional Chinese culture, the zijing hua is also regarded as the messenger of spring, implying new life and new hope.

Moving on to English sources, I've basically learned that the Chinese redbud:

Is not resistant to winter frost, but is generally able to survive the cold. Suo's favorite season may be winter, but both the sappanwood and the Chinese redbud are not resistant to either the cold or frost, with the first losing all its leaves in winter and the second potentially dying to snow/frost (like most plants lol.) Despite being resistant to the rain and heat of spring and summer and being able to tolerate degrees under 38°C (remember Suo not breaking a sweat when training in the summer with Furin?), Chinese redbuds fall short when it comes to braving brutal winters, thriving best when the temperature is above 10°C.

They bloom during spring, around March-April. Could this be a parallel as to why Suo idolizes Ume, the 'plum blossom' that can bloom in the cold of winter? For being able to stay resilient and stand proudly/beautifully even amidst harsh and stressful conditions?

Has many parts can be utilized for traditional Chinese medicine, cooking, and decoration. The wood and the bark have been used to treat abscesses, bladder ailments, and head troubles. Treats bladder diseases, post-partum discharges, bleeding piles, and internal parasites; its flowers are used for relieving rheumatic muscles and joint pain. Even the flowers can be eaten raw or pickled, containing vitamin C with a fresh and acidic taste. The bark of young shoots can be used to weave baskets, as the wood of Cercis species is generally of good quality. -> Suo's plants can both weave baskets and act as good wood...

Is also known for its ornamental purposes, and has a neighboring family tree—the Cercis siliquastrum, known as the 'Judas Tree', which is a symbol of betrayal. Judas Iscariot betrayed Jesus and committed suicide by hanging himself from a redbud tree. Additionally, I was told by my friend that u/Snowy-kitten realized the kanji for Suo's name is is 蘇枋（すおう), but the tree he represents is Chinese redbud (花蘇芳/ハナズオウ/hanazuou in Japanese). 蘇枋 and 蘇芳 are pronounced the same and one of the hanakotoba (flower language) of 花蘇芳 is apparently death by betrayal.

While the Chinese redbud/ZJH is known for these traits, the YZJ is a little bit different; it was difficult to find meanings and symbolism for the Bauhinia x blakeana due to it being a lesser-known flower + a sterile hybrid flower.

Locally, the leaves of the YZJ are considered "clever leaves" and a symbol of wisdom; sometimes harvested to be dried into bookmarks to bring good luck in studies.

The Bauhinia x blakeana is a hybrid between the Bauhinia purpurea and then Bauhinia variegata. But I could not find anything about the symbolism of the Bauhinia purpurea... I looked at some other ones in the Bauhinia genus, though.

From what I found, the genus has flowers that typically represent new beginnings (is he twinning Sakura?), feminine beauty (he's still ♂ fertile ♂ like that), grace, elegance, and nobility.

Bauhinia kappleri:

Historically, it has been seen as a symbol of unity due to its bilobed leaves resembling joined hands. This symbolism was especially prominent in cultures that valued harmony and cohesiveness. [...] Pink Bauhinia represents grace, unity, and resilience. Its delicate yet sturdy appearance communicates a balance of beauty and strength. [...] In Chinese culture, for instance, it symbolizes renewal and new beginnings [...] Meanwhile, in Western contexts, it often represents appreciation and noble elegance.

Bauhinia acuminata:

The Bauhinia acuminata's striking appearance symbolizes beauty, elegance, and grace. It is often associated with the ideals of feminine beauty and charm. In some cultures, these blossoms are seen as symbols of new beginnings and growth, making them popular choices for weddings and other celebrations.

Bauhinia variegata:

1. [...] the white orchid has held reverence throughout Chinese culture and stands as a symbol of nobility, beauty, and innocence.

2. The Orchid Tree holds symbolic meaning in several cultures. In India, it is associated with love, fertility, and prosperity, often featured in weddings and religious ceremonies. In Chinese culture, Bauhinia variegata is a symbol of beauty, grace, and the fleeting nature of life.

Bauhinia x blakeana in Chinese Sources:

在中國文化中，紫色常代表高貴與權力，而洋紫荊則代表了優雅和力量。 此外，洋紫荊還象徵著團結和繁榮，這也使它成為許多盛大活動的首選花卉。

(Edited MTL)

In Chinese culture, the color purple often represents nobility and power, while the yang zijing represents elegance and strength. In addition, the yang zijing symbolizes unity and prosperity, which makes it the flower of choice for many grand events.

I have a headache. 🤕 Am I just yapping or was this all preordained by Nii Satoru?

Do you still remember that Suo's earrings are made of coral? The very coral that symbolizes a lofty status, auspiciousness, nobility, power, and eternity? 🤕

It's all coming together...

The Story of Three Brothers and the Zijing Hua Tree/田真兄弟：

This story could very well be a direct hint towards Suo's future martial siblings + how his arc will end. I vaguely remember(?) studying this passage for DSE unseen 文言文s so I managed to find it again. I'll cross-reference and do a direct word-to-word translation. If you understand Chinese I recommend just reading the 文言文 because it has more of the OG meaning 💪

原文/Original:

京兆田真兄弟三人，共议分财。生资皆平均，唯堂前一株紫荆树，共议欲破三片。翌日就截之，其树即枯死，状如火然。真往见之，���愕，谓诸弟曰：“树本同株，闻将分斫，固憔悴，是人不如木也。” 因悲不自胜，不复解树。树应声荣茂，兄弟相感，遂和睦如初。

註釋/Glossary

（1）京兆：京城地區。

（2）生資：生活資料。

（3）皆：都。

（4）唯：只有。

（5）破：使之破為。

（6）就：開始。

（7）即：立即；立刻。

（8）狀：形狀；狀態。

（9）然：通假字，同“燃”，燃燒。

（10）翌日：第二天

（11）愕：驚訝。

（12）諸：眾；

（13）斫（zhuó）：砍。

（14）勝：承受；控制。

（15）憔悴：枯死。

（16）故：所以。

（17）解：分解。

（18）其：他家的。

（19） 堂：門。

（20）株：棵。

（21）遂：於是。

句子翻譯/Sentence TLs:

1、翌日就截之：第二天就準備截斷它。

2、狀如火然：形狀像被火燃燒過一樣。

3、樹木同株，聞將分斫，故憔悴，是人不如木也：樹本來是同根的，聽到要砍斷分開，所以枯死了，我們人都不如樹木。

4、樹應聲榮茂：紫荊樹聽到（田真的）話後（立刻）枝葉繁茂（了起來）。

My attempt at an English TL:

In the capital city [Beijing], the three Tianzhen brothers divided their property. All other assets [means of living] had already been evenly divided; all except the Chinese redbud tree/zijing tree in front of the door. They discussed and agreed to split the tree into three pieces each. The next day, they prepared to cut the tree down, but the tree immediately withered to death, as if it had been torched by a flame. The oldest brother looked at the sight and was extremely stunned, saying to his younger brothers: "This tree is originally from the same root. It heard it was going to be separated after it was felled, and thus, it withered. We, as humans, were no match for/couldn't live up to even a tree."

Because they were unable to bear with/contain their remorse, the brothers decided not to cut the tree. When the Chinese redbud/zijing tree heard the eldest brother's words, it immediately sprouted flowers once more. The Tianzhen brothers were astonished and emotional and thus returned to their harmonious relationship from the beginning.

From this, I'm heavily inclined to believe that:

Suo is one of three brothers/martial siblings.

Suo left/they left Suo due to family issues or family inheritance trials.

Suo's arc will end well, with all brothers reaching an understanding and becoming friendly again.

OR, Suo is the Chinese redbuds/zijing tree in this scenario.

Suo might end up facing Endo because the passage mentions 'as if it had been torched by a flame [状如火然]'. Endo's name is '棪堂' -> this also means something else which u/Snowy-kitten mentioned, it being 'a tree that bears edible red fruit' in Chinese, which contributes to Endo's biblestuff. But let's analyze it later in Endo's part.

Chinese can somewhat be considered playing Pictionary—if you separate the words from 「棪堂」 into three: 「木」、「炎」、「堂」， you could literally interpret this as, in 文言文/Classical Chinese, 「Tree/Wood」、「Flames Rising」、「Courtyard/Doorfront」

This coincides with the "Chinese redbud tree/ZJH" looking as if it "had been torched aflame" in front of the house/the courtyard/the door.

In conclusion, this might allude to Suo having to fight Endo, or Endo having to fight Suo to get him back due to a family feud—and Suo might get heavily injured. His martial brothers might realize the impact of their actions and finally retreat and make up.

Suo and Sappanwood:

Sappanwood can make a type of valuable red dye named brazilin.

The character of 'Su' (蘇) in JP also means resurrection, reviving, resuscitation, and rehabilitation.

The red pigment found in the sappanwood tree (brazilin) has also been used to treat wounds and ward off infections, encouraging faster healing.

Sappanwood isn’t as favoured for extracting dyes as brazilwood, though—the discovery of brazilwood led to a boom in red pigments due to its greater concentration, whereas sappanwood was much less saturated in comparison.

This is pure yappanese but maybe Suo sees himself as inferior compared to his brothers...

That's the color of the dye sappanwood creates and that is the color of Suo's eye and his coral earring. I don't need to say anything more, right?

4. FALCON KICK 𓅃𓅃 FALCON PUNCH 𓅃𓅃

Rejoice!! We have made it to the next section of Suo's name at last!! I never thought I'd get here!!!! LET'S MAKE THIS QUICK (it's not quick).

Again, from the document that u/Snowy-kitten wrote, "隼" means 'falcon' and "飛" means 'fly/flight', spelling out "隼飛" lit. 'flying falcon'.

Reviewing the Symbolism Blargh Off This Page: (OG text has been slightly edited)

"The falcon represents vision, freedom, and victory. Hence, it also connotes salvation to those who are in bondage whether moral, emotional, or spiritual." <- I find it very interesting that many of Suo's symbolisms tie back to things relating to a new beginning/healing: salvation, revitalization, resurrection, a new hope, etc., which falls in line with his dream: the liberation of slaves. And look, I know this possibly means Suo breaking free of whatever chains down his heart, but ACTUALLY Suo will be stuck in 𝓯𝓻𝓮𝓪𝓴𝔂 bondage and then be saved by EndoSaku. Trust me y'all I'm Nii Satoru's right-hand man

"In Christian symbolism, the wild falcon represents the unconverted, materialistic soul and its sinful thoughts and deeds. The tamed bird symbolizes the Christian convert pursuing his lofty thoughts, hopes, and aspirations with courage." <- I don't think Suo is wild or tame or Christian in particular, but you could take it as current-Suo suppressing and masking his true identity/emotions. And that actually makes sense when you remember how Suo nearly went Insanity.PNG during KEEL Arc and Sakura had to stop him from continuing to pummel a guy when he was down; when Sakura admitted he was pissed at himself and turned away Suo thought 'I really am no match for you'. On one hand, this could be explained extremely well if we view it from a Confucian + Suo's theory of adulthood lens which will be talked about later in Part 6. However, this could also symbolize Suo being bound in emotional chains and having... wtf, 'sinful thoughts'? That he's suppressing?? Maybe that's why he doesn't use his phone around people coz there's a bunch of 料 (blackmail) in there 🤣. And when Suo gets his arc I suppose he gets 'tamed' and is finally free to pursue his aspirations with courage (being with Furin and supporting Sakura), which will effectively act as another new beginning/his healing—further tying into his whole shtick surrounding resurrection revitalization healing salvation blah blah blah. (POV: the 'Suo has no Christian allusions' part comes to bite me back in the ass via. Taiping Rebellion parallels where an ethnically Han Chinese mf in Suo's triad or Noroshi proclaims to be "Endo's brother-in-christ" slash the brother of the WBK Jesus Christ. And then I kill myself)

"In Egyptian hieroglyphs, the falcon glyph was used in words and phrases such as 'god', 'pharaoh', 'greatness', 'year', 'sovereign', 'star', 'hour', 'prayer', 'land', and 'world'. It was associated with the deity of the sky, of kingship, and of the sun, Horus [...] In early dynasties, the king’s ascension was known as the “Flight of the Falcon”." <- Aha! AHA! YEAH MORE NOBILITY HOURS AND A DIRECT REFERENCE TO THE DEFINITION OF HAYATO. Okay. So. This is highly unlikely to happen but imagine Suo becomes the head of his triad branch. Or maybe this means that Suo is the heir to something lofty... deadass the fated ascension to big bad boss which he skedaddled from or was denied from, who knows?

"The Eye of Horus, the Egyptian symbol for the Sun, depicts a stylized falcon's eye and face markings. It signified royal power and protection from danger, evil, and ill health." <- More nobility/higher status allusions and illness-warding shit, typical Suo Hayato behavior.

"A human-headed falcon served as a symbol of the human soul on its flight from this world to the afterlife. Similarly, the crossed arms of Egyptian mummies were intended to symbolize the folded wings of a falcon at rest." <- And here we have more Suoshit related to afterlife-isms resurrection-isms and new beginnings-isms. Chat can I stop talking about Suo Hayato ... he's just a never-ending Pandora's 24-hour unboxing video...

"The sport of hunting with falcons was associated with nobility in Europe, Japan, and China, where falcons symbolized keen vision, boldness, and power." <- 'Takagari (鷹狩) is Japanese falconry, a sport of the noble class, and a symbol of their nobility, their status, and their warrior spirit.' - Wikipedia.

To continue with Wikipedia: In the 13th century, hawking became popular among the rising samurai class as well as among court nobles (kuge). At that time, the practice of hawking was a means of resolving struggles over land ownership among lords. <- This feels a little similar to the splitting of property mentioned in the Tianzhen brothers!

What's more interesting about falconry is that falcons typically wear 'falcon hoods' that blind them, which forces them to be calm.

The bird wears a hood, which is used in the manning process (acclimatizing to humans and the human world) and to keep the raptor in a calm state, both in the early part of its training and throughout its falconry career. Out of all the falconer's aids, the hood is the most important piece of equipment. There are various styles and types of hoods for raptors within falconry. The hood is handmade, often from kip leather or suitable kangaroo leather. —Wikipedia

Suo's eyepatch is made from leather as mentioned in his character sheet even though nowadays, a lot of eyepatches and most medical eyepatches are made with cloth and/or other adhesive materials.

What's more, a majority of traditional falconry gloves/gauntlets have tassels extremely close if not similar designs to the earrings Suo wears:

Remember when Suo once mentioned that he had an 'ancient Chinese dragon spirit sealed away in his eye', hence the eyepatch? Maybe there's weight behind that joke because he might lose his composure if the eyepatch is taken away.

If Suo is a trained falcon belonging to his family—although he's 'flying' right now, either for a hunt or free roam—he's been educated in a way that eventually, he will always turn back and roost on the gloves of his master.

"The falcon was seen as the bird of Princes, the gyrfalcon the bird of Kings, and the eagle the bird of Emperors. [...] A falcon [would be released] at the funerals of Pharaohs. This illustrates the ancient view of raptors as intermediaries between the divine and eternal heavens and the mortal earth." <- The 'bird of Princes' part really makes me want to believe Suo is truly in a high-ranking and potentially triad-inheriting position of power; he could really be a 'prince' of sorts for his gang... The O (枋) in Suo can stand for a 'sturdy plank', and even 'raft/boat', which might symbolize him being a bridge of connection between the 'divine and eternal heavens' (his triad/family/whatever dude) and the 'mortal earth' (Furin).

"Furthermore, falcons are represented by the constellation Aquila [lit meaning eagle], as are all raptors. This constellation is said to confer the qualities of boldness, ambition, courage, liberty, generosity, penetrating vision, and a noble spirit, along with a gift for martial arts and the fabrication of weapons.

"This contrasts with a vulnerability to and enmity toward reptiles and their symbolic qualities of deceitfulness, underhandedness (venom), vindictiveness, and baseness of spirit.

[OP's Quick Interjection: from the source some mf added a little 'that aint falco' after the following part and I gotta agree. But also, falcons and eagles are both under raptors as birds of prey, and from what I've seen, Suo is the only known person in WBK so far to have a bird of prey in his name, so I'll still keep this here as food for thought—as well as a theory I have for later.]

"Reflecting this opposition, the battling eagle and serpent has been a motif from ancient times, common to Western, Eastern and New World civilizations. See classical Roman statuary, the ancient coat of arms of Mexico and the Garuda emblems of Indonesia, Thailand and Ulan Bator. The dichotomy can also be seen in the eagle and the rattlesnake competing to be symbols of the Revolutionary United States in the 18th century."

Right. So. I have a lot to say about this chunk. The first is the numerous stories of raptors, mainly eagles, and serpents/snakes, as well as my theory that the family Suo has been sworn into will feature new characters with birds of prey as their joining kanji.

I'll elaborate on the latter first because it's shorter: so far, out of all of the named and introduced people in WBK up till Rooftop Fight, not a single person except Suo contains the character of an animal capable of flight, much less a bird of prey.

The only person who comes remotely close to having birds as a symbol is Chika Takiishi and the full-page spread ft. his fight with Umemiya which u/Just_EveB theorized to be the karura, which originates from the Garuda in Hinduism (will also elaborate later). But even Chika doesn't have any bird radical in his name. Shishitoren isn't exempt from this; the gang known for people with animal radicals only contains land mammals and reptilians:

Tomoyama Choji (兎耳山 丁子) = rabbit

Togame Jo (十亀 条) = tortoise

Sako Kouta (佐狐 浩太) = fox

Arima Yukinari (有馬 雪成) = horse

Kanuma Minoru (鹿沼 稔) = ♫ Shikanokonokonokokoshitantan ♫

(There's also Inugami Teruomi who is a dog for "inu" but I CAN'T FIND HIS KANJI AND HE DOESN'T EVEN HAVE A WIKI PAGE??? FREE MY MAN!!!)

Even other characters who happen to have an animal in their name e.g. Hiiragi Toma (柊 登馬) (馬 -> horse) don't have an animal capable of flight, much less a bird of prey, and no one has the radical for bird (鳥).

Hence, I'm genuinely going to go out on a limb and say that the family Suo has sworn into—or his biological brothers or martial brothers or whatever fucked-up triad business he's in—will have characters containing '鳥' (bird) or one of the following in their names: 鷹、鵰、鳶、鵟、鷂、鴞、鵂鶹、魚鷹、鷲, which are respectively eagle, eagle but different*, kite, buteo, the birds that are under here, owl, collared owlet, osprey, and vulture. OR, if these family members have Chinese names instead of JP, it's plausible they have the same pinyin pronunciation as some of these.

*Btw, this is the difference between a 鷹 and a 鵰. Don't even ask me tbh

Next up, let's talk about the correlations between birds of prey and serpents. I did some scouring through the internet and dug up quite a lot of stuff.

Let's first establish that the only person so far who has been shown with serpent/snake imagery is none other than Endo Yamato himself.

(And yes, I switched to desktop just to embed more images, I'm crying. Anyway, these panels are all taken from Chapters 144 and 145.)

The tattoo on Endo's neck, an infinity symbol, is derived from the ouroboros, a snake/serpent/dragon biting its own tail.

It symbolizes 'eternal cyclic renewal' or 'a cycle of life, death and rebirth'. Wow, so Suocore.

(BTW, in some religions... the ouroboros is also a fertility symbol. This just in: Suo, Sakura, and Endo are all ♂fertile♂)

I have so much more to say about Endo's tattoos but that's reserved for when I'm done with Suo Hayato... so let's go back to the topic of serpents and eagles and their tales.

Here's some prominent stuff I found:

Aesop's fable: This is the first example I managed to find. It's a story about how kindness will always be repaid. I honestly can't seem to think of a way this coincides with Suo/Suo's family/Endo etc. You can click on it to read the story yourself. Like, I think Endo's on a path to pseudo-redemption or at least 'potential future allies', and I can't see a reason why? He'd want to poison? Somebody?? Even 'figuratively'. Like, let's pretend my theory of Suo's family having birds of prey in their names is correct. Why would one of Suo's martial bros, or better yet the head honcho or something, swoop in to save this Countryman from Endoshittalk? But well, if anyone can think of anything, feel free to comment on it!!

Thus Spoke Zarathustra:

An eagle soared through the sky in wide circles, and on him there hung a serpent, not like prey but like a friend: for she kept herself wound around his neck. “These are my animals,” said Zarathustra and was happy in his heart. “The proudest animal under the sun and the wisest animal under the sun” […]

“That I might be wiser! That I might be wise through and through like my serpent! But there I ask the impossible: so I ask my pride that it always go along with my wisdom. And when my wisdom leaves me one day—alas, it loves to fly away—let my pride then fly with my folly.”

Friedrich Nietzsche, Thus Spoke Zarathustra, “Zarathustra's Prologue,” translated by Walter Kaufmann.

This is something that also came up, yet this is a more different example compared to the beginning—instead of feuding, the eagle and snake are in harmony, representing the mind and body becoming one, as well as taken from u/__Can__ from the linked Reddit post detailing what they symbolize:

It represents the highest strivings/capacities in man (eagle) and the lowest and more earthly/instinctive faculties (serpent). They are not opposed to one another but are rather one. Just like the other metaphor Nietzsche used, the tree (thought as the self-actualizing man) that if it wants to grow towards heaven (the highest in man) has to have its roots deep beneath the earth in the dark and evil layers of the psyche so to speak. You have to integrate your obscure and evil side in order to become whole.

There's a lot of tree imagery that I'm not really familiar with but know exists in WBK... such as that time Sakura's branch was nearly snapped off by Endo. To me this feels more like a general 'concept' that can be written into the story rather than an important foreshadowing towards future arcs ... plus I haven't read the book so I can't commentate on the philosophies of Nietzsche, so far the only thing I know about him is that he is one of the philosophers outspoken on overcoming Nihilism... taken from a deleted Reddit user:

People who haven’t read or understood Nietzsche think he is a nihilist, which is a bit understandable as his thought is complex, and he was a devastating critic of both dominant and trendy movements/institutions and their values. I believe he once described himself as a maggot that goes into a wound to eat away at the decaying flesh to clean it out. He also described himself as philosophizing with a hammer. In many ways, he is one of the intellectual fathers of postmodern deconstructionism. Which can often border on the nihilistic, but Nietzsche wasn’t simply trying to tear everything we believed in down for its own sake, his intention was to make things better.

From a site (really good read about Nietzsche and Buddhism):

Nietzsche aimed to overcome nihilism by affirming the unconditional embrace of existence. For him, life was not to be denied but rather created by one’s own value system, and built on the foundation of understanding that there is no inherent meaning in the universe. Nishianti describes this process as “dying the great death in the abyss of nihility and coming back to life again” (1983, 233). In doing so, active nihilism becomes a transitional stage rather than an end in itself. It is the abyss into which we must descend, “the darkest night before the dawn” (Nietzsche, 1968, 12). It is through the experiential stages of active nihilism that an individual strives for the heights of the ideal being, the übersmench. He asserted that living by one’s own ‘noble morality’ is characterized as a vigorous, free, and joyful existence, ruled by an innate “will to overpower, and will to rule” (1968, 16). From his works, it is evident that Nietzsche detested the weak and humble man who sought to escape the realities of life.

I can somewhat link Nietzsche's theories on nihilism with the process of creating the Philosopher's Stone (nigredo, albedo, citrinitas, rubedo), which is suuuuper interesting because Endo has vaguely alchemic symbols tattooed onto him. But again I'm digressing.

Norse Mythology [1] and [2]: According to ancient Norse mythology, the World Tree Yggdrasil has an unnamed eagle at the top and a serpent/dragon named Nidhogg at the bottom, and beneath the eagle there is a hawk named Vedrfolnir, standing for '"storm pale", "wind bleached", or "wind-witherer". Between them, there is also a squirrel named Ratatoskr who carries messages between the eagle and Nidhogg.

From Wikipedia: In historical Viking society, 'níð'(nid) was a term for a social stigma, implying the loss of honor and the status of a villain. Thus, its name might refer to its role as a horrific monster in its action of chewing the corpses of the inhabitants of Náströnd: those guilty of murder, adultery, and oath-breaking.

It's faster to just attach images of me and my friend tweaking:

I might one day do a separate post about Norsestuff and Furin because this is really interesting.

This entire Reddit comment section: Talks about the historical significance of the eagle and the snake in tales, depictions, etc. From u/Wayrin:

This symbol goes way way way back. There are depictions of eagles with snakes going back to Babylon and Elam around 3000 BCE. Of course the image was borrowed by everyone and the Egyptians saw it as Horus defeating Seth. Similarly Ahura Mazda was depicted as an eagle and Ahriman as a dragon. The Greeks borrowed the idea of the eagle as a symbol of resurrection from later Egyptian tradition and then it starts popping up everywhere. India, Indonesia, Rome and all over the Mediterranean. Most of these traditions use the Eagle to represent some great good. Usually a god related to the sun combating the forces of evil the snake. We believe the symbol to be borrowed and expanded (except for Mesoamerica) since they have so many commonalities. A lot of the stories have the Serpent winning over the Eagle before the Eagle triumphs. If you can access it, this is my source "Eagle and Serpent. A study in the Migration of Symbols." It was written in 1939 though so take it with a grain of salt.

And from u/tonycmyk, about ancient Mesopotamia:

[...] The snake/serpent has always represented the giving of knowledge to humans and the connection to earth. The eagle has always represented power over the earth and war. And this symbolism can be traced back through every ancient culture we know of and probably the ones we don’t. Powerful stuff.

Something not related to Suo: So about the Karura... the theorized demon JoJo stand that Chika has in the spread originated under 'Garuda' in Hinduism. You can read more about Garudas VS. Nagas here and the common point between Karuras and Garudas is that they're both depicted as people who feud constantly with dragons/serpents/snakes. In Hinduism, though, Nagas aren't depicted as evil like in Christianity. (And they're also a symbol of fertility... Endo's more ♂fertile♂ than Suo confirmed...)

5. Final Closing Notes on Suo

So, in summary, what do I think about Suo?

... What do I think about Suo... (crushing the chopsticks in my hand) I have multiple proposals as to what Suo is doing in Furin and what's going on with his family. And other Suostuff in general.

Falcon flying away: - To me, I see this as Suo leaving the family for a brief period, similar to how falconers can train their falcons to hunt but inevitably return to their owner. - If Suo's arc involves him cutting ties with his family, then this part could also symbolize Suo's desire to leave his original background behind in favor of Furin. - If the falcon symbolizes Suo's family as a whole, then this could represent the downfall of Suo's triad/noble family too, or that they're conducting some of their business elsewhere from their place of origin (*suspiciously Chinese ringtone starts to echo from my phone holder*)

u/Snowy-kitten's traitor Suo theory: Suo could be a spy in Furin. He could be scoping out the area for his own triad/gang/whatever. But what's most curious is the already-existing relevance between Endo and Suo that u/Snowy-kitten pointed out: Suo’s given name and Endo’s given name, Hayato and Yamato respectively are the names of two ancient Japanese tribes. [...] The Hayato is a tribe of ancient Japanese people that existed during the Nara period. The Yamato is another tribe of ancient Japanese people that existed alongside the Hayato. The Hayato frequently resisted the Yamato rule until the year 720 when the Hayato rebellion broke out. It was a rebellion of the Hayato against the Yamato. The rebellion ended in the year 721 with the Yamato being victorious. The interesting thing about the name 'Yamato' as u/Snowy-kitten also mentions is that its kanji (哉真斗) holds almost no meaning in JP. In Chinese, though, this can more or less translate to an expression, 'Ah, a real fight!' as '哉' in classical Chinese can be translated into an exclamation of sorts (「哉」可表示感嘆、疑問及反問語氣，相等於「啊」、「呢」、「嗎」), the '真' translates to 'real/true', and the '斗' (or 鬥 in trad) translates to 'fight'. So in the end, the Serpent VS. Eagle thing might happen in the form of Endo fighting Suo himself or Endo fighting one of Suo's family members.

Tsuge-chan and Suo: Remember this part?

Yeah, so, wtf was that? Fun facts on Tsuge's name from u/Snowy-kitten again (thank you bro you're saving my life):

I feel like Tsuge is going to be interlinked with Suo's backstory, that maybe he knows something more about Suo's 'family' than anyone in Furin should. Whether or not the XL river in Tsuge's name can be crossed with a bridge from another character's name or not... IDK we'll see if said bridge can be crossed when we get to it or burnt in favor of Suo lol... because Suo mentions bridge building in his character song gg

My final hard read on Suo's arc (take this with 2 mouthfuls of salt): - Suo will be called away briefly and leaves Furin either without notice or on short notice. He might leave behind enough clues to let Furin know why or where he's going. Or he might leave none at all, and Tsuge has to guess and explain what's most likely going on. - Endo might have to fight Suo in some way. Or he ends up fighting Suo's older martial siblings (the 'eagle') and triumphs over them. - If the oldest is truly the 'eagle', then there will be a younger one, the second-in-command, the 'hawk', like in Norse mythology. - I might come up with more stuff and I'll edit this into here as time comes.

6. I Lied

Suo isn't over. We still have to talk about how well he fulfills the shit we learnt in the HKDSE about our goat Johnny Hung's virtues/morals/principles.

So anyway, this is Johnny Hung our fucking GOAT!!!!!:

AKA Confucius lmao. Sorry it's an inside joke

This man is the reason I had to memorize so much classical Chinese sayings and literature that eventually culminated into Knowledge for the Suopost. It was all built towards this moment :( Let's start with an explanation of 論仁、論孝、論君子 as well as 五倫/四端！

...User Pyschicwavementality, wtf is this?

(Stares at you with the most depressed, sick, and haunted eyes) Chinese lore.

I will sadly not be sane if I explained every single one of these sayings to you guys. (Mutters) I mean I did have to memorize all of them back in the day but I'd kms elaborating on all of them so. I'm just going to take the relevant ones that could tie into Suo's character.

Let me first establish: the core of Confucianism revolves around "仁、義、禮、智、信、恕、忠、孝、悌". The arguably quote unquote """""important""""" ones (to today's discussion and in What I Learnt in general anyway) would be 仁義禮智信 and also 孝, of which I will now try? My best? To explain?? Please forgive me I learned everything in Chinese and it's really hard to do an accurate translation/analysis without going deep into culture and history 😭

CLASSICAL CHINESE 101

仁：This is read as rén. It is like... altruism, betterment, and love, I guess? Rén is how you interact with people, it is the innate connection and bond and interaction between human beings. (人與人之間互相關懷，尤其以關愛自己的親人最為重要。) It is respect and love and doing good deeds and Kind deeds out of our inner Goodness in our hearts. It is born from our inner individual and it affects our actions and what we do. We aim to always be a 'jūnzǐ' （君子）in Confucianism, someone who embodies all of Confucianism as the "self-improving and good-hearted" individual. To be empathetic and the kindest/most altruistic and loving person to one and all; to treat everyone equally from our innate Goodness—that is more or less rén. In the ideal society of Confucianism, everyone practices rén. This would mean society would always be harmonious.

義：this is read is yì. It is morality, justice, and helping others when in need. It is doing what is right and according to rén.

禮：this is lǐ. It is respect, treating people with manners, following social rules under rén, showing filial piety to your parents and elders, etc.

智：this is zhì. It is the pursuit of knowledge, creation, innovation, and improvement. It is having the intelligence to separate right/wrong and good/evil.

信：this is read as xìn. It is to have faith and belief in our beliefs and pursuits and our governing body. It is also integrity, honesty, and truthfulness. Whether it be a person, an organization, a business, or a government, they must have integrity as their core value.

(Additional) 孝：this is read as xiào and is essentially filial piety. Confucius believed that respect and love towards our parents should not be seen as an 'obligation', but rather something inner from the heart. There are four 'levels' of xiào: 孝順、孝敬、孝養、孝承 (xiàoshùn, xiàojìng, xiàoyǎng, xiàochéng). This is super complicated to go through so if you're bored and have tons of free time on your hands, feel free to run this PDF through a translator to get a better idea on what xiào is.

To get an idea on xiào, Confucius said that, if our parents became old and we only send them food and money, this is no different from raising a dog or a horse (孝養). He says, "Without respect (敬), where is there a difference?". When his disciples asked what we must do to respect (敬) our parents, he answered "We must not turn our backs on them [or more specifically, do not turn our backs on lǐ (etiquette)]. We serve them according to etiquette while alive; bury and commemorate according to etiquette after death."

But anyway, in turn, parents must also treat their children with all the above-mentioned virtues and said parents need to respect their parents with the same attitude as well. In theory, this goes both ways.

There's also Mencius' beliefs branched from Confucius' teachings (still part of Confucianism):

惻隱之心：read as 'cèyǐn zhī xīn'. This is your innate ability to feel compassion and empathy. Some people always see the "evil" around them and fail to see the goodness inside people and thus choose to be "evil" in turn. Mencius, one of Confucius' disciples, believed everyone was born kind and carried compassion. For those who are unfortunate, people will sympathize with them out of their own kindness; for those who are weak, people will have compassion for them and reach out to help them. He believed that people should never abandon their inner kindness, as kind people will always be rewarded by the kindness of others.

是非之心：read as 'shìfēi zhī xīn'. This is the innate ability to differentiate right and wrong actions as well as morally incorrect/correct decisions others make and reflect on them to judge why it is wrong and what not to do.

羞惡之心：read as 'xiūwù zhī xīn'. This is the innate ability to feel shame and guilt for making mistakes or doing things that are not following lǐyí (禮儀). It is also feeling scorn/disgust for others who do not follow lǐyí (禮儀).

辭讓之心：read as 'círàng zhī xīn'. This is the innate ability to feel thankful when others do something kind towards you, and you will feel like you need to pay it forward. It is giving others opportunities in exchange of your own and taking a step back to put others in mind first.

There's also the concept of inter-relationship hierarchy from the foundations of filial piety, which stipulates the order of respect should go from 君臣、父子、夫婦、兄弟、朋友 -> Lord/Emperor & Gov., Father-Son, Husband-Wife, Brothers, and Friends

Additional aid via. translations of my super helpful diagrams I made ages and ages ago about how to differentiate 仁義禮智:

(2) Analogy: POV you are in Ancient China and you see an elderly man killing a random guy

(3) Because you have 惻隱之心 (cèyǐn), you feel pitiful for the guy being killed. Because you have 是非之心 (shìfēi), you can judge and realize why the elderly man killing the guy is wrong. Because you have 羞惡之心 (xiūwù), you feel angry that the elderly man is killing the guy.

(4) Because in Ancient China, the lǐ [social rules] is to respect your elders [filial piety], but because the elderly man is doing something not in accordance with lǐ and yì (禮儀) [social rules and justice], you will do what is right (the lǐ action) and stop the elderly man from getting killed.

(5) Think: your choice to act and do correctly and the correct act itself is yì; your heart's inner compassion is rén; your ability to tell if the situation is in accordance with lǐyí (禮儀) or not is zhì; and the environmental/social rules = lǐ, e.g. respecting your elders. When you do actions that are not fulfilling yì, you feel guilty because you have 羞惡之心 (xiūwù). Rén is inner moral/virtue requirements [to be a 君子 jūnzǐ)，whereas yì is your outward action.

(6) Oh, and don't forget: 羞惡之心 (xiūwù) is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì). If you do non-lǐyì things yourself, you will feel ashamed.

(7) Adding on to the last sentence in (5), 'rén' is not a requirement; it is inner 'love' exuded from the heart. If you are forced or required to do so, that is not 'rén', that is 'duty'.

So how does this all tie into Suo Hayato?

(Shakes my fist full of documents) so this is where I start CRAZYMAXXING.

If you also lovehate this man you might have already made some connections between Suo and the above few values I've described. Otherwise let me elaborate: when dear old Niisato made Suo to be the most stereotypically Chinese lad ever, he also managed to include a shitton upstanding moral traits that a jūnzǐ (君子) would have, essentially making Suo an amazing representation of core Confucian beliefs (so far as of writing this post in my theory state of mind).

When Suo talks about 'growing up' or taking the steps to adulthood, he mentions one of the most important core values being able to make your imagination reality as well as empathy.

You could actually simplify rén into putting yourself in another person's shoes to see/think/feel from their perspective, and one famous saying from Confucius is to wish no harm to come upon others that you do not wish to come upon you, which ties in with Kanuma mocking the fallen Shishitoren member and only starting to feel panicked once he realizes the same harm was going to happen to him. ("己所不欲,勿施於人。")

Suo also insinuates the ability to chase your goals and turn them from dreams into reality is another part of 'attaining adulthood'. You can boil this down to being able to fulfill what you say/living up to your claims/fulfilling your beliefs. Honesty and integrity also play a major role in Confucian beliefs. There are a few sayings under xìn '信‘ that Confucius said about this:

5.1 A jūnzǐ (君子) must be mindful of what they say and do things swiftly/efficiently/quickly. 5.2 A jūnzǐ (君子) does not endorse a person just because he speaks favorably, nor does he reduce a man's worth just because he has a bad impression of him. 5.3 A jūnzǐ (君子) will feel shameful if he cannot go through with what he said he will do. 5.4 [Text Before Image] If one's name/renown is not righteous, his speech will not be reasonable; if one's speech is not reasonable, he will not be able to accomplish anything. If things are not accomplished, the law will not be able to reach into one's heart; if the law cannot reach people, the punishment will not be fair; if the punishment is unfair, the common people will be at a loss. [Text In Image] Therefore, leaders must be steadfast and reasonable in both what they do and what they say. When leaders speak, they must not be careless (read: 'whatever' energy) or rash.

^^ When you translate this, doesn't this essentially reflect Umemiya as a leader? Which also falls in line with Suo seeing Ume as his ideal 'picture' for adulthood and further aligning w/Suo's statement of 'making your imagination reality'?

It doesn't end here though...!!!

KEEL ARC! When Suo got PISSED as hell seeing his friends around him hurt, Sakura had to step in to stop Suo from losing composure in Chapter 50 | Extreme Emotions. Remember when I talked about explaining how this could be understood SO WELL from a Confucian lens in Part 4?

What Sakura said: 'I'm pissed as all hell at myself. I was talking big [I can 'em all on my own], and look what's happened. But getting pissed off isn't gonna help. We need to focus on what we have to do.'

(Pokes my finger at statement 5.3 and 5.4)

This ABSOLUTELY makes Suo's reaction called for ("I really am no match for you") because right now Sakura is embodying the core values of Confucianism better than Suo was moments prior. In that moment, Sakura was the one closer to being a jūnzǐ (君子). At that moment, Suo was the one who should've been learning and modeling after him.

Remember 羞惡之心 (xiūwù)? It is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì). If you do non-lǐyì things yourself, you will feel ashamed.

Suo was disgusted/hateful at the KEEL member for hurting his friends. He may have reflected and felt shame when Sakura came up to stop him.

It's still not over though!

Suo has consistently shown contempt for those who are older than him yet do not practice the same values of 仁義禮智信! Another one of the major Suo moments:

"Goodness... How self-centered. Even to the very end. To teach others, you need to engage with their feelings and support them to stand on their own two feet for the first time." — Suo Hayato on the most Confucian thing he could say at the moment

How self-centered:

顏淵問仁。子曰：「克己復禮為仁。一日克己復禮，天下歸仁焉。為仁由己，而由人乎哉？」 [1] 顏淵曰：「請問其目。」子曰：「非禮勿視，非禮勿聽，非禮勿言，非禮勿動。」 [2] 顏淵曰：「回雖不敏，請事斯語矣。」（《顏淵》第十二）

(HIGHLIGHTED = TRANSLATED BELOW; EDITED MTL)

[1] "Rén is to restrain one's selfish desires and to conduct oneself in an honorable manner. Once you have done this, all the people of the world will submit to your benevolence and virtue. The fulfillment of rén depends entirely on oneself. How could it depend on others?"

[2] "How do you practice rén?" "Do not look; listen; speak; or do things not in accordance with lǐ."

Already, gymnast-guy has violated the above.

To teach others [...]:

"與人交,推其長者,讳其短者,故能久也。"

"When interacting with people, you should pay attention to discovering and promoting others' strengths, rather than always pointing out other people's shortcomings." [MTL]

Confucius was known to be a very open and benevolent teacher. He did not require students to pay fees; he simply wanted your desire to learn. Suo's really open with teaching Nirei and he matches the teaching style of Johnny Hung really well <3 He's very positive and uplifting when it comes to Nirei. Personally, I also like to believe Suo also sees a younger or past version of himself in Nirei which adds more layers to his intrigue...

Scroll back up to the part where I had three Instagram stories explaining how 仁義禮智 linked with Mencius' additions if you forgot about it. You can re-read what I said regarding the example of seeing an old man killing someone.

Then the gymnast guy talks about 'discipline', and Suo has a vision of his master, which he adds with: "'Discipline', 'training and passing down your teachings'... Okay! I've got a question, sensei! How are you supposed to act when you go barging into another person's home?"

(He's pissed.)

Rewording [2] from my Instagram Story Explanation: Because you have 惻隱之心 (cèyǐn), you feel pitiful for Furin getting invaded and fighters/friends getting hurt. Because you have 是非之心 (shìfēi), you can judge and realize why the Noroshi invading Furin is wrong. Because you have 羞惡之心 (xiūwù), you feel angry that Noroshi is invading Furin.

And once again, just like from KEEL: 羞惡之心 (xiūwù) is feeling disgusted/hateful when you see others do something not in accordance with 禮儀 (lǐyì).

For someone older to be breaking 禮儀 (lǐyì) and speaking on how Suo's 'similar to him' and how he's having 'fun', this was The singularly most awful thing gymnast-guy could've done at the moment as someone Suo is meant to respect according to the age/skill hierarchy in Chinese culture. Not to mention the gymnast guy establishes himself indirectly as a 'teacher' in this scenario by using the phrase 'discipline'. It's even crazier when you realize that Confucianism explicitly believes that anyone can be a teacher to you because you do not know everything. There's literally a story about Confucius speaking with a 7-year-old who spoke so much facts that Confucius himself recognized the kid as a teacher. Suo taunting the guy asking what he could learn from the gymnast is NUTS.

Some other quotes that I think really match Suo's character:

子曰：「君子病無能焉，不病人之不己知也。」（《衞靈公》第十五）

“A jūnzǐ (君子) worries that he himself is incapable, and not that others do not understand him.”

子曰：「君子不重則不威；學則不固。主忠信。無友不���己者。過則勿憚改 。」（《學而》第一）

"If a jūnzǐ (君子) is not steadfast/solemn/decisive, he will not be dignified; and what he learns will not be stable. Maintain loyalty and integrity as your main principles. Do not make friends with people who have lower moral standing than you/who are not as good as you are, and do not be afraid to correct your mistakes."

Final Theory Pitch: "Death By Betrayal"

"Death By Betrayal" in Suo Hayato's name based on the symbolism of the Chinese redbud might make one immediately think of his master and his family. Perhaps Suo's teacher passed and Suo's embodying his master's teachings, or his family has backstabbed/been backstabbed. If we go down the route of Suo still being an active triad member, then this may talk about his triad being betrayed and Suo having to briefly live/train with his master under a new identity. If Suo's former martial siblings (whom he respects, by the way, literally so xiào) want to reform the group, Suo might force them to align with his current set of values (which are extremely similar to Furin too—to protect the common people) and avoid harming innocents.

From another point of view this can also symbolize the "death" of Suo Hayato's former character, where instead he was the one who turned his backs on his clan/family first. Either to learn from his master who may or may not be dead, or to escape his supposed triad ties.

There is another piece of classical literature that I can yap about: 《魚我所欲也》. Here's a quickest translation of it possible:

“魚，我所欲也，熊掌，亦我所欲也;二者不可得兼， 舍魚而取熊掌者也。生亦我所欲也，義亦我所欲也;二者不可得兼， 舍生而取義者也。

"Fish, I desire it; bear paw [rare and believed to have medicinal properties], I also desire it. If I cannot obtain both at once, then I will sacrifice the fish for the bear paw. Life, I desire it; yì [to do morally correct/upstanding/good things], I also desire it; if I cannot obtain two at once, then I will sacrifice my life for yì.

生亦我所欲，所欲有甚於生者，故不為苟得也; 死亦我所惡，所惡有甚於死者， 故患有所不辟也。 如使人之所欲莫甚於生，則凡可以得生者，何不用也 ? 使人之所惡莫甚於死者，則凡可以辟患者，何不為也 ?由是則生而有不用也，由是則可以辟患而有不為 也，是故所欲有甚於生者，所惡有甚於死者。非獨賢者有是心也，人皆有之，賢者能勿喪耳。

Life is something that I want, but there is something I want more than life [yì]! so I will not be greedy for immediate survival. Death is something I hate, but there is something I hate more than death [not fulfilling yì], so I will not avoid the evil that comes my way. If there is nothing that men love more than life, why do they not use whatever means they have to live? If there is nothing that men hate more than death, why do they not use any means of avoiding evil? By these means may we live, but some do not use them; and by these means may we avoid evil, but some are unwilling to do so.

Thus (it can be proved) that there are things that people want more than life, and there are things that people hate more than death. It is not only the 賢者 (virtuous man) that has this nature—all men have this innate nature, but the virtuous man can preserve and maintain it.

一簞食，一豆羹，得之則生，弗得則死 。

A serving of food, a bowl of soup; if you obtain it, you will live. If you do not obtain it, you will die.

嘑爾而與之，行道之人 弗受;蹴爾而與之，乞人不屑也;萬鍾則不辯禮義而受之。

Giving this to someone while mocking and hollering at them, normal people (people on the road) will not accept it because they feel disrespected; stepping on it before giving it to someone, a beggar would not accept it because it is unclean. The temptation (t/n: 萬鐘 is similar to 'bad temptations' or 'great benefits') for benefits: one will not differentiate whether or not it is aligned according to yì [etiquette/moral ethics] before obtaining it.

萬鍾於我何加焉?為宮室之美、妻妾之奉、所識窮乏者得我與?鄉為身死而不 受，今為宮室之美為之;鄉為身死而不受，今為妻妾之奉為之;鄉為 身死而不受，今為所識窮乏者得我而為之，是亦不可以已乎?此之謂 失其本心。"

What do these benefits have that can help me? For a beautiful house, many wives, and for the recognition and thanks from poor people? In the past, one would sacrifice their life before accepting these benefits; but now, for a beautiful house, many wives, and the recognition and thanks from poor people, they will accept temptation. Can we not stop this? This is the act of losing one’s trait [of sacrificing your life for the greater good]."

A summary of this thinking would be to "捨生取義", lit. 'sacrifice your life to obtain yì/the greater good'.

It is completely possible that Suo, when raised or sworn into the triad, was taught by his master (either in secret or after he briefly leaves) about the importance of 'upholding the ultimate good', which may have caused him to realize his triad—which may or may not prey on the weak—does not align with his moral worldviews any more.

To escape, Suo could've decided to fake his death or leave behind his old self and turn his back as betrayal, which ties into his 'noble' symbolism and 'flying falcon' name in Hayato.

But tbh, I'm inclined to believe Suo's master was on okay terms with the triad because he/she had long hair. Suo's hair, as I've stated elsewhere, could be short due to hair being used as a major symbolism device in WBK as a way to say he's tried to leave his past.

Yet some things may be unable to be broken away from so easily, and Suo, a trained falcon, might be unable to leave behind everything. He was likely loyal since a young age and unconsciously finds himself lingering on old sentiments. Maybe his earrings are gifts from his master. Maybe his eyepatch is from his triad/family.

Still, Suo being from a criminal family and having distaste for Noroshi/KEEL is really interesting because we can see that he doesn't enjoy it when people lack empathy or cause pain to others. You’d expect him to react more to Choji’s gang because of their “violence for violence’s sake” going against his whole empathy tangent, but Suo seems to hate it more when someone finds interest in violence for meaning’s sake or violence for profit’s sake. I think Suo understands Shishitoren is built off violence to become stronger (<- literally the WBK OST), and everyone in SSTR seems to mutually be okay with this in-fighting. There's also a big difference between Suo clashing with SSTR and the other: he hasn't forged as deep of a bond with Furin compared to vs. KEEL and vs. Noroshi, and the latter two have made active attempts at hurting Furin through morally corrupt means (beating Nagato up and taking over Furin for personal gain).

Suo could've developed this sort of morality to distance himself from his family, who may have gotten infamous/profited off similar methods. (<- and this is really funny because Confucius has ALSO said that a jūnzǐ (君子) should not accept wealth or escape poverty if it wasn't achieved through morally correct means. A jūnzǐ (君子) cannot turn his back on rén in the span of a meal, and this remains true even during hasty and urgent times + when one is poor/wandering/living in tough conditions.)

A possible timeline:

-Suo is born to a rich family, possibly wealthy through a criminal empire.

-Suo dislikes his family because of his morals (may not have happened), and his family may dislike him back because he is considered “weak” (could explain why he’s the one who offers to help Nirei or why empathy as an adult is so important to him). Or, he's a super loyal lapdog and hella admires his brothers. Maybe they're the only good guys in the triad. Maybe they're really bad and Suo's also really bad. Suo might have two wolves inside him... the Confucian morals vs. Organized crime persona

-Suo studies Chinese fighting techniques and philosophy with someone (possibly a figure outside his family)

-Suo's family and/or mentor is betrayed/Suo betrays them

-Suo has to escape and create a new identity fully based off of his Confucian learnings.

...

And with that, I've said almost everything I need to say on the topic of Suo Hayato.

It totally didn't take 10,000 words or anything.

What's up next in Part 2?

I'll be writing Endo's version of this post and include some Suo-Endo joint theories and/or notes. Things to look forward to include Endo, Christianity, and alchemy... And maybe I'll even start yapping about the 0.2472983% potential Daoist/Taoist influence Sakura has.

I'll be back in 1 business century!

(Bonus) out of context convos and quotes my friend and I have said during the process of writing this that may foreshadow Part 2 or something:

Me: Picture Endo being Chinese too but it's Mainlander vs HK [Suo] beef

Me: WHO'S THE TAIWANESE 😭😭😭 IS IT UME??? HE HAS PLUM BLOSSOMS

Nakama: Okay so (crackposting) it's choji because of TW's association with the sun

Me: What if it's Chiitan [Chika Takiishi] and we get the Mainland x TWnese "forbidden" romance...

Me: But anyway I find it devastating choji would say cao ni ma wo che ne and its not even ooc

Me: ...Shit now I can imagine endo with a strong beijinger accent

Nakama: ...yamato儿(er) endo儿(er)

Nakama: ....chiika儿(er) takiishi儿(er)

Nakama: ...sakuraur harukaur

Me: endo going BEJINGRR WELCOMES YOU

"You not only ate, you devourered that like you were unaccountably peckish." —Nakama-kun 2024

Nakama: Waiting very politely for ur suopost to show up

Me: It might tonight, I'm typing like a keyboard warrior rn

Me: When u wake up it might be posted 😎

—A lie quoted from the 17th Aug 2024 at 3：57 PM GMT+8, a whopping one month and seven days ago.

"Y'know maybe suo's from oklahoma" —Me, delirious, 2024

The Suo Post's TLDR:

"WE NEED TO KILL HIM FOR BEING TOO CHINESE"

—User psychicwavementality after 1 month of crying in voice messages about Suo Hayato.

(Total word count: 11,781 words. Part One, scene!)

[cainhart]

The symbolism of the snake embroidery on Vergil's clothes and my theories on how he might have acquired his outfit. (he's broke asf he didn't get it with money guys)

In the first Devil May Cry novel we learn that teenager Dante had his red jacket custom made. He is actually pissy about it when it gets ruined with bullet holes. He then wears a fuckass black jacket, which makes him look embarrassing.

Dante was drinking and using firearms when he was 15 or 16 years old; but he had a job (albeit his job being a MERCENARY. Also twins being European really shows because he was having drinking contests as a fucking 15 year old, god), so he had enough money to buy himself a custom made jacket. But the thing is, we don’t know how teenager Vergil got his outfit. It’s too well made to be bought in a normal store. Vergil probably had no money—though it is hinted that after Mundus' attack, young Vergil may have used public transportation (I also have a headcanon that he didn't know how to open a portal until he was at least 12 so that makes sense) and even bought himself food. These may have happened before or after the attack but let's say after the attack since Sparda, Eva, and the twins were living a secluded life. Still, being homeless and constantly on the run, his concept of the value of money is more like ‘money’ and ‘a LOT of money.’ He had no use for finance; what important was to get powerful and gain knowledge.

So, he probably didn’t get it with money. Vergil was never in one place long enough to earn money. I also don't see him as someone who would kill or hurt people to steal their money (he actually kinda did it in VoV,,, but that was different), so the idea of custom made clothing bought with human currency doesn't sit with me.

He might have used demonic magic to create his outfit. We see a demonstration of this in DMC5 with Trish, who uses her magic to literally recreate her entire outfit. This is very weird and left unexplained, which frustrates me because I need to rationalize things. Perhaps demons can do this because they can infuse anything with their demonic energy, and since the clothes they wear are made of organic material, they can recreate or even sew them back together. In Vergil's case, it's more like 'create a whole new outfit in mind's eye and boom now you have a ridiculous cravat.'

Another possibility is that he had it custom-made, but not with human currency. Demons, or at least a certain demonic/supernatural entity (the God of Time, aka the Divinity Statue), accept red orbs as a form of payment.

Vergil probably visited many places on his trauma blind journey of gaining power. I might overdo here, but what if he came across a strange tailor and they made a deal like, "You give me 70 thousand red orbs, and I give you a slutty vest, a ridiculous cravat, nice shoes and a cool coat with snake embroidery on it." and Vergil was like "Aight." Maybe he was intending to infuse his outfit with his magic anyway. It was a win-win situation.

It's funny to imagine Vergil designing his outfit, just being a teenager for once.

So, Vergil could have saved up red orbs to get a cool coat. Demonic establishments are kind of canon, so that’s a possibility. He was a teenager it’s only natural that he liked teenager things, even in his traumatized and hunted state. At a certain point in his life, he became strong enough to indulge in some of his likes.

Speaking of snake embroidery, Vergil has SO MUCH snake symbolism on him, and on his clothes too! Snakes were adored and respected throughout history before paganism started to get shitted on. Snakes represent wisdom, REBIRTH, healing, transformation, and knowledge. That’s why Satan, disguised as a snake, gave Eve the apple (knowledge) (also, knowledge of the occult was really given to women first). The snake detail on his clothes might even be magic, too. It's nearly an occult symbol on its own. Maybe a sigil? I know sigils aren't a thing in DMC but I don't care I'll go apeshit with my theories.

Whether the serpent detail was intentional or unintentional, it’s still a great detail considering his story and character. He goes through transformation (Nero Angelo), then rebirth (Vergil rebirth party in DMC5), and healing (basically the whole plot of Visions of V).

So, just teenager Vergil researching the occult and being fascinated with the symbolism of the serpent. OR he straight up stole it. :l This bitch split his demonic and human self apart and like 1 day after his human self came to existence he had to deal with money and his first thought was to steal it. Anyway, that's all. Have a good day!

[positivelybeastly]

Back Home!

It's good to be back. Will endeavour to use tonight and tomorrow to be a little more active and pretend that this is still something approximating a roleplay blog.

Also, minor rant under the cut.

I get so incredibly tired of the mainstream fandom's engagement with Hank as a character. It's literally just such basic bitch shit. There's so little attempt to actually engage with what he is beyond the surface.

He's either a cuddly doctor who exists as five lines in a hurt/comfort fic, or he's fucking Satan himself because people's memories don't go back before 2019, and it makes me wonder sometimes why I bother trying to talk to people outside of my small, curated sphere here, because the majority of fandom will see one panel on Twitter, or Reddit, and form a fuckass opinion based on it, and then I have to act like it's somehow worth engaging with.

Where's the exploration of Hank as a trans metaphor? Where's the examination of Hank as a lens through which to view changing politics and the popular conceptualisation of intellectuals? Where's the thesis on why Hank is a sex symbol on the Avengers but he's a mopey bastard on the X-Men? Where's the discourse that actually bothers to question what Abigail represents on his narrative journey, and why they worked as a couple, and why she's important?

I just get so tired of the mainstream X-Men fandom sometimes. It legitimately feels like they have a head full of fuckin' bricks, and all it takes is jangling some keys in front of them to get them excited.

The people I have following and interacting with me here, you guys? You guys, I can have an actual conversation with, and I appreciate you more and more and more every time I dip my toe into Twitter and Reddit.

Rant over. Thanks for sticking with me. 💙

[kassandras-one-braincell]

I need to ramble into the void about Arcane season 2 act 2 because I'm a fucking wreck, but genuinely overjoyed too. Mostly sobbing, though. There is a smidge of LoL lore under the cut too but that's just me being autistic.

This show is genius. I have so many thoughts. The Glorious Evolution is at the forefront of most of them.

Viktor's commune is so cleverly designed, and brings in different elements from the whole of Runeterra. The architecture is distinctly Ionian, the foliage is Ixtali, and the colour palette is Demacian but with the iridescence of the Arcane. It's such a brilliant design choice. And immortalising Skye as this symbol of curiosity and progress, the epitome of true scientific partnership, is beautiful. It's amazing to see Viktor becoming a fully fleshed-out character with a complex and appealing motive.

Speaking of, Singed???

Singed's experimentation finally makes sense. I was always hoping to see Orianna in Arcane, and this was the best possible outcome. A villain gains a motive, my first ever main has her lore integrated into the events of the show, and his little music box has so much more meaning. Every single character has a moral plight in this show. The gasp I gusped upon seeing that ballerina figurine literally woke my dad up.

Jayce, Piltover's face of progress, being the undoing of the commune is just poetic. I'm living for biblically accurate Jayce.

Vander made me ugly-cry at least three times. Making him into Warwick was the right choice. And the 2D animation of the bloodlust, replicating that in-game mechanic, was so good. That oil-painting-style flashback sequence with Vi and Powder and their mother was a bloody masterpiece. I'm really glad there was an act dedicated to him.

Mel. Fucking Mel. The Black Rose is one of the most interesting factions in LoL, and god, am I glad they kept Mel's arc going by intrinsically tying her into them. The integration of Noxian lore has been impeccable thus far. Ambessa explaining the three core values to Caitlyn was a lovely touch.

I'm glad Ambessa's right hand (forgot his name) Pantheon't bit the bullet, because his resemblance to a certain Targonian Aspect was starting to freak me out. Very curious where her arc is tending towards.

As soul-destroying as it was to see Isha's sacrifice, it was essential to Jinx's character arc. Sweet baby girl. She will live on happily in fix-it fics. I haven't cried this hard at a piece of media since the first season. Her innocent joy at having her hair dyed and braided like her big sister, and the montage in the Powder-like sketchy art style before she pulled the trigger on zap... They couldn't have written a more gut-wrenching sacrifice if they tried.

And finally, while it was contained within the more light-hearted episode of the Act, Sevika. I have no quarrel with the fuckass bob. She cannot catch a break, or keep a prosthetic together. But the payoff was getting to see her organic arm in its full thick, muscular glory. The calm before the storm. Happy thoughts.

1000/10, cannot wait for the final Act, as much as it will wound us all, probably.

[beckitbonnet]

the bars on loumand's bedroom are of course a symbol of entrapment and manipulation and all of that. but it's also endlessly hilarious to me. they must have just been like "you know what this room needs? fuckass iron bars."

[gumbootillustrations]

i can fix him your honour *smacks him with the oc-ification hammer*

anyway. enjoy the babygirl-ification of aaron lycan. more stuff below the cut.

i love the idea of aaron. like, some guy whos hellbent on revenge learning to live and love outside of it?? and he finds not only love but a new home in someone else searching for the same thing after they've both lost so much??? UGH ITS SO GOOD. and then jesson fucking. fumbled it. SO BAD. im still mad abt it almost like. ten yrs later (how tf is diaries this old i swear it was still airing like last yr). so uh. ive tried to go in n fix him. i swear. but in the process a Lot of his backstory n stuff has been overhauled and im sorry to all the canon aaron truthers but the way that jesson handled his arc n stuff was God Awful and i hate it. so uh. yeah.

aaron shows up in ashes, ashes way earlier than he does in canon diaries - hes following the high priest's trail, and when he catches wind of him travelling to phoenix drop to officiate a wedding and track down his supposedly dead brother, he follows the rumours and shows up right after alexis is cursed. he forms a sort of truce with aph (although garroth is hesitant to trust him, given that he wants to murder his younger brother n garroth still believes that zane can be saved) and fucks off again until they meet up again when aph n co are snooping around pikoro trying to find lord luke so that she can sign a trade deal with him - aaron's (rightfully) convinced that zane has something to do with luke's disappearance, and once all that tomfoolery is settled, he decides to return to phoenix drop with aphmau, believing that the impending war will offer the best opportunity for him to finally kill zane.

as we all know, though, this... really doesn't go to plan. they get trapped in irene's cathedral - which is more of a labyrinth with religious imagery plastered everywhere - and it isn't aaron who lands the killing blow on his mortal enemy, but rather garroth, who gets possessed by esmund's relic. then, when they manage to escape thanks to zoey, ten years have passed and the cathedra of irene (the religious organisation that zane was in charge of as high priest) has all but collapsed. up until this point, all aaron has really been living for is destroying the cathedra, and with his job already done for him by the passage of time, he's now sort of... lost, is the best way i can really describe it. he decides to stick around in phoenix drop - although he doesn't really want to admit it, the people are nice, he's become friends with garroth and katelyn, and it's a safe place for him to stay while he figures out his next moves. it also doesn't help that aph keeps roping him into her adventures (although he secretly enjoys having something to do).

it's through these new connections that he learns to start opening up about his past; how he was raised as the heir to the lordship of a hunting town up north named falconclaw, how the cathedra ordered its destruction and the murder of all its people due to them allegedly being descended from shad, the destroyer, how he came back from a hunting trip to find all his family and friends dead, how the grief manifested in a long-dormant magick that causes anything he lays eyes on to disintegrate, only to be controlled by an enchanted blindfold given to him by a passing elf who took pity on him. over time, he learns to control his magick, leading to him starting to leave his blindfold off - a sort of symbol of his willingness to trust in others, and to trust himself around others. most of this is me wanting his fuckass bandanna to have some sort of meaning behind it outside of "uwu edgy man with edgy outfit" but uh yeah. idk.

anyway, after a while he decides to stick around permanently right before the gang heads to gal'ruk to track down carin valkrum, an ex-juror who went missing decades prior, who katelyn is convinced knows of the whereabouts of the keeper's relic.

which means an outfit change. i tried to make his second winter outfit noticeably lighter than his first one, but still incorporating his trademark reds and browns. there isn't too much else to say abt this outfit? i dont think?? like there isnt a ton of lore stuff tied up in it except "oh hes going to a cold place lol". uhh i guess i could mention that he has a fucked up knee from a hunting accident when he was younger, hence the wrapped up knee?? idk. also he has a lil brooch w a falcon claw on it as a sort of homage to falconclaw. and his fucked up eyes r a reference to his eyes being fucked up in mys. yeah. idk.

uhh casual outfit. i like to think that he asked laurance for help w finding something to wear that wasnt super casual for more formal events (like the monthly potluck dinners that phoenix drop holds for everyone to celebrate the new moon) bc garroth is fucking useless when it comes to clothes n katelyn isnt that much better so laurance, having grown up in meteli surrounded by pirates, threw a billowy white button down at him n told him to go ham. i think laurance also lowkey influences aaron to get the falcon tattoo at some point - i dont think he loses the brooch, but since its so obviously a reference to his birthplace in ru'aun and could potentially get him and the rest of the gang hurt or even killed once they decide to travel to tu'la, he decides to get the kārearea tattooed over his heart as an homage to his family. anyway, it's in tu'la where he learns that he isn't the only survivor of falconclaw as he had previously thought: the werewolf pack that he'd grown up alongside (blaze, dottie, maria, rylan, and daniel) are still alive and well, as is melissa, although she's been cursed w what will later become known as the "ultima" curse due to her striking a deal with the demon warlock in an attempt to restore falconclaw. anyway, it's pretty emotional, esp since both sides have long thought the other to be suuuper dead. the scars on aaron's forearm are from when he n blaze got into a tussle as kids.

and finally, his destroyer form! after katelyn finally kills ivy n recovers shad's relic, there's a lot of debate as to what to do with it; some folks think its best to find it a host, others want to try and destroy it, and others want to simply lock it away in a pocket dimensino or something to keep it safe. eventually, aaron decides that, in order to protect the family he's created and the family he's rediscovered, it's probably best for him to take on the mantle of the destroyer of the second war of the magi, especially once it's revealed that the aaron of the first war (shad) cleaved his soul in two once he began to get corrupted by the influence of the void - the half that was corrupted would become the shadow lord, whereas the uncorrupted half would go onto reincarnate like the other souls of the divine warriors (excluding irene). i'm still fiddling around w how the second war of the magi ends, but my thinking as of right now is that the first war ended with irene burning away her first physical form to seal the shadow lord in the nether, the second war (mcd) ending w the restoration n reunification of shads soul n the divine warriors sealing away most magicks as a temporary stopgap against the spread of the void, and the third war (mys) being the war in which the void is finally defeated.

and finally some headshots. i personally headcanon aaron as being autistic as fuck n being the kind of autistic where he isn't super expressive (sorta like garroth), although a little less stern. speaking of, i really wanted him n garroth to be sort of foils for each other: namely, where aaron was raised to only ever see lordship as a privilege, garroth was raised in an environment that led him to believe that lordship was only ever a burden. anyway, they're best mates n i will die on this hill. yeah i know that in the first war esmund n shad didnt like each other that much (as an understatement) but something something healing the wrongs of the past with each reincarnation cycle something something they're best friends now and you can't stop me. also he and aph do end up together but it takes sooo fucking long, like those two are the most awkward motherfuckers this side of ru'aun and it takes longer for them to confess than it does for garroth and laurance to confess and thats Saying Something. like. c'mon. it was stupidly out of character for this wet noodle of a man to hook up w aph in the middle of s2. tell me that u don't know how to write ur characters without telling me that u don't know how to write ur characters n all that jazz.

anyway. gumboot rambles once again. its 2am at the time of posting this n i need to go sleep so uh. yeah. dante or travis is up next mostly bc aph has like thirteen outfit changes before s3 n im dreading drawing them all so yeah.

feel free to ask any questions or anything!! :D