strwbryfrogs

[strwbryfrogs]

yearning is such a beautiful thing. what i love about yearning and slowburn is that while the romance progresses, you can get to know the characters better, which makes the audience see how deep the bond in the relationship is. all the small moments have meaning. every interaction, every thought, and every glance means something and is a way to emphasize how much love (platonic or romantic) the characters have for one another. there is something so beautiful about yearning because it's so human to want something so badly, but you have a part of you that is afraid you'll never get it. romantic or not, i love watching/reading characters find their person and learning all about each other, becoming so close and connected that it's hard to imagine life without the other. yearning to know more, yearning to be closer. it's so beautiful to me!

[strwbryfrogs]

hey you make me so violently angry i want to strangle you then throw your body into a river but also your hair looks sooo pretty and soft can i run my hands through it lol.

[strwbryfrogs]

insufferable boyfriends for pride month yw

[strwbryfrogs]

“you can go back to pretending you don’t like me, and I can pretend that I don’t care. but for tonight, let me pretend you’re mine.” i almost EXPLODED

[strwbryfrogs]

the scene where percabeth’s reaching out for each other underwater OH that was a renaissance painting. just gorgeous and so nicely shot i could feel the soulmatism radiating from the screen

[strwbryfrogs]

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

[strwbryfrogs]

i could recognize him by touch alone, by smell; i would know him blind, by the way his breaths came and his feet struck the earth. i would know him in death, at the end of the world.

[strwbryfrogs]

haikyuu is cool because you go and read things like "talent is something you make bloom, instinct is something you polish" "because people don't have wings we look for others way to fly" "today you are the defeated. what will you become tomorrow?" "we are the protagonists of the world" "and if you get really really good, someone even better will come and find you". and you read about how like. kageyama was learning to love again after it was ripped away from him and hinata was learning that he could jump high enough to become the sun itself and oikawa and ushijima and atsumu and kuroo and everyone else were all learning and trying and living with the hopes of becoming something greater than they ever could have dreamed but that something greater wasn't about winning it all it was about how they were so intricately tied that they will forever be part of the same path no matter how many times it splits and it's THE reason they are able to keep moving forward no matter what they may face. and then you're just expected to continue your life afterwards like nothing HAPPENED.

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ok i can forgive chuuya for making that fucking horse noise now

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haha lol i feel so normal about soukoku. haha (i want to inject this scene into my nervous system)

[strwbryfrogs]

[gunshot]

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i’m not good enough for anything…

[strwbryfrogs]

a sigma to celebrate s5 😚😚✌🏼

[strwbryfrogs]

new season of bsd tomorrow: 😄😄😄

aku dying animated in full colour: 😦😦😦

[strwbryfrogs]

character sketches lolz

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CHUUYA NAKAHARA COMING BACK TO ME EVERYBODY CHEERED

[strwbryfrogs]

sigma doodles (o^^o)