#and from the story's view it aLSO DOESNT MAKE SENSE

[spideysatan]

i wanna take a peak inside the brain of the people who are scared that colin "my wife" bridgerton is not going to end up together with penelope after he finds out she is whistledown.

you mean this colin? 👇

[bitchesgate3]

I’d be very interested to hear about what you have to say about Elminster and how your interpretation of him has changed, as someone else who has a take that (most likely, as I honestly don’t go looking for it much) goes against the grain of fandom too.

(I’m happy to come off anon and talk privately instead if you’d rather, considering how some people get over this)

I don't mind chatting openly about controversial stuff. And I thank you for the ask! I'm open to dms too if that's ever preferred.

As for Elminster - because of his role in the triangulation between Mystra and Gale, I mostly saw him as a feeble old man delivering a letter that amounts to "kys". And from the vibes I get from the fandom, I think most people see him as Mystra's co-conspirator, so that gets him on their naughty list.

Just like this book - I was pretty much like "Who the fk is Elminster and why should I care?" Also saw him as a bit of a joke.

When I got to Sorcerous Sundries I read every book I encountered, and it's one of my favorite parts of the game thus far. And in particular, there is 1 book and 1 written account by him.

[Harping by Moonlight: An Approach to Life by Elminster Aumar] has him pondering good and evil in a manner I think expresses neutral good alignment (Mystryl's alignment) pretty well.

It parallels the type of guidance he gives Gale, who has the choice of resigning to or raging against fate - or believing he still has a choice.

[Elminster's Myth Drannan Amphigory] kind of illustrates why Eliminster's a funny guy and may be seen as an old man rambling nonsense by wizards and non-wizards alike. Esoteric knowledge? Or a crock full of shit?

In either case - the book is clearly an allegory to Karsus, Gale's emotion of ambition, and even Raphael's megalomaniacal dramatism. How attempting to grasp the power they seek is a fools errand.

I don't have pictures of it, but also doing the Elminster section of the Socerous Sunderies dungeon cemented the impression that Elminster is intended to be a wise guide. He's a tad nonsensical and feels like he's wasting your time sometimes, but there is something to what he says if you ponder it.

The long and short of it is: Elminster isn't Mystra's messenger boy. He provides wisdom to Gale, but also leaves him to make the decision that he decides on his own. Elminster doesn't do anything for Gale, which encourages Gale to use his cleverness in the direction of the right guidance. It shows that someone believes in him.

Elminster is Gale's Benevolent Father figure and what he says will point you to the good ending for Gale, and you shouldn't dismiss him fully as a joke. But there's certainly some good laughs in there. 😉

[autumnfangirler]

god i am missing my pirates so much

[nessvn]

one of these days i am actually going to write that marzelline/raymonde fanfiction that i keep vaguely musing about. because two women from a random opera and an obscure french novel also deserve to be shipped in the same way you people will obsess over no-personality minor character white men

[poobit]

i have many thoughts on how Mouthwashing handles the themes of abuse and the symbolism around it especially as a survivor ... im not gnna hold back so -

first of all i think since its clear the point Jimmy is dismissive of Anya´s personhood and his perception is warped towards what he does as a Captain rather than what he does as a man, it makes sense she doesnt get her own labyrinth or such , i cant argue around that because its realistic he´s so male focused he cant even bother to truly think about what he did to her, i would love it if Wrong Organ decides to do a side story vignette of her own perspective and view in the future if the game proves its successful enough for side content like that.

Assault is something usually not handled with subtlety in games, i think what struck me the most was how real the dialogue of her coping and suicidal ideations and how Curly responded to it felt , the dancing around the subject, the deflection, the "whats next" of the ever impending consequence of pregnancy, how Anya pleads for help from the person she trusts but nonetheless a man unequipped and too emotionally attached to the abuser to be able to confront him, its so real, Curly´s lack of initiative is something Jimmy fully takes advantage of the moment things dont go his way, he turns everyone against him even as a helpless body on a bed because he needed to be in control of the situation, thats what abusers do.

A more sensationalistic game would have easily played Anya´s helplessness and assault for shock for sure, because it would be easy, she is the archetypical victim trope, shes modeled in Wendy Torrance likeness from The Shining, shes meek and unsure of herself and Jimmy shoots her down from the very beginning to make her feel unqualified and cornered, but the furthest the games goes is making Jimmy terror towards the pregnancy and the baby as a boogeyman that crawls and tramples over him. No sights of bleeding legs or her crying or screaming and much less present objectification of her body (which is something that i always think the horror genre has such a struggle not grabbing onto, sexuality is mostly always played up in assault stories especially if the victim is an adult woman), she remains a fully clothed figure and maintains the agency to her own demise, away from Jimmy and beside Curly, which is tragic and obviously still a symptom of horror´s proclivity to back female characters into corners of self inflicted punishment, but the alternative would have been that sooner or later, Jimmy would have killed her.

Its clear to me that the game used Curly´s state as a way to put a barrier between Jimmy and Anya, we dont objectify Anya, but we objectify Curly, Anya doesnt just feel pained and unable to handle Curly´s medication because shes in a sensitive state, her comments about his noises and such draws a line between her trauma and her perception of things as Her fault, she cant handle hearing his struggles and cries trying to swallow a pill because it reminds her of her own helplessness, so she leaves the task to Jimmy, someone who has no qualms in forcing someone down, the emphasis of every treatment as a repetitive process and the sound design is all very poignant and for me, a great way to handle assault as a metaphor, Curly did not consent to being in this position, it is very much still Jimmy´s fault and the fact that Jimmy is basically keeping him alive against his will even to the last moment of the game says everything, Jimmy doesnt love Curly the same way he doesnt love Anya.

The horses are not lost on me, i think horses as animals are often seen as "viril" symbols, strong and often volatile, they can be often hard to mount but when one does the rider and animal are seen as this one all powerful entity, like centaurs, which also carry symbolism of assaulters mind you, so while maybe not intentional on the dev´s part i think it still points to the Horse as a symbol still important in the game, the only spoken audio lines of dialog come from the Pony Express mascot Polle itself, and they are the first to actually confront Jimmy´s self centered line of thought and over-focusing on Curly, if the Tulpar is akin to a beast of a burden then Jimmy beat the dead horse way long ago.

All in this to say that Mouthwashing was a really good experience and i really hope the dev team is interested on expanding a bit more on it because i trust their vision.

[eternalera]

I'm making an analysis of this scene because fuck it, it means sm to me

so basically the scene im talking about is the one above and why (because fuck you l like adam and lute) it means so much to me

first off when do we actually see adam smile and im not talking about when he's being an asshole to charlie or making some unfunny sex joke. I'm talking about when he looks genuine.

Like he looks actually happy, not entertained but happy because thats what it is with charlie. He's smiling because he's entertained with her reactions and how pissed he's making her.

Whenever we see him smile it has this almost evil feel to it (whether that be with the teeth in the mask that he wears or not although it probably is... i'll get to that later). It feels like he's meant to be the villain. He's meant to be someone you're meant to hate. So why in this scene does it make you feel bad for him and lute? (almost depending on the person cause yes i know some of you jumped up with joy at this, i aint judging)

it makes you feel bad because there's something human in this scene whether we like it or not. that also comes with the removal of their masks. we've never seen adam without his mask so him losing it in this scene provides us with the sense that 'hey hes still human' he's not some eldritch being sent from hell/heaven. he's a guy.

this also comes with the removal of lutes mask. we see her genuine emotion. we actually see her being to cry something that honestly seems almost out of character for her seeing as she's pretty much that one character whos like 'fuck it lets power through this'

this also is similar to adam smiling cause it shows you that in the end he wasn't a total asshole.

but back to the masks. the masks make them have pretty sharp looking teeth which is something that we associate with sharks or some sort of predator. yet removing the teeth (actually adam doesnt even smile with his teeth) you suddenly get a lot more of a human feeling

they dont feel like a villain anymore (even though thats what they are) they feel like a person. it doesnt make him feel like a threat anymore so you have an actual ability to feel bad for him.

but moving on (i ramble a lot so this may not stay on track but its fine :D ).

our last scene of adam in this entire show (im pretty sure like yknow... direct scene) is him smiling. him showing genuine human emotion. because whether or not you guys wanna admit it adam was the first human, and he does have feelings that pertain to humans. so why have this be our last view of him? of him being quite literally beaten down.

well personally i feel like this is because the show wants us to see him as lute sees him. she saw him (as from what ive gathered) as a genuine friend. she actually liked his company and liked hanging around him.

so this pushes her idea and avenging adam or getting revenge for his death. if we didnt have this scene her just getting upset at lilith and taking charge randomly and getting just randomly mad at the hotel would be kinda... eh.

like it wouldnt make for that good of a story.

but with our last moments of adam being him smiling at lute it shows us basically something else. that he cared, for what? we dont really know but he cared for something because its clear that the extermination failed and adams dying. hes fucking dying something he seemed so upset over two seconds ago screaming and shouting how he shouldnt die or whatever

so its most likely that he cared for lute making this scene all the much sadder. besides its the only thing we can assume seeing that lute was the last thing that he saw before passing on.

also ive seen theories that make a lot of sense with lute being the only one who stuck it out with adam till the end. lilith left him, eve was created from his fucking rib and yet she most likely left him. so he probably died pretty damn along the first time around

so lute being there for him and showing that she cared for him and that she still cares for him probably meant a lot. most likely because she stuck around until his death, she stuck around till the end which once again, he died alone the first time and dying with someone with you the second probably means a lot

anywaysssss yeah thats it byeeee

[complete-clownery]

Not me deciding that I wanna figure out how does Macaques dojo work, cuz I couldnt seem to find any ideas of it on the internet lol

Okay so long long LONG rant:

Ik that in canon the whole place looks kinda-- moldy and shit and I get the lot of hc about how Macaque probably doesnt even live there since its in a very industrial outer neighborhood of Megaplois, and also it probably isnt really decorated or looks like someone is living in there at all, but I like to think that he has standards and they put like 272636373 nois cancelation seals on their bedroom so he can sleep camly when he actually can sleep (since in my hc Macaque suffers from insomnia (its a pretty common hc tho, but you get it)) and I think the outer circle of Megaplois is even tho industral and under constructuion on most parts, its probably more quiet than downtown

And I also like to imagine, Macaque even tho if not commited to a place will make it more homy. But looking at my reference pictures, in the dojo there were also a lot of posters and paintings (and in MKAGC Macaque did mention he might have a poster of wukong soooo~~)

For the layout I went after whatever felt right, since I had like 4 pictures to piece together a two-story house with a gallery(??) so its actually just me deciding what I want and where I wanna put it

(Here are the screenshots from lmk s1ep9 I used:)

Okay Okay if you couldnt tell, for some reason im really hyped about this stuff so im going to lead you trough my thougtprocess, when imagining this whole thing, in order from ground level to gallery

1. Ground level:

Ahh yes ground level: the problem child

(Im going to keep it somewhat brief here cuz I wrote a shit ton of explanations for it, but that somehow got deleted which I am super pissed about btw)

So I saw that a lot of hc with Macaques place are mostly that first floor is the dojo and the second floor is the living area, buuut~~ based on the screenshots of the series that doesnt make any sense. My reasoning? Simple really, its bc you can see the ceiling If you are standing in the dojo. This could lead to the conclusion that:

"Okay maybe then there is no second floor just a gallery in there somewhere and thats it".

Sure we can say that, but then you would ignore the fact that you cant see the front door of the building when Macaque slams Mk into a weaponstand.

"Okay then its on the other side of the room that we never got to see in the episode"

I mean maybe sure but to me from an animation point of view it just doesnt make sense, just why would they flipp the camera angle like that (I mean anyone can think whatever they want, everyones opinion is valid, its not like anyone would ever argue me on this one ((or read this whole brainrot trough in the first place lol)))

Haha anyways regardless of anything, let's go back to talking about the first floor, shall we?

Everything is pretty self explenatory: when you come in on the front door youll see a little shoe rack where you can but your shoes, and one stair to seperate the ante-room from the rest of the house

Then theres a long hall that leads to the enterence of the storageroom, the random room and the staircase that leads to the second floor

I couldnt decide on what to put in that big room-- I had no clue -- I was thinking maybe Macaque could let other people rent it for a few days of maybe theres a shop with an owner whos ranting the place from Macaque (I think thats an interasting concept, but I didnt explore any of them) oh well thats that tho

"""somewhat brief""""

Second floor:

This was probably the easiest, since 90% of it is the dojo

But before that when you walk up to the second floor you can see a big boubel door that opens to the dojo, and a normal door that opens to the bathroom, which is strategicly placed there by yours truely. There is big brain logic behind it,, it might be inconvinient for Macaque to walk down the stairs from his bedroom trough the dojo to the bathroom (but also he can just shadow portal there--), but when ocasionally he mentors Mk, he might have to go to the bathroom while hes at Macaques place and I dont think Macaque would apritiate someone stomping trough his personal area, and thats why the bathroom is conviniently placed next to the dojo and not that far from the bathroom I know im a genius (**read everything in the bathroom part with a lot of sarcasm**)

Anyways, we couldnt even see all four of the dojos walls so that was also a 'gamble', but I went with a simple bouble door that I mentioned before and two weapon stands (yes those are weapon stands) and other than that you can see the rest of the room on the screenshots, theres also the staircase and that has some closet underneath it, but thats about it

The gallery (my personal favorit):

Looking at my reference pictures i could see that the dojo took up a lot of space almost taking up the 1/2 of the building, which I think is reasonable and kinda cool, but that means small living area which I think is even cooler (I am a huge fan of small practical spaces, they feel so so cozy)

So Yeah the living space: mostly two rooms that I also illustrated on top of this post, (you probably saw it) with a balkony thingy before the enterence of the rooms, where you can look down and see the entirety of the dojo, good for observing.

When you go in the door (actually havent decided if I want to put a door there or curtains for style but meh who knows who cares), youll enter the small but spacious kitchen. I dont see the Six Eared Macaque as a homecook, more of a fake cooking guy (only making basic foods like eggs or toast, maybe ocasionally pancake), hints there is no built in stove or owen just a portable stove, a kettle and a toaster and a small fridge that has MKs drawing (that he drew for them at the end of season 3) magneted there :]

Other than that theres a sink and an old television, he got from the randomest place ever, maybe he fished it out of the trash idk, but he put it on top of the cabinets (rarely watches anything on it)

On the baseplan you can see that there was supposed to be a small table next to the sink with a chair, but it didn't make it to the final drawing cuz let's be honest: drawing interior in correct perspective without a reference picture is just not my strongest artskill I posess, so I got pissed and put a trashcan in there, Macaque can eat in his bed

Talking about bed, let's move on to the Six Eared Macaques room:

It is very small but pretty comfortable with a small bed but a shit ton of pillows for a good nights sleep, other than that there are a nightstand that has the Lantern on it (I know it sorta got lost/destroyed after defeating LBD but I wanted to put it there) and a drawer.

The nightstand probably doesnt have a lot innit, just some nick-nacks and tissues and maybe snacks, or a book or something, the drawer stores some of his clothes, but since I like to think that Macaque is a fashion icon that wont be able to fit most of their clothes, so maybe he stores them in a pocket dimension of shadows, and only has some esentials there when he needs to get ready quickly.

And we could talk about the posters plastered around the room, but most of them are kinda self-explanatory, but there are the poster of his shadowplaly of the hero and the warrior, some drawing, a "Hang in there babygirl!" Poster with a cat on it hanging in there, a poster of the monkey king (heh), phantom of the opera poster and a-- well--- that ones for my bestie hope she'll notice it, its a spies are forever poster (really fun musical a of spies, go watch it its on youtube), and a drawing he brought( maybe)

And thats about the bedroom

And we are still not done, how are we feeling about that?? Huh?? (You dont have to answert, this shit took me about 2 hours to write :] )

LAST PLACE: the corner of the windows opposit the kitchen and the bedroom. Its just a chill little place with pillows and blankets, where someone can bundle up and enjoy some tea or read a book or brood, whatever the monkey prefers. The special thing about it, is that you cant access the place without knowing how to levitate, fly, jump high, or use portals, not that much of a game changer since more than half of the lmk cast could get up there, but still a bit of a barrier in my opinion

AAAAAND~~~ thats it omg

Hi hello if you read this trough could you please comment or reblog with this: "🐵" cuz I wanna know about the brave soilders who went trough this immense amount of clownery,,, holly mother---

If you read this all 👏👏👏 you are amazing thank you for appreciating my work this much, have an amazing day or night ✨🪲

[basil-does-arttt]

so we all know how Bury The Light as a theme song represents Vergil and subsequently his story and themes within DMC 5??

Well obviously that means Subhuman is the same for Dante. So i did some thinking (wow big surprise there shocking i know)

The TLDR of this is my conclusion that Dante is reckless and overconfident because of his half-devil nature and as a result disregards his life and safety. Also, that Dante has mixed feelings about his demon side.

Specifically what got me to this thought was the line we all know if you've listened to subhuman:

"You cannot kill me, i am subhuman."

And,

I mean come on, the message couldn't have been written any clearer here. Because he's part demon, because he's - as Dante puts it, assumably the writing of this song is from his POV much like i assume Bury the Light is from Vergil's POV - sub-human, he believes he cant die. That whatever is thrown at him, no matter what or how dangerous the situation is, he naively believes he will come out the other end unscathed.

And to be honest, he kinda has reason to believe that thus far. If being stabbed at least 5 times throughout your life and brushing each one off as if it were a mere scratch wasn't enough to convince him, defeating so many different great demonic beasts including Mundus himself definitely would. I mean, who wouldnt? Whatever hell throws at Dante, surely cant be any worse than the actual fucking demon king or his own brother post-DMC 5. In a sense, he believes he is immortal.

But that way of thinking is shallow, its naive and leaves him open to danger because it makes him cocky. He thinks he's untouchable, and that way of thinking could get him seriously hurt or worse if he isnt careful. (As we see in the beginning of DMC 5 actually. He thinks "eh, ive fought worse, how bad could this actually be?" That "Its only Vergil, and ive fought him before." Only to have his shit kicked in and end up in a coma for a month. Imagine if that happened with a different demon that wasn't so merciful as to keep him alive for all that time, who would've jumped at the opportunity to rip him to shreds in an instant.)

I also want to go into how the song reflects Dante's (poor) mental health and his thoughts on being a half-demon.

Its kinda hard to catch unless you really think about it but the song is clearly negative in tone when it comes to describing Dante's own devil form. "As i call upon the dark gift to erupt" is one line that sticks out to me and i think is the best example of this. I also believe from the song that Dante views his DT as a seperate entity from himself; "I feel the devil in me, we're coming right for you".

"Funny how the mind tries to sink me deeper, as the evil tries to turn me around." The evil could be in reference to other demons, yes, but it also could be referencing his own "demon"; "i must not forget that i have bled, from no respect to the demons in my head". Wether that line means he's gotten himself hurt because of his own recklessness or self-harm i cant tell, and i wont assume one or the other specifically.

Throughout the song too, the lines "i cannot erupt, i must control, i cannot erupt, i must explode" to me also seems like Dante struggles with control of his DT, and is scared of losing himself when triggered. The whole tone of the song seems like a rampage of sorts too, its very aggresive and almost violent. "Something save me, put me out of my destiny, and drop me safely in this hell"; yet at the same time as his fears toward his own DT, it feels natural to him, this kind of "bloodlust" he feels in his triggered form is something he doesnt want but he knows he cant keep from happening entirely, so as a result the most comfortable place for him is in danger. He can let loose and he doesnt have to worry when all he's killing is demons. One last thing, "i see right past me, the eyes are flashing" to me sounds like Dante becomes almost dissociated when triggered, he's not really present in his mind and body and is acting on pure instinct alone.

All in all, Subhuman (like i said earlier) at first just sounded like an epic battle theme for Dante, but when i really listen to it, it becomes much sadder. Of course all of this could just be me bullshitting so id love to hear other's takes on this.

i also wanna analyze Bury the Light too. So i might do that later.

[onskepa]

Hi, could I get a fic where the Sully kids + Spider learn through Norm what a wedding is so they organize one for Jake and Neytiri? Thanks in advance.

Ask and you shall recieve! This is such a cuuuuuuuuuuute idea~!! Hope you and everyone likes it! Enjoy~!!

P.S: Cover was done by none other than @jakexneytiri check her page out! Thank you darling for giving me permission to use your art!

---------------------

A wedding? A wedding!!!

Tuk sighs dreamily as she twirls and admires a flower kiri picked for her. Admiring the pretty color as how the sunlight reflects it. It somehow reminds her of her parents' love story, how they met and how they mated. In na’vi standards, it was not ideal but to tuk, it was perfect. Forbidden love? How tragic and romantic! 

Of course she has seen a few small handful of na’vi courting, and heard stories of her friends' parents' romantic paths. Yet she cannot help but wonder, do humans court the way na’vi do? Or is it different? Only one way to find out!

“Tuk, for the last time, I may be human, but that doesnt mean I know every human custom” spider patiently explains to a happy little tuk. Her tail sways in hopes she can  gather as much information as possible. Even with spider’s lack of knowledge, she doesn't give up! 

“What about uncle norm? He is from Earth, maybe he knows” tuk suggests. 

Spider nods in wonder, slightly agreeing. But then he turns back to her, “why are you interested in human customs all of a sudden?” he asks. Tuk isn't one to search for anything human related, she is fine with what little she is exposed to.  

With a happy smile, all too pleased to be asked that question. 

“I know all about na’vi courting, but I wanna know about human courting! Mom and dad didn't do either, so I wanna know!” 

Shrugging, spider seems to see her point of view. 

“Alright, lets go ask uncle norm” 

“I'm busy” Norman says without looking at the kids. They give him an unimpressed look. 

“Reading star wars comics for the millionth time doesnt count uncle norm” lo’ak says deadpanned. Norman stayed silent for a few seconds before putting his comic away. 

“What did spider or tuk eat this time?” he asks with a tired sigh. Both spider and tuk gave him a rather offended/surprised expression. 

“WOW, you really take us for a couple of skxawngs?” spider asks, putting his hands on his hips. 

“Sharing jake’s single braincell, yes” 

“Whatever, we didn't eat anything mysterious, yet, but, tuk wanted to ask you something and now we all wanna know” spider defends while slightly pushing tuk forward. 

Having norm’s full attention, tuk finally asks “How do humans court each other?” 

norm ‘s shoulders deflated a bit, “of all people to ask, you had to choose the most single, and lonely human” 

“Wedding? And the females wear white while the males wear black?” tuk asks as she sees some wedding photos lended by scientists who were married. Norm nods, “thats right. Of course not all weddings are like that, it is traditional but many choose other colors for their weddings” he adds. 

Tuk looks at the various photos of brides, many in odd looking clothing. But all were so beautiful. Different long dresses, each unique to their own. Various flowers tuk has never seen before, and the grooms were also handsome. Wearing similar outfits but also in different styles. The more tuk learned about the concept of weddings, the more she began to form an idea. 

“So, man and woman plan a wedding, woman finds a pretty dress to wear, walks down the tiny path to meet her mate, they kiss and marry right?” she reviews, norm nods again. Sensing something is up. 

“Yes….” 

“What are you thinking about tuktuk?” Kiri asks. 

A mischievous little grin forms on tuk’s face. Her eyes sparkling with a devious glow. The expression reminds norm of the Grinch when he has a grand scheme.

Taking the day easy, jake and neytiri hold hands happily as they make their way to the village. They had a rare free day to themselves. No duties to attend to, no training, no meetings, no chasing their kids from death related troubles. None. They were free to do as they like. 

And what they wanted to do for now was stroll in the village, perhaps collect a bit of fruit. Maybe later hunt for a delicious dinner neytiri has in mind. So many possibilities. 

But….

“Woa, is it just me or are the people acting strange?” Jake asks, He and neytiri notice the odd behavior of the people. Many give them happy smiles, way too excited greetings, some even offer special gifts! 

“Is there something we missed?” Jake wonders. Neytiri tries to remember but nothing seems to remind her. 

As they walk further, there was a huddle of na’vi, all their eyes and ears facing the same direction. Jake and neytiri make their way through, and see someone giving them instructions….

“And look for white flowers! Anything will do, oh and those beads will do so nicely! Yes yes, and take the woven clothes over there! That path must be super pretty!” 

It was tuk. 

And she was giving directions to everyone like a tiny, cute boss. 

“Tuk?” Neytiri calls out in confusion. 

Her little one heard her, smiling, tuk makes her way to her parents with a happy squeal.

“Hey babygirl, what's going on?” Jake asks as he picks her up in his arms. Tuk just giggles and snuggles up to him. 

“Planning your wedding! Duh!” she responds as if that was the most obvious thing. 

“Wedding? What?” There were a lot of things going through his mind. 

Neytiri was just as confused. 

“What is a wedding?” she asks. But before tuk can happily answer, the rest of their children returns. With arms full of things. 

“Ok tuk, took us forever but we got what you needed” lo’ak said with a tired sigh. He, neteyam, kiri and spider were holding flowers, beads, baskets full of white colored cloths, and black paint. 

“Kids, what is going on?” Jake asks, more eager to know the answer. Because nothing is making any sense to him. 

“Tuk wants to make a special wedding for you guys” kiri replies as she shows tuk her findings, who nods in approval. 

“What is a wedding??” Neytiri asks a bit loudly. 

Tuk clears her voice, “a wedding is a special mating ceremony for humans. They decorate everything so pretty in white! The female wears a special gown called a wedding dress, and she walks down a flower covered path to meet her mate at the end. Where someone who holds spiritual power blesses them, the mates speak their vows and promises and kiss! Uncle norm showed me!” 

The little smiled so proudly of this knowledge being shared. 

Jake inwardly groans. Damn norm. 

“Tuk, sweetie, is that why are you doing this?” he asks another question. Tuk just rapidly nods. 

“A wedding….” Neytiri repeats, still trying to wrap her head around the idea. 

The sully family returned to their home in need of a family meeting. 

“Why…?” she asks. 

Tuk plays with her fingers, feeling more nervous by the second. 

“Well…..you and daddy tell your love story all the time. How you guys met and stuff. But you never really did any courting like everyone else. Grandma says that courting is very important, to see if the relationship is possible. I thought a wedding would be nice for you two….cause you never courted…” she explained her reason. 

Neteyam was sitting behind her, rubbing her back to sooth her. 

There were many things to go over of what she said. Jake brings tuk over to his lap, releasing a deep sigh. 

“Am I in trouble” Tuk asks worriedly. Both of her parents shake their heads. 

“No baby girl, but you can't do things like this without telling us. Or even asking, how are you sure we wanted this?” Jake pointed out as gently as he could. 

Neytiri turns her head towards her oldest four, “and all of you for not stopping her”. 

“We also thought it was a good idea…” neteyam answers while scratching the back of his head. 

“When uncle norm taught us how humans courted, tuk wasn't the only one to like the idea. And it is true what she says mom. You two never really had the chance to do it right. Why not now?” Kiri tries with calmness in her voice. Knowing her mother is very short tempered when it comes to anything human related. 

Neytiri and jake look at each other, a special communication between them. 

“You did take me straight to the tree after my trials were finished….” jake reasoned. Neytiri rolls her eyes but fondly remembers that night. Yes, she did, she was not going to let him slip away now could she? 

And there really was no room for courting since the war started literally the next day.

Going over her options, Neytiri turns to tuk and jake. 

“How does human courting work…?” 

Whatever pace the people were working at, doubled. By either prayers, or some miracle of Eywa, neytiri accepted to wed in the human custom. Tuk wasted no time and needed back up from the help of uncle norm. Who became her second in command in all of the organization. 

Her siblings become her little servants, repeating her orders to the people. 

And someone had a big role to play. 

“Come ma’ite, we must get you fitted�� mo’at say with a bright smile on her face. Gently she tugs neytiri to her hut, kiri and other fellow na’vi woman takes her away. 

“Fitted for what?” neytiri asks, feeling a bit excited for whatever is to come. 

“For your wedding dress mom” kiri replies. Closing the flaps of the hut, the ladies began to work their magic. 

While on the other side, jake was being taken to a different hut, being led by his three sons. 

“Seriously?” jake says while raising an eyebrow. 

“Tuk’s orders” lo’ak grins a bit smugly. 

A few handful of Jake's friends entered the hut with him, with preparations of getting him ready. 

“Oh, and dont forget to write your vows!” spider reminds as he snaps fingers in remembering what tuk told him. 

“My vows?” 

“This is going to take awhile” 

“Oh yeah, its all coming together” tuk says, pride grows in her little heart as the wedding decorations and the set up is nearly completed. 

Norm was beside her, whistling impressed. “Gotta hand it to you tuk, you do know how to design” he compliments. This makes little tuk humph with glee. 

They were at the spirit tree, white veils, flowers, the Atokrinia’s floating around elegantly. Her image displayed ever so perfectly. 

“Ok, it's all set tuk!” lo’ak says as he with kiri, spider and neteyam arrive. 

“Good! So we are good to go!” 

“Almost” kiri teases. 

“We just need one more thing” neteyam smiles, but tuk was panicking a little. 

“Did we forget something? It's the bells, isn't it? Dang it I should have-” she was interrupted mid sentence when she felt something land on her head. 

Looking at what it was, it was a flower crown. 

“A wedding isn't complete without a flower girl” spider says. Gasping in happiness and surprised, tuk shouts in great joy. 

“Come on, we still got time!” the three siblings drag tuk away to have her be the prettiest flower girl pandora has ever seen!

The flutes began to play, releasing harmonic sounds as the notes echoed to the people’s ears. Ninat taking the lead of the melodious choir, her voice and the others balance with the instruments. In tune to perfection. 

The Atokirina floating all around, giving the path a heavenly glow. 

The people sat anxiously, all in rows as they respectfully cleared one long path. 

A path the tuk carefully walks through as she delicately lays flower petals. A flower crown on her head, wearing the cutest light pink loin cloth and pearl like bead top. Tuk truly looked like a flower girl. Behind her was the bride. Her beautiful mother, The one where all eyes go to see. 

Neytiri walks gracefully on the path her daughter leads. Wearing an all white outfit, her loincloth, her top, her head piece, and the veil she wears. All white. Her hair braided loosely behind, flowers decorated on her hair as well. Neytiri never felt more beautiful than she did at this moment. With a bouquet of flowers she holds tightly, her eyes search for her mate. The love of her life, Jake. 

At the alter, at the root base of the spirit tree was Jake. In all of his might glower, wearing a black loin cloth as his warrior armor at the waist, his hair braided in the similar fashion he wore during the war. Feather and bead amended to the braids, and small black paint to enhance his handsomeness. Jake looked so good it made neytiri want to run towards his arms. 

As they reached the altar, tuk took her place beside kiri who was wearing a style similar to tuk. Neteyam, spider and lo’ak beside their father as they admire their mother. 

Jake offers his hand to which neytiri happily accepts. Removing the veil to reveal her beautiful face, jake could help but mutter “beautiful” in awe. Together they both turn to face mo’at who smiles with heavenly joy. 

“Welcome everyone. Today, we gather in great celebration to bring these two wonderful people into union. Through trials and tribulations, these two souls have been challenged time and time again. But their love has pulled them through. Proving to us all that love truly conquers all. That being with your true one, anything can be accomplished” 

mo’at gestures to Neytiri and Jake that it was time to say their vows. 

But as they speak, tuk listened as best as she could. Hearing her parents story over and over never waivered with time. If anything it only sounded better each time. And hearing their vows right before her big eyes, it was adding a whole new perspective. 

Yes, tuk is a sucker for romantic things. Even if her siblings tease her, tuk won't stop. And seeing this made her love romance even more. 

“And by the great blessing of our great mother Eywa, I can now happily announce, Jake and neytiri as husband and wife! You may now-” 

Neytiri didnt let her mother finish as she dragged Jake down to kiss him like her life depended on it. Jake happily reciprocates. 

The na’vi cheered in celebration. Applause, screeches, everything was heard. 

Tuk sighs dreamily as she sees her parents kiss. 

“I can't wait to get married” 

Kiri: “never” 

Spider: "nope"

Lo’ak: “not gonna happen” 

Neteyam: “over my dead body”

Okie so this kinda became a tuk main story but I like it how it turned out. What do you guys think? Until next time! See ya!

[lesbiansforboromir]

Why do you think Aragorn as accepted as a King? They don't have blood tests to confirm his identity and he is not even from Gondor (was probally born here, but not raised)

Oh no Aragorn was not born in Gondor, canonically speaking he was born in the north amongst the northern dunadain and that is his cultural heritage. And not only that, Aragorn's claim to the throne is legally shakey at BEST. His only claim to the line of Meneldil (original King of Gondor after Anarion and Elendil's deaths) is through a female line, which used to be an accepted path to kingship in Numenor, but was since entirely discarded by both Gondor AND Arnor (so not even Aragorn's own direct ancestors agreed with letting women rule kingdoms) And a previous legal ruling on this PRECISE ISSUE decreed that Aragorn's ancestor DID NOT have a right to Gondor's throne. So yes it's a good question isn't it? There are two answers!

#1 Gondor is still a partial if not full theocracy. This is one of those aspects of the book that doesnt really make sense unless you understand all the character's actions through the lense of catholicism and religious faith in general. Aragorn is 'Estel' or 'hope', but when people say 'hope' in Middle-earth what they mean is faith etc.

In lotr meta-logic the divine right to rule is a real thing that actually exists, god (Eru) literally wants Aragorn to be king. The characters within the story are aware of this to varying degrees, Boromir being one of the few characters who properly disregards this and wishes to view Aragorn's claim on it's own merit. Even Denethor knows and understands that Aragorn is chosen by god, and he's very bitter and angry about it! (good for him). But in general, all other characters including all Gondorian lords are 'faithful' or 'elendili', and within this religion the only people who could be called 'priests', who can bridge the divide between man and god, are their Kings. So, religiously, if Aragorn IS sent by god to rule them, then they would be committing a kind of heresy to refuse him. And remember, god literally exists in Arda canonically and so therefore does sin and heresy, not just in a moral way but also in a literal like... fact of nature kind of way.

So when Aragorn arrives in Pelargir with an army of ghosts it gives Lord Angbor FAITH in him. When Gandalf, an angel literally doing god's will, is his friend and expressly supports his claim the other lords of Gondor also are inspired to have faith in him. Aragorn spends a good deal of time after the siege of minas tirith ticking divine checklists for 'guy who should be king', he is not making a legal argument for his right to the Gondorian throne, he is making a religious argument for his right to rule over the entire population of 'the faithful' which includes Gondor AND Arnor, destroyed or not.

There WOULD be discussion though! Not everyone in Gondor is dunadain and not everyone is faithful in the way that the dunadain are faithful. Culturally the northern and southern dunadain have been seperated for 3000 years and a lot of people would have issues with being ruled by someone so other to them, even if he had lived among them for 10 years (though that does help). But in the end the lords of gondor are almost all dunadain and they all have to abide by the tenets of their faith, or '''fall''' and become '''lesser men''' than even the rohirrim (terrible I know 🙄) so they really had no choice but to support Aragorn in the end.

However, reason #2

Minas Tirith's armies were absolutely decimated after a weeks long siege and war before that, and what few soldiers were left were exhausted and barely functioning. Aragorn arrived at their gates and broke the siege with a full army who'd only done ONE fight and told everyone he was king of Gondor. What was Imrahil gonna do, say no?

[kookidough]

i’m sorry but every time i see someone on tiktok making a theory about how robin’s alive in tbp2 i burst out laughing because THAT BOY IS DEAD AND NEVER COMING BACK YALL

like. i love being delusional! so much! but this is one delusion i cannot get behind! gonna debunk every possible chance of this theory being true and also get into why it wouldnt make sense from a plot perspective either. if this theory genuinely comes true and robin comes back to life in the second movie i will genuinely get a tattoo of something from tbp and i will reblog this post with a photo of it. thats how certain i am that this will not happen

first of all the most basic argument i see is that robin must be alive because miguel is coming back for tbp 2. but... flashbacks exist? robin coming back still as a ghost exists? i see people say he survived somehow and fucking clawed his way out of his grave and escaped or something but im so sorry that is NOTTT happening LMFAO if robin was alive then his ghost wouldnt be calling finney in the basement, end of story, the grabber is smart he wouldn't leave robin half fucking dead before burying him

when the detectives are giving their press conference they literally state they found 5 bodies BELIEVED TO BE THE MISSING CHILDREN. robin included! finney also can't just be hallucinating because gwen saw the ghosts with her own eyes, INCLUDING ROBIN, and the grabber heard all the ghosts (minus billy for whatever reason) on the call at the end of the movie, again including robin

and for the most peak proof of all... robin himself literally said he was dead! he says he doesn't want to have died for nothing and he wants to have at least died for a friend! HE SAID HIMSELF HES NOT COMING HOME!!! he is COOKED (thanks @staggersz for a lot of these points)

also back to the story in general, bringing robin back to life would be such a disservice to finney's development as well because robin's phone call is that final push finney needs to get himself together and face the grabber. sure that phone call could've come from any of the other ghosts but it's established that robin and finney are friends so hearing advice and the harsh truth from him helps finney get the courage to attack albert, like finneys not just doing this for himself and the other ghosts, he's doing it for his best friend who he lost when he shouldn't have, so that robin didnt die for nothing

bringing him back would also make the story messy in general. it makes the grabber WAY less threatening because if you can supernaturally bring robin back then who's to say you can't bring his other victims back..? it also just makes the in-universe 'laws' around the ghosts and the supernatural very messy and confusing like why would he be able to come back? what purpose would it serve? it just doesnt make sense from a storytelling point of view

i am very intrigued to see what role he plays in the second movie, im thinking flashbacks or finney will continue to be haunted by him but if its something different im excited to see it ^_^ unless they bring him back to life. if theyre doing that they better let me see vance too if hes not in tbp 2 im rioting okay bye

[natsmagi]

some more natsume gender posting but i do admittedly get very annoyed when i see people claim natsume hates things related to femininity because thats just. Blatantly not true. i did make a post a little while back talking about natsumes gender generally (might be a lil dated by now but eh), but there are some additional points id like to make

first thing being natsume very much enjoys more feminine things!! particularly things related to baking/gardening because thats what he would do with his mom when he was little!!!! (plus his newly added skill being cooking!)

with this and his undying love for his mom in mind, does it not make sense for natsume to hold feminine activities fondly? not only is he quite good at it, but it reminds him of his childhood spent with his mom!! he looks up to her alot!! and hes also thankful for the childhood he had because it makes him feel more unique. literally how does any of this read as a hatred towards femininity or his upbringing??? his mom is literally his number 1 inspiration and shes the reason he had this upbringing to begin with. Frankly the assumption that he hates feminine things just flat out does not make sense

and he doesnt even necessarily mind things like "-chan" either. though this one depends entirely on the person. for example kanata is allowed to call natsume nacchan but if tsumugi calls him natsume-chan blood will be spilt. to re-emphasize the point made in my previous post; natsumes biggest concern is being viewed as weak. he hates being infantilized more than anything. when tsumugi calls natsume "natsume-chan" thats not tsumugi feminizing natsume, thats tsumugi reminiscing on the child natsume he used to know. when tsumugi calls natsume "natsume-chan" it feels like hes not being taken seriously, that hes still viewed as a child, that he hasnt matured (which is also why he doesnt like being called "cute" bc. yknow. kids r cute). and this is a REALLY big insecurity of his. he hates being viewed as naive. In the same vein though, natsume is insecure about not being manly enough too (such as him viewing his inability to swim as "not manly"). Which is also a really interesting point of discussion when it comes to natsumes character! but its important to note that his insecurity in his masculinity does NOT translate to a hatred of femininity. natsumes relationship with gender is an incredibly nuanced one and its so frustrating when people dont even bother trying to read into it and just completely generalize his character

with that said natsume DOES have some internalized misogyny though. But this ones kinda hard to navigate as. well. Almost the entire cast has had some to a certain extent at some point. esp in the early stories. which could all just be bad writing. But it adds to the complexities of femininity and womanhood, how the two are often associated despite being distinct from one another. and with this distinction between the two it adds ANOTHER interesting layer to natsume and his own relationship with gender, because we know he didnt mind being raised as a girl (its just incredibly fucking embarrassing that people know about it), yet his views on gender seem kind of........ Conservative. with him assuming anzu is bad at games bc shes a girl, claiming arashis lying to kids by calling herself a princess, worried that people will view him as less of a man for being unable to swim, etc etc. Like you truly cannot just read ONE story and think you now have a full grasp on natsume and his relationship with his gender. i cannot stress enough how complex it is. but this complexity is exactly what makes it resonate. if you're insecure, it makes sense for you to develop a toxic habit of punching down in order to get higher, esp since we know natsume doesnt handle his emotions super well

this section will be very speculatory and is just my own personal analyzis, so dont take it as gospel. But from my understanding it seems like natsume does genuinely enjoy more feminine things, but hes caught up in gender expectations (potentially due to him knowing both what its like to be a girl and a guy?) that this can cause him to say admittedly quite bigoted things due to his insecurities. natsume is a character that wants to be perceived a certain way; he wants to be cool, mysterious, alluring, but as we should all know by now This is a front he puts on. he very often puts on fronts and lies about his true nature and intentions. which all reads like a fear of authenticity. i dont think natsume genuinely holds those beliefs previously listed, he is just afraid of being vulnerable and, once again, having weak points exposed. he was told to be a girl when he was little and now hes basically told to be a guy without having the Common Guy Upbringing, which can easily turn into developing beliefs of toxic masculinity if you're the type who "plays the part" rather than being your authentic self. hes being told what a man is by the world around him so he tried to shape himself into it to play the part. He can be very blunt and cruel in his words to others, but i personally just see it as a projection from his end. its an attempt at making himself seem better and manlier than he actually is by using his words where hes lacking in action. You can pull off alot of mind games with a simple sentence alone. words can paint a deceiving picture if used correctly, and natsume is a fortune teller; if anyone knows how to say the right thing to get a certain impression from someone its him

i do also think its important to note that as time goes on natsume is starting to express himself genuinely more. Just like the rest of the enstars cast; his story is one of growth and bettering yourself as a person. coming to terms with who you are and learning to let others in

either way. im not one to gatekeep but i need ppl who dont read switch stories to stop speaking so definitively on natsumes relationship with his gender or im gonna start throwing rocks at people

TLDR this shit is NUANCED and to say its 100% this or 100% that does it a disservice to me

[steaming-system-takes]

my hottake is many people misinterpret what people mean by "doubles dont exist"

all we are saying is that doubles do not literally exist. we arent telling you that you being uncomfortable isnt valid or whatever, we are simply trying to point out that no two introjects of the same source are the same person or said fictional character, source-separated or not.

as an introject, i and many other introjects in our system used to get uncomfortable around other introjects who shared our source. (I SHOULD MAKE THIS CLEAR THAT IT'S IMPORTANT TO KNOW I AM TALKING ABOUT IN THE CONTEXT OF BEING IN A PUBLIC CHAT OR SERVER, NOT AN ONLINE MEDIA ACCOUNT! a server vs a tumblr blog for example are different. my issue here is when it comes to discord/other public chatting sites.)

you know what we would do? either leave because it is our responsibility or we toughen through it and remember that person is literally a different person from us. im trying hard not to come off mean or invalidating but im really bad at wording

you're an introject on a tumblr blog and people sharing the same source as you make you uncomfortable? valid. blocking is a thing. just dont say anything and block. if someone is invading ur DNI on purpose thats on them. just block and thats it.

you're an introject talking in a system server/chat and someone else happens to have the same source as you? excuse yourself from the chat for the time being or ignore that person.

please do NOT go up to someone and call them a "double". i am not you. you are not me. we are not fictional characters. do not go around calling people " doubles". i could go up to you and say the same thing.(i wouldn't obviously bc i hate that word and it's rude i just mean that i LITERALLY could and it would be the same thing you hypothetically did) i am not a clone of you. (not saying everyone uncomfortable with "" doubles"" does this i just see it happen a lot.)

obviously, also respect when someone says "doubles dni". i just don't.. like it being called doubles bc its kind of dehumanizing and isn't. real in how the term means. it doesnt work for DID/OSDD.

we got over the double thing, and thank god we did, because all it literally did was fuel our DELUSIONS WE EXPERIENCE and PARANOIA from believing it. it also made us have internalized ableism towards other systems for a while. (again not saying everyone who has this as a discomfort is like this, just that it wasnt very healthy for us and ive seen a lot of people where it isnt healthy for them or the people around them either.. ive seen people literally yell at others over their identity??? can we please stop normalizing the double mentality thingie. introjects are NOT THEIR SOURCE or all the same person..)

we've had our unreasonable and finnicky triggers. hell we used to have a trigger for FUCKING APPLES. (long story.) and eventually you have to learn how to get over them. sorry that sounds really rude but i wish people would stop this!! calling people "doubles" is so fucking hurtful like yeah you are allowed to be uncomfortable but please dont spread the doubles thing or yell at people. you dont do that stuff and you just block or ignore and move on? cool. you are a cool person. stay cool

god i really hope this made sense. im the worst at wording.

im paranoid people read my messages wrong so heres now a list of clarifications;

>i believe alters are allowed to NOT source separate if they dont want to separate. as long as it isnt hurting them. even then thats for them and their own system to figure it out, and source separation shouldnt be forced.

>im not forcing people to INSTANTLY get over their discomforts and triggers. it takes time. i know. im just asking *some* people to change the way they view things or at least treat it differently (ie stop using "double" and use a different term or wtvr for it, be more responsible abt it etc) and strive to get better about it. i hope that made sense. im not trying to belittle people i genuinely just dont know how my tone is coming off and im paranoid im coming off rude/gen

>yes some of us still get uncomfortable around source-sharing people. it used to be really bad when we were younger but it's gotten better. yes we do experience different kinds of delusions and have severe paranoia and im aware those can be part of why source-sharing people can be triggering to some. this post is only talking about the people who INSIST on calling PEOPLE "doubles" or instead of being responsible for their own stuff and just blocking or ignoring these people will yell at random people. it does not happen a lot but it does happen. this is a post against that, not people who are merely uncomfortable and/or just block/leave without saying anything. if you are just uncomfortable and block or wtvr again UR COOL ur cool /gen

>and honestly im just asking people stop saying "double"... use "source sharing person" or smth else instead 😭😭 the word double is strange and dehumanizing

sorry this was so long.

/lh

^

we genuinely love getting these long and thought out takes, its nice being able to see someones full opinion on something and why they feel the way they do

[siflshonen]

Hi there! I stumbled across your mha deep dives and I just wanted to say thank you, it really helped me understand mha a little better!

It’s frustrating being in the western fandom because a lot of the specifically Japanese ideas are unknown to a lot of the Western audience. And i get it, as a westerner myself I had very little idea as to any sort of Important Context that would be clear to Japanese readers. So I really appreciate that you took the time to even try to explain it!

With that being said, I’ve been wondering how you viewed the end of mha, and how the villains were treated. Do you think they could have been saved (or even Should have)? Could they have been redeemed? It’s so depressing for the big three (Shiggy, Dabi, and Toga) to have been teased as being able to be saved, then in the end they all just,,,die.

How do you view Izuku losing OfA? Personally, I would have thought that if he didn’t keep the power he would have become the First Quirkless Pro Hero, (there are so, SO many fanfics exploring that!), but in canon he just,,,gives up? I suppose in the collectivist view, of course he would give up. But that feels so,,,empty from a western perspective. I suppose I answered my own question of why couldn’t he be a quirkless hero lol.

I suppose I’m truly wondering how the ending of mha was supposed to be recieved, with all the cultural knowledge and everything.

I am so sorry this feels so long and disjointed, and feel free to ignore this if it doesnt make sense! (Or if you don’t have any answers, sorry for putting all this on you)

I don’t have a super well-researched and cited answer, but I can follow my heart on this one.

The only villain I’m truly sad about is Himiko, though even in that case I appreciate that she went with dignity, she went with reciprocated love, and she died as she did because it was HER choice. While I would have preferred to keep Shigaraki alive, I can’t say I miss him all that much. And besides, he regained himself and his autonomy at the end and played a part in the destruction of the thing that held him down and even the thing on which his father’s cruel house was ACTUALLY built: All for One and his meddling.

Touya’s story is tragic, but his death and the way in which it will happen is a mercy. I think it’s great when other folks imagine new endings to suit what they like, but I don’t entertain other viewpoints about his on-the-page fate.

In any case, all three of their “hearts”, if you will, were actually saved in the way most important to them. And they even got to stick it to society by refusing to give up what they wanted and be integrated into it. Death is a pretty clean and irrevocable way to separate oneself from a society, and it is an effective way to haunt the minds and hearts of those who witness those deaths and have to understand that that the person who died hated so much the idea of joining society that much.

That isn’t exactly Toya, Himiko, or Shigaraki’s character motive, but I feel like it’s worth pointing out that other cultures can view death as a kind of revenge instead of someone just trying to make the pain of existing stop. Anyway.

I kinda figured that Izuku becoming a teacher was meant to be him accepting his place in the world and indeed accepting reality now that his dream was over, which is seen as a mark of maturity to just get on with what he’s given. That Kacchan specifically spearheaded the development of his suit and was the one to hold out his hand isn’t just a character moment to show how Katsuki intends to continue to atone, I don’t think. I think it’s also because:

A) Katsuki is Izuku’s link to and representation of the quirked world, and specifically the quirked world of Heroes. He always has been, as he’s the person “closer to [Izuku] than All Might.” As long as he exists, Izuku is tethered to that world somehow and has a way to enter/re-enter it somehow.

B) Relatedly, I interpret Katsuki as an embodiment of individual will and individual’s heart’s desire continuing to remain true in the face of the collective (even after he begins to accept and work with the collective), so it makes sense that he’s the one to pursue and nurture Izuku’s “selfish” and outlandish dream of being a superhero even while Izuku himself falls in line. Put another way, Katsuki is, in many ways, an embodiment of Izuku’s heart’s desire - mostly because the two of them have the same heart’s desire.

Though, speaking as a Westerner as well, Izuku’s choices at the end of the manga don’t sit well with me, either, but this is just as much part of why I’m too much of a westerner to completely see eye-to-eye with Izuku throughout the story as it is a comment on the ending.

Most of all, I think it’s ridiculous that Hawks didn’t get Izuku’s Hero suit funded/in development the minute he took the position at the SPC, or that whatever was left of the Hero system before that happened didn’t already have it in the works. It strikes me as EXTREMELY weird.

I have other thoughts about Izuku and Katsuki’s ending, but they’re mostly reflections about other shonen manga past than anything meaningful to say here.

[kaiserposting]

Just One Fix by Death13 on AO3, Analysis (or something like that Idk how to name it otherwise, so let's call it that)(this fic has been written before kaiser backstory)

For your information, death13 is the username of blasphemecel on ao3. We all know who he is, a fanfic author.

So, Just One Fix is a one shot, which can be hard to read for some people in the sense that it approaches difficult and sensitive topics. That said, it is a fanfic which is really greatly presented and which will probably turn your life upside down.

The tone of the fanfic is quite shattering and peaceful at the same time, in the sense that it will make you feel a deep sadness by the way the characters are written and how they interact, but will make you feel calm at the same time, because the author manages to convey a strong message by means of balanced and harmonious writing that will just put you in a weird vibe of sentimentality. I wouldn't say serene because the topics discussed are there to shake things up, but it's a similar feeling, like you're put in some trance.

This fanfic can lead to educating, in a sense, people who do not live this. It also denounces, from my point of view, certain behaviors on the part of people who do not live it and certain situations that can be complicated to live during a hospitalization.

The author highlights the complexity of the relationship between Kaiser and YN through various sentences such as:

This part focus on two things that I find important and interesting: why they started hanging around each other, and what their coping mechanisms are. But also how they evolved as humans with more or less problems.

I think this is interesting how the author choose to represent them, first of all, Kaiser's representation as always is fire, but we will see that his character has more depth than just what we can see on this screenshot the more we advance in the story. Then, there's YN, he choose a complicated story with complex problems for this character, this just proves his value as a writer, to be able to portray such a difficult character.

They have copping mechanisms that are fundamentally different, one keeping things inside and dismissing everything and the other letting everything out. I find the nuance between these two characters fascinating and how he choose to make them interact during the rest of the story just break my heart because it is something that he portrayed a bit too realistically in my opinion. It is a relationship very strained and full of up and down, a bit (a lot) passive aggressive, where the characters keep having some sort of tense moments, like you genuinely ask yourself how it will end for them because the author just doesn't give anything away, mostly on YN part. We will see that on Kaiser part he's more open than YN throughout the story, which is comical since he's the one who usually keep everything in. It's actually captivating.

(I think i didnt express myself properly for the "Kaiser is more open than YN" but I don't know how to say it otherwise like... Kaiser doesnt express it verbally till the very end but through some actions and reactions that he struggles to hide.)

I'm not going to linger too much on Kaiser side because this has been written before his backstory. Though, for YN, at multiple times it has been implied that YN has suffered from abuse when being a child, with the "You were in the habit of crying over everything. There were loud noises, or god forbid someone screamed at you, and you'd cry. Someone touched you — especially an adult - and you'd burst out in tears." I would like to linger on the last part of this, "Someone touched you — especially an adult - and you'd burst out in tears." implying that there's been physical/sexual abuse. It's a complex situation that has been evoked, described, and represented with such a strong writing, all the way during the fic we follow YN copping the better they can with that, not necessarily with good ways but isn't it what happens when we are all alone and traumatized?

In this part, it's one of the few where we see the mutual trust and affection (and respect) between them. The fact that YN manages to be at ease, or something that comes close to it, to sleep beside him despite everything YN probably endured just proves my point. I liked that part, because it shows that even if their relationship is complex and with many many underlying, they still hold each other close to their heart.

Later on, during the last part of the fic, Kaiser mention something interesting before breaking down (<-something that he treated with levity just a few sentences before breaking down himself) “Forget loving me back, you don’t even believe me? You think I’m like every other monster in your life, trying to hurt and deceive you?” I find this side of Kaiser, more sensitive and emotional, interesting because it prove that he is still a human being behind all these walls, and how he considers YN despite his many indelicate attempts to help them that have been taken wrongly by YN (legitimately from YN I think, because it's a difficult situation to see someone you love fall into self-destruction more and more without being able to help, it often leads to maladroit actions and/or words, like we can see in many passages, so I think the way everything had been presented to us, adds layers of complexity and meaning behind YN strong reactions and Kaiser attempts to help!) I LOVE THEM BOTH SO MUCH :(

I would like to stop on this part too, just because the respect he holds for YN PLEASE? He takes EVERYTHING into consideration, and he's the one keeping everything in and turning everything as a joke or some sort as a copping mechanism? That's real literature, I like the fics with complex characters like that, when they are greatly written. In this fic, the balance of everything is good, like I said it's very realistic I think and I love it. The nuance between YN who doesn't want to be loved (<- cited by YN themselves) and Kaiser loving YN through so many different actions is so beautiful, it's art.

I like that part a lot, even if I found it hard to read at first glance. But with hindsight, it's actually, I think, the most interesting part to me, because we see how their behaviors push them away from each other, and how Kaiser regrets afterwards. (<-Something agreeably surprising from Kaiser) That's when we understand that really, there's so much more underlying than just a friendship by 'constraint' that just turned into a weird situationship if we could name it that. (Because let's remember that if they started hanging around each other it's firstly because they were rejected by the others.)

I like that part, it's actually YN making an effort almost superhuman for the sake of the peace between them both, after the moment where they both said they loved each other. I like this ending (this is not the last sentences but almost), and I like how the ED have been portrayed in theses last sentences:

Its immersive, the reader is really into the problematic and I liked it. I think this could easily explain to people who are uneducated on this topic how it is felt more or less from people suffering from ED. And raises awareness in them. I liked how you described it, Iliya. Thank you.

I would like to do also small parentheses on the part where it's in the hospital. You described that very correctly too, it's kind of hard for many people to be hospitalized and it results almost every time on bad experiences. I liked that you highlighted that too.

SORRY FOR THE MISTAKES BESTIE

HIIIIIII TWIN

FIRST OF ALL WOAWWWWW 😍😍😍 THIS IS FIRE

OK So wajt let me tell you since you wanted to know, I think you understood everytihing quite literally 100% correctly

I actualyl thought even at the time of writing that Kaiser had an abusive childhood too (but didn't include it bc we didnt know for sure at the time), so I imagine a lot of the attachmnt between them is based on experiencing the same things. But in this case Y/n ends up being the focus because Kaiser 'made it out' and they didnt

Also about the thing with y/n's past, you're correct it is implied that they're a CSA victim and a victim of physical abuse. I think in particular their behavior is really characteristic of someone with sexual trauma (even the ED which is the other big thing, can be a result of that + they also clearly suffer from hypersexuality and self-objectification which are also signs). For example the movie they're said to like, 'Mysterious Skin', one of the two main characters was a CSA victim too. You can also see during the tattoo artist scene, Kaiser tries to get in the way of the tattoo artist in trying to sleaze on Y/n I don't believe out of jealousy but because in that scene they've gotta both be like freshly 18 and an older dude's hitting on Y/n.

Also iirc in the hospital scene it says Y/n wasn't supposed to be getting any visitors because they thought they're family only and the thought of a family member visiting them made them panic, also implying that they're cut off from their family in some way, i.e. further insinuating a past of abuse.

You're right that it's difficult to talk or reach someone in such a position. A lot of the story is about Kaiser's troubles because he approaches it in a self-involved way that Y/n understands (or tries to pass off due to their not wanting to accept love) as him just feeling an obligation or a savior's fantasy towards them, even tho I think it's quite obvious from many of his actions that he genuinely cares. Also I think due to the self-destructive nature of Y/n's behavior it's easier for them to believe they aren't loved because then they can pretend no one is affected by their actions, also making them self-centered as well, along with Kaiser.

I do think they're in a situationship lol i had the wip tagged as childhood friends to fwb best freinds situationship LIKEEEE THEY ARE BOTH SO CRASY 😭😭 But anyways..

TYYYY FOR READING AND WRITING ME THIS !!!!! AND FINDING IT REALISTIC ALSO!!!!

If anyone is interested here is the link to the fic since it's not on tumblr

[paingoes]

How would Paris have turned out as a person if Sabina had somehow been able to get away (with Paris in tow) from Constantine, and Paris had been raised by his mom and her side of the family, without his dad's involvement? (This is assuming that Constantine somehow couldn't/doesn't go after them.)

augh :,) this answer got long sorry

cw for mentions of rape, domestic abuse, child abuse, familial whump, angst

whenever i think about any “Sabina Lives” AU i always picture it as her still being with Constantine at Thales and i have a pretty good idea of what Paris turns out like there — more conscientious, quieter. raised by his mom but w both of them still living in the same environment w their abuser.

ive never considered an AU where constantine is out of the picture!

i think. its going to be difficult. i imagine they leave at the same time sabina dies in canon, so paris would only be seven.

most of the explicit physical abuse between constantine and sabina tapers off after paris is born. i think by seven he understands that theyre not in love or anything but he doesnt understand that the relationship is abusive. so i dont think hes really going to understand why theyre leaving and sabina is not going to be able to explain it to him in a way thats age appropriate. she really doesnt want to explain it all actually!

this is why its difficult. like in any circumstance paris is just kind of a difficult kid because he has genuine issues w ADHD and mood swings that require a pretty high level of support. these are exacerbated in canon because of how constantine deals w them but they would be there either way. its going to be hard to explain to him why they left in a way that makes sense and so hes really going to interpret it as her having robbed him of being prince!

so in the beginning he’s actually more spoiled and entitled than he was in canon and acts out a lot. but he will adjust to it after he realizes that no amount of complaining will ever get sabina to take him back. and after enough time he also realizes that he isnt constantly holding tension in his body the way he did around constantine so maybe being away from him isnt actually that bad?

anyway he still laments his lost royalty a lot and will complain about it (has no idea how miserable he would have been) but he doesnt have a lot of trouble actually adjusting to provincial life. on the whole hes a lot happier to be around people who he doesnt constantly have to worry about using or backstabbing him. he has cousins in this one :)

once he’s thirteen, sabina tells him everything. he’s definitely a little young to be hearing the whole story but she thinks he can handle it and deserves some explanation for what happened in his early childhood and why her side of the family tends to view him a bit differently.*

Immediate guilt. This immediately recontextualizes Paris’s entire life and he feels really bad about having been so difficult w her about it before. He becomes a lot more protective of her after this and really hates his father. this is the kind of knowledge that basically permanently distinguishes you from other people your age so paris is going to be a bit more emotionally mature and empathetic. gets called an “old soul”. lol :(

but the overall answer is that he ends up a lot more mellow and probably more intelligent/empathetic.

*Selene is a bit cold to Paris in canon because he is Constantine’s son and he’s a product of rape. In canon she is more or less justified in viewing Paris as being like Constantine because he has perpetuated that same cycle of abuse against Delta and carried out the imperial will. But even if he hadn’t, she’d still feel negatively towards him. But this really only extends to Selene and a few other adults in the family. Selene’s kids are cool with him and she doesn’t prevent them from playing together. She just keeps an eye on Paris when they do.