#and fan theory based

[acetier]

i'm So Normal about him

((close ups under cut bc idk he's pretty asdsfksdf))

[cirkkaa]

Oh merciless god of time, when will you have enough?

[katyahina]

Romina, Scarlet Rot and God of Rot interpretation? What is the Abyss and what 'stagnation' has to do with Scarlet Rot?

(This is a reply for an ask I've got on my other blog) Anon I am sorry I am THIS late, I swear it was just me deliberately avoiding progressing in the DLC because I didn't want it to end + bad timing :pensive: But thank you for leaving this ask because I did want to discuss her as soon as I've met her!

What Happened:

She WAS a victim on Messmer's tyranny, and shown in the second trailer ( x )! Moreover, she originally appears to be from Belurat; not only this trailer shows Messmer specifically burning it, but also this is the exact previous scene before Romina appears:

So I am getting an impression that originally, these buds appeared in Belurat, and somehow Romina knew to relocate them somewhere else:

+ Also, if anyone here can read Japanese please let me know because I've heard that a more accurate translation would be 'she found a divinity and clung to it' or something alike! Here is the Japanese text:

全てを焼かれた教会で ロミナは異形の神性を見出し 禍々しい、朱い腐敗に縋った

焼け跡に、また蕾が芽吹くように

Abyss and Stagnation in this:

My initial interpretation was that originally, this type of buds was growing IN Belurat, and then what she saved got relocated in Rauh Ruins, but "within the scorched remains" part makes it sound as though their fate was being decided right in the moment of the tragedy! So, somehow, what later became Scarlet Rot appeared within the ruin! After all, Formless Mother is another precedent of a god originating from the tragedy:

But why would a plant-insectoid life sprout within the fire? So, basically, I'll dive into headcanons territory for this post, but hear me out! We are not sure what the 'Abyss' is, however.. what IF, when Messmer gets a bit TOO into using his powers, the power of Abyssal Serpent is capable of opening sort of a 'gateway' into somewhere else, and some kind of horror might escape that 'Abyss'?

+ I need to add that Abyss of the serpent plaguing Messmer and Abyss of the woods tormented by Frenzy are different things though; whereas serpent's Abyss is 深淵 meaning literally an abyss, Woods' Abyss is 奈落 that means Naraka (Hindu Hell)! His serpent is AKTUALY named Base Serpent, but he refers the 'Abyss' in his Stage 2 transition: '光無き、深淵の蛇が'. ( x ) In fact, his dialogue in both English and Japanese original suggests the 'Abyss' is a PLACE, where Base Serpent comes from! The mysterious space without light!

Look I can't help using this meme just deal with it fdsgfdgs So, let's say that Messmer got so unhinged that the gravity of his powers still opened up the Abyss a little, even despite the seal Marika gave to him!

The next interesting thing is that there are no traces of Scarlet Rot in Belurat, despite Romina presumably releasing/creaing it right on that spot! There ARE poisoned swamp, the illness that turns people into fly-men, and even giant Spider Scorpions that are a variant specifically developed because of Romina:

+ they likewise deal regular poison, not Scarlet Rot! Some of them developed the wings as well:

So it is more likely that what Romina allowed to live (to the worse or to the better you decide) was not yet the Scarlet Rot itself, however it developed INTO it later, together with her. But what was freed that day and what left its traces in Belurat, as well as spreading across more of the Shadow Realm with at least two villages full of man-fly sickness, was 'stagnation'!

It is a concept commonly addressed across other Fromsoft's games, specifically the stagnation of water 穢れ (kegare)! Poison and Scarlet Rot are connected through themes of poison AND stagnation of water! It is what becomes a poisonous swamp, one of the most Rot places is literally named Stillwater Cave and all that. Scarlet Rot is a 'stronger' version of the venom that becomes of stagnation!

^ (looking through this ( x ) model view video) Additionally, Romina features not only part of the scorpion but also part of the centipede, and centipedes were used as a symbol of human dregs in Sekiro and Bloodborne!

I've also noticed that Blood of Formless Mother, Scarlet Rot and Deathblight are all connected by shared themes of plantlife and spontaneoutsly sprouting winged insects! With the cursed blood, flowers quite literally grow from it and flies spawn from impurities within festering blood swamps. Deathblight are literally roots with multiple flies spawning along them + often getting to fly free too. Scarlet Rot IS associated with flowers and butterflies, and whereas Malenia herself never got insectoid wings (since wings of Goddes of Rot ARE the butterflies, like stated by Romina's incantation), her knights did:

(Close look by Zullie the Witch ( x ) as I've never took a picture)

These three scourges feel like three ugly siblings to me fsdhhfds Needless to mention that Blood Oath, Scarlet Rot and general poison incantations are crammed into the same category, and Death ones aren't here only because they're sorceries!

More interestingly, in Rauh Ruins we find not only Scarlet Rot, but also the Bloodfiends (so, the Formless Mother guys) AND Deathblight:

^ I forgot to take the picture as a proof that the Dancing Lion in Rauh uses Deathblight, so here is screenshot from this ( x ) video of battling it! There are NO Deathroots anywhere near its arena, however it summons Basylisks in the second stage and deals Deathblight damage itself! Divine beasts, additionally, are Belurat thing too!

So, we have all three of these 'affiliations' in Rauh Ruins, giving a strong impression that it is full of Belurat survivors! Whereas the man-flies sickness is found here too, Romina, Bloodfiends and death-dealing Dancing Lion all feel like they've went separate Pokemon Eevelution from the same initial 'stagnation' concept that is the sourse of fly sickness fhhsdgfds I think that either 1) it is exactly what I just joked about, and stagnation is able to naturally develop into one of these stronger "branches" over time or 2) it develops into something specific under influence of an outer god; Deathblight doesn't need 'Prince of Death' since Outer God of Death IS a thing!

Survivors of Belurat here found their affiliations, initially getting afflicted by the "clean" form of it, fly sickness Romina allowed to escape and live!

^ So yeah @ second anon, I do also think that Romina in Rauh guards what is left of her civilisation! Such as one of like, two Dancing Lions and other Hornsent that unfortunately got manfly sickness too! Except, she is not antagonistic to the Scarlet Rot or sees it as her tragedy, but on the contrary: she sympathised with it!

I know it sounds more like a fairytale than an solid theory, but my impression is that a lot of 'waste' goes into the Abyss space and supposedly should have been burnt by the Base Serpent forever! Not as something inherently evil, but just a natural part of the course of life! Eiglay is the God-Devouring serpent, too! Both of them serve as the forces that ensure everything and everybody meets their end eventually, they might even be related! Again, Dark Souls for one had ten Primordial Serpents! We know three here (Base Serpent, Winged Serpent and God-Devouring Serpent) but it could be still a throwback like Fromsoft loves doing!

I think maybe someone, at some point, believed that living forever was a better idea and might have "killed" Base Serpent and Eiglay both! As we know from Rykard's last words though, 'serpent never dies' and he probably was right!

^ Whereas Eiglay had to grow back from a tiny snake again, Base Serpent settled in Messmer's body being so tiny that it could curl behind his eye! Both needed to recover their former power, so whatever eventually slipped in the Abyss was free to persist, rot further and escape back into the living world given the chance!

+ bonus:

Trina ends up having a lot of petals and flowers as part of her body, not unlike Romina, whereas Miquella had insectoid wings at the moment of being kidnapped! The same trademarks of the 'stagnation' again!

I questioned whether it was just Crucible at first, since it also features flowers and wings! In the DLC we've learned that the Fell God himself was connected with the Crucible (Furnace Visage) and Radagon has his red hair due to the curse of his Fire Giants (Giant's Red Braid) 🤔 But.. crucibles are MANY things. It is also horns, spikes, feathered wings, scales, you name that! A LOT of aspects of organic life and not just these two! So I think the Crucible Curse is safe to stay within Morgott and Mohg, and this more likely refers to Miquella himself getting infected at some point! Whether it was having sucked Scarlet Rot out of Freya's wound, or napping in the Haligtree that was getting slowly scarlet-rotten, or both! Sure there are no traces of it left when he becomes a God, but Trina was discarded before that of course! Alternatively, he was a victim of stagnation himself due to not being able to age physically. He, himself, was a lot like Scarlet Buds that are "never to bloom". Endless child state of a body and buds that can't bloom are like eggs that can't hatch but will go terribly bad over time.. what is MORE stagnant?

Who is the God of Rot and why the pink color?

Another side of Romina is a tail of a scorpion, and the giant variant of Spider Scorpions is said to be the result of her actions! At the same time, God of Rot itself was scorpion-like!

I think this makes it... oddly coincidential, that God of Rot is a scorpion at least partially, whereas scorpions are native for the Shadow Realm AND were important animals for Belurat! Like I said before, Belurat strangely has no signs of Scarlet Rot for a place where Romina presumably created/unleashed it!

So, maybe rather than God of Rot already existing as is, it received a particular form in the 'outside' world! I'd say the same for Formless Mother, but her form is ABSENSE of form kind of fdhshdfs Maybe 'receiving the character' is a better way to describe it! Formless Blood, Scarlet Rot and most likely Deathblight didn't exist "outside" but developed from the shared source, and their gods (at least two of them) were born thanks to people! God of Rot might have manifested from a giant scorpion Romina took special care of, or a scorpion who got the 'divine' energy for another reason since giant variants are still not JUST in Rauh! Again, like how Formless Mother manifested in the shadow of a corpse of someone else! The Scarlet Rot became a thing thanks to Romina, developing within her over time!

Again, this is just my idea that Outer Gods are "born" in "our" world rather than simply exist as is, especially since 'outer' is just a type of gods meant to be discerned from Marika's family and who are like Lovecraftian mythos! I just think so because the scorpions connection is a bit too coincidential! It is not necessary!

Eiglay is a God-Devouring Serpent, not Demigod-Devouring Serpent, however, so I think in either case her purpose had more to do with not letting guys like this to ruin the world! Things just must die eventually, not endlessly exist via endless rot/rebirth cycle not allowing for any truly new life to sprout. It makes it double awesome that Base Serpent, and maybe even Eiglay herself, are connected with the fire element as fire itself is ALSO not just an evil force of destruction! It is meant to help the nature to "clean" so it doesn't rot; this power simply must be kept in check to not burn SO much that there is nothing left to be born from the ash and ruin *looks at Frenzied Flame*

Lesbian flag colors joke aside, it seems that color pink is a mark of lacking the master and/or the capacity to bloom! I do think that blooming is a thing only a Demigod is able to do! +remember that Millicent is a unique sprout of Malenia, carrying more of her signs as a Demigod than other girls!

Orange/red is the color of 'true' Scarlet Rot, and you could see even God of Rot itself was orange from Scorpion's Stinger look! It craves the buds that will bloom to grow stronger and increase, similarly to how Formless Mother craves wounds!

+ I also think that Bloodflame is the mark of more "perfect" form of the same concept similarly, as it becomes self-cleaning this way! It similarly could only be accomplished by getting a Demigod (Mohg) involved, whereas regular Bloodfiends are using just the blood itself! Then, Deathblight was not receiving the big roots as we could witness by Dancing Lion in Rauh, without getting a Demigod (Godwyn) involved! The cringe triplets........

________________________

So in the conclusion, Romina reached out for the 'twisted divinity' she witnessed somewhere in the middle of the ruin of everything she knew before, similarly to how Bloodfiends chose to revere the 'twisted deity' found in a corpse of their ancestor as they've lost everything! These two affinities have connotation with strong misery, and it is additionally confirmed by how Millicent can only bloom if she experiences the pain of betrayal! Some sinister power only appears within a lot of pain and death, but on itself it is just "flowers and wings", and a concrete God is born in the place it appears at, depending on the circumstances. It needs the miserable person as much as the miserable person needs it; a call is nothing without the receiver. Together, they define more specific purpose and affinity for it to continue existing and poisoning everything!

...not 100% sure that Deathblight is just as similar, because how do you birth death? Maybe it similarly came to be through the first person to die (Nito, you?????)

P.S.: I'll be damned if the water Dancer Fairy didn't originate from Rauh and simply freaked out upon seeing Romina telling the God of Rot "may you find your worth in the waking world" fsdhfhds

[selineabanto]

mindscape 🌳🖼

[because-its-eurovision]

Finland 2024: UMK contestants

Sini Sabotage – Kuori mua Windows95man – No Rules Sara Siipola – Paskana Jesse Markin – Glow Mikael Gabriel x nublu – Vox populi Cyan Kicks – Dancing With Demons Sexmane – Mania

[acourtofquestions]

Since (haven’t read CC yet) 3 Maasverse main characters thus far are artists in one way or another (something I love in fandoms and especially these/Maasverse)

With:

Aelin the musician (composer/piano forte player) & appreciator of the arts. Fashionista. & semi-ballerina.

Nesta the dancer (a lil lovely scene tidbit I thought was freeing and mostly fun)

And of course Feyre THE Artist (& best example as this is crucial to how she sees the world).

Especially with the latter 2 in ACOTAR & our Archerons; even their father was a wood carver/sculptor… (let’s stick with the latter phrase… cause it’s too soon for carver to be heard as anything other than CREEPY “bone carver”😅) … so that leaves us with one; Elain.

Random HC here but: what if Elain’s a singer?

Specifically thought of this because of a certain other “singer in the series” ;-) *psst* Azriel the “shadowsinger” cause while I know that’s not what they meant, it sounds fun to me :-)

[starsoftheeye]

bro i wish i could draw better so i could make an animatic of that one but in the horse and the infant when odysseus finds hectors son, but instead its celia finding jack after killing her tmagp counterpart

[pennamesmith]

The Crone

“I am Mara. And I am gone.” 

When the ship hits the desert sands, it screams like a dying leviathan. Shockwaves ripple to the edge of the Waste and it scars the ground with a trench a mile long. The natives have no trouble locating the wreckage; they merely have to follow the smoke. 

They do not expect to find survivors. Somehow, impossibly, there is one: a crumpled, broken girl; babbling, bleeding, delirious. The only person, so far as they can tell, who was on the ship at all. They pull her from the smoldering remains as carefully as they can, and give her what meager medicine they have. Her breath is ragged, but steady. Her fever blazes, and then just as quickly breaks. She will live. 

How is this possible? They know better than to ask. This is not a night for questioning miracles. 

It has been only hours since the stars disappeared. 

—

She awakens in a universe of pain. Gasping, she tries to bolt upright and accomplishes nothing of the kind. 

“Good morning.” A pinched reptilian face stares down at her. It adjusts a thick pair of spectacles and shines a light in her eyes. “Do you know where you are? Can you remember your name?” 

“Mm. Muh.” 

The medic squints. “You’re one of those aliens, aren’t you? Did you do this? Not many of your kind left now. You might be the last one.” 

“Muh ruh.” 

“Take your time. Don’t force yourself to talk if you can’t yet.” Scaly hands lay a wet cloth across her brow. She barely registers the words as she drifts into inky darkness. 

“The whole planet heard your people’s evacuation order, you know. ‘All units return to Eternia!’ That’s all well and good for folks who have starships to run away with. I’m guessing yours couldn’t make it out before the window closed. Seems all that tech still can’t buy you luck. I’m afraid you’re stuck here with the rest of us.” 

She shivers. It is cold in this place. 

“We’re all alone together, now.” 

—

“Razz,” she mutters, sitting up in bed. 

There is a window here, small and uneven, a holey linen scrap the only thing separating inside from out. Beyond this room the lone and level sands stretch far away to a distant uneven horizon. The sky is a flat black. There are no stars. 

She stumbles to her feet and shakes the sandy creature keeping vigil in the corner. “Razz,” she repeats, to uncomprehending compound eyes. 

“Do the Whispering Woods still bloom?”  

The others come quickly. They offer to show her the ship — what parts of it haven’t been scavenged already, at least — but she refuses, emphatically. With halting words and gestures, she manages to communicate where she does want to go. The desert-dwellers fear it, that deep sea of trees with its many eyes and voices. Though they willingly point the way, not one will take her there. 

So, she stays. For now. 

She heals slowly, and mostly silently. “I can’t remember,” she says in answer to most of their questions. She frowns into her lap, frustrated tears pearling at the corners of her eyes. “I’m trying. I’m sorry. I don’t know.”

She stares at nothing. 

“I have to go back.” 

—

When she is strong enough to walk, she takes her leave of these kind strangers. They give her food and a stick to lean on, and she accepts their gifts  graciously. She will never see them again. 

Though the desert is unforgiving, it is not without end. The moons that make the daytime are bright, but not hot. After two days’ walk, she finds herself at the edge of the Whispering Woods. 

The trees are quiet now. The out-of-control magic that burned here when she gave up the sword has cooled into deep shadows. It thrums with potential energy, like a swollen thunderhead. 

She doesn't actually want to come back here any more than she wants to see her old ship. But she knows what she would find there, and here there are mysteries that still need answers. 

The woods are generous. Almost immediately the path leads her exactly where she wants to be: to a low hovel hidden in a hillside, with a dirty curtain for a door. Cautiously, she pulls the cloth aside. 

“Razz?” 

Nobody answers. Inside, it is cluttered but cold. Everything is still. Nobody has touched this chair, that bowl, those books for a long time. An inch of dust coats every surface, as if abandoned. 

She crosses the threshold. 

“Hi, it’s me again! Did you find where I was hiding?” 

She whirls around at the unfamiliar, high-pitched voice. Standing in the doorway behind her is a tiny figure with blue hair and rainbow overalls, grinning and waving. 

“Hey there! What’s with the silent treatment? It’s me, Loo-Kee!” 

She throws up. 

—

After a rest, the shadows don’t seem to dance so much, and the air doesn’t feel quite as heavy. It’s much easier to catch her breath. She sighs, relieved. The dizzy, sick feeling is gone. 

Loo-Kee, however, is not. 

“I’m sorry,” the little creature says, sounding genuinely contrite. “I didn’t realize how early it was for you.” 

They sit cross-legged on a narrow shelf, looking down at her. Their eyes are cartoonish, round and curious. She rubs the bridge of her nose and scowls back, frustration growing by the second. 

“Who are you?” she growls. “Where is Razz?” 

A curious head-tilt. “Oh, wow. It’s really early for you. Anyway, I already told you: I’m Loo-Kee! And Razz is right there.” 

Loo-Kee points a chubby finger. Startled, she turns around, but there is nobody else. She looks back. Loo-Kee smiles beatifically. 

“Please.” Her voice is on the verge of breaking. “If you’re the woods — if this is some kind of magical test, or game — I don’t have time for it. I need to see Razz. Where did she go?” 

“You do have time,” Loo-Kee replies calmly. They jump down from the shelf. “Listen, I think I took a wrong turn through next month to get here. I’ll let you get settled for now, okay? See you next time!” 

“Next time what?” she tries to bark, but Loo-Kee has already vanished behind a skinny coat rack. The hut grows quiet again. She is alone. 

She isn’t entirely sure why she came here. 

She clears a small spot on the raggedy bed. It’s late, and there’s nowhere else to go. Suddenly feeling the ache of her journey, she hunkers down and wraps a threadbare quilt around her tired shoulders. It’s cold comfort. 

Swaddled in darkness, sick with exhaustion, she cries quiet, violent tears. 

—

She stays in the little cottage. There is nowhere else to go. The one time she tries, the woods lead her immediately back with supernatural efficiency. 

She exists in a tight circle. Safe, but unable to leave. Protective custody, her people would have called it. She pauses on that thought, grasping at its frayed edges, trying to remember more. Inevitably, it slips away from her. 

The memories come in faint flashes at the strangest provocations. Holding them is like catching butterflies, or remembering a dream. Everything seems so far away. 

A week goes by. Two. She finds a tawny broom and starts to sweep out the dust in the cottage’s corners. The handle seems to tug at her hands, gently, like a planchette or a dowsing rod, seeking out old cobwebs and forgotten spaces. She finds herself talking to it as a rider might their horse.    

“Well done, Broom. Thank you, Broom. No Broom, I’m not frightened at all, and neither should you be.” 

One morning, she upends an old case of drawers and finds a familiar unusual face tumbling out. 

“Ya ha ha! You found me!” Loo-Kee crows with delight. They leap to their feet, and then somehow higher, hovering in front of her nose and grinning hugely. 

“You’ve got good peepers, lady! And you didn’t even need glasses or nuthin!” They lean on air and swish a fluffy striped tail. “That’s impressive. Most people from your dimension can’t see into ours. Not on their own, anyway.” 

That sparks a memory. Her eyes glaze over. “I pulled the planet into an empty dimension,” she murmurs, distant and dream-like. “The Heart of Etheria…” 

“You did that?” Loo-Kee’s eyes widen as they drift back to the ground, landing with a little bump. “Oh wow. That explains a lot. I was wondering how you got all refracted.” 

She blinks. “What?”

“Like a river splitting. Or a mirror cracking.” Loo-Kee stands and paces a pensive circle, waving their hands vaguely. “You’ve become more than one thing, but at the same time you’re still the same thing, but at the same time you’re in a lot of different places at once.” 

They look up. “Um, silly question, but what does time normally look like where you come from? It might start to work different for you now.” 

Her eye twitches and she resists a powerful urge to sweep the impish creature out the door with one fell swing. “What are you talking about?” 

“I’m not sure yet.” Loo-Kee pauses, brow furrowed, foot tapping, arms crossed. “This has never happened before.” They brighten. “Anyway, I’ll let you stay here if you want! I found this place all by myself, so it’s basically mine.” 

“What?” Her frustration boils over, and her voice rises to a shout. “I’ve been living here! This isn’t your house, it belongs to Madame Razz!” 

Loo-Kee scratches their head. “Madame Razz? Who’s that?” They tilt an eyebrow. “Is it you?” 

“No! I’m — ”

She halts, the words catching in her throat. This absence in her memory is one of the worst. She does have a name. She is sure of it. But whenever she searches for it in her mind, she can find nothing but a burnt, ragged hole. She shuts her eyes hard, trying to think, willing the letters to appear. 

“I'm not certain. I’m. I am… Ra. Something-Ra?” 

“Razz?” 

“No!” She beats at her temples. “It started with another sound. I’m sure of it. It’s right there… Ma?” 

“Madame?” 

“No!” 

She shrieks, kicks a stack of rusted cook pots, and drops heavily into a wicker chair, shaking with impotent rage. Her unbraided hair falls in a long curtain around her bent head, veiling her face. She chokes back a sob.  

Loo-Kee softens, face falling, and offers a hesitant reassuring hand. “Um. Hey, I’m sorry for upsetting you. I was just joking around about the house thing.” 

Silence. 

Loo-Kee jerks a thumb toward the door. “I’m gonna give you some space now, okay? But I mean it about wanting to help. I’ll come back later, after I’ve talked to some friends.” They back gingerly out of the cottage. “It was nice to meet you, Ma — uh, ma’am.” 

She stays in the chair for a long time after they’ve gone. She doesn’t think about anything, only stares at her feet and the dirty floor until the daylight fades and the moons rise in an empty night sky. She falls asleep there, shoulders drooping, tipping slowly over into an exhausted heap. 

When she wakes, she finds herself in bed, the covers pulled up to her chin, her Broom leaning lightly against the facing wall. 

Outside of Madame Razz’s house, the trees dance lightly in the morning wind. 

—

The first time she slips, she hardly notices it at all. She is busy tending the oven when the air crackles and the trees outside jump into new positions, branches growing longer in an instant. Just as quickly she slips back, and the flicker in the fire may as well have been a trick of the light. 

The next time, she is in the garden, and falls backward when the vegetable patch explodes and the rose bush triples in size. This one lasts for an hour of panicked cleaning — the inside of the house is suddenly covered in dust again — before everything shifts and she finds herself under a moonlit night sky, the garden nothing more than a freshly-dug parcel of soil. 

The incidents only grow more frequent as time goes on. The woods will let her wander a little farther these days, and she watches rivers curl over dry ground like snakes and mountains shrink back into tiny pebbles. Each time she will eventually drift back to the present; but that word is starting to lose its meaning as she lives more and more of her life out of order. 

Sometimes she can harvest acorns from an oak tree planted only seconds before. Sometimes she has to make a pie three times before all the ingredients stay put together. If time is the hemline of a dress, her thread loops in and out like wild, spiderwebbing lace. Unpredictable as it is, there is a flow to it all. When she closes her eyes, it feels like being pulled along a powerful, shifting current, in an ocean that goes on forever. 

She develops a rhythm, and as time goes by, a tiny, growing part of her begins to enjoy life in the little forest house. It’s a peaceful life. 

“Hello,” Loo-Kee says, popping out from behind her favorite mug in the cupboard. 

“Aaah!” she screams, slamming the cupboard door in their face. 

Loo-Kee utters a muffled curse amidst crashing crockery. A moment later they reappear in the front doorway. “Sorry, sorry! I didn’t mean to startle you!” 

Rubbing their round red nose, the little sprite scampers inside and climbs up to sit on the table. “Ouch. Okay. I guess I sort of deserved that. But hey, listen, I think I figured some things out! Oh, and Spritina says thank you for the berry cake.” 

“Who?” 

“You’ll meet her later. The Twiggets have been shy because you’re not originally from here, but they won’t hide from you forever. You’re still connected to the planet just as much as we are. See, that’s what I figured out! It’s all because of She-Ra.” 

At the sound of that name she halts, knuckles tightening around the handle of her Broom. 

“For the Honor of Grayskull,” she whispers, the words automatic and unbidden. 

“I’m not talking about your password settings,” Loo-Kee says dismissively. “I mean the real deal. The very nexus of magic at the heart of this planet. The living force that surrounds and binds us together. She-Ra!” 

“She-Ra,” she repeats, and a blue glow flickers in her eyes. “But the sword is gone,” she sighs. The light fades. Her posture sags. 

“She-Ra isn’t a sword,” Loo-Kee replies, in the tone of a patient teacher. “Here, lemme show you something.” 

They turn and dash into the woods without waiting for a reply. She dithers, agonizes, and finally follows, gripping Broom like a security object. The trees part for her as she follows her guide. When she glances to either side, she can sense hidden eyes watching from behind the branches. 

They arrive at a tiny, clear pond, nestled in the roots of a circle of trees. The water sparkles, half in light and half in shadow. She approaches it slowly and stares in: the water is supernaturally still, no more than a few feet deep and perfectly transparent. She can see the mossy rocks that cover the bottom. 

“Is it a special pond?” she asks. “Some sort of magic well?”

“No.” Loo-Kee plunks down at the water’s edge. “I mean, there is magic in it, but there’s magic in every pond around here. This was just the closest one.” 

She sits beside Loo-Kee and stares down. Beneath the surface of the water, fish and snails and crawling crabs move through the cracks between each stone. It is easy to imagine the scene as a tiny landscape, with frilled dragons and alien hermits populating a miniscule mountain range. The longer she looks, the more details reveal themselves. 

“It’s a whole world,” she says. 

“Yeah.” Loo-Kee nods. “And that world is made of whole other worlds. And there are more whole worlds all around it, and every one of them is full of whole other worlds.” Their voice is earnest. “And all the little differences between them, like what shapes things are, or what dimension they’re in, is really just hiding the fact that everything is part of the same thing.”

“It’s all connected.” 

Loo-Kee takes her hand and guides it to the water’s surface. Her touch leaves ripples echoing across. 

“In this place, you are what connects it.” 

The light sparks in her eyes. And she transforms. 

—

“Hello dears! I’ve been expecting you.” 

She looks down at the nervous cluster of tree spirits. Twiggets, Loo-Kee calls them. They peer up at her from behind green leaf masks, their squat bodies no higher than her knee. 

“This way, this way,” she coos, ushering them all inside. “There is room for everyone in Madame Razz’s house.” 

She fixes their leader with a twinkling eye. “Spritina, dear, it’s so good to see you. Have a seat right there.” 

“How did you know my…?” 

“Oh, never mind that!” She laughs. “You are here on a very important mission, yes?” 

Spritina draws herself up, the image of a child performing bravery. “We need help. One of the old groves is dying. Something the aliens left behind poisoned the ground.” 

“Hmm. Well, we can’t have that.” 

She browses the myriad items and ingredients that crowd her shelves. Hundreds of different dried herbs, tinctures, extracts, rare flowers, strange and unusual artifacts. Where her memories fail her, the very air itself seems to guide her hand. She plucks some of this, a pinch of that, filling her basket to the brim. Medicine for the poison of the past.

“We’re ready!” she announces. “Sprig, Sprockett, lend a hand and carry Broom for me, will you? It’s a dangerous path, and I don’t want him to get lost.” 

“A magic broom! See? She is a real witch,” one of the little spirits says to the other, as they heft Broom between themselves like busy loggers. 

“Doesn’t seem very magic to me,” the other observes. 

“Um. Are you sure you need to come with us?” Spritina asks nervously, trotting to keep up with the much taller woman. “It’s kinda deep in the woods, and humans can get lost…” 

“I’m sure a human could,” she hums. “If the woods wish me gone they will turn me away. But I don’t think they will, today. And besides, I need berries for the cake I’m baking.” 

She strides confidently into the forest, her basket swinging merrily in the crook of her arm. The Twiggets follow, making a strange procession through the trees. The woods bend and twist before them, revealing hidden places like a wounded animal cautiously showing its belly. She places her hands on the bark, the stone, the earth, and speaks quiet soothing nothings to it all. The Twiggets watch her, murmuring to each other in excited whispers. 

Deep in the Whispering Woods there is a blasted plain. This is what remains when stolen magic burns holes in the world. But this land was green and healthy once, even after the great Crystal Castle arose in the center of the clearing. The settlers’ mighty stronghold had existed in harmony with the planet, briefly. 

Now it is a dark tower standing on blighted ground. 

She unfolds a cloth and carefully sets out her ingredients, explaining what each one is to the spirits crowding around her. “You can find most of these things in the woods. But some you can only find in the places the First Ones left abandoned.” 

Small glass vials hold a strange, metallic liquid. “This is like a medicine that uses a tiny part of the sickness to heal. We can’t undo what happened here, but we will make the land whole again.” 

She sets to work mixing and brewing. They watch and learn quickly. Soon they begin to help. Before long, they are doing most of the work to restore the grove themselves, while the witch of the woods wanders off to gather berries. 

She paints a meandering line around the edge of the clearing. Perhaps it is only a coincidence that her path takes her closer and closer to the Crystal Castle’s ruins. Perhaps this is where she always wanted to go. She draws nearer. 

She has forgotten about the berries, now. 

The Castle’s door is dark and silent. Even the air seems to grow still around it. She approaches slowly, places her hand softly against the wall. There is an almost imperceptible warmth there; slumbering, dormant, like soil under snow. 

“Are you there, Hope?” she asks. Not fully understanding the question, but speaking as if compelled. Something cold and heavy takes hold of her heart, pulls it deep down, down deep. 

Nothing changes in the cold Castle contours, but faint feelings seem to drift from the darkness: longing, regret, loneliness. She hugs herself, missing something she can't clearly remember. 

“I’m sorry,” she says, not certain why. 

The silence deepens. 

“I loved you,” she attempts. 

Nothing. 

“I just wanted to be good.” 

Perhaps the feeling in the air gains a note of shame. Perhaps she only imagines it. The Crystal Castle remains still. The doorway stays dark. After a long time, she becomes aware of someone pulling urgently on her hand. A young Twigget is shouting at her. 

“…adame Razz! Madame Razz!” the tiny spirit cries. 

“Hmm? What did you say? What about Madame Razz?” 

“Come look!” The Twigget pulls on her idle hand again before bounding away. She follows slowly, gradually returning to the present. The others are all clustered around something at the edge of the clearing. 

“It’s working!” Spritina announces with breathless excitement, pointing at the ground. 

Where they have applied the new medicines, the sickly, dying plants are already returning to life. Tiny glowing motes of magic move through leaves and vines, softly pulsing with life. A few inches further in, a new green stem is poking up through the barren dirt, growing before their widening eyes. Around it, more spots in the ground are stirring. 

“The planet is unbalanced,” she declares, taking Broom in her hands, feeling the gentle pull of the future. “And the magic is still here. We can heal this place. But we must be careful.” 

“There is still Hope.” 

—

“Do you like my dress? I got it for Princess Prom!”

It is winter now, although it doesn’t snow in the Whispering Woods. The garden is resting for the season, and she is busy filling jars with pickles and preserves. 

She narrows her eyes. “What is Princess Prom?” 

“Oh, it’s the biggest thing in a century or two.” Loo-Kee twirls, admiring the puffy trim of their outfit. “All the princesses on the planet get together and have a big party!” 

She sits, the hint of a smile playing at her lips. Her hair, wild, reaches past her waist by now. “Always full of surprises, Loo-Kee. Are you a secret princess, then?” 

“‘Course not! I’m a Kon-Seal. I can go wherever I want, and whenever too! Oh, but I do also have an invitation.” 

She leans forward. “You know, I’ve been meaning to ask. How exactly does that work?” 

“How does what work?” Loo-Kee is practicing an up-tempo dance step. “Invitations?” 

“No, I mean…” She waves her hands vaguely. “All of this. The time stuff. I know you said it would seem different to me, but whenever I think I have a handle on things you come around and make it all confusing again.” 

Loo-Kee stops mid-pirouette. “Isn’t that how learning works?” 

“Not when your teacher is being a child!” She sighs, immediately deflating from the outburst. “I’m sorry. It’s just frustrating, having no control. Sometimes I’m in the future. Sometimes I’m in the past. Sometimes I can see a trillion different realities, folding onto each other like thin sheets of metal, forming a single blade…”

“Yeah, yeah, the Time Knife, we’ve all seen it.” Loo-Kee waves a hand. “Let’s get back on track. To be honest, I can’t explain it all completely to you because I don’t really know. I know how it works for me, but you’re something else.”

“How does it work for you, then?” 

Loo-Kee considers this seriously, pondering hard and sitting in midair. “Hmm. I guess it’s kind of like… the same way you can walk around on the ground, I can walk around in time?” 

They rotate slowly, floating up and down. “And just like being on the ground, I can’t see everywhere and I can get lost if I go too far from familiar places and paths.” 

She chuckles dryly. “I suppose in this metaphor I’m wandering about the woods blindfolded.” 

Loo-Kee shrugs. “I woulda said it nicer, but yeah, basically. Maybe while tied to some kinda wild animal.” 

They share a laugh, a real and hearty one this time. Then her face turns serious again. She fixes Loo-Kee with an appraising stare. If the Kon-Seal has any fear or distrust of her, they hide it well. She makes a choice. 

“In this metaphorical forest of ours… would it be possible for you to lead me somewhere? Or somewhen?”

Loo-Kee touches down lightly on the floor. “I think so.” Their face lights up, as if just hitting on a bright idea. “Hey, I know!” 

They extend an arm. “Wanna be my plus-one to prom?” 

—

She scowls, tugging at the dress. “You just happened to have this?” she asks, incredulous. It covers her feet, flowing in different hues of fuchsia and maroon. The collar is ruffled and green. 

“And it’s exactly your size, too!” Loo-Kee winks. “What a coinkydink!” 

“It must be fate, then,” she murmurs. Her eyes are growing cloudy and distant. 

She isn’t entirely sure what her goal is, yet, but she is starting to form a plan. Her confidence ebbs and flows like ocean waves. It feels as though the answers are hiding just beyond the corners of her sight, melting away whenever she turns. It’s difficult to focus. 

She holds out her hands, already struggling to remember what she wanted. “Will this really help?”

“This will let you see yourself,” Loo-Kee replies, and grasps her palms. 

Everything shifts. 

Some of it is familiar. She recognizes how the time winds feel, rushing through her hair. She sees the forest warp and change around her. What’s different is that the winds don’t buffet her, and instead of slipping she is flying, following along as Loo-Kee tows her by the hand. One step and the forest grows by centuries. Another, and the ground becomes a blur beneath their feet, until they come to a stop in a pristine snowfield. 

A castle looms on the slopes above. People — more people than she can ever remember seeing at once — stream around them, dressed in elegant attire, flowing like a living river. 

They follow the crowd. 

Nobody seems to notice them. Inside, Loo-Kee strikes up conversations, samples the snacks, dances and dawdles. She does her best to follow along, but the noise and the crowd are overwhelming. She retreats to a wall, scanning each face, knowing she is looking for something but not knowing what. 

Deep in thought, she almost fails to notice that she has drawn a stranger’s attention.

Almost. She turns. One of the princesses, a small woman in goggles, is staring at her intently. 

“Excuse me! I'm sorry to bother you and your partner there, only I couldn’t help but notice the abnormally high numbers of tachyon particles around you. Do you think I could take a few samples for my records?” 

She stumbles away from the strange woman, backing into a server and upsetting their tray of canapés. “What do you want?” she asks, sharply and a little too loudly. People are starting to look. 

“It’s okay, it’s okay!” Loo-Kee appears and springs between them with placating hands. “Actually, Princess Entrapta here is the one who invited me.” 

“She did?” 

The purple-haired princess tilts her head. “I did?” 

“You did!” Proudly, Loo-Kee holds out an embossed card. It reads: 

You are cordially invited to a reception for time travelers. The 85th Decennial All Princess Ball (Theme: Winter Wonderland), The Kingdom of Snows, 52° 12’ 21” N, 0° 7’ 4.7” E.

Entrapta clasps her hands in joy. “Oh! I did! It worked!” She shakes Loo-Kee’s hand effusively. “Thank you for coming! I can’t wait to send out the invitations tomorrow!” 

Crouching down to Loo-Kee’s level, she produces a pen and notepad. “Actually, do you mind if I ask you a few questions? I’m writing a brief history of time, you see, and…” 

Entrapta never finishes her sentence. 

A blonde woman in a red dress hurries down the stairs past them, chasing a tuxedoed cat. Her muscles are tensed, her face is set in a determined frown; otherwise she is no different from any of the other princesses. But when the lost witch looks her way, she sees an unmistakable aura, and the recognition shocks her. 

“She-Ra,” she whispers. Her blood turns to ice. 

“How could there be another She-Ra?” 

She isn’t sure whether to rush forward or turn away. Is this what she was looking for? Is this what she was running from? Frozen in uncertainty, she slips. The sensation is like falling backwards off a cliff. Flailing, she reaches for Loo-Kee, grabs their arm with clawing ferocity, only glimpses the shock and panic in their eyes as the universe goes dark and they fall together. 

To any observer, it seems as though they are simply there one moment, and gone the next. For her and Loo-Kee, it is as though they have plunged into a deep, crushing abyss. She holds on as tightly as she can, but slowly Loo-Kee’s fingers slip from her own, and then she is alone. The silence closes around her. 

And she is drowning. 

Until she sees the Light. 

—

“You must let go,” someone whispers in her ear. 

The world drifts back into focus. She is deep inside the Crystal Castle, but the walls are ancient and dark. Far older than the sanctum she knows. The dim light that pulses across the floor simmers like a caged beast. A girl, asleep, floats suspended in the air. 

“Adora,” she murmurs, the name springing suddenly to her lips. She reaches out. “I remember now. Madame Razz knows about you…” 

“Do not interfere,” an electric voice snaps. 

And there she is. Hovering overhead in the darkness like a deep sea creature; her blue luminescence cold and unwavering. She gazes up into the abyss. 

Light Hope looks down, and meets her eye. 

“Temporal anomaly detected.” 

“Hope.” Her voice cracks. 

“Your biosignature is recognized. Your biosignature is not recognized. Error.”

“Hope, it’s me.” She reaches out, pleading. “I’m here. I know it’s you. I just don’t know who I am.” 

“Quantum paradox logged.” 

“Please.” 

Light Hope hesitates. The projection changes, refractions growing smaller as she folds to human size. She holds out a hand that has no weight and feels like starlight. Her mouth opens, as if unsure of what to say. 

“My records indicate that you are deceased.” 

“Do I look deceased?” 

“It… it has been over one thousand years. Even if you survived the crash, you…” 

“So, you do remember.” She stares the hologram down and takes another step. If the light had any substance, they would be pressed together now, like dancers. 

“I. You. Your administrator privileges have been revoked. You are not authorized to be here.” 

“If I’m dead, does it matter?” 

“Error. Command not — ”

“Tell me who I am.”

The words are spoken with such power and authority that the very air seems to change. Something long asleep shudders and growls. Light Hope’s face is one of astonishment as she begins to answer. 

“You are Ma— ” 

—

She slips. Everything changes. Suddenly the walls are awash in red alarm lights, sirens sounding down the hall. Adora is gone. Light Hope stands at the far end of the room, back turned, shouting at a viewscreen. 

In the screen, she sees herself. 

“What are you doing, Mara?” Light Hope demands. “You have de-de-destroyed my interplanetary systems.” 

Hidden in the shadows, she touches her own face, feels the wrinkles that have grown into her skin. Seeing her younger reflection, so full of fire and rage, stirs memories like the dread of a nightmare. She clasps her hands across her mouth, watching in silent horror as her own past unfolds again. 

Light Hope burns like a forge. “You are beha-be-behaving erratically. Where is the sword, Mara?” 

She stays hidden. Stays watching. The vague notions of her plan flits through her mind: if she could learn control, could she change things? 

It was a foolish idea. Now she feels lost, wishing to her surprise for Loo-Kee’s guidance. She is frozen like an animal in the vicious forest. 

She watches herself. “The sword is gone,” her reflection says. “There’s not going to be a She-Ra anymore.” 

“I won’t ever let you use her again.” 

—

Another slip. She is when she was, Light Hope gazing down, Adora between them. 

“—Ra—”

—

She slips again. The same room in the Crystal Castle, lights dimmed but alive. Light Hope is small, like a candle flame. She is huddled in the center of the room. 

For a long moment, it is silent. 

“Unauthorized presence detected,” Light Hope says, back turned, voice quiet. 

“Do you know who I am?” she replies. 

“Systems in emergency power mode. Advanced functions unavailable.”  

She approaches; kneels. “Can you tell me about Mara?” 

The dim eyes flick up. “Records indicate Mara is deceased. Acquiring new target.” 

For the first time, she notices the tiny pool of light. Light Hope peers down into it like a wishing pond, a tiny camera obscura. She stares closer. 

In the window there is a baby girl with yellow hair. 

—

She slips back to see Light Hope once again staring down at her, a name set freshly loose from her lips. They stare at each other. 

Adora is suspended between them, eyes closed in fitful sleep. 

“Is it really you, Hope?” 

“I am the same basic operating system.” 

The fog in her mind is growing thicker again. Her eyes go back to Adora. Light Hope draws closer, protectively, possessively. 

“The Heart of Etheria Project will continue. Your attempts to interfere have only caused a delay. This anomaly has not altered my calculations.” 

“I think you’ll find Adora harder to control than you imagine.” She smiles ruefully. 

Light Hope scowls. “On the contrary. She is lost. Vulnerable. Alone. Her only friends have abandoned her. She is in the optimal state to receive suggestion.” 

“She isn’t alone. She will have help.” 

The hologram’s eyes burn like a star. “Who will help her?” 

“Madame Razz will help her.” 

—

And then the world shifts again, and as suddenly as a dream, she is in a place filled with warmth and familiarity. 

The Crystal Castle is brand new. It shines like a toy fresh from the box. The lights sparkle. On the viewscreen, she can see the Whispering Woods, healthy and green. 

Light Hope stands in the middle of the room. Her brow arches in surprise. 

“You’re back,” she says, compassion and bafflement mixing in her tone. “But you just…” She pauses, frowning. “Error in visual recognition. Your face is…” 

The woman’s eyes flick to the screen. On it, her reflection ventures out across the grass, sword in hand, ready for adventure. She is young and bright-eyed — younger than the rebel who crashed to the planet below. A new arrival to Etheria. 

She looks back to Light Hope’s uncomprehending gaze and recognizes a love she had imagined lost to time forever. This is her Hope. 

In that moment, Loo-Kee finally finds her hand. 

—

When the world stops twisting and resolves itself, they are back in the Whispering Woods, in the same clearing they left from. Loo-Kee stands unsteadily. Their prom dress is gone, and an eyepatch stretches across their haggard face. A comically huge cutlass hangs at their hip. They look older, somehow. 

“There you are! I’ve been all over the time-space continuum looking for you!” Loo-Kee exclaims. “Do you have any idea how hard it is to find one little person in all of… wait, is this that ‘irony’ thing I keep hearing about?” 

She sits on her knees, motionless, limbs drained of life. Her eyes are hooded. She hardly notices the surrounding forest. 

Loo-Kee chatters on. “On the bright side, we learned a lot from this! You were drifting in time when I found you, but not space, so I guess that means we need to be in contact for you to…” 

She whirls on the tiny creature, her eyes savage. “I was there,” she growls. “I saw her! I saw my Hope! You took me away from her! What have you done?” 

“I’m sorry,” Loo-Kee pleads. “Everything went wrong. I shouldn’t have taken us so far. It’s my fault! If I hadn’t found you when I did…” 

“Get out!” she shrieks, her voice a mad howl. She claws furiously at her own face. “You’ve ruined everything! Go away! Hide yourself! I don’t care where you go, just leave me alone!” 

The echoes of her scream fade. Her breaths are ragged, heavy. A silence deeper than any cave falls on the forest. 

Loo-Kee stares as if struck. Wordlessly, they shed the trappings of their costume and turn to slip away between the trees. She watches them go, still seething, anger burning the end of every nerve. Good, she thinks, when she is alone among the woods. 

At last, she can start to take things seriously. 

—

So it goes. 

For a long time after that, she really is alone. She still has Broom, of course, and she can sense the Twiggets watching from behind the leaves and branches, peeking out at her from the edges of the land she helped them heal. Sometimes they seek her out, as before, to trade in secrets and favors, but they never linger long. Always she remains the hermit in her hovel. 

She grows ever more familiar with the Whispering Woods. Their connection grows together, like vines around a lattice. She can see more than ever before. 

But Loo-Kee remains invisible, and she does not see them anywhere. 

Even when she looks. 

She discovers old books hidden in Madame Razz’s house. They are thick and dusty, their pages the colors of dark tea and old wood. Sprawling spiderweb script lists out spells and rites and rituals, secret histories and ancient revelations about the planet below her feet. The words are in an unfamiliar language, but somehow she understands it intrinsically: this is the planet, speaking to her through their connection. 

That is something else she has realized. She is more than adrift in time — she is bound to the heart of this planet like a tree to the earth. Once she sought to borrow this power; now it has changed her entire being. Once she was from another world. Now she is part of this one. 

She practices the spells and learns the histories, bending low over the ancient pages by flickering candlelight. Her voice changes as she barks the chants over and over, slipping into the Twiggets’ forest accent. When her vision begins to blur, she opens a little drawer and finds a pair of thick round spectacles, as if they were waiting for her. 

On some days, she returns to the clearing where the ruins of the Crystal Castle lie. She sits on the ground, Broom across her lap, staring at the shattered visage of She-Ra. Names cycle through her mind: Mara. Razz. Light Hope. Adora. She knows they go together, but the precise connection still eludes her. 

Her efforts to heal the scars of this land have not been in vain. Life is flourishing around the Castle, moss and vines crawling across the cold, quiet walls. As she sits among the tall grass, white moths flutter around her shoulders and settle in her hair. 

She takes careful, measured breaths, and time flows around her. She sits, still as a stone in the stream, and watches carefully. The moons whirl in the sky. The trees shrink and grow. The years stretch forward and back. She may not control the tides of time, but she can learn their ebb and flow. 

In every era she lands, she looks for Hope. Calls her name. Hears nothing in return. It’s just as well, she tells herself. 

She’s forgotten what she wanted to say, anyway. 

—

Time goes on. Not in a straight line, perhaps, but relentlessly. She goes on living, listening to Etheria through the woods. 

She settles deeper into Madame Razz’s house. Her hair grows longer, wilder. Chestnut brown fades into iron gray, then ghostly white. Her knuckles grow huge and gnarled. 

The older she gets, the more she seems to become a part of this place. 

She becomes ancient. She leans on Broom, and keeps her eyes out for Loo-Kee, who continues to hide. The woods keep whispering, and on moonlit nights the spirits bring her all their gathered rumors and secrets. 

Some things grow clearer in her mind. Some things grow cloudier. Some things simply stay the same. 

Around the world, villages grow into kingdoms, memories become legends, and the people begin to forget there ever used to be stars. She’s content to let them. For a thousand years, she can forget about the greater universe outside. For a thousand years, she can rest. 

Then a new invader arrives. 

And the story begins all over again. 

—

“Razz?” Adora pokes her head through the door, stress and strain showing clearly on her face. “Oh, Razz! It’s you. I finally found you.” 

She pauses at Adora’s greeting, trying to remember, feeling out of place. Wasn’t she doing something important a moment ago? She gropes in the dark of her mind, but the currents of time have already swept her away. She looks around. 

“Mm, if you say so, Mara. Now, come on. It’s getting so late!” 

“I’m not Mara!” Adora whines in frustration. “Ugh. It doesn’t matter. Razz, you have to help me. Everything’s falling apart. The rebellion’s losing worse than ever, and Glimmer…” 

While Adora talks, she hums to herself and bustles about the kitchen, gathering supplies. Truth be told, she is not paying very close attention to whatever Adora is saying. She knows this is rude, and feels a twinge of guilt for her absent mind, but there’s no helping it. She finally remembers. Today is important. 

Today, they are making a pie. 

—

She stops, a sword point blocking her path. She squints up. A young woman holds the other end of the shining blade in trembling hands, anger and fear mixing plainly on her face. 

“Who are you?” the other woman demands. “How did you find this place?” 

She adjusts her glasses and smiles in recognition. “Ah, Mara, dearie, there you are. Madame Razz wondered where you went.” 

Mara stumbles on her own words. “How do you know my name?” 

There is a shift like circles closing. Many creatures do not notice it at all, but those who do feel something smooth and electric crackle across their skin. She breathes as if the very air is something delicate and precious. 

“Oh,” she says, understanding suddenly growing. “Is this the first time?” 

She sighs in tearful relief. 

“It has been so long since it was the first time.” 

—

“There was something Mara said in her message. She talked about some kind of weapon?” 

She freezes at the words. They spark a fearful memory, and the kind of dread that comes from something terrible and inevitable. 

Adora only hears the gasp of recognition. “You do know something! You need to tell me!” 

She can suddenly remember watching the simulations of what the activated Heart of Etheria would do. Like a long forgotten moment of childhood it all comes rushing back, things she hasn’t thought about for so many years. She sees the universe burning, again and again. Panicked, she lashes out.

“Ow! What was that for?” Adora rubs her head where Broom has struck her. 

“You need to stop being so forgetful, Mara,” she replies. 

She can’t lose focus. Not today. Not now. Somehow, she can sense it. All the centuries are as nothing compared to this moment. 

Everything depends on now. 

—

“You know how to use magic?” Mara is looking at her, stunned. So young, a part of her thinks. 

She doesn’t pay attention to it. Right now, she needs sugar. And whatever else she can find in the ship. After all, she needs to — 

“Intruder detected.” 

Light Hope is there as suddenly as a thunderclap. She feels a sledgehammer weight in her chest, but there are too many thoughts crowding her mind. Frightened, she lashes out with Broom again. 

“Mara. Who is this person?” 

The ghost’s words sting, though she isn’t completely certain why. She glares at Mara. “You see the ghost too?” she asks, feeling cold. Trying to harden her heart. Failing. Something centuries old is calling from the back of her memory, damaged as it may be. 

“Her presence here is unauthorized.” 

“Your ghost is mean,” she spits back. And then turns away, so they will not see her face. 

She reaches for the sugar. “Why did I put it so high…?” 

She is trying to focus on Mara. But she can feel Light Hope watching them both. 

“She may have been exposed to classified information about the Heart of Etheria project. We need to detain and interrogate her.” 

Mara laughs. “You really think she’s somehow found information about a project so classified even I don’t know all the details?” 

“Come on, Hope. She’s clearly harmless.”

—

Adora is looking at the ruins, peering at the slashes cut into ancient stone. Swift Wind huddles beside her.

“Mara did this? She really was crazy.” 

She ignores them. The present is too important. “Aha!” she cries, pushing past the other two. “You found it!” 

“This was left deliberately,” Adora says, picking up a crystal. “Did it belong to Mara?” 

“Oh, yes, dearie. She left it for you,” she replies, full of certainty. 

“No, Razz. Mara’s gone. She’s been gone for a thousand years.” 

A thousand years. She turns the thought over in her mind. 

“Hmm? No, that doesn’t sound right.” 

And she smiles, in spite of herself. 

—

“Ghost,” she says. They are still on the ship. 

Light Hope stops. She has not looked closely at the old woman before. She pauses now, her eyes sparkling with calculations. There is something approaching recognition in her face. 

Madame Razz reaches out. “You are a friend of Mara,” she says with conviction. “Don’t forget her.” 

Light Hope pauses. “Friend,” the ghost says, distantly. 

“Mara.” 

—

The forest. The ruins. Adora, Swift Wind, and the old woman. 

“Oh Mara,” she mutters, tears welling in her eyes. “You were never supposed to succeed. They made a plan for you, but Razz could not do anything to help.” 

Adora is getting desperate. “Please, Razz. You have to remember something.” 

She holds her head. She can almost touch the answers. It is like trying to remember a dream. 

“Remember, remember. I try to remember, but it gets all muddled up. Adora, Mara…”

“It always ends the same.” 

—

The forest. The sword. The old woman, Mara, and She-Ra. 

She can see the light pouring out of Mara. Sees the sword thrust into the ground, burning with light. The glare fills her glasses, blinds her. Everything is ending. This is the moment that changes the universe. This is where the ends join together. The light bursts. 

And then she is gone. 

—

Adora is crying. The truth can have that effect. “The weapon,” she mutters, numbly, as the holographic message ends. “The weapon is Etheria.” 

They are all huddled together in the ship, her and Adora and Bow. When she tilts her head just right, she can see both at once: the ship in flames, forced down by a desperate hero. And the ship dark and ancient, with new young fighters searching it for answers. As sure as wicked people will destroy what they cannot control, good people will defend what they love. 

Madame Razz sets the pie down on the pilot’s chair and smiles through her own tears. 

“For you, Mara dearie,” she says, more to herself than anyone else. 

—

So here she is now. Old. New. Eternal. Madame Razz is never really sure when or where she is or how many times she has done all of this already, or which version of it all she is seeing now. Things blend together, loop after loop. All she can hold onto is Broom, and her hope. Again and again, she goes back to the beginning. Nothing ever changes. 

Until finally, She-Ra reaches the end. 

The sword breaks. The world shifts. And for a time, everything becomes so much worse. 

Light Hope is gone. She quakes with sobs, inconsolable, until the grief finally settles into something cold and solid. Another weight on her stooped shoulders. 

But she is not alone. 

Loo-Kee returns at the end of all things. Razz’s surprise, at this point, is mostly a show. A part of her character so well practiced that the mask may as well be her own gnarled face. 

“You found me, Loo-Kee,” she says, with a smile.

“I was always here,” the small creature replies. “And I always will be.”  

They stay together as the invasion worsens. As all hope seems lost. As She-Ra falls. 

—

The ground shakes. The skies burn. It is the end of the world. 

Madame Razz rocks anxiously in her chair, grasping Broom in her lap, surrounded by the fearful faces of Loo-Kee and the Twiggets. “Oh, dearie-my!” she exclaims, when a tremor makes the floor jump. “Isn’t this exciting!” 

Her words are light, but her voice is haunted. 

“The forest is in pain,” Spritina wails. “The tree roots can all feel it. There’s something wrong with the core of the planet.” 

“I’ve gotta be real,” Loo-Kee grimaces, white-knuckled. “I’ve never been to when this is going. None of the Kon-Seals ever have. Where I come from, it’s like… a great big forest of thorns and mist. Nobody can get in. Or out.” 

Razz looks down to the small creature, fire in her eyes. “You were always special, Loo-Kee,” she says, reaching out a reassuring hand. 

How much does she owe this strange being? They never had to help her. Confounding, perhaps, but loyal unlike any other. She has no right to ask any more of them. But there is still something she needs. 

“Loo-Kee. Brave and daring. Will you lead Madame Razz somewhere, one last time?” 

“I’m not sure if I —”

“Oh, Loo-Kee. Kind Loo-Kee. Madame Razz is old, but she is not a fool. You don’t have to protect me any longer. I know what happens next.” 

Loo-Kee doesn’t answer. It is strange to see their face so serious, against the blue coiffed curls and rainbow outfit. But just like Madame Razz, this is only one facet of something far grander. 

They reach out a hand. And then suddenly, only the Twiggets remain in the cottage. 

—

The secret of Loo-Kee is this: they do not actually go anywhere, or any when. They are already there. They always have been. A fact of the universe as constant — such as that may be — as time itself. 

The place where She-Ra confronts Horde Prime may not be a place they exist, but it is a place they can see. They can reach down and pluck Madame Razz from one quantum spot and place her down in another. And they can watch, and hope, knowing what is and will be but not how their friend will experience it. 

A mind that is to our minds as ours are to those of the beasts we cherish. 

Razz falls through existence. In this dream space, the ends of the circle meet and are one again. And then she is standing on solid ground, a cliff overlooking the wild fields of Etheria. 

And Adora is with her. 

And she is She-Ra again. 

She has the words at last. Things have been so confusing for so long. But all she really needed was some time to think. 

“I’m going to save Etheria, no matter what it takes,” Adora declares. Her eyes are set. “Your sacrifice won’t be in vain. I promise.”

“But at what cost?” asks She-Ra. Mara. Razz. And she finally says what she has always been trying to:

“You’re worth more than what you can give to other people. You deserve love too.” 

And then the monster is there, and they are parted once again. The waves of time and space send her spinning. But she can ride them now as well as any witch on her broom, and her eyes are clear. She has one more stop to make before all of this is over. 

—

Who is Horde Prime, eternal enemy of the First Ones? Where did he come from? Not even Mara knows, but she was there, battling his armies as She-Ra, one inexhaustible power against another. There can be no winners in a conflict like that. The war itself is the enemy. No true hero could call themselves a Master of the Universe, when all the universe wished for itself was to live in peace. 

And this is the secret that finally ends the war. That triggers the failsafe. That brings back the magic. 

Love is the most powerful force in the universe, and nothing can stand against it. 

As the magic returns, Razz-Mara-She-Ra can feel it; can open their eyes and see everything everywhere. 

Horde Prime, who still does not realize how small he is compared to all of this, is crying out. And She-Ra rebukes him: “No. it’s time for you to go.” 

As Horde Prime’s existence is erased by the light, the woman who has been through all of it reaches out one last time. Mara. Madame Razz. The soul of Etheria itself. 

I know your face, the dying ghost of Horde Prime seems to beg, though words are long past its capabilities. Why do I know your face? 

And she answers honestly: “I can’t remember.” 

—

The magic returns. The universe is restored. Love wins in the end.

And Madame Razz goes on, because time always does. She sweeps and hums and thinks about everything, and how it always changes. She smiles. 

“Ah. You’d be proud, Mara dearie.” 

[pc-specs]

it's been a minute since i've posted anything adventure forward related it seems. have a sammy (ss1) and maynot

these designs are for an adventure forward au of mine that has an absurd amount of meticulous lore! it's a project i've had on the backburner for a little over a year now so i figured it's about time i start sharing it with the world. i'll be tagging anything i make for it as #adventure forward overwrite, since that's the name of the au and stuff.

you'll probably be seeing these two pop up a lot considering i have uh... *checks notes* about 12 more of these designs left to make. very cool.

[campbenji]

based on swrve's video, if the jwct s1 novelization is coming out July 2nd 2024, that should mean the show would be premiering the month prior, meaning June 2024. i do want to mention that although ppl have previously used the novelizations to guess release dates, this is an entirely new show and nothing is confirmed, so the rest of this post is merely speculation.

if we guide ourselves on the release dates of the jwcc seasons, almost all of them were released on the second to last week of the month, the only exception being season 4, which due to the second to last Friday of the year being Christmas's Eve, could not follow this rule. the first four seasons released on a Friday, with season 5 releasing on Thursday. so, if we assume jwct will follow similar rules to jwcc in terms of release, we could be expecting season 1 to come out the second to last Friday of June: June 21st 2024.

now *drops the researcher tone* June 21st 2024. that's half a year away. just half a year. can you hear my screaming

[gh-0-stcup]

It's tough being in the ASOIAF fandom while hating both Jonsa and Jonerys.

[aeolianblues]

Message to swifties: please for the love of god learn what the word feminism actually means

unbelievable: these kids are still trying to ‘cancel’… Dave Grohl (??) for not liking Taylor Swift’s music?? Girl she doesn’t need his approval? What the fuck is ‘unfeministic’ about having music preference?? This is a rock musician for crying out loud. You’re angry he isn’t lying about liking radio pop??

Can you focus on actual cases of gender inequality rather than crying about a billionaire musician? She’ll be fine. Can you go to your local club and support an independent female musician? No, I bet your sorry asses you can’t.

You can’t even stand to see other ultimately successful female pop stars who aren’t your goddess thriving. If your idea of feminism is ‘everyone worships my one lady and anyone who doesn’t is committing heresy un-feminism’ then my friends you are not feminists, you have reinvented religion. Go listen to Allie X and come back when you’ve had exposure to more women in music.

[creatorofstarrealm]

Think about it for a minute.

[spinji]

Recent chapters have been hinting at Deku becoming quirkless again so here's my thoughts on quirkless pro Deku.

Gearshift Blaster: Uses high spinning plates to launch any small object loaded into the chamber. Additionally has a "knockback mode", firing condensed bursts of air when the chamber is empty which allows for both quick evasion and use of Midoriya’s air force technique.

Fa Jin Gauntlets: High impact gauntlets focused on bracing the impact of punches and designed to minimize force distribution on opponents for stronger attacks.

Danger Sense Visor: Receives surrounding information from sensors sewn into Midoriya’s costume and local satlite data in an unintrusive heads up display to detect incoming attacks.

Blackwhip Grapple Wires: Three wires tightly compacted into a wrist holder that can be fired individually or all at once. The spiked tips allow for attaching to buildings and trees and the flexible wires are an effective capture tool.

Smokescreen Bombs: Compact and reusable bombs fill with a thick but harmless gas and attached to clips on Midoriya’s belt. The area of effect can be increased by quickly pressing the activation button multiple times before it bursts.

Float Hover Shoes: An improved design of Hatsume's hover shoes to increase maneuverability and compactness. The soles are heavily fortified with cleats, both to protect the equipment and allow for Midoriya’s shoot style meathod of combat.

Other notes:

-The designers were adament Izuku couldn't keep the torn scrap that was the remains of Gran Torino's cape, so he changed to a new one in its memory. He still keeps the old one at home.

-He's replaced his belt pouches with covert zipped pockets on his thighs

-His bangs keep getting stuck like that and he's not sure how

[kitkatt0430]

Two good ol'boys behind the wheel Chasin' down bad guys in Lucille

Anyway, my theory is that Eliot's fleet of food trucks in the sequel series are all secretly Lucilles - both Eliot and Hardison have dubbed them as such, but have not admitted it to anyone. Including each other.

[bunneechan]

haven't really gotten to see the leaks for chapter 270 but everyone seems to hype up Gojo's return

i mean, if Yuta is alive and well, it doesn't seem farfetched to believe Gojo is too.

to me, it was never really about how or when he would come back but more on if he wants to.

i always see comments about how Gojo was just a weapon for Jujutsu Society and how miserable he must have felt being on top of the hierarchy with no one else to share the experience.

he saved the day not because he wanted to but because he was simply capable of doing so. that he did those things because it was expected of him.

so when he's finally experienced a fight on par to his full strength, he enjoyed it because for once he actually gets to go crazy. and when all is said and done, we see him reunite with his friends.

so maybe Gojo could have returned any moment but maybe he didn't want to. maybe any attempts to revive him he simply rejected. because why would he go back when he's finally with Geto again? the version of Geto before their fallout. before everything started to get distorted.

Gojo found a place he wants to be at and it's filled with his departed friends whom he missed so dearly. why would he ever go back?