#and expect me not to have wikipedia open at all times
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one of my favourite details in malevolent is in part 17 when they're trying to kill the monester in the pit and arthur just straight up invents the molotov cocktail. to be fair, i couldn't find a super precise date of when it was created, and considering how simple of a weapon it is i doubt arthur would be the first person to get the idea, but most sources say that at the very least the name molotov cocktail was coined by finns in 1939 - which would be why arthur does not refer to it by neither that name nor any other
#you can not write a piece of historical fiction#and expect me not to have wikipedia open at all times#i also love stuff set in different countries where i can casually follow along a character's journey through google earth#but yeah it stuck out to me as odd that arthur did not simply call it a molotov cocktail#so that's what set me off#once again the idea is probably far older - it's not exactly complicated - but the name is from finland ca. 1939#malevolent#malevolent 17
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Diomedes
Ok so this wikipedia article was a LOT more elaborate than I expected, I just spend over two hours going through it and making notes Nobody asked for it but here are my notes on Diomedes, theyre not consistent, i changed style and detail a few times, but alas here we go:
Diomedes:
strong defender of justice, deserves better
lost a lot of people
warrior very young
athenas favorite warrior
his fathers glory (and shame)
breast plate from haephestus
shield from his father blessed by athena
fathers sword
spear
boars, lion
most expiereneced warrior of achaeans
doesnt like achilles
brought 80 ships
Sthenelus, chariot driver, best friend, epigoni
youngest of the kings
(post homeric: offered immortality, divinified)
helped Odysseus kill Agemenons daughter
helped Odysseus kill Palamedes (bitch deserved)
brave, NOT haunted by hubris
wounds both ares and aphrodite (same day) and attacts apollo, but withdrew in time
granted divine sight to see immortals (on that day)
grew up way too soon
big battle when 14
more level headed than Ody (can take an insult)
doesnt hesitate to call out bs
“let him go or stay, the gods will make sure that he will fight” (hc: he tried, very humbled by the gods)
athena joined his fight once, driving his chariot and guiding his spear
“friends” with glaucus (trojan) (“i wont fight more immortals” “bro, our grandparents were bros”, “ok give me your gold armour, ill give you my bronze one”)
saves Nestor (ody runs away when he asks for help :(
wants to kill hector so he doesnt get taunted (Nestor says no, Zeus says no 3x /+1 lighting) he eventually turns back and gets taunted, he kills another guy
he attacks the trojans at night and wins, after hector boasted, in the end diomedes is the one worshipped as immortal
agamnenon wants to leave, Dio says hes a bad leader (yes), and that he’ll stay to fight the city that is doomed to fall, even with zeus fighting for the trojans, nestor says he has no better idea, proposed to appeall to achilles with gifts (ody and agamenon agree), they fail, Dio tells them “told you so” (but it doesnt matter anyway, theyll win)
he sleeps outside his tent in armour (they wake him n others at night for council about spies, Dio volunteers, he gets to pick a second, he goes for Ody, ody didnt rly want to go, Dio choose him anyway despite deserting him)
Dio and ody face the spy of the trojans Dolon, (hiding between corpses) he almost runs away but Athena “is fighting to be known” doesnt want someone else to strike first, so she makes Diomedes throw the spear and orders him to stop, Dolon tells them good gossip, including white horses, Dio kills him
they do some more bs, like killing people in their sleep (dio) and stealing horses (ody) dio considers unaliving more until athena suggests he may stop so other gods dont get jealous
both kings are good at being stealthy AND open combat
Rhesus horses are badass (first sign for the fall of troy), Dio gets them (bedding gift?), people without the horses and king leave W for the achaeans
Lord of War Cry
dio throws a spear at hector, apollos helmet saves him, but he mingles with the crowd, first time that Dio speaks back and calls him a dog (even the best men loose their temper at times)
Paris shoots his foot, (fucking moron blasts about it, Dio gives him a verbal lashing) he withdraws under cover of Odysseus, ody gets an ouchy
agamennon wants to flee (again), Dio tells them they should just let themselves get wounded again
Dio wins all funeral games of patroclus (though wounded) – Athena makes sure of it – draws first blood in the fight with Ajax, they stop him worried he’d kill him
Athena appears to him undiguised, Athenas favorite
kills some amazons, Achilles kills his cousin (who was a bitch), dio mourns him though and wants to have achilles punished
Dio and Ody bring Achilles son to Troy after Achilles death (bc they could not win the war without him there)
Ody and Dio sent to negoiate for peace after Paris’ death (by poised bow that the two of them stole?)
dio and ody gotta steal a statue of athena, ody disguises himself as beggar at night, dio follows later and brings the statue out
Ody tries to stab him in the back?? (to get the glory himself???) Dio catches it and ties him, and shoves him infront of himself, but refrains from punishing him because they need him (“for the greater good”)
dio is one of the warriors inside the trojan horse
dio leaves immediatly after the fall of troy (after the achaeans angered athena through the rape of cassandra by ajax the lesser) and arrives home safely (favored by the gods) Post Trojan war possibilities:
when he gets there his wife has commited adultery and keeps him out of town (palamedes brother having told he brought a different woman) aphrodite being pissed about the scratch helps her get many lovers, he has to leave again
gets kidnapped by some guy to get sacrificied to ares, gets saved by a girl
comes to the court of some other king who offers him his daughter as wife and lands, if he fights for them, so he does, and has two sons with her
he refuses to fight more trojans later on, he just wants to live in peace
birds haunt him and his men (his men cried so much over his death they got turned into birds)
#diomedes#greek mythology#the iliad#tagamemnon#the epigoni#this are notes as reference for fanfics#i feel like i should use more tags idk which anyway#epic the musical#diomedes will lead the charge#of course he will#listening to caspers fox first part of “hymn of diomedes” while typing this up#eheheh#...anyway#odydio#guys idk if i can make such a close reading of Odysseus#my knowledge i have so far has to be the enough for now
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My Sweet Girl (Matthew Tkachuk Imagine)
This is by far-- I repeat, by far-- the longest reader insert I've ever written. It's my submission for @wyattjohnston 's Winter Fic Exchange, a gift for @matthewtkachuk ! Excellent URL, by the way.
The creative process here went as follows: Shelbs shows me her On Repeat Spotify playlist -> I see The Band Camino on it and remember that I love that band -> I listen to nothing but them for two weeks -> I hear the song Know It All and am struck with inspiration -> I write this and inflict it on everyone else.
I jumped around a bit while writing, so please let me know if there's anything I screwed up! This is also the type of fic that has had 20+ tabs of Wikipedia pages, ESPN articles, and stats pages open on my computer for two months, but there was still information I couldn't find, so please be gentle with any inconsistencies.
Anyway, I truly hope that you enjoy this one! I apologize for being a day late posting, my job sucks.
Rating: M
Pairing: Matthew Tkachuk/fem!Reader
Words: 26, 028
Warnings: a lot of angst
Contains: best friend's brother, friends to ??? to strangers to lovers, situationship, idiots in love, everyone knows but them, Matthew being kind of a dick, guest appearances by the Weinberg-Hughes family and Jane Gaudreau
Summary: As Brady's best friend, it was your duty to love and support him. You're pretty sure falling in love with his brother does not count as "support", but here you are.
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You weren’t expecting this to be as hard as it is.
Luckily, you’d been given a little warning beforehand, but apparently a week wasn’t enough to prepare yourself. Was it kind of fucked up that the news had to come from Brady, because Matthew hadn’t bothered to tell you himself? Yeah, kind of. Sure, Brady and you have been best friends for years, but it’s not like you’re not close with Matthew, too.
You hadn’t realized what was going on at first, convincing yourself not to be upset when Matthew’s texts slowed and his calls stopped outright. It had been the beginning of the playoffs, you reasoned, of course he was going to be too busy to talk to you as much. Despite the fact that communication between the two of you had never waned because of the season before. It was his first year on a new team, you’d told yourself, a team with a great shot at the Cup, at that. You could deal with missing him a little more than usual if that’s what he needed.
When you’d called him to congratulate him on passing the first round, he’d thanked you and wrapped the call up as quickly as he could. Seeing the 3:24:41 call duration on your phone afterward had felt wrong. It was one of the shortest calls the two of you had ever had.
You’d brushed it off, chalked it up to him being tired or busy. Then they’d won the second round, and the process repeated itself. A quick phone call, a few scant minutes. It had sounded like other people were there that time, so you’d convinced yourself that he would call you back when he was alone. He never did.
You got to watch Game 4 of the third series, got to watch them sweep Carolina to win the Eastern Conference. Your friend Terri had laughed and clapped as you cheered, jumping up and down like a child. She was a Carolina fan herself, but was good enough of a loser to hug and congratulate you despite it. She’d offered to leave so that you could talk to Matthew, but you’d waved it off. You knew he’d be celebrating with the boys that night, so there was no real reason to try calling. You’d shot him a congratulations text and spent the night smiling so much your cheeks hurt.
When you’d tried to call Matthew the next day, his voice had been hushed when he answered. You’d given him your congratulations, bubbling over about how well they’d played. It’s not the first time you’d had a phone call exactly like that, him letting you gush about his team’s play and basking in the attention. This time, he interrupted you before you even got a chance to really get going. His voice was still quiet, almost a whisper as he said he had to go. The wind was immediately taken out of your sails and you’d barely had time to say goodbye before he hung up.
At that point, you’d given up convincing yourself that everything was okay. Something was very clearly wrong, and you’d spent the next nine days trying to figure out what it was. You’d reached out to Brady, and he’d told you that he hadn’t noticed anything weird from Matthew at all. Knowing that, you’d tried to downplay what was going on between the two of you, lest Brady go bother Matthew about it. You don’t do well with embarrassment, so you’d preferred that whatever was going on stayed away from any third parties.
The finals started, ending rather anticlimactically ten days later in a 4-1 loss for the Panthers. Knowing Matthew, he was going to go straight back to his hotel room and beat himself up. For the last three, almost four, years, you’d called Matthew after every big win or loss, and this was his biggest loss to date. Yet your finger hesitated at his contact name, hovered over the picture of him with bedhead and a lazy smile. With how things had been going, you knew he probably wouldn’t want to talk to you, even if you hadn’t figured out why yet. But part of you hoped that he would, that everything to that point had been stress, and there, at his lowest, he would talk to you again, and everything would go back to normal.
That, of course, is not what happened.
He hadn’t answered at all. And when you’d tried a second time an hour later, it rang once before going to voicemail. That meant that he’d declined your call, but you didn’t know what that meant.
Two more days passed without you hearing anything from him, so you’d called Brady. All of this had been concerning, but that had been too much. Miraculously, you’d managed to stay calm when you spoke with Brady, sounding impressively level-headed when you relayed what happened and asked him if he’d heard from Matthew. Brady had seemed shocked at the situation, immediately calling Matthew after he’d hung up with you.
Thirty minutes later, when you’d received a text from Brady, your heart had sunk to the pit of your stomach, and it’s stayed there ever since.
Because what the text had informed you of is that Matthew hadn’t lost or broken his phone, hadn’t been sick or depressed or, god, lost in the fucking desert or some shit. It told you that he’d been with his girlfriend, and hadn’t wanted her to see him call or text another girl. Because, apparently, Matthew has a girlfriend now. And just hadn’t deigned to tell you.
When Brady had told you that she would be spending the offseason in St. Louis with Matthew, you’d tried to hide your shock. You’d cleared your throat and told Brady how great that was, even as you wanted to throw up. They’d gotten into town a few days ago, and you’d done your best to keep your distance. But Brady asked you to come to dinner at his parents’ house tonight, citing the limited time you have to see him before he goes back to Ottawa, and you couldn’t refuse.
So now here you are, curled up in a chair in the Tkachuks’ den, across from said girlfriend. Her name is Tessa, she’s 26, and she does remote work for a marketing firm. That explains how she’s able to pick up and go to St. Louis for three months, at least. She’s already recounted the story of how they’d met, a romcom story of spilling his drink on her dress at a party and getting to know each other from there. She talks about the instant connection, the way they clicked so quickly that she knew they were meant for each other. That part of the story was when you’d excused yourself to get a glass of water, just so you could stick your head in the fridge and take a few deep breaths.
Matthew and Tessa are on one of the couches, the older, comfier one. Matthew is propped up against one of the armrests, Tessa curled into his side, his arm around her shoulders. You’ve spent the night pretending not to notice the way Matthew keeps glancing at you.
Brady and Emma are posted up on the other couch, one on either side, Emma’s feet in Brady’s lap as she lounges. Emma is great, and does a great job at keeping the conversation going, despite how little you and the boys are participating. Tessa either doesn’t notice your silence or doesn’t mind, chatting happily about some film she and Emma have both recently seen. You’re pretending not to notice the looks Brady’s giving you, either.
You should really be trying harder. You know Brady wasn’t expecting you to curl up under a blanket and mope when he invited you, and he really is right about time being limited. You should be engaging, enjoying the time you get with the boys while you have it. You would, if you could open your mouth without feeling like you’re going to scream.
Eventually, Chantal calls you all to dinner. It’s easier once you’re all gathered around the table, somehow, and you’re able to talk a little. Chantal has always put you at ease, has always made you feel like just another of her children. If you had it your way, Taryn would be here too. She has a way of lovingly bullying you that always makes you feel better. Unfortunately, she’s visiting some college friends out of state. But you’re doing okay, you think, at acting normal.
Then you lock eyes with Keith, and any sense of ease you’ve gained flies out the window. You wouldn’t be inclined to say that Keith is the most observant person in the world, so the way he’s looking at you– like he knows something is very, very wrong– makes it clear that you’re doing an absolutely dogshit job at hiding your feelings. You look away from him quickly, swallowing hard and forcing yourself to talk even more.
Maybe if you can just act normal, if you can push down the emotions and act like everything is okay, it will be. There’s nothing else you can really do about the situation anyway. Matthew has made it clear that he’s not interested in talking about it, so you’ll have to suck it up and deal with it on your own.
Dinner goes by a little quicker once you’re actually actively involved in the conversation. Typically, you help Chantal with the dishes after meals, but when you reach for the sponge at the sink, she shoos you away. She sends the girls back to the den, insisting that it’s the boys’ turn to help.
You curl back up in your chair, mind wandering as you operate on autopilot. You’re saying things, contributing to the conversation with Emma and Tessa, but you have no idea what you’re actually saying. Mercifully, they either don’t notice or don’t care.
This entire situation is fucked. What’s really getting to you, though, is how you’d been introduced. You’d walked in, giving out hugs to everyone except Matthew and Tessa. She’d approached you, shaking your hand enthusiastically.
“Matthew said you’re Brady’s best friend, right?” she’d asked. It was simple, innocuous, and true. Brady and you have been best friends for years, and that would be an adequate title in any other scenario. But it felt like a punch to the gut, knowing that after everything, Matthew had told her that you were just his little brother’s best friend. You’d glanced at him as she said it, and the intentionally cool, unaffected expression Matthew had in place still couldn’t hide the guilt in his eyes.
In that moment, you knew that he hadn’t told her anything about you, about whatever the two of you have been to each other for the past few years, and that he never intends to. There was a second where he’d made a decision, a second that you weren’t present for, that had cut off everything you’ve been to him and relegated you back to Brady’s Best Friend.
You want to pull Tessa aside, spill out everything. You want her to know that you’re Matthew’s friend too, that you’ve been more than that. More than that, you want Matthew to do it. You want him to tell her, to acknowledge whatever the hell you’ve been doing for all this time. You want him to admit that you’re something, anything to him.
Instead, you keep it all to yourself. The knowledge of everything between you and Matthew will live and die where it is now, in the minds of the two of you, and nowhere else.
June, 2018
You’re wiping down the counters when the man enters. You force a bright smile at him, still annoyed from the previous customer but doing your best not to show it. He returns the smile, approaching the register. You move to settle across from him, greeting him politely. The shop has a lot of regulars, but you don’t recognize this guy.
“I’ll be honest,” he says, giving a single nervous laugh, “I’m not really a coffee guy. Do you have any recommendations?” It’s not an uncommon question, and there aren’t any other customers right now, so you don’t mind.
“Do you like the taste of coffee?” you ask. He shakes his head. That eliminates about half of the menu, so it’s progress.
“How much caffeine are you going for?” you ask next.
“As much as possible,” he replies. The dark circles under his eyes could have hinted you to that conclusion. He has a laptop and notebook in one hand, down by his side. It’s normal for people to bring work along with them, and he’s definitely young, so you guess it’s probably school work.
“You could always do a triple shot latte with a flavor,” you suggest, your own go-to drink, “The caramel is the strongest. I can put in an extra pump if you want.” Technically, you should charge extra for that, but the kid looks kind of pathetic, and you feel bad. He can have a pity pump this once.
“That sounds good,” he agrees. You do the math in your head and punch in the price manually on the vintage register. The whole cafe is supposed to have a vintage vibe, a real hipster magnet. Math was always your weakest subject, but having to calculate totals in your head has made you a lot better with it.
Once he pays on the very not-vintage card reader, you direct him to the far side of the bar. You start on his drink, pulling shots with practiced ease. You’ve been working here since high school, so you’ve gotten pretty good at making coffee. He doesn’t try to talk to you while you work, which is nice. There’s something oddly calming about his presence, though, and it’s helping your annoyance fade.
You hand off his drink, and he retreats to a booth in the back corner after thanking you. You go back to wiping things down, bobbing your head along with the music playing quietly over the speakers. It’s later in the evening, so you only get a few customers over the next hour. It’s one thing you like about working the night shift. Not many customers, and most of the people getting coffee around this time are tired enough to not give you much trouble, and are usually extremely grateful for the caffeine.
It’s quiet for long enough that you pull your stool up to the counter, pulling your textbook and notes out from under the counter. You start working on the homework for your summer semester, singing quietly to yourself as you read.
“You have a nice voice,” the guy from earlier says, suddenly standing in front of you. You jump, hand flying to your chest as if you’re a damsel in a period piece. You’d forgotten he was here.
“Thank you,” you say, once the surprise fades. You laugh a little, shaking your head. He laughs too, apologizing for startling you.
“Could I have another?” he asks, holding up his now-empty cup.
“Of course,” you reply, “Same cup okay?” You do your best to be environmentally friendly, so you don’t want to use another cup if you don’t have to. He says that’s okay, so you take the cup and start pulling another shot.
“Y/N,” he says absently as he leans on the counter, “That’s a pretty name.” You thank him again, dumping the first shot into the cup. It’s odd, because people are usually flirting when they say something like that, but his tone isn’t suggestive at all.
“What’s your name?” you ask, feeling like you should say something. You start pulling the second shot.
“Brady,” he says, extending a hand toward you. You look between his hand and your own, feeling rude but needing both hands to pull the shot.
“Oh, um,” you stutter, “Sorry, I’m–” He seems to realize what’s going on and retracts his hand, using it to rub at the base of his skull.
“My bad,” he says, shaking his head at himself, “I’m tired, sorry.” You smile at him, much more genuine than the first time.
“What’s got you so tired anyway, Brady?” you ask, dumping the second shot and starting on the third. His face twists at what you’d thought was an innocuous question. He’s clearly debating something in his head, so you stay silent.
“I’ve got something big coming up in a couple weeks,” he explains, tapping his fingers against the counter, “I’m just trying to be prepared.” You nod, not minding how vague he’s being. You don’t actually need to know every detail of a random customer’s life. There’s a moment of quiet as you dump in the third shot and pour some milk into a metal container.
“And I might be a little nervous,” he says, looking at his hands instead of you. You smile again, beginning to steam the milk.
“Just a little,” you repeat, slightly teasing in a way you usually aren’t with customers.
“Yeah,” he chuckles, looking up at you, “Just a little.” You smile at each other for a second, both knowing he’s seriously downplaying his feelings. You wonder what it is that has him so anxious, sure that it must be something serious. He doesn’t seem to be the neurotic type.
“What are you working on?” he asks as you pour the milk, gesturing toward your books spread out next to the register. You shrug.
“Organic chemistry,” you reply, pumping in the flavoring, “The worst class ever.” He cringes at the mention of it, which you feel in your bones.
“I’ve heard it’s awful,” he says.
“It is,” you confirm. You snap the lid back onto the cup, sliding it over the counter to him. He cradles it between his hands, but doesn’t move to leave. He’s looking up at you from where he’s hunched over, and you can’t help but stare back.
“Do you want to come sit with me?” he asks, “We could be miserable together.” The smile that overtakes your face mirrors itself on his own.
August, 2018
When Brady walks in, right at his usual time, you give him a smile and lean over the counter to hug him. You’ve become fast friends, sitting together a few nights a week, probably talking more than studying. His Big Thing is long past, and he still hasn’t told you what it was, but you don’t really mind. You get to know about his family and his girlfriend and his upcoming move to Ottawa, of all places, but you don’t need to know everything if he doesn’t want to share.
You make two of the usual latte, one for each of you. You grab your books from the shelf, meeting him at the corner booth. You get through some small talk as you both set up, going back and forth with an ease that you were surprised to find has been there since the beginning.
“Matthew’s going to come hang out tonight,” he says as he logs into his computer. He’s spoken about his brother before, so you’re somewhat intrigued.
“Any particular reason?” you ask. To your knowledge, Matthew has never been to the shop, so you’re not sure if something special is going on to spur him into coming.
“He thinks it sounds cool,” Brady shrugs, flipping his notebook open. Maybe you’d know what he’s always working on if you could read his tiny chicken scratch. As it is, you don’t mind letting him have his secrets.
You get four pages into your chapter before another customer enters, laying your pen in the divot between the pages while you go make them their drink. Luckily, they don’t stick around. It’s not awful when other people are around, but you always feel like someone is going to complain about you sitting in the dining room and studying while you should be working. But if there’s no work to be done, you don’t think there’s anything wrong with it. Unfortunately, not everyone agrees. So you prefer if it’s just you and Brady.
Another four pages drag by, reading interspersed with breaks to talk. Honestly, the breaks are also a way to keep yourself sane as you read unnecessarily complicated science.
When the next customer enters, you spring up from your chair, shooting them a smile as you make your way behind the counter. You give your standard greeting, asking what you can get them.
“What do you recommend?” the man asks. You were kind of hoping he’d have something in mind so that this interaction could go quickly, because he may be the most beautiful man you’ve ever seen and it’s making you flustered.
“Do you like the taste of coffee?” you ask. He nods, looking you up and down with a critical eye. It feels personal, feels like he’s searching for something, and you’re not sure if you like it.
“How much caffeine are you looking for?” you ask next. You do your best to maintain eye contact, ignoring the way you have to look up to do so.
“How much you got?” he asks in return. The crooked smile he gives you makes your stomach flip. You grasp for a drink to suggest, all knowledge having fled your mind in order to focus on the curl of his hair over his forehead, the glint of his bright eyes.
“A Lazy Eye would probably be the most,” you say, clearing your throat, “But if you don’t want to have a heart attack, you could do a regular Red Eye.” He tilts his head, smile turning smug, as if he’s noticed your distraction. Something about it snaps you out of your daze, slightly indignant. You’ve seen plenty of hot guys in your day, and you’re not about to look like a fool in front of him just because he’s pretty.
“Red Eye, Black Eye, Dripped Eye, Lazy Eye,” you list off with as much confidence as you can muster, “Each with one more shot than the last. Pick your poison.” Your attitude change only makes him smile wider. Your hand is poised over the buttons of the register, ready to ring up whatever he decides.
“Let’s go with a Black Eye,” he says, bearing a surprisingly sharp canine, “I’ve had a few of those in my time.” That doesn’t surprise you, with his smug face and oozing self-confidence. Something about it feels so disingenuous that it makes your teeth itch. It’s clearly an act, but you can’t exactly call him on it.
You give him his total, he pays, you get to work. You empty the last dregs of coffee in the pot into the sink and set the machine to brew a new batch. No matter how annoying a customer seems, you’re not about to serve them shitty coffee.
“Y/N,” he says, leaning on the counter, “That’s a pretty name.” It’s exactly what Brady had said when you’d met him, which makes you eye the man a little suspiciously. Whereas Brady had clearly not been flirting when he’d said it, this man’s tone is ambiguous enough that you’re not entirely sure what his intentions are.
“Thank you,” you say, dumping the first shot of espresso into the cup. Normally, you would ask for his name in return, but you’re not sure if you want to encourage him talking to you.
“How long have you worked here?” he asks anyway.
“Almost three years,” you reply. You’re not sure you want to tell him anything about your life, but you’re trying to be polite.
“Experienced,” he says, smiling like he’s a lion closing in on its prey, “I like that.” It’s cheesy and kind of sleazy, and you can’t help but scoff in disbelief. He’s watching you like a hawk, studying your reactions to everything he says and does. You dump the second shot, wishing the coffee would brew faster so this interaction could be over.
“I don’t think I want to know what else you like,” you say, crossing your arms over your chest. You used to get embarrassed and rattled by customers making comments like this, but at some point something had changed inside you. Now you just get annoyed, no matter how hot the person may be.
“Feisty,” he says, smile changing slightly in a way you can’t parse, “I like that too.” You roll your eyes, making a quiet noise of disgust. It’s not great for business to react to customers this way, but you can’t help it.
“I like it when men are silent,” you reply, able to feel how withering your gaze is. His expression changes yet again, smile getting smaller but more genuine, scrunching the bottom of his eyes up a little. That feels more natural to you, looks more right on his face. Something about the new softness in his eyes soothes something inside of you.
The coffee machine beeps to signal that it’s ready, and you waste no time in grabbing the pot and filling the cup. You hand it off to him, giving your biggest, most obviously fake smile.
“Have a fantastic night,” you say, immediately rounding the counter and heading back to the booth. When you settle back into your seat, Brady is smiling at you like you’ve told the funniest joke in the world.
“What?” you ask, picking up your pen. Brady’s eyes flick up above your head, slightly to the left, staying there, prompting you to turn around. The man is standing behind you, small smile still in place.
“Brady’s told me so much about you,” he says, and it dawns on you, “Nice to meet you, Y/N. I’m Matthew.” Your jaw falls open and you turn back to Brady, kicking him in the shin under the table. He yelps; Matthew laughs.
“You’re both the worst,” you spit, trying to hold onto your irritation and failing. You laugh alongside the brothers, begrudgingly amused by the ridiculousness of the situation.
“Sorry about that back there,” Matthew apologizes, seemingly genuine, “I couldn’t help myself.” You shake your head at him as he bullies Brady further into the booth so he can sit. Brady shoves him back, but moves his things over anyway.
“It’s okay,” you say, pointing at him, “But if you ever pull that shit again, I’m banning you from the shop.” That startles a laugh out of him.
“I didn’t know you had the power to do that,” he replies, using his crossed arms to lean on the table.
“I do now,” you say, tilting your chin up, “Gonna put a picture up of you with a big X on it and everything.” You stare at each other for a second, and he breaks first, ducking his head as he laughs.
“Fair enough,” he concedes, looking up at you through his lashes. Your heart skips a beat, but you do your best to seem unaffected. This is your friend’s brother, for Christ’s sake. You can’t be all aflutter over him. You’re not sure you have a choice in the matter.
June, 2023
You might actually kill your coworker one day. He’s such a smug rat bastard, and every meeting including both of you makes you think you’re going to grind your teeth into dust. It’s just lucky that the job is remote, so you don’t have to be around him physically. Probably best for both your sanity and his safety.
“I mean, at least you were right in the end?” Terri says, sounding uncertain through your headphones. You’re sauteeing some onions and peppers, moving them around more than you should be just for something to do with your hands.
“Yeah, I guess,” you sigh, “I just don’t understand why he wants to make me look bad.” Ian– the coworker– seems to always have some kind of comment on your work, some type of criticism. Constructive criticism is part of the game, but his is never constructive. It doesn’t help that you’re the only two in the graphics department, so he’s always there when you present work. And really, being the only two should mean that you work together and support each other, honestly.
“Because he’s an insecure man-child,” Terri replies easily. You shake your head down at the vegetables, startling as the oven timer goes off. You jab at the button to turn it off, opening the door to remove the chicken.
“I think I’ve had enough of insecure man-children,” you grumble. You cut open one of the chicken breasts with more force than is strictly necessary, grateful that it seems to be done.
“You finally wanna talk about that?” Terri asks, and honestly? No, you don’t. Ideally, you’ll never talk about it, just push it down into the darkest recesses of your mind and bury it there. Unfortunately, you possess some level of emotional maturity, which means you know that you have to talk about it eventually.
It’s hard, because despite Brady being your best friend, you can’t exactly talk to him about this. If he knew any part of what’s been going on, he’d probably go physically fight Matthew on your behalf. Part of you thinks that might actually make you feel a little better. But he’d also probably be mad that you’ve had a not-thing with his brother, and that would make you feel worse.
“She seems like a nice woman,” you say, trying to keep your tone neutral. Terri sighs, and you take your plate of food to the living room to eat.
“She’s not the problem, here,” she says. She’s right, and you know it. You really don’t have anything against Tessa, and obviously you can’t blame her for any of this. Clearly, she had no idea about your not-thing with Matthew, and genuinely fell for him. There’s no point in being mad at her.
“Yeah, well,” you push some food around your plate, “He’s a fuckface and she can have him.” The mention of Matthew has ruined your appetite, the meal now looking completely unappealing. You push the plate to the other side of the coffee table with a huff. You’ll try eating again later, you tell yourself, knowing that you haven’t been eating nearly enough lately. You can’t help it, your inner turmoil chasing away your hunger most of the time.
“He is a fuckface,” Terri agrees, adding, “But don’t pretend you don’t still want him.” Ugh. Friends are the worst, actually, and you should just become a hermit in a cave somewhere. There’s no point even trying to deny the claim, both of you knowing that she’s right.
“I’m not allowed to want him anymore,” you say, voice coming out weaker than you want to admit, “I never should have let myself want him in the first place.” In the beginning, despite being attracted to Matthew, it was easy to maintain distance. He was in Calgary most of the year, and reminding yourself that he was your new friend’s brother actually worked as a deterrent back then.
You can’t pinpoint exactly when you started letting yourself get caught up, but you’d ended up completely entangled with him. Now he’s put that distance back between you, ripping away the strings you’d been tied up in, leaving you with all these empty spaces where he used to be. And it’s making you hate yourself, knowing that if you’d just kept things cordial, restricted your attention and connection to Brady like you should have, you wouldn’t be feeling any of this right now.
“You can’t help who you love,” Terri says, so gently that it only hurts more. You’re not fragile, okay? You don’t need the softness, the careful handling. You’re not fragile. You’re not.
“I gotta go eat,” you say, not wanting to lie, but needing a way out of the conversation, “Bye, Ter.” She says your name, but you just repeat the goodbye. She sighs, says goodbye, and you hang up. What you should do is eat something and go to sleep. Instead, you eye the easel in the corner of the living room. You sigh, heaving yourself up off of the couch to go grab a glass of water to rinse your brushes with.
April, 2019
It’s probably going to become your new favorite day of the year: the day Brady comes home from Ottawa. His plane had landed yesterday, and his parents had even brought you to the airport with them to pick him up. As quickly as you’d bonded last summer, you’d only gotten closer through the season. It feels like you can talk to each other about anything, like you were meant to meet, like he’s the platonic version of a soulmate. You had patiently waited your turn to hug him after his parents, squeezing him as tightly as you could manage. He’d only squeezed back harder.
With their seasons ending right around the same time this year, Matthew had landed the same night. Knowing they’d have to go back to the airport, the Tkachuks had decided to just spend the day out instead of going home. They’d invited you to come with them, an invitation you’d eagerly accepted. They’re quickly starting to feel like family to you, and you love spending time with them. For the first time in your life, it feels like you fit somewhere.
Unfortunately, you hadn’t been able to come along to pick up Matthew. You’d had to work last night, so the Tkachuks had dropped you off at home to get changed and get going. You’d still gotten to spend most of the day with them, which would have to be enough.
You’re going over to their place today, and you decided to bake and bring along cookies. All of their local family and friends are going to be there to welcome the boys home, and you haven’t met most of them yet, so you want to make a good first impression. Besides, it’s just polite to bring something along to someone’s house.
Though Brady still tries to hug you when you arrive, despite your hands being full, the plates need to be deposited on the dining room table before he can get a real one. There are a few people chatting in the room, so Brady introduces you to them.
Most of the next hour goes much the same, Brady introducing you to family and friends, having small conversations with all of them. You know that Brady isn’t trying to embarrass you, but he has a habit of hyping you up to people. He’s more outgoing than you are, and he uses that social ease to brag about how smart you are, how talented. It feels a little like he’s trying to justify being your friend to them, but you know better than to think that Brady cares what anyone thinks of him and his choices.
The kitchen exits onto a large cherry wood deck, scattered with chairs, some of them already occupied. The back yard is sprawling, green grass lined with lush bushes. There’s a pool to the right, not opened for the summer yet, a jacuzzi positioned between it and the house. You’re still not really used to all of this, the casual wealth of the family. It’s so far from what you’d grown up with, something that had astonished you when you’d realized just how far above you the Tkachuks are.
There are a few yard games set up in the grass, cornhole and ladders and something you don’t recognize. And there, in the center of the yard, Matthew is teaching a child how to play ladders. The kid is probably a cousin, of which they have many. Matthew is barefoot, wearing a bright red Flames hoodie and black shorts that only come to mid-thigh. You’ve narrowed your staring down to a minimum, so your eyes only linger for a second or two before you turn back to Brady.
He guides you around to meet the few people braving the chilly spring weather, much as he had done inside. Everyone is so nice, saying how pleased they are to meet you, and seeming to mean it.
Your last stop is Matthew, who interrupts his lesson to hug you. It’s only the second time the two of you have done so, the first having been the last time you saw him before he left for the season. Despite that fact, he squeezes you almost as hard as Brady had, as if you’re his best friend too. Not that you’d presume to be Brady’s best friend, but. Still.
“It’s good to see you, Y/N,” he says when you pull apart, and the expression on his face tells you how genuine it is. Your smile is almost involuntary, turning up the corners of your mouth and baring just a hint of teeth.
“Welcome home, Matthew,” you reply, “We missed you.” You’re not sure what “we” you’re referring to, but it feels less incriminating than saying “I missed you”. You get the feeling that he understands anyway, beaming at you.
The three of you chat for a few minutes, Matthew introducing you to his little cousin. With there being four of you, you decide to play a game of ladders, to test the little one’s skills. He’s pretty good, for a kid, and you and Brady make sure to throw well enough to convince him that you’re trying, but still let him win. Throughout, Matthew gives him tips and instruction, so kind and gentle that it makes your heart ache. They cheer when they win, high fiving and teasing you and Brady.
You go inside to spend some time with Keith and Chantal. Chantal gives you a big hug, as if she hadn’t just seen you yesterday. Keith gives you a hearty clap on the shoulder. Taryn appears at some point, sneaking up behind you and poking your sides to make you jump. You laugh along with her, enfolding her into the conversation easily.
Time flies by, the sun setting around you, the house lights turning on one by one as darkness descends. Eventually, you end up lounging in the den with the other adult kids. From your visits last year, the chair in the corner has become yours. You’re settled in, legs folded up under you as something that no one is watching plays on the TV. Brady and Taryn get into a heated debate about something or another, and Matthew gives you a long-suffering look as his younger siblings bicker. You just smile back at him, finding the family’s passion entirely endearing.
“Seventeen years of this,” Matthew gripes, clearly not as annoyed as he’s trying to seem.
“And sixty more to go,” you reply. Matthew chuckles at that, looking to Brady and Taryn with such fondness that you almost can’t stand it. It’s the kind of relationship you’d wanted with your own brothers, but that’s best not to think about.
“Hopefully,” Matthew says, turning that fond look toward you. Your heart skips a beat, and you’ve gotten good at ignoring that.
May, 2019
You shouldn’t be this nervous, but you are. Terri is on speaker phone, telling you about her new job. You’re half-listening, staring at the clothing laid out on your bed. You’ve been agonizing all morning about what you’re going to wear, how you’re going to do your makeup, if you should wear makeup at all.
“I’m glad that your boss defended you,” you say to Terri, still tuned in enough to follow her story, “She seems cool.”
“She’s so cool,” Terri gushes, “She’s my favorite now.” You’re so happy that Terri has finally found a good job, especially with how hellish her previous one had been. This one pays almost double what she was getting before, too, which definitely doesn’t hurt. She expounds a little more about the things she loves about her boss, and you decide to hang back up the dresses you’ve laid out. It’s still a little too chilly to wear them, especially after sundown.
“You’re still staring at those damn clothes, aren’t you?” Terri asks, switching the topic suddenly. Your face gets warm as you make a plaintive hand gesture, despite her not being able to see you.
“Clothes are stupid and I can’t decide,” you complain, trying to imagine how each of the final two options will come across. If you try too hard, Matthew might think that you think this is a date, but you still want to look good. You know it’s not a date, but you’re still kind of acting like it is, and it’s embarrassing.
“Definitely wear jeans,” Terri advises, “That’ll make it more casual.” You agree, putting away the skirt you’d paired with the one shirt, trying to picture how it would look with jeans. You move the pants between each shirt, before giving up and just putting them on. You’ll just try on both outfits and see which one you like better.
Once dressed in the first option, you take a picture to send to Terri. You look at yourself in the mirror, turning this way and that. After a minute or two of consideration, you switch tops. You take another picture and send both to Terri for her opinion.
“Oh, definitely the second one,” she says, “The first one makes you look like you’re going to a job interview.” You look at the picture again, and can’t deny that she’s right. You put that one away, settled in your decision. You’re not sure if Matthew has ever seen you in anything but jeans and a t-shirt, so you hope the red tank top layered with a tucked-in sheer pink printed blouse isn’t too much of a change.
When Matthew had invited you to take a walk around the park yesterday, just the two of you. You’ve never spent more than a few minutes alone with him, always having Brady or Taryn or Emma to provide distraction and distance. This time you’ll have nothing to focus on but him.
The time comes soon enough, and you gather your things, not wanting to make Matthew wait for you when he arrives. You’d offered to drive yourself and meet him there, but he’d waved off the idea immediately, saying that he’d pick you up.
A knock comes at your door right on time. You take a deep breath before you open it, settling your frenzied heart. Matthew smiles as soon as he sees you.
“Oh wow,” he says, almost absentmindedly, “You look great.” Your blush is immediate, and you hope he can’t see it. It seems that anything that comes out of his mouth makes you blush, sometimes.
The drive to the park isn’t too long. When you arrive, you gather your bag from the floor of the passenger seat, and by time you move to get a hand on the door handle, Matthew is already opening the door from the outside. It’s a sweet surprise, and you thank him as you climb out of the car.
It’s a nice day, not too cold or windy for once. The two of you walk, talking about this and that, moving from topic to topic as they arise. You point out a few birds as you go, and Matthew listens to the little fun facts you give about them. He seems genuinely interested, but even if he’s not, at least he’s polite enough to pretend.
“I guess we should have left a little earlier,” Matthew remarks as the sun goes down, the light fading around you. The sun sets quickly this time of year, so you’re still a few minutes out from the car by time it’s completely dark. The lights along the pathway bathe Matthew in yellow light, casting warm shadows in the dips and hollows of his face.
“At least I have a big, strong man to protect me,” you joke, elbowing him.
“Oh no, if we get jumped I’m running,” he replies, shooting a shit-eating grin down at you. You gasp and press a hand to your heart, as if you’re truly scandalized.
“You would really abandon me like that?” you ask. His smile softens at the edges.
“Never,” he says, looking so genuine that it makes your heart flutter, pausing before he adds, “Unless we’re getting robbed.” Your combined laughter rings out through the trees.
June, 2023
You’ve managed to avoid any questions about your odd behavior, and it’s getting easier to act normal over time. A couple weeks have passed since your first meeting with Tessa, and you still feel like ripping your skin off when you see her touching Matthew, but you’ve gotten better at hiding it. It’s not your place to be upset, anyway.
The diner is bustling at this time of day, the tail end of lunch rush. You had to wait a little bit to get seated, but now you’re sitting at the end of a booth in a chair they’d pulled up to the edge to make up for all five of you not fitting into the booth. It makes you feel a little left out, the only one not paired off, a fifth wheel to the two couples on either side of the table. You block that out, a skill you’ve had for years, but have had to strengthen rapidly over the past few weeks.
Brady has an arm around Emma’s shoulders, and you can tell by the angle of Matthew’s arm that he has a hand on Tessa’s thigh. You remember when that was you, Matthew touching you so casually, so naturally. Sitting across from Matthew as he nudges your foot under the table, sitting next to him with your shoulders pressed together, fingers tangled together on the seat, where no one could see.
Emma is telling a story about a night out with some of her girlfriends, and you’re laughing along at the antics with everyone else. When she asks you about work, you try to clear the perpetual lump in your throat before answering, succeeding in sounding happy, though the tightness remains.
When your food arrives, you spend most of the time pushing it around your plate to make it look like you’re eating. You never have an appetite around Matthew anymore, weirdly embarrassed about being seen eating in a way you haven’t been since you were a teenager. You’ll take it home and eat it later, if you can stop thinking about Matthew for two fucking seconds.
You’re not sure how long that’s going to be impossible, but you hope it’s not much longer.
January, 2020
You’ve been to a few games when the boys have played the Blues, but you’ve never made the trip up to Canada to see them play each other before. Ottawa is nice, Brady and Emma having shown you around a little when you’d arrived. Your nerves had been shot from the anxiety of traveling abroad for the first time, even though it was just to Canada. The couple seemed to understand, only taking you around for a few hours before bringing you home.
Brady’s apartment is nice, really nice. He’s offered you the guest room for a few days, and you appreciate not having to pay for a hotel. He’ll be home for six days before he has to go to St. Louis for the All Star game, so you’d arranged to stay in Ottawa and fly back home with them.
Luckily, the cafe is pretty cool about rearranging your schedule, so you’ll just have to work some extra days when you go back to make up for what you’re missing. You’d asked for the days of the skills competition and game off as well, Brady having managed to get you a ticket. Your manager has always thought it was cool that you were friends with the Tkachuks, so she had agreed to give you the time off if you brought her a souvenir. Matthew and Brady had offered to sign a jersey for her without you even having to ask, and you’ll owe them for a while, though they insist you don’t.
Matthew gets in that first night, the three of you meeting him at his hotel. You’re not sure how he managed it, but he’ll be staying a few days instead of returning to Calgary with the team after the game. Maybe he got a special exception because this game is the last before All Star week, and he has to go to St. Louis anyway. No matter the reason, you’re glad he gets to stay.
The game the next night is exciting, and definitely worth the trip. With the Senators’ performance in recent years, it’s mostly the diehard fans left, so the atmosphere is electric. You get swept up in the passion and joy, especially when the game ends with a 5-2 win for Ottawa.
The boys have to debrief and get changed, which you know will take a while. Emma and you wait with the WAGs, Emma excited to introduce you to them. Some of them think you’re a new WAG at first, which is honestly kind of flattering. All of the ladies are surprisingly kind and welcoming, and you enjoy interacting with them as you all wait.
Matthew emerges first, guided down the hallway by one of the arena staff. His steps pick up pace when he sees you and Emma, and he shoots a quick thanks to the staff member before jogging over to the two of you. He immediately enfolds you in his arms, squeezing tight and holding longer than usual. You know it’s difficult for him to lose at all, let alone to his brother, so you let him hold you as long as he wants.
Once he lets you go, he meets your eyes. His smile is soft, tinged with a slight sadness that you want to wipe away.
“Hey there, sweet girl,” he greets, and your breath catches at the term of endearment. He’d started using it a few months ago, and it still makes your chest tight. You know that it doesn’t mean anything, but you still imagine sometimes that it does.
He turns his attention to Emma, giving her a hug as well, just one quick squeeze before releasing. The three of you start talking, waiting patiently for Brady. It doesn’t shock you that he takes so long to come out, knowing his unofficial position of leadership in the team. The guys come out one by one, hugging and kissing their wives and girlfriends, the number of ladies dwindling as they leave with their men.
When Brady finally emerges, he heads straight over to give Emma a hug and kiss. He hugs you next, before punching Matthew’s shoulder. They have a little back-and-forth as you all exit the arena, taking harmless jabs at each other all the way to the car.
The main issue with the living arrangements for the trip had been that Brady and Emma were going to have two guests and only one spare room. Matthew had offered to sleep on the couch, but he’s too tall for that, and you don’t want him to end up sore or hurting his neck during the season. You’d insisted that you’d sleep on the couch, but both Matthew and Brady had immediately vetoed that idea. Then you’d found out that the guest room has two twin beds instead of one bigger one, and the answer was simple.
Matthew sets his suitcase and backpack next to the door when you get home. You’ve already claimed the bed on the far side, so he gets set up on the one closer to the door. Emma and Brady are in the kitchen, making a post-game snack for everyone, so it’s just you and Matthew.
“You excited to be roomies for a week?” he asks, unzipping his suitcase. Yours is already open under the window, so you grab some pajamas out of it.
“Depends how loud you snore,” you tease. He shoots you a toothy smile.
“Oh, it’s gonna be loud,” he says. You chuckle a bit, knowing he’s joking. Emma calls for you, then, and you leave your clothes on the bed to go to her. The four of you converse as you eat, seated in a row at the kitchen island. You’ve got Matthew to one side and Brady to the other, and they take turns kicking your ankles. You kick back, grinning at Emma when she kicks Brady’s other side.
Brady and Matthew had already showered at the rink, so they sit in the living room while you and Emma get ready for bed. She uses the master suite, and you use the bathroom in the hall. It’s nice, if small, with a simple stall shower instead of a tub. You go through your routine on autopilot, only realizing when you’re done that you’d left your clothes in the bedroom. You wrap yourself in a towel, doing your best to sneak past the door to the living room.
When you look to make sure your stealth is working, you meet Matthew’s eyes. It stops you in your tracks. You can’t discern the look on his face, and you’re not sure that you care to. He shoots you an easy smile, and you wave at him like an idiot, acting on instinct. It only makes him smile wider, and you scurry off to the room.
After you’re dressed, there’s a knock on the door. Brady asks if you’re decent, and you confirm that you are, so he peeks his head in. Once he sees that you truly are dressed, he opens the door the rest of the way. He and Emma bid you good night, telling you to just ask if you need anything. You thank them and say good night in return, Matthew entering the room as soon as the other two retreat to their own room. He’s barely two steps into the room before he’s pulling off his shirt.
“Woah there, cowboy,” you say, holding up a hand in front of you. He just shrugs at you.
“Gotta get ready for bed,” he says, bending over and lifting his foot to remove his socks. You’d figured that he would wear a t-shirt and shorts to bed like you, but you should’ve guessed he’d be the type to sleep shirtless, no matter who’s around. He’s naked in front of thirty people every day, who cares about being shirtless?
You do your best to brush it off, turning down the covers of your bed so that you can crawl in. Normally, you would read for a bit before bed, but you’re tired enough tonight that you don’t think you need to. You pull the blankets up to your chin, turning on your side. Unfortunately, you sleep on your right, so you end up facing Matthew’s bed. Is that weird? Should you try sleeping the opposite direction?
Matthew doesn’t say anything, flicking the lights off and crawling into bed. He sleeps on his left, apparently, so he’s facing you too. That’s a little awkward, right? As your eyes adjust to the dark, you’re able to see the glint of his teeth as he smiles over at you.
“Sleep well, sweet girl,” he says quietly. You return the sentiment, grateful that the darkness means he probably can’t fully see the embarrassment on your face. You’re backlit by the window, so you convince yourself that he can’t.
The next morning, you wake to Matthew already out of bed, stretching. Your eyes roam his back, taking in the dips and ridges of his muscles. Only at the last second do you realize that his head is turned to the side, and he’s staring at you through the corner of his eye. You quickly avert your gaze, turning to sit bolt upright on the other side of the bed, facing the window.
The four of you spend the day exploring the city, Brady and Emma seeming to have planned what they want to show you. It’s nice, peaceful and fun. You make them take pictures with you in front of landmarks or cool art pieces, all of you squished together to fit in the selfie.
It isn’t until the fourth night that anything out of the ordinary happens. You’re lying in bed, having turned on your back to stare at the ceiling, unable to sleep. You probably shouldn’t have had that affogato after dinner, though usually they don’t bother you this much. No matter how long you toss and turn, how many sleeping positions you try, you can’t even make yourself tired, let alone actually fall asleep.
“What are you, a rotisserie chicken?” Matthew asks rhetorically, breaking the silence. His voice is hushed, but it still startles you. You turn your head to stare at him, finding him staring right back.
“I’m sorry,” you apologize, sheepish, “I can’t sleep.” Matthew’s lips quirk up at one end.
“Me either,” he says, sitting up. You mimic his posture, then scoot back to lean against the headboard. He slings his legs over the edge of the bed and stands, and you think for a second that he’s going to turn on the light. Instead, he takes the two steps to your bed, motioning to the mattress. You nod, prompting him to start shoving your shoulder, bullying you into making space for him. You giggle, trying to keep quiet to respect the late hour.
“So,” he leads, taking a long moment to just stare at you before continuing, “Tell me something I don’t know about you.” You’re taken off guard by the request, not sure how to respond.
“I was an Aaron Carter girl growing up,” you pull out of thin air. Matthew’s face breaks into a wide smile, sunshine in the middle of the night.
“Really?” he asks. You nod, mumbling “yeah” in confirmation. That’s all it takes to get you both talking. You trade off back and forth, telling each other small things about yourself that may not come up otherwise, launching into short discussions about some of the statements.
“My favorite color is red,” he says at one point, when you’re starting to think you may fall asleep.
“I thought it was blue?” you reply, remembering Chantal mention that at some point. Matthew starts fiddling with his hands.
“I tell people it’s blue, but it’s really red,” he says. You tilt your head an inch or two, furrowing your brow at him.
“Why?” you ask. He ducks his head.
“Red is an angry color,” he explains, voice quieter than before, “With my reputation, I don’t want people to associate me with an aggressive color. I don’t want to play into the stereotype.” You hum, looking forward. It feels like this isn’t the best time to look at him, like he’ll clam up if you witness his vulnerability.
“It’s also the color of vitality, excitement, love,” you counter, leaving just a breath of a pause, “It’s a good color for you.” The entire room is still for a dragging moment, before Matthew gently knocks your shoulders together.
“What about you?” he asks when you look back to him. There’s a fraction of a change in his face, but you don’t comment on it.
When you wake up in the morning, you’re still sitting up, head resting on Matthew’s shoulder, his head laying on top of yours. You suppress the instinct to startle, not wanting to disrupt him, lest he wake up and move. His skin is warm under your cheek, your arms lined up from shoulder to the knuckles of your fingers. You close your eyes again, trying to keep your breathing steady, as if you’re still sleeping. You’ve been trying so hard to keep distance between Matthew and yourself, but you’ll allow yourself to enjoy this, just for a moment longer.
There’s a shift in Matthew’s breathing, his fingers twitching against yours. It settles after a second, into a different pattern, intentionally deep and even. You’re sure that he’s awake, that he’s doing the same thing that you are. You’re not sure what to do with that information.
The rest of the trip goes by smoothly, Brady and Emma showing you both the touristy things and the better local spots around the city. If the same thing happens the next night, and the night after that, you and Matthew talking in low voices until you fall asleep against each other, neither of you mention it.
April, 2020
While the initial prediction for lockdown was that it would only last a month, it’s clear that it’s going to last much, much longer.
It’s probably lucky that you’d just started a new job, one that can be done remotely, rather than either working at the coffee shop or being laid off. It’s not exactly what you want to do, but it’s at least in the artistic field, so you try to be grateful anyway. It’s difficult being locked away in your apartment, but you’re grateful that you’re luckier than essential workers and people who are losing their jobs altogether.
The thing that keeps you sane in all of this is your phone. More specifically, it’s your friends. You’ve developed almost a schedule with it, calling Terri in the morning for an hour or so before work. At lunch, you facetime Brady and Emma for another hour, not envying them being stuck so far from home. It must be hard to be in an entirely different country than your family.
The highlight of each day is the evening, when you facetime Matthew. Though he spends most of the day sending you videos and memes and updates about whatever little thing he’s doing at the moment, it’s still nice to talk to him out loud. Seeing his face helps your growing loneliness a little bit.
You’re in your living room, your phone propped up against the arm of the couch as you show off the few things you’ve made since picking up crochet a couple weeks ago. Matthew compliments each of them, commending you for your improvement. He’s the only one you’ve shown, too embarrassed to let anyone else see the wonky scarves with uneven stitches.
“You have time to work on any paintings lately?” he asks, once you’re done your little show and tell. The truth is that you’ve got three new canvases drying in the kitchen. The truth is also that the man asking about them is the inspiration for their creation. There’s nothing incriminating about them; it’s not like they’re portraits of him or something. But you’re still hesitant to show him, because even if he doesn’t know, you do.
You show him anyway. The painting of the park is his favorite, and you wonder if he knows that it’s the one you went to for your first time alone together. It’s mostly dark, greens and blues so deep they look black, yellow triangles of light splitting the canvas into section. If you look closely enough, the brush strokes fill in the details of the trees, the grass, the pavement. Your phone camera isn’t good enough for Matthew to see that, but he compliments it anyway.
“You should paint me something for my apartment,” he says after you show him all three. You’re not opposed to the idea, actually enjoy the thought of something you made being showcased in his home.
“What do you want?” you ask, a hundred ideas already flitting through your mind. The only way you’ve seen his apartment is through the background of pictures he sends you sometimes, or little glimpses you catch as he walks around while you facetime. You’re not entirely sure of the vibe, but you’re sure you can figure something out.
“What makes you think of me?” he asks in return. You stop in your tracks in the doorway between the kitchen and living room. The hand holding your phone lowers a couple inches unintentionally, your gaze drifting above the screen, staring into the middle distance. What makes you think of him? Hockey, obviously. Family. Curling up under a blanket on a cold night. Laying on the couch with your feet up on the armrest, your head propped up on a pillow, a sad replacement for his lap. Spruce trees, gold, pitbulls, mushroom pizza, black eyes– both the drink and the wound.
Everything. Everything makes you think of him.
You can’t say that, obviously. You search your brain for something personal but innocuous, something sentimental but still acceptable. You think of all the time that you two have spent together over the past few years, memories springing up, some that you’d even forgotten about. Some that you’ll never be able to forget about.
“Can I surprise you?” you ask. You’re given that familiar smile in response, any iteration of which makes your heart stutter in your chest.
“Yeah,” he says, propping his face up with one hand on his jaw, “I trust you.”
July, 2023
Some people may say that Terri’s apartment is cluttered, but you just find it cozy. She has decorations and knick-knacks on every surface, but the comfiest couch you’ve ever sat on. That’s where you are now, stretched out with your back against the side, Terri mimicking your posture at the other end, your legs tangled together in the middle.
“We should see the Barbie movie when it comes out,” she says, unprompted. You look up from the hook and yarn in your hands, tipping your head to the side for a second and shrugging.
“It looks good,” you say, an indirect agreement. You haven’t been to the movies since before lockdown, so it might be nice to go back.
“D’you think Gabe would want to come?” she asks cautiously, “He could bring the kids.” The mention of your brother still makes ice crawl in your chest, but it’s not as bad as it once was. He’d reached out last year, trying to reconnect with you, and apparently your other brother too. You’ve only seen him a few times since, but it’s more than you’d seen him in the four years prior, combined.
“It’s worth a shot, right?” Terri asks, eyes flicking toward your phone sitting on the coffee table. You look toward it as well, debating for a second. It would be nice to see your nieces and nephews, but it also hurts that they barely know who you are.
“Yeah,” you agree after a second, “Worth a shot.” You grab your phone, feeling as if it’s going to explode in your hands if you move too quickly. There are a few notifications when you wake the screen, which you ignore to unlock it. You open your texts, backing out of your thread with Terri from earlier. You have a picture message from Brady, just a selfie of him and Emma smiling, which you send a heart in response to. Backing out of that thread, you see another new message, underneath the contact name you haven’t had the heart to change. The red and purple hearts next to his name– each of your favorite colors– having been there so long that getting rid of them feels wrong, no matter how it makes your chest hurt to see them.
Can we talk?
You tap the back button as quickly as you can. You can’t respond. You should, to be polite, but you can’t. If you do, you’ll say something you regret. It’ll probably be agreement or the words “eat shit”, and either option will get you into trouble. You can’t respond. You want so badly to talk to him. You want so desperately to go back in time and never meet him.
Your fingers tremble as you draft a text to your brother, typing and deleting and re-typing a few times before you settle on the wording. You have more important things to worry about than Matthew.
August, 2020
The bubble was an interesting idea. It may not be the best idea in the world, despite the safety precautions, but you know Matthew is just happy to be back on the ice. He’s already sent you a dozen pictures of the hotel, of him with his teammates and friends, masked up together in the lobby. You tell him to tell the boys that you say hello, and he texts you each of their responses.
The first round goes well, the Flames only losing one game to the Jets. You know Matthew had been worried about going through all the rules and protocols just to be eliminated immediately, so you’re glad that that isn’t the case.
The series against the Stars starts out with an exciting back-and-forth, the teams trading off wins. Then the Stars win game 5, breaking the pattern. You’re not expecting the last game to actually be the last, convinced that the Flames would at least make it to a game seven. But the Stars pull a decisive 7-3 win, the Flames falling apart in the second period and unable to get themselves back together.
Matthew has called you as soon as he got back to his hotel room after every game, so you’re expecting your phone to ring some time in the next hour or two. You putter around the apartment a little, putting away some dishes and wiping down the kitchen counters. You’d been painting during the game, a commission from a friend of a friend of a friend. You return to that, losing yourself in the meticulous movements of your brush.
It feels like it’s been too long. You try to focus on the canvas in front of you, but there’s a nagging sense in the back of your mind that something is wrong. It sits heavy at the base of your skull as you try to ignore it.
Eventually, it becomes too much. You check your phone to make sure that you haven’t missed his call, but there are no notifications. It’s been a little over two hours. You unlock your phone and pull up his contact in a second, pressing the video icon. Typically, he’ll pick up after one or two rings, but you hear the third ring, the fourth. The call disconnects, shock shooting up your spine. It only lasts a second, your phone ringing with a voice call almost immediately.
“Hey sweet girl,” Matthew greets you in his typical fashion as soon as you accept the call. There’s something off about his voice, and it takes you a second to realize what it is.
“Hey there, darling,” you respond, voice as gentle as you can manage. It’s not the first time you’ve heard Matthew cry, but it breaks your heart every time. As much as he tries to seem tough and aloof, you know how deeply losses like this affect him. Now it makes sense that he didn’t want video involved.
“How are you?” he asks, clearly moving his face away from the receiver as he sniffles, but you can still hear it. You move to the couch, sinking into the cushions, as if you’re as crushed as he is.
“I’m okay,” you reply, “You holding up okay?” You know he’ll say that he’s fine, but you also know that he’s not. He may not be for a while. There’s a pause, a long stretch of silence, only interrupted by his deep, labored breaths.
“I wish you were here,” he says. He sounds absolutely miserable, his voice cracking in the middle of the sentence. The urge to hold him is overwhelming, your arms buzzing with the desire to wrap around him. You want to pull him down into your lap, let him tuck his head into the crook of your neck, let him cry on you as you scratch his scalp and kiss his head. Lockdown isn’t the only reason that can’t happen.
“I’m going to hug you so hard,” you insist, “As soon as I can see you again.”
July, 2023
While you’re still a third wheel with Brady and Emma, it’s better than being a fifth wheel with the entire group. You’d asked Taryn if she wanted to tag along, but she has training to do. Brady had already done his that morning, so he’s free for the rest of the day, and had invited you to spend some time together.
You’re certain that he doesn’t know how you feel about this place, how much it hurts to be here. As far as he’s aware, this is your favorite park, the one you visit with Matthew at least a few times a month every summer. He probably thinks it’s a great choice, something to cheer you up from the slump you know he’s noticed.
Despite the memories tugging at you from every direction, you’re mostly in a good mood. You’d gotten excellent news the day before yesterday, an opportunity you’ve dreamed of for a long time. You wanted to text Brady right after the meeting to tell him, but you’d decided it was better to share it with him and Emma in person. You’re debating something that absolutely doesn’t matter, all of you talking over each other. You’re waiting for the right moment to change the conversation. It doesn’t come until almost an hour into your walk, but you jump on it as soon as it does.
“I have some cool news,” you say, breaking the silent pause that had fallen over the group.
“Well?” Emma replies, “Go on.” The excitement is bubbling up inside of you again at the thought of it, your stomach turning, your chest too full.
“You know that gallery downtown that I love?” you ask, continuing after they agree, “I’m going to do a show there.” They stop in their tracks, Emma immediately enfolding you in her arms. You hug her back, squeezing tight as she bounces on her toes. When she pulls back, she holds your face in her hands, voice high and thrilled as she congratulates you. The smile on your face is unavoidable, happiness from the news mingling with the happiness of your friends being proud of you.
“Cool news, huh?” Brady asks, lightly smacking your shoulder as he says, “What an understatement.” The circle of his arms feels safe, his chest warm against your cheek as he holds you tight. The look on his face when he releases you is the best reaction you’ve gotten so far, his pride meaning more than anyone else’s.
“When is it?” he asks, taking Emma’s hand in his own once again and resuming the walk. You follow along, too excited to be self-conscious of the visible skip in your step.
“August 20th,” you say. There’s an unspoken question there, a silent invitation. You don’t want him to feel pressured to come, knowing that despite how supportive he is of your artistic endeavors, he’s not big on things like art shows. In the end, you don’t have to ask.
“You know we’re coming, right?” he asks, aiming a crooked smile at you, “You can’t stop us.” Though the smile hasn’t left your face since you brought up the topic, it gets brighter in return.
“I’d never dream of trying to,” you reply, and you mean it.
October, 2020
It’s odd to have the boys around at this time of year, the season usually taking them away at the end of August. You’re grateful for it, though. It means that you get to spend time with them, lockdown finally over, freeing you from the confines of your apartment. Your job has stayed remote, so you’re able to be around even more, saving time on what used to be an hour long commute each way.
Right now, it’s you and the boys, Emma, and Terri. You’d introduced her to them less than a month ago, but they already love her, just as you knew they would. She doesn’t always come around with you, considering how you spend nearly every day at the Tkachuks’, but she has some time today.
After twenty minutes of debating what you should watch, you all agree on a true crime documentary. You’ve given up your chair for Terri, squishing yourself onto the couch with Brady and Emma, pressing your cold feet against her leg and laughing when she yelps. She kicks you, only serving to make you laugh harder. Brady playfully threatens to fight you to defend his woman’s honor, and you put your fists up in front of you, jabbing out into the air as if you’re going to take him up on the offer. He chuckles, reaching out to fist bump you instead of punch. You drop your hands, looking past his big ass head.
Matthew is lounging in the second chair, the leg rest of the recliner up despite his legs being crossed under him. It’s the only way the chair will lean back, he’d told you once, and he doesn’t like sitting upright.
The smile on his face isn’t the wide grin you’d expected. It’s small, a gentle turn of the lips. Combined with the look he’s giving you– something unfocused, something unbearably soft– it implies an emotion that you know can’t be the correct interpretation. You swallow hard, turning your eyes back to Brady.
“Press play already, nerd,” you demand, tone playful enough to show that you don’t mean it. He sticks his tongue out at you, but does as he’s told.
Five minutes in, you glance over at Matthew, finding him already looking at you. You look away, slightly embarrassed to be caught. Another five minutes later, you can’t help but peek back at him again, as if your eyes are magnetized to him. It’s almost disappointing that he’s actually looking at the screen. It only takes a second for his eyes to move to the side, peering at you in his peripheral. The corner of his lips quirks up the tiniest bit, almost unnoticeable. But you notice.
You only make it maybe half an hour into the film before Matthew leans forward and snatches the remote from its place next to Brady. The plaintive sound Brady lets out is kind of funny, but you seem to think everything is funny today. Matthew pauses the show, declaring that the group needs snacks.
“Y/N, come give me a hand,” he says, beckoning you to follow him. You grumble a bit, but stand and follow him up the stairs and out of the den. He leads the way through the living room and into the kitchen. They’re fancy, so they have a walk-in pantry, of course. The two of you enter one after another. You start looking at the snack section, deciding what to grab. The good thing about being the one to retrieve the food is that you get to choose whatever you want and there’s nothing the others can say about it.
You’re rifling through the chips and pretzels when you feel a presence close behind you. It’s obviously Matthew, but he’s so close that you can feel the heat of his body radiating into your back. His left hand comes into your field of vision, pressing to the shelves next to your head. You twist your neck to look back at him, confused as to what he’s doing.
You’re not expecting the look he’s giving you. His eyes dark, completely focused in on your face. Your eyes flick from his eyes to his mouth without your permission. He’s not smiling, his lips parted just a fraction of an inch.
He rests his right hand on your shoulder, using it to turn your entire body around to face him. You can feel how dumbfounded your expression is as you stare up at him, your brow furrowed, your mouth slightly agape. He returns the gesture of looking at your mouth, his tongue quickly flicking out to wet his lips. He looks like he’s about to eat you alive. You would let him.
There’s a long, unbearable stretch of silence as the two of you just stare at each other, faces only a scant few inches apart. If this were anyone else, you would know exactly what’s going on, exactly what they want. But this is Matthew, your insanely wonderful, insanely hot, insanely out of your league friend. There’s no chance that he’s about to do what it feels like he is. No matter how many times you steal glances at each other, how closely he holds you, how many times he allows himself to be vulnerable with you, there’s no chance he’d ever want you. And just as you tell yourself that, he speaks.
“Can I kiss you?” he asks, his breath brushing across your lips from the proximity. Your eyes go wide, your mouth falling open wider in shock. You’ve spent the last two years valiantly suppressing any type of attraction you have to him, trying to respect his station as your best friend’s brother. And now, in just four words, he’s let it all loose. It floods you inside, so overwhelming, so much to take all at once that it triggers a full system reset. You swear your heart stops, your mouth opening and closing as you struggle to tear the words from your lagging brain.
The words won’t come. The look on Matthew’s face is changing, something embarrassed, something guilty. He moves back an inch and you reach out, unwilling to let him go. You cup his face in your hands, pulling him in to press your lips together.
It’s lingering, almost chaste, and entirely sensational. Your lips are tingling, sparks shooting down your spine. Your chest feels cracked open, your innards exposed for his inspection, your true self exposed for his judgment.
When you pull back and open your eyes, his are still closed. He looks like he’s in heaven, like he’s trying to imprint this moment in his mind the same way that you are. After a moment, his eyelids slide up and he looks at you again. His eyes are hazy, unfocused, his blown pupils leaving only a thin ring of blue around the edge of his iris.
“Again,” he says, breathless, “Please.”
Who are you to deny him?
The second kiss is as good as the first, your breath abandoning your body to pant out against his lips. You meet again, his tongue flicking out for half a second to touch your top lip. It makes you breath hitch, makes you kiss him again, makes you gently bite his full bottom lip. The sound he lets out is barely audible, but it only feeds the fire inside of you, an inferno that blazes up from your hips to your throat. You cradle his face in your hands, hold just strong enough to move his head how you want, to slot your mouths together perfectly each time.
“Hurry up, asshole!”
Brady’s shout violently snaps you out of your haze. You jerk backward, trying to step away, but already pressed against the shelves. Matthew doesn’t seem as put off as you, smiling as if nothing happened. You relinquish your hold on his face, dropping your hands to your sides. His hands had wandered as you kissed, one on your waist, the other on the back of your neck. He squeezes once at the base of your skull, dipping in to give you one last quick kiss.
After frantically grabbing random snacks, you return to the den. You can feel how hot your face is, and you can only hope that it’s not too obvious how flustered you are. You and Matthew deposit the snacks on the coffee table, everyone immediately selecting one. You curl back up in your chair, legs pulled up to your chest as you lay sideways, head on the armrest.
Every time your eyes drift to Matthew for the rest of the evening, he’s looking back.
January, 2021
Just as the day the boys come home is the best day of the year, the day they leave for the season is the worst. Sometimes you wish you were Emma, that you could follow them back and forth and never be without them. But St. Louis is your home, is where you have a job and friends and more recently, family.
You’d helped both boys pack for the past few days, but you won’t be able to go along to drop them off at the airport. When Matthew had left for the playoffs, Emma had offered you her spot in the car. You’d told her that she didn’t have to, but she’d assured you she wanted it that way. She has to go along this time, so the car is already overpacked. Besides, you have to work that morning anyway.
You still show up at the Tkachuks’ beforehand, so early that the sun hasn’t made an appearance yet. Matthew had forgotten to pack his favorite sweater, of course. You fish it out from where it had fallen under his bed, straightening up to hold it out to him. He thanks you, deciding to wear it for the flight instead of shoving it into one of his bags. It looks good on him. Cozy.
Brady and Emma are double checking their room as well, one door down from you. Keith, Chantal, and Taryn are down in the living room, waiting as patiently as they’re capable of, which isn’t very much.
Being alone with Matthew used to be exciting, used to make your heart change its rhythm, used to start up a buzz under your skin. Now, it’s just… comfortable. Safe. Right.
When Matthew approaches you, crowding up into your space, you know exactly what he wants. The first time you’d kissed should have been the last. You’re too drawn to him, feel too much toward him, more than you should. More than he will ever return. The two of you haven’t discussed exactly what you’re doing here, but it’s clearly meant to be casual. Matthew isn’t typically the kind to shy away from voicing what he wants, and he hasn’t spoken up to define anything.
Is that what you want? You’re not sure. Making out like teenagers for months has been nice, has satisfied a part of you. But only a part.
You’re avoiding thinking about what you want, too afraid of what you’ll find. Some part of you, buried deep inside, hidden behind a recently built wall, already knows. If you allow yourself to acknowledge it, this will end badly. If you allow yourself to want, you’ll destroy yourself in the process.
The kisses he lays on your lips stay sweet, gentle presses, just a tease of tongue here and there. His arms are wrapped around you, resting on your shoulders, while your hands rest on his hips. You haven’t progressed past kissing, and you’re not sure if he wants anything beyond this. You’ll take what you can get.
Keith calls up the stairs for you to hurry up, lest the boys miss their flights. Matthew leaves one last peck on your lips, just as he always does before you part. You glance around his room a final time, making sure everything is packed. You help him bring his bags downstairs, help him and Emma get their things outside and into the car. You’ll have to go home as soon as they depart, and you’re actually a little grateful that you have work to distract you from the first hours of missing them.
As per usual, Emma is the first to hug you. You squeeze tight so that you can lift her off of her feet for a second, just to make her laugh. Brady grabs you next, as if both of them know that Matthew wants to be last. Brady wiggles you side to side, planting a kiss on the top of your head. You headbutt his shoulder, then kiss the same spot you’d hit. He says how much he’ll miss you, something he always reiterates for a few days before he leaves. You return the sentiment honestly, earnestly. When he pulls back, you punch his chest lightly, and he returns the gesture.
Matthew steps up and opens his arms, and you step into them easily. He doesn’t squeeze too hard, just holds you close, hand cupping the back of your neck, calming your anxiety and dulling the sharp edge of your pain.
“Gonna miss you so much, sweet girl,” he whispers into your hair, just loud enough for you to hear. You try to swallow the lump that has suddenly formed in your throat.
“Miss you already,” you reply, a little uneven, a little raw, “Can’t wait to see you again.” He places a kiss on your head as Brady had, but his lips linger, hesitant to let go. But he does let go.
They all wave as they drive off, Brady, Emma, Matthew, and Taryn all crammed into the back seat. You wave back, watching the car go, staring down the street even after the car turns and disappears.
Time to work, you suppose.
July, 2023
Art has never frustrated you so much in your life.
When you were young, the struggle and annoyance came from trying to get things just right, though they were above your skill level. As a teenager, it was due to the struggle of developing your own unique style. In college, it was not having the energy to paint most days, falling asleep at the easel others.
For the past month, the art has been flowing. You’ve been painting most every day, the ideas coming easily, creating almost a compulsion that you can’t resist. It’s only satisfied when the painting is complete. There are a couple dozen or so canvases scattered around your apartment to dry, the most you’ve ever produced in a single month. But the frustration– the frustration comes from the fact that all of your ideas are about him. All of your paintings are moments with him, things he’d said, how you’d felt, how you’d hoped he felt.
There’s a feeling inside of you, as if you’re right on the edge of catharsis, as if you paint just one more thing, you’ll be able to let it all go. That’s your motivation for everything you’ve been making, just desperately searching for the release that will save you from the pain. At this point, you’re not sure it will ever come.
You’re working on a bigger canvas, the biggest you’ve used in years. You’re glad your current job allowed you to move into a bigger apartment, because you surely wouldn’t have been able to fit something like this in your old shoebox, packed so full of your things that you’d barely had space for an 11x14. You have to stand to reach the upper portion, swiping a brighter red over the dark red base. You don’t want it to be about him. It is anyway.
The show at the gallery is rapidly approaching, only a month away. You’ve been working with the curator to decide which pieces to use, filing through years of work. So far, everything that she’s found compelling has been about him. Things you’ve made recently, things you made years ago when things were still good. One day, you’ll get over this. But not today. Today still just hurts.
June, 2021
With neither of the boys making the playoffs, they’d come home earlier than usual this year. Sadly, Brady is pretty used to it by now, usually coming home around this time anyway. You’re used to getting a few weeks with Brady and Emma before Matthew comes home, but you don’t have that this year.
While Brady sulks for about two days when he gets home, Matthew is far more upset. The Flames had made the playoffs for the last couple years, and he was getting used to being a contender. So not even getting a chance at it this year clearly stung. He moped around for a week or two, face tight and arms crossed over his chest most of the time. The only time he let his arms down, let his guard down, is when the two of you were alone.
You’d comforted him through the couple weeks of upset, even staying the night a few times. It wasn’t intentional, you’d just stayed so late that you fell asleep, and Matthew didn’t have the heart to wake you. You have to get up early to get home for work, so you’d snuck your way out of the house before anyone else had woken. You’re not sure how Keith and Chantal would have felt about you staying the night in Matthew’s bed, but you know what they would have thought was going on, and you didn’t want to put yourself or Matthew in that position.
Once he’d relaxed, taken a deep breath and accepted defeat, he went back to being his regular happy, seemingly aloof self. You’re grateful for it, not a fan of seeing him upset and always wanting to help him through and cheer him up.
June had come kindly, bringing along more sun and nicer weather. You and Matthew had resumed your walks in the park, and the whole group of you spend about as much time outside as you do in the den. Things with Matthew had picked up where they left off in January, him pulling you into a secluded area any time he could get you alone, kissing you senseless. You’d missed the feeling of his lips, of his body pressed to yours.
Tonight is one of the more rare nights where Matthew comes to your apartment, instead of you going to his parents’ house. You’ve offered to make dinner and follow it up with movies. You’re already on the couch, your dirty dishes abandoned on the coffee table. You’re laying on your side, Matthew spooned up against your back, your knees hanging off of the couch with the way they’re bent to accommodate Matthew’s too-long legs. You’re warm and comfortable, enjoying the feeling of safety that he brings, something you’ve very rarely felt in your life before.
The movie is good, but you’ve found that being in Matthew’s arms makes you sleepy, so you’re having a hard time focusing. You manage to mostly follow it, letting out a jaw-cracking yawn when the credits start to roll.
You feel Matthew place a kiss on the back of your neck without comment. Then he’s moving you, rearranging your bodies carefully until you’re on your back, Matthew staring down at you from his position straddling your thigh. The way he’s looking at you is intense, somehow simultaneously fond and hungry. It wakes you up almost instantly, and you reach out to rest your hands on his thighs.
“You’re so beautiful,” he says quietly, reverently. It’s not the first time he’s said it, but it feels different now. Maybe it’s the position you’re in, maybe the way he’s looking down at you as if he wants you, as if he–
He takes your hands in his own, bending down as he brings them up to cradle his cheeks. You run your thumbs across his high cheekbones, tilt his head up a little by the jaw as his eyes slide shut. You press your fingers into the soft spot behind his jaw, under his ears, pull him down, down, down.
Kissing him feels as easy as breathing. Guiding his head this way and that to get a better angle, pressing your lips together over and over, longer each time, deeper. Matthew has one hand on the arm of the couch to hold himself up, the other wrapped loosely around your wrist. He’s not trying to move you or take control, just holding on as if he needs something to ground him. You press your thumbs into the hollows of his cheeks, feeling the solid wall of his teeth under the skin. His mouth drops open and he lets out a soft sound. You press your thumbs in harder, between the new gap between his upper and lower teeth, testing how far you can push from the outside.
He squeezes your wrist once and you release the pressure. His mouth stays open, lips wet and shining. He opens his eyes halfway, as if his eyelids are too heavy to get all the way up, eyes hazy and unfocused.
Again, he squeezes your wrist. He’s suddenly standing, using his grip to guide you up as well. He immediately crowds up against you, as if being more than an inch away will kill him. His eyes have managed to refocus, but there’s still a dreamy look in them.
He takes a step backward, using the hand that had instinctively gone to the back of your neck to bring you with him. He kisses you, lingering. He takes another step back, gives you another kiss. He rounds the end of the couch and you realize where he’s leading you, kind of impressed that he can find his way to the bedroom without even looking.
Of course, your heart is a frantic mouse scurrying around your chest, thumping hard like you’re a prey animal facing down a predator. But as much as it freaks out in the cage of your chest, there’s no panic in your head. Being with Matthew calms your mind, keeps your hands from trembling, feels so right that you can’t find a reason for the anxiety that used to plague you around him.
He stops you halfway between the door and the bed, pulling back a couple inches to stare down at you. You’re hesitant to put a name to the look on his face, not sure if reverent is being dramatic.
You flatten your palms against the front of his shoulders, shoving him gently, bullying him toward the bed. He allows it for a moment, but stops after a few steps. He takes your hands in his own, brings them to his mouth to kiss your knuckles. You try to swallow down the desire that grows inside of you, threatening to spill out. He holds your hands close to his face, enough that you can feel his lips move when he speaks.
“You don’t have to be in control, sweet girl,” he says, lays another kiss on the bump of your right middle finger, looks deep into your eyes with such adoration you feel ready to split at the seams.
“Let me take care of you,” he says. The part of you that’s spent your entire life with a fist clenched desperately around any sense of control that it could find, for the first time, relinquishes its hold. And Matthew does, indeed, take care of you.
February, 2022
It’s your first time in Vegas, and the atmosphere is electric. There are hockey fans everywhere, plenty of people wearing jerseys as they explore the strip. Everything is so big, so bright, so fancy. As exciting as it is to be here, it makes you feel a little off, a little like you don’t belong. It reminds you of the first time you’d been to the Tkachuks’ house, amazed at how different everything is from the way you grew up.
Each player was supposed to be allotted two tickets, but they had allowed Brady to take additional tickets for his family, considering Matthew is his brother, in addition to how well-known and beloved Keith is. He’d managed to get Emma included as well, luckily.
You weren’t sure how he did it, but Brady had gotten another player to give one of his tickets so that you could come. Apparently the guy’s family couldn’t make the trip, and he only had one friend that he really wanted to bring. He won’t tell you who it was, but the way that Timo Meier winks at you as he passes the stands gives you an idea. You weren’t aware that the two talked, but there’s always the possibility that he had just gone around and asked everyone. The idea makes something bloom in your chest, as if you could love Brady more than you already do. You’ll have to find a way to thank Timo some time.
The skills competitions are fun, though Brady doesn’t win anything. It’s nice to see the players relaxing and having fun, a well-deserved break from the stress of the season.
You all go out to an early meal before the games the next day. You don’t realize until you arrive that Jack Hughes and his family were joining you, and you trip over your own feet when you see them waiting for you. You’re a huge fan of Jack’s, but more than that, Ellen Weinberg-Hughes is an icon. You stumble with your words when you greet her, shaking her hand and screaming silently in your head. With how the boys are looking at you as you do so, they obviously anticipated your reaction and are incredibly satisfied with themselves.
For the meal, you’re sat between Matthew and Jack. You’re grateful that Matthew is next to you, needing his calming presence as you meet some of your favorite players. The families are friendly with each other, the parents catching up on the news of each others’ lives, the children doing the same in separate conversations.
You spend most of the dinner talking to Jack, Quinn, and Matthew. They tell you all sorts of things, including embarrassing stories about Matthew that you weren’t privy to. You grin at Matthew every time they share one, absolutely intending to tease him about it later. This seems to be what the Hughes boys want, eager to give you more ammunition. Matthew buries his face in his hands at one particularly humiliating story, even as he shakes gently with quiet laughter. When he emerges and sits back up, you take a chance, placing your hand on his thigh. You squeeze once, trying to reassure him. He does his best to not react, but he also rests his hand on top of yours under the table.
“So you’re a painter, right?” Quinn asks at one point, curiosity evident in his perpetually sleepy eyes.
“Yeah,” you confirm, asking “How did you know?” You’d told them about your official job, but you hadn’t mentioned being a traditional artist in addition to a graphic designer. Jack turns a smug smile on you.
“Matthew talks about you a lot,” he says, pleased with himself. You look to Matthew just in time to see his face flush.
“Shut up,” he says to Jack, which only makes him smile wider. Jack’s attitude rubs off on you a little, and you give Matthew a delighted smile.
“How much is a lot?” you ask Jack, feeling Matthew dig his fingertips into your knuckles.
“Like, a lot,” Jack replies, Quinn nodding from his other side. You look back to Matthew, who looks like he wants to crawl under the table and hide.
“I talk about him a lot, too,” you say. That makes Matthew look at you again, bright eyes nearly sparkling in the restaurant’s dim lighting. His expression shifts, a small, grateful smile scrunching his eyes up the slightest bit.
After dinner, you all make your way to the arena. Brady and Jack left a while before the rest of you, needing to arrive in time to get dressed and likely do some more media. Before he’d left, Jack had requested your phone, creating a contact for himself and inputting his number. As he dud, you turned your face away, toward Matthew, opening your mouth wide as if you’re screaming. He looked amused at it, but there’s a sharp edge there. Quinn took the phone next, doing the same thing. You squeezed Matthew’s thigh again, and his expression softened. You’ve been following the Hughes brothers since they were in Juniors, and having them like you enough to want to keep in touch– you can only describe the feeling as elation.
The lines are out the door at the arena, and a few people catch the boys to request photos before you can get to the special entrance for players’ guests. They’re all very kind and courteous about it, taking a few pictures with people, finding a way to move through the crowd even as they do so. You probably should have come a different way, or maybe gotten there earlier, but as long as the boys don’t mind, you don’t either.
The seats are good, the second row of the first balcony. It seems to be the section that they put all of the family and friends, people milling around and chatting with each other. You spot Johnny’s parents a couple rows away, the only people around that you’ve met before. You wave to them and they return the gesture. They make their way down to your seats, greeting each of you in turn. They start chatting with Keith and Chantal, so you continue talking to Taryn and Emma.
The games are great, surprisingly fast. The Atlantic division plays a great game again Central, despite losing by 3. You still can’t help being proud of Brady. You’ve been next to him since his first season, and you’ve loved getting to watch him grow and improve. As long as he’s in the world, you’re going to be proud of him.
The final is awesome too, and you jump up to cheer when Jack scores in the first. When the Metropolitan wins, you high-five Taryn, glad that Jack could win when Brady couldn’t. Not a bad consolation prize.
The group hangs around for a while after, and you get to meet a bunch of new people. Everyone is so nice, making you feel welcome, feel like you belong. When you finally start up the stairs to leave, Johnny’s mom Jane stops you for a second. She pinches your jersey and gives you a sly smile.
“Just a family friend?” she asks, not a question but a suggestion. A few years back, Matthew had given you one of his jerseys to wear to a game, and you’ve worn it tonight, despite him not playing. You realize now how it could be interpreted, ducking your head for a second to smile at the floor, before looking back up to Jane.
“Just a family friend,” you say, firm and definitive. She holds your gaze for a moment, looks behind her at Matthew, who’s waiting patiently a few steps up. He’s looking at you, that soft look he gives you sometimes. After a second, he smiles brightly at Jane. She waves and turns back to you.
“We’ll see,” she says. She pats your shoulder twice before making her own way up the stairs with Guy. Once you process the statement, you shake your head and make your way up to Matthew.
“What was that?” he asks as you enter the corridor. There’s no way you can tell him the truth, and honestly, you’re not sure what the fuck that was either. You just shrug at him, continuing your way out of the arena.
The comment sticks with you, no matter how you try to brush it off. Johnny is Matthew’s best friend, and you’ve met Jane a few times before. If it had been a stranger, you would’ve dismissed it outright. But to hear it from someone who actually knows the two of you? That’s harder to let go.
July, 2023
Laurel, the curator for the gallery hosting your show, is a lovely woman. She’s also very, very good at her job. You’ve been to countless shows at this gallery, and they’re always perfectly compiled, excellently arranged. You’ve brought her your most recent paintings today, which makes you glad that you have a car, because hauling them through the city would be a nightmare.
The only problem you have with Laurel is that she seems to see straight through you. You’re not used to someone looking past the professional figure you present, let alone someone seeing every part of you that you put into your art.
She’s staring at your offerings, examining every last detail. She’s already chosen about half of the pieces that will be displayed, creating a theme with your relatively impressionist style. She moves one canvas to the side, away from the others. She takes an extra few minutes to consider one of them, the largest one. It just finished drying yesterday. Having to see it every day as you passed it in the living room has been torture.
“Everything except that one,” she says, gesturing to the one she’d set aside. If she wants all of these, that’s likely going to be everything for the show. With everything else she’s chosen, this is all they have the wall space for, considering the way that you’ve seen Laurel arrange the art in previous shows you’d attended.
“That one is the centerpiece,” she adds, hand against her cheek as she continues staring at the large canvas. You swallow hard. Of course. Of course every painting she likes is about him. Of course the centerpiece will be him. No matter what you do, you’ll never escape him.
She asks a bit about your inspiration and motivation for the piece, and you give her vague answers that sound more philosophical than the real thing. The two of you discuss some of the minutiae of the show, trying to get everything finalized ahead of time. There’s less than a month left, and your excitement is starting to pair itself with dread.
When you get home, you go straight to your bedroom and throw yourself face first onto your mattress. You bury your face in a pillow, finally letting out the scream that’s been stuck in your throat since you learned of Tessa’s existence. It helps.
You make and have dinner, barely aware of what you’re eating. At least you can eat without getting nauseous now. You don’t feel like watching TV, probably wouldn’t be able to pay attention to a real show right now. Instead, you sit on your bed, leaning back against the headboard. You scroll social media mindlessly for a while, the ghost of Matthew next to you, his invisible arm pressed against yours.
February, 2022
Despite your better judgment, the first time you and Matthew had slept together wasn’t the last, either. It had continued through last summer, then again when he’d come to play the Blues. Now you’re in Calgary, in Matthew’s apartment for the first time, in his bed again.
A lot of people idolize the first time they sleep with someone, comparing every subsequent time to the first and often coming out disappointed. You had no reason to do so, because the sex only got better over time. As you and Matthew learned each other’s bodies, figured out what got the best reactions, the sex kept improving. Even if you wanted to fall back on your morals and resist him out of respect for Brady, you know you couldn’t stay away for long. It’s irresistible.
And it’s not just the sex. It’s the way he holds you after, lays on his back so that you can rest your head on his chest. It’s the way his breath ruffles your hair as you fall asleep together. It’s the things he says to you.
It’s the nights like this.
You’re in Matthew’s bedroom, the dark dead of night offering only the moon to light the room. Your head is on Matthew’s chest, his arm around you to keep you close, as if you would ever willingly leave. Your breathing had returned to normal a while ago, your body cooling off and beginning to recover from the rush of feeling. Matthew kisses the top of your head every so often, and you return the sentiment by tilting your head to lay kisses against his sternum.
“I wish I could keep you here forever,” he says, so hushed that you almost miss it. He’s always so quiet when he talks like this, as if he’s afraid to say it. He says these kinds of things anyway, but never above a whisper, not willing to share the vulnerability with anyone but you. Again, you press your lips into his skin.
“I wish I could stay here forever,” you reply. It would be nice, wouldn’t it? To stay here, with him. No need to be quiet so as not to wake his family, no having to sneak out in the morning, no work to keep you away. Just laying here, together.
“I’ve never wanted anyone the way I want you,” he says. There’s desire in his voice, of course, but also earnesty, like he really means it. Part of you would like to believe that he does, but another part knows how important it is to not get caught up in the fantasy. It’s easier said than done.
“Not any of the other girls you’ve had?” you ask. You’d meant for it to come out teasing, but your honest curiosity wins out. Then there’s a hand on your chin, fingers gently guiding your head up until you’re looking Matthew in the eye. It’s not exactly comfortable to crane your neck like this, so you prop yourself up on one forearm, resting the other hand where your head had been as you stare down at him.
“Never,” he replies, insistent. He looks so serious, sounds so sincere. You don’t say anything, can’t think of anything. There’s something in the wide roundness of his eyes that speaks to you, pulls you in, encourages you to search deeper. It takes a second to figure out what it is that’s hiding in there, but… it’s fear.
“I never want this with anyone else,” he says, tangling his fingers with yours over his racing heart. There’s a question you want to ask, something you’ve been wanting to ask for a while, but the fear in him has mirrored itself within you. You should just shut up, keep it to yourself. The words come out before you can convince yourself to stay quiet.
“What is this?” you ask. You’re not sure what answer you’re expecting, but you know which one you’re hoping for. He takes a deep breath, exhales slowly. His tongue darts out to wet his lips, and for the first time, you don’t divert your gaze to admire the sheen of them, unable to look away from his eyes.
“I don’t know,” he says, pauses, presses your entwined hands harder to his chest, “But I never want to give it up.”
May, 2022
Again, Matthew is the second to come home. Brady returned almost a month before in April, the Senators not in the playoffs, as usual. You feel bad sometimes, because Brady is genuinely a great player, but his team has just struggled to gel together. Even through all of their trials, Brady insists on keeping hope. He loves his teammates, and that’s what really matters to him.
Matthew, on the other hand, isn’t so great at dealing with failure. The Flames make it to the second round, which is an achievement all on its own. But after winning Game 1, they’d lost four in a row and been knocked out. It feels to Matthew almost like they got swept, he explains over the phone after the final loss.
When he gets home, he once again spends a week sulking. You mimic what you’d done last year, though staying the night is intentional this time. So long as you sneak out before anyone wakes up, you’ll be fine.
On the eighth day, you tell Matthew for the hundredth time how proud of him you are. He shoots you a bittersweet smile and says that he’s proud of himself too, and you know he’s bouncing back. It doesn’t help that he’s been debating for months whether to re-sign with the Flames, an agonizing choice for him. He loves his boys, but he’s not sure he belongs there anymore. You’ve assured him that you’ll support him no matter what decision he makes. Johnny hits free agency next month, and if he moves, you’re not sure that Matthew will have the motivation to stay.
The next couple of weeks go by the same way that they always do, with you spending as much time with the Tkachuks as possible. At least, you think you’re doing a good job of acting like everything is the same as years past. No one knows about you and Matthew, and it seems like he wants to keep it that way. You like having this little secret life with him, getting to have him all to yourself. You’re okay with the way it is, you convince yourself.
June came quickly, having begun only four days after he’d returned. The weather improves, you and Matthew once again resume your walks in the park. You play yard games and watch trash TV with Brady and Emma. You help Chantal cook dinners, help Keith clean up afterward. Everything is back to the summer standard.
The day had been nice, sunny and warm. The light had turned the leaves of the trees golden during your walk this afternoon. The sun is long gone now. Nighttime has become your favorite part of the day, the only time you get to indulge in whatever it is that you and Matthew have. The only time you get to touch his skin, to hear the low sounds he can’t help but make, to feel his warmth against you, inside you.
It’s been some time since you’d finished, but you can’t quite fall asleep. Matthew is spooned up against your back, face buried in the nape of your neck. You’re not sure if he’s asleep or not, too distracted to bother trying to figure it out. You’ve been thinking about it since your visit to Calgary. Any time Matthew called, or texted, or even crossed your mind, you thought of it. It made your heart leap into your throat, your breath catching as you choked on it.
He doesn’t know what you’re doing together, what you are. He didn’t give the response you’d been hoping for, but he didn’t outright deny it either. Sometimes you think it would have been better if he had, if he’d said that it was just sex. Then you could start working on moving on. You wouldn’t have to lie awake at night, wondering.
“What’s wrong?” he asks, his groggy voice making you startle and snapping you out of your head. You take a deep breath, debating yourself for a couple seconds before you decide.
“Nothing,” you reply, patting his forearm where it’s snaked around your waist, “Go back to sleep.” He takes a quick, deep breath, the air rushing out over your skin. You’re helpless to resist when he starts moving you. If you did put up a fight, push back against his hands, you know he would stop. But you’re tired.
“What’s wrong?” he asks again once you’re flipped to face him. He looks tired too, the exhaustion of the season still lingering. The moonlight paints his face in silver. It makes his skin shine, almost glowing in the darkness.
“I’m afraid,” you say. You wish he hadn’t turned you around. It would be easier to speak it into the wall than it is to say to his face. You say it anyway, watching his brow furrow, admiring the way the silver light adds contrast to the wrinkles the expression creates.
“Of what?” he asks. You could make something up. Telling him that you’re afraid of monsters under the bed would be less embarrassing. You’ve never been very good at lying to him.
“The day you move on,” you whisper, invisible pressure on your throat making the words come out tight and unsteady. The surprise on his face surprises you in return. He’d refused to put words or labels to whatever this is, of course you would think that he’s going to leave eventually. You’d have to be an idiot to think that he means it when he says forever.
“I won’t,” he says, resolute. You can only manage a half-smile for him.
“You’re not the first man to say that,” you reply. He reaches up and cradles your cheek in his wide palm, warmth seeping into your skin.
“But I’m the first one to mean it,” he says. You close your eyes. They begin to prickle at the corners, but you refuse to cry about any of this. He’s so adamant, so steadfast in his insistence. You try to remind yourself of what this isn’t, what it will never be, but you’ve never trusted someone the way you trust him, and you can’t help believing him anyway.
August, 2023
You hadn’t anticipated this happening, let alone how hard it would be, but finally, finally it’s a little bit easier.
You’re not over Matthew, not by a long shot. It’s going to take months, years. It may never happen, who knows? As long as you can cope with it, can keep your friends around, that’s all that matters.
The first half of the day was spent with both boys and their girls. You didn’t have to curl up so tightly on your chair, didn’t have to force words out so they didn’t think anything was wrong. Conversation was relatively easy, topics changing and flowing naturally. You’d smiled, laughed, and a couple of times you actually meant it.
Matthew had apparently planned a date for Tessa and himself, so they excuse themselves in the late afternoon. Brady, Emma, and you stick around the den for a bit, continuing to talk. Eventually, Emma stands, stretching dramatically.
“Let’s go for a walk,” she suggests. You’ve spent too much time lately sitting at an easel or curled up in bed, and a walk sounds like a great idea.
You expect it this time when Brady takes the three of you to the same park. It’s easier when you’re not blindsided by it, and you have the lovely memory of the last time you were here with the two to focus on, instead of Matthew. You walk for a while, music playing softly from Emma’s phone, tucked in her back pocket. Once you’re deep into the wooded area of the park, she stops dead in her tracks. You follow suit, spinning around to shoot her an inquisitive look. She takes the two steps forward to close the space between you two, grabbing you by the shoulders and walking you backward. You stumble, trying to look behind yourself to keep from falling. She pushes until the backs of your knees hit a bench on the side of the pathway and you fall onto it. You gape up at her, befuddled by the behavior and the way her arms are crossed over her chest.
“What’s going on,” she demands, not a question. You furrow your brow, at a loss for words. You know what she’s talking about, and you know that she knows that you know. But why would she wait until the day that it starts to fade, the day that you can finally think of something else, to ask you about it?
“C’mon, Y/N,” Brady says, plopping down on the bench next to you, “We know something’s wrong.” You had accepted the possibility of this back in June, but you weren’t expecting it to take almost three months for it to happen.
Your first instinct is that you absolutely can’t tell them. You’ve been keeping this secret for years, and if Matthew has his way, you’ll keep it forever. If Matthew gets his way, you repeat in your head. That’s it, isn’t it? All this time, you’ve been so focused on what Matthew wants that you ignored your own wanting. What do you want?
You want to tell someone, to finally have this horrid pain out in the open instead of keeping it caged up around your heart. You want your best friend and his wife to hug you. You want them to understand.
“Matthew,” the name tumbles out, and you don’t want to stop it. Brady and Emma are still looking at you, waiting for anything you want to tell them. God, Brady is your goddamn best friend and you’d convinced yourself that you couldn’t tell him something? That there was anything on this earth that he would shun you for?
It all comes spilling out in a rush. Everything from the first time you’d met him. Hell, some information that isn’t strictly necessary, but they don’t interrupt you or complain, so you venture on. It takes long enough to recount that Emma sits on the metal armrest of the bench. Brady’s holding one of your hands in his lap, Emma taking the other to do the same.
You’d promised yourself more than once that you wouldn’t cry about this, but you don’t really care enough to stop yourself now. The tears come two-thirds of the way through, falling silently as you recount some of the things Matthew had told you, the things he’d promised you. You’re not outright sobbing, so you manage to power through the rest of the story. Your eyes are squeezed tightly shut by the end, like closing them will block out the memories.
It takes a couple of minutes for the tears to stop. The three of you let the silence hang as you wait for it, nothing but the leaves rustling in the trees, something scurrying in the bushes. When you can safely open your eyes to face the world again, you look over to Brady. He looks devastated.
You watch his evolving emotions morph the expression on his face, from heartbreak to anger and back again. The anger makes your heart skip a beat, suddenly afraid that maybe the whole “I slept with your brother” thing will be a problem after all.
“Do you want me to kick his ass?” he asks, startling a laugh out of you. You know he’s dead serious, too. Part of you thinks it might be cathartic to see Matthew get beat up by his little brother, but your soft heart doesn’t want anything bad to happen to him. After everything he’s done to you, you still don’t want him to have to feel even a fraction of the pain you do.
February, 2023
This year, the boys don’t have to bribe anyone else to get you to the All Star Game. Each of them is allotted two tickets as per usual, but Taryn is too busy with school to come. She’d aimed a satisfied smirk at Matthew through the camera of her phone, saying guess you’ll have to take that one along as her eyes darted slightly to the left, clearly looking at where you were on the screen.
Since your work is remote, you’ve brought along your laptop. You spend the morning of the skills competition working, still averse to using your PTO if it’s not completely necessary. The boys have to do media, so there’s no one around to bother or distract you. You kind of wish there were.
The special skills competitions are as fun this year as they were last. You especially love Sidney Crosby in the dunk tank, seemingly having the time of his life. You may not know him personally, only having met him once in passing, but after everything he’s been through, you think he deserves some carefree fun.
The sun has set by time you emerge from the arena after the regular skills competitions. The days are shorter at this time of year, even in Florida. It is warmer than St. Louis, though, which you’re grateful for.
Jack is in the competition again this year, so you meet up with the Weinberg-Hugheses again that night. You’ve gotten much closer with Jack and Quinn over the past year, building relationships on texts and calls and dinners when they play the Blues. Luke has tagged along this time, and you get on with him just as well as his brothers.
Matthew shoots Jack a look when he slings an arm around you on the way back to your hotels after dinner, but Jack just grins at him. You’re still not sure what that’s all about, but you’re just going to stay out of it.
The games the next day are fantastic. You’ve never gotten to watch both of your boys win at once, and you love it. When the Atlantic wins the whole thing, you cheer so loudly your voice cracks. Emma laughs at you, but you just laugh along with her.
You stick around for a bit after the game again, Keith and Chantal mingling while Emma shows you the decorations she’s planning for the wedding on her phone. After a while, someone taps you on the shoulder from behind. You turn your head, immediately recognizing Jane. Johnny had made it again this year with his new team, so it would make sense that she’s here too. You stand, reaching up to hug her in her elevated position.
“Matthew got you a new jersey?” she asks, referencing the All-Star jersey you’ve got on. You wish you could say that you bought it for yourself, but it had indeed been a gift from Matthew. It shouldn’t be embarrassing, so you act like it’s not, even though it is.
“Yeah, he’s a great friend,” you reply, shrugging, “He likes to take care of me.” The thing about Jane is that she’s not really a jerk. Sometimes the you-and-Matthew comments bother you, but she’s generally a very sweet woman.
“It’s good to have someone like that,” she says, smiling gently at you, “Matthew is a good boy.” Jane had been at enough Flames games for you to know her, and definitely enough for Matthew to become a pseudo-son to her. They don’t interact much anymore, save for when she pops up in the back of Johnny’s facetimes, but you know she still has a soft spot for him. You don’t blame her.
“He really is,” you agree, nodding. The two of you make some small talk, and you get some updates on Johnny’s new life on the Blue Jackets. You give her some updates on Matthew in return. After a bit, Guy shuffles up next to Jane, telling her that it’s time to go. She acknowledges him quickly, turning back to take one of your hands in her own.
“I know he takes care of you,” she says, patting the back of your hand with her second, “But you take care of that boy, too. Okay?” You just nod, smiling and bidding her goodbye. Her and Guy retreat up the steps and out of view. You’re not sure why she feels the need to say these things to you, and you’re not sure why you take them to heart.
You meet Matthew and Brady outside the player entrance, the boys immediately scooping up you and Emma, respectively. Matthew sweeps you off of your feet for a moment, pressing a kiss to the top of your head. Once you’re free, you start to dip forward, realizing what you’re doing at the last second and changing track to make sure the kiss lands on his cheek.
He beams at you, and you’re absolutely certain that you’ll spend the rest of your life trying to make him smile.
April, 2023
The day Brady comes home is the best day of the year, you remind yourself for the thousandth time. You’re excited to see him, you are. The way your chest has felt rent open for days isn’t his fault in any way. You’re not going to make him pay for being the messenger.
Once you all get the couple home, you go upstairs with Brady and Emma to help them unpack. They don’t really need help, obviously, but it’s an excuse to spend time together. Brady talks a little about the season, but mostly focuses on his plans for the summer. He talks about wanting to go see G, maybe even take a trip out to visit Tim.
For the most part, you just fold clothes and listen. Eventually, they switch to the topic of the wedding, Emma showing you even more pictures. She’d asked you to be a bridesmaid forever ago, so you’ve already seen most of it, had even helped her pick half of it out, but you’re never going to squash her excitement.
Exhausted from their travel, the two make their way down to the den after everything is put away, collapsing onto the couch. You curl up in your chair, allowing the couple to choose what you watch. They pick something or another, nothing that you can pay attention to right now. Instead, you find yourself examining Brady, picking apart his features, finding all the things he shares with Matthew.
It’s the best day of the year, you remind yourself again. The light of the TV highlights Brady’s jawbone and your skin crawls.
August, 2023
The show is going exceptionally well, exceeding your expectations. The space is filled with strangers, friends, and even your brother and his family. There are critics and collectors, some that you’ve seen at other people’s shows, some that you don’t recognize. Everyone wants to talk to you, and you don’t get a spare moment to breathe for the first few hours.
When you do get a chance to exhale, the rich couple that had been occupying you finally walking away, you catch the color out of the corner of your eye. You’ve been all around the building all night, mingling and networking in equal measure. You hadn’t realized where you ended up until right this second. You turn to the piece, staring as if you’d never seen it before.
You don’t need to look over to see who steps up next to you a minute later.
“You’ve been avoiding me,” Matthew says. It doesn’t feel like an accusation, though it is one. All you can do is sigh.
“What did you expect me to do?” you ask, not expecting an answer. You glance at his hands out of the corner of your eye, noticing the wine glass in one hand, water glass in the other. Without a word, Matthew holds the water out in your direction, still fixated on the painting. You take it, feeling odd that not only does Matthew know that you forget to drink enough water, but also that he’s still trying to take care of you.
“It’s me,” he says after a pause. You’re both facing the largest canvas, the centerpiece. Swirls of bright red spread across a crimson background, highlighted with orange, accented with a royal purple. There, in the center, are two comparatively small, even circles of icy blue.
“They’re all you. Or about you, at least,” you say, seeing no need to deny it any longer, “About us.” It’s obvious that Matthew hadn’t expected you to admit it outright, thrown off for a minute by the admission.
“Can we talk?” he asks as you take a sip of water.
“We’re talking right now,” you reply, feeling petty. It’s his turn to sigh. He sets his wine glass down on the nearest horizontal surface before returning to your side, facing you this time.
“Somewhere private,” he clarifies, pauses, “Please.” You may be mad at him, enraged, incensed, but you’ve never been able to deny him anything, and you still can’t, even now.
You shut the storage room door behind you, flicking on the light to chase away the darkness. Matthew has his hands shoved in his pockets, looking around as if there’s anything interesting in here. You cross your arms over your chest, waiting for him to nut up and look you in the face.
“Listen,” he begins, rubbing the back of his neck but still not looking at you, “I know I should have gone about this better.” You snort. No shit. The sound finally brings Matthew’s gaze to meet your own.
“I’m sorry, okay?” Matthew says, motioning with his raised hand, “I didn’t think you’d care that much.” You can feel how incredulous your expression is, and you don’t even try to hide it.
“In what world would I not be upset?” you respond, “After everything?” You can hear yourself, know you sound like a bitter, jealous old ex, but you can’t bring yourself to care. You see his Adam’s apple bob as he swallows and looks away again. When he looks back, there’s an almost pleading look in his eyes.
“I’m sorry I didn’t tell you,” he says, more sincerely than the first time, “You shouldn’t have had to find out from Brady.” You avert your gaze, working your jaw for a second before you raise your chin and square your shoulders.
“No,” you agree, “I shouldn’t have.”
“I’m sorry I stopped talking to you,” he says, motioning helplessly with his hands, “You have to know how hard that was.” You shake your head, almost disgusted.
“Imagine how hard it was for me,” you reply. Your fingertips are digging into your own arm, fingernails biting into the skin. The fact that he would stand here and imply that this was a struggle for him– as if he expects you to offer sympathy– makes your stomach churn. The guilt in his expression makes you sickly satisfied.
“Listen,” he leads with that word again, as if he has any right to ask it of you, “I didn’t want to upset her. You know how some girls are.” You do know. And it’s still not an excuse.
“You didn’t tell her about me,” you say, anger and hurt straining your voice, “You said that I was just Brady’s best friend. You didn’t even tell her what we had.” You want to scream it at him, just want to scream in general. Maybe if you did, if you released your tight grip on control in a different way than you had with him, maybe it would make him understand.
“What did we have?” he asks. His voice is quiet, just as yours had been when you’d brought up the topic all those months ago.
“I don’t know,” you say, turning his own words back on him. It’s true, anyway. You’ve never known what any of this was. You’d only known what you wanted it to be, what you stupidly, fruitlessly hoped for.
“We never dated,” he replies, voice still low but seemingly not bothered by the uncertainty, “We never called it a relationship. You were never my girlfriend.” It’s a simple fact. It tears your heart out of your chest.
“Just because we didn’t name it doesn’t mean it was nothing,” you insist, squeezing your eyes shut for a second to push down the urge to cry before admitting, “I stopped dating.” He looks even guiltier at that, but it doesn’t soothe anything in you.
“I didn’t look at another man,” you continue, embarrassed and ashamed but unable to let him continue through life without knowing, “I didn’t even want to look at anyone else.” The shame makes the fiery anger burn brighter.
“I gave you three years of my fucking life,” you say, voice raising just enough to make Matthew flinch. You keep it reigned in enough that no one outside will hear, not interested in sharing this conversation with anyone else, especially not potential business contacts. The flames engulf your chest, lick up at your throat, threaten to consume you.
“I never asked you to do that,” Matthew replies, solemn. Your jaw drops, just half an inch, enough to part your lips as your breath hitches. He never asked. He never fucking–
“You–” you begin, breath catching in your throat as your eyes burn with tears you refuse to let escape, “Everything you said, everything you did, and you expected what? For me to just move on?” Your nails are digging so deeply into your biceps that you’re surprised they haven’t drawn blood. Matthew doesn’t respond right away, and you can’t tamp down the impulse to be petty.
“But I guess that’s what you did, huh?” you jab. Matthew shuts his eyes tightly, fists clenching like he wants to fight. It should be threatening, but you’ve always known that he would never dream of laying a finger on you in violence. But then again, you’d thought you knew a lot of things about him.
“Why do you care?” he asks, shoulders tense as he opens his eyes to stare you down, “You don’t even want me.” That shocks a laugh out of you, so completely ridiculous that you can’t help it.
“That’s the most fucked up part– I do want you,” you respond, simultaneously an answer and an admission. His brow furrows as he continues looking at you, as if he can’t believe what he’s hearing.
“Did you seriously think I didn’t?” you ask, more of a demand, slightly offended because, “Do you think I said all those things for fun? For shits and giggles?” You can’t read his expression, don’t even bother trying. He can feel whatever he wants. That’s not your concern anymore. All you care about is the cold spreading through you, crawling up from the tips of your fingers, freezing your arms, creeping into your chest and beginning to extinguish your rage.
“I loved you, dickhead,” you continue, the words spilling out of you starting to sound pathetic, no matter how hard you’re trying to hold on to the anger, putting the last grasp of it into the words, “Stupid fucking idiot asshole, I loved you.” Matthew gapes at you, hands going lax at his sides. His jaw moves as if to say something, but nothing comes out.
“I loved you and you threw me away like garbage, and didn’t even have the balls to tell me yourself,” you force the sentence out, feeling like you’re choking on every syllable. Matthew’s breathing stutters. You’re expecting annoyance, irritation, maybe even shame or guilt. You’re not expecting his wide eyes, his eyebrows turned up in the middle, his slack jaw.
“You loved me?” he finally asks after a few agonizingly long seconds of silence. There’s something in his voice that you tell yourself you don’t care to analyze.
“Of course I did. How could I not?” you say, huffing as you look upwards, needing a momentary break from this staring contest, “The pathetic part, the part that makes me hate myself, is that I still do.” It’s physically painful to say, no matter that the hurt is psychosomatic. You’ve spent the last few minutes breaking open your ribcage, one bone at a time, revealing to him the space you’d made for him inside of yourself.
“You love me?” he asks, so dumbfounded that he’s repeating himself.
“Yes, Matthew,” you say, facing up to the dread inside of you, the one fact you’ve been struggling with the most since you’d found out the news.
“And I’m terrified. Because I’ve always loved you,” you pour out, barely able to hold yourself together as you meet his eyes, “And I’m afraid that I always will.” There’s not even space for half of a breath before Matthew speaks.
“Please do,” he says. His hands are open, palms facing your direction, as if pleading.
“What?” you ask.
“I didn’t know,” he says, and apparently he’s decided it’s his turn to reveal himself, “I was surprised that you wanted anything to do with me at all. But then you kissed me, and I spent the next three years waiting for you to leave.” The confusion comes over you so quickly that it almost masks the hurt.
“Why would I leave?” you ask. There’s been nothing subtle about your feelings. You’ve told him that he’s the only one you want, that you want to spend the rest of your life by his side, that he’ll always be the only one. How could he hear all of that and think that you would ever leave?
“Because you’re smart and kind and funny and hardworking–” he starts listing off.
“Tessa is all of those things too,” you cut him off. It doesn’t come out as resentful as you would’ve expected a sentence like that to. As you’ve told Terri, you really have nothing against Tessa. Besides, she really is everything he’s saying.
“But she’s not you,” his response comes immediately, emphatically, “I don’t want just anyone like that; I want you, and you happen to be that way.” You’re stunned into silence.
“It’s not the traits, it’s you,” he says, insistent, like he’s trying to convince you of your own worth, “And I kept waiting for you to find someone else, someone who wasn’t hotheaded and self-centered and–” He stops himself, swallowing so hard you can see his throat stutter under the thin skin of his neck.
“Someone better,” he finishes. The thing is that Matthew doesn’t have low self-esteem. He knows he’s a catch, and yet… And yet, he’s standing here, admitting that he’d still thought of you as being so far above him that you could never want him. And it’s not that there isn’t probably someone out there better than him–
“I never wanted someone better,” you tell him, voice almost a whisper. Growing up, you’d created this picture of the perfect man, told yourself that you’d find him one day, would never settle for less. Then you’d met Matthew, and he was nothing like that imaginary ideal. He was flawed; he was real. And you couldn’t help but love him for it.
“And I never wanted anyone else,” he replies, his own voice hushed to match yours, but no less certain, “I still don’t.” Three months ago, you would’ve given anything to hear that. But things are different now.
“I thought that if I went and found someone like you, someone close enough, that I could fall for them too,” he confesses, shame making his face tense, “I thought that if I stopped talking to you, if I kept my distance, that I could get over you.” A fraction of the anger buds in your chest at the idea.
“So you’re using Tessa,” you accuse, instantly offended on her behalf.
“No!” Matthew denies emphatically, pauses, shakes his head, “Yes. Maybe. I don’t know.” If he is using her, at least he seems ashamed about it. Something in his posture makes you think he isn’t, that he really thought he could love her.
“Look, she’s great. She’s amazing. She’s too good for me, too,” his shoulders have been hunched up to his ears, but they fall now, defeated, “She talks about that spark she felt when we met, the way she feels about me now, and I want, I really want to feel that way too. It would be easier if I could.” Believing this entire time that he truly loves her has been hell for you, but it’s still somehow worse to know that he doesn’t. That he did all of this, hurt you so deeply, for someone he doesn’t even love.
“As much as I’ve tried, I don’t. And I can’t,” he says, turning his gaze to the floor, “And if I’d ever thought that I had the slightest chance with you, I never would have dated her to begin with.” All these years, all those words, all the touches you’ve shared, and he’d still never taken you seriously. It’s not your fault, you know. But you realize now that for every time you’d indirectly confessed your feelings to him, he’d said the same things back. He’d returned every sentiment readily, easily. And as much as he’d apparently had the same idea as you, that the other could never love you back, you hadn’t seen it either. You’ve been just as ignorant of his feelings as he was of yours, just as deep in denial. And now there’s this rift between you, a deep chasm that keeps you apart, all for no reason.
“So, what now?” you ask. There’s nothing else to ask.
“What?” he seems genuinely confused.
“What now?” you repeat, too tired to be upset anymore, “You break her heart? Or do you keep pretending? Fake your way into a wife and kids and a house in the suburbs?” His confusion persists, tongue darting out to wet his lip the way it always does when he’s anxious.
“I thought–” he shakes his head the tiniest bit, as if he can’t believe what’s happening, “I mean, I love you. I want to be with you.” There’s a sadness sitting heavy in your chest, only getting deeper at his words.
“I love you too,” you say, tipping your head an inch to the right, perfectly aware of how melancholy your smile must be, “But you hurt me, and now you have to hurt her too. I thought you were better than this.” You’d thought the world of him. You don’t hate him now, could never force yourself to. But you are disappointed in how everything has played out.
“I thought you didn’t want better?” he says, not really a question. Your lips turn up another centimeter at that.
“Listen,” you say, turning the word back on him. You inhale deeply, exhale slowly. He stays quiet.
“The opportunity of a lifetime is on the other side of that door,” you gesture vaguely over your shoulder, then let your arms relax, your hands fall to your sides, “I don’t know what to do with any of–” you give another vague gesture, “--This.” The devastation is writ clear on his face, telegraphed by his posture, bared in the forefront of his miserably beautiful eyes.
“Out there?” you say, smile still in place, “I know exactly what I want. So I’m going to go get it.” you pause, take another deep breath, “And maybe you’ll be there tomorrow, and maybe you won’t.”
“I will,” he jumps in. You huff an almost-laugh.
“We can figure this all out later,” you say, sure a definite, “For now, I have to focus on the things that I’m sure of.” He nods, looks at the floor, raises his head and looks back at you.
“Did you used to be sure of me?” he asks, an uneven, shaky whisper.
“Yeah,” you say, your entire being feeling so heavy that you can barely hold yourself upright, “I used to be.”
September, 2023
While Brady had departed yesterday, Matthew doesn’t leave until tomorrow. It took some internal debate, but you’ve decided not to go along to drop him off at the airport. His family will think it’s weird if he doesn’t hug you, and you’re not sure if you can handle him touching you yet.
You’re curled up on the couch with a book, letting yourself get lost in the story. A knock comes on the door and you startle. You mark your page and stand, rounding the couch to open the door. When you do, Matthew is standing there.
“Hey,” he greets, giving you the same bittersweet smile you’ve become accustomed to over the past few weeks. You’d given him a key to your apartment right after you’d moved, but you appreciate him not using it right now. You welcome him in with a gesture of your hand, turning to lead the way. You get four steps away before he speaks.
“I broke up with Tessa,” he blurts out. He doesn’t seem happy about it, but he doesn’t seem particularly sad either.
“Why?” you ask, crossing your arms over your chest, “You’re that sure that I’ll take you back?” The anger comes and goes as it pleases, and it’s starting to sneak through the space between your ribs.
“No,” Matthew says, looking so unbearably fond of you, “I think you’ll tell me to get fucked.” Some days you want to.
“Then why did you break up with her?” you ask. Part of you has been wondering if, despite everything he’d said, he would stay with her. You’re not sure you would have been able to keep the conversation to yourself if he had, but you would have at least tried.
“Because none of this is fair to her,” he answers, shrugging, “She deserves someone who feels the same way about her that she does them. Someone who’s obsessed with her. She doesn’t deserve to be settled for.” You examine his expression, his stance, and realize that he’s truly being honest. He genuinely wants the best for her.
“How’d she take it?” you can’t help but ask. It makes him grin down at the floor for a moment.
“Honestly?” he asks when he raises his head, “Not great. Could have been worse, though.” As much as you love Matthew, you would have been proud of Tessa if she had slapped him.
“Probably should’ve been worse,” you reply. He grins again, tilting his head as he admires your face.
“Probably,” he agrees. For long moments, you both stand still, eyes locked.
“What now?” you ask, the same question as a couple weeks ago. He shrugs again, but he doesn’t seem as miserable or desperate as he had at the gallery.
“I don’t know,” he replies, that same phrase that you’re still trying to make peace with, “I know what I want. Same thing I’ve wanted this entire time. So I guess it’s up to you.” After three years of him encouraging you to give up control, to let go and follow his lead, he’s handing you the reigns now. However this ends or continues is completely your decision.
“You leave tomorrow,” you say, though you’re both viscerally aware of the fact.
“Yeah,” he gives you the crooked smile that had captured you the first time you’d met, “Don’t suppose you want to come with me? The winter weather’s nicer in Florida.” You let out a breathy chuckle, shaking your head at him.
“If you’d asked me that last summer, I probably would’ve said yes,” you admit. You kind of expect him to react with sadness, but you prefer the hope that blooms on his face.
“Maybe I’ll ask you again next summer?” he suggests, offering you the option. At this point, you have no idea where your relationship will be at this time next year. You don’t know if you’ll even have a relationship, of any kind. But if he’s willing to try, so are you.
“Yeah,” you nod, smiling wider than you have in a long while, “Next summer.”
June, 2024
The Hughes brothers are a funny trio. Seeing Jack’s upbeat, outgoing energy bookended on each side by two reserved, perpetually exhausted brothers is always kind of funny. You’d run down the pavement from the Tkachuk’s door to the driveway when you’d seen Quinn climb out of the car’s driver seat, immediately sweeping him up in a hug. The boys had decided to road trip around this summer, so of course you’d strongly suggested that they visit you.
You help them haul their bags out of the trunk, taking Luke’s backpack in hand and insisting on carrying it in for him. The three of them had started teasing you the instant they saw that Matthew hadn’t come out with you.
“Come on, I heard him at the All Star game,” Jack pesters, voice taking a mocking edge as he croons, “Sweet girl.” You laugh brightly, stopping the careful steps you’re taking backwards up the pathway to the house.
“We weren’t dating, I swear,” you insist. Plenty of people over the years have accused you of dating Matthew, but at least he’s funny about it. He stops in front of you, lifting his chin and giving a shit-eating smile.
“Wait, weren’t?” he asks, “As in, past tense?” You feel heat begin to crawl up your face. You’d intended to tell them, of course, but not the second they got here.
“Yeah,” Matthew calls from behind you, and you twist around to watch him close the space between you, “Past tense.” Jack’s glee is overt, but you can see the little signs of happiness on the other two boys’ faces too. Matthew lines himself up against your back, wrapping his arms around you, the gaudy Cup ring on his finger glinting in the light.
“Hey, sweet girl,” he murmurs, pressing a kiss into your hair. You can’t see him, but Jack’s smug face makes you sure that Matthew is staring straight at him. “My sweet girl,” Matthew says. It might be the best thing you’ve ever heard.
#matthew tkachuk imagine#matthew tkachuk fic#nhl imagines#nhl fanfic#the winter fic exchange 2k24#RI#andi's coping mechanism
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Random Star Trek TOS analysis: Spock & male gender expectations and stereotypes
I was recently discussing with my best friend his experiences growing up in the very binary “right-wing�� society. He expressed that he often felt ashamed of the fact, that he’s very emotional, soft person, with big interest in fashion and other things which stereotypically associated with female experiences (manicure, makeup, emotionally-driven literature, “girly” cartoons & shows, etc). He also shared that his male friends would rarely discuss emotions, feelings, and allow themselves to just feel, as it is not seen as “masculine” in the society we both grew up in, so he relates more to female experiences.
And we ended up talking about TOS and Spock. Because I am trekked in the head I guess, and he would also relate to Spock in this particular situation.
I’ve noticed, that despite the stereotype that men are not emotionally and physically gentle with each other, it does not coincide with what straight male writers and creators love to portray in male friendship driven media, which is often considered as an ideal. For example, Lord of The Rings comes to mind. It was written in the 30s-40s, and male characters are very gentle with each other and are open about their feelings with each other. They hold hands, kiss each other, cry. It is not portrayed as romantic or weak, at least, romantic possibility part is not portrayed so intentionally, and those tender relationship we can also observe in the film adaptations of the books.
Also, I’ve read a book by USSR sci-fi writers Strugatsky brothers, Prisoners of Power. USSR’s ideal of a man is seen as pretty stereotypical, BUT, it is actually far more normal for men to be physically affectionate in the Eastern European society. If you watch USSR 50s-60s films you’d probably be surprised to see men randomly kissing each other in the lips because, for example, they are happy… And also holding hands and dancing with each other if there’s no female partners is considered normal still. BUT still I was surprised by the fact that in the USSR book, male character Guy calls the novel’s also male protagonist Max “beloved” multiple times, and it literally says that “Max made him fell in love with him”. Of course, it could be intentionally romantic, as Strugatsky brothers were very progressive and critical about USSR, but the fact that censors said zero things about this very open tenderness between two male characters, in my opinion, says a lot. That at least it wasn’t seen as gay, and even if it WAS written as gay, which is obviously a huge possibility, this amount of love between two males was seen as normal or at least idealistic.
Watching Star Trek I realized that Kirk and Spock’s relationship do remind me of Max and Guy from this obscure Soviet book. If we go away from the romantic interpretation of the relationship, we can’t ignore that
1) Spock and Kirk’s relationship is often the focus of the show and a primal focus of the Star Trek films
2) Spock and Kirk are canonically soulmates and in The Search for Spock it is told literally multiple times.
Spock’s popularity as the character also proves his relatability to the audience, regardless of their gender and identity.
Roddenberry himself said the following of Kirk and Spock relationship:
“I definitely designed it as a love relationship. And I hope that for men…who have been afraid of such relationships…that they (Spock and Kirk) would encourage them to be able to feel love and affection, true affection…love, friendship and deep respect”.
You can also read this exact quote on Wikipedia. Star Trek is a highly idealistic show, as it portrays the perfect society, and in that society it is completely normal for men being emotional, open, and being open about their affection to each other.
But what does it all have to do with Spock and my friend’s experience?
I’ve concluded, that Vulcan society aligns with what society typically expects from men, or what many men feel it expects. In the beging of the show Spock experiences shame for the fact that he feels friendship for Kirk. Spock grew up in the society where emotions are seen as weak, despite the fact that Vulcans do feel emotions. A lot of emotions.
But the fact is, Spock is a VERY emotional and emphatic individual. He is half human, so he’s an outsider in his society. He cries mostly in the show, and actually he is very tactile with his friends despite that Vulcans like to keep their personal space.
Kirk, on the contrary, while being an officer, for whom it’s important to be collected and calm, and the situation often forces him and the whole crew actually to not let their emotions take control (otherwise they’d be screwed up) is pretty open about his tender side. With him Spock learns to accept himself. And he only becomes the closest to being happy, when he fully accepts his emotional side. Kirk is a pretty happy person although he has been through a lot, because he’s not ashamed of being a romantic, idealist and the person who can say to you quite easily “you make me believe in miracles”.
So, you can interpret Vulcan as a reflection of gender stereotypes that are imposed upon men, and the whole message of Spock finding the balance, is that to be happy is allowing yourself, as the man, to let those standards go. That being open about your emotions and tender side is noble, heroic, and masculine.
This interpretation is quite possible, as science fiction is created to analyze society and human flaws by allegories and hyperbole.
We, as society, still need to learn and we need to have such examples of healthy masculinity as Kirk, Spock, Bones (also Doctor of Doctor Who, Frodo, Sam, Aragorn from LOTR) and such characters’ popularity proves, that many men do experience the pressure, and do want to be open, they like it, it is healthy, and it’s their ideal. And Prisoners of Power I mentioned earlier is a very popular book in the USSR and in post-USSR as well, and is considered a science fiction classic.
It doesn’t matter if you read those relationships as homoerotic or not. The intention is, no matter what kind of relationship it is, it is healthy, manly and great.
Thanks for coming to my Ted Talk.
#star trek#star trek tos#st tos#james t kirk#mccoy#spock#jim kirk#spirk#tos spock#star trek spock#tos spirk#mister spock#s'chn t'gai spock#mr spock#the search for spock#Star Trek analysis#in this essay i will#mini essay#character analysis#I love analyzing shows#gender ideology#gender stereotypes#gender expression#expectations#thanks for coming to my ted talk#lotr
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WRITE ME REDSON X MALE READER 😭 DID I DO IT GOOD NOW!????
Red Son General Headcanons
Redson x Reader
General+Fluff Headcanons
Author’s note: Nuh uh you did absolutely TERRIBLE😡. I should just solve the problem and ban you from my account right now. You even went against my rules dipshi- [The requester and I are friends, don't cancel me]
Possibly OOC, but I tried. I had to depend on the wikipedia for information cause I've never even watched Monkie Kid to begin with. This was really just an exception for a friend of mine.
Redson/Reader [Romantic Tendencies]
[Gender-neutral Darling|Female Darling|Male Darling]
Potential ⚠️TWs⚠️ :
!Male Reader! • Paranoia
The level of priority towards reputation are often known to depend on a rank one was born into or the image they created for themselves over the course of time, which in this case is undoubtedly high... Redson has been shown to hold a lot of family pride and takes any chance to prove his authority over his subclasses. It's safe to say the the demon bull is likely going to have some difficulty swallowing his ego to allow emotional connections to grow and much less legitimise a romantic relationship with someone from the group he has grown acquainted with.
He can also be known to be rather petty and too prideful to accept his flaws. So if happens to be something that irritates you, you're definitely going to end up having one or more squabbles with the son of the Demon Bull King. Especially when it comes to Redson having a fierce temper and such, resulting in him trying to lecture you and get a completely insignificant point across. But I also believe you'd be more capable of keeping him in line instead of if you were to just go along with his behaviour. But it can also cause in a feast of awkwardness, as there have been several occasions where you embarrassingly have to hold Redson back from lashing out at a laughing MK and Mei for calling your arguments a lover's quarrel.
Though even with his high-and-mighty and hostile nature, it is important to remember that as long as a bond is formed, he won't ever actually harm or even remotely think of hurting you. Like, at all. He can be a bit bigmouthed at times, but many of his words should regularly be taken with a grain of salt. He is quick to snap at anyone from time to time, but I believe your presence would definitely keep him tame to a certain degree, as your mere existence just happens to soothe him. So on the bright side, you might be able to kick him off his high horse for the first time during his five hundred years of life.
I can picture Redson having grown up under a domain of regulation where females are generally and more often treated extra delicately due to being more ‘fragile’, so you can expect him to behave firmer, a bit more rough yet open to his real self a lot faster than if you were a female. He'll see you less as a ‘target’ for a lack of better term, and more as a comrade. Plus, if you were to give him the approval he lacked from his parents, it wouldn't feel uncomfortable as long as you have had the opportunity to create a connection. Though primarily, I cannot view intimate scenarios as anything other than plain awkward for a little while. You're gonna have to be the one initiating the hugs with him and give implications to get more touchy feely. Though when surrounded by eyewitnesses, he'll often still end up shooing you away ...you'll perhaps, just maybe absolutely get to hold his hand at most.
I mean, when's the last time you've seen somebody behaving sappy and all goo-goo with the literal son of the Demon Bull King out in the open? He just cannot allow it! Not only for the sake of his dignity, but also to keep up his image so you'll continue seeing him as an almighty demon who has an unnerving amount of political power over any lower rank. As far deep down, hidden within... he wants to appear and be so much more special to you than he'd be willing to admit.
If you were to lack in durability, fighting abilities or overall weapon skills, I can see Redson going out of his way to strictly teach you his ways of strength individually. Not necessarily in a sense to get you to his level, but in order to give you the capability to protect yourself. He would always be there to protect you with ferocious security at a moment's notice [and scold you afterwards for getting yourself in a dangerous situation], but he cannot help but doubt his abilities to ensure your safety at times. Along with fearing for the worst that one time he might not be there to save you. And this singular thought might just be what it takes to make him evaluate how he actually feels about you.
#lego monkie kid#lego monkie kid x reader#red son#redson x reader#red son x reader#lmk#lmk x reader#monkie kid#monkie kid x reader#male reader
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Eyes wide open (Daemon Targaryen x Reader)
Summary: As you settle into life as a married woman in Westeros, you try to escape and outsmart Daemon. It goes as well as one could expect.
Warnings: Kidnapping, forced marriage, violence, starvation, torturing (Not the reader, at least physically), gaslighting. Very much housewife kink.
A/N: I think you are not going to like this. Might be too much. If you think I missed a TW, please tell me.
Check the previous parts here.
It's not a fun affair, your wedding. Nor does it have many guests. There is a Septon, and Viserys. You would like very much to claw his eyes out. You are not sure if he is a guest or acting as another officiant, but you despise him.
Perhaps a witness. Who knows? Not you. You were not the most observant person on the planet, as the last few months had shown you.
Daemon waves over to some people entering the throne room. There are two young girls, and as they approach, you realize one is Alicent and the other Rhaenyra. In between them, probably to ensure the peace, stands the man from before, the one that tried to help you. Not the young one, the other. The one who was Hand.
Alicent carries a silver haired baby, perched on her hip. You wonder which one he is. The eldest? Maybe? The drunken one.
How disgusting can men be? Really. As Alicent comes closer and closer, the more she looks like just a young girl. Rhaenyra it’s not much older, either. Viserys deserves every second spent in suffering from his illness, marrying hid child's friend. Alicent regards you with sad brown eyes, no doubt pitying you. There is nothing she can do for you, though. Not at this time.
Perhaps you are judging him with modern morals, and she was not as shocked by it as you were. She probably expected it, considering medieval girls married young, and medieval men often did not. Yet, you cannot help but be angry in Alicent’s name. Here is another woman, like Rhea, like you. Trapped into marriage to a monster.
You want to scream and scream and never stop. Until your throat is unable to make more sounds, until you cough up blood and choke on it because surely, it is a better fate than this. A world without Rhea. You open your mouth, turning towards Daemon. A hand on your shoulder it’s all it takes for you to shut up.
Your experience in the throne room showed you all you needed to know. The more barbaric parts of Westeros, the ones that Rhea had shielded you from. In her castle, she did as she pleased. She was a married woman with an inattentive husband in the Middle Ages. Rhea had much more leeway than others.
In the end, what you had liked about Rhea had been that life with her was similar to modern life. Or what you think life must be like for aristocrats in the twenty-first century, only without phones and the Internet. You wouldn't know, having been middle class all your life. But if you closed your eyes, you could pretend you were back where you belonged. Rhea was as free spirited as any woman from your time, if a bit conservative. You never understood why she feared her husband.
Now you did.
Daemon had frightened you. It was just starting to sink in how much power he would have over you now. You were little more than property, and he had a right to discipline you as he saw fit. To take you as he saw fit. After all, marital rape here was no rape.
No one questions that you are being hand fasted with still cuffed hands. Rhaenyra glares daggers at you and at her father, no doubt hurt because of her crush on Daemon. How you long to have access to Wikipedia to see when she falls for Harwin Strong and stops hurting.
You can't make up your mind about if she is a victim too or not. Daemon has groomed her into wanting him. That doesn't seem right. There is no doubt in your mind about it. Her treatment of Alicent could be justified, too. In an internalized misogyny kind of way. But wouldn't that be taking away her agency? But judging Alicent as a victim only… Isn't taking away her agency too?
Can you truly judge them with modern standards? You never spent much time thinking about the ethics of fictional characters. You surely would have been more concerned if you knew what was going to happen.
Too in your head, you barely notice when it's time to say your vows. Daemon, ever dutiful, reminds you of it by unsheathing his sword.
Someone, probably Alicent, gasps. Then, she goes quiet. You repeat your vows, glaring at Daemon the whole time. You would find a way to escape. This was only a temporary setback. And he would hurt, the asshole.
You ignore the voice in your head that tells you it's no use. Not when you have already failed at step one. You have spent a year searching for a way to go back to your world, and have made zero progress. If you run from Daemon, what would you even do? If he found you, no Lord would deny the Prince his wife. He would just have to talk to the liege lord in charge of wherever you are hiding and ask you to be handed back.
Daemon leans in to kiss you. As soon as he is close enough, you bite with all your might. The coppery taste of blood doesn't dissuade you. You keep at it.
“Should have expected that.” He mutters, through a mouthful of blood. His lips don't leave yours. “You Royces are hostile environments.”
Despite being hurt, Daemon keeps kissing you, moaning into your mouth. You are uncertain if it is pain or pleasure. Disgusted by the thought, and the hungry way he licks into your mouth, you stop. He gives you a big grin and kisses you again, biting into your lower lip until he draws blood, too. You yelp, trying to push him off.
“A true Valyrian, this one.” He boasts, grabbing your waist. Viserys and Rhaenyra look transfixed by what just happened. Apparently, something on yours and Daemon's blood stained faces is of significance to them.
Alicent and the man look at each other. Suddenly, baby Aegon gives a tiny, uncoordinated clap. The rest of the guests follow, and you beg to the skies for patience and fortitude. It seems you will need it, with these in–laws.
The cuffs never come off. Daemon shoves you in a room. Feeling oddly like the ghost of the wife in the attic, you decide you need to plan. You have little to your advantage, here. Your hands remain bound, and there is nothing to use as a weapon.
Your head hurts. You have cried too much. First, mourning Rhea, then pitying yourself. No more. You have read enough novels and watched enough awful movies to know how this might end if you succumb to weakness. This is not a love story, and you won’t develop Stockholm syndrome. You refuse.
You will keep repeating this phrase to yourself in the days to come. Feeding your anger, your treatment is not bad. It’s probably a bad idea to alienate your captor, but you decide to go on a hunger strike. Despite how hungry you are, not having eaten since the day Daemon arrived at the Vale, you do not trust him to not drug you or poison you.
He might think you valuable, but he is also known for being a rogue. He might change his mind at any moment. If it were up to you, you would not drink water, either, but you know you can’t survive without it. So you drink as little as you can. It also saves you from the indignities of not having the privacy of a bathroom.
Daemon comes to you on day six of your hunger strike. You are weak as a kitten, and half delirious with thirst. You have lost quite a few pounds. Your head hurts, you are dizzy, you want to go home. Never had you been as starved as now, or as dehydrated. Modern life meant you went hungry to bed, sometimes. Either for your financial situation or because of diet culture. But you had never felt as weak. One thing was skipping a meal, another refusing food for six days.
He enters the room with another man, one that wears noble clothes, but you have never seen before.
“… Not eating. Nothing. And barely drinking water.” Daemon explains, approaching the bed. Too weak to really fight him, you conform yourself with sitting up. As you are, you cannot be any kind of serious resistance. It’s the first time he has seen you since the wedding and by the look in his face, you look terrible. “Cries in her sleep, too.”
The other man approaches you. He reaches a hand towards you, and you scream, backing up quickly and nearly falling off the bed. You don’t know who he is, but you know you don’t want to be touched. Panic bubbles up in your throat. Bound hands. No escape, no way of fighting back. Is he here to hold you down? For Daemon to…? The thought is too horrible to finish.
You scratch at the man’s face, trying to aim for his eyes. This close, you can tell he is older both than Daemon and you. He looks kind. But looks can be deceiving. You resume your efforts, as the man screams, and you feel blood under your fingers.
Daemon grasps at your shoulders, but you only trash more. It’s a weak attempt. His arm wraps around your waist, firmly.
“Seven Hells.” The older man mutters. You have managed to lift skin around his forehead, three clear impressions of scratches marrying his face. With Daemon holding you firmly down, the man presses down on your stomach. Then, over your womb. He examines your face attentively as he does so. You snarl at him and try to kick him off. Daemon’s grip gets harsher.
Is he going to sell you now? Is the man checking you over because he is a potential buyer? You would rather not be sold, and so resume your trashing. People trafficking was bad in your time. It’s even worse now, with no laws to defend you. You could become a slave, or worse.
The man, the slave trader, tries to check your teeth. You bite down on his fingers hard.
“Your wife appears to be fine, physically.” The man finally says. A doctor? Healer. Physician. Whatever they call them here.
“Fine?” Daemon asks, tone absolutely enraged. “Fine! She is starving to death.”
“Her ailment is not physical. It’s grief and rage.” The healer, as you have now decided to call him, answers in a soothing tone. You wonder if he was chosen to visit you for that reason. Both you and Daemon must be maniacs in his eyes. You can’t bring yourself to care.
“I see.” Daemon says, tone dangerously low. Then, he grabs you by the cheeks and forces you to look at him. “What do you think you are doing, refusing food? Are you trying to kill yourself?”
You grin at him as best as you can with him squeezing your face. He makes a frustrated noise.
“It’s called a hunger strike.”
“Strike? Strike?” Daemon shouts, shaking you harshly. You let your body go lax, hoping it makes you less dizzy. You feel like you might pass out. “What in the world does that mean? You little…”
“My Prince…” The healer sounds concerned. “She looks like she is about to throw up.”
“Hell if I care!” Oh, it seems like you really angered him, you think to yourself. The thought feels distant and cloudy. Your vision starts to blur. Are you about to pass out? A sharp sting to your cheek brings you back to your senses. You blink, trying hard to focus. What have you done to yourself? Daemon has his hand raised, as if about to slap you again. The healer is making distressed sounds. “Listen to me, little brat. You will drink your tea and eat, or else I will force food down your throat until you choke.”
Your eyes nearly bulge out of their sockets. You start shaking your head.
“Broth. She will have to have broth, if you want her to be alright. Her stomach will be unable to handle more at first. We can lace it with Milk of the Poppy.” The healer says, in a low voice. It’s clearly aimed at Daemon, but you sit up straighter. You recognize that name. It was something like an opioid, right?
“No, no. That's a sedative. No. I don’t want it. You will poison me.” You start tearing up in sheer terror. Panic is choking you up, making you unable to think clearly. Daemon laughs, humorlessly.
“That’s the problem?” Daemon’s voice is harsh and loud, making you wince. He grabs a carafe of water sitting on your table. He takes a big gulp, making sure you see. Then, he passes it to you. His hand goes menacingly towards his sword. With no other choice, you drink. That’s how your hungry strike ends. Defeated not even a week in.
It takes you a few days to go back to your previous strength. Daemon’s visits become more frequent. He eats with you twice a day, always tasting before you the nutritious broths and milk glasses you are given. With no excuse and under his watchful eye, you have to eat.
As you recover, you get the strength to explore. Your new rooms were not bad. It could even be called a vacation. You didn’t have this, with Rhea. You had had a nice room for a servant, which was in reality a normal room for a person of the twenty-first century. A bed, a small table and a chair. With a window because you had told Rhea you were unable to stand closed spaces.
This room was not like it. There was one window, high enough for you to need a chair to reach it. You had no chair or table, only a bed. The bed was comfortable enough, the room spacious. It allowed you to pace a lot. You had books on Old Valyria, written in High Valyrian. If you thought Middle English was hard, it was because you had not met this terrible language.
You were determined to crack it, though. If High Valyrian was the Westeros's equivalent of Latin, perhaps you could find something more about how to get back to your time. All books of greater knowledge had been written in Latin, that you knew. It had been the language of intellectuals. Perhaps High Valyrian was the same.
It provided a good distraction, seeing as the room was bare aside from the bed and stack of books. And… Well. The candles. It looked more in here like the altar of a church, with how many there were. There was also incense, always burning. Perhaps as a way to amplify your powers because you had not seen anything like it during your year in Westeros. You wondered how much it had cost.
Your powers. Good God, what a joke. You had tried telling Daemon and Viserys, but it was no use. At most, they patted your head and said the poor little dreamer was confused with so many visions of the future. No one would listen to you.
Both of them seemed to think there was something sacred in you. Daemon had gotten you new clothes, thin white shifts. To you, it looked like a sluttier version of a roman toga.
“As the priestess of Old Valyria used to wear.” Daemon had proclaimed, proudly. You had rolled your eyes, but you were soon wearing them. Your clothes just got too dirty to stay in them, and the silk felt cold and soft on your overheated skin. Allowed only one bath per week, there is not much you can do about your cleanliness apart from changing clothes.
It takes time, getting used to your own skin again. After a year of nearly wearing as many layers as an onion, you were back to simpler clothes. No undergarments had been supplied, but you couldn’t stand the feel of your dirty ones, too worried about getting a UTI and dying because there were no antibiotics here.
Daemon visits you daily. He sits there and stares, fascinated by you. As if you were an exotic animal. It’s one of those days when you speak your first word to him. It’s difficult to build the courage for another escape attempt.
“I was wondering if I could have some ointment for my wrists.” You say, very quietly. He is sitting cross-legged on the floor, staring at you with absolute fascination. It’s a bit creepy. “My Prince.”
That’s what you have heard other servants call him. You are uncertain if you should do as Rhea did and call him husband. Both of them had had rather creative nicknames for each other and so, whatever protocol they used might be incorrect.
Rhea. Poor Rhea. You don’t want to share her fate, but you would rather not surrender to Daemon either. You feel guilty for even thinking about it.
Rhea appears in your dreams, every night. Her laughter, her voice, her corpse. Did he cremate her? Bury her? You can’t remember, and no one has told you. You wish you could visit her resting place, perhaps leave her flowers. Maybe get her advice. You miss it dearly.
“What's wrong with your wrists?” Daemon steps towards you, and you flinch. His past treatment of you is still too fresh. He is a ruthless man, you remind yourself. Play nice.
"They are sore.” You try to look relaxed, forcing the tense line of your shoulders to drop. Relaxed. Nice and pliant, for your psycho husband. Polite, and just the slightest bit whiny. He fetishizes immaturity, you remember. Younger girls. Laena and Rhaenyra both were. “I have been chained up for days. I don't want the cuffs to cut my skin, I might get an infection."
He takes your wrists in a very gentle grip. You don’t know why, but his hands on the cuffs make you start to tear up. Too much. You are overwhelmed, suddenly. It’s as if the grief has come crashing down all at once.
“You hurt yourself.” Daemon says, looking at your wrists from all angles. There are raised lines on them, from all the tugging you and him had been doing. “I’ll get you softer ones.”
He brushes a thumb over your cheek, and you sob even harder. Daemon does not seem bothered by your fear or your tears. No. He presses his wet thumb to his lips, as if he is barely conscious of it. It sparks an image in your mind. Under him, crying, his lips drinking up your tears.
You shake your head, as if you could vanish the image from your mind. You need to be on your best game, tonight. Head clear and not scared anymore. Fear clouds the mind, and you can’t afford that if you hope to deceive him.
“You don’t want softer cuffs, Dreamer?”
You don’t answer. You give a tiny sniffle.
“I… I miss my sister. I miss my home.” You look up at him, with a tear stained face and big sad eyes. Daemon brushes your cheek, again. “I want to go home.”
“You have to be calm, little one.” He whispers, kissing your forehead. You feel cold all over, as if submerged in a pool of despair. Focus. You need to focus because you can tell he is close to breaking. You need to take a mile when he gives an inch if you want to survive.
“I wish to go home.” You repeat, starting to pout.
“This is your home now.” Daemon kisses your cheek, softly. You whine, low and sad. All bratty princess. You hope he falls for it. Daemon’s non-existent brows pinch together. Hook… Line… “What about this? If you are good, and share a useful secret with Viserys, we can go back to Runestone.”
Runestone! Finally, finally. To be near Rhea and perhaps the chance to escape. You have him. You have him by the balls, and he doesn’t know it yet. Fool.
“I’ll try, husband.” You force yourself to smile, as if you were the happiest girl in the world. He looks pleased.
You wait a few days to drop the bomb on Viserys. It would do no good, if you share all your limited knowledge of the Dance and end up losing what little leverage you have. It wouldn’t be good, either, if Daemon thought you could summon visions at a whim.
“Alicent will misunderstand your words, and Otto will take advantage of it to place Aegon on the throne. He will grow into a fine drunk.”
As Otto Hightower falls, you rise. It feels like a dirty thing to do, but you want to go back to Runestone more than anything. You know the terrain there, you could have a chance at escaping. From what you remember, Otto’s only sin had been being too ambitious and pimping Alicent out. But he is Daemon’s enemy, and if you drag him down, it pleases him. A pleased Daemon is a better Daemon. He gets sloppy when he is smug.
Daemon has no choice but to take you back. Dreamers must be kept calm and cared for. And you would be very upset if he goes back on his word. Your power could wane. You make sure this is clear to him.
It’s back at Runestone he makes a mistake. He has had the guards that opposed him replaced. But he has given no thoughts to the servants.
Mina is the one assigned to serve your food, out of all the kitchen girls. Perhaps Daemon handpicked her because he thought her easy to intimidate after their first meeting. Perhaps it’s just sheer luck.
“He has ordered for you to have a special diet, milady.” She explains, as she places a tray down by your bed. You have yet to acquire a table, Daemon thinking it too much of a risk. He has no idea.
“Mina, I’m not…” You hurry to correct her. You would never want to be called by Rhea’s title. It feels like disrespecting her memory. And it’s strange, too. To be treated with such deference. Not even in your time had anyone treated you as if you were royalty.
Had you pulled a similar stunt as you did with the healer with a doctor, you would have probably been institutionalized. If the doctor didn’t press charges for assault and battery first, of course.
“Not a Lady? You own this castle. That man might be parading around like a peacock, but I much rather serve you.” Mina says, sitting on the edge of your bed. She is not meant to, but neither of you care. This is the only normal conversation you have had in nearly a month.
“What’s all this about?” You point at the tray, when it’s clear you won’t be able to convince her. It’s filled with a strange array of food. Used to your broths and cups of milk, and light soups and bread, you wonder what this is all about. There is a cup with warm milk, as always, but this time smells of clover. There are also eggs, and seafood.
“They are meant to stir desire and aid conception.” She points to each item. “It should all be eaten warm, or so Thea says. Else it will cool you.”
“I think I will never…” You start saying, but Mina grasps your hands, urgently shushing you. Her jaw jutts towards the door, seemingly aware of something you are not. Heavy footsteps. Boots. They pause at your door, before resuming their path.
“Don't say that. Don't. We might joke around about it, but he always gets his way. Men like him, they don't know how to lose.” She whispers, urgently. Trying to look out for you. You think of the possible consequences of saying such a thing in front of Daemon. It’s not a pretty picture.
“They really don't.” You agree, sadly.
Daemon does not know how to lose. That much is true. But neither do the two of you. It is only a week before Mina slips you the key to your room, taken from an unsuspecting guard.
It’s not easy, waiting for the right time to use it. You have to do it before breakfast is served, so no one notices the key to be missing. Acting too soon means endangering Mina and you.
The hour of the witch, then. Fitting. These people actually believe there might be ghosts roaming the halls at three am. With your white shifts and chains, you could pass as one if not looked at closely.
When the sky looks dark enough, you open your door and run. Runestone is silent, in the quiet of the night. Servants would rise at the first rooster's crow, you know because you used to, the first days before meeting Rhea. You make sure to stick to their passages and corridors, and not the main ones, less some guard is still roaming the halls.
It feels like an eternity, the time spent running as silently as you can. Your pulse pounds loudly in your ears. When you finally exit the castle, you nearly sob in relief. It’s astonishing that no one has caught you yet.
Now comes the hard part. You have to find a way to get out of the Vale, fast. Somewhere far enough that Targaryen influence will not touch you. And get rid of the cuffs while you are at it.
Rhea had a hunting lodge, on the edge of the grounds. There she kept all sorts of weapons and knives to skin animals with. Perhaps something there can be useful to break your chains and protect yourself while on the road. You decide to head there, but do not dare take the path, afraid of discovery.
The moon shines brightly, the sky clear. It’s a good night to escape because you can actually see where you are going. You know the forest, having rode with her many times through it. Even if you found hunting disgusting, Rhea liked to take you with her. If you go through it, you could get where you need to be and avoid the path.
You give yourself a silent pep talk, reminding yourself that at least the grass and moss will be gentler on your feet than the earth. You try to ignore your doubts about if you will actually be able to get there, reminding your way in the middle of the night.
As soon as you could, you were so getting shoes. A sudden, shrill screech makes you rush into the forest, hoping the darkness conceals you. You know that sound. Caraxes. He shouldn’t be here. The dragonpit Daemon had ordered to build for him is on the opposite end of the grounds, to avoid him setting the whole forest aflame.
It can only mean two things: He either escaped or Daemon took him out for a ride. Neither are good for you.
You pray to whoever that’s listening to cloak you, let the darkness be enough to be kept unseen. Your heart beats even faster, muscles tense and ready to dart away. Ducking behind some bushes, you try to muffle your breath with your hands, silently starting to cry.
It’s not quiet enough. The tree next to you catches fire, and you scream. You were so close! So close, you could almost taste freedom. And it was taken away from you, again.
“Ah, Wife! Come to lure me back to bed?”
You shiver. Daemon urges Caraxes to fly lower and extends a hand in silent demand. He can’t actually land here, not without ruining half the forest. But it’s clear what he wants.
Is there something more terrible than being forced to climb back into your captor’s arms, with bound hands? You don’t dare ask. But probably. You don’t want to know what he will do to you in punishment.
The scandal rises all the castle. Confused servants and guards pour out of the rooms to watch the ruckus occurring in the dining hall. You feel absolutely humiliated, in the sheer shift, barefooted and dirty, while Daemon scolds you as if you were a child.
“What in the Seven Hells were you thinking?” He shakes you, roughly. For a moment, you fear he might kill you right there. You look at the crowd of servants and shrink into yourself. Daemon follows your gaze.
“Ah.” He pulls out a chair and pushes you to sit there. You go meekly, too embarrassed to drag it further. You feel like you stink of failure. Slowly, with each thwarted escape attempt, hopelessness is starting to take hold of your heart. “I suppose I can't blame you, for taking an opportunity when it arose. Question is…” Daemon pulls another chair and straddles it backwards, perching his chin on the backrest. He glares at the servants. “Who allowed it?”
The servants stay in silence. You close your eyes fearing giving Mina away. No one speaks for a long while, all of you frozen in the face of Daemon's rage. His chair creaks when he gets up. You keep your eyes firmly closed.
There is a sudden weight in your lap. You open your eyes and there is Mina's terrified face, looking right into yours.
“I have found a traitor. Do you know what happens to traitors here?” Daemon asks you. Your eyes widen. You shake your head. “Oh, I think you do, Lady Wife. But I will be merciful. After all, she is your little friend.”
He gestures for a guard to approach. The man does, and Daemon whispers something in his ear. You look at Mina, still on your lap, whose lips are silently moving. Praying. You squeeze her hands. She squeezes yours back. She can't see that the guard has returned with a whip.
You try to say something, but Daemon is faster. He cracks the whip against the back of her nightclothes, which do little to soften the blow. Mina's eyes widen, filled with tears, and she screams loud and shrill, nearly falling off from your lap.
“I'm thinking… Fifty?” Daemon smirks, raising the whip again.
“Daemon, please.” You beg, as Mina desperately clutches at your shoulders.
“I'm not really in the mood to listen to you.” Daemon brings the whip down again, making Mina scream. Oh, how you regret now trying to escape. You should have never tried. “Next time, do not be so familiar with the help.”
The next time he hits her, it's you who starts crying. Mina shakes her head and pinches you, but you still beg.
“Daemon, please. Please, no more.”
He ignores you, cracking the whip again. You scream with her. The coppery scent of blood fills your nostrils, and you know he has to be hitting the same spot on purpose because there is no way he is drawing blood this soon without being cruel. The next time the whip goes down, you throw both of you on the ground, trying to protect her from more hits. The whip hits you around the shoulder.
“You just never learn, do you?” Daemon pulls you off Mina, kicking and screaming. “Willing to do anything to protect this whore who has done nothing to help you.”
“Please, please. I will take it for her. Please, she only got me the key, surely that's not…” You keep on pleading because while you might not have known Mina a lot, it was a horrid thing, watching someone be whipped because they tried helping you. Her only crime was trying to do the right thing, when no one else dared to. Bravery.
“Oh? You wish to trade places? As if you were some worthless little whore?” Daemon taunts, still holding you in his arms.
“Daemon, please.”
“You are my wife. Perhaps once you were to be a worthless little whore. But you are mine, now.” His hand brushes the curve of your neck. A threat and a caress, all rolled into one.
“Something else! Something else! We can negotiate, please.” At this point, you would agree to anything, desperate as you are to save Mina’s life.
His eyes glimmer. He has what he wanted.
“Put the girl in the cells. I will see to her in the morning. Right now… I have to tend to my wife.”
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That moment you find out the girl you’ve been seeing is famous - for being a 130-year-old missing persons case with an entire "theories and speculation" section on Wikipedia.
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Yes, I made Lilith a Wikipedia page because I'm just that extra. If you want to read it (I threw in some new information), you can find the whole thing following the transcript below the cut.
Real-time footage of Helena researching:
[Snippets of Caleb's letter echo in Helena's mind] I will put it to you bluntly: Lilith and I have been vampires for some 100 years. Faced with your otherwise certain demise, I chose to make you one too. You may not believe me. It will feel like a bad flu for a day or two; then it will feel like the heat of 1000 fires blazing inside. I very well knew it would turn you into a monster against your will.
Helena, thinking: It's just a hangover, Helena. It's just a hangover. Yeah, that crazy bitch bit you, and her crazy brother wrote a dumb letter to scare the shit out of you. But vampires aren't real.
Thank god Ulrike left all these fucking tarps. This sunlight is murder on my eyes.
Several internet rabbitholes later... [Helena scanning Wikipedia page on computer screen] Last seen alive March 16, 1918... disappeared under mysterious circumstances... seemed to fall ill... Tangled Vines... immortal vampires... This can't actually be her. It's impossible...
Lilith Violetta Vatore (December 2, 1891 – last seen alive March 16, 1918) was an heiress and socialite who disappeared under mysterious circumstances at the age of 26 along with her brother, Caleb Vatore, 24. Before vanishing, the siblings were poised to jointly inherit the Vatore fortune, home, and 100-year-old vineyard and winery. This was considered unusual for the period, as family property, wealth, and business interests were often only passed to women in the complete absence of a male inheritor.
Despite societal expectations, Vatore reportedly had little interest in courting or eventually marrying. She was said to have rebuffed dozens of engagement offers, much to her parents' dismay. However, she rarely turned down an invitation to a ball, and her baldly flirtatious escapades were frequently reported on in society columns. One such columnist wrote that she "bandied about in a bold and bawdy manner most unbecoming of a respectable lady, laughing uproariously, drinking excessively, and making coy conversation with every handsome man in sight." Some historians suggest based on a series of candid letters from Vatore to fellow socialite and confidante Prudence Crumplebottom, donated to the University of Britechester by Crumplebottom's daughters, that she may have preferred the company of women in private.
The Vatore siblings were said to be so close that one was rarely seen without the other. The society columns were not kind to Caleb Vatore, calling him a "poor chap" who seemed "nothing more than a playmate, servant, or lapdop, his role at any given moment wholly dependent upon his dear sister's whims." Little is known about his personal life.
In the days preceding the siblings' disappearance, Vatore seemed to fall ill. She sequestered herself to her bedroom, allowing no one but her brother to enter. On the morning of March 16, a maid found Caleb's chambers undisturbed, and Vatore's locked bedroom door was forced open, whereupon she was discovered to have absconded in the night, along with her brother and her finest jewels.
Various court battles ensued over the fate of the Vatore estate, and interest in the siblings' disappearance was briefly renewed when their alleged children materialized in the mid-1950s. However, the entire ordeal all but disappeared from public consciousness until the recent publication of Tangled Vines: A Complete Investigation of the Vatore Disappearances by journalist Salim Benali. Benali posits that the Vatores are immortal vampires who still live today, and though some scholars find elements of his research intriguing, others dismiss his argument as an elaborate, attention-seeking hoax.
#ts4#sims 4#sims 4 story#ts4 story#simblr#helena zhao#story: hzid#as unbelievable as it may be i love the idea of the vatores being minor historical figures who should be long dead hiding in plain sight#helena probably should've done this before the party and saved herself the trouble#but to be fair i don't think she knew lilith's last name
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🤕 No pain, no gain 🤕
There's an old saying that goes something like:
You know, the idea that everything ultimately has a cost and nothing in life is truly free.
In this context, the comment @auburncurlslass under my Saturday note gave me food for thought:
Another thought…..how did the B list actress score a seat next to the lead A list actor?? Does Bradley really know Caitriona? If so, how or what is the connection?🧐🧐🧐🧐
*** *** ***
Perhaps my reasoning is too simple, too simplistic. Perhaps the flow of my associations is also too simplistic, perhaps by simplifying I am making a mistake in my reasoning. I take this into account. Especially since I'm making my argument based on a few photos published on Instagram, not based on hard data. But what do we see from a few photos on Instagram?
(By the way, let's not forget that Sam flew to the USA at the time, so there's no doubt that Sam and Caitriona lead completely separate lives and have nothing in common. After all, nobody remembers that they both dropped off the radar in previous weeks. Sure, they weren't in the SM, but they couldn't have been together in real life at the time, as they lead completely separate lives, as they have repeatedly emphasised).
*** *** ***
Well, the course of events, reconstructed from several photos published on Instagram, is that on Wednesday 29 November 2023, Caitriona was standing (with a strange expression on her face) next to a half-dead and unwashed PA (a man who has always and for years had no career and no social media presence). She allowed her (and her PA's) photograph to be taken and published by GettyImages.
They appeared together at the special screening after party for 'Leave The World Behind'.
By the way, isn't the title significant?
This is proof #1.
*** *** ***
Two days later, on Friday 2 December 2023, a completely transformed Cait, with a beaming smile on her relaxed face, poses for a photo with the actress who plays one of the main roles in the film 'Maestro', Carey Mulligan.
We later learn that Cait was invited to an 'intimate lunch' organised by agency Finch+Partners to celebrate #MaestroFilm, directed and starring Bradley Cooper.
[Side note: ‚Maestro’ centers on the relationship between American composer Leonard Bernstein and his wife Felicia Montealegre. The film stars Carey Mulligan as Montealegre alongside Cooper as Bernstein. The film was scheduled for a limited theatrical release on November 22, 2023, before streaming on Netflix on December 20. It received positive reviews from critics. Source: Wikipedia]
During the lunch, Caitriona sits at the table next to Cooper, in front of Carey Mulligan (can you think of a better place to sit at the table?) and laughs at the jokes Charles Finch tells. How did she get there?
This is evidence #2.
Of course, there's no sign of the PA at lunch, it's a meeting in a small circle of trusted people. Caitríona doesn't flinch nervously, but laughs out loud.
*** *** ***
I search Google for a while. The agency Finch+Partners has Lionsgate as a client.
As well as Chanel and DeBeers, among many others.
The connection between Finch+Partners, Cait and Lionsgate is obvious.
Could it be that Wednesday's PA photo was the price she paid for the opportunity to have lunch with Bradley Cooper?
No pain, no gain. And there's no such thing as a free lunch.
The Finch+Partners connection to Cait, Chanel and DeBeers is more fun.
It leads straight to Eleanor May Tomlinson, 31, an English actress.
After all, both Cait and Eleanor are kissing the same guy. This is bound to lead to some amusing associations.
... like the same jumpsuit from Finch+Partners client, Chanel.
*** *** ***
And two years earlier, a shared presence at DeBeers Jewellers London Flagship Store opening event (24 November 2021):
Without a doubt, this is a small world.
💰💰💰
And you see: obedience pays.
If you know your place in the ranks, listen to your bosses and stick to the script of your life written by psychopaths, you can expect to reap the rewards.
Lunching with Bradley Cooper.
Wearing the beautiful clothes of Chanel.
[December 4, 2023]
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Third time's a charm, I suppose
I have addressed the Gay Troll problem at least twice. First time, here, when I explained how the open source content of the Wikipedia entry for SRH has been doctored and tinkered with, in an attempt to provide some sort of 'self fulfilling prophecy' evidence towards that particular troll's agenda: https://www.tumblr.com/sgiandubh/729380092203122688/autopsy-of-a-gay-lie-the-wikipedia-trail?source=share (September 2023). And then again, more briefly, this spring, when I was very surprised to find a childish nickname I gave to a particularly clingy 'paramour,' where I least expected it - on Data Lounge: https://www.tumblr.com/sgiandubh/744961079626678273/fool-me-once-fool-me-twice?source=share (March 2024).
What makes Data Lounge particularly crass is the zero accountability policy. This seems to be explicitly encouraged by the website, with no visible usernames and apparently no traceability of its submitted content. Literally anyone can go there and label anyone else (well, you'd have to be at least a C-lister to make it), often with crude innuendo and always with zero evidence. The dynamic seems to be an endless tug-of-war between an ABG (Anything But Gay) troll, who furiously reminded many of a well-known Tumblr cuckoo and two (three, at most) ABS (Anything But Straight) users, who constantly call her names. Actually, this is how I dubiously educated myself into knowing what a frau (which I think comes from the benign German noun Hausfrau, or housewife) means:
[Source, LOL: https://www.urbandictionary.com/define.php?term=frau)
Parts of this long submission sounded familiar, though:
(Source: https://www.datalounge.com/thread/32646548-closeted-outlander-actor-sam-heughan.-part-21)
LOL, really? Compare and discuss, please:
(Of course it's me! https://www.tumblr.com/sgiandubh/756524589763477504/hello-i-have-a-new-drinking-game-suggestion-if)
Until very recently, Data Lounge Anons were endlessly quoting the Fascist's and the Gay Troll's blogs only, in an attempt to show there is a debate on their obsessive topic, after all.
But desperation must be skyrocketing, since they now started to quote a (why be a hypocrite?) widely read shipper (!) blog, who never wrote anything but the contrary of what they stand for. It's not even flattering, guys: it's so lame, I could cry.
So, let me get this straight, here (yeah, pun totally intended): is this (part of) your intel? My blog?
Excuse me, but 🤣🤣🤣🤣🤣.
Sweet Lord on a motorbike, some people are in dire need of a life of their own!
Forgive me, Father, for I have just sinned - but I swear it was for the cause! 🤣🤣🤣🤣🤣
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Vertibirds. 🚁⚙️🗡️🪽
So every wastelander and his dog know that the fallout 4 vertibirds crash more than settlements need help. But why is that? Here's my 2 caps on the matter. (Or: Bethesda doesn't understand aviation very well I think)
( So uh this is way longer than I expected, I was possessed🚁☢️:] )
TLDR: Horrific conditions for aviation, the difficulties of wasteland heavy maintenance, inexperienced pilots AND mechanics, and the WORST damn instrument layout I’ve ever seen
The Vertibird is designed as a fictional tilt rotor VTOL/STOL(Vertical/Short Take Off and Landing) aircraft which makes a ton of sense in the wasteland where suitable runways are rarer than hens teeth. One of Bethesda's primary visual design influences for the vertibird I suspect is the bell boeing v-22 Osprey.
This funky creature \/
This photo is from the Wikipedia page >Here< [ID: a photo of a v22 osprey aircraft in flight as seen from below and to the right, the aircraft is a medium tilt rotor aircraft with very large propellers, the aircraft is current in vertical take off or landing with the engines pointed straight up. The landing gear is extended, the aircraft is painted in air-force grey with the faint decal “marines” and the American army star on horizontal stripes and the squadron and registration barley visible on the empennage. The cargo and forward doors are open and a soldier is hanging out the front. End ID]
Now the Osprey has a bit of a reputation among people I’ve met who’ve flown in them, I've personally been told things like "if it's not leaking hydraulic fluid, that means you're out of fluid" and "its terrifying to fly in".
My screenshot. [ID: A screenshot of a fallout 4 vertibird, seen from front left in flight over bushland. the Player is manning the minigun and Paladin Danse is a Passenger. End ID]
Looking at the Vertibirds themselves we can make a few assumptions here.
The shape of the cowling and the noise they make indicates that the engines are some form of turboprop engine, likely requiring liquid fuel akin to Avtur(Aviation turbine fuel). Confirmed by the Instruments visible in the cockpit.
The most weight efficient way to move big parts is hydraulics so, they likely have complex hydraulic systems for wing positioning / AOA(Angle Of Attack) / engine angle. Likely also for landing gear since they have retractable gear in fallout 4.
That the BoS has modified them from the original design at least partially, allowing attachment to the Prydwen, likely other modifications too.
I strongly suspect that they have an APU(Auxiliary Power Unit) in the aft fuselage / empennage somewhere, since they have a massive air intake scoop on the top fuselage, they can self start their primary engines which either requires a ridiculous amount of electricity / amps or a source of bleed air. Bleed air is the most likely candidate for self start and is reasonably common on real turbine aircraft, APUs also allows for ground power without having primary engines running. Also confirmed by the instruments in the cockpit.
All of these points are well and good and common in aviation, even modifications (ie. STOL kits, survey aircraft, agricultural mods, skiis, ect). But modern aviation has some advantages that the BoS doesn't have: access to new off the shelf parts, proper verified documentation, proper test processes & facilities, and experienced personnel.
Don't get me wrong, I think Proctor Ingram is awesome, very knowledgeable and practically a miracle worker (especially with that one terminal entry about an engine failure field recovery she pulls off!!), but one chief engineer cannot maintain an entire fleet AND the Prydwen, she comments on how things are breaking often on the ship that she is very busy! Training of new engineers takes *years* to even get to basic level! Ingram can’t train anyone she is too busy keeping everyone in the air 24/7! So who is training all of these scribes? There must be a huge amount of time teaching and supervising even simple tasks! Even at their best the BoS wouldn’t be able to hope to be near the prewar standards of training! Even Ingram or other senior scribes would not be thaaaaat experienced, 10 years is not a long time to completely learn a new aircraft and implement systems & processes of maintenance. The point here is that there are inexperienced scribes maintaining these aircraft.
WOLRDS BEST CHEIF ENGINEER ❤️ \/
My Screenshot. [ID: A screenshot of proctor Ingram from fallout 4, she is standing in the Liberty prime control area. She is smiling. She is wearing her usual modified power armour frame. Preston is visible in the background with a clipboard and pen, he is wearing woody’s outfit from toy story. End ID]
Heavy maintenance in the wasteland, especially in an active combat zone would be an absolute nightmare, are the poor scribes doing overhauls on the flight deck?? Not really possible, so the BoS must have a ground facility at the airport somewhere. Also side note where is the rest of Boston airport? There is more to an airport than a terminal and 1 runway, where are all the hangars?? Likely underwater but still, no ruins??
Back to maintenance, aircraft need a huge amount of care, way way way more than cars do. light civilian aircraft IRL need a full inspection every 100 hours of flight time, which adds up incredibly quickly! For example if you have a one hour commute twice a day that’s MR(Maintenance Release) hours reached in 50 days! You legally cannot fly out of hours. And a service for small aircraft takes about 3 personnel / 2 days and that’s without any major repairs or ADs (Airworthiness Directives) to address! $$$$! Aircraft operating in adverse conditions also need additional maintenance, and coastal areas like Boston, are considered adverse conditions since the salt air corrodes aluminum and steel like nothing else! Corrosion untreated will damage your aircraft and if left too long can destroy the structural integrity of aluminum parts. The spars of aircraft are aluminum often!
My photo. [ID: The inside of a Cessna 172 wing trailing edge is shown looking inboard at the aft root rib, which is primer green, it is backlit by torchlight, the fuselage and a orange scat hose are visible behind it, it has 3 irregular shaped holes in it, 2 are by design but the third medium sized hole in the center of the image is eaten away by corrosion. End ID]
Vertibirds, between being shot at constantly and having a complex deign with a lot of precision moving parts will need a lot of repairs; moving parts means lots of upkeep, grease and inspections! The BoS by 2287 must have some sort of manufacturing back in capital, they cannot still be using old parts from the enclave after 10 years of maintenance, that’s a lot of grease, paint and hydraulic fluid!!!
The BoS must also have a refinery of some kind because Avtur is a refined fuel with some important additives like biocide. Manufacture and storage of fuel is very important since fuel contamination will bring down an aircraft! (and has multiple times IRL! :[ ). Water, microbes, and algae are real dangers to engines, with free water being the most common. Poorly sealed tanks or improper fuel storage combined with a incomplete or missed pre-flight inspection can lead to fuel starvation, since water is heavier than fuel and tank outlets are at the bottom of the tank. If you loose an engine on a twin, may God help you.
This image is from Concordia Bioscience >Here< [ID: A photo of a sample of pale yellow Jet fuel in a clear container, the sample is contaminated with water and microbes and has separated into layers with water at the bottom, then microorganisms, and then Fuel at the top, the image is labeled as such. End ID]
Getting to the most likely crash reasons now (finally), In my opinion that is inexperienced pilots and; a horrific instrument layout.
While there must be some lancers in the BoS that have been flying for the whole 10 years that they’ve had Vertibirds, I think that is likely the exception not the rule, even if they crashed a fraction of the time that do in game that’s still A LOT of downed aircraft!
Experience is only gained in practice, and unfortunately for the BoS they are (self-declared) at war so resources are thin and safe zones are thinner. I suspect that there are a lot of very inexperienced pilots without the time for the experienced pilots to really teach.
Linking to my final point, experience on an airframe itself is also important, you want to be familiar with your aircraft, even among a group of the same model aircraft they will each have quirks, like slightly different instrument layouts, slightly different handling/feel i.e. "this one flies heavier / slower" (at least that's my experience with smaller civilian aircraft) I imagine that the apocalypse did nothing for improving manufacturing tolerances!
FINAL AND MOST DAMNING POINT:
Experience can only help lancers so much when veritibirds have such a strange instrument panel layout:
My screenshot. [ID: a screenshot of a instrument panel from a Fallout 4 vertibird. it is slanted on a approximately 30 degree angle. End ID]
A bit weird looking yeah? For reference Pilot is left seat and copilot is always right seat, this applies globally even in right hand drive countries.
lets take a closer look:
My Screenshots. [IDs: Three screenshots of the same Instrument panel as above, but zoomed in using a sniper rifle scope to get a better look. The first screen shot is the pilots side, the second the center, and the third the copilots side. End ID]
All righty! So reading from top to bottom, then left to right we have:
On the pilots side: A Rotor%RPM gauge, a VOR(Very high frequency Omni-directional Range) indicator, a DG(Directional Gyro), a HSI(Horizontal Situation Indicator), and then a huge AI(Attitude Indicator),
In the center section we have: presumably light clusters (likely master warnings & cautions, gear indicators, and other status lights), a second VOR gauge, likely magnetic compass as they are usually top centre (though I can’t see it being at all accurate with all of the steel around!), the engine instruments cluster, and the APU status / control panel at the bottom. unsure of what the 3 clusters of horizontal buttons are suppose to be other than input of some kind?
In the Engine cluster: Torque%, XMSN(transmission) oil temp / pressure dual gauge, a gas producer % RPM gauge with small integrated single percent dial (like having a seconds dial on your watch for accuracy) meaning the engines have free turbines (compressor not attached to the power turbine), a dual load / fuel psi gauge, a dual engine oil pressure and temperature gauge, fuel quantity in pounds, a turbine output temperature gauge (the hottest part of your engine), and a clock.
On the copilots side: a second Rotor%RPM dual gauge, a third VOR indicator, Airspeed in Knots and MPH, a RMI(Radio Magnetic Indicator) which uses VOR and ADF(Automatic Direction Finder) on compass, a second DG, a second HSI, and a teeny tiny altimeter right in the outboard corner.
the 4 instruments on the lower copilots panel are completely unlabeled
some things of note that are from game limitations:
most of the engine instruments don't have needles at all
the DGs and the RMI use the same background asset, resulting in the DG wrongly having 'VOR' and 'ASI' on its face, DGs are self contained air driven instruments that work on gyroscopic precession, not any outside data input.
all of the instruments with a compass face all say north despite this vertibird not quite facing north.
the AI is showing wings level despite this vertibird being crashed and on a ~30 degree angle
there are not engine controls at all not even flat assets, only flight controls.
There are a lot of instruments here and most of them are reasonably OK read individually, BUT there at least 1 key instrument missing and the layout outs emphasis on completely the wrong things:
WHERE IS THE VERTICAL SPEED INDICATOR(VSI)????? That's a pretty important gauge in a VERTICAL take off / landing aircraft!!!!!!!!!! It's one of the basic six pack!!! how was it omitted??? Speaking of the six pack why is there only one ASI and Altimeter?? and why are they tiny and ON THE COPILOTS SIDE ONLY???? the altimeter is LITERALLY the furthest instrument from the pilot in a vertibird, it should be right in front of the pilot!!! the easy to miss altimeter would make IFR(Instrument Flight Rules) flying incredibly dangerous! Also why are there four VOR based navigational instruments? VOR IS GROUND BASED NAVIGATION!!! unless the BoS has rebooted the multiple ground beacons for them to navigate from that's THREE dead instruments taking up space on the panel! the RMI is slightly more useful as ADF can tune to commercial radio frequencies, though these would need to be strong!
These poor inexperienced lancers are having to look all over the whole unnecessarily crowded cockpit for basic information that should be right in front of them, causing reaction delays and possible confusion. That delay could be the difference between whether or not they are flying home today.
-> Bethesda doesn't understand what half the instruments do and while they did a good job with most of the assets, in their quest to make it retro-future / visibly different from actual aircraft, they have completely destroyed any use of logic in the layout.
------------------------------------------------------------------------------
Thanks for reading! Here’s a video of me yeeting Danse with the ‘Get out of my face mod’ as compensation haha
My Video. [ID: a video capture from fallout 4 in first person. It is night and is at oberland station facing the water treatment plant. The player is wearing power armour and the HUD is visible. The player is very close to Paladin Danse, he turns away from them and they shove him with the voice line “stay out of my way”. Danse flys a long way away while rag-dolling. The Gamer’s laughter can be heard while Danse is flying. The player follows Danse’s fall with the crosshairs. The player then walks backwards. End ID]
#they look cool and faster than a chopper that’s for sure#big disclaimer: I am not American or military I haven't seen a Osprey up close. and all of my experience is light fixedwings#If you know more about Ospreys or I've made other mistakes please correct me !!#oh yeah real brain rot days#been thinking about this for a long while#this catastrophe of a train of though was kicked off a when I decided to zoom in on the dash a vertibird out of curiosity and discover that#they have actual gauges that corresponding to real ones. just in the worst layout I’ve ever seen it’s so counterintuitive#Typos’ tea time#fallout 4#fo4#bos#brotherhood of steel#vertibird#fictional aviation
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⟢ ˖ ݁ . RAINFOREST GLASS BOX WR
—————
˖ ݁ date : [ november 1st ]
˖ ݁ time : [ 10:00 AM ]
˖ ݁ where : [ in my bed ]
˖ ݁ extra : [ when i arrive in my wr, i'll smell an intense scent of pinetrees and maple and my eyes will automatically open. gwen stacy exists here also as does my comfort plushie and my cr pets ]
⟢ ˖ ݁ . outfitˊ˗
˖ ݁ safe word : [ sixtysix rizz ]
˖ ݁ switch word : [ time for the ol' switcheroo ]
˖ ݁ time ratio : 1 hour WR = 1 minute CR
˖ ݁ visuals : [ the wr consists only of a room made of glass with hardwood floors. it is decorated with a king-sized bed with multiple shelves surrounding it on one side. on the other side is enough room for one to get up. the shelves are decorated with multiples plants, candles, rocks/crystals, and verious other things. at the bottom of the bed are two chairs, a small wooden table, multiple floor pillows, and beds for the animals. ]
⟢ ˖ ݁ . rulebookˊ˗
my house is always clean without me needing to clean it
hot water never runs out
i always have internet
one the shelf on my side of the bed there is a tablet + phone which automatically have my lifa app on it. it can not be deleted and is exactly as i picture it and how it would be pleasing to my subconscious. i can also access all of my cr social medias on them.
on the tablet is an app i call Lifaflix, which has every single show, movie, or short in existence on it, all of which are free.
Nothing goes wrong, everything happens how I expect it to/my subconscious wants, excluding the intrusive thoughts which are always ignored
i can invite anyone i want over and they’ll be my friends
i can manifest ANYTHING/EVERYTHING or change ANYTHING/EVERYTHING with the wave of a hand.
i have lifapedia, which has every single thing related to shifting on it, in a similar manner to wikipedia.
the weather is always dark and rainy, sometimes light drizzle or heavy downpour. no natural disasters are possible and i do not get nervous because of them.
once i arrive, i must stay 1 minute before leaving.
i can see the moon every night
EVERYTHING is free
to get to my DRs, i walk outside and over to a collection of rocks, each rock equaling a different DR. i pick up the rock and hold it for 5 seconds while closing my eyes, standing in the rain and thinking of only the DR i wish to switch to (all intrusive thoughts ignored). i then open my eyes and appear in my DR.
my pets never make a mess.
anything i forgot to add here will automatically be added by my subconscious
template by seeia
#kyosshifterbox#waiting room dr#waiting room shifting#waiting room#rainforest glass box wr#reality shifting#shiftblr#shifting community#shifting realities#reality shift#shifters#shifting#shifting antis dni#shifting motivation#shifting blog
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roop's first rwrb fics aka fics that left an impact aka fics that kicked off her rwrb fic love aka fics that make her heart go weeeoooweeeooo <3
hello! this list was quite literally revealed to me in a dream just now...which means now you all have to read it. happy holidays. a gift for you.
i read RWRB when it released, but started reading rwrb fics earlier this year during some tough titty times...and have since discovered a gorgeous community of folks just pouring their hearts out into the fandom fabric, giving me the courage to start putting bits of my work out there as well. here are some of the works that were present in my life at VERY roop-specific moments this year:
First fic I sent kudos to (i caved and made an ao3 after reading this one lmaoooo): With so much of my heart (that none is left to protest) by @kiwiana-writes
First fic that forced me to send my first tumblr ask screaming directly at the author for my feelings: also With so much of my heart (that none is left to protest) by @kiwiana-writes
First fic I bookmarked with the knowledge that this fic would destroy me: all that glitters (is not gold) by @indomitable-love
First fic I reread immediately after finishing like literally immediately: Going Platinum by @cricketnationrise
First fic I sent to someone not in the rwrb fandom but is a fan of the au so i schemed that this fic would suck them into the rwrb fandom and I was successful: Rogue's Gallery by @orchidscript
First fic(s) I sent to a boy as a bizarre mating ritual that actually worked: lifelines by @indomitable-love, Am I the Asshole? by @everwitch-magiks, and i ask you how you're doing (and i let you lie) by @matherines (his first fics, he loved them btw)
First fic that made me ugly cry not because it was inherently sad but because i achieved emotional catharsis i was not expecting: One Too Many Mornings by @orchidscript
First fic that made me CRY LAUGH until i was wheezing: and history remembered. by @sherryvalli
First fic that was a WIP I followed and screamed with each update: Cold Cases, Lost Causes by @tintagel-or-cockleshells
First fic that made me run laps around my room in sheer stress: Nova, Baby by @cha-melodius
First fic that made me run laps around my room in sheer thirst: Show Me What You're Working With by @clottedcreamfudge
First fic that made me giggle and kick my feet and blush: No Sense or Sensibility by @inexplicablymine
First fic that made me cry buckets in a costco parking lot: i ask you how you're doing (and i let you lie) by @matherines
First fic that made me learn something new about myself and patched up a crack in my heart: Down By The Water, I Saw You by @myheartalivewrites
First fic that taught me something I didn't know and had me doing a deep dive on wikipedia for 3 straight hours: Moonlighting by @orchidscript
First fic that had me writhing on the floor in absolute agony: What Do I Know? by @three-drink-amy
First fic that made me stare tearfully at a wall in quiet contemplation: Help Me Hold On to You by @affectionatelyrs
First fic that had me slamming subscribe to a series faster than I could say "kinktober": Temperature's Up, 'Bout to Erupt by @sparklepocalypse
First fic that opened my eyes to a whole new world of tags and also a new part of my brain: In His Wildest Dreams by @myheartalivewrites
First fic that made me feel such insane amounts of pining and yearning and longing that i had to take a walk: but if you could see us from a distance, you’d know i’ve always been so close to you by @anincompletelist
First fic that made me rethink my life while sitting in a DMV lobby waiting to renew my driver's license: Deep Blue by @myheartalivewrites
First fic that made me stay up all night to comment on each chapter as I read it in one sitting: Omakase by @orchidscript
First fic that I reread and live reacted to the author 3 hours before my dissertation was due instead of finishing the damn paper: to the victor, the spoils by @rmd-writes
First fic that made me feel incredibly homesick and had me looking up flights at 4am: after hours by @dumbpeachjuice
And finally... First fic I ever wrote after reading all of these incredible fics and wanting to also put a little piece of silly roop out into the world: our world, mine and his alone (the midnight train to go) by me :)
if you made it this far, thanks for reading. love you all. <3
xoxo roop
#rwrb fics#fic recs#rwrb#fanfiction#roop writes#my post#i fucking love y'all so much#cannot even emphasize that enough#roop recs
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EUCLID ANALYSIS.
Told you guys it was coming, didn't I? I apologise that this has taken a bit longer than expected, my mental health hit me like a bullet train, but I do hope it's sufficient.
Part one -> You're already here!
Part two -> Line by line analysis part 1
Part three -> Line by line analysis part 2
Part four -> Musical/intrumental notes
Part five -> The Night in Sleep Token
Part six -> Conclusion
Please note this is a general analysis. Although I do go into theories, both my own and others, this is just general thoughts. Also note when I speak of Vessel, I mean Vessel as a character, not the person, unless I specifically state so.
Tagline: @rilllvri @a-s-levynn @fivewholeminutes @euclidsvessel @tonguetyd @moonchild-in-blue @kkarmatic @branches-in-a-flood
+ Some people were worried about spam liking/reblogging the last time I did one of these big analysis posts, and I want to say please don't worry about that! I get happy when I see the same users pop up liking and reblogging my work, because it means you're interested in this enough to go through the whole thing. Feel completely free to add your own thoughts, correct any errors I've made etc. As per usual, my DMs are completely open to anybody wanting to discuss ST <3
Let's start off with the basics. ‘Euclid’ is the anglicised version of the Greek name Eukleídes (Εὐκλείδης), mainly known via the ancient Greek mathematician Euclid of Alexandria, who is seen as the ‘father of geometry’, and most famous for his work on symmetry. Its general definition is something or someone who is renowned and or glorious (A) and the lesser known definition is something that is a copy of the same (B) (taken from Euclid’s ideas on symmetry), which we’ll come back to in a bit.
However, there is another Euclid in history that we’ll be referencing; Euclid of Megara. This Euclid, similar to our mathematician, was an ancient Greek Socratic (having been a pupil of Socrates) philosopher. I’ll be taking part of a text out of his Wikipedia article since his ideas have been explained thoroughly there.
(we'll be coming back to him soon)
First off, this is an incredibly interesting choice of name for a song. Outside of someone's maths and philosophy class, this name doesn't exist to most, so the fact it's been chosen at all is intriguing.
Vessel has shown time and time again he enjoys sometimes elaborate references in his art, an example being chemistry and biology in TPWBYT (most notable would probably be ‘Telomeres’), so, I think it would be easy to say that, whether it be a reference to Euclid the Mathematician or Euclid the philosopher, that said reference is understood and intended by Vessel.
So, let's start with our mathematician, shall we?
What I find interesting about Euclid of Alexandria is that his life and existence outside of his work on geometry is almost completely unknown. There's almost nothing known of him, as a person, other than where he spent half of his career (Alexandria; Egypt, hence his title), where he may have studied (Platonic academy) and a general idea of when he lived (around 300BC). What is known about this insanely famous man who created the foundations of symmetry is incredibly barebones. People take Euclid at face value for his work, just like Vessel (both as an artist, and a character).
Further, we, as listeners, don't have much of an understanding of who Vessel is other than being a mouthpiece of a deity known as Sleep, someone once human now grasping at the threads of humanity and someone sharing some of his struggles in life (both with Sleep and unknown people). Like Euclid, he is barebones, we take him at face value; a vessel. He is both a mouthpiece for Sleep, a mouthpiece for his own emotions (obviously) and a mouthpiece for us. His experiences transcend being just his, due to his anonymity, therefore allowing us to connect and express our own experiences. It's music for the sake of music; expression.
Now, having talked through Euclid as a person, it's time to talk about Euclid and his symmetry. Symmetry in shapes is 'reflections, rotations, translations, and combinations of these basic operations. Under an isometric transformation, a geometric object is said to be symmetric if, after transformation, the object is indistinguishable from the object before the transformation- a copy of the same’. So, of course, this means shapes like squares, rectangles, parallelograms and circles. Circles are a representation of infinity, wholeness, unity and loops. What does Euclid do? Loop itself (starts and ends with B major, which also happens to be the same chord that TNDNBTG starts with), and loops the three albums together, musically and lyrically.
Now, onto Euclid of Megara.
Euclid was born in Megara, Athens and was a follower of Socrates (sneaking into Athens to hear him speak, and he was also present during his death). He is most known for his philosophy that good is the knowledge of simply being and that the opposite of good does not exist, aka evil. The Good is described to be a perfect, eternal, and changeless Form, existing outside space and time. A form of Heaven without a God.
This idea could be linked lore-wise with Sleep Token; Sleep could, in a way, be The Good literally. Bliss. Further, with the idea that there is no actual opposite of good, then how can anything be bad? How can Sleep, as a deity, have bad intentions if there is no actual evil?
So far, with these two notable figures in mind, we can perceive Euclid as one of two ways (and there are more ways to come). Euclid can be seen as quite literally being a form of symmetry; a parallel that Vessel lays his life on because it brings all of the produced albums, all of his stories, together. Or, we can think of Euclid as Vessel. This brings me to @euclidsvessel's post on their theory on Euclid; what if Euclid was Vessel’s name before he became a vessel?
The theory that Euclid could be Vessel’s old name is not only extremely insightful, but very plausible as well. They explained their points very well in their original post, and I don't want to repeat what they’ve already said, so I do implore you to go read that! It's not detrimental to needing to understand this post, but I highly recommend it. Despite this, I am here to both support their argument and bring my own comparison. Take a look at the cover art for Euclid:
Let me repeat the lesser-known definition of Euclid; a copy of the same. A clone. A replacement. Held in the right hand is the decapitated head of Vessel's old (2nd gen.) mask. Specifically, the one that covers his mouth; the version that relinquishes the most amount of humanity. The album art is a representation of change portrayed in a symbolically gory way. Beheading, depending on the era you’re working from, symbolises both vengeance as well as a form of purification. By cutting off the head, you remove any ‘unholy’ thoughts. It's also among one of the most horrific and humiliating ways of killing someone (since it was typically done publicly, and sometimes the heads were placed on spikes of battlements as a warning).
Furthermore, there's a theory that's popped up a couple of times, lore-wise, that Vessel is not the first person to be turned into a vessel of Sleep, and he certainly won't be the last. So, considering the literal album art illustrates a replacement of Vessel, I’d say that theory is pretty much confirmed. In conclusion, the album art can either be interpreted as how Vessel will eventually be discarded and replaced by another vessel, or how Vessel himself will change, for better or for worse; clawing out of his own skin to become “someone new”.
So, to compare the idea of Euclid being Vessel’s old name, and to create the third perception of what or rather, who, Euclid is, what if Euclid will be the eventual replacement for Vessel?
#I would like to mention that the idea of a 'Euclid class object's floated around Reddit theories for Euclid as well#said objects are 'anomalies that are either insufficiently understood or inherently unpredictable'#I didn't include this because it's from SCP and I thought it highly unlikely that it could be a refrence to that#but then again; a lot of the lyrics refrence hardware and un-understandable things so I thought I'd say something about it#masaive thank you to Nine for spurring me on to continue writing this and eventually post it with their theory post#just a very big thank you to everybody on ST Tumblr who post any analysis bits because you all inspire me#with that said#I hope these will be interesting for you all <3#sleep token#st#mel's rambles#euclid#euclid sleep token#sleep token analysis#vessel#vessel sleep token#tmbte#sleep token tmbte#hiding in here that I felt a bit like Hamilton writing these#'John Jay got sick after writing five...James Madison wrote twenty nine...Hamilton wrote the oTHER FIFTY ONE'#apologies to anybody who reads that lmao
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In the spirit of releasing all emotional debts on New Year's Eve, I’m going to open up about my frustrations regarding Desa aka dinosaurusgede aka the creator of Maaf.
For context, she made a Twitter account around the time that Himaruya properly introduced the newly canonized cast of SEA nations (Philippines, Indonesia, Singapore, and Malaysia). Like many other fans, she rode the nostalgia wave in creating content of them. By this point in time, Maaf was more or less a “finished” story to her — whatever Hetalia/SEAtalia content she published from that point onward was not as a continuation of, nor even as a reboot, of Maaf (although she did mention entertaining that idea). For the most part, the newer works she uploaded on Twitter were independent stories and were not necessarily linked to one other either.
Regrettably, I cannot present the problematic page/s for a more thorough and guided scrutiny because she deleted her Twitter account. Unless someone out there saved them, and frankly I wouldn't know who did nor would care to find out, everything was lost to the void. I’m literally working on what was imprinted in my memory by spite, so I apologize if I misremember details.
This will include discussion of anti-indigenous racism and other issues pertaining to colonialism.
She had an IndoPhil story titled Trust Me? and it was inspired by a fanmade BruPhil AMV wherein Indonesia was manipulating Philippines into believing that he was married to Indonesia and not Brunei. Trust Me? kept that concept of a manipulative Indonesia; the key difference being that Indonesia’s motivation for it (in Desa’s story) was the mix of hurt over Philippines “losing his precolonial memories” — based on popularized misconceptions of early Philippine history — of and how that was “aggravated” by his Westernization™, made worse under the United States (350+ years in the convent getting ratio'd by 50 years in Hollywood is hilarious ngl).
That was a lot to unpack, but before we even get there:
Indonesia and Philippines were having a tender moment when HWS America (as in the Hetalia personification that is Alfred F. Jones) walks in calling out "MY LITTLE BROWN BROTHER!"
Indonesia entered his Joker arc because he recalled how HWS America dumped the Philippines in a human zoo at the 1904 St. Louis World’s Fair. There was an explicit panel of Philippines in Igorot* dress and a painfully forlorn bearing.
What "triggered" Indonesia was when, after the flashback, Piri goes up to Indonesia and asks him if he's a Bolshevist 🥺 (the idea was PH being brainwashed by Red Scare propaganda). Cue kabedon moment from Indonesia, and basically a yandere walk down "memory lane."
I did not have it in me to finish reading that comic...
*Igorot is an outdated umbrella term for the upland indigenous peoples of Northern Luzon
Aside from the clearly intended shock value of that depiction, I was taken aback by the painful lack of objectivity on her part when it came to the reading of history. To be fair on Desa, she never specialized in history studies, so it was only courteous that we could not expect her to have as developed of a critical reading as trained academics of history. Unfortunately, that was precisely why I disagreed with the popular notion of Desa as both a great researcher and a great storyteller of her research — all the more when Maaf was just the mangafication of certain Wikipedia articles.
To be fair as well on Wikipedia, it was, at best, a satisfactory jumpstart into more in-depth reading, and we could give it the benefit of the doubt that revisions had since been made to at least some of the articles that Desa relied on while making Maaf (more than 10 years is more than enough time for change). Nevertheless, the articles themselves did not teach users how to scrutinize the sources — most especially the biases of the sources’ author/s — utilized in building up the information.
That mattered because much of the retrospect narratives about the St. Louis Fair had a tendency of raising awareness through the newspaper articles that covered the exhibition at the time. These chronicled the impressions of the visiting authors, who likely (and I say likely because we would have to more exhaustively discern their personal politics one by one) were biased in favor of the “benevolent assimilation” of the Philippines — and the sights that they beheld only validated it further. They did not, however, explain why these Philippine indigenous peoples were brought in in the first place — information that could have further cemented Desa's reputation had she truly spent the efforts, even while understandably juggling other commitments as we all do. Instead, she only perpetuated the habit of sacrificing the veracity of equally important, finer details to the bigger picture in order to sensationalize righteous fury against colonialism.
The 1904 St. Louis World’s Fair was also formally known as the Louisiana Purchase Exposition, giving away its purpose as a commemoration. More appropriately, it was the centennial anniversary (technically delayed by a year though) of the acquisition of French Louisiana, expanding the territorial bounds of the United States. Additionally, the point of a world’s fair was to showcase the achievements of a nation, and one could also think of it as the sale of a fever dream — what more for a fast-growing, fledgling power the likes of the United States, itself a former colony? On another note, the St. Louis World’s Fair was not the only one of its kind so no, the US is not that original lmao.
One could thus see how the inclusion of a dedicated exhibit to the newly acquired colony that was the Philippines neatly fit into the themes of a world's fair centralized on the US. It was all the more a paramount topic of debate, with prominent Americans the likes of Mark Twain (here are selected excerpts, but I highly recommend reading the entirety of his To the Person Sitting in the Darkness) publishing anti-US imperialism opinions, even after the endgame of the Philippine-American War essentially favored the pro-imperialists. While dissent from the American side at the time remains poorly studied AND THAT'S ON OVERRULE BY BIAS, we at least have a glimpse, if mostly obscure still, of its existence.
If we can assume that it must have indeed been a prominent discourse in America, loud enough to get the White House furrowing its brows, then it's plausible to understand how it was of utmost importance that the the Philippine exhibit was to be carefully — because, in a way, America had to sell itself as the "lesser evil" vs notable "rivals" — curated while still ultimately corroborating assimilation of the Philippines. Thus, enter Truman Hunt, the man who oversaw "the Igorot Village" of the St. Louis Fair, having won the hearts of the native Igorots for a powerful reason:
Section from Claire Prentice, The Lost Tribe of Coney Island: Headhunters, Luna Park, and the Man Who Pulled Off the Spectacle of the Century, New York, NY: Amazon Publishing, 2014.
While the cholera epidemic that occurred at the onset of the American Colonial Period was arguably the worst in the history of cholera epidemic management in the Philippines, I want to make it very, very clear that it was not the first and only wave that hit the archipelago. There had been a handful in the prior century alone — all of such magnitudes that it embedded a deep collective trauma; farmers refused to harvest their crops for fear of infection, tragically enabling famines and contributing starvation & nutrition deficiencies on top of a viral & swift killer (the experience of severe, rapid dehydration is such that one can fall dead within hours of infection).
Given such an imaginably harrowing experience (and it was an awfully painful topic to study as someone who got infected with and survived COVID-19 and has family working as frontliners), how could the natives turn away a stranger with such miraculous powers? Who knows how they comprehended it (e.g. a benevolent sign from heaven they must accept) because, unfortunately, we have yet to discuss preserved accounts on that matter, if any at all.
What is known, however, is that there were Igorots who were not just enamored by the "opportunity of a lifetime," but the selected lucky candidates clearly expressed their consent to participate:
More sections from Prentice, The Lost Tribe of Coney Island.
I will quickly add that, unfortunately, a few members of the Igorot delegation died from illness in making the trip, and Hunt aged like milk over the years (fell into the trap of capitalism in pushing for more subsequent exhibit trips, to the point that less care was extended to the Igorots and he was ultimately arrested for embezzlement). Given that our scope remains to be the 1904 St. Louis Fair, any signs of abuse inflicted upon the Igorots during their stay based on preserved photographs is simply not clear. To assume that they were in a pitiable state would be to enforce a presentist reading that might betray not just their memories & experiences but also their right to self-determination.
EDIT (01/02/24): A good example to demonstrate what I mean in analyzing photographs, here's an article on the author's personal, genealogical research into the Igorots — specifically, the Suyoc — who were at the St. Louis Fair.
It truly is ironic that a Filipino is making these points as if to defend the United States as a whole (no I am not, and if you think I do, lumayas ka). I agree that white people gawking over the peoples of the Philippines with such fascination that borders fetishism warrants all the eye-rolls. At the same time — and it is even more ironic that I am pointing this out as a lowland, Christianized Tagalog based in the metro (not just any urbanized part of the country) — there is a character of patronizing these indigenous communities in the unspoken assumption that their participation is the fault of their ignorance. Pay attention, once more, to the demographics that constituted the Philippine exhibit in the 1904 St. Louis Fair — what kind of "Filipinos" were included and who were left out? There were also Negritos*, Visayans, and Muslims from Mindanao (historically referred to as Moros) in the same event, yet we hardly hear about their experiences. Perhaps it might have to do with how they were considered "more civilized" than these upland groups.
*OUTDATED term (and please blame the Spanish for it); these are the Aeta.
I understand Desa's reservations against US imperialism and sympathies for communities marginalized by Western colonization. I just hope that I was able to clarify as best as I could why I was so taken aback in how she depicted the Hetalia personification of my country the way she did. I agree that, as far as I ever got to interact with her, she is generally very polite and kind. That's why I gave her the benefit of the doubt when she approached me in DM to apologize for how her narrative choice was offensive. As someone who despised red tape in academia, I tried to talk to her about how there were valid reasons as to why the American Colonial Period was considered a mixed blessing, even by PH historians.
Instead, she pulled a complete 180.
She said that — to a Filipino who condemned imperialism (no matter who started it), who also happened to study history as a profession, and was also a Hetalia fan who wants to explore Hetalia narratives differently from what was popularized. Half of the reason was because some fandom takes left a bad taste, like eating a dish with ingredients that even Gordon Ramsay would tell you shouldn’t go together; the other half was because I saw things differently and wanted to express it because why not?
I want to say it's not necessary to bring up something from a private conversation, but I will anyway to reiterate that my issue is not that she isn't nice. Bluntly, however, the way she said those words so formally did creep me out, but ultimately, my issue lies in how her biases have led her into making off-putting takes from time to time. I will not say more, but Trust Me? was not the only Twitter comic by Desa that got bombastic side-eyes.
And if only because Sukarno got dragged in, I felt compelled to briefly debunk that as well: even he initially viewed the United States in a very positive light: “The United States occupies a very distinguished part, a very distinguished place, in the hearts of the Indonesian people.” That was uttered in 1961, and it took a very specific historical context to instigate a complete shift by 1964:
Sections from Vincent Bevins, The Jakarta Method: Washington’s Anticommunist Crusade & the Mass Murder Program that Shaped Our World, New York: PublicAffairs, 2021, 121-123.
EDIT (01/02/24): Note that Desa was citing Sukarno's later sentiments in the late 1960s as her reason for characterizing Indonesia as such in her comic. However, the setting of the story was the late 1920s (Indonesia's visit was based on Tan Malaka's abscondence to the Philippines). I'd dare say the anachronism was not due to oversight but a deliberate choice in using a certain fictional character — namely HWS Indonesia — as propaganda for Desa's anti-Americanism.
It's definitely depressing to think about all the "lost" history & culture that thrived before the arrival of white colonizers. It's why I'm surprised that, for a fiction work, she didn't project all that anger onto Spain instead — it had to specifically be the United States. Was it because they basically cockblocked Philippine independence, even though Spain practically sold the Philippines to the US? The implication that Spain should be permitted to wash its hands clean of all accountability was an awkward message to convey.
I understand that nothing could be 100% accurate (I'm actually quoting Desa defending herself on that matter) in fiction, but the level of projection coming from a certain non-Filipino reading Philippine history was so silly. And again, how did it all justify the explicit depiction of HWS Philippines as an indigenous man in a human zoo? (END OF EDIT)
As my professors will also never tire of saying: you can disagree with a historian’s interpretations but you can never disagree with the evidence in themselves. You don’t have to morally agree either, and I can guarantee you that many Filipinos do not. I, myself, resented the endgame of the particular war that brought that period about in the first place. How dare, then, she said it was “not her place” to defend US imperialism, while granting herself the freedom to express her country’s feelings on the matter?
Oh, it’s all just fiction? I do not condone the subsequent treatment she received, but why then couldn’t she stop trying to “educate” NLID shippers? I do not know how both sides talked to one another, only that what caught me eye was: Why does everyone else have to respect her fiction while she gets to disrespect others’ fictions for not aligning with hers?
EDIT (01/20/24): Just to clarify further on that point — over a decade ago, she went ham in the comment section of someone's (APH) America x (fem!OC) Indonesia. That ship is not in my lore either simply because I follow a totally different route. To cut to the chase, she took that fanart very personally and infodumped on US war crimes that involved Indonesia.
I know Tan Malaka started the whole North Indonesia agenda, but come on, neither was it Desa's place to just treat HWS Philippines the way she did. An Indonesian schooling other Indonesians on ID history is not surprising, but an Indonesian schooling a Filipino on PH history? I'd be humbled if they had the credentials. She didn't and, unless she enrolled herself in a graduate program, she still doesn't.
By all technicalities, she can’t ship IDPH because the Philippine government was (unfortunately and grossly) complicit in the chain of events that led to the 1965-66 genocides in Indonesia. Yet, she does despite of that fact. We thus circle back to Trust Me? and how that was a manifestation of her stubborn refusal to acknowledge any nuances by projecting HWS Indonesia as a self-proclaimed savior of HWS Philippines from the beguile of US neocolonialism.
I empathize with her anger. I'm sorry that the US government by extent enabled what her family went through. I agree that it's not her place to defend them; in fact, she shouldn't. But when even the so-called "highest of Malay nations*" is worth her neutrality, how can she expect me to forgive her?
*That is literally what the Philippines is to her; I know this because she explicitly said so to me in DM. DO NOT ASK FOR RECEIPTS, I am not comfortable revealing that particular conversation.
I cannot — in fact, NO ONE SHOULD — afford to be neutral about Duterte or Marcos, etc., and for her to be so flippant about her privilege (by way of ethnicity/citizenship/cultural upbringing) to be neutral** about Philippine politics, while simultaneously NAGGING ON EVERYBODY TO RESPECT INDONESIAN POLITICS, is annoying at best and plain selfish at worst.
**Also explicitly said to me in DM. Again, DO NOT ASK FOR RECEIPTS.
(END OF EDIT)
I’m not Indonesian but I do not have it in me to politely accuse a native Indonesian of allowing their personal biases to misread their own history. As a Filipino, however, while I'm not surprised by the reductionist chronicling of the histories & cultures of the Philippines, I am at a loss for words over the continuing idolization for Desa & Maaf, when she was not the best and most reliable narrator, especially given her negligence in representing indigenous peoples through her comics.
I mean, guys, I'm not saying this as if the Trust Me? comic was the first and only instance when this was literally Maaf canon that sat comfortably in the internet for over a decade, and continues to be appraised as THE BIBLE OF HISTORICAL HETALIA.
EDIT (01/20/24 — originally added via a reblog): I cannot believe this needs to be said because this is the consequence of when Hetalia fans take their fiction too literally because creators have made careless takes.
There were SEAtalians joking about how the Yolngu are a dead people.
I repeat.
THERE WERE SEATALIANS JOKING ABOUT HOW THE YOLNGU ARE A DEAD PEOPLE.
(END OF EDIT)
So as 2023 comes to a close we enter 2024, I'd like to conclude this post with the following points:
At best, Wikipedia is a satisfactory jumping point, but please believe me when I say no historian will respect you for (over-)relying on Wikipedia. And given that anyone with a decent device & internet signal can access Wikipedia, Desa is just not a GOAT in historical research.
At worst, idolizing Maaf patronizes the work of historians. It doesn't help that PH historians have been targets of harassment because of dis-/misinformation campaigns. I bring this up because it's already bad enough to have to confront that reality outside of fandom spaces on a regular basis in standing our ground for more just historical truths. I hope that folks understand why that's a particularly sensitive struggle for me, and why receiving such comments like the one I shared above deeply hurt. She was not apologetic about that — and every time she would post about apologizing for the moments she has offended others, or when others compliment her for being so open-minded, I cannot help but feel bitter.
Other BIPOC — yes, not just other SEAsians and that's on literally drawing nations other than SEA — have spoken up on the matter. If you can talk about how you learned so much from Desa, you can also learn as much from other perspectives. I hope that in raising all of this, more SEAtalians understand that we risk othering non-SEA BIPOC.
The idolization of Maaf (and the creator in question) is personally far more off-putting than the problematic points of Maaf or any comic she has ever made, because I think she caved to peer pressure instead of learning to wield her fiction more sensitively without being too reliant of the opinions of those she has pleased. Not even Hidekaz Himaruya writes his nationverse characters like that — the one time I’ll admit that canon trumps fanon.
I’m not stopping people from liking Maaf or Desa anyway. I just cannot help but take issue with how the SEAtalia fandom feels less of a safe & inclusive community than it is a cult centered on one person — almost as if her fiction is unquestionable canon and anyone who disagrees gets the boot. Once again, I do not condone the subsequent treatment she received in retaliation, but frankly that's just not what I'm addressing here.
I'm also not saying it's wrong to give words of reassurance and validation to people you admire, only that some of you need to understand you're forcing a parasocial relationship with your idols. It may feel good to you, but please be mindful of the unwarranted pressure it imposes.
I apologize for dumping all of this at literally the end of the year. I want to let it all go in a manner that is clear, concise, and not overwhelming to digest. I do hope that my candid thoughts will push the fandom one step forward in critically consuming media without having to resort to crab-mentality tendencies — because it's been especially hard seeing the demeaning takes made about the Philippines in this fandom.
#hetalia#historical hetalia#hetalia critical#racism cw#hws philippines#aph philippines#hws indonesia#aph indonesia#hws america#aph america#mentions of death cw#sibuyas
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When the last persimmon falls
Or, "I tried to search in Japanese: 柿 (かき kaki; persimmon) edition"
For about a year, this post was a few lines in my drafts. An open-and-shut case, I thought. Today, struck by the mood to get it over with, I googled (and DuckDuck went), got lost, then found the truth. It didn't take long - and I won't make this post too long - but the result wasn't what I expected.
Here's the story of why if I had a nickel every time I heard a character in Japanese fiction say their life depends on the last fruit hanging onto a persimmon tree in winter, I'd have two nickels, which isn't a lot, but it's weird that it happened twice.
Spoiler: One of my nickels wasn't exactly a nickel, but I still had another one I didn't know I had. And that's the correct currency.
What:
A character is seriously ill. Meanwhile, a persimmon tree visible from their sickbed has only one fruit left. The character says they'll die by the time it falls.
Where:
Yakuza: Like a Dragon (Yakuza 7) substory Persimmon Premonition - see first image.
Gintama episode 296. Not a persimmon - see image above.
Osomatsu-san season 3, episode 20, part C. I watched this but forgot about it until now - see image below.
The question
This Yakuza 7 substory reminds me of that Gintama episode. They must both be referencing some other thing. What is it?
Trees and fruits and seasons are some classic poetic shit TM, maybe it's a literary reference? The image of the last fruit on the tree is one of those set phrases in formal correspondence that reference changing seasons? A ripe persimmon falling to the coldness of winter symbolises death?
The search
persimmon japanese winter
"Kigo (季語) is a Japanese word or phrase associated with a particular season; especially in poetry. And "persimmon" (柿) is one of the famous kigo for autumn." The taste of persimmon features in a famous haiku about the Horyuji temple bells in Nara. (source 1) At the time this haiku was written, only the astringent persimmon variety was cultivated in Japan. It falls off the tree easily. (source 2)
Okay, but still too general.
柿の実 (persimmon fruit) 冬 (winter) 落ち (drop) 死ぬ (die)
Gardening tips. Many gardening tips.
最後の柿の実 (The Last Persimmon Fruit) 話 (story) 伝説 (legend)
Did you know that traditionally, a few persimmons are left behind on trees in harvest season? They're called 木守り (きまもり kimamori), and were originally meant for travellers, birds, and other animals to eat, because it's hard to find food in winter. In Nagano, souls of the deceased are said to come down to persimmon trees. (sources: 1, 2, 3)
Getting warmer...?
患者 (patient) 柿の実 (persimmon fruit) 冬 (winter) 死ぬ (die)
dic.pixiv.net link: Persimmon (Osomatsu-san)
Name of Osomatsu-kun chapter
Osomatsu-kun strip (via Twitter): One last persimmon, da jo~
The end
As the last link explains, the same trope appeared in Osomatsu-san and Osomatsu-kun (manga only). They were both inspired by...
The Last Leaf by O. Henry.
A story that, having read the Wikipedia article, I vaguely remember from English class or something. Just like everyone who made the latter-half-of-20th-century stuff in the "Adaptations" section.
Now what?
"Where did the basic premise come from?" is solved, but not why all the examples here used persimmons.
Maybe a lone, orange kimamori representing autumn and hanging on in spite of winter is more evocative than a dull leaf.
More likely, that image inspired the Osomatsu-kun strip, then Yakuza 7 and Gintama took the whole setup from Osomatsu-kun, persimmon (or Sacchan) included. Not where I thought it would come from, since I inconveniently forgot the Osomatsu-san episode.
But, this is all only as far as I took the research. If anyone knows more about this persistent trope, I'd love to hear it!
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Little Things They Do... (Pt. 2)
Little things they do to show you they love you
Read the other parts: Part 1 // Part 3
Featuring: Hange Zoe, Erwin Smith, Levi Ackerman, Onyankopon, Yelena, Nicolo
Warning: Modern setting, gn!Hange
Word Count: 650
Author Note
Hi, this is another version of "Little Things They Do"! I've linked the first part above for you to read. Here is the song I listened to while writing this. These actions can be perceived platonically or romantically, whatever suits you. Let me know if you want me to write for other characters as well!
Hange
Not everyone can appreciate Hange the way they are, so enthusiastic in certain subjects to the point where they can explain stuff that can't be found in Wikipedia. Having you around them, someone who appreciates them and supports them in whatever they do, is something that Hange never takes for granted. Whenever you both are having a conversation, Hange likes to drop a few 'fun facts' or trivial knowledges they've attained in their free time. They make it sound amusing as well, like that one line from a Philomena Cunk episode "The Egyptians believed that the most important thing you could do in your life was die."
Erwin
Erwin most likely pays close attention to small details such as how your necktie is crooked, or a tiny splatter of ketchup in your cheek after you ate your food. He will fix it for you every time. Expect him to stop you from rushing somewhere when you're already late, just for him to fix your hair a little bit. Also the constant reminder for you to tie your shoes because somehow they're always undone. He's just afraid that you'll trip over your own feet. It's not like you're that clumsy and untidy, he just cares about you a lot.
Levi
Levi is the cleanest and tidiest person you've ever met in your entire life, but he just lets you do things that usually irks him out. Whenever you come over to his place, he'll let you leave your dirty plate or cup in the sink. He'll wash it for you. He let you touch his TV remote even though your fingers are greasy from your snack. He'll wipe it later. He let you work/do your assignments in his living room, your papers and miscellaneous stuff scattered around the place. He'll help you pick them up later. It's his way to repay your kindness because amongst his closest circle, you deal with his sad and gloomy side the most.
Onyankopon
Onyankopon will happily help you take aesthetic pictures for your social media, anytime, anywhere, even if it's really crowded. He'll go crouching down, tilting his body, all out to get the best pictures. He knows how to change the setting, the ISO and all, of both digital cameras and smartphones. He will tell you where to stand and which way to face, working with the light to complement your figure. He takes it seriously. It's rare to find someone who is willing to take pictures for you, let alone one who is really good at it.
Yelena
Most of the time Yelena is calm and composed, which is why she kind of insisted in speaking on your behalf. No matter if you both are in a restaurant, in a bar, or at the dentist, she will speak for you. She just noticed a long time ago how you often have a hard time explaining things, something that is really easy for her to do. At first she said it's because you take too long when ordering food, or your voice was shaking as you talk to strangers it bothers her. However, as the time goes by, you realize it's her way to take care of you. You don't have to worry when you're out with Yelena, she will handle everything.
Nicolo
You and Nicolo eat together, like, almost in every chance you both get. Be it a fancy dinner, or snacking together while watching a movie at home, you both love to share your food. For some reason, whenever you have to open a packaging, Nicolo will grab it and open it for you. Once he teared the packaging open, he'll give it back to you. Nicolo is also a big "do you wanna try my food" guy. He will cut half of his steak and move it to your plate. He will break a KitKat in two and share a half of it with you.
I've never written anything about Onyankopon, Yelena, and Nicolo but apparently it was fun. I think I have a crush on Yelena now idk. I hope you like it as well! Lemme know what you think :3
#attack on titan#shingeki no kyoujin#aot x you#aot x reader#hange zoe x reader#erwin smith x reader#levi ackerman x reader#onyankopon x reader#yelena x reader#nicolo x reader#snk x reader#fluff#reader insert#modern setting#new blog#no beta we die like erwin
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