#and even in the past it still was dead

[radiance1]

Damian: [brushing his teeth]

The shadow hanging over his shoulder: [Gets its teeth dangerously close to Damian's shoulder]

Damian: [Shoves a toothbrush into said shadow move and starts brush]

The shadow: [Pauses before starting to let out a contented purr]

Damian then spits out the foam and washes out his mouth, then makes the shadow do the same and then picks out pjs.

Damian: [Currently decided if he should go with the cat, dog, or knife imprinted one]

The shadow: [Starts getting dangerously close to Damian with, toxic green spirals it calls eyes]

Damian: [Throws the dog imprinted one behind him at the shadow and takes the cat imprinted one for himself and tells the shadow to put it on]

The shadow: [Stares at the clothes before hesitantly putting them on before letting out a noise of distress]

Damian: [Turning around to find the shadow somehow stuck in the pjs, lets out a sigh, then starts to help them fit]

Damian then moves over to the bed, he points to one side and tells the shadow to go there. The shadow listens, laying down as Damian also lays down, grabbing the sheets and covering them both.

It barely took a few seconds for the shadow to fall asleep, and Damian stared at it. Damian wasn't quite sure why the shadow of his dead twin was following him, nor why it was even able to and seemed to hide itself from anyone who isn't Damian.

Nobody besides him knew about it, and Damian decided that he liked it. This could have been his younger brother, if the other had survived, and they would have probably been told to fight to the death to decide an heir.

At the very least, that won't ever happen.

Even if his brother was slightly unusual.

===

Danny did not remember much of the before, he remembered people with blurred faces and features, blurred colors. He remembered a lot of colors, then red, then white, then pain.

He doesn't like pain, he believes.

Then he remembered going to sleep, and then he woke up. It was dark and slimy and cramped when he woke up, especially when he realized someone else was in their with him.

Then he fell asleep again, then woke up to that same dark and slimy place, then fell asleep again, all in some weird cycle. Then, moving, and pain.

It hurt, and he was sluggish when it eventually stopped. Then came pain again, and he was asleep.

Then he woke up, again.

He didn't know what was happening, wasn't really aware of too. But he woke up next to the other who was in that dark and slimy with him, and decided he wanted to stay with them.

He wasn't aware enough for most of the things that happened when Damian grew up, but he still stayed regardless, and hide from everyone else.

Danny loves his brother, and he thinks his brother loves him too. Even if he was slightly unusual.

[fiveredlights]

i really hate in the end that he did go quietly. not the media coverage surrounding it, but on track. drove the last lap alone. no other cars in sight. last memories of him on track are him driving into a pitlane. no donuts. no celebration. quietly left the cockpit, the place he’s known for years and walked away. last driver out the paddock. and that was the end.

[sophiphi]

Guys. GUYS. listen to me- kate carter is a natural brunette. no i’m not just saying that because daisy edgar jones has brown hair naturally, there’s a picture of young kate and her mom that is shown in the scene where she comes back home. I caught it on my second rewatch. I mean ofc you could chalk up her darker roots to it just being a dirty blonde but no, she really is a brunette.

Which brings me to this thought- I wonder what Tyler’s reaction (along with the others ofc) would be when they see Kate with brown hair. Let’s say her blonde dye was growing out enough for her to decide to dye it back. Maybe she does it when she went back to NY for a bit before going back to Oklahoma. Will there be chaos? Definitely. Will Tyler Owens get a heart attack? Duh. Like, imagine the possibilities guys, hellooo

[carbonateds-oda]

“do I look like the type of person who’s visiting a grave”

the reason why it surprised dazai that atsushi stated this despite it being so obvious is because he probably expected atsushi to assume something bad of him or suspect him of having more malicious intentions because that’s what he’s used to, he’s used to ppl assuming the worst of him even when he’s just existing so whenever he’s met with someone like atsushi, who even while knowing he isn’t exactly a good person still chooses to see genuineness behind his actions it leaves him shocked. like yeah i am just visiting a grave, not just any grave either this is the grave of the only other person who I thought would ever see me in such a light but that’s been proven wrong just by atsushi acknowledging the obvious. It’s like proof that he is capable of just being a person and having human emotions, he’s allowed to sit in a grave and visit his friend without ppl misinterpreting this innocent action as something insincere

[rustedleopard]

What astounds me about the whole "you need a pure human SOUL to perfect the serum" thing is that so many people take Chujin's conclusion at face value. Chujin Ketsukane? Chujin "Winner of the 'You Tried In Engineering' Award" Ketsukane? Chujin "Fumbled Inventing Robots So Hard He Earned The Ire Of The Usually Pretty Chill King" Ketsukane? Chujin "I Accidentally Killed A Human Child By Overshooting The Parameters On My Guard Robot" Ketsukane? That Chujin Ketsukane?

[edwinisms]

seriously wondering why WW1 was never brought up at all throughout the show in regards to edwin and the life he was living before hell. I mean fuck we get a WW1 ghost in the FIRST EPISODE but edwin doesn’t say a single thing about his familiarity with the soldier’s garments and circumstances. you’d think that would come in handy in some way, or at least be an interesting thing to reference to emphasize edwin’s age (for lack of a better word) considering this was all during the expository section of the first episode.

1916 is directly in the middle of the Great War, and depending on how long edwin had been 16 by the time he died, he would’ve been somewhere between 1-2 years off from being conscripted and sent off to the trenches– ie; really not far, so it inevitably would be a huge weight on his mind at the time. since it was the middle of the war, he would’ve known decently well the horrors being faced out there– the mustard gas, the widespread illness, the shellshock– from newspapers and such, and I have to think that he’d feel like there was a clock ticking, counting down the days until he’d be sent to his inevitable death (considering he’s not the most athletic and physically resilient boy to say the least). and if he was exempted from conscription? it could very well be for “mental illness” and/or “moral indecency” if he didn’t hide his “effeminate” behavior well enough. all-around, it’d have to be an incredibly stressful time period for more reasons than just being bullied, alienated, and repressed at school– and yet we never hear about the elephant in the room. will they do something with it later? will it play into his family background in some way? for gods sake I need to KNOW

[landwriter]

watching dead boy detectives when you've lived in coastal bc

i love that they have a ship that services a metro area of 2.4 million people & all of southern vancouver island, to depict the ferry to (checks notes) port townsend, wa, pop. 10,388. cannot overstate how incredibly funny the scale is. on a regular day that route has more passengers than the entire population of port townsend. like a title card saying our beloved characters had to take three trains and a regional bus line and then smash cutting to a red london double-decker

that being said. bc ferries both as a crown corporation and as individual vessels is DEFINITELY haunted so this tracks actually

[hellaverse-critical-confessions]

So I just watched the new Helluva episode (the Specter Diddlers)

Most of the "fuck" humor just made me roll my eyes at worst, and I could sit through it at best. The focus on Millie was the sole reason I decided to check it out and I loved that she got to be badass and have new lore to her. Her and Blitz had notable chemistry (platonically speaking, though I've seen some people start considering the ship after this). I don't think I could add anything new to the already existing discussion, but I'll just say this:

Ronaldo's existence is... incredibly confusing. What kind of demon is he? How did he get to Earth? Sinner overlords are the ones that can be insanely powerful, see also: Alastor, but even he is confined to Hell. Succubi and some imps (like Barbie) can be registered as working on Earth, but they don't seem to have any special powers outside of seduction in the former's case. Aquatic hellborn demons exist, like Crimson's mafia or Glitz and Glam, but they also don't have powers. Let alone ones this showy. I mean, the one other time we've seen demonic possession was in Truth Seekers (iirc) done by Stolas, who is a Goetia, which this dude also isn't... so what is he and what was he doing up top?

(Though since he was also killed at the end, he had to have been a hellborn, as sinners can only die from angelic weapons...)

[mc-critical]

1.06 / 2.09 (33)

[a-scary-lack-of-common-sense]

I am exhausted, good heavens.

[haunted-xander]

Ryne and Gaia are like. Such good parallels and foils to each other it makes me just a little insane.

Like Ryne is sweet and caring and she always wants to help others and make them feel better even to the detriment of herself because she has seen and known suffering and doesn't want others to have to live like that too. If she can make someones life better, even if just a little bit, then she will. But she also puts everyone elses well-being and feelings so far above her own that she often ends up trying to help in a way that doesn't actually solve anything because it still ends up with someone hurt (such as trying to properly fuse with Minfilia knowing it might end up with herself disappearing). She's not a doormat, but she does have some people-pleasing tendencies.

Gaia, however, is the exact opposite. She's prickly and sarcastic and thinks of herself and her needs first and foremost, everyone else is secondary. It's not that she's cold or uncaring, she doesn't ignore people's problems, she just doesn't see them as her business most of the time (A product of being raised in Eulemore most likely). She doesn't consider the long-term outcome of what she does or says, she lives solely in the present and the future is a problem for when it happens.

These opposite traits also play into each other. Ryne inspires Gaia to care more about others and Gaia inspires Ryne to prioritize herself more. Gaia makes Ryne live more on the moment without thinking solely of what the future will bring, and Ryne makes Gaia think more on what her life will be going forward and to actually consider what she does and says and how that affects things. They feed into each others good traits (Ryne's caring nature and Gaia's sense of self) while also helping them deal with the bad traits (Ryne's people-pleasing and Gaia's aloofness).

Their pasts are good paralells too. Ryne was isolated and lonely until Thancred took her away but even then, he was distant and emotionally neglectful, so she ended up lonely in an entirely different way. Gaia had a family and caretakers that she wasn't particularly close to, but after the 'Fairy' started talking to her they got even further away until she couldn't even remember them, and the 'Fairy' was the closest thing she had to a friend even though it was what isolated her to begin with. Ryne had constant companionship but no support, and Gaia had 'support' but no companionship.

Even just. Regarding the whole identities thing they are just. Perfect. Ryne has lived with Minfilia's shadow on her shoulder her entire life and never got to learn who she actually is. She thought that she had to become Minfilia for her life to be worth anything, that it's the only way her existance is justified. The person closest to both her and Minfilia(Thancred) indicated(in her mind at least) that he wanted Minfilia to be here in Ryne's stead(which wasn't really the case but she didn't know that). The only way to get her out of that shadow was to remove her from the identity of Minfilia, hence why her new name is so important(as well as the hair and eyes being her natural colors instead of Minfilia's all too recognizable ones).

But Gaia didn't even know about Mitron or Loghrif until Eden. She had the 'Fairy', but to her it was just some voice in her head which was nice enough to her. To her, Loghrif is just some lady Mitron loved, she has no real connection to her. She has a connection to Mitron, both as the 'Fairy' and as remnant feelings from Loghrif, but none to Loghrif herself(aside from the obvious reincarnation stuff). Gaia has always been her name. It may have been Loghrif's originally, but she is so far removed from that identity that even for all of Mitron's effort to 'return' her to Loghrif, it'd never work. Loghrif is Gaia, but Gaia is not Loghrif. Simple as that.

Eden's story works so well because Ryne and Gaia are opposites in that specific way that compliments each other, rather than pits them against each other.

[navree]

aegon/jaehaera/daenaera ot3 au just moved to the tippy top of my list due to the fanartist whose art inspired it being driven off of twitter by deranged team black stans who are mad they like jaehaera, there's no explanation for why Those People constantly mock actor's appearances and deride other's fanart other than that they are not only too talentless to draw themselves but also depressingly ugly and taking it out on other people

[puhpandas]

as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out

I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it

it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2

[popsicle-stick]

foolish though it may be i am once again thinking a lot about self-sacrificial character arcs resulting in memory loss.........bring out the gin

[sidesteppostinghours]

do you think julia wouldve grown her hair back out as easily as ricardo shaved his mustache if step asked her to.

[grapecaseschoices]

once again, i think it is so very fucking strange to include a route/path in an INTERACTIVE book and the maximum exploration of it is '????? welp i don't know! ???' in a scooby doo voice.

there is no reason why a resistant detective not be allowed options as to WHY they're resistant to start a relationship with N or F (and I say this as a huge F-fan who agrees when the narrative is like 'why am I doing this?' yes why are you resisting the hot adorable one??). If this journey is given, then I - as the player - should be allowed to explore it as fully as the game/writer's skills allow.

And I know this isn't as far the game/writer's skills allow, because we are granted variations on how to treat a past with Bobby and a future with Douglas, we can decide on our relationship with the Captain and the Mayor - side characters to varying degrees - but we CAN'T choose why the detective might be hesitant to start something as important as a ROMANTIC RELATIONSHIP with MAIN CHARACTERS???

make it make sense to me.

please. i beg.