#and don’t get me started on michael sheen
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invisibleicewands · 12 hours ago
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‘I’m bursting with ideas’: Michael Sheen launches new national theatre for Wales
Michael Sheen, a global star of screen and stage, is spearheading a new national theatre for Wales, promising to create big, bold plays that bring vital stories about his homeland to life.
Sheen said he was bursting with ideas and promised to appear in the newly forged Welsh National Theatre’s first production, a “foundation” story about Wales staged at the Wales Millennium Centre in Cardiff.
The actor, who has been announced as artistic director of the theatre company, told the Guardian that Wales’s stories were “under-explored in the English language”.
Sheen said: “Could you tell me the name of the great play about Aberfan or the Merthyr Rising or the Rebecca riots? Where is our Welsh canon of great plays? We can’t do Under Milk Wood for the rest of eternity. I’m bursting with ideas people are bursting with work that they want to do with us and that’s what’s really exciting about it.”
Just before Christmas, National Theatre Wales, which was established in 2009, announced it had “ceased to exist” after its Arts Council of Wales funding was cut. It has evolved into Team (theatre, education, arts, music), focusing on grassroots work.
Sheen said his new company did not yet have funding. “But that suits my way of thinking. I like the idea of starting small, simple, lean and building it up, working with what you’ve got. Don’t pay for swanky offices if you don’t need them, build it slowly with care and with passion and with vision and with ambition.
“We aim to represent the Welsh people so I would hope that public bodies would be prepared to work with us. I think probably history tells us that relying too much on any one source of funding makes you a bit vulnerable so I first and foremost would hope that this company can stand on its own two feet but we are open to working with whoever wants to get involved.”
Sheen said he was thinking big.
He said: “My instinct has always been, rightly or wrongly, that when people around you are saying: ‘No, you can’t have that, you can’t do that,’ to go even bigger and bolder and go, no we’re not going to do that, we’re going to do 10 times that.”
Sheen said he was not in a position to reveal details of performances but said the plan was to do one production a year. “The plan to begin with is do big plays really well for big audiences. I’m starting to commission writers.”
Sheen said he was also speaking with organisations such as Welsh National Opera and the Welsh language company Theatr Cymru about working together.
He said: “I’m talking about big bold ambitious world stage productions of plays about who we are, where we’ve come from, how we got to where we are and where are we going.
“The first production will be on the Millennium Centre stage. It will be a new Welsh play, it will star Welsh actors including myself, and it will be one of the foundation stories of who we are as a nation.” Sheen said the first production should be staged next year.
He was working on Nye, the hugely successful play on the life of the Welsh politician and NHS architect Aneurin Bevan, at the National Theatre in London last year when it became clear that National Theatre Wales was in deep trouble.
The company was close to Sheen’s heart as he starred in and co-directed its most celebrated work, The Passion, a modern re-telling of the crucifixion featuring hundreds of local people. “That was a life-changing experience for me,” he said.
Sheen spoke to fellow Welsh actors about what should come next. “I realised I was probably the leading candidate for what could happen now. My feeling was very strongly that it should be a completely new company. It should be a fresh start, a new charity, a new board of governors. I didn’t want to take something over I wanted to start afresh.”
When Nye transferred to the Wales Millennium Centre in Cardiff, the experience reinforced Sheen’s determination to launch a new national theatre for Wales.
Sheen said: “You know that phrase: ‘Build it and they will come.’ It was rammed every performance – they were bringing chairs from the bar to get more people in. The appetite for it was extraordinary and it was hugely moving to perform that to a Welsh audience. People were seeing a play about them and their lives and their history and their story. That was revelatory to me.”
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lifeonmvrs · 1 year ago
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crowley drawing practice :3
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[Image Description: a digital drawing of crowley from good omens. the character is drawn four different times throughout the whole canvas. on the top left corner, there’s a headshot of him looking sideways while wearing sunglasses. his hair is up in a man bun. he looks slightly confused. on the top right corner, also a headshot of crowley with the manbun but he is seen from a 3/4 back view. bottom left corner, is a headshot of crowley slightly angry. he is wearing dark sunglasses while in the position of driving / steering a wheel. his hair is short and slicked back. bottom right corner, is a half body drawing of crowley in the crucifixion outfit. her hair is long and falls down from a headscarf in curls. crowley appears confused. the background is a pale orange with darker orange squares behind each individual drawing. /end ID]
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thereallovebug · 1 year ago
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It makes me sad that it’s been a month since Michael Sheen has interacted with fans on Twitter (I don’t count the tweets for causes or charities). Except for the time some ten years ago when he got off twitter all together, I think this is the longest “hiatus” he’s taken. I’ve heard, “maybe he’s just too busy” and I’m sure that’s partly true but he’s been busy before and generally doesn’t stay away more than a few days at a time.
I think we all know the real reason he’s currently gone is because he was dogpiled over his statements not being pure enough about the current situation in Palestine according to the Twitter Foreign Policy Experts who thought they’d take it upon themselves to school a 54-year-old activist who’s been watching the shifting struggles of the world for decades. Anyone who’s been following him for the past few years should have noticed by now that he doesn’t take kindly to condescention or insults and he’ll readily block those who try. In their parasocial fantasies they forget that friendliness ≠ friendship and shit you can get away with saying to RL friends may not go down well with someone they don’t really know outside of their public persona.
I hope if he finally decides to start interacting with fans again they remember to show some goddam respect. He’s NOT your buddy. He’s a friendly stranger on the internet.
Addendum: if anyone tries to make this political I will block you, no exceptions. I don’t take kindly to condescension or insults, either.
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hllywdwhre · 9 months ago
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My Darling Boy
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Pairing: Thomas Shelby x Irish!fem!reader
Summary: Tommy’s late night leads to you comforting him and a recount of the first time you realized you loved him.
Warnings: Panic attacks, reader faces anti-Irish sentiment from a stranger, Tommy says some questionable things about the Irish but nothing too bad💀, violence, bar fight. Let me know if I missed any!
Word Count: 2.8K
Notes: This was 100% inspired by @red-write-hand ‘s Tommy bot. My god do I love that thing and fluff it gives me. I tried keeping this as reader friendly as possible, but some details had to be added to fit the plot, such as reader being Irish.
Edit: This has not been proofread and YIKES. Sorry for all the errors😭
Flashbacks are italicized!
You stared at the clock on your wall that read 2:07 AM. Tommy was supposed to be in bed three hours ago. It was your agreement. He could work as late as he wanted as long as he ate all three meals with you and came to bed at 11. The resolve had come almost a year ago when you’d finally told him you, his wife, felt like second place to his work.
But here it was. 2AM, your bed felt cold without him there, and this was the third time this week that he hadn’t come to bed on time.
You tried not to argue with him. He had enough stress with work and you didn’t want to be a source of more stress, but you had his same quick temper and you couldn’t deny that you were more than irritated that he was seemingly back to his old ways of ignoring your agreement.
You made your way down the hall and to his office, leaning against the door frame.
Tommy spoke before you could, “I know what you’re about to say.”
The exhaustion in his voice and the way he looked… defeated immediately caused a change of heart in you, though.
“My darling boy,” you said in a soft voice, making sure to use the pet name you had for him to try and avoid him thinking you were there for an argument.
“Don’t ‘my darling boy’ me,” he replied immediately with a bite in his tone, “Not when you’re here to start an argument with me. What time is it?”
You’d known Tommy since he came back from The Great War. You knew more than well enough by now to not take his words to heart when he was like this. He was taking his anger out on you, whether you deserved it or not.
You had blinded men and taken their tongues using the bladed Peaky Blinders cap for speaking to you the way Tommy was speaking to you, but Tommy was your soft spot. Somehow, you always remained calm when it came to Tommy.
You made your way over to his desk and picked up the empty whiskey glass that was next to a stack of papers that littered his desk.
“It’s 2 in the morning, my love,” you replied in a calm voice. You walked over to the fireplace where his bottle of whiskey sat and refilled the glass then placed it on the desk again.
He picked it up as soon as you set it down and took a long drink from it.
“I have work, you know that. The business doesn’t run itself.” He took another swallow of the liquid and you could see the way his breathing had picked up slightly.
It started to make sense in that moment. You knew Tommy as well as he knew you and as well as you knew yourself. You knew the signs of one of his panic attacks beginning and stepped between him and his desk.
“I know that. I’m not mad at you, darling,” you replied after a moment. You made sure to keep your voice the steady and calm tone you knew he needed at the moment as you spoke. “Can you look at me?”
Tommy took a deep breath before looking up at you and you could see the thin sheen of sweat on his forehead along with the way his eyes seemed unable to focus on you. You lifted your hand to his cheek and gently ran your thumb across it in a slow motion.
“What’s your full name?” You asked him. The questions you would ask him changed from time-to-time so he wouldn’t get too used to them. They were simple questions, enough to distract him and get him to focus on you, but not enough to send him into a further panic.
“Thomas Michael Shelby, why?” He raised the glass to his lips again, but his breathing only picked up more.
You took the glass from his hand and set it on the desk behind you then placed his hand on your chest, right where you knew he would be able to feel your heartbeat.
“Focus on my breathing and my voice. What’s John’s wife’s name?” You asked him next.
You watched as he closed his eyes and did as you said, trying to match his breathing to yours as you began taking slower and deeper breaths.
“Esme,” he answered after a moment.
“When’s our wedding anniversary?” You asked next.
”The 17th of August.”
You knew it was silly, but you couldn’t help the blush that rose to your cheeks at how quickly and easily he answered that question. It was the little things like that which reminded you that you were still his number one priority.
“Can you look at me again?” You asked him once you noticed his breathing had calmed down.
Tommy looked to you, his blue eyes immediately finding your eyes and locking onto them. The corner of his mouth tilted into a small smirk and you returned it with a small smile of your own.
“I love you,” you told him as you crawled into his lap and pulled him into a hug, trying to help ground him more.
He immediately returned your hug and buried his head into your neck. Your hands instinctively rose to the back of his head and gently ran your nails across the shaved part of it.
“I love you, too. Even when I’m a mess,” he replied quietly.
“You’re not a mess,” you argued immediately, “you’re my amazing husband, an amazing business leader, an amazing member of parliament, and the strongest person I’ve ever met.”
A sigh left his lips after a long moment and his head remained buried in your neck. His breathing was no longer panicked and he had relaxed into your hold completely.
“I don’t deserve you,” he muttered into your neck.
“Funny,” you said with a chuckle, “I think the same thing of me.” You moved your head enough so you could kiss his temple. “Love you with all my heart, Thomas Shelby. You’re my darling boy.”
As soon as the pet name left your lips, he was chuckling into your neck. It was one anyone else would be maimed for calling him, but somehow you saying it had won him over.
“Love you, too,” he murmured in response.
After a couple long minutes of the two of you curled into each other, and once you were sure he wouldn’t panic speaking of it, you asked him,
“What led to it?”
He immediately knew what you were asking and shook his head in your neck,
“Nothing,” he replied in a defeated voice.
You pulled back enough to cause him to raise his head and she the quirked brow you were giving him,
“Thomas Shelby, what do you tell me every time I try to say the same thing?”
Any time you tried to belittle your problems, Tommy was the one who was telling you that if it was causing you troubles, then it wasn’t nothing and it was worth talking about.
He grumbled something under his breath about using his own words against him and then finally answered.
“The bloody Irish,” he said loud enough for you to hear.
You couldn’t stop the giggle that left your lips. You knew Tommy knew better than to think she was laughing at him or her problems; you were simply laughing at the irony of it all.
“What have my people done now?” You asked, purposefully making your accent come out as thick as possible to pick on him.
“Made an illegal shipment without our say so,” Tommy replied and you could hear the smile in his voice.
“Well… we’ve never liked to obey the English. I think my ancestors are rolling in their graves at how soft I am with you,” you teased, hoping to get at least a chuckle out of him.
It worked and you could feel the way his body shook the slightest bit as the small laugh left him,
“You’re not soft, darling, you’re just civilized,” he teased in return.
You pulled away with a look of mock offense on your face,
“Hey, now! My people are very civilized, we just know how to have fun,” you told him.
You know Tommy held no actual disdain towards you or your Irish blood. He himself was part Irish. He only spoke this way around you to get under your skin and pick on you.
“If you call bar fights being civilized then sure, darling.” The smirk on his face told you he was still only teasing you.
You scrunched up your nose as you looked at him,
“Maybe not your strongest point, love. I’ve come home with a black eye from an English bar fight where, for once, I was genuinely an innocent bystander and I had to keep you from going after half of Small Heath,” you pointed out.
Tommy’s face immediately darkened at the memory of that night and he tried to stutter out some defense of how it was different, but you shook your head no.
“You know that was the night I realized I loved you?” You told him as your own version of the memories flitted through your mind and you tried to distract him from the darker thoughts of his mind.
Your words seemed to catch him off guard and he looked up at you with surprise written on his features.
“Really?” He asked, unsure how else to reply.
You nodded in response and you felt another deep blush creep onto your cheeks. One thing you and Tommy had in common was that vulnerability didn’t come natural to you.
“Would you care to know how I remember that night?” You asked to which he nodded. “It was after a day of shopping with Ada and Esme. You and I had been together for three months at that point, and Ada and Esme were sure we were going to end up getting married, so they wanted to make sure I knew I was part of the family.”
You knew he knew all of this, but you wanted to tell him the whole story of how you had come to the realization and what had happened leading up to the fight.
”After we were done shopping, Esme had John meet us up at The Garrison so we could all have a drink.”
The three of you stumbled through the doors of the pub, giggling over something Ada had said.
John motioned the three of you over to the table he was sitting at, already having ordered a round of drinks for you. It was the first time you had sat outside of the private room the Shelbys had, and the last.
In the middle of the three of you telling John about the new dress Ada had bought, someone who’d had one too many drinks came stumbling over.
“I don’t get you Shelbys. You serve your country in the war then associate with some Irish scum,” he spat out, motioning from John to you.
You had met the other Shelbys while Arthur, Tommy, and John were in France. Polly had needed a bookkeeper for the betting shop and had taken you, even vouching for you when they had returned. After a year of working with them, one incident where you had been used as bait that had gone too far, and you’d been forced to defend yourself, Tommy had decided to make you an official Peaky Blinder. You may not wear your Peaky cap, but the bladed item was also on you. Offers had been made to hide blades in other women’s items of clothing, but you had denied. You had learned how to hide the cap among scarves, shawls, or in your bags and you wanted the official Peaky Blinders symbol.
John had immediately jumped to your defense that night in The Garrison.
“She’s a damn Peaky Blinder and has been for years! She can be trusted as well as any Englishman or woman.” He had defended, standing up to meet the man eye-to-eye as a warning to leave.
“Do you know who you’re talking about?” Ada said next, standing up also, “Irish or not, she’s Tommy’s girl and a Blinder.”
“I don’t give a shit if she’s Tommy’s current whore or not. She’s Irish scum and I don’t want to be in a pub with the likes of her,” the man spat back at Ada.
Esme and you both stood up at this and the rest of the pub had silenced as they watched the scene unfold. Seemingly out of thin air, a couple other Blinders that were present came to stand beside John as he told the man to leave the pub while he could still see the door.
Next thing you knew, Esme had pulled you harshly out of the way as a glass shattered against the wall behind you.
Chaos broke out immediately. Despite you trying to fight against them, a couple patrons or other members of the Peaky Blinders (you weren’t sure which) had tried to drag you, Ada, and Esme back to the office. During the mix, a blow landed on your cheek and you quickly swung back.
The fight seemed to halt immediately after. Even if the guy was brave enough to harass you for being Irish, throw a glass at your head, and fight John over everything, everyone else seemed to realize the grave mistake that had been made in that moment.
No one touched Thomas Shelby’s woman, and there she was with a bruise already evident on her cheek.
John grabbed the guy by the scruff of the neck like he was nothing more than a rabid dog, called for you to follow him, and called for Esme and Ada to be walked back to the betting shop and for all the members of the Peaky Blinders present to go there, also.
You walked with John to the canal and were told by John that you ‘could do the honors of killing the bastard’ yourself.
After the deed was done, the two of you had walked back to the betting shop and arrived at the same time as Tommy.
You remembered the worry on his face as he looked for you, the anger that took over when he spotted the black eye, him screaming at everyone to give him an answer as to what had happened and who had harmed you, and the way he had pulled you into his arms in a hug that nearly crushed you.
You remembered the feeling of safety that washed over you once you were in his arms, the feeling of home, and the way you were able to ignore the chaos around you as others explained what exactly had happened that night.
You remembered the way he wouldn’t let anyone else touch you until he had personally looked you over for any injuries.
You remembered the look he had when you told him you’d killed the man. The disappointment over not being the one to do it himself, but the pride in you standing up for yourself.
“I remember being absolutely terrified when it finally clicked in my head what I was feeling. I have never feared you, but I was terrified of ever getting my heart broken again. I knew Esme and Ada had said they were sure we would be married, but my own insecurities came into play, and I was terrified you’d realize how much of a mess I could be and you’d leave me,” you told him, leaned in and kissing him softly for a moment before continuing on, “You never left me. Even when we’ve fought, you never let me feel like you were going to leave me. I learned that no matter what happened, you’d move the earth, heavens, and hells to make sure you always came back to me.”
Tommy remained silent as you finished your story. He opened his mouth several times to speak, but it seemed you had actually managed to make the man speechless.
“I love you, Thomas Michael Shelby,” you muttered as you leaned in to kiss him again, “I meant it the first time I said those words, when I accepted your proposal, when we said them at the altar, when I say them now, and every time in between. You’re my darling boy through it all.”
His hand came up to cup your face and he rested his forehead against yours, “I’ve meant them all, too. You’re mine until the end of time.”
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heresmyhyperfixations · 11 months ago
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Let me be so for real for a minute. I grew up in a homophobic and transphobic household. Now, there’s a lot I could speak on in relation to this time of my life and how even now it’s affects me. But instead I want to share something pertaining to the fandom I have found myself in recently.
Good Omens was on my list of shows to watch since it came out all those years ago. Honestly, I was a Supernatural fan, I yearned for nothing more then a good on screen queer angle lol. Of course I couldn’t not at home. I couldn’t risk it. It was funny, some family members were Michael Sheen fans. That meant watching a lot of things he was in and every time I would be thinking about Good Omens and how much I wanted to be able to see it. But after a while I did kind of forget that it exists. Then I stumbled back onto this lovely little chaotic app. Following a lot of writing based accounts and tags it didn’t take long to come across Neil Gaiman’s account, even though he doesn’t use social media. Seeing him answer asks about GO made me go “Oh! Finally!” And start streaming it immediately.
Of course I fell in love. Growing up being shamed by my family for simply being a little “strange”, plot twist I am just neurodivergent, hurt a little less watching Aziraphale constantly being ridiculed by the other angles for his human tastes. Cause if he is still a good character/person/angel, even if a little “weird”, that means I can be good too. Watching Crowley get cast away for asking questions was relatable as well. But guess what? If he can go off and make a life for himself with his love and independence then so can I. Does this mean Aziraphale and Crowley don’t have a ton of healing and growth still to do? Absolutely not. But I am sure they will get through it, and so will I.
Now here’s where it gets a little tricky, figuring out how to express how much the fandom means to me. Hearing other stories, headcannons, and character analysis makes me feel less alone for starters. But even on a less dramatic note, it just so nice to be able to revel in our mural love for this show! After all these years of wanting to watch I finally get to join in on the fun! And I am so so so grateful for that. I love it here.
P.s. as someone still coming to terms with my gender identity, seeing David be so vocal about his support of trans rights and wearing his little non-binary pride pin has made me feel so much better.
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senqv · 2 years ago
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LOVEGAME !
blue lock ! fanfic featuring : michael kaiser x gn! reader
warning(s) : lots of mentions of feminine stuff like dresses & makeup but still can be read as gender neutral ( hopefully ??? ) , kisses <3 , a bittt suggestive , loserboy kaiser , established relationship , no proofread so prolly some spelling / grammar mistakes , lmk if there are more !
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kaiser as the rich football star who loves spoiling his lover. he brings in around 2 million usd annually, so just say the word and he will deliver it. anything from givenchy to giambattista valli; or even the custom-made garments from paris couture week starting from the tens of thousands to several millions.
he’s also quite accustomed to playing around with makeup, loves it when you offer to do his eyeliner for him <3 but really, what he enjoys the most is dressing you up all pretty just for him !!
“gorgeous,” kaiser whispers, lithe fingers going down the side of the navy satin gown from saint laurent, teasingly flitting just below the hemline. his fingers press down onto your thigh at the way your makeup preoccupies you instead of paying attention to him, tilting his head to the side as he meets your gaze in the vanity mirror. “just a sec,” you continue to apply your mascara without a care in the world, oblivious to the impatient taps of your boyfriend’s fingers. he leans forward with a sigh, hands caged at either side of your frame.
kaiser frowns in displeasure at your refusal to spare him even a glance, and you can tell he’s getting restless at the way his fingers drum aggressively against the table. “kaiser,” it’s almost funny how fast he looks up at the call of your voice. “sit behind on the bed or something, please ? you’re distracting me.” you say, leaning even more forward to properly apply the opalescent highlights on your eyelid, disregarding the way your boyfriend’s jaw nearly drops at the sheer audacity ?? how dare anyone, much less his own lover, disregard his presence ????
kaiser’s frown deepens as he opens his mouth to protest, but decides against it as he begrudgingly sits on the side of the bed, the mattress dipping under his weight. he crosses his arms, biceps flexing visibly below his rolled sleeves that were just a tad too tight. from the corner of his eye, he can see you uncapping a tube, recognising it as the rouge hérmes lipstick he gifted to you not too long ago. the wine red sheen makes your lips especially ravishing, and he has to tear his gaze away before he gives in to his desires to kiss you until you can’t think. not after that stunt you pulled !!
kaiser purposely avoids your gaze as you walk towards him, glancing to the side and keeping his arms crossed as you climb into his lap. “kaiser,” your voice is a teasing lilt, and kaiser turns his head away from you, powered by pure spite and pettiness. “michael,” voice dropping to a saccharine sweetness, and usually this would do the trick. but kaiser seems hellbent on teaching you a lesson today. and so he continues to glance away from you, bottom lip jutting out adorably.
your lips curve down into a pout, pulling out all the stops. your pointer tips his chin towards you, sultry voice akin to dripping honey as you call out a “darling ?” you can see the way his adam’s apple bobs as heat rises from his neck, flushed face and all. finally, he turns towards you, still futilely trying to evade your gaze.
“ja? mmh-!” he is cut off by the press of your lips against his, jolting from the sudden kiss. you don’t think you’ve ever heard kaiser whimper as he shakily snakes his hands around your waist and behind your head, melting further into you. his tongue licks at your lips as you part breathlessly, desperate for more. his lips are stained a delicious red, and you’re sure that your mouth, too, is awfully smudged by that gorgeous carmine. his chest rises up and down unsteadily, pupils dilated and blown wide.
“you-“ you pay no mind at his protests, swiping on another layer of lipstick as you end whatever he was about to say with another kiss on the corner of his lips. then on his cheek; down his neck, the tip of his nose; he shivers at every touch of your lips, and if someone were to walk in, they’d think you were bullying the mighty emperor with the way he was shaking, a wild flush on his face.
you giggle as you admire your finished masterpiece, red kiss marks littered all over his face and down the dip of his half-buttoned shirt. he looks dazed, sharp blue eyes unusually cloudy. you take a glance down at his patek philippe 1915 watch. “hey, we’re gonna be late.” suddenly, you’re hauled back onto his lap, his grip on your waist tighter than ever. his gaze is electrifying, staring with a certain vivacity you’ve only seen him have on field. “again,” he whispers, eyes lidded as he brushes his lips against yours. “wait- kaiser!”
he is practically feral, leaning down and bending you back that you would fall if it wasn’t for his unwavering grip at your waist. a kiss at the side of your lips, against your mouth again, and repeat. “mmh- enough, ‘s too much-” you whine tiredly, hitting his back in vain. “too much? ” a mocking smile forms on his face. “im just getting started.”
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crowleysgirl56 · 4 months ago
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Ok, so firstly, wonderful announcement. If you have the opportunity to see this show live I thoroughly recommend. It is the theatre performance of Michael Sheen’s career. I saw it in the cinema and it one of the most moving pieces of theatre I’ve ever seen. Honestly 10 stars. Beautiful, moving, incredible. Michael deserves ALL the theatre awards!
Now, secondly. This announcement kind of makes me nervous. Because I don’t know if this is a good thing or a bad thing for the state of Good Omens season 3. We know that filming was supposed to start in January. Likely the production of principal photography would wrap by May (if we go by the length of time of the previous two seasons). Michael is contractually obligated to season 3. But he can take other work outside of his filming time. So either he anticipates that S3 will still go ahead with the same schedule, or this is a quiet indication that he is committing himself to other work.
I know I shouldn’t speculate. I know I shouldn’t get everyone upset or fearful. I just wanted to point out my observation and keep my fingers crossed that it means the first option is going on, that Michael knows when he is available for work and that hopefully this means everything is going to be ok.
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dreamy-pill · 1 month ago
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I’ve been imagining another AU, one that starts, unfortunately, with the tragedy of Stanford Pine’s twin brother, Stanley Pines. He hears about his brother’s demise from his mother. Most likely, Stanley died before Stanford arrives in Gravity Falls. That’s just the basic plot for the beginning.
So…I was reviewing Passengers, the one with Jennifer Lawerence and Chris Pratt? I became inspired when I saw the robotic bartender, played by Michael Sheen. And it had me thinking about DBH (aka: Detroit(:)Become Human), the game about AI sentience created by this guy called Kamski. And then I also just thought about Astro Boy and Ex-Machina, too.
You’ll most likely know about the Frankenstein AU for Gravity Falls, right? Kudos to the creators, that’s a lot of really impressive and interesting art.
Well, what if Stanford went about developing an android with the initial intent to revolutionize humanity while in Gravity Falls? During the daytime, he’ll focuses on research of the local ecosystem, while in his pass time he’ll be pouring research theories into blueprints for the robot. And when he gets Fiddleford to help him with his project, the robot is molded into Stanford’s likeness because why not? And, for selfish reasons Stanford will keep to himself, he starts referring to the robot as Stanley. Then, you know, Fiddleford will most likely just assume his partner is becoming narcissistic because he doesn’t know about Stanley yet and that Stanford lost his twin brother.
Is it almost morbidly contrived for Stanford to reshape the android to share the same likeness to his brother from the last time he saw him, which was during his wake?
Then, just when the android finally emerges and his processors are all switched on from an unknown power source, Stanley is awoken once more. He just doesn’t realize that yet.
For a shorter explanation for further plot, Stanford won’t be able to handle being in the same room as the android and Fiddleford will have to assume caretaker to the robot while running tests. Stanford will most likely be feeling guilt because he just brought a dead ringer of his brother back from memory. He’ll feel like he’s disrespected his brother’s memory and can’t handle it because he’ll sometimes forget that the android’s not Stanley. While talking with him, Stanford will unconsciously ask what the robot thinks, only to be met with confusion, then Stanford will look at the android for any signs of familiarity on his face. He forgets sometimes that the android doesn’t share any memories between him and Stan. That really bums Stanford out. The android notices but doesn’t know how to help.
Think of this as an alternate version for Wax Stan, except with robots.
Now, imagine if Bill wanted Stanford to build him a body at first when he finds out about his project, only to be rejected. I don’t know how to carry on more with that. I just became inspired by Avengers(:)Age of Ultron.
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invisibleicewands · 7 months ago
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Please come and see me because I’ll be dead soon’: how Michael Sheen got sucked into a forever chemicals exposé
An opera-loving member of high society turned eco-activist who was forced into police protection with a panic button round his neck. A Hollywood actor who recorded said activist’s life story as he was dying from exposure to the very chemicals he was investigating. Throw in two investigative journalists who realise not everything is as it seems, then uncover some startling truths, and you have “podcasting’s strangest team” on Buried: The Last Witness.
On their award-winning 2023 podcast Buried, the husband and wife duo Dan Ashby and Lucy Taylor dug into illegal toxic waste dumping in the UK and its links to organised crime. This time, they focus on “forever chemicals”, specifically polychlorinated biphenyls (PCBs) and set out to discover whether one whistleblower may have been decades ahead of his time in reporting on their harmful impact.
“It’s amazing how big the scale of this story is,” says Ashby, as we sit backstage at the Crucible theatre, where they are doing a live discussion as part of Sheffield DocFest. “With this series, we don’t just want it to make your blood turn cold, we want it to make you question your own blood itself.”
It all started when Taylor and Ashby were sent a lead about the work of former farmer’s representative Douglas Gowan. In 1967, he discovered a deformed calf in a field and began to investigate strange goings on with animals close to the Brofiscin and Maendy quarries in south Wales. He linked them to the dumping of waste by companies including the nearby Monsanto chemical plant, which was producing PCBs.
PCBs were used in products such as paint and paper to act as a fire retardant, but they were discovered to be harmful and have been banned since 1981 in the UK. However, due to their inability to break down – hence the term forever chemical – Gowan predicted their legacy would be a troubling one. “I expect there to be a raft of chronic illness,” he said. He even claimed that his own exposure to PCBs (a result of years of testing polluted grounds) led his pancreas and immune system to stop working. “I’m a mess and I think it can all be attributed to PCBs,” he said.
However, Gowan wasn’t a typical environmentalist. “A blue-blood high-society Tory and a trained lawyer who could out-Mozart anyone,” is how Taylor describes him in the series. He would even borrow helicopters from friends in high places to travel to investigate farmers’ fields. Gowan died in 2018 but the pair managed to get hold of his life’s work – confidential reports, testing and years of evidence. “I’m interested in environmental heroes that aren’t cliche,” says Ashby. “So I was fascinated by him. But then we started to see his flaws and really had to weigh them up. My goodness it’s a murky world we went into.”
The reason they were able to delve even deeper into this murky world is because of the award-winning actor Michael Sheen who, in 2017, came across Gowan’s work in a story he read. He was so blown away by it, and the lack of broader coverage, that he tracked him down. “I got a message back from him saying: ‘Please come and see me because I’ll be dead soon,’” says Sheen. “I took a camera with me and spent a couple of days with him and just heard this extraordinary story.”
What Gowan had been trying to prove for years gained some traction in 2007, with pieces in the Ecologist and a Guardian article exploring how “Monsanto helped to create one of the most contaminated sites in Britain”. One was described as smelling “of sick when it rains and the small brook that flows from it gushes a vivid orange.” But then momentum stalled.
Years later, in 2023, Ashby and Taylor stumbled on a recording of Sheen giving the 2017 Raymond Williams memorial lecture, which referenced Gowan and his work. Before they knew it, they were in the actor’s kitchen drinking tea and learning he had conducted a life-spanning seven-hour interview with Gowan before his death. So they joined forces. Sheen isn’t just a token celebrity name added for clout on this podcast; he is invested. For him, it’s personal as well as political. “Once you dig into it, you realise there’s a pattern,” he says. “All the places where this seems to have happened are poor working-class areas. There’s a sense that areas like the one I come from are being exploited.”
Sheen even goes to visit some contaminated sites in the series, coming away from one feeling sick. “That made it very real,” he says. “To be looking into a field and going: ‘Well, I’m pretty sure that’s toxic waste.’” Sheen was living a double life of sorts. “I went to rehearsals for a play on Monday and people were like, ‘What did you do this weekend?’” he says. “‘Oh, I went to the most contaminated area in the UK and I think I may be poisoned.’ People thought I was joking.” Sheen ended up being OK, but did have some temporary headaches and nausea, which was a worry. “We literally had to work out if we had poisoned Michael Sheen,” says Ashby, who also ponders in the series: “Have I just killed a national treasure?”
The story gets even knottier. Gowan’s findings turn out to be accurate and prescient, but the narrative around his journey gets muddy. As a character with a flair for drama, he turned his investigation into a juicy, riveting story filled with action, which could not always be corroborated. “If he hadn’t done that, and if he’d been a nerdy, analytical, detail-oriented person who just presented the scientific reports and kept them neatly filed, would we have made this podcast?” asks Taylor, which is a fascinating question that runs through this excellent and gripping series.
Ashby feels that Gowan understood how vital storytelling is when it comes to cutting through the noise. “We have so much science proving the scale of these problems we face and yet we don’t seem to have the stories,” he says. “I think Douglas got that. Fundamentally, he understood that stories motivate human beings to act. But then he went too far.”
However, this is not purely about Gowan’s story – it’s about evidence. The Last Witness doubles up as a groundbreaking investigation into the long-lasting impact of PCBs. “We threw the kitchen sink at this,” says Ashby. “The breakthrough for us is that the Royal Society of Chemistry came on board and funded incredibly expensive testing. So we have this commitment to go after the truth in a way that is hardly ever done.”
From shop-bought fish so toxic that it breaches official health advice to off-the-scale levels of banned chemicals found in British soil, the results are staggering. “The scientist almost fell off his chair,” says Ashby. “That reading is the highest he has ever recorded in soil – in the world. That was the moment we knew Douglas was right and we are now realising the scale of this problem. The public doesn’t realise that even a chemical that has been banned for 40 years is still really present in our environment.”
To go even deeper into just how far PCBs have got into our environment and food chain, Ashby and Taylor had their own blood tested. When Taylor found 80 different types of toxic PCB chemicals in her blood it was a sobering moment. “I was genuinely emotional because it’s so personal,” she says. “It was the thought of this thing being in me that was banned before I was even born and the thought of passing that on to my children.” Ashby adds: “We’ve managed physical risk in our life as journalists in Tanzania and with organised crime, but more scary than a gangster is this invisible threat to our health.”
In order to gauge the magnitude of what overexposure to PCBs can do, they headed to Anniston, Alabama, once home to a Monsanto factory. “As a journalist, you have an inbuilt scepticism and think it can’t be that bad,” says Ashby. “But when I got there I couldn’t believe what I was seeing. I hate to use words like dystopian, but it was. There is a whole massive school that can’t be used. There’s illnesses in children and cancers. It truly was the most powerful vignette of the worst-case example of these chemicals.”
It’s bleak stuff but instilling fear and panic is not the intention. “Obviously, we’re really concerned about it,” says Ashby. “And although the environmental crises we face do feel overwhelming, it is incredible how a movement has formed and how individuals are taking action in communities. The lesson to take from Douglas is that the response doesn’t have to be resignation. It can be agency.”
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pastelwitchling · 3 months ago
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Ha! Michael's last line is so him! That was sweet. I wonder how Michael would deal with one of the new recruits having a massive crush on Alex?
@yellowvalley on ao3
Continuation to this fic.
***
              Michael’s head was rested on Alex’s lower back, in the dip just before his plump ass, nosing the base of Alex’s spine. Even naked in bed after hours of making up for lost time, even as the sheen of sweat on their bodies had just dried from the faint autumn breeze drifting in through the open window and making the curtains flutter, Alex still smelled so good. Like vanilla and flowers and sex. Michael turned his face deeper into his skin and inhaled deeply.
              Alex, who had been hugging the pillow under his head, his eyes fluttering sleepily, snickered. “Are you smelling me?”
              “Yes,” he sighed deeply, smiling without the least bit of shame as one hand played with Alex’s fingers on the sheets, the other lightly thumbing one of his ass cheeks. “Yes, absolutely.” He groaned under his breath as he turned onto his side, swiping his tongue along Alex’s spine and sinking his teeth into his hip, making Alex hiss and break out into giggles. Michael smiled against his skin. “Damn, I missed you, Private.”
              “I wish I could be cool about it,” Alex said dozily, “since it was only three days, but I missed you too.”
              Michael smiled and snuggled into his back, rubbing circles into Alex’s waist with his palm and reveling at the faint shudder and goosebumps that followed his touch. “How much did you miss me?”
              Alex snorted. “So much.”
              “Like, how much?”
              “You’re such a . . .” Alex grinned, burying his face in his pillow, unwilling to let Michael see his reddened cheeks.
              “Look at me,” he said, poking Alex’s hip.
              Alex shook his head. “Mm mm.”
              “Look at me,” Michael was grinning widely now, moving his finger up Alex’s ribs until he was laughing, his body shaking with the force of it. “Baby.”
              Alex said something muffled that sounded a lot like, “No.”
              “Do it.”
              “No.”
              “I want to see you.”
              A moment’s hesitation, then Alex peeked an eye out, his face the darkest shade of red yet as he looked down at Michael through dark lashes, and Michael’s smile softened despite himself. He shook his head in awe.
              “How did none of those recruits fall in love with you?” he said, not thinking about the words, only knowing that they were at the forefront of his mind, the most honest thing he could’ve said in a moment when his love looked so exceptionally vulnerable and beautiful and perfect.
              He hadn’t expected an actual response. He definitely hadn’t expected Alex to bite his lower lip and slowly look away.
              Michael’s brows pinched. “What?”
              Alex, who had buried his face back in the pillow shrugged and said a very quiet and muffled, “Nothing.”
              He picked his head up a little. “Alex, what is it?” Realization dawned and he frowned. “None of those recruits fell in love with you . . . right?”
              Alex took a second, then peeked his head out. “Okay,” he started, “don’t get upset . . .”
              Michael scoffed and put his head back down. “I’m not upset,” he lied, sounding upset to his own ears. Then he completely undermined his own words by asking, “How do you know?”
              “I . . . may have gotten a confession my last night there.”
              “Ah,” he nodded, drawing more circles on Alex’s hip. Half a minute passed. “From who?”
              Alex’s body shook with silent laughter. “Michael, don’t make a big deal out of this.”
              “I’m not making any deal out of this.”
              “It was just a little crush.”
              “Obviously.”
              “So there’s no sense in hunting the guy down.”
              “I wasn’t going to!” Michael said, annoyed. He sighed, the circles on Alex’s hip turned to incessant tapping of his finger until he couldn’t help but say, “I just wanna know what his name was.”
              Alex barked a laugh. “No.”
              “Why not?”
              “Because,” Alex said, and his voice dropped to a mumble. “I, uh . . .” Michael squinted at the rest of his sentence, too quiet to hear.
              “What?”
              Alex heaved a long sigh, then confessed guiltily, “I don’t remember his name.”
              Michael’s eyebrows rose, the knot in the pit of his stomach unraveling almost at once. “You don’t remember his name? You saw these people last night!”
              “Well!” he scrunched his shoulders, blushing furiously, “I was too busy missing you and dying to get back to you to really pay attention to faces and names, Guerin, okay? What do you want from me?”
              Michael’s smile returned full-force. “Aww, baby –”
              “Shut up,” he said, the words muffled again as he buried his face in his pillow. “This is why I don’t tell you anything.”
              Michael turned his face to press a kiss to Alex’s ass cheek, nuzzling the curve of it as he fought a laugh. “I love you so much.”
              “I’m not saying it back.”
              “Say it.”
              “No.”
              He bit into his cheek, and chuckled at Alex’s body jolting. “Say it.”
              “Piss off.”
              Michael did laugh this time, and he climbed up the length of Alex’s body, leaving no space between himself and his husband, wrapping an arm around his waist.
              “Don’t leave me again,” he whispered into the few inches of space between them. “Not for a while.”
              Alex slowly looked up from where he’d been hiding his beautiful face, and Michael brushed his bangs back from his eyes.
              “I think if anybody else tried to come onto you, I really would have to hunt them down.”
              Alex considered him for a second, and shut his eyes. “Damn,” he whispered, “I really missed you.”
              Michael smiled and leaned in until their foreheads touched, eyes fluttering shut. “I’m not even going to try to be cool about it, Private. Not for a second.”
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blinkilite · 10 months ago
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I had the amazing privilege of seeing Michael Sheen in Nye a few nights ago at the National Theatre.
The play:
Nye was amazing. Michael was brilliant and in command of the stage the whole time. I am not a big theater-goer. So this was a big deal for me. But seeing him perform on stage was just wonderful. I truly appreciate his skills on a whole new level now. The rest of the cast was brilliant too. They each played multiple roles throughout the timeline of the play. I highly recommend going to see it if you can. He sings! He dances! I cried! I laughed! I’m trying my best to give you a spoiler free review! But I promise you won’t be disappointed. 😊 it’s really really good. 👍 Go! Support Michael and the arts!
My personal experience:
I had a mix of excitement and anxiety all day but it really amped up when I got to the theater. Like omg this is really happening. I took a pic by the poster and it’s obvious I am an excited weirdo. 😆
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Now that I was here, the next step was going to the national theatre gift shop. They had a lot of cute things and a really cool display for Nye.
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I purchased my program and the cashier was very friendly. She complimented my Good Omens pin and said they usually come out stage door so make sure to go around back after, and enjoy the show. 😊 (internally squeeing) I thanked her and we went and got some food and a cider.
We made our way to the doors and were led to our seats. Then I started getting the omg we’re here this is actually happening mentality. We were pretty close. An omg he will be right there! Soon! 😬
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We had 8th row seats 😳 it seemed very close and I was freaking out.
I read some reviews and saw the newly released press photos of the play. So I knew a little what to expect of the show too, but honestly it was sooo good. I don’t want to give away any spoilers because the play is AMAZING. Michael and the rest of the cast did so well. Michael is very active and moved all over the stage. I am so impressed by his abilities as an actor. He fucking sings! And it’s wonderful! And our seats were close enough to see all the micro expressions on his face. 😃 If you have the means to go and see this either in London or later in Wales - GO! You will not regret it.
At the end I took a pic of the actors (though I didn’t get everyone) and I got the very end when Nye can see the impact of his accomplishments.
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Now for the fangirling part of my night. I was trying my best not to be a complete dork. I knew from other fans previously posting that he typically comes out at the stage door after the show. So I had an idea what to expect. He came out pretty soon after the show ended. I’m guessing there were maybe 50-60ppl there. He just started talking to people, signing things, taking photos like this is no big deal. And they would leave and it would be the next person’s turn. Everyone was very considerate of each other and Michael’s time. And he was kind and generous and spoke genuinely to each person and made so many people happy that night. just by being himself and taking some extra time before he went home. He really is an angel. ❤️
Eventually it was my turn. Somehow I didn’t mumble or giggle like an idiot. where did I find the ability to speak? - I really have no idea 🤷‍♀️ I told him the show was amazing. He thanked me. And while signing my program I told him we came over from America for my birthday to see him. He wished us luck in the rest of our trip. I got a selfie with him and internally died. He wished me happy birthday (died again). I thanked him and then it was the next person’s turn. I walked about 50ft away and jumped up and down like an idiot. Hopefully he didn’t see.
But holy shit. 😃
I met Michael Sheen!!!! 😃❤️😃
And he was the nicest person ever. 😃😃😃
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haydenn · 1 year ago
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I don’t know if I totally buy any of the current theories out there, but there is so much fuckery happening in the last sequence with the Metatron. And the thing I keep coming back to is that there is something fucking huge that we as the viewers are missing.
Firstly, when the Metatron suggests that he and Aziraphale need to have “a bit of a chinwag” Aziraphale implies that they’ve already had this conversation. The line is “I don’t believe there’s anything left to be said. I’ve made my position quite clear.”
The only time we’ve seen these two characters speak to each other on screen is at the end of season one. And that conversation is definitely not what Aziraphale is referring to. Further more, Aziraphale’s eyes shift in Crowley’s direction multiple times while he says that line. Az and the Metatron had a conversation that we did not see and that conversation either featured Crowley in some significant way or Aziraphale has intentionally not mentioned it to Crowley. Possibly both.
Secondly, there’s the coffee. Which I won’t go in to too much. It’s been analyzed to death at this point, but it’s fucky nonetheless.
Thirdly, the way the Metatron looks at Crowley as he’s leaving the shop is nothing short of chilling. The ominous music is an obvious clue that something is up, but the expression on the Metatron’s face is so full of loathing. It’s not an “ew, demon, gross” expression that the other angels give him. It’s pure, vindictive hatred and it feels so personal.
Fourthly, there is no part of the Metatron and Aziraphales conversation that we see on screen that Aziraphale isn’t narrating back to Crowley. We as the viewers have no idea what they really talked about. We just have to take Aziraphale’s word for it. The only part we see is the Metatron telling Az to “go and tell your friend the good news” and there is so much fuckery in this scene too!
The Metatron initially says “You don’t have to answer immediately. Take all the time you need.” And then when Aziraphale says “I don’t know what to say,” the Metatron takes that for an agreement and tells Az to “go and tell your friend the good news.” But Az never says yes. We never see him actually agree to go back to Heaven. We only get that in following scene when Az is relating what was said to Crowley.
Fifthly, for all the “good news” that Az has to tell Crowley, when he crosses the street back to the bookshop, he doesn’t look excited. He looks nervous and kind of scared. We don’t see him start to look even remotely excited until right before he starts talking. Aziraphale constantly has his emotions written all over his face. It’s a very intentional acting choice from Michael Sheen. Which leads me to believe that if Aziraphale was meant to be genuinely excited in this scene, it would have be all over his face from the moment we saw him outside with the Metatron. But it’s not. He schools his features into excitement right before he starts talking to Crowley.
This, for me, makes all of the flustered excitement with which he tells Crowley about the Metatron’s offer feel really disingenuous. It feels forced and slightly out of character because we fucking saw Aziraphale be not at all excited before he walked into the bookshop.
And finally, when the Metatron comes into the bookshop after Crowley leaves he asks “how did he take it?” And that is such a weird thing to say if he sent Az in there to tell Crowley “good news.” That’s not something that needs to be asked about good news. Good news is almost universally well received. You only really need to ask how news was taken if the news in question was bad.
The Metatron’s tone and mannerisms are also really different here then they were in the scenes before. Before he was giving off kindly, if a little creepy, grandfather vibes. Once he comes back into the bookshop he seems to have dropped that act. He’s not surprised that Crowley said no. He’s not at all bothered by or has any compassion for Aziraphale’s obvious distress. And his tone much more brusque and businesslike. Almost like he’s saying “Got that messy business with the demon sorted, have we? Jolly good. Let’s get on.” It’s a very notable shift from how we’ve seen him behave up to this point and it feels a hell of a lot more like how we’ve seen the Metatron be in Heaven with Gabriel’s trial or when he spoke to Az in season 1.
As I said before, I don’t know if I’m 100% on board with any of the theories I’ve seen. But everything about this sequence is weird and contradictory. There’s something so damn fucky about it and all of the context clues point to there being some vitality important piece that we are missing. The whole sequence is just screaming “There’s something very very wrong here. Do not believe your eyes and ears. All is not as it seems.” And I am going to be losing my damn mind over it until season 3 comes out.
Why has Neil done this to us?
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celestialcrowley · 11 months ago
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🪴 IT’S FANFICTION FRIDAY 🪴
🪽 🪽🪽🪽🪽🪽🪽🪽🪽🪽🪽
Memory Reboot is the first multi chapter work I’ve started for the Good Omens fandom. There are currently two chapters up, and chapter three is … everyday it’s a-getting closer … being written.
I’m glad I returned to tumblr and began writing again. Words can’t express how patient, lovely and supportive all of you are.
Work Title: Memory Reboot
Chapters: 2 out of ?
Rated: T, subject to change
Current Characters: Aziraphale, Crowley, Raven, Muriel, the Metatron, Jesus, and Nina.
Michael Sheen, if you’re out there, please don’t read this. Also, hi.
Memory Reboot
I’d love to know what you think! Comments keep me writing. 💚
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ingravinoveritas · 1 year ago
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The people that keep saying not to ship Michael and David together in real life because of their relationships to Georgia and Anna are also the same ones who keep begging to have the two girls appear in the next season of GO as a couple because of Anna’s little joke of making out with Georgia. Seriously people saw that tweet of hers and immediately decided to ship them together and call them the “ineffable wives” but Michael and David have come out with soooo much more adorable moments of the love and joy they have for each other and everyone starts saying that it’s disrespectful to ship them when their “married” to females in real life 🤷‍♀️ I mean…. The hypocrisy is astounding and disturbing on levels I can’t even comprehend. The fact that Georgia, who is known to search her and David’s name on Twitter and answers back to anyone that tags or even mentions her didn’t even acknowledge Anna’s tweet says sooooooo much about this “best friend dynamic duo”. The fact that Anna is resorting to jokes about kissing another woman just for attention also…. WHEW. If this isn’t the biggest cry for attention I don’t know what is. And the fact that people feed into her attempts also and are petitioning for them to kiss and show up in GO!
Lord. I've seen so much talk about casting female actresses in regard to fem-presenting Aziraphale/Crowley over the past week, and while it is disappointing, I am not at all surprised. The first inkling I had was upon seeing the reactions when a behind the scenes photo of Crowley as Bildad the Shuhite was posted just before the release of GO 2:
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It seems that a lot of folks were expecting/hoping for fem!Crowley, as we saw in Golgotha in season 1 (on the right), and when that turned out not to be the case, the reaction was to call Bildad!Crowley ugly, to say that he should shave, and other comments essentially making fun of this particular look. Obviously, much of this could have (and likely was) made in jest, but the overall consensus was clear: You can't be feminine with a beard.
(Which...I'd like to see someone tell that to Michael Sheen, because yes, the fuck you can...)
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So from the outset, I was already bothered by what seemed like the hypocrisy of on the one hand celebrating a show where the characters are genderfluid/nonbinary by definition, and then on the other hand getting upset when one character doesn't fit into a prescribed, conventional idea of femininity.
When Neil subsequently mentioned that there had been a storyline for female-presenting Aziraphale and Crowley in the 1960s, it was dismaying (but again, not surprising) to see these same fans casting female actresses in the roles. Never mind that you already had David playing female!Crowley and Nanny Ashtoreth in season 1. Never mind that both Michael and David have played...well, "drag" doesn't seem like exactly the right word, but they've played women, and brilliantly subverted gender roles in their own ways. There is no reason to think that they couldn't do a fabulous job as fem!presenting Aziraphale and Crowley, except that (again) some fans seem to have a specific idea of femininity that they think does not or cannot apply to Michael and David.
Which then brings us to the apparent clamoring for Anna and Georgia as female Aziraphale and Crowley, which has again left me scratching my head. In all of the tweets and hubbub, I have not seen one person say why they think AL and Georgia would do a good job in said roles--like, "Oh, Georgia was so good as [insert role]" or "I loved Anna as [insert role]"--only that they would be "so amazing." This leads me to think that the only reason these fans want AL and Georgia in the roles is because they are Michael and David's partners. They are assuming that this is somehow a guarantee of the same profound understanding of the characters and their connection, despite there being no evidence of such a correlation. (I mean...I fooled around with my former grad school professor last year, but that doesn't mean I have a PhD...)
What it also seems to indicate is that these folks are not thinking of what is best for the characters, either, or indeed if playing female!Aziraphale and Crowley is something AL or Georgia would even want to do. Neil recently said that Georgia turned down a role in GO 2 supposedly because the character was older than her and she didn't feel it was appropriate. If this is the case, why would Georgia want to play the role of a middle-aged character? Because that is what Aziraphale and Crowley are--ageless celestial beings, yes, but beings who have chosen to present as middle-aged. That is a key part of who they are, so to have the female versions of them played by younger actresses makes no sense and seems downright disrespectful.
There is also what you said, about AL's cringey tweet from a little over a week ago. Georgia could have absolutely responded to or acknowledged it by now, as she has responded to several other tweets since then...but she hasn't. Not a reply, not even a 'like.' And I agree with you that that seems to speak volumes, and that it would probably be a good idea if people looked beyond the Staged-driven narrative of "Georgia and AL are BFFs" to see how Georgia actually seems to feel about her.
(And to echo another thing you said, I will never understand how it is somehow completely fine for fans to ship Georgia and Anna/want to see them make out despite neither of them showing that level of affection toward each other or having any visible chemistry, yet not okay to ship Michael and David who do have that chemistry and have been making their feelings for each other very obvious for the last several years...)
So yes, those are my thoughts on the whole female Aziraphale/Crowley fancasting situation. I just hope that if we do get them as fem!presenting in season 3, that it is Michael and David, because there is no way any other two actors could give us what we got with Aziraphale and Crowley the way Michael and David did. I guess we'll see what happens...
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thealogie · 8 months ago
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I find it so funny that David Tennant and Michael Sheen are relatively normal for actors/artists yet they never cease to interest me. Like if I ever do look into an actor/celebrity’s life/interviews a bit less casually I start to get bored or put off pretty fast but Michael sheen and David Tennant have me riveted. I don’t know what spell it is they have
It’s all about comparing and contrasting two different flavors of normal but crazy guys who have had parallel but different but similar careers. At this point I’m like one of those girls doing a masters in 1950s homosocial culture in Hollywood except it’s about two guys in present day doing a combination of high brow theatre and low brow live action cartoon
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lavendermoonlitskies · 5 months ago
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ask game qs - 6, 7, 27, 37
6. What is your favorite line from the show/book?
I have a lot ofc but the one that always makes me laugh is Aziraphale’s super quiet “…gaveitaway” when Crowley asks what happened to his flaming sword. It’s in the book too but the way that Michael Sheen delivers that line is flawless 💀
And also when Crowley says “I’m coming back, I won’t leave you on your own” that always makes my heart MELT
7. Which scene from Good Omens never fails to make you laugh?
Any one of the scenes from s2 involving Gabriel being clueless (him making that weird creaking noise as he walks around bc Aziraphale told him to make a noise so he doesn’t sneak up on anyone, “you’re funny… I love you c:”, need I say more?)
27. Do you need an Eccles cake right now?
Right this moment I’m chillin’ but in general yes
37. What does Good Omens mean to you?
It’s difficult for me to put it into words, but I will try. Some of this is copy/pasted from another post I made a while back:
Good Omens came into my life right around the time I needed it, it’s an escape. A fictional world for me to immerse myself in and 1) see myself in a disabled character whose disability is not only represented well, but celebrated in a way that I’ve never seen before on screen, and 2) imagine a happy ending for a couple of characters I’ve grown to love, during a time where I don’t know what my happy ending looks like.
I’ve never been too confident in my creative abilities, I went to music school for 4 years and I was kind of miserable the whole time because I had this nagging voice in the back of my head saying that everyone was better than me and I didn’t belong there. I took AP art in high school and it was kind of the same thing, so when Good Omens inspired me to write, it was kind of a big deal to me. It became an even bigger deal when, after I built up the courage to start posting my writing, people started leaving me really lovely and encouraging comments. For the first time, I felt good enough. It’s like I’ve always had the desire to create, but my insecurities have been holding me back until now.
This fandom is a wonderful community that helps me get through this weird uncertain point in my life one day at a time. If you create fanart/fics, if you and I have ever had a conversation or even a single interaction via reblogging, just know that you are part of the reason I haven’t completely lost it lol
But in all seriousness I’m so grateful to have found this little community and I hope you all know that you are loved and you are appreciated 💜
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