#and created/is the universes and. there was a lot of red. can we talk about how his dad is a black hole

[drakorn]

Rewriting Veilguard Part 2 - The Shadow Dragons

Rewriting Veilguard Part 1 - The World State

Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.

Writing an Origin Story Mission for the Shadow Dragons

Now that we have dealt with our World State, it’s time to pick Rook’s background. When I first learned that there would be six factions to choose from, I was honestly very ecstatic. You’re telling me we’re getting six different origin stories for Rook? Did BioWare finally listen to the fans’ wish to get one more game with DAO-style prologue missions before the big main plot begins? Then I learned that six of the companions you meet would represent one of those respective factions, and I was like “Amazing, so you will definitely have one party member with whom you can at least align interests and goals from the start.”

What we ended up getting was…sort of something in the middle. Your backstory is brought up and you get quite a lot of unique dialogue regarding your faction. If you’re a Shadow Dragon, there’s a lot of Minrathous dialogue tailored to you specifically. If you’re a Grey Warden, you’re having an absolute field day whenever the Blight is involved, which is…a huge chunk of the game.

But there was…something missing for me. You see, when we start the game, we’re immediately thrown into this epic mission where Rook, Varric, and Harding find Neve and race to stop Solas. It feels very much like we’re starting somewhere in the middle rather than at the beginning. And that, in my humble opinion, is due to the lack of a unique origin story that you can actually play through. So, here’s what the next few parts of this hypothetical rewrite of Veilguard will focus on: creating six unique playable origin stories that would very much be doable without the vampiric leech known as “development hell” hovering over you. This post will focus solely on the Shadow Dragon origin story, so stay tuned for the others. I’m aware of how long it might take between posts, but I want to make sure I do this the right way.

Creating Rook

We start the game, which immediately kicks off Varric’s opening narration. But instead of Varric talking about Solas immediately, we’re gonna set the stage for the general state of Northern Thedas: with the South experiencing a few years of relative peace, the North is a wholly different story: Tevinter and the Qunari have engaged in a bloody and brutal all-out war, the Grey Wardens are growing more reclusive, strange reality warping occurs in Arlathan Forest, a part of the Antaam broke off and is now occupying Antiva and Rivain, strange whispers arise from the Grand Necropolis, basically, everything is in chaos. But Varric is certain that one person is the key to all this. Cue the distant howling of a wolf and six red eyes. Cut to black.

Now we get to customise Rook and choose our faction. As the title of this post suggests, we’re taking the Shadow Dragon route. The backstory text, however, is going to be different to the one we get in DAV. You see, when reading through those backstories, I got the feeling that all of them sounded like outlines for what could have been the origin story quest. I am actually 100% confident that BioWare planned on including prologue missions at one point but had to scrap them due to development hell reasons. And all of the six summaries essentially boil down to “you upset some higher authority and now your faction wants you out of the spotlight.” All the choices regarding Rook’s personality have already been made for us. Playing this actual backstory allows us to roleplay in a roleplaying game, which…shocking, I know, but here me out. Instead, the origin text we get when we click on the Shadow Dragons is simply going to be:

“You are a Shadow Dragon. This underground resistance opposes corrupt rulers and slavery in Tevinter. Coming from all walks of life, they are determined to bring justice to the people. As a member of House Mercar, a renowned Soporati family renowned on the battlefield against the Antaam, you have much influence to bring, and much to lose.”

That’s just the small little snippet we see when hovering over the option. But that’s all we’re gonna get for now. There is no mention yet of Rook’s personality as we’ll get to shape it ourselves a little bit. So, we customise our Rook, finalise our massive World State, and click on the play button at last.

Varric’s narration continues, just like in DAV, but this time, he’s going to give us our chosen faction’s backstory. We get a recap on how Dorian and Maevaris founded the Lucerni shortly after the war with Corypheus and how much of a ray of hope this group was in the twisted and corrupt society of the Tevinter Imperium. But then, some of the more powerful magisters began to heavily push against them, eventually leading to Maevaris being framed for treason and losing her seat in the Magisterium. She took all the blame on herself so that Dorian would be able to retain a spotless reputation and continue their work on the great political stage. Maevaris took the remaining Lucerni underground and formed the Shadow Dragons, continuing their work under a different name. Now unbound by political restrictions, the Shadow Dragons are free to take more radical measures in their fight against oppression and slavery. And Varric is confident that the perfect candidate to go against the bigger threat can be found in this group.

The Shadow Lair

Our story begins in Minrathous, in the underground base of the Shadow Dragons. And right off the bat, we’re making a change regarding said base’s location. In DAV, it stands in a random building somewhere in Dock Town that pretty much anyone could access. I get that they were probably going for the “hide in plain sight” approach, but let’s actually have some fun here.

In this rewrite, the Shadow Dragons are literally operating from the underground. Now, Minrathous’ underground system has two things that are very beneficial for a secretive rebellious organisation:

Vast catacombs. The catacombs of Minrathous are so massive that they can store food to survive years of siege. Minrathous, like so many cities and settlements in Tevinter, is built on the bones of Elvhenan. You can easily get lost in those catacombs.

Gigantic sewers. The sewers are arguably even more treacherous than the catacombs, because we have seen in Tevinter Nights what can lurk there. Imagine the sewers of the greatest city in the world, the greatest magical city in the world. Surely it comes with its own set of urban legends akin to the sewer gator. But in a city like Minrathous, those legends are probably true. Failed magical experiments, lyrium-infused mutations, abominations of former mages who failed some twisted blood magic experiment, possessed objects; all this can be found in Minrathous’ sewers. Dangerous for everyone, and therefore perfect for the Shadow Dragons.

The Shadow Dragons operate from a place called "The Shadow Lair”, a section of an underground district known simply as “The Undercity”. That’s where all the poor and forgotten retreat if they wish to disappear from the world, or criminals who flee the Imperium’s justice system. A dangerous but also perfect place.

NOTE: For the duration of the prologue, Rook will be referred to by the name of Mercar, as “Rook” is the name they give themselves after disappearing from the scene.

Depending on what race Mercar is, the stakes vary:

If Mercar is a human, they are the direct heir of House Mercar, destined to take over the family name one day. If Mercar is a human mage, they are currently in the process of getting their family appointed to Laetan status, which will give them more political power and influence.

If Mercar is a dwarf, they are an adopted scion of House Mercar.

If Mercar is an elf or a qunari, they are an official slave of House Mercar, but it’s made pretty clear in the beginning that House Mercar’s slaves are slaves in name only, while actually being more akin to paid servants. House Mercar simply refers to them as slaves to stay under the Magisterium’s radar and actually uses them to pass on information to the Shadow Dragons.

I was personally disappointed that DAV didn’t really touch on Tevinter’s slavery system. It felt a bit like I was treated with kid gloves and not given the trust to being able to handle dark topics. But Tevinter, as has been established in all DA media before DAV, is a pretty dark place for anyone who isn’t a human mage. And it’s important to depict that as it shows the stakes and just how rotten of a society the Imperium is. We need to see what the Shadow Dragons are actually fighting for. It’s not enough to just tell us how much a freedom fighter group we are, no, we need to see it.

Meeting the Leaders of the Shadow Dragons

For the sake of this playthrough, our Mercar is going to be a human mage, and thus not only the direct heir to the house but also one who can elevate it to Laetan status. We have a lot to lose, so we must be extra careful in this precarious situation.

So Mercar meets with the leaders of the Shadow Dragons, namely Maevaris and the Viper. From this conversation, we get the general gist of what’s about to happen and why we are here: House Mercar decided to get a bit more involved with the Shadow Dragons after both parties discovered a massive plot for something big involving Minrathous’ vast slave population. Whatever it is, it’s happening somewhere in Dock Town, and we are to rendezvous with Neve Gallus, a local and renowned detective, to get to the bottom of this.

Exploring the Shadow Lair

After the conversation, we get to have a quick look around the Shadow Lair, where we can instigate a small series of encounters:

We can talk to Maevaris some more and learn about her past and her motivation behind what used to be the Lucerni.

We can talk to the Viper and learn more about him, how he’s usually running operations and that he’s from an Altus house. But that’s about everything you can learn about him at this point in time.

We can meet Lorelei and learn about her being one of the city elves Loghain sold to Tevinter all the way back in DAO. She will give a few remarks on how the Hero of Ferelden dealt with the Alienage and how she and Alistair made it a more just place.

NOTE: For this rewrite’s hypothetical playthrough, the Hero of Ferelden is a Human Noble who romanced Alistair and became Queen of Ferelden. She is now searching for a cure for the Calling.

We can have a bit of a look at the Undercity and just see how much of a poor and dark place it is. This is the gutter, no, this is below the gutter. The people here wish to disappear. They are miserable, most of them have given up hope. The Shadow Dragons are the only ones who actually care about them.

Since the Undercity is below modern Minrathous, we can see traces of ancient elven architecture on display, including mosaics and frescoes.

An Old Friend

Just as we’re about to leave for Dock Town, a familiar face strides into the Shadow Lair: Varric Tethras. Yes, we actually get to see Rook’s first meeting with Varric here! Maevaris greets and introduces him to us (and we actually get to know that Varric and Maevaris are family, which DAV kind of glossed over, thank you very much). Mercar gets to have a first chat with Varric, where he assess our personality. This vibe check is what allows us to determine Rook’s general personality: are we diplomatic, humorous, or aggressive? I fully get that Varric wouldn’t pick an evil person to fight against Solas, but we should still have some kind of roleplay room regarding Rook’s way of thinking and speaking.

Varric’s purpose in these prologues is very similar to Duncan’s in DAO. He’s the one who recruits you into the larger fight and acts as a mentor figure for a while. I was actually fully expecting that to be the case in the actual game when we were told that Varric recruits Rook into the fight against Solas. Well, he did, but I would have liked to see it! Alas, we shall do so here!

Varric stays behind in the Shadow Lair while we go off and do our thing.

Entering Dock Town

Dock Town is pretty much right above the Undercity, the gutter above the actual gutter. The entrance to the Shadow Lair is quite hidden with enchantments, known only to Shadow Dragons and their associates.

Dock Town is going to stay pretty much exactly as we see it in the game. If there is one place in Minrathous where everyone could mingle without being necessarily immediately prosecuted, it’s that place (which is probably why that’s the only part of Minrathous we see in the game, but I digress). However, there will be one major change: slavery is still a thing.

Dock Town is…well…a place where ships dock. That includes ships of slave traders and prisoners of war. In this rewrite, Tevinter is still locked into a war with the Qunari, so there will be a lot of that reflected in the environment. As we walk through Dock Town, we see guards on high alert, slaves and prisoners being led away in chains. We’re doing some important environmental storytelling here that lets us know exactly why Tevinter is a place that needs to be liberated and changed so desperately.

Meeting Neve Gallus

We find Neve Gallus at the Cobbled Swan. Depending on dialogue choices, we might or might not have heard of her up to this point. I think it would be fun if Mercar could geek out about her because he read some sensationalist tabloid about one of her cases.

So Neve tells us that a huge part of Dock Town was closed off for a great event, a former small coliseum that hasn’t been used in decades. Coincidentally, several unpurchased slaves and prisoners of war are being dragged into that area.

Neve has a good lead to assume that the Venatori are somehow behind this because of course they are. Neve gives us a recap on what the Venatori are and how she had multiple run-ins with them already. She is to be absolutely certain that Mercar can be trusted as they will need to work together on this. In response, Mercar shares his side of the information, that his father, Charon Mercar, who is also a respected Legatus in this rewrite, oversaw a strange pattern in how many prisoners of war and masterless slaves, primarily from places like Ventus and Carastes, Qunari-conquered cities, have simply disappeared, and how surprisingly many military vessels have been transferred to Minrathous. Since Neve is a detective, it’s fun to make this part of the journey feel a bit like a crime mystery.

Once all information has been shared, Neve declares that it’s time to go.

Approaching the Coliseum

Neve takes us across Dock Town’s roofs towards the closed-off area of the coliseum. There, we see just how massively guarded it is. The official excuse for all this is a military training exercise. Horrifyingly, this is much closer to the truth than we realise. There are Imperial Templars and Legionnaires patrolling the outskirts, so we have to find our way in.

Neve directs us to a secret hiding spot, where we meet Tarquin, who is, as we know, an Imperial Templar working for the Shadow Dragons. Not even he knows exactly what’s happening, but something definitely big is going on.

There are two options before us: do we sneak in from above and observe from the shadows, or do we disguise ourselves as templars and participate in a more open manner? This right here gives us another choice regarding Mercar’s way of doing things. Are we feeling confident enough to just walk in and hide in plain sight? Or do we take the stealthy approach? While Neve is all for stealth, Tarquin prefers the closer look. So a first major choice presents itself:

Follow Neve and observe the proceedings from above, quietly gathering the information you need.

Follow Tarquin and disguise yourself as an attendant, getting a much closer look at the proceedings.

So I’m feeling a little brave right now. I think my Mercar would try to do the bold approach to get better results, even if it means a higher risk. For this playthrough, I’m choosing to follow Tarquin and let myself be disguised. Neve begrudgingly follows along.

Entering the Coliseum

A few minutes later, Mercar, Neve, and Tarquin approach the Coliseum gates in disguise. Tarquin wears his Templar armour, while Mercar and Neve are dressed as mages of the Legion.

Once we enter the arena, we have the chance to explore it for a little while. Doing so allows us to encounter the following:

We can have an early chat with Magister Zara Renata, who will, of course, be very relevant later, along with her lackeys Felicia and Calivan, all of whom are prominent members of the Venatori. Neve is able to make that connection due to Felicia’s brother Livius having so notoriously attempted to corrupt the Wardens at Adamant Fortress in DAI.

We may encounter Magister Bataris, alongside his son Albin and get early hints of just how far the Venatori corruption runs.

If we make a good enough persuasion attempt at the Templar Captain guarding the entrance to a basement, we shall enter it and discover the prisoners and slaves intended for some heinous affair. Here, and only here, if we perform this correct dialogue choice, and being a human mage, unfortunately, certainly helps here, we get to see that our father, Charon Mercar, is among the imprisoned. And the worst of it all? He doesn’t even recognise you. Actually none of the slaves and prisoners react in any way, as all of them seem to be under some sort of spell. As we look closer, we can see that all of them have strange spiked collars around their necks, filled with blood. This is blood magic that keeps them entranced. If we want to risk it, we have time to break our father’s collar and ensure that perhaps, he can escape. So we do just that.

The Imperator

Following our exploration of the Coliseum, we get streamed into a crowd of onlookers as the Imperator of Tevinter’s legions, the Supreme Legatus himself, Magister Aemilianus Laskaris, enters the centre of the arena.

We know from DAV that Tevinter has an Imperator, and the Imperator is not the same as the Archon in this context. While the Archon is the overall ruler, the Imperator is the highest military commander. Think of this guy as Tevinter’s version of Loghain. Laskaris also happens to be one of the loudest voices responsible for forcing the Lucerni out of the Magisterium.

Laskaris delivers a speech in which he proclaims just how bad Tevinter is faring against the Antaam. Here we get some early insight into the fact that a large chunk of the Qunari army broke off and is now bearing down on Antiva and Rivain. However, a large part of it remained and is following the Arishok into battle against the Imperium. And even against this broken Antaam, the Legions are starting to fail.

Laskaris cites lost cities such as Ventus, Carastes, and Neromenian as evidence for the desperate situation Tevinter is now facing. Therefore, something must be done. Something drastic. He presents, to the gathered onlookers, the Salvatio Initiative. Basically, all unpurchased slaves and prisoners of war are to be given to Tevinter’s legions, where Laskaris and the Legates serving under him will perform blood magic rituals to turn them into mindless but ravaging soldiers against the Antaam. Dangerous cannon fodder essentially. He will use tonight��s demonstration to convince the gathered members of the Magisterium to pass a law that will officially permit Tevinter’s legions to use blood magic. Well, we know, Tevinter has always used blood magic behind closed doors, but this will mean that all safety measures are off, all precautions, all careful attempts at hiding it. And the worst part is: since slaves are considered nothing but tools, it won’t even be seen as unethical by the large portion of conservative Senate members. And prisoners of war? Qunari? Who cares about them anyway, right? This is the darkness and true corruption permeating Tevinter. This is exactly why the Shadow Dragons exist to bring back the light.

Several doors open and Laskaris directs all slaves and prisoners to be brought forth.  They are all wearing the blood collars. Upon the Imperator’s command, him and several blood mages under his leadership, activate the blood collars and turn the slaves and prisoners into an absolute frenzy. A battle erupts in which the sheer destructive power of the now-mindless fighters is demonstrated.

Mercar now has a choice to make, and it is the biggest one there is in the prologue:

Do we stealthily fight the blood mages and try to rescue the innocent mind-controlled people without blowing our cover? You do, however, risk your father dying.

Do we rush in headfirst and fight Laskaris head-on, saving your father but maybe dooming more innocents and risking exposure?

Do we put our personal emotional interest above the greater good or vice versa? Well, because we broke our father’s collar earlier, we can at least assume that he’s going to be able to fight for himself with a clear head, so let’s focus on the blood mages in a stealthy manner.

Neve and Tarquin quickly take us behind the scenes as the crowd watchers in apt interest. There are five blood mages, including Laskaris, who need to be dealt with. Neve takes one half, Tarquin the other, while you have a go at Laskaris himself. You are masked so he won’t know it’s you.

While Neve and Tarquin successfully dismantle two blood mages each, we sneak right up to Laskaris and try to either knock him out or backstab him altogether. This results in the same outcome but tells a lot about Mercar’s personality. Do we kill this guy and end it now? Or do we try and incapacitate him so that he can still be of use for the future?

Regardless, Laskaris sees it coming and engages in a boss battle against us. It’s a tough battle, one that we are logically meant to lose. If we get Laskaris down to 0HP, miraculously so unless we play on Storyteller mode, the cutscene will slightly change but the outcome remains largely the same.

Laskaris lashes out and wounds us, causing us to fall down, bleeding, losing our mask, exposing ourselves to Laskaris, while the slaves and prisoners stage a mad revolt around us, forcing the gathered magisters to flee the scene. But because we freed our father from his collar, he comes rushing in to save us, engaging Laskaris in a one-on-one duel. Despite “only” being Soporati, he puts up quite a fight with his huge two-hander. We want to help him, desperately so, but we are just too weak. Laskaris is impressed by Charon’s strength, but ultimately, deals him a mortal wound. Just before Laskaris turns to finish us off, he is struck in the shoulder by…Bianca!

Varric steps into the fray and fires off a row of bolts against the Imperator, allowing Neve and Tarquin to take us away as we pass out. As they do so, the Viper appears and casts a spell that shrouds the whole arena in fog.

Back at the Shadow Lair

We awaken in the Shadow Lair and are greeted by Varric. It turns out that he was using this whole mission to assess us from the background, to determine if we are the one he’s looking for. And he decides that, yes, we are. Laskaris, the Venatori, all of this is just one puzzle piece of something much greater. And that’s where Varric tells us about the Dread Wolf. That’s when we hear the little monologue from DAV’s opening. “I knew him as Solas.” The Dread Wolf has returned and is planning to tear down the Veil to restore the world of the ancient elves. Even if our own world must burn. “Someone’s gotta stop him. And that’s where you come in.”

What? We are supposed to accompany Varric on a quest to stop an ancient elven god? Obviously I’m going to refuse because hello? I’m a Shadow Dragon! I just discovered the biggest plot to endanger slaves ever since the Magister Sidereal tore open the Veil to reach the Golden City! I can’t just leave right now to pursue a fairy tale.

At this point, Maevaris joins us and tells us that the Dread Wolf is, indeed, a real threat. Besides, Mercar has to disappear for a while, now that Laskaris knows who we are. We can’t be seen with the Shadow Dragons for the time being. Doing so would just endanger the whole cause.

Reluctantly or readily, that depends on our personality, we concede that there is sense in Varric’s words. Varric advises us to adopt a codename as well, like so many agents of the Inquisition did back in the day. Mercar thinks for a moment, reflects on the most recent events, and decides on “Rook”. Varric approves. “The strongest piece on the chessboard, I like it.”

Afterwards we get a final chance to talk to the members of the Shadow Dragons before we depart, and get a last look at the Undercity. But not all is dire, for as it turns out, Neve is coming along too.

Yeah, so here’s the idea. When I learned that each companion would correspond to a faction, I thought that the faction we choose as our starting point would determine our first companion. So let us attempt this for this rewrite. In this case, we obviously get Neve. It took a lot of convincing from Varric to get her on board, as she loves her city, but she is also smart and realises that if Solas goes through with his plans, there won’t be a Minrathous to fight for.

What follows is a cutscene where Rook, Neve, and Varric depart the Shadow Lair and leave Minrathous altogether. One last time, Rook looks at the city he swore to fight for, then turns around and follows Varric into the unknown. And that’s where the screen turns black and we get our title card:

Dragon Age: Dreadwolf

Yeah…I personally feel like Dreadwolf was the better-sounding title. I totally get why Veilguard was ultimately chosen, but since this rewrite will have far more Solas in it, I think the original name is a bit more appropriate.

And that’s as far as we’ll go today! I hope you enjoyed my little hypothetical take on a potential Shadow Dragon origin mission. Of course, not everything is refined and perfect, but I hope you still got the overall gist of what I was going for! Next time, we shall focus on a potential prologue for the Grey Wardens! Stay tuned!

[drowningparty]

I wasn’t pulled out to be stuck in some mortal flesh or against my will, I slipped out of that prison. And now, I am able to play all the keys. It made me… special. In a way, I’m like you, Artie! An anomaly!

Malevolent, Intermezzo.

[drvscarlett]

Sweet Nothings (2)

Carlos Sainz x pageant queen!reader

Summary: All that they ever wanted was sweet nothings but everything changed like midnight rain.

Sweet Nothings: 1, 2, 3. 4

A/N: i indulged a lot with catriona so expect a lot of her faces. i like to build up things hehe.let me know your thoughts

YNjpeg posted a photo.

Liked by CarlosSainz55, LewisHamilton, and 543,456 others

YNjpeg thank you for the opportunity for the roundtable to discuss different issues faced by our society [link]

User4 the way she speaks says a lot about her character

User6 I dont need to see any other queen, Y/N is my Miss Universe 2024.

User7 i never knew Y/N is this knowledgeable

User9 right?? i mean before we all knew her as just Carlos' partner User10 is it bad for me to say that i think Carlos and Y/N break up is a good thing? User9 true bestie.

LewisHamilton Wonderful insights, thank you for using your voice!

YNjpeg honored to be appreciated by you Lew! LewisHamilton 👑☝️ User12 real recognize real!

User55 anyone notice that carlos is still liking?

User90 omg i just noticed that! User77 my divorced parents

F1News posted an article.

Carlos Sainz sits down talking about championships, end of contracts, and relationships.

The hottest topic in the paddock at the moment has been Carlos Sainz. He is the driver that has been to watch out for as he becomes the El Matador that crushes Red Bull's streak of victory. The soon to be ex-Ferrari driver thanks the team for building a good car and creating new strategy that allowed them to best Red Bull several times already.

It was no surprise that him and teammate, Charles Leclerc has been chasing Max down for the championship. When asked about how does he deal with the pressure, he mentioned that he kept himself grounded by a note tucked inside of his helmet. He said that the content of the notes cannot be discussed (as well as the writer of the note) but he is very grateful for it for keeping him in touch with reality. The Spaniard is currently sitting at the second place with only 2 points difference from the current champion.

"It has not yet been decided" this is what Carlos has to say regarding where he would sign next. Carlos assures everyone that there are offers but he is still weighing which will be a better option. His focus at the moment was not on the signing because as he states "if I'm a good driver then the offers will just keep coming." He wishes to focus on doing his best with his current team and reiterates that he has no ill feelings with the team.

Another hot topic that Carlos was asked about is regarding his love life. There were rumors about his split with long-time girlfriend and now running for Miss Universe, Y/N L/N. Carlos explained how he is very proud of Y/N and that he wishes all the best for her. He refused to answer questions detailing more about her since he explains that "focus on Y/N as a beauty queen and not because of her relationship. She deserves more than just being someone's girlfriend."

CarlosY/N4ever

CarlosY/N4ever me realizing that Miss Universe 2024 and the Las Vegas Grand Prix is happening together???!!!

User5 wdym together???

CarlosY/N4ever It will both happen in the 24th,the gp will go first at 2pm while the Miss Universe will start at 6pm. User5 OHMYGOD????

User7 So are we going to watch miss universe or f1???

User8 Im gonna watch both User9 rip to us with a different timezone

User10 i love how we can use Y/N's reactions for this

User11 girlie is a walking meme User13 walking meme but still elegant

User19 SO WILL THE GRID BE WATCHING????

User22 what is barbenheimer when we have this going on!!!

QueenYNUpdates just posted a reel

Well my gowns and my costumes have been carefully selected. Everything has a meaning. It is an homage for my country and of course to the best parts of myself. [Can we have any more insights about your evening gown] All I can say is that I want to make Filipinos proud and the color has a very personal meaning.

User10 Im excited to see her final look!

User12 agreeeee,her attention to details is everything!

User7 Our filipina queen! PERIODT!

User13 the color has a very personal meaning + that smile.. anyone wanted to bet with me that its ferrari red???

User15 I might cry if its really red User18 and its carlos' last year to ferrari as well User90 I just want to have a good time on this app

User55 Go fight for the crown!!!! Bring home the crown!!!

QueenYNUpdates posted a reel

[What can you say about your relationship with Carlos, everyone is curious about what happened] This is the only time, I'll talk about this. If you are looking for drama, there is no drama between the two of us. Carlos and I met when we were still young people and we grew up together. We matured as individuals..Its not a bad thing. I am extremely happy and proud of where he is right now. Were both chasing our dreams. What we are, what have been. Its all good. That's all that I have to say.

User5 This basically confirms it.

User6 we are really children of divorce

User7 CARLOS GET HER BACK, ITS NOT TOO LATE

User8 YEAH SHE IS NOT YET MISS UNIVERSE User9 BRO DON'T LET HER GO CarlosSainz55

User11 Its the miss universe curse. If the girl really wants the crown then they will undergo heartbreak

User14 why do we have to sacrifice someone?? User15 so miss universe is just like ferrari strategy? here we sacrifice a boyfriend, in ferrari we sacrifice leclerc User17 that comment got me gagged.

YNjpeg posted a photo

liked by CarlosSainz55, LandoNorris, and 876,525 others

YNjpeg I am ready to represent!!! Flying to Vegas!!!

Charles_Leclerc goodluck Miss Philippines!!

YNjpeg thank you charlieee

LandoNorris can't wait to see you take the crown

YNjpeg lando you believe in me too much LandoNorris I SAID take the crown!!! YNjpeg ON IT!

User5 im so happy that she is still being supported by the grid

User67 bring home the crown Y/N!

User8 Mark my words, she will come back with the crown!

User9 safe flight!!!

CarlosSainz55 just posted a photo.

CarlosSainz55 You always hated flying. You told me that there is a certain discomfort and uncertainty when you are a thousand feet from the ground. Right now, you are flying. I know it has a certain discomfort and uncertainty of what's to come but I believe you can find some joy in it.

You will always be the most beautiful in the universe.

User7 OMG????

User6 CARLOS I WAS UNFAMILIAR WITH YOUR GAME

User8 bro really went to tell the whole world that he will be here no matter what

User15 were always talking about how Y/N is Carlos' biggest fan but Carlos is also Y/N's biggest fan

User17 ITS TOO ERALY TO CRY

CarlosSainz55 just deleted the post.

[dalishious]

Dragon Age: The Veilguard – Release Date Trailer Analysis

I’ve finally put my thoughts down into a (mostly) coherent form! Let’s talk about that trailer, of which there is a LOT to talk about…

The Black City?

We know from Game Informer that Solas's ritual was attempting to bind the Evanuris to a new prison, because the one he had previously constructed was failing. However, because of Rook's intervening, Solas is now trapped in the Fade, and Rook's blood is now connected to the Fade. If Solas is trapped in the Fade, perhaps it is the prison he built in which he is contained to.

Now, many people believe that the Black City – previously the Golden City – is this prison. I’m personally resistant to this, simply because this theory stems from fans drawing connections between lore about the Maker and lore about the Creators, which leaves a bad taste in my mouth. (Because of the differences in how those beliefs have been treated in the franchise’s writing. The beliefs of in-universe settlers is constantly given the benefit of the doubt, while the beliefs of in-universe Indigneous-coded people are debunked.) However, unfortunately it is looking more and more like this really might be the case. And I’m in an upset stage about this right now, but I’ll try my best to remain hopeful that The Veilguard will steer things in a direction that’s more comfortable?

The Horror of Hormak?

I believe we are going to see a lot of references to Tevinter Nights in this game. This is just the first to appear in the trailer, by my guess. It looks like the elf is being absorbed into this fleshy mound, which is exactly what happened to Jovis in “The Horror of Hormak”. You can see other body parts sticking out of the mound, including one that looks like a darkspawn body. The flesh sacks themselves are reminiscent of signs of the Blight in Dragon Age: Origins, and we know that of the escaped Evanuris, Ghilan’nain is one of them. Ghilan’nain, who is Blighted. Ghilan’nain, whose temple in “The Horror of Hormak” had such magic capabilities of creating monsters from different beings, molding them together.

The Archon’s Palace?

It looks like this floating structure could be the Archon’s palace, based on this description from “Half Up Front” in Tevinter Nights:

“The Archon’s palace filled the Minrathous skyline. Dominated it—it was visible from pretty much anywhere. When you first came to the city, you spent a few weeks admiring it, in awe of it. Eventually, you got used to it, and it became part of the background, like the sun or the clouds.”

So, that means we’re looking at Minrathous. Unless there are other cities with other magic floating structures, which I suppose we can’t rule out. It is Tevinter, after all.

Lyrium Infect Darkspawn?

These darkspawn look like they’ve definitely been infected with red lyrium, given the small ones here resemble the Red Templar shrieks from Dragon Age: Inquisition.

Lace Harding’s Magic?

So, we know from the official website that Lace Harding has discovered she has mysterious magic abilities. In this trailer, we see her turn monsters into stone, and raise a stone wall from the ground… if you recall, this second thing is something that the Sha-Brytol earth shakers could do in Dragon Age: Inquisition’s DLC, The Descent. The Sha-Brytol used lyrium to accomplish this, and when Lace uses her magic, her wounds glow blue… like lyrium, perhaps?

Morrigan & Mythal?

Morrigan appears to be wearing the headdress that Flemeth previously had, from Dragon Age II onwards. In the epilogue of Dragon Age: Inquisition, before Flemeth was killed (?) by Solas, she was doing something with an eluvian. Morrigan always assumed that Flemeth intended to possess her, but it’s entirely plausible that really, Flemeth was going to give her a piece of Mythal. After all, Flemeth says to Morrigan that she was never in danger, because she had to be willing. So, needless to say, I think Morrigan now has Flemeth’s piece of Mythal within her.

The real question is, how the fuck does Morrigan still look like she’s in her 20’s? Shapeshifting, or simply developer refusal to let a woman show age? //eyeroll

Teia & Viago?

I am HOPING. I am PRAYING. That my beloveds from the Tevinter Nights story “Eight Little Talons” play at least a somewhat significant role in the game, because I adore them so much. And it really does look like this might be them!

Magister Zara?

At the end of the Tevinter Nights story “The Wigmaker Job”, there is a brief epilogue featuring a Magister by the name of Zara Renata. She is obsessed with maintaining a perfect appearance, and uses blood magic sourced from her slaves to remove and perceived flaws on her body. It is said that she will is on his target list, but Zara is convinced they can take care of him.

“Freeing Ambrose’s slaves already tells us this Crow has a heart. He will reveal other flaws. And we will exploit every last one of them.”

 My assumption is that this is Zara that Lucanis is fighting.

The Dread Wolf?

In the Tevinter Nights story, “Dread Wolf Take You,” we are told that Solas has a Dread Wolf form. It appears in the Fade as a fiery wolf with wings. While this wolf is not on fire and does not have wings, it does have three eyes on each side, which is the same amount of eyes on Solas’s ending tarot card in Dragon Age: Inquisition. (Also, the same number of eyes as a Pride Demon…)

Irelin?

Irelin first appears in the Tevinter Nights story, “Three Trees to Midnight”. She is a Dalish mage, part of Strife’s clan. In the comic “The Missing”, she is depicted to look strikingly similar to this elf. It could be coincidence, or it could be she’ll play a role in the Veilguard’s plot.

The Dragons in the Dragon Age?

So, I’m still pondering this one… but I think there may be some significance to here being seven dragons shown in the trailer. There are, after all, seven Evanuris, and maybe the connection rests there. Or maybe it’s linked to there being seven Old Gods of Tevinter. Or maybe it’s all connected.

[irishmammonagenda]

hii , do you mind doing diavolo x m!court jester reader?

i saw a post with a king x jester trope and i could not get it out of my head 😭 it can be headcanons or a short drabble, wtv you want!!

hihi! this is such an interesting thingy to write and i apologise for taking a while to write it, writing male characters is fun but lowkey kind of hard for me😔✊

i also dont know what jesters do and my knowledge is watching horrible histories when i was younger so this is widely inaccurate heehee

no but fr i think in another universe diavolo would be a jester tbh

dividers by @/ioveartfilm

grma for requesting <3!!!!

Funny Funny (I'm in love with you.) Diavolo X M!Court Jester Reader

He laughs at your jokes like a man on crack

You're his favourite employee in the castle and your room is right beside his chambers (he made sure of it)

You sneak into his room for sleepovers sometimes. Barbatos has given up on propriety.

The Little Ds help you with your super cool jester preformances. They're surprisingly good at dancing and balancing plates.

You use the Little Ds as juggling balls sometimes.

Diavolo has promoted you as much as possible, bro atp people think you're a consort instead of court jester.

like they will full on go up to you to pitch ideas or put in a good word for Diavolo since he'll listen to you.

Barbatos also forces you to tell Diavolo news that'll make him angry or upset since he takes it a lot better coming from you.

Unrelated but you'd 100% be friends with Solomon and Thirteen. Which is awkward when theyre in the same room together.

Apart from Barbatos and Lucifer occassionally disciplining you, you are untouchable.

"Your Heighness...." A noble bows in front of Diavolo's throne. Why that scumbag had requested an audience with the Demon Prince, you had no idea. Technically you weren't even supposed to be listening in, but no one had noticed you on the chandelier yet so that was their problem.

And your problem when Barbatos eventually found out. Said Demon standing beside Diavolo's throne.

You watch as Diavolo nods along, uncharacteristically serious. "What do you need?"

"Well...I believe if we stopped trading pickles to the humans it would be a lot less daunting to create them-"

You blink. What the fuck. Bro requested an audience for this? Damn, this was so unserious it was good material for your next stand up routine.

You watch from overhead as Diavolo blinks, his wings stiffening ever so slightly, the crimson-haired prince raises an eyebrow. "You want to stop trading pickles to the Human Realm?"

"Yes, My Lord." The noble responds earnestly.

"No."

The demon blinks, astounded.

"Excuse me, may I ask you repeat that, my Lord?"

"No. Human's love pickles. They're our main traders. It'd sour relations even more." Diavolo says, you watch as Barbatos takes a deep breath, and as the Demon Prince begins to get annoyed.

You stiffle a laugh at the noble squandering, which leads to your downfall as you move your hands over your mouth, taking them off of your jester hat.

Which falls.

All the way down to the ground.

The bells on the hat jingle.

Barbatos' eyes are trained on you like a hawk. So are Diavolo's, but his eyes are more of an excited child on christmas than anything else.

The noble's eyes widen.

"Sup?" You grin awkwardly. The noble, sensing a way out of this pickle debate uses this as an excuse to say his goodbyes and leave.

Diavolo doesn't even notice. Barbatos just shakes his head ever so slightly.

"That guy was in a real pickle...!...Haha...right guys?" You laugh awkwardly, and despite the fact you're not funny at all, the Prince cackles like it was the best stand up routine he'd ever heard in his life.

You were currently at a banquet talking to the Little D's about your next juggling stunt when a demon approached you.

"Hello." She smiles, her red lips glossy.

"Sup."

"Well, I was wondering if I could ask a favour or two....." She looks hesitant but composed.

You nods your head, the bells on your hat jingling. You're convinced Diavolo put them on there to serve as some sort of cat bell.

"Well....I had an idea for expanding our trades of magical herbs to human world Alaska...since a few witches have been living on quote on quote 'lesbian cottages' there."

You whistle. "Damn. Do they have huskies?"

"A lot of them, from what I hear." She nods, her tail wrapping around her leg absentmindedly. "Could you put in good word for Lord Diavolo for me?"

"Sure?" You tilt your head, the bells jingle slightly.

The demon grins, "Thanks he'll listen to you more thoroughly!"

Little D No.2 pops out from your breast pocket. "That's because everyone thinks you two are gay for eachother."

You yank him out of there. "Go annoy Mammon."

"Sir yes sir!"

At this point you should be the Avatar of Pride.

"Sire. I'm telling you. He just stabbed several upper class demons with a rusty spoon!" The demon knight urges Diavolo, who isn't even looking at him.

"You expect me to believe that?" Diavolo tilts his head. You nod vigorously from where you're covered in entrails and holding a rusty spoon in your hands. "MC wouldn't hurt a fly."

The knight looks from you to him with a lax jaw.

What.

The.

Fuck.

That knight's putting his two weeks in now icl.

^^ idea from that one person on tiktok (sirleoninsunglasses) i cant get it out of my head.

can you tell im a merlin fan.

gang idk what noble people talk about i made these discussions up as i went along but i can assure you that pickle trading and lesbian witches in alaska are actually the only thing nobles talked about in history i pinky promise

[tobi-smp]

you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot

and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore

and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.

but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.

because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).

and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.

and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.

but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.

and it's like !

when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.

but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.

out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.

the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.

mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.

what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.

but it's just not in the text.

not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.

it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.

meanwhile, we have the video above.

we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.

and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.

because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.

but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.

technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.

how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?

That's interesting. That's Compelling.

technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.

and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?

That Doesn't Quite Help Your Case.

technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.

that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.

"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.

and, importantly, it doesn't have to be anyone else's Fault.

by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.

and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.

and the answer to that is, often, vulnerability and accountability.

I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.

tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.

There's Something There, and it's already In The Text. it just needs to be expanded on.

and why not do that ourselves now?

[damianbugs]

with all this gotham war stuff (most recently the comic sc you posted on your twt with jason and bruce), can u explain what is actually going on? like, i’m not that far so i haven’t read it, but… like is it actually bruce saying all that stuff about the kids? or is it this zur person people keep talking about?

oh my friend, it's crazy around here, but i will try my best to explain it!

A GUIDE TO UNDERSTANDING WHAT THE HELL IS HAPPENING TO BATMAN IN GOTHAM WAR:

firstly, the comic reading list to catch up with gotham war is: as of 01/10/23 (the ones in italics are core issues to the story)

for some background on what happens leading up to gotham war:

Batman (2016) #125-136

(Optional) Knight Terrors: Batman

(Optional) Knight Terrors: Catwoman

and then the actual gotham war story:

Batman/Catwoman: The Gotham War - Battle Lines

Batman (2016) #137

Catwoman (2018) #57

Batman/Catwoman: The Gotham War - Red Hood #1

this is everything that is out right now, but from the third of october to halloween we will also be getting: Batman #138, Catwoman #58, Gotham War: Red Hood #2, Batman/Catwoman: The Gotham War - Scorched Earth.

secondly... who is Zur En Arrh.

Zur En Arrh taking over Bruce, Batman (2016) #126

zur en arrh, in the simplest way of explaining, is this alter ego/personality (it's unclear) bruce created for himself should batman (bruce wayne) ever be psychologically compromised or brainwashed. it's not him, but a more sadistic and crueler person that is the "ultimate batman" who doesn't care about anyone or anything but getting the mission done.

during Batman #125-130, zur takes over the role of batman because bruce was losing very badly to the robot Failsafe (which is zur's own creation, that bruce has no memory of making). after getting vaporised by failsafe and sent travelling through dozens of alternate universes, losing his hand and fighting a flying shark (Batman #131-135), bruce returns to gotham incredibly mentally unstable.

During a peaceful dinner with his family, Bruce suddenly imagines the entire world on fire, Batman (2016) #136.

during everything, bruce managed to mentally fight back and kind of... merge their ideals together in order to survive and win in the moment.

and then successfully trapping failsafe back into his mind where he can no longer take over!

Bruce uses some sort of mental technique to lock Zur away in his mind, Batman (2016) #136.

except he didn't succeed! at all!

you see, when travelling through all those universes, bruce somehow brought back every single version of zur en arrh with him. now all of then combined, plus his already deteriorating and weak mental health from the last few years, bruce is currently operating under the impression that he's locked zur away, when he actually hasn't.

zur is the one partly, or even entirely, in control. right now, he's just pretending to stay locked away so bruce continues to do what he thinks is 'right' despite them being incredibly out of character for the run.

During his eight week coma, Bruce sees Zur 'locked away' and he is, apparently, not alone, Gotham War: Battle Lines (2023)

an example is when zur referred to robin as batman's solider, bruce mentally fought back to make it clear that tim was his son. but then, a few issues later, bruce refers to his children as his soldiers and that they've all betrayed him, implying that zur has always had control and isn't locked away.

Bruce and Zur get into a fight inside his mind about Robin [Tim Drake], Batman (2016) #127

so yeah, zur is not bruce! they're both batman, but zur en arrh is like his somehow unimaginably even worse twin. if you're interested more in him, i would suggest giving his character history a read! be warned it gets changed A LOT and is definitely not everyone's cup of tea (personally i hate him and need him shelved for another forty years).

now that that's all done and explained, the current state of gotham war is Bruce (thinks he's okay) fighting everyone else (except Damian) because in his (Zur's) point of view, they're all against the mission and therefore are now his enemies (he's lost his mind). totally not convoluted.

to answer your original question, yes, this is all bruce saying and doing these things but he is being HEAVILY influenced by Zur. we can't tell for certain how much of this is bruce and how much is zur, but we can definitely prove zur is partially or completely controlling him again.

even jason points it out after bruce implants that fear toxin chip into him in Batman (2016) #138:

like we can see the intention is to keep jason out of this, because compared to everyone else, jason was the most directly opposed to bruce. but zur is twisting how this concern gets expressed, since forcing jason into feeling fear everytime he gets an adrenaline rush is hardly the reformation bruce is usually encouraging. the other batfam members also talk about how uncharacteristically violent bruce is being.

"He's out of control." / "He's gone [In more ways than one.]" Batman (2016) #137

as the story progresses we see more and more of zur replace bruce, but because he can't have bruce trying to stop him again, zur is playing along and convincing bruce he's locked away. so really, bruce is at war with not only his entire family, but also his own mind. just another average tuesday for batman. he's being tricked and is unknowingly doing exactly what he was trying to prevent.

to understand what the actual war in gotham war is, give the comics listed above a read! if you find the story boring/ridiculous/stupid, don't worry, it is! the social commentary leaves a lot to be desired, as does most of the characters writings (especially selina's).

bruce and his one sided battle with zur is sort of an overarching story happening alongside it (along with a bunch of other ongoings. i don't even understand how detective comics and batman and robin are going to tie into this once it starts up again).

sorry the answer isn't a simple one, but unfortunately nothing is ever simple with bruce. also apologies in advance if any of the future gotham war comics come out and completely debunk all of this! who knows what will happen in this dramatic family drama.

[maniacwatchestheworld]

We Need To Talk About Danny's Power Level.

I was hesitant to make this post, but the more I think about it and the more I see... We really HAVE to discuss this. Generally speaking, I really don't want to be seen as someone who is trying to ruin people's fun within this fandom. I want to inform, and while I have issues with some of the very prevalent ideas in this fandom, I don't want to tell people what they should or should not be making! I want people to follow what they find fun to create! But this power level thing...? I think that it has some rather concerning implications to it that need to be examined and discussed! This is an actual, decently serious problem, and after considering it for a time, it occurs to me that I may be one of the few people in this community that recognizes this issue as an actual issue and has the authority to speak on it...

You NEED to stop making Danny so incredibly overpowered in the DPxDC space.

Now please don't misunderstand me. I understand the value of a good fun power fantasy and making Danny more powerful than God can be fun and cathartic if you have a negative history with the Christian faith. But this insistence on the Ghost Zone being The Most Important Thing Ever and Danny being The Most Powerful Entity Within It is actually actively warping how people interpret and think about DC canon as well as certain characters within its canon to the point of unrecognizability as well as robbing characters of what makes them interesting, the point of their stories, and their agency within it. But most importantly of all, all of this is just... Generally, genuinely dismissive and shitty towards most religions, cultures, beliefs, and faiths that people practice, ESPECIALLY the faiths of POC and other minorities. And this is specifically an issue that DC does not have and that people within this space are making an issue by refusing to let the Ghost Zone and Danny have some limitations.

So that you understand where I'm coming from, please understand that I'm a person of color (I'm half Filipino) and that I'm Buddhist (a religion that I decided to convert to and embrace after a lot of thought and soul-searching, even if I'm not very good at practicing it). It also needs to be stated that in the DC universe, all religions and faiths are true and real at the same time, and they all have more or less equal footing as any other faith or religion or mythology explored in this multiverse. Christian heaven and hell are real. Reincarnation is canonical to the DCU. The Greek Pantheon is real and they are just as real and powerful as the Norse Pantheon. (By the by, just to let you know, yes, people in the real life modern day do actually actively worship both of these pantheons today.) Different alien planets have different faiths, and there is precedent for them being real as well. (Hey! Fun fact! Kryptonians are polytheistic!) It does seem that some form of animism is real within the DCU (within concepts of The Red and The Green)! And there is even representation for indigenous African faiths and beliefs within this shared universe! One of the genuinely wonderful things about the DC universe is that all of these faiths are real, they're all valid, and they are all more or less on equal footing to one another! If all the religions and afterlives and gods of each pantheon went to war with one another, it would genuinely be difficult to know who would win, or who would even stand a chance of coming out of this conflict alive!

In fact, a lot of characters and storylines within the DC universe are actually DEPENDENT on all of these faiths existing and being equally valid at the same time. Do you know where Billy Batson gets his powers from? The phrase "SHAZAM," if you didn't know, is actually an acronym for the names of the gods and heroes that he derives his powers from. (Solomon, Heracles, Atlas, Zeus, Achilles, and Mercury.) And it's implied that each person with SHAZAM powers has different heroes and gods that they derive their power from! (Black Adam derives all of his powers from the Egyptian Pantheon. Mary Marvel derives all of her powers from female gods and heroic figures.) Many of Wonder Woman's stories involve her interacting with various different pantheons. Xanthe Zhou gets their powers from traditional Chinese folk ancestor-worshiping practices. Ragman is a Jewish character whose suit is a powerful Jewish artifact- a suit made out of the souls of sinners that was created to protect the Jewish community. Sun Wukong is an actual character in the DCU and he is JUST as overpowered and immortal ×500 as he should be! And there are like... At least 3 entirely different characters that either are iterations of, claim to be, or pull their powers/inspiration from Anansi! DC celebrates a lot of faiths and religions and are bringing in more beliefs and faiths into their universe all the time! TONS of characters derive their powers from their religions, faiths, and beliefs! And DC celebrates them all as being real and valid to all who practice them! ... And you want them all to be forced to be under the same umbrella and less important and powerful as Danny and the Ghost Zone...

Bringing up ideas of ghosts and afterlives are always going to be loaded subjects because they often inherently rub up against actual living people's practiced religions and beliefs. But a belief in ghosts and dimensions better suited for them is also a valid belief that real life people have. And there is precedent for these beliefs also being real within DC canon. But DC only manages to get away with crossing over as many faiths as it does by saying that they are all real, valid, and while you might see less of some pantheons and more of others, they all exist and are doing their own thing just like they do in real life, just off panel... Are you beginning to see what the problem is...?

In the DPxDC fandom's eagerness to incorporate Danny into the DC universe and to make him powerful enough to go toe to toe with the likes of Superman, it seems that most people immediately overcompensated and that no one has really thought to slow down, stop, and actually think about what they are implying. Because the most common headcanons that I have seen regarding the Ghost Zone and other afterlives and religions? It's that they are all parts of the Ghost Zone, but are all ultimately subordinate to it. And since Danny is the Most Powerful and Important Person in the Ghost Zone... This implies that all religions, faiths and beliefs are less important and are indeed subordinate to the Almighty Danny. That all deities and the people following them should just bow down to Danny's might. This is something that DC, in spite of all of its flaws, has managed to avoid. These religions are REAL religions! Actual faiths practiced by actual people! We are NOT talking about dead, irrelevant pantheons that no one alive worship anymore! We are talking about living, active faiths and religions, some of which colonizers have tried to eradicate from the world! Some of these faiths have been suppressed! Some of the people who practice these beliefs have faced genocide for them! And so saying that the Ghost Zone is bigger, better, and that Danny is more important than any single other faith and afterlife...? THAT'S A SHITTY THING TO DO! You are literally doing the shitty Christian missionary thing, but with a fictional afterlife that consists of fictional characters that you know are not actual religious beliefs! You're landing on the sandy polytheistic shores of the DCU and declaring that the Ghost Zone is actually vaster than every faith already in the DCU and that Danny is more powerful and has authority over your gods! That your beliefs and faith and religion should just take a backseat to the Danny power fantasy! That your real, lived religion is not more important nor should it be respected when Danny is in the room! Of course the Buddha should bow down to Danny! Of course the Jewish people should renounce their faith and worship Danny instead because he's better and more powerful than the Jewish God! Why should people pray to their ancestors when Danny ultimately gets to decide what happens to everyone's ancestors!? If they want good things to happen to their ancestors in the afterlife, they should pray to Danny instead! Not like any form of prayer works or matters in this universe anyway because Danny is Almighty! And he doesn't hear the prayers! By making all faiths subordinate to Danny within these stories, you are saying that anyone who practices these beliefs and faiths within these stories are not valid in their beliefs. The only belief that matters and is real in this universe is the Ghost Zone and whatever will appease Danny the most. And while the characters in these stories are not real, the religions, beliefs, and practices they engage in ARE. And so you are implying that real people's faiths and religions don't matter. You are just dismissing real faiths and beliefs as not something worth thinking about or respecting within your works! You are saying that this fictional American white teenage boy and his goopy green land is more important to you than just being respectful of real people's faiths, beliefs, and religions. That your power fantasy is more important than saying that a person is valid for holding on to their beliefs. That when it comes down to it, that you would rather people choose your Danny power fantasy over their religion being portrayed as important and valid. That is honestly insulting. And really alls that you've done is impose monotheism onto the DC universe. You're just enforcing monotheism on people with extra steps. But instead of it being the Christian God, you've put Danny in that position. THIS IS A SHITTY THING TO DO! THIS SHOULD NOT BE THE DEFAULT HEADCANON THAT PEOPLE HAVE IN THIS FANDOM! PLEASE STOP!

Please understand. I know that you didn't do this on purpose or mean to imply this intentionally. I know that you didn't realize that you were insulting and undermining actual faiths and religions by pushing these ideas on the fandom. If one or two people had these thoughts and headcanons and didn't think very much about what they are implying, this would not be a problem. But for this to be the default is VERY disconcerting! As a Buddhist, it does feel genuinely shitty and insulting to imply that Danny has authority over the Buddha and that he outranks and is more powerful than Sun Wukong. It's not fun to think that my beliefs matter to you less than continuing to play with your Danny power fantasy. That you don't think that the pursuit for enlightenment and inner peace is real or worthwhile. That you would find my pursuit of compassion over everything else to be silly, stupid, and laughable when stood next to Danny. I know that you don't mean it. I know that's not what you meant to imply. But it is what you imply by making every faith subordinate to the Ghost Zone. And as someone who has a faith that is so often seen as subordinate to others and just a silly little play fantasy that doesn't matter and isn't real, it's depressing and uncomfortable to see this community as a whole unknowingly echo these sentiments. People in real life don't think that my faith is valid. People don't believe me when I say that I'm Buddhist. And as someone who is Filipino on top of that, I can't help but to think about the utter tragedy of my ancestors being forced to convert to Christianity or die. To forget their beliefs, pretend they never mattered, and embrace Jesus. To be forced to believe that their indigenous beliefs didn't matter. And so many of those indigenous beliefs are now lost and forgotten to their living ancestors (including myself) for it because to the Christians, their belief in Jesus was ultimately more important to them than just letting the Filipino beliefs and religions peacefully exist as they were. It's uncomfortable to me that you would rather I just embrace this view of Danny and let him be more important than and be an authority over my religion. That I should just be comfortable in Danny being more important and better than every religion that people actually practice in real life. That I should just forget the insult to my and any other religion that you make by placing Danny as more important than, and to "just have fun." But I can't. And these ideas are everywhere in this fandom. Even in stories where it shouldn't matter or doesn't need to be present, it's there. This reminder that you don't take my faith seriously- these ideas that Danny is more important than my faith are ubiquitous to this community. An issue that wasn't present in either of the original source materials. Because they thought about it and so went out of their way to not imply it. But here, people are just not willing to make that courtesy for even a second.

But it doesn't have to be this way. You can do better! I know that you can do better. And it isn't even difficult to do! All that you need to do better is to simply... Just... Think about it. When you imply or say "all afterlives are part of the Ghost Zone" actually think about ALL afterlives! Christian and Atheist and Greek ones, yes. But also Asian and Native American and African and South American ones too! Is that kind of thought fair towards Native American faiths, Buddhists, Jews, Hindus, Palestinians, Hellenists, Animists, and every other person and group that practices a faith? Or does this have majorly fucked up implications towards some or all of these people? If the answer is yes, you can proceed, but you need to be mindful of that fact and just think about it, even if only a little. Even if it's just a small acknowledgement that you don't know what you're talking about or that you are choosing to ignore some of the fucked up implications you're making here for the sake of the story in the tags. I just want you to take a moment and think through the implications of what you are making, and to make a choice on whether you should proceed or reconsider things. If you choose to proceed with the fucked up implications, that's fine. It means that you can do so with other mindsets in mind and can possibly use these ideas in interesting ways! At least you made a stance to possibly be shitty towards some people for the sake of your fun. At least you made the choice to say that some people's beliefs just don't matter to your story. This is a neutral statement. Some works of art are just not made for some kinds of people. And that's fine. But it is always better to knowingly acknowledge and make that choice than to pretend that it isn't there. And if you didn't realize that's what you were doing? If you reconsider and choose to turn back on this idea? At least you made that choice and didn't just passively follow the rest of the crowd to get here. Hopefully, thinking about it will make you more mindful about your art in the future and therefore make it better! The only thing to do about it is to acknowledge that you weren't thinking about the implications, but that you changed your mind, and move forwards with your life.

Now just to be entirely clear, I'm not telling you that I want you to feel guilty about being inconsiderate towards other faiths. That doesn't really do anyone any good. I won't get any satisfaction from you feeling guilty about it or internally punishing yourself for it. Just actually give what you might be implying more thought in terms of religion next time and do better. It's alright to make mistakes. We are all just human and we all make mistakes. Sometimes we don't even realize when we've made a mistake. Just strive to do better next time, be more willing to let go of these ideas that you're so attached to, allow yourself to see things from another perspective, and move on. Sometimes, it's better to just leave things alone. Sometimes you shouldn't meddle and try to rework ideas that were perfectly good on their own to begin with. Sometimes nothing that you personally can add will be a positive contribution. Sometimes the only thing that interfering will do is over-complicate things and rob the idea of what made it so interesting and powerful in the first place. But it's okay to leave it alone. It's going to be okay. I'm not angry. Just disappointed and a little frustrated. But it's better if you are able to just drop these things and move forwards with mindfulness in the future.

As an alternative, I think that it would generally be better for the Ghost Zone to just be its own thing separate from the other afterlives. Equal to other afterlives and not all-encompassing of them. It can be connected or related to other afterlives, but being greater than them as a whole is just a very uncomfortable and cruel implication. You don't need the Ghost Zone to be the most important thing in the multiverse. And Danny does not need to be the most powerful thing in existence. Please. It's okay to have power fantasies. But the invincible overpowered stronger than all Gods Danny should not be the overwhelming norm here to the detriment of everything else. It's only when you let go of Danny NEEDING to be the MOST important thing in the multiverse can you start to really dive into some of the more interesting sides of characters on their own terms and not on yours! Like... Did you know that there is one ghost character in DC called The Spectre and that he's the literal personification of the wrath of God? Did you know that Xanthe Zhou as a spirit envoy is actually half dead and half alive? Did you know that The Wizard Shazam is actually, secretly an aboriginal god? Did you know that in the DC universe that Judas Iscariot still walks the Earth to this day, doing vigilante work to atone for his betrayal of Jesus? Did you know that Ra's Al Ghul's mom has met and hung out with some of the demons that Sun Wukong fought against in Journey to the West? Hell, did you know that Damian is Buddhist!? Imagine that. Danny coming in and telling Damian that he's more important and more powerful than Damian's entire religion. That the Buddha is just a lackey of his and that he rules over all afterlives, including nirvana and cycles of reincarnation. I'm certain that Damian would take that very well and accept it wholeheartedly! Don't you agree with me?!!?!???!

I personally think that all of this is better and more interesting if characters, their religions, and ideas in general are able to interact with Danny's world on their own terms without being forced to fit within Danny's box! You don't need to try to force everything within DC's universe to fit inside Danny's. DC wouldn't ask for Danny's universe to conform to theirs! They would just add everything that Danny's universe has to offer on top of everything else they already have! And trying to fit the entire DC multiverse within the scope of Danny's universe... It's too small a box for too large of a universe! Sometimes you can just let things not be deeply connected. And sometimes things don't need a complicated explanation and it can literally just be magic. There's nothing wrong with trying to tie everything together in a neat and succinct way. But sometimes you need to pull your view out a little and look at what you're doing and genuinely ask yourself if what you're doing actually adds depth, or if it does more harm than good and makes everything worse, make less sense, and more complicated or not. It's okay to fall down the rabbit hole sometimes. I completely understand that happening and do it all the time! Just remember to be mindful about it!

Either way, if you're going to insist on desperately clinging onto these ideas of Danny being the Most Important and Powerful Thing in the Multiverse to the detriment of literally everything else, that's fine. But just be honest with what you're doing and why. This isn't a Ghost King Danny AU. Kingdoms don't have unequivocal power over other and all kingdoms. It's a God Emperor over all Gods Danny AU. Nothing wrong with that concept in of itself. Just tag it properly as something like "God King Danny" so that I don't have to deal with it and the implications you're making about my religion with it. That would be enough! I would be happy with that! Just make your choice. Think about what you're doing, why you're doing it and choose. If you choose to keep going, that's fine! All the more power to you! Have fun! But be honest about what you're making. I may not like it and think that it's an overdone, overplayed idea at this point, but you're free to do it! So go forwards and make what will bring you joy! But now that you've thought about it a little, hopefully you'll continue with a little more knowledge and foresight. And hopefully that will make your work even more interesting and better for it! And if you decide to change course, I'm glad that I was able to sway you and get you to see things from my perspective and come to my side on this. At the very least, hopefully this will help to vary up ideas within the fandom a bit and you won't just take ideas that are happening in this space entirely for granted and as givens! I have so many ideas on interesting ways that these intersections can go and characters that you can use, and ways to look at this community that offer so so SO many interesting story directions! I'm so happy that you've decided to come with me on this journey! You're going to make something great, I'm certain of it! So let's make something wonderful together! I believe in you! There's a lot of fun to be had! ^.^

[in1-nutshell]

(One I am sorry if I am flooding your ask box is just I really love how you write) maybe old Predacon buddy get transported into the Earth spark universe how would they interact with Megatron from that universe possible hostility and will possibly gush over the terrans(is that how I say it?) Just overall more grandpa vibes

Old Predacon Buddy is going to start their own passport or scrapbook filled with their travels to other dimensions with all of their alternative grandkids.

Hope you enjoy!

Bot Buddy the Old Predacon meeting the Terrans and Megatron

SFW, Platonic, Cybertronian reader

TFP/TFE

Buddy was going to start keeping a personal travel log on all the different places outside their universe if this keeps up.

One minute they were peacefully watching Bumblebee and Bulkhead spar in the training room.

The next thing they knew they were thrown into a small clearing in the middle of the woods.

It was a peaceful piece of land if they were being honest.

They knew they needed to start thinking about how to get back home, again, but the scenery caught their optics.

Full of nice trees and moss, a perfect spot to nap.

Snap!

Buddy turns their helm to spot two small Bot and human girl and boy.

“…Hello?”--Buddy

“Hi!”—All of them

Buddy, a little stunned by the response, waves their tail.

The little girl and the bot next to her come closer.

The other two come after wards.

“We heard a large thud noise and found you here.”—Small red bot

“Did you now?”--Buddy

“Bet that was you making a crash landing.”—Small human girl

“You could say that. These portals aren’t known for giving bots nice landings.”--Buddy

“Portals? Like a spacebridge?”—Small human boy

“…Yes, like a spacebridge. How do you know what a space bridge is?”--Buddy

“Dad and Dad 2 talked about them.”—Small red bot

“Dad…Dad 2?”--Buddy

“Yeah well, Dad talked about it in the comics.”—Small white bot

“Excuse me, comics?”--Buddy

“Yeah, these things!”—Small white bot

Buddy is shown a comic with Optimus and Megatron fighting on the front page.

“Do… do all humans know about our species?”--Buddy

“Duh. You’re not from around here, are you?”—Small white bot

“I’m not. I’m from another dimension.”--Buddy

“Wow! So Cool!”—Small human girl

“Mo, they need to get back home.”--Small human boy

Buddy tilting their helm a bit.

“Mo? Is that your name little one?”--Buddy

“Yep! This is my big brother Robbie and our other brother Thrash and sister Twitch.”--Mo

“Brother… and sister…”--Buddy

“We found them in a cave, well more like created.”--Robbie

Buddy sitting down putting a servo over their face.

Buddy vents hard.

“Hold on a second kiddo. This…this is a lot to process at the moment.”--Buddy

“Robbie! Mo! Where did you guys go?”

“Wait I found them!”

Three more bots come from the brush.

Buddy just stares at them.

The orange and green one transform into their beast modes and stand in front of group. The large purple one looks like they are ready to fight.

“Who are you!”—Green owl bot

“Nightshade wait that bot’s friendly!”--Mo

“How do you know? They look like they can eat you whole Mo!”—Large purple one

“We should judge a book by its cover Hashtag.”—Small dinobot

“If it helps, I can give you my name. But you must promise not to ask questions about it.”--Buddy

“Deal.”--Mo

“Buddy.”--Buddy

“…Your name is Buddy?”--Robbie

“Yep.”--Buddy

“…okay! These are our other siblings, Hashtag, Nightshade and Jawbreaker.”--Thrash

Buddy nodding before taking notice of how young these bots looked.

“You said you found your siblings in a cave, correct? How long were they there?”--Buddy

“I think less than a year ago.”--Mo

Buddy looks like they are about to have a stroke.

Mo mentioned that their mother and father would want to meet them. Maybe even help them find a way back home.

As the little group walked towards the farm, Buddy followed making sure to watch each one carefully.

There was no way that these literal sparkling’s were leaving their sight.

Alex and Dot were extremely surprised to see the kids bring in a giant mechanical dragon home.

They looked even bigger than Megatron!

“Kids… who’s your new friend here?”--Alex

Buddy bowing their helm a little in respect.

“Hello there. My name is Buddy. I am an Autobot from another dimension. I fell into your world through some sort of portal.”--Buddy

“Wow…”--Alex

“Your name is Buddy?”--Dot

Buddy venting a bit.

“Yes Ma’am. That is my name it suites my personality, I’ve been told.”--Buddy

Dot looks at her kids.

“Did any of you—”--Dot

“We didn’t bring the giant dragon here!”--Thrash

“I am a Predacon little one.”--Buddy

“What’s a Predacon?”--Jawbreaker

“…I’ll explain it later. Umm…”--Buddy

“I’m Dot, this is my husband, Alex.”--Dot

Alex looking starstruck at Buddy.

“Hello—”--buddy

“Can you fly?”--Alex

“Dad!”—the kids

“Alex!”--Dot

Buddy chuckling a bit before dipping their helm to the ground in front of him.

“Would you like to see for yourself?”--Buddy

“I like them!”--Alex

“Can I go too!”--Mo

“And me!”--Robbie

“And me!”--Hashtag

“One at a time little ones. Dot? Is there someone you can contact that could--”--Buddy

“Already calling the big guys. They should be here any minute.”--Dot

Buddy was pleased and agreed to wait.

In the meantime, Buddy had already taken an oath to protect the young ones with their life while they were still here.

Buddy also wondered whose alternatives they were going to run into this time around.

Buddy played around with the little ones when a yellow sports car came speeding in and transformed.

“Dot! I got the call—SWEET SOLUS PRIME!”--Bumblebee

Buddy turning to the yellow bot with a happy grin on their face plate.

Buddy easily walks up to him with four of the Malto bots hanging from their frame.

“Bumblebee! My, my I haven’t met an alternative of you yet. And your voice!”--Buddy

Buddy looking around his neck cables.

“Not a scratch!”--Buddy

“Can someone explain!”--Bumblebee

“Oh sorry! Where are my manners. My name is Buddy, I am an Autobot from another dimension and Dot dear here was nice enough to contact some bots that could potentially help me with my problem.”--Buddy

“…”--Bumblebee

“It’s a lot to take in. Take your time little one.”--Buddy

Did Bee feel a bit intimidated about the giant dragon talking to him in such high regards.

Yes.

But at the same time, he didn’t.

Despite the grand size of the bot, they were a softy.

They really lived up to their name.

Soon enough a familiar truck comes in.

“Is that Prime?”--Buddy

“Oh yeah Optimus is here.”--Dot

“That’s—”--Bumblebee

A grey helicopter starts hovering above the truck.

“…Bumblebee. Who’s that?”--Buddy

“Megatron.”--Bumblebee

Buddy nearly snaps their neck at how fast they look at him.

“Excuse me?!”--Buddy

“What?”--Dot

“Megatron? Here? The leader of the Decepticons?”--Buddy

“Oh, he isn’t a Con anymore. He’s one of us now.”--Bumblebee

Buddy’s wings drop as the kids go welcome the Prime and ex-warlord.

“Your war is…is it over?”--Buddy

Bee and Dot look at Buddy who seemed to have aged dramatically in the few seconds of hearing that news.

“Yeah, its over…I take it yours isn’t?”--Bumblebee

Buddy shaking their helm.

“What about the other Decepticon’s?”--Buddy

“Some are doing their own thing and others do cause trouble from time to time.”--Bumblebee

Buddy huffs a bit.

“Next thing you’re going to tell me is that Starscream is the leader.”--Buddy

“I mean—”--Bumblebee

“This is the part where you tell me that isn’t true…”--Buddy

“Well…”--Dot

“…please say sike right now…”--Buddy

 Prime and Megatron start walking over.

Buddy straightens themselves and transforms to go shake the Leaders servos.

“Optimus. Megatron.”--Buddy

“That’s us. And who might you be stranger?”--Megtron

Buddy suppressing a tiny sob.

“Buddy, sir. My name is Buddy.”--Buddy

“Strange name, but it looks like it suites you well.”--Optimus

“Thank you Prime. I take it that you two can help me get back home?”--Buddy

“We will do our best Buddy.”--Optimus

Buddy smiles at the two.

“That’s all I could ask for. Thank you.”--buddy

Buddy eventually sat down and talked to the two mechs while more bots were coming their way.

Buddy met the alternatives of some fellow bots they knew or had known throughout the war.

They nearly got teary eyed when they met this alternative of Elita One.

Buddy found it a bit hard to connect the dots between this version of Arcee and Wheeljack.

According to Wheeljack, it was going to take a couple of days to make sure that Buddy would get sent to the right dimension.

Buddy didn’t mind too much as they spent most of their time with the kids.

These kids lived for Buddy’s play time and stories.

“Then what did you do?”--Jawbreaker

“Well kiddo, I took that hammer and threw it at our Commander. He was able to help our Wheeljack and Bulkhead while I managed to get us some cover from the Vechicons.”--Buddy

“Cool!”--Thrash

“Buddy, I have a question.”--Nightshade

“What might that be Nightshade?”--Buddy

“You mentioned once that you were a gladiator of sorts right?”--Nightshade

“Yes, that was during my younger years.”--Buddy

“How young though?”--Nightshade

“Hmm… probably around the first hundreds of years give or take.”--Buddy

“…”—The kids

“Kids?”--Buddy

“How old are you?”--Robbie

“…How about another story?”--Buddy

“How old!”--Twitch

“Storytime!”--Buddy

“How old Buddy!”--Hashtag

“Dot! Restrain you kids!”—Buddy

Soon enough it was time for Buddy to go back home.

Buddy made sure they hugged every single one of their new friends before going close to the portal.

Buddy made sure to give extras as they were leaving.

Buddy came out of the portal and into the halls of the base.

Only to get immediately hit in the helm by a lob ball.

“OW! Who threw that!”--Buddy

“Buddy!?”--Miko

Miko starts running to Buddy in the Apex armor.

“Wait Miko the armor—”--Buddy

Miko jumps into Buddy’s open arms.

Buddy falls backwards with a hard thud.

“Miko, I’m not as young as I was before.”--Buddy

Miko doesn’t listen, too busy hugging Buddy.

“You need to stop disappearing like that.”--Miko

“Trust me if I had a choice I would stay with the team. The universe seems to have different plans. At least I always end back home.”--buddy

“You got that right.”--Miko

[rose-tinted-kalopsia]

i promised ... and i owe ... so many of you thoughts on xavier's "no restraint" card..... SO HERE IT IS, UNDER THE CUT !! i ramble a lot so it's very long 🫶🫶

(this was so hard guys. this card was a whole entire shock factor.)

first of all...... please delight in this reaction image i can offer you. because. any of you who are reading this rn know exactly which part of the card i'm referring to when i say:

(in conclusion, my legs are open)

.. ANYWAY !!!!!!!!! CLEARS THROAT

things we're going to talk about? well, it's me, so (A) character development, (B) relationship development, but also (C) WHATEVER THE HELL WENT ON IN THAT KINDLED MOMENTS SSCENE <3

(A-1) Character Development; Xavier

over the past few cards we've been having of him, i think it's safe to say that we're familiar with a number of his mannerisms, and i've also talked about a lot why that is and what goes into that.

but a lot of it changes in this card. and it's so much more than just the moment of realization he has in 21 days, too. enough that—aside from what we know eventually takes place—we can safely assume that all this occurs after that card chronologically.

exhibit a; tendency to do things on his own.

this is something that i may not have talked about as much, but i'm pretty sure we all know it's there—that xavier has always carried this tendency to do things all on his own. there's multiple examples of this, and it goes way way way back to his anecdotes.

i.e. with "passing by" and "when shooting stars fall", we already have prime examples—

"Whether it's tasks assigned by the higher-ups or senior members, Xavier always completes them quickly and methodically. He works until they're done, but nothing more."

"Xavier stands alone amidst a circle of fallen bodyguards. In the corner, Lawrence is tied up with bed sheets, his neck at an odd angle."

"I notice the wounds on his hands and face. Catching his breath, he holds out his hand, showing me a small, glowing Protocore. This is the first time he's looked at me with desperation in his eyes. When he moves closer, I notice a ring of light around his neck. It's a striking, suffocating red."

in his lightseeker myth, too, he's also the one to take the initiative and look for an alternative to philos' sacrifice. he leaves mc behind, and he leaves jeremiah behind—it isn't until later that he's able to enlist the help of others and form the backtrackers, and even then, they all recognize that he's the most capable one among them. in fact, it's also evident in "from the stars" from world underneath:

"As the leader of the Backtrackers ... Asteroids, turbulence, and the collapse of wormholes couldn't tear Traceback ll's team apart. With Xavier there, they managed to break through the universe's most impregnable spacetime barrier."

"It seems like everyone had a reason to give up and leave halfway except you. Well, you did too, but you wouldn't because no one could replace you. We all thought that you'd still make it to the end, even if you were the only one left."

in the main story, we're also faced with multiple scenarios of xavier going off on his own to do hunter duties, or otherwise a little extra in order to find the protocore that he needs—"heartstring symphony" is also proof of that.

and lumiere's myth is no different, nor is the whole legend behind lumiere in the first place.

"Xavier is missing. He didn't show up on the set, and there was no sign of him at home either ... Since then, I've never received a Wanderer alert on my watch again. Just like Xavier predicted, the dark clouds gradually dispersed, and the heavy rain slowly became a gentle drizzle until it ceased completely. Breathtaking evening clouds replaced them. Dusk falls, accompanied by millions of glittering lights creating a spectacular meteor shower. Long streaks reminiscent of contrails are etched across the sky. Meanwhile, the newest updates are being broadcast repeatedly on the massive screen in the heart of Azure Square. The previously rampant Wanderers have disappeared overnight, leaving behind only some suspicious Protocores ... The doomsday panic, which overtook the city like an inflating balloon, shatters silently as if pierced by a pin."

"Right on cue, my watch loudly sounds the alarm, and I hear the roars of Wanderers from the flames. At that moment, Xavier vanishes, and a beam of light with as much force as a rainbow piercing through sunshine cuts through the collapsed, burning factory. In the blink of an eye, he leaps out of the raging fire, his sword still coated in Metaflux that has yet to dissipate."

"'Threat levels are at least A. I have to go—' 'Stay here. I'll be right back.' Xavier pushes down my shoulder, and a strange red light around his neck is quickly concealed by his collar."

"The red light on Xavier's neck flickers wildly. He swings his weapon, sending out a lightblade to kill the remaining, struggling Wanderer. Smoke created by the dissipated energy rises in all directions. He leans against the wall, trying to steady his wobbling form after the intense battle. 'Abnormal vital signs have been detected. Excessive use of Evol. Disengage from combat immediately and receive treatment...' Xavier turns off the annoying warning on his watch and lifts his gaze to the entrance of an alley, where several shadows are closing in on him."

moreover is the fact that from world underneath, we also know that his collar acts as a suppressor:

"'...Light Evol has been detected. Evolver's Evol limit cannot be defined.' 'Any attempts to probe its limit triggers a special neck suppressor, which prevents the Evolver from using their full power.'"

and yet despite that, he still continues to do what he does, anyway.

a lot of things play into it, and i talk a lot about how his upbringing as a prince must have largely contributed to habits like this. he's used to doing things on his own, and he's expected to, in a way—all the burdens and duties placed upon him the moment he was born, when he bever had any say in it. already in his "when shooting stars fall" anecdote, he's isolated from everyone and constantly surrounded by bodyguards, and mc acted as his only source of freedom by reaching for him past that barrier.

it's also worth noting that most (if not all) of this that he's been doing, is all and always for mc, too—as if it comes back full cycle. it's how he shows his love for her, because it's really the only way he knows how to.

which also brings attention to his always and ever highlighted communication issues—because common in all of these examples up until this card, is that he's been vague about it.

never giving the full answer.

never truly explaining what he's been up to.

and it's something that mc knows; he keeps his secrets well, and they've never really truly talked about these things.

but "no restraint" plays this out a little differently.

"Even though I still want to ask him about where he went, it's only a matter of time before more of Henrik's men arrive. Escaping is our main priority."

And yet;

"I realized I was being followed, which is why I didn't contact you. I managed to shake them off, but I was concerned they might catch up to me. That's why I searched for the Protocore by myself."

—"Why are you suddenly talking about this?"

"...No reason."

xavier willingly explains.

mc doesn't particularly ask—yet he says it anyway. to clear the air, to maybe make it known that he is putting in an effort.

in this situation, he hasn't derived from his habit of going off on his own, but he provides a good explanation of it. there's mediation; he's saying that he trusts her, and he wants to ensure that there is nothing for her to be worried about.

"I just wanted to say I'm not the kind of partner who would leave you behind... I'm also not one of those young people who take things for granted, either."

and he further willingly explains when she does probe him, replying with a reflection of the excuse she gave one of the bodyguards just to be able to get information out of him.

BUT, MOSTLY—

"i know you know" is xavier directly addressing the fact that their relationship has been curated around this trust that they've been starting to build with each other—he knows that mc was not exactly doubting him, yet he wanted to reassure her anyway, as if speaking it out loud makes it official.

sometimes you don't ask for reassurance because you know in your heart that your doubts aren't real. but receiving it never hurts—and that's how this plays out.

xavier has always known that communication has always been an issue with him.

he's willing to fix it, and willing to take that extra step to make sure mc doesn't feel unloved with him. he doesn't want to leave room for doubts.

"i know you know." i know you know i will never leave you, i know you know that i love you. i know you know, but i'll say it anyway. because i mean it. and you don't have to worry.

(LIKE DO YOU GUYS GET HOW IMPORTANT THIS LINE IS? 😭 HOW MUCH IT SAYS FOR THE EXTENT TO WHICH HE TRULY LOVES HER? 😭)

exhibit b; aloofness.

we also know that, while xavier can be pretty intense with regards to the previous point, he's always had this calm, easygoing, aloof nature to him. as if he could fade into the background, as if he's simply floating around like a little cloud—there's this aura around him that simply wants to just... be.

but, again, it's almost as if so much more hides underneath that. like it's not totally 100% inherently him. like it's not entirely natural, like the part of him that's like this is maybe somewhat a façade that he's been putting up for so long, so it's just ended up... becoming part of him, by force of habit.

there are so many subtleties to the way he seems to try to express himself—the little things. microexpressions. involuntary emotional leakage. they last for a fragment of a second, but they're there, and with xavier, they seem to always convey so much more than whatever words he can muster.... because he always finds himself short of doing it in the way he wants to.

again, it goes back to his communication issues.

he's used to being isolated. used to speaking eloquently as he does only when required, but never really quite knowing how to express affection. or, again, how to express himself in general.

"it's like he's just so used to being princely, that he can't let go of it even if he isn't a prince anymore. he wants to, but old habits die hard—he hides so much beneath that exterior still, and it's mc who's able to help him tear down those walls, mc who's able to make him want to try harder to."

and it's why we've always seen this push and pull with him. he has trouble being honest about his feelings, difficulties in telling mc he loves her, difficulties in being direct to the point with her. he'd dodge her questions, be vague about things... hints of directness, but never really pushing forward with it. he'd tease, but it falls short—mc doesn't know if he's being genuine or not. he doesn't know how to convey that. so a lot of their previous cards and previous moments have been very vague. so, so many examples, a very prime one being his lightseeker myth, because their communication issues very sincerely stuck out with that one. and the last intimate card they had—"tender nights"—and in fact, "heartstring symphony" too, very blatantly display how difficult it is for him to convey his feelings the right way.

but... again, "no restraint" plays that out a lot differently.

"If I had known, I would've kept you company until the mission ended."

"When you said no, they said— 'You're a special person. Won't you reconsider?' ... Did you reconsider?"

"'It's just a scratch. It'll heal in no time.' ... Xavier shakes his head, stands up, and leaves the room. When he returns, he's holding a box filled with bandages that have red foxes on them."

"He gets down on one knee and covers my knee with a bandage. The dim light blurs the outline of his hair ... After smoothing out the bandage, Xavier puts slippers on my feet. And then he stands up and leans against the edge of the table, shoulder to shoulder with me."

"He seems to casually glance in my direction. Noticing how I'm wearing a bathrobe, his gaze lingers on me for a second longer..."

"Does that mean you only like the bandage?"

"Before I realize it, his hand that's on the table slides over. He hooks his pinky over mine. 'I'm curious. The cupcake you mentioned—is it your favorite?'"

and...

he's more intentional with his words and his actions this time. he wants to show her that he loves her, he wants to show her that she means a lot to him. and they're still little things, not too major, but there's a certain confidence in the way that he does it. there's sureness. it's less of those awkward moments of "should i, shouldn't i?" and there's way less hesitation.

he's insistent on holding her and taking care of her wounds. he's insistent on having her say her side of things, because he wants to know what she really thinks, too. small staps towards clearer communication—and though the tension may still be high with them in this card in general, it's a kind of tension where you can feel that they're more comfortable.

it's a stark contrast.

this is the xavier that's more than just learning, more than just realizing—he's doing.

you can really see how he's grown as a person.

(A-2) Character Development; MC

BUT it's not JUST xavier who's grown. because like in all relationships, effort comes from both sides. and the main point here, is that mc has learned to trust him a little more, too.

this part is a little shorter, but i really wanted to bring attention to two scenes and how they both play out—and i'd also like to point out the very start of the card.

the card starts off very general and sets the scene quite well, but it also starts off with mc and xavier separated. this becomes largely the topic for discussion as the card goes on, because mc does wonder where he is, and why he isn't saying anything to her.

but it's not implied anywhere that she's particularly upset about it.

in previous cards/interactions, there's always a sense of exasperation behind her words—sometimes, like in "heartstring symphony", she's upset about it. she chastises him, she sometimes makes it known that she doesn't like when he does those things—

but this time there's none of that.

she allows the mission to move smoothly, doesn't react as much once she does hear xavier contact her again... and even if it shows that she keeps wondering where he is and what he's doing, and later on what he has been doing, it's founded on curiosity instead of frustration.

"Even though I still want to ask him about where he went, it's only a matter of time before more of Henrik's men arrive. Escaping is our main priority."

this is the mc that trusts him.

this is the mc that knows she doesn't particularly need reassurance from him, and she can do without it, because she knows what no matter what, she can trust what he's been up to.

and now;

if it wasn't obvious yet previously, this should make it.

because she's not upset—in fact, she's fond.

she recognizes that her own feelings stem from her own desire to have him with her at all times, too, but most of all, she recognizes that there's nothing to be concerned of, anyway.

she knows that in the end, the person that xavier loves is her. the person that xavier wants to protevt the most is her. the person that xavier wants to be with, as much as he can, as much as the circumstances let him—is her.

she's content with that.

she smiles at the bandage, because it's proof of it—he's just treated her wounds, so insistent on taking care of her even if she knows it's nothing but a scratch and that he doesn't even need to dote on her.

but he does.

he goes the extra stew to get a cute little bandage because he knows it'll make her smile more, too.

she knows that, and she's happy.

"You have your secrets too, but you're different from them."

in a stark contrast from the mc we've been used to before that seems a little on edge and unsure and so doubtful of so many things because there's a lot about xavier she doesn't know yet—this time, she accepts it. because they're both working towards communicating more, and being more affectionate... and there's just no reason and no need for be to be concerned.

it's a big step for her to take, and this is a surprisingly big amount of trust she's putting on him, but it's further proof of how much she—they—have grown.

"You're like.. a cupcake I tucked away so I can have you all to myself."

this is also a line that holds so much in it.

it's really struck out to me, and for a number of reasons, too— (1) it further emphasizes how content she is with him and how much she trusts him; (2) it further emphasizes her own growth with relation to how she shows affection; (3) it says a lot about the kind of special treatment she gives xavier, too.

starting with point #2—the mc we see with xavier has always been bold, always the one to initiate things.... but never truly reciprocates.

like the xavier before, mc never really follows through with what she starts. she'll tease, then pull back; initiate, and then abruptly leave him hanging. she's not much better than xavier in terms of showing affection, because although she may seem like the bolder one, the truth is that she's always been scared.

it goes back to the level of trust she has in him.

because she doesn't know too much about him, it prevents her from truly acting on her feelings—she doesn't know what to expect, doesn't know how far she's allowed to take things.

teasing remains teasing.

not this time.

we also see the level of sureness she has in her actions with the way she initiates their more intimate moments later on; she might have started out as coy, but not once did she back away from it... if not for the fact that she encourages it, even.

"I tug at his sleeve, unable to figure out whether I'm meaning to be flirty or not."

she says this, but she still continues. because she knows what she wants, and she trusts him with it.

then you bring that all together with point #3—the allusions to her own personality.

"You're like a cupcake I tucked away, so I can have you all to myself."

to me it feels less about her reciprocating his more possessive nature, and more about her views on how she's been cherishing him.

tucked away.

she uses past tense.

she could have very well said "a cupcake i tuck away"; which would imply that she frequently wants to hold him close to her to save for when they're alone.

but this is a cupcake she tucked away.

and to me it feels like she's held on to him so long... without actually appreciating him for who he is.

it's like having a pretty dessert with you, one that's too pretty to eat, so you keep for yourself for a while. and you... don't eat it. even if you're supposed to.

it's like getting a precious jewel, but you're too concerned about it being stolen from you, because it's just that precious and beautiful—so you keep it. you don't wear it, whether outside or wherever. you don't. wear it. even if you're supposed to.

and that's not appreciating them for what they are.

to me, it feels like that's how the change in tense makes mc's words appear.

a cupcake she tucked away—hasn't eaten at all. like how, with xavier, for all that she's been fond of him, she's never onve bridged the gap between them on her own, either. she's kept him at arm's length, doubted him, and everything else that comes along with all the communication issues they've always had.

this time, she recognizes it—and i'd like to think that in a way, she's also apologizing for it. she admits, out loud, to herself and to him, that she's been pretty selfish. she hasn't been treasuring him and cherishing him the way she needs to be. she hasn't been reciprocating when he's affectionate. she's been only shying away when he initiates something. she knows she's been like that, and she's saying—i'm not going to be like that anymore.

and again, it goes back to trust.

she trusts him.

and because she can trust him, she can love him how he is, for who he is.

"so i can have you all to myself" feels a lot more like, "so i can finally love you."

and then we get to this scene.

for one thing, she doesn't deny their relationship at all; for another—their conversation on "love" feels very striking to me, too.

"but he can be a little mischievous sometimes."

"isn't that just love?"

and then...

"you're not wrong."

it's like a very direct jab at xavier and his way of being affectionate; the teasing that he does, and the way he's sometimes a little vague, sometimes a little awkward—but he's trying, and he's becoming more sure of himself, too.

and xavier's way of showing affection is truly reserved for her, because there's really none of that awkwardness with anyone else—he doesn't try so hard.

mc seems to be, here, descriving that nature of him as "mischievous".

it is, in a way.

but she also knows that it's love.

that it's his way of showing love.

she recognizes it. she accepts it.

she's learned things about him, too, and she's thinking... all of it can be compiled into this little word called love.

there is love between both of them.

and we can say that at this point, they're pretty far into their relationship.

they've gotten quite comfortable with each other—they're being touchy, the playful banter is light and easy... and they're definitely working to strengthen the bond that they have. their communication has improved SO much... i'm so proud of them 😭

it's definitely not a fully developed relationship; they're still a little shy around each other, there's still a lot of tension that's hard for them to navigate. it seems they've also yet to cross the " i love you" barrier, or at the very least, that it's difficult to say—plus, mc is exceedingly embarrassed to find xavier had overheard her conversation with the receptionist.

yet... when we move on to when they start to get intimate, it's also very interesting to me that it goes so smoothly—and it's definitely not their first time.

but it's a first something.

and it doesn't make the moment any less full of emotion.

this particular sequence honestly had me so INCREDIBLY confused at first, because why on earth would he be trapped right;

but then you look into who xavier is and how he's been with mc, and it goes back to that—he has so, so much love for her that he simply doesn't know how to deal with it.

he's pleading her.

he's saying that if she continues drawing him in like this, what with how much he always feels for her, he's not going to be able to hold back.

it's a trap, in a way.

xavier is still trying his best to discern what it means to show love to someone—because all these years, he hasn't been able to learn that properly. and yet now that mc has fully grasped her end of the stick, now that she's confident and sure of what she wants and how much she feels for him, it's bringing forth a bubble of emotions that he can't seem to describe.

it might not be their first time, but i don't think that xavier ever moves on from what it feels like to be wanted by her like this.

it's scary, because he doesn't know how to navigate things like this.

"It's almost as if tiny flames are flickering in the depths of his gaze. They're faint yet ready to ignite my soul at any moment."

xavier, who's been raised with the notion that he has to know things, to be able to potentially lead his people as the future king of philos...

this is something he doesn't know.

and like how mc was always afraid of how uncertain she was with him, right now, he's afraid because he has so much emotion ready to burst forth that he doesn't know what to do with it.

there's an aura of disbelief that makes it so hard for him to grasp.

it's always been "i will love you in every universe"—for the both of them.

and now, he's having the full realization, maybe for the 928482857th time since they've become official, that she's saying those words back to him. that if he can love her in every universe, as every version of himself... then she can do the same for him.

she wants to do the same for him.

she is doing the same for him.

"she loves me."

"she wants me."

he's pleading with her to take what she wants, because she has all of him.

and then we go back to mc's confidence—because she realizes he wants this to proceed in exactly the same way she wants it to, and she's willing to become his undoing.

and even if he technically switches and takes charge in the next second, it comes to fruition that her giving him consent in this way is what breaks him free of that bubble.

"don't hold back", is all that this is, really.

and he doesn't.

and it's just, not really just about the tension they've built up to get to this moment—the coy excuse of using the protocore's supposed effects—there's so much that goes into it, with the way they feel, with how their desires are so blatantly displayed just like that, with how their love fuels how much they need each other.

it's almost funny, in a way, because it's as if both of them are saying "take me, i'm yours." at the same time. and then it becomes less about possession... and more of a complete and utter surrender to each other.

and i think that's beautiful.

(which also. BONUS? but if this doesn't signify how focused xavier is on giving pleasure and at the same time how easy it is for him to lose himself in the moment and feel good because you're feeling good—i don't know what else will ✋)

(also like. the aftercare... the morning cuddles.... the hickey mc left on him 😭 i love them so much..........)

IN CONCLUSION . . . . THIS CARD MADE ME FEEL MANY THINGS.

THANK YOU FOR COMING TO MY TED TALK 😭✋

[tiredandoptimistic]

As someone who likes a lot of "bad" media, or media that starts out kinda slow but builds into a bigger plot over time, I see so many different opinions on what bits are "okay" to skip in order to get to the good part, and it's just wild to me. Bouncing around between the highlights doesn't actually give you the experience, and filler is so important when it comes to just...creating a vibe and building up the relationships between characters and with the audience.

For instance, Red vs Blue is probably my favorite show (ever, of all time), and while I will admit that the first five seasons are not my favorite, I still think they're essential to the show, because those five years of relatively low stakes adventures set the tone so that it can be upset by the bigger plot points. The impact of a big twist is reduced if you haven't spent the time to get invested in these characters when they're just hanging out and being silly. Most importantly though, even once the plot really gets going in season six and we get into the more serious Freelancer and Chorus arcs, Red vs Blue is still fundamentally about a bunch of idiots standing around and talking. If you have to force yourself to put up with the majority of the show, then you might just not like this show.

I was talking about this with my friend, and they said it's kinda the same thing with Homestuck. Yes, it does get "better" as time goes on, but it's still the same thing it's always been, and if that's not something you enjoy then skipping to the bits you do like won't change what it is.

Or like, I freaking love The Order of the Stick, and last year I reread it from the beginning for the first time in a while, and I half convinced myself that I'd just made up how good it is (because volume one is funny enough but nothing to write home about). However, I hit a certain point where I realized that I wasn't just reading out of a sense of obligation but because I adore these characters and am unspeakably invested in this plot. You can really tell that it's been a story happening over the course of 20+ years, you can see the writing and art improve dramatically as time goes on. I could just recommend that someone start with volume two or three, and summarize the plot up till then so they don't feel lost. However! That would rob them of the experience you get from watching these characters grow. You can't fully appreciate Belkar's arc in volume six if you didn't see what he was like on day one, y'know?

On another note, I love the Shadowhunters Chronicles, and I know that a lot of people will give The Mortal Instruments shit and call it the worst series or whatever, but those people just hate fun. Yeah, there are other series that might have stronger plots and better writing, but there's a reason that TMI's main characters have been iconic for years. Sometimes, things are just silly, and if you don't like that then you're not gonna have a good time here.

I could go on! I also like a lot of episodic shows like MASH, Community, Tangled: the Series, the whole DC animated universe, Supernatural, etc. I could come up with lists of my favorite episodes to try to hook somebody, but all of those episodes lose a lot of their impact when taken out of context. Skipping the filler doesn't give you the ultimate experience of Only The Best, it takes away your chance to fully spend time with these characters in a variety of settings. And sure, lots of shows with multiple writers do have some episodes that are just bad, but that's not what I'm talking about. There's a difference between something being bad and something being low-stakes. Maybe you personally don't enjoy things that are low-stakes, but that might just mean you shouldn't be watching a sitcom.

So yeah, this has been an excuse for me to rant about things I enjoy for a while but I'm sorta out of time and need to eat lunch, so I suppose this post has reached its conclusion. All my favorite media are my favorite for reasons I couldn't articulate in an elevator pitch, and putting together a highlight reel will never substitute for truly being in the trenches. If you're truly having a good time with something then you won't need to skip to the good part, because the whole thing is enjoyable.

[supercorpkid]

How You Get the Girl

Supergirl. Lena Luthor x Reader!, Kara Danvers.

Word Count: 2500.

Notes: I really love this fic, and part 2 (my favorite ever written) is coming soon :)

"Hey, remember my friend Barry?" Kara asks as you settle onto her couch, balancing containers of takeout food. The late hour has granted Kara a break from her Supergirl duties, allowing for a rare moment of tranquility.

"Barry Allen?" You confirm, and she nods. "The one from another Earth?"

"Yeah." She hands you your food and takes a seat beside you, facing you. "Sometimes we meet just to talk, instead of dealing with end-of-the-multiverse situations."

"Nice. I didn't know that." You start eating, but Kara hesitates, an uncommon occurrence as she's typically the one speaking with her mouth full. "Have you seen him recently?"

"Yeah, and he told me something amusing." Kara tilts her head, uncertain. "He ended up in the wrong universe, thinking he was coming here. He was very confused because everything was oddly similar. You know, there was me, you, Alex, Lena, J'onn…"

"Isn't that normal for different universes?" You furrow your brows. "I might not know much about it, but Lena explained once that when a diversion event occurs, a new Earth is created, so—"

"Yeah, yeah." Kara interrupts, contemplating her words as you watch curiously. "The weird part was that you and Lena were..." She pauses, choosing her words carefully. "Together."

"Okay?" You return your attention to your food, losing interest. "We do spend a lot of time together."

"No, I mean, romantically together. Dating." Kara's revelation makes you snap your head up, heart racing. "More than that, actually. You guys were married! And had a kid!"

"A kid?" You laugh nervously. "Now that's absurd."

"Really? The kid part is absurd?" Kara sets aside her untouched food. "So you and Lena being married didn't strike you as absurd enough?"

You swallow hard, avoiding Kara's gaze as your cheeks flush. Is any of what Kara's saying absurd? Not entirely. Have you thought about you and Lena together before? Definitely. Have you secretly hoped for the day Lena will stop pining over Kara so you can do something about your love for her? Absolutely. Will you ever confess this to Kara? Not a chance.

"I mean," You take a deep breath, raising your head and trying to compose yourself. "Perhaps that's why the new Earth was created, right? A wild new scenario? Me and Lena."

Kara blinks, then chuckles. "I guess you're right." She finally picks up her food and begins eating. "I'm not sure if that's how a new Earth is created, but it's certainly wild enough."

Yeah. Wild enough.

Lena steps off the elevator, and you lift your head to admire her before she notices. Her hair is in perfect dark waves down her shoulders. She looks so tiny in her white sneakers, but you love them so dearly because you know how much more comfortable she's been ever since she stopped wearing those awful heels for work. Her lips, just a splash of red in them, as she's recently been dabbing with wearing less makeup than usual. You don't think she's ever looked this pretty.

The headquarters is unusually quiet; J'onn is in another room, Kara is at work, Alex is out with her girlfriend, and Winn is occupied in one of the computers. For now, it's just you and Lena, which means pining is almost allowed. 

"Hey, Y/N." Lena approaches, carrying a gigantic book and sporting a playful grin. "I know you're gearing up to tease me about my book, so go ahead."

"Honestly, Lena. You think too little of me." She raises one eyebrow at you and you hold back your smile. You manage your best British accent. "Have you gone mad, Hermione? Are you a witch or not?"

"Ah. There it is—the Harry Potter quote I've been waiting for." Lena drops the book onto the table with a thud, and you glance at the cover. "Ironically, it's actually about magic." You offer her a smirk, earning an eye roll in return. "So, has Kara mentioned anything about her last encounter with The Flash?"

"Uh." Your mouth drops, why is Lena bringing this up? "She – She might've mentioned seeing him."

"Right. So apparently she told him about my theory on elseworlds and he doesn't agree with it." Lena opens her book, looking for a page. And you breathe out, relieved you won't need to have that fun conversation with someone else. "So, you know, obviously I have to prove him wrong."

"Obviously." 

You stare at her lips, curving into a smile. So red and perfect. So close and yet so far away. She might be beside you, but the gap between you feels insurmountable.

"Oh, and he also said something about us being married!" She says and you choke on your own saliva and starts coughing violently. Lena's hand goes to your back and she soothes you, in a protective manner. "I mean, I know it's a little far-fetched, but that's an odd reaction."

"I just –" You try to breathe again, ignoring Lena's hands on your back and the way it makes your body shiver under her touch. "I wasn't expecting that. Sorry."

Lena chooses to ignore your awkwardness, which is very much appreciated, and you fall silent thinking about things you will not have, body parts you will not hold, and the reciprocated love that you won't feel. Thoughts etched in the inside of your mind, so addicted to the illusion of a love that never was and never will be.

"How –" You look back at her and she raises her head, previously nose buried in the book, and you swallow your nervousness. "How does a diversion event occur in order to create a new Earth? Is it something big and worldwide, or is it something small and insignificant?"

"Well, it is commonly thought to be big events. The small insignificant things that follow are usually in response to them."

"I see." You breathe deep one more time, mastering your best courage. "So, what would happen if I were to meet the other me or you from another universe? Would it be a paradox or something?"

"No. We're all different people." You bite the inside of your mouth thinking about it. Lena's voice brings you back from your trance. "Why the sudden interest?"

"Hm? Oh, I'm just trying to understand more." You smile getting up from your place. "Thanks for explaining it to me." She looks at you curiously and you over explain things with your arms, like a lunatic. "Things are slow today. I'm just gonna head home. If there's an emergency, just hit me up."

"Oh, sure." Lena has barely noticed you're gone, nose buried in the book once again. "Yeah, we'll let you know."

Is it madness? You pace the apartment floor, wrestling with your thoughts. Is it crazy to entertain the idea of venturing into another Earth just to witness a scenario where you and Lena are together? Is it reckless and irresponsible? Is it even fair?

But this love you feel for her has been eating you from the inside. You don't believe there's ever been a space quite as big as the one she wished into existence between your heart and hers. So how can you not? How can you not go on an excursion to find out how to summon this love into being?

"Hey!" Kara taps on your window and you turn around to look at her. "What's the emergency?"

"I need to go on a trip." You say. Packed bags at the edge of the couch, forced smile on your face. She flies in, landing close to it.

"Whe –"

"Can't tell you where. Just wanted to give you a heads-up so you won't worry."

Kara studies you, suspicion evident in her eyes. "Did something happen? Are you going on a mission?"

"No!" You rush to assure her, preventing any further questions. "No, no. Nothing happened, really. It's not a –" But it is a mission of sorts. "Not a real mission, maybe one just to answer a question that keeps me fast awake at night."

Kara squints her eyes looking at you, clearly finding your act extremely suspicious, and you curse yourself for your breath stuck in your lungs and the heart beating almost out of your body.

"Kara, you don't need to worry, I promise."

"Too late! Am worried!" She breathes out, sitting on your couch, right next to your bag. "What's going on? You've been acting weird these days. And DON'T –" She points at you accusingly, because she knows you were about to open your mouth and defend yourself. "say you're not, because I know you and you can't fool me, no matter how much you want to."

She's right. Kara knows you inside out. But there's one thing she's mistaken about: you've been successfully fooling her for months.

This pining over Lena, this ridiculous huge crush you've been nurturing for Lena Luthor has been going for far too long. You crave the way she smells and how she talks. You dream about green eyes and perfect arched eyebrows directed at you. You're consistently going out of your way just to see her. You jump on cases, and suggest team pairings. It's crazy the fact that no one noticed yet, because honestly? You don't think you're doing a far too good of a job when your mouth literally drops at the sight of her.

And yet, your best friends haven't figured it out. None of them. Not even the Kryptonian with super hearing and x-ray vision. 

"You have nothing to worry about, really. But I can't tell you where I'm going, so you're just gonna have to trust me on this one." You try your best puppy eyes and sweet smile. "You do, right? You trust me?"

Kara's eyes soften immediately as she stands and comes closer to you, "Of course I do, Y/N. You're a strong, powerful woman and you can take care of yourself." She reaches for your arm and winks at you. "Plus, you have me on speed dial."

She means the watch.

You agree with your head and hug her goodbye.

You've never been to another Earth. Have heard enough about it, though, to not look completely lost and out of place. So you do your research, does Supergirl exist? Is Lena running some kind of business empire? Where do all the heroes meet up?

You're quick to find out, LuthorCorp is still very much a thing here, and it's run by yours truly, your so-called wife, Lena. So you make your way there first thing. 

"Hi," You try, while talking to the receptionist. "I'm here to see Lena, I'm –"

"Mrs. Luthor!"

Startled, you glance behind, finding no one. "Where?" Then the realization dawns. "Oh. Oh! You mean me. Yeah, I never quite got used to it. Can I go up?"

"Of course, ma'am."

You step into the elevator, musing over how Lena's last name sounds rather fitting when associated with you. In fact, you might prefer it to your own.

"Mrs. Luthor," you overhear Lena's assistant on the phone as soon as she spots you. "Your wife is here."

You make a gesture to correct her, but she's already running to the door. "Mrs. Luthor, please." she nods at you.

"Oh, you don't have – it's ok. I can –" You finally smile back at her. "I'll take it from here, thanks."

As soon as the door closes behind you, Lena makes her way towards you.

Holy shit, she's a mirror image of your Lena. Not a single strand of hair out of place. She even wears the same style of heels your Lena used to, with a high ponytail and those perfect red lips curved into a smile.

"Darling, I didn't know you were dropping by." Before you can say anything, she's planting a kiss on you—a short, sweet peck that catches you off guard. It takes a few moments for you to close your eyes and reciprocate, only to find Lena pulling away. "Is everything all right?"

"I'm not your wife!" The words burst out before she can lean in again, the realization hitting you hard. It hurts to say, especially when all you want is to kiss Lena once more, even though she's not truly your Lena.

"What?" Lena's eyebrows knit together in confusion.

"I'm a different Y/N. From another Earth." You point to yourself, trying to convey the truth. She stares at you in disbelief, so you rack your brain for ways to convince her. "Call your wife, and you'll see."

Lena blinks, then reaches for her phone on her desk. After a brief conversation, she hangs up. "You're not my wife," she confirms, setting her phone down. "Sorry for the unexpected kiss. You look exactly like her. Well, you are her."

"It's okay. I can't say I hated it." You admit, feeling a blush rise to your cheeks at her amused smirk. Maybe you shouldn't have said that.

"Let me guess, your own world is in danger, and you need our help, or something equally insane?" Lena guesses with a sigh.

"My world is fine. But I do need your help with something insane."

Lena gestures toward the couch, and you follow suit. "Do tell, not-my-wife."

"How did we end up together in this universe? How did I win you over?" You're not even half seated yet and are blurting out questions.

"Win me over?" Lena chuckles at your choice of words. "Oh, darling. You fell in love with a Lena?"

"I'm afraid I did. Except mine is in love with Kara, so –"

"Oh, ok." This Lena shakes her head like that thought is insane. "Can't help you in that area. I was always in love with you – your version from here. In fact, you didn't win me over. I was the one who had to win you."

"Oh yeah, that was probably so hard. Flash those green eyes and a knowing smirk at me, and I'm already head over heels for you." 

Lena nods in agreement, a smile playing on her lips. "To be honest, that was pretty much it."

Great, this entire excursion to another universe was useless. This Y/N finally got the girl, and you can't be helped.

"I'm sorry," Lena is quick to say. "I know I was of no help, but don't lose hope!"

"How do you know–"

"Please, Y/N. I am your wife." She reaches for your hand, smiling warmly. "If you fell in love with me here and in your universe, there's likely others where we end up together. I'm not saying you can visit them all—"

"I will visit them all!" You declare, rising from the couch, and you can practically feel Lena rolling her eyes. As you stand, she does too, and you share a goodbye hug. "Thanks for your help, not-my-wife! A pity kiss goodbye in case I never get the girl?"

She chuckles at your jest and plants a kiss on your cheek. "I'm certain you'll get her."

With renewed determination, you prepare for another journey to another Earth.

[iamadequate1717]

Stede in Season 1

After seeing some rather awful bad faith takes flying around after 2x7, I'm throwing out a beginning defense of Stede Bonnet (loml). It seems insulting Ed's fish is the worst thing that anyone has ever seen, and it really seems to be a continuation of anti-Stede sentiments within the fandom and viewing him as a prop for Ed (and sometimes Izzy) rather than his own character. Fanon Stede is ever patient, ever kind, ever devoted to his partner, and I'm seeing a lot of shock that Stede is a flawed, imperfect person with his own needs, that he says things in the heat of the moment, that people are seeing a less interesting character than what DJenks and friends have created. Stede's a fucking lunatic and I like it.

I'm going to break this into a few posts as I ramble on to the end of 2x7. I have big thoughts on the ending, but I need to lead up to it! I am going to try to be as brief as I can up to the lead up, but I'm not happy with certain parts of the fandom right now (it's just a spat, love you all).

(If you haven't seen the "I hate Stede!" and "I'm so mad at Stede!" posts after 2x7, I am so, so jealous of how you have curated your social media experience.)

Part 1: Season 1

I'm going to note first that this is really a more rambly companion piece of this:

In time budgeting, most of Stede's character introduction and motivations are built into 1x1 through 1x3, but you all know it is a common refrain of these episodes: "Just wait for episode 4!" (OK for newbies, but huge side eye from me with people who have watched multiple times.) Episode 4 is when Act 2 of 3 of Season 1 begins. The foundations of the story have been laid, the cast has been fully assembled, and we enter the rising action (i.e., the meat) of the story in 1x4. It is not that Blackbeard alone improved everything: it was the story structure itself that shifted.

Preferring Act 2 (ep 4 to mid ep 8) and saying Act 1 was bad and "boring" is a disservice to the story and really robs yourself of the payoff action in Act 3 of Season 1 (and now Season 2), in particular with regards to Stede's character. It's a TV show, so you don't have to like all parts or watch it equally, but if you're going to criticize Stede and what he does, you can't ignore the part of the story that tells you the why of everything.

For example, we see people saying Prince Ricky is "exactly how Stede used to be!". Episode 3 disagrees.

Ricky is some Evil Star Trek Mirror Universe version of Stede, and they have fundamental differences in their view of piracy, which feeds into the action of the tail end of Season 2: Stede wants to be part of the piracy world, but Ricky thinks he's above it. The few hours in 2x7 that Stede spends enjoying being cool in the Republic of Pirates is overall sweet (sliding past the murder, lol), not a relationship red flag or Stede being a dick. If you tried to join a group and they finally embraced you, how would you initially act? Being excited for a few hours does not mean Stede has made a forever commitment to piracy and not Ed.

But, I digress. To me, Episode 2 (along with 6, 9, and 10) is far and away the peak of Season 1. We see the crew bonding (and those unique interactions are missing in Season 2's truncated runtime), and we get a deeper look into Stede's head: his initial naivety toward violence, his insecurities, his unique captaincy style and problem solving. If I look at just his insecurities, Badminton's Ghost is Stede talking to himself (like Hornigold was vocalizing Ed's feelings in 2x3). Stede is harsh with himself about his abilities and maturity, and we even see that he took Badminton's petty body shaming in 1x1 to heart.

(Oh, I have thoughts on Stede finally being told he's pretty and then instantly dumped!)

But he continues to degrade himself.

"You're a child with a toy" Stede says to himself. Compare this to Ned Low calling him a "bumbling amateur" in 2x6. Real people voicing these thoughts (like Chauncey in 1x9) messes Stede up.

The local therapist clearly lays out the motivation behind 1x9&10, and Stede still continues with the negative self talk.

And then we get the best mantra!

Yes, baby! You can only be as good as you can be, and you deserve the world.

Stede does not banish his guilt that is haunting him, but Ed comes in at Episode 4, and any more serious feelings is all about Ed.

(Second GIF is a joke. I know it's important to Ed's character. Plz, don't be mad.)

Ed is the deuteragonist, and the story now needs to spend time establishing Ed's character and motivations. This doesn't make Stede's go away, but if you only watch Episode 4 and on, that's what it looks like. There are brief moments of Stede's vulnerability and guilt from then, but not much.

(Side note from a Midwesterner: I've spent too much time finding out if "grain tower" is colloquial for "grain silo" somewhere, and I still don't know.)

Ed and Stede just met here. Ed isn't absorbing much of Stede's comments (Stede also feels trapped, Stede has family guilt, etc), but it goes the other way, too, doesn't it? Stede is recovering from his gut-stab, they're still in a life-or-death situation, and Stede is still feeling his guilt (and just saw more guilt ghost hallucinations). Registering and internalizing what Ed is saying doesn't take priority.

And they enter their cute early relationship phase: They have fun together! They can easily talk to one another! Stede easily forgives Ed wanting to kill him!

Again: in between all the cute and fun, all the heavy stuff is about Ed. Stede deals with the aristocrats who mocks Ed. Stede is gentle with Ed's red fabric. Stede listens to Ed's past without judgment. Stede openly accepts Ed as a friend. We don't see Ed engaging with Stede in a reciprocal manner.

(I was so delighted when Stede called some of this out in 2x4.)

Stede is a few steps behind in their relationship: He doesn't know it's a romance. He doesn't know he was flirting with Ed. He's not immediately understanding what the Act of Grace was to Ed (hubby commitment!) as he's having his Nigel guilt, family guilt, and being seconds away from death swamping him all at once.

In the academy, Ed isn't even listening to Stede. He's moved onto his domestic marriage role while Stede is dealing with his demons.

With 2x7, I see people saying, "Ed was very clear in wanting to leave piracy!" If he was speaking to someone fully engaged with him, I would agree. (That also doesn't make Stede having a few hours' fun the worst thing ever.)

(Aside of what I see below: In Season 2, I see overwhelming praise of Ed and Izzy's performances and very little on Stede. This is not to disparage TW or CO, but Ed and Izzy are more in-your-face and obvious with what is going on internally in their scenes and they are nailing the drama scenes. However, Stede becomes quieter, shutting down into himself, when having high feelings, and RD's acting is very subtle and very beautiful in these moments.)

In The (First) Kiss scene, Ed is clear! He just wants to be Ed, and Ed is happy just being with Stede.

But look what Ed walked in on:

Ed is saying things, but Stede is trying to process big feelings of his own at the same time. Stede is there self soothing, still thinking about what Ed ignored him about in the bunks. "How are you handling things so well?" means Stede isn't handling it well. Ed is excited, but he (and apparently some of the audience!) is brushing off all of what Stede is saying while expecting Stede to take to heart everything that Ed is saying. (I mean, the beginning of S2 shows why Ed is so excited for this life change, but it is frustrating!)

If you only feel bad for Ed at the end of 1x9, please try to imagine Stede's perspective: suppose you have low self worth and are consumed with guilt about people you've hurt and then are seconds away from death twice, are you going to be thinking clearly and prioritizing (and recognizing) the feelings of a guy you've known for a few weeks and didn't know you were dating?

Stede has drawn inward this whole conversation. His answers turn monosyllabic, and his body language turns more and more panicy as the heavy reality of everything sets in.

Stede enjoyed The Kiss, but was this the appropriate time for him? (Like Ed enjoyed The Sex, but was that the appropriate time for him?) They aren't in sync yet, but that doesn't make one party's feelings more valid than the other's or one party evil for being a bit ahead.

With 2x7, I don't know why people thought Stede should be a mind reader and be able to quickly piece together a few statements Ed made while Stede was mentally drowning.

I think it should be noted that as of the end of 2x7, Stede is the only crew member who hasn't had mental reflection and/or therapy in Season 2. He realized Mary, Alma, and Louis didn't need him and he was in love with Ed in 1x10, but the voice calling him a child with a toy, an idiot, weak, and ugly is still there.

Continued in Part 2! (Still to come...)

[owlphibiaisthebest15]

Hi guys! I want to talk about a minor problem I have with Amphibia and how they could've been done better. I will not be talking about any of the big problems that people have already complained about, like Sasha and Marcy's lack of screentime, their character arcs, parents, nobody talking about Marcy after "True Colors", yada yada yada, because we don't need another post like that, and I want to keep this overdue rant as short as possible. This is based on my personal opinions along with a few others, but feel free to disagree with me if you want. But with further, let us begin...

Anne almost always gets way too easily forgiven for f*cking up.

Okay! This one may be a hot take because I have never seen another person complain about this. But this has been eating me away for MONTHS, and if no one else is going to say it, then I will. While this occasionally extends to some other characters depending on the episode. The one I want to talk about most is Anne. Now, at the start of the series, Anne was pretty much a jerk with a heart of gold. She was selfish, bratty, lazy, and irresponsible, but she did learn from the mistakes that she made and became a true hero by the end of the series. While some of these flaws and mistakes are not worth talking about, there are still others that are actually worse than what the show's narrative portrays them to be.

They may not be as bad as leading a toad army to invade the capital city, burying the only thing that could get Anne home, or sending your friends to another world on purpose. Anne has still made some pretty questionable decisions, even to the point where they often cross the line.

Here's a list of some of the worst things Anne Boonchuy has ever done from Season 1 and 2:

Breaking Hop Pop's favorite cane that also happens to be a keepsake of his father and grandfather all while making fun of him.

Manipulating Sprig into taking Bessie the family Snail on a Joyride without reading. Which is like someone taking a car out for a spin without a driver's permit.

Forcing Sprig to marry Maddie despite his obvious discomfort for Pizza Dough and later forces him to date Ivy while he's still engaged to Maddie.

Faking being sick to get out of farm duty, which led the Plantars getting sick themselves and even thought they were all going to die from red leg.

Slacking off while she was supposed to be protecting the frozen townsfolk, while aware of what happens to one of them while they're frozen. Which, of course, led to Polly almost getting eaten by a giant weasel.

Causes massive property damage with Polly while on the streets of Newtopia, and later breaks into Newtopia University in hopes of finding a rad college party. The second one was Polly's idea, but Anne had no problem going along with it.

A team effort along with her frog family. Sending a giant chicken to attack Wartwood. Which BTW can create tornadoes, breathe fire, and even turned their loved ones into stone, all because they forgot to buy everyone gifts. Sure, Anne was against the idea, but she still went along with it.

What do characters usually respond with when Anne admits her mess ups?! "It's okay! You're good! What you did was serious, but it doesn't matter that we almost died, as long as you learned your lesson."

Though Anne still at least got a lot better, as the worst things she's done in Season 3 were covering up some major plot points from her parents, robbing a museum to get a clue on how to find a way back to Amphibia, and tricking Blair the Balloonist into flying a hot air balloon. Though, the first one is still a little f*cked up, but she did have selfless reasons for doing these, and she came clean for 2/3 of these.

But still, 90% of this show is just a lighthearted slice of life cartoon, but when it shifts to its dark story driven and plot twisting side, this is where the narrative (and by some extent Anne herself) gets pretty hypocritical. It's pretty much when Anne messes up and lies to other characters. It's a simple error in judgment. But when other main characters such as Sasha, Marcy, and even Hop Pop do the same to her, first they gotta face hell for it, and then they get their redemption arc.

Yes! They did do some serious sh*t, and Anne had a right to be mad at them. But it seems that other characters are just not allowed to even stay mad at Anne when she does pretty similar sh*t. I mean, yes, she does try to make up for it, and yes, she admits what she's done most of the time, and eventually, she does become a better person from them. But so have Hop Pop, Sasha, and Marcy. But again, they didn't get the protagonists treatment. They got hurt and thrown around like ragdolls because of one or two big mistakes, and even that wasn't enough.

While Anne sometimes faces some consequences for her actions, like breaking Hop Pop's heirloom cane with HP giving her dish duty for a month (Cmon man! You should've given her way more than that!), gets banned from an arcade because she threatened to eat newt kids for cutting in line (which is not important), and most importantly, gets stranded in Amphibia after being peer pressured by her friends to shoplift it, all on her 13th birthday. Which I guess was enough for karma itself to feel so bad for her that she will hardly ever worry about facing any lasting consequences for her misdeeds ever again. While karma beats the cr*p out of others who would dare lie and betray our precious protagonists, even when they have sympathetic reasons for doing so.

Speaking of, this leads to me to clarify something that some fans have misinterpreted since the beginning of the series. The flashback scene in the second episode, "Best Fronds," was intended to show where Anne's distorted views on friendship and some of her toxic traits come from. Not to justify every single bad decision Anne has ever made, like what some fans think.

While I'm not gonna say that Anne was just as bad as Sasha before Amphibia, as it does show that Anne had her own personal flaws that she had to get through without depending on her friends. Who were more enabling her flaws than causing them.

However, while the show does try to show that Anne wasn't exactly much better in their friend dynamic than they were. For the reasons I mentioned earlier, it instead paints Anne as the least toxic one or not being toxic at all. With them only making a handful of moments that show that even after their betrayals, Anne still isn't much better than them. But the usual wacky slice of life narrative in her character development episodes downplays the severity of her actions, with Anne only just getting an emotional lesson after nearly getting everyone killed, and some of the said lessons being brought up in a few episodes to test her character or as examples to show others how much she has grown.

Now, I'm going to do some comparisons between Amphibia and The Owl House. While there are several things that Amphibia did better than TOH and about an equal amount of things TOH did better than Amphibia. One of those things that The Owl House did better than Amphibia was the writers treating each and every character fairly. The characters make mistakes and learn from them without the narrative downplaying the seriousness of their mistakes, and it isn't always "Okay! You're forgiven! What you did was serious, but it doesn't matter that we almost died. You learned your lesson, and that's what matters." While it doesn't give other characters the short end of the forgiveness stick for doing similar sh*t. With that, it also makes the character arcs a little bit better, in my opinion.

However, I'm not saying that Anne's character development was bad or that Matt Braly is treating Anne like how some see Alex Hirsch did with Mabel. The show did alright with changing a bratty teenager with flawed views of friendship into a true and selfless hero. All of what I described seems to what TV Tropes would call "Protagonist Centered Morality," and if I'm being honest, but because of that reason, I don't find Anne to be the most appealing character to me. I'm sorry! I know that a lot of you love her, and she's the second most popular character in the show; with the first being Marcy (my favorite), but I don't even dislike her either. I just feel that the narrative could've done better in treating the characters more fairly, like how TOH did with their characters. I really want to like Anne more than I do now, but for what I described, it makes it kinda hard for me to.

That's it for my opinions on this. This was longer than I thought, so if you read it this far or read it at all. You either think that I have a point and should do more of this or my analysis stinks, and I should never speak my dumb mind again. I'll probably see how this goes either way. If anybody else here still cares about this show.

[elyfonart]

hii id love to hear more about your pre-ts germa au!! do you have any background info or premise stuff youd like to share, or maybe smth about the character designs/outfits from your comic? -fruityumbrella

ohhh im so sorry but you're really going to regret asking me about the outfit choices !!!

I think the biggest and most obvious change is the zoro germa clone uniform - as funny as it would be to see him run around looking like a goon, i think a really big appeal of the germa au style - and also something i personally love - is the knight look! its awesome! zoro looks awesome in it! I didnt want to really stylise the armour however, because as genuinely fun as it would be to spend hours on it, i both know that'd drive me nuts for comics, and i also dont really see germa as the kind of nation that goes for these kind of intricate designs over blunter looks - especially when we see how their castle looks lol, not exactly the most impressive of designs.

so for zoro, the actual individuality in his outfit is the germa 66 symbol (self explanatory), the stripes (for me stripes = zoro, spirals = sanji), and the colours - something i love doing is dressing characters in complimentary colours of each other or something the other is wearing - i think it works really nicely, and here, im hoping it serves as kind of an easter egg that the more purplish tones of zoros outfit actually match the yellow-ness of sanji's hair, especially when the outfit overall is so dark and dreary.

the one whos design i really really loved creating was sanjis - similar to zoro, i did go with a simpler look than i could've for convinience's sake, but i added a lot more little details that kind of signal to what sanji's character and story is - because obviously in this universe, a lot is told from zoro's perspective so we dont have that direct insight upfront.

i think sanjis original WCI outfit is already quite telling of his situation - the red is too vibrant, the shirt too loose and doesnt fit right, and its overall really just not sanji, which i really like. however, i prefer to focus on the constrained aspect more than a looser look - in my design, sanjis shirt is too tight, hes got this slim knee-high boots, and most importantly, hes covered in ropes and a big golden sash. I really wanted to incorporate this bondage-esque design into sanjis outfit, both to draw attention to the royal gold's hes forced into, and the overall prisoner look - i dont think you can really tell unless you're looking, but sanjis knees are actually tied together, somewhat limiting his movement while still maintaining the style present in the rest of the outfit - i was really suprised Germa didnt do anything about his legs at any point since they're such powerful weopans and only held his hands hostage when i first watched WCI, so this is what I would've done lol! also i just wanted him dressed like this. for personal reasons.

i also wanted to overhaul the look to have a more historical vibe to match zoro's knight design, so i took inspiration from royal/noble Prussian silhouettes with the knee high boots and very sanji-like waistlines, while also adding a sash and aiguilette-esque belt - as well as adding to the rope look, an aiguilette is often used to denote an honour, and here sanji's cut the ends into a knife and fork as a tiny rebellion where he can :)

I definitely have more for the other characters upcoming but I'll be here for like a month straight if I start talking about all that!!! Thank you so much for your ask you're a star !!!!

[helpimstuckposting]

MAGP20 Speculation

Okay I’ve got one or two thoughts organized and I’m gonna ramble now, spoilers ahead.

We’re really in it now, chat.

So first of all, since episode 1 I’ve been focusing a lot on similarities between tmagp and tma, but recently I’ve been noticing really specific opposites. Like, the few that everyone’s been talking about are obviously the Tea vs Coffee mentality of the characters, the day vs night shift, and the ability to quit the job. Then there’s the really in-your-face visual of the episode covers with tma being green and tmagp being red, which are complementary colors (opposites on the color wheel).

Also, Lena vs Elias. Elias deliberately let some of the entities invade the archives to mark Jon, but Lena does not want any of the externals on the OIAR property, ever.

Then there’s a big one I noticed since last episode (19), with the reveal of Diana’s Tree. Diana’s Tree is a presumed precursor to the Philosophers Stone, which has two main properties in alchemy — to transmute base metals into gold, and to create the elixir of life. So it’s interesting to me that we were contemplating the existence of “The Extinction” in tma, and in tmagp we’re contemplating the philosophers stone, or Immortality. Opposites again.

So THAT made me think about the eyepocalypse and how it was doomed to fail because no one could create life and eventually everyone would be claimed by The End, including the entities themselves without fear to feed off of.

So the main theme of tma is death, extinction, The End, and potentially the main theme of tmagp could be the extension of life, creation of life, or immortality.

With that thought, I feel like it’s possible for the philosophers stone to be essential for maintaining a successful apocalypse. What if, entering a new reality with this knowledge, the pursuit of the elixir of life became the entities (or at least The Web and The Eye’s) new goal? Forget the apocalypse, we already know how to start that, first we need to be able to extend life in order to maintain the domains without humanity collapsing and being taken by The End. If we can do that, then the new apocalypse can be endless, the fears can rule forever, feed forever.

It kind of makes me wonder if the OIAR is The Web’s response to The Magnus Archives and The Eye. Like maybe it’s trying to keep the balance by preventing the apocalypse. It was Annabelle Cane’s lighter that blew up the archives in MAG200, after all. Maybe the first use of The Magnus Protocol wasn’t even in the tmagp universe…