#and considers every word

[vaya-writes]

A dumb thing to worry about when im sharing fic online as a whim and absolutely would rewrite if i intended to publish butttttt

I worry a lot when I write dialogue that the people will sound the same. Like, i can make dialogue sound natural and easy and i love writing it. but.

two people from two different backgrounds using a lot of the same verbal mannerisms still makes me feel self conscious.

[lyculuscaelus]

I just realized that if y’all are picturing the Iliad with historically accurate armor, specifically, with the ones similar to the Dendra panoply, then Hector would not die the way he died.

During the duel, Hector was wearing Achilles’s old armor, which means it’s a Mycenaean panoply, and the most famous one looks like this:

As you can see, the neck is well protected by the cuirass, so the thing about Achilles finding Hector’s open throat exposed thus stabbing him through the neck—that’s not gonna happen. Achilles would not be aiming for his throat for this reason, with this outcome.

Such a historical Hector would not die an Iliadic death.

[sandy-shocks]

I hate that the braindead takes on Firefly from people who can't read are spreading to the people who do actually pay attention to her character, cause now a bunch of people who loved her before are saying she's nothing but waifu bait and has never been anything else.

Her relationship with the Trailblazer is only a small part of her character, she has way more going on with her than just that. 'Take away Sam and then she's just a generic waifu'. Yeah no shit, if you take away a characters whole story there's nothing left there, funny how that works.

Why are people acting like TB is the only thing her character has going for it, when she's got the whole Glamoth lore and Stellaron Hunters and her own personal goals and motives that have nothing to do with TB.

You guys are the ones reducing her down to just a waifu, not the game.

[iluvpirates]

I think Swansea is meant to be a foil to Jimmy. Take what I’m about to say with a grain of salt seeing how I need to analyze the game more but yeah. Here’s why I think that (spoilers for Mouthwashing)

They’re both bad people. But only Swansea is self aware of that. Jimmy tries to claim he’s good, claiming he’s the hero when all his efforts just hurt everyone else around him. Jimmy (horribly) attempts to overcompensate. Swansea accepts he’s bad

Curly and Daisuke is one of the reasons I think these 2 characters are meant to be compared and contrasted. Jimmy, when dealing with someone suffering, prolongs it. Torturing them because he wants to be morally correct, because killing them be “wrong”. Swansea just puts them down and out of their misery (literally a perfect showcase of both their characters)

What makes Swansea different from Jimmy, (besides knowing he’s a bad already) unlike Jimmy, Swanson cares for others. He knows he’s bad so he has no reason to attempt to be a hero, so he’s willing to do “bad things” for others (putting down Daisuke, attempting to kill jimmy, lying about the cryogenic pod). Jimmy just cares for himself, so he does “good things” that would make himself the hero (keeping curly alive, drugging Swanson, manipulating Daisuke to go into the vent)

Also in the dream scene with Swansea they’re both try murdering the other, showing how they’re similar. But yet again look at the motives. Swansea is attacking for the people who died (and curly), Jimmy is fighting for himself. They’re both at the same extreme for 2 completely different reasons.

Speaking of death and murder, despite Jimmy being the reason everyone dies he doesn’t actually kill them himself. Anya was pushed to take her own life by Jimmy and Daisuke was killed by Swanson. The only people Jimmy kills in a literal sense are himself and Swanson

Also just look at Swansea’s monologue when Jimmy kills him, it’s literally everything I said but poetic

So in conclusion:

Jimmy is a selfish monster who takes. Swanson is a man who has nothing left to take, so he gives.

(Also I been editing this a lot whenever I make new discoveries :3)

[balleater]

something i've already posted about in the past but am thinking about again because of the conversations in this episode is that i still truly do not understand bells hells'(well, particularly ashton's) view on what is going to happen if the information about aeor gets sent out to the people of exandria. obviously, i'm not an average person living in that world and am instead a viewer of the media with fairly extensive knowledge of the lore, so i could definitely just be missing what the impact would actually be! but the insistence that it would be a world shattering revelation that completely turns everyone against the odds just... doesn't make sense to me?

unless ludinus has a way of editing the information he presents and can take away the context, which would basically make the "footage" even more strange, what they're going to be seeing is... the gods saving themselves from people with the active ability to murder them all and having a rather humanizing crisis of what they should do about it? i guess the working with the betrayer gods part could be considered the controversial aspect of it, but overall, considering everything else that was destroyed in the calamity, aeor really was the one instance that was closest to being "justified". i don't think anyone who cares enough about the gods for this to cause any sort of big disruption of faith would have as big of a problem with it as they are assuming, nor do i really think it's something that would cause mass revolts against the gods in people who aren't devout.

[mellohiizz]

i need some of your parrot art very sad. like, make him very very sad, as sad as you can make it. horribly sad. depressingly tragic sadness.

oops. sorry, i think i traumatized your bird.

[puppppppppy]

A creature I got attached to

[uhohdad]

ok so WHYYY aren't you a professional writer yet??? im reading your hunger games au w reader x könig and holy fuckint shit???? If you wrote a book I would read it. 1000%. Like. Wow. Wow. WOW.

y’all are so nice wtf 🥹🥹 this message made my day and it’s not even 9am yet!!! thank you so much for taking the time to send this it means the world to me - you got me smiling GOOFY fr!!! 💕💗🩷💞💗

⌜ KONIG X READER HUNGER GAMES AU ⌟

[charonyx]

Malleus...Malleus my love....

I want to run my hands over his hair and scales if he's alright with it. He always looks so cute yet elegant and dashing and literally any synonym to those words describe him perfectly.

Once the HD version drops he's immediately gonna be my desktop wallpaper oml

100% one of my favorite Malleus cards. People have mentioned the veil which makes him look etheral and other-worldly but his side bangs are so scrumptious as well. Not to mention the tiny peek of his scales which I ADORE.

His tilted head which is similar to his gargoyle club groovy when looking at gargoyles but this time he's looking more at US and that makes me ckdkxiebifirifbdlwnaozkbc.

Inviting gaze and posture to just go under the veil with him where he'll whisk us away to a wonderland. Sir I'm already in love with you, have been for years. And now you keep on dragging me deeper and deeper? I'll accept cause it's you but damn.

And of course, the flowers in the foreground just adding on to the fact that we just stumble into him outside in a snow covered landscape with bits of life blooming around. Cause that's what he is. At least, a part of him. Even born in a hopeless world with many deaths happening while he was trying to live and the world trying to kill him, he still blooms and has life. The love of others has given him life and even as he may seem cold and aloof yet intricately pretty like the snow around him, he's got so much love, curiosity and just the essence of LIFE in him.

And his low ponytail argh. I can go on and on admiring him, who he is and everything but I'll leave it here.

Merry Christmas/Happy Holidays to everyone! Hope whoever reads this can have a wonderful time of day/afternoon/night!

I'll just be here sighing for this man

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[stitchwraith-stingers]

♥️🏳️‍⚧️

[ganondoodle]

still thinking about how even just the decision to basically act like the shiekah tech never existed is just ... so baffling to me

bc again you could have done all the sonau tech does with shiekah instead, and they were perfect to be explored more in a sequel, why wouldnt you grasp that potential, the literal building blocks for more??

if you are that tired of shiekah tech .. dont make it a fuckign sequel to the game prominently featuring it???? totk doesnt take place generations after botw in which things could have changed drastically, its just a few years afterwards??

you want to reuse the map and get rid of shiekah tech? ok fine take LINK into the past then and the focus is for you to find a way to return; do some neat twist where its revealed that link was the one who sealed gan bc he couldnt defeat him without zelda or something if you dare (they wouldnt)

want less work than that and still reuse the map and get rid of shiekah tech AND reuse characters? ok then make it some alternate universe thingy like majoras mask in which everythign is the same but also isnt, its weird and creepy how characters you thoguht you knew suddendly dont act like themselves, shiekah tech doesnt exist, malice is now miasma, etc, it would give reason to why you feel so much like something about this world is familiar yet also very wrong

as far as im aware every "sequel" we have had so far were either generations apart from the first one, some alternate universe or a different location altogether- in all of which its plausible that things are different, things seem weirdly familiar but also wrong, or that another continent just works different from hyrule

but totk does none of that, its supposedly just a few years after the first game, same world same character, but its BUILT like some strange jumbled mess of stuff from botw and new stuff out of nowhere that just .. doesnt fit, but feeling a strange sense of otherness, a déja vu of something you know but it acts off, like an imposter, thats NOT intentional and it shows, its a mess of botw stuff, from stuff that people missed from the old games and entirely new stuff; i dont doubt it CAN work but the way it turned out is like a mix of 3 different puzzles forced together and being told 'see it fits!' even tho you can clearly see the pieces dont look right in these places

again it feels like a sequel that desperately wants you to forget the first game happened, that anythign from it mattered at all

and that isnt really ... the sense of a sequel? why insist on it being one when it only creates problems? is it marketing?? just like it was marketing to call age of calamity a telling of what happened before botw but then it wasnt that at all and that is still the sole reason why i dislike it? bc i was lied to? totk is like 10000 times worse than that, its a main title and doesnt even have the excuse of yeah its basically an excuse to play all your fav characters in fun ways and the game beign well aware that being its main appeal; what is totk appeal? a toybox with botw aestethic and none of the flavor?

(on a sidenote; the sonau tech doesnt even .. matter? in botw at least calamity ganon was made of shiekah tech parts and him overtaking other tech is a big point, the sonau tech doesnt serve anything but .. idk minerus useless mech? gan doesnt even aknowledge it, he doesnt care, all it is is toys for the player, not link, but the player. the monsters mining the tech materials? what for? gan doesnt give a damn and they dont work for the yiga either??)

i said it before but it gives me the feeling that the way botw invited you to theorize, to look beneath the surface, the way it intrigued you and laid the groundwork for so many interesting things without denying anything.. was accidental? or perhaps put in the game without the directors noticing? i cant stop thinking about them saying sth like "after botw zelda wondered if the kingdom of hyrule needed to keep existing the way it had been before the calamity, but then totk happens" bc it just feels like they realized too late that botw naturally led into questioning the status quo and they scrambled to fit it back into a flat and boring road we have seen so many times before (or even worse really) with totk

zeldas character naturally leads into her questioning and reexamine their history and set of rules? we gotta teach her a lesson of why she is importante god given monarchy girl that has to keep it bc what if evil brown man shows up again for no reason

maybe im grasping at straws here but looking at it this way the sonau .. make more "sense"; the shiekah were a group that was under the rule of the royal family, and misstreated before (oh no look soemthing interesting) so they dont lend themselves well to be used for teaching zelda that lesson- the sonau however are tailored really to be just that; they are a supposedly godly race from the literal sky that founded this version of hyrule, that had tech even more advanced and better than the shiekah, she gets put in the past to meet the perfect god king of goodness personally, also his very fridgy wifey that zelda later replaces in a way, shes put there and treated like family and then gets to see just how evil that evil big man from the desert is, sonia is falcon-punched to death solely so zelda can feel obligated to take over her role, have her new, better 'family' hurt by gan; similarly so raurus sacrifice, look what a noble and good king he is, he payed the ultimate price to lock that evil man away, now zelda you cannot let their sacrifice go to waste, rebuild that divinely good kingdom like it was!!

and even though they go so much out of their way to put the cart back onto the rails of black and white-good and evil in an even flatter way than the old games, it still doesnt feel right, at least to me, it still feels like zelda shouldnt have gone along with all of that, it feels like even her character from botw was walked back entirely, except for the intro, it made her feel like a stranger to me-

because this is a sequel, i know this zelda, she wouldnt act like that after all that shes been through, this feels ... off

and it all just insulting to anyone who cared about botw more than surface level, or the zelda lore in general, i dont even care much about the timeline, but theres alot of lore and themes beyond it that felt ignored, especially so given that .. its a damn sequel, non AU, not generations apart, directly part 2-

but its not.

it even feels very "corporate", put zelda in a dress again, people liked that, put crazy abilities in the game to flashbang people with how insane it is even if its not the best for the gameplay or the story, put a new asthetic into it out of nowhere bc its 'new' and act like its been there the whole time, put gan in there bc people miss him and find him sexy even if his role is just as flat as that of an evil cloud monster-

*sigh*

you know, i saw a post that said aoc was like a bad fanfic (affectionate) and totk was like a bad fanfic (derogatory) and tbh thats like one of the best comparisons/summaries i have seen ..

[saltpepperbeard]

Stede is hotter than his man is.

Fight me

...COUNTERPOINT, ANON, WITH SOME EDITS HERE:

THEY'RE BOTH HOT SHDKLJS.

Or, to throw a Rhysie Gif in here for some additional pizzazz/point:

[menlove]

the muddying up of language for the intent of inclusivity that only makes things worse has gotta be one of my biggest pet peeves ever just say what you mean and stop jumping through 20 hoops to say the same goddamn thing i'm gonna lose it

[neo--queen--serenity]

I understand the choice to change the original use of the word “fag” to “drudge,” for obvious slur reasons. But, by doing that, you’re ensuring that viewers won’t know that fagging was an actual practice that’s been around for centuries in Great Britain.

It clearly wasn’t a humane or ethical system, and it’s deeply frowned upon in present day. But it was a huge part of British public/boarding school culture, and “fag” and “fagging” were the words exclusively used for this practice.

There’s even a possibility that the modern gay slur “faggot” was derived from this practice, since fagging frequently involved physical and sexual abuse between students. However, tellingly, fagging became less popular in some schools when homosexuality was more actively criminalized.

All that is to say that—though I get the reasoning—you’re still erasing a plot-relevant part of history by glossing over this very bad, very true thing that existed in England (and in some English colonies!) up through the 20th century. The truth is ugly, but it’s better context for the story you’re telling, and quite honestly makes Ciel’s situation at Weston make a lot more sense.

[fishyfishyfishtimes]

I love you winter!

I love you, first snowfall of the season. I love you, powdery snow and frozen grass in the mornings. I love you, pink and purple sunsets. I love you, heavy snowfall. I love you, waking up in the morning to find a thick blanket of untouched white snow. I love you, skiing trips through the woods. I love you, hot berry juice. I love you, making running steps through the untouched snow to see how far you can leap. I love you, frost and snow in the tree branches making everything look glistening and perfect. I love you, grey cloudy days when everything looks monochrome except for the red trunks of the pines. I love you, downhill skiing. I love you, trying out new routes and tricks while downhill skiing and getting out of my comfort zone! I love you, hot chocolate and whipped cream. I love you, great tits and magpies flying about looking for food. I love you, clear days when the sky is blue and you remember how beautiful it really is. I love you, heavy snowfall illuminated by the street lamps at night. I love you, walking on the sea ice and lake ice and accessing places I never could before. I love you, glögi. I love you, snowflakes and inspecting your patterns. I love you, steaming hot saunas. I love you, ice swimming, even though you also frighten me! I love you, fairy lights in the trees. I love you, wind-carved waves and shapes in the snow. I love you, blue hour. I love you, warm blankets. I love you, tiny black streams still staying unfrozen and moving. I love you, icicles and other beautiful ice formations. I love you, crown snow-load and thick snow covering the trees. I love you, northern lights. I love you, fireplaces. I love you, waking up in the middle of the night in your warm bed, finding the house completely quiet as you walk through the hall, and upon looking out the window, all you can see is the calm snow slowly making its way to the ground, illuminated by the colourful fairy lights and the orange street lights. And you get this magical feeling inside of you, that you’re so warm, and calm, and perfectly safe and sound in this very moment. And you feel like you could stand there forever and just… take it all in.

I love you winter!