#and because he cannot change or live
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barnbridges · 1 year ago
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my personal beef is with olga vickery for ruining ANY other interpretation of faulkner's work than that quentin is a perpetual hero and jason the ultimate villain of the apocryphal county when you have like, literal murderers and serial rapists around...
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confessedlyfannish · 8 months ago
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Writing Prompt #12
Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.
Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.
Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.
While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.
These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".
There is a knife to his right, if memory serves (it does). In the next five seconds—
"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.
But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.
He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.
"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.
"What a shame," he says, placing it face side up on the table.
"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.
He doesn't look away from the man.
"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."
"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.
The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.
The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"
Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."
"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."
He offers Bruce the watch. After a moment, Bruce takes it.
"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.
"You can look left, Mr. Wayne."
Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.
"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."
"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.
"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."
"Him."
"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."
"Why me?"
"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."
This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.
"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"
"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."
Bruce bristles. "I bow to no one."
"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."
"A weapon you want me to bring to my city."
"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."
"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."
"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.
"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.
"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."
"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."
"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."
Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.
Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.
"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."
The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.
"We will not meet again for some time, Mr. Wayne."
Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.
"Ask your question, Mr. Wayne."
"I have more than one."
"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."
"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"
There is a pause.
"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."
"Resolve what?"
"It is not his future I mean to protect," the man says. "It is his present."
"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.
"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."
Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."
The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.
"I am not inclined," Clockwork says slowly, "To this future."
"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."
"They will have already muzzled him."
Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.
"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."
"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—
Clack!
"sluuuuurp!"
"Master Timothy, honestly!"
"Sorry Alfred!"
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myoonmii · 5 months ago
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I keep thinking about Merlin’s love for Arthur and how it’s so clearly portrayed in the show to the point that it practically drives the plot of the show. However when it comes to Arthur’s love for Merlin it’s more subtle and sometimes difficult to even grasp, and I started thinking why that was, aside from the obvious fact that Arthur has a lot of trouble expressing his emotions affection or otherwise. I think it also lies in the fact that Merlin knows Arthur intrinsically throughout the show; he is one of the closest people to Arthur, and sees him for who he really is. Arthur admits as much.
Sure, Arthur knows Merlin but the main part of the plot is that he really doesn't know Merlin. Merlin wants him to desperately understand him and “see me for who I am” but he can't yet. And I think this subconsciously creates a barrier in the way in which Arthur can care for Merlin, and how Merlin can let himself be seen by Arthur.
Which is why I think he was also so hurt when the magic reveal happens because more than the betrayal of Merlin having magic, it was the betrayal of Merlin not letting Arthur see him for who he really is and for hiding a main part of himself. Arthur says it himself “why did you never tell me” that’s what hurt him the most.
I think the most damning piece of evidence for this is the fact that while we see snippets of Arthur’s feelings for Merlin thought the show, the biggest signs are in the last episode after the magic reveal; in which he finally gets to understand Merlin, and this time REALLY know Merlin, and as the barriers of what held them back from understanding each other truly fall away, Arthur evidently “falls in love with Merlin all over again”. We see him actually express himself to Merlin.
This is another reason why I think if anyone was ever to create another season of Merlin after Arthur’s return, it’s physically impossible not to make it about Merlin and Arthur acknowledging their feelings for each other. Because there is no way forward without them acknowledging how deeply they care for each other, obviously anyone is free to argue what kind of love that is, but its impossible not to see the deep love there either way.
They always knew they loved each other, just maybe never realising how much and what that means, because its almost second nature to everything that they do.
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sunshine-zenith · 5 months ago
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Henry is a Boyfriend Hoodie Thief your honor
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codenamesazanka · 6 months ago
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Shigaraki/Tenko wanting to destroy the false sense of peace All Might and Heroes created
.⬇️.
Shigaraki/Tenko wanting to destroy everything that lead to the existence of that house, which he conceptualizes as the embodiment of rejection and injustice in the world. Be a Hero for the Villains.
.⬇️.
AFO basically literally created that house
.⬇️.
Shigaraki/Tenko helps defeat AFO
.⬇️.
Deku telling him 'you already destroyed it' is... apparently Shigaraki/Tenko having finally gotten rid of the true cause of (his) rejection and injustice? main antagonist's big problem that represents an overarching major issue of the story/in-universe society... solved? (main antagonist's big problem that represents an overarching major issue of the story/in-universe society not actually being the problem he thought it was but now also solved?)
.⬇️.
No longer a need for there to be a Hero for the Villains, Shigaraki/Tenko dies.
.⬇️.
Heroes not to be blamed in the first place. also fuck everyone else and all other 'actual' outcasts I guess.
#i understand that Tenko not having 'supposed' to be rejected doesn't mean the rejection didn't occur for the other League members#but taking that away from Tenko/Shigaraki - leader of the League of Villains - wanting to be their champion#symbolically being their collective grievances and wills condensed into one#taking that away makes the story a lot weaker#GOD what happened#nalslastworkingbraincell#honestly making everything AFO's fault#and making Tenko's main issue being his despair toward himself (created by AFO)#allowed for the (seemingly for now) clean resolution of 'get rid of the both of them' possible#It's AFO's fault? Kill him! Problem solved#Tenko's issue not actually *harm caused by other (non-AFO) people* but instead *harm caused by his self-conceptualization/his own self*?#Tenko's projecting his own self-loathing and anger onto the world and causing trouble for everyone and making his crusade meaningless?#let him die too. Pity but problem solved!#AFO gave him the specific quirk that was Decay because it was such a brutal and deadly quirk that would guarantee rejection#you cannot tell me he could've been fine after manifesting Decay if only AFO wasn't there to tell him he has an innate need to destroy#not after what we've seen of Shinsou and Toga#other 'normal' people would not have let him live a normal life#that *is* also very much a problem that should be addressed#but it was AFO who gave him Decay and Decay was also actually not naturally existing#so everything's fine! no changes for anyone!#all this could've been saved if this was transferred to AFO - AFO also seen as a victim of societal apathy#especially since he was BORN A TRASH RIVER RAT ORPHAN#but he's just a lonely guy who was too unpleasant to form real relationships#so. only real issue Hero Society ever had that needed to be addressed was civilians being too hard on Heroes#gotta love them more and demand less of them#yippee
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waywardsoul-s · 1 month ago
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I watched the remedial chaos theory episode of community for the first time and I'll never get over abeds and annies friendship.
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triglycercule · 1 month ago
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why is horror almost ALWAYS sweating bro this man must be a straight up water faucet with how much sweat he has in every horrortale panel. however it is for this reason that i think he has hyperhidrosis. hello my name is triglycercule and in this essay i will explain
#because he deserves to have to deal with sweaty hands 24/7#oh i KNOW it is annoying as hell to live in SNOWdin and then be sweating ALL THE DAMN TIME#me when i have my fan blasting at me but my hands are still wet#i cant be bothered to research more than hyperhidrosis can be caused by nervous system disorders#and nervous system disorders can be caused by damage to the brain/spinal cord. and guess who has a giant hole in his head#bro are you crying??? no its just my excessive sweat says horror#and then he just feels colder with the sweat and snowdin wind and then horror starts shivering all the time#shaky hands!!! sweaty hands!!!!!! permanently bloodstained hands!!!!! how else can i make horror hate his hands#he cannot pick up anything at all bro. not even open a doorhandle#in times like those its a goddamn shame horror cant sustain his blue magic#because he would be overusing the shit out of it if he did have it#when horror wants to cause a minor irritation to dust and killer he just rubs his hands all over them#because i do it#its SO disgusting imagine having someone's sweat all over your arm. yeah no#he replaced the whoopie cusion handshake for a drill so he wouldn't have to explain his sweaty hands 😭😭😭😭😭😭#a human got away from horror because they LITERALLY slipped out of his sweaty hands#i know bro was furious. it was comedically easy for them the escape#from that day forward he began wearing gloves. now he has to deal with changing them all the time#first reason you know someone read the horrortale comic: they draw horror with his sweat#i dont even have hyperhidrosis i just get so pissed when my hands start sweating so much. so horror has to deal with it too#i woke up this morning. fan on. full blast. sweaty hands. sweaty feet. immediately decide to cast my rage onto horror#not even 10 am and my hands are still wet even after i washed them someone slice my limbs off#tricule hc#horror sans#murder time trio#bad sanses#sans au#utmv
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ariadne-mouse · 3 months ago
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Moc Weepe wishes he was Jonas Spahr so bad send tweet
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castielsprostate · 25 days ago
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genuinely though if they continue venom without tom hardy, or without eddie brock, i will blow myself up and not in a good way
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eyestrain-addict · 6 months ago
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Iwtv s2 ep2 spoilers
My thing I'm wondering is that in the promos/trailers claudia screams that Louis "picked another one over me" but in this episode she's encouraging louis to live outside of her and pursue a romance with Armand. I wonder what's going to change in the next few episodes.
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koschei-the-ginger · 6 months ago
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This has been marinating in my brain for a while, but it was honestly so crazy from quantum leap to spoil you the ending by episode TWO (three if you dont count the pilot as a single ep). They establish right at the beginning 2 most important aspects of Sam's personality and that is 1) Sam will ALWAYS go out of his way to help people and 2) He cares about his loved ones so much he will do that without thinking of the CONSEQUENCES. He fucked up his own timeline completely during his 3rd leap by helping his ex fiancée and their whole relationship got erased from existence. We don't know how that could have possibly changed his life had he come back home. Definitely A LOT. But he had to help her. Out of his free will. Just because he could. And just because he loved her so much. That's why later in 5x22, when he gets told he can do whatever he wants he...
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comikadraws · 6 months ago
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Was the curse of hatred actually a real thing? or did danzo just demonize the uchiha;s anger? idk, being murderously angry or just angry in general is a reasonable and human response to oppression and genocide.
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The "Curse of Hatred" Analysis
An interesting question. The Curse of Hatred looks dumb at first glance but there are also many misconceptions surrounding it.
Since it is such a hot mess to begin with, I will try to focus mostly on the in-universe canon and lore rather than making it even more complicated by bringing in too much real-world logic and criticizing Kishimoto.
There's a bunch of rambling in the tags though.
Kishimoto's Intentions
Whenever we talk about the "Curse of Hatred" the fandom will usually apply terms such as "racism", "bigotry" and "pseudoscience" - particularly in reference to Tobirama.
Again, I don't want to bring too much irl logic into this but I feel like we need to make a clear distinction between intention and interpretation over here. "[insert character] was a racist" and "the Uchiha were justified" is a valid interpretation of the story. But at the same time, I doubt that this was ever intended by Kishimoto.
I have talked about this at length in another post of mine, in which I analyzed Kishimoto's most likely intent and how exactly this information is relevant to us with a look at authorial intent in fiction. But the TL;DR version is that Japan is not exactly very sensitized to themes of racism and the "Curse of Hatred" is never framed as racist propaganda but exposition only. The lore also lines up with Kishimoto's personal views on how grudges are responsible for war (instead of corruption or racism) and the Uchiha's curse might be a metaphor for that.
In other words, the Curse of Hatred is real in canon. Even if it's a massive red flag and deserves to be criticized.
What Is The "Curse of Hatred" Even?
I have to admit, it's been a while since the last time I watched Naruto from start to finish, so I had to use the sources listed by the wiki rather than relying on my own findings and I might be biased. Because of that, I'd prefer everybody to regard my findings as headcanon or interpretation (especially further toward the end) rather than undisputed fact.
As far as I remember, the exact wording "Curse of Hatred" is only ever used by Obito. While not using the same wording, the curse is also referenced by Itachi, Hagoromo, and Tobirama who each have their own understanding of it. Unfortunately, we have no idea where exactly this wording or concept originated and we have no idea what exactly causes the Curse of Hatred that Obito refers to.
Hiruzen, Koharu, Homura, and even Danzo, while potentially influenced by Tobirama's teachings, do not reference the Curse of Hatred at all, at least not in relation to the Uchiha Clan itself.
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Now here's the first one of my findings: The Curse of Hatred is supposed to be some sort of involuntary biological or cultural inclination causing Uchihas to become consumed by hatred but it is also something voluntary - a Nindo. While the former could be considered a "curse" in the traditional sense, the latter is definitely not.
For the Nindo, it is supposed to be some sort of antithesis to the Will of Fire. Because of that, it is not limited to the Uchiha but, according to Tobirama and Obito, closely associated. As explained later on in this post, most Uchihas do not follow this Nindo.
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Core aspects of the Curse of Hatred as a Nindo:
Valuing a precious few above the many
Directing your hatred at those who took away your precious few
Growing stronger from those feelings of hatred (for the Uchiha, reflected in the form of the Sharingan)
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A Biological Inclination?
Now back to Tobirama's theory, due to the narrative framing, we will assume his words to be truthful for the sake of this analysis. However, I will provide links to other people's posts delving into the fantasy racism discussion.
Tobirama is racist and his theories cannot be trusted.
Tobirama is not racist and there is validity to his theories.
I myself do not completely agree with either of these, but they might be interesting reads for you. If you do not agree with either of them, please keep it to yourself and do not bother the original creators.
Tobirama's theory goes as follows:
The Uchiha feel love and hate more strongly than other individuals
The strength of the Sharingan and the Uchihas' hatred are correlated
In a fit of hatred, odds are an Uchiha will commit evil
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It is nowhere mentioned that the Uchiha are more likely to feel hate - only that their hatred is worse than the average person's and puts them at risk of being swayed by hateful ideologies.
A Cultural Inclination?
Aside from Tobirama's theory, multiple characters comment on the historical origin behind the Curse of Hatred.
We are talking, of course, about Indra. Obito explains that Indra's values and his hatred (particularly what later became the Nindo of the Curse of Hatred) were passed down to his descendants - the Uchiha clan. Tobirama's exposition implies the same thing.
Tobirama states that there "used to be a thought that [...] the basis of the Uchiha clan's strength was the power of their jutsu". It is very similar to Hagorormo's description of his son.
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If this is correct, that would mean that the importance placed on powerful jutsu by the Uchiha Clan does inadvertently promote hatred due to the close correlation between hatred and the Sharingan.
But then again, in the story, it is shown that many Uchiha were not particularly fond of perpetuating hate and it is also implied that to avoid hatred, they sealed their emotions away. My interpretation is that they recognized the pain that hate could cause and then took steps to avoid it.
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The Reincarnation Cycle
Sticking with Indra, another explanation that is frequently brought up is Indra's and Ashura's reincarnation cycle, which has also been described as curse-like or haunting and neverending. A fate seemingly set in stone.
There is not much more to say, other than that this theory suggests that Indra's reincarnates are just naturally inclined towards lusting for power.
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The True Origin
Now, here's another thing that's constantly being overlooked. Aside from Obito's exposition in chapter 462 on the Curse of Hatred Nindo, Tobirama's exposition in chapter 619 on the Uchiha's tendency to follow said Nindo, and even Hagoromo's exposition on the reincarnation cycle in chapter 670, we get a vital piece of exposition in chapter 681.
Ladies, gentlemen, and anything in between. May I introduce to you...
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...the real Curse of Hatred.
Or at the very least what I believe is the real reason why the "Curse of Hatred" exists in the world of Naruto.
From the very beginning, Zetsu approached Indra to take advantage of his hatred and turn it into a tool for his own purposes. He then did that again and again. He focused on the Uchiha in particular - Either because of the previously mentioned reasons (i.e. the Uchiha / incarnates have a tendency to become obsessed with hatred and power) or because the Uchiha were otherwise easy to take advantage of / manipulate (through Hagoromo's stone tablet that was left in the Uchihas' possession, an ill reputation thanks to Indra's / their ancestors' actions, etc).
In order to achieve his goal (awakening a Rinnegan), he had to somehow combine both Indra's and Ashura's power. It is implied that for this purpose, he instigated, perpetuated, and escalated wars and conflicts between Senju and Uchiha by pitting their reincarnates against each other. But unlike the wars he caused, Zetsu went unnoticed by the history books. Basically, he kept haunting the clans like a curse.
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And without a doubt, had Zetsu never been there, 99% of the Uchihas' problems would not exist - regardless of what ideals, genes, or history the Uchiha hold. Indra's declaration of war, centuries of conflict, Madara's defection, Obito losing Rin, the Kyubi attack, the Uchiha massacre, Sasuke's defection, the 4th Great Shinobi War. All of these were directly caused by Zetsu or set off by a resulting chain reaction.
You could even think this further. Assuming the Uchiha clan really came across as "cursed", perhaps Tobirama's, Obito's, Hagoromo's and everybody else's explanations were just desperate attempts to make sense of anything. They didn't know that Zetsu was pulling the strings, so perhaps they tried to explain the Uchiha Clan's history in some other way. One that made sense without that missing variable.
What is actually going on here is, of course, uncertain. There are basically no definitive explanations on the matter and right now it looks like all of the above could be true and at the same time none.
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lloydfrontera · 2 months ago
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i don't know what would've been worse. if the summons vanished along with rakiel so there was no real sign of him still being alive somewhere out there. or if they were also left behind, waiting for him to come back from a place they couldn't follow him to. either way the possibilities are devastating <3
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jeanmoreaux · 1 year ago
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do you guys ever think about how the story starts with andrew acting quickly slamming a random racquet into neil's stomach to keep him from running away and ends with andrew acting quickly breaking riko's arm with his racquet and then using it as a shield to protect neil. because i think about it all the time.
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aroaceleovaldez · 2 years ago
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Every description about Nico (especially the canon ones) describing him as “cold” can personally fight me. Nico is jaded, yes, and often closed-off and sometimes stand-offish and defensive but he is not "cold”. He cares SO SO SO MUCH about EVERYONE. He loves and cares with his entire heart constantly and that is a core part of his character. He doesn’t often make public shows of his affection but he takes care to be kind when it matters and doesn’t hide that he does care (usually, the only exception really being him being in the closet, but even then he only hid his crush specifically and not the fact that Percy is important to him). He fine with hugging his friends in front of a crowd and will sit with strangers at a campfire just so they’re not alone. I mean, heck, he’s an extrovert! We know this! He actively seeks out people and gets lonely very quickly and easily! If he can’t talk to living people he will chat with the dead! That’s how much he thrives on being social!
The only time Nico has ever been actively “cold” was the couple of months between TTC and BoTL when he was actively mourning Bianca. Nico is not “cold.” He loves so much and he does show it, just in his own way.
#pjo#riordanverse#nico di angelo#analysis#brought to you by: I saw a blurb for TSATS that said something like ''Will melted through Nico's icy heart/cold exterior''#and it made me want to tear something apart with my teeth because of how Blatantly Incorrect that is#like that is a disservice to both their characters.#a.) Will did not ''fix'' Nico or ''change'' him or anything. He is just a source of joy in Nico's life#TOA even explicitly acknowledges that them dating did not ''fix'' Nico and that Nico is actively getting outside help for his trauma/etc#and b.) Nico is not cold!!! He has never been a cold person!!! there's a reason ''emo'' is short for ''emotional!''#Nico's character is ENTIRELY DRIVEN BY LOVE AND CARE FOR OTHER PEOPLE#yes he's jaded but he's only jaded in a way of being afraid of letting people into his life because he's afraid to lose them#not that it stops him because it sure does keep happening anyways because SURPRISE. HE LOVES TOO MUCH.#HE LITERALLY CANNOT HELP HIMSELF HE LOVES PEOPLE SO STRONGLY AND SO DEEPLY HE CANNOT STAY JADED ABOUT IT#he just keeps going ''Okay *THIS* time I won't let this person into my life to risk heartbreak- AW FUCK I'VE DONE IT AGAIN''#SO MUCH of his character is entirely driven by ''I care about people. I dont want them to suffer what i have suffered or suffer at all''#like really the only times we ever see Nico being actively angry/snappy at people#is like a.) He is either actively being majorly hurt or has just recently been majorly hurt (Bianca's death. Being outed. etc)#b.) Someone is hurting others is going to bring harm to others (Calling out his dad in TLO. Killing Bryce)#or c.) Someone is doubting or calling into question his lived experiences (Basically any scene where people say he's pushing people away)#other than that Nico actually tends to give people way more lenience than necessary. he will put up with a LOT#and he won't even call people out on it or hold a grudge about it (i see you alleged Nico's fatal flaw. you're wrong)#unless it's like. something A Lot Of People Do Often (ex: push him away/exclude him/etc)#at which point he might be like. mildly upset about it but not much more then that. which is just a normal measured response.#anyways Nico's not cold he's just autistic
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flareboi · 8 months ago
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what if purple never calls him dad
#what if the word ‘dad’ is something purple doesn’t like.#what if it carries a bad connotation for them and a bitter reminder for mango.#family doesnt always have to look like one thing yknow? i dont think those two would have a traditional dynamic in that way#maybe purple does consider him their parent. they just dont call him ‘dad’ unless its in third person#and theyre fine with that and so is he#king is his father figure yes but he’s also a mom. a big brother. a sister. their dynamic just isnt captured in purple calling him ‘dad’#maybe his name is the best way they can say it. the best way they can appreciate him#because for purple a father is someone who hurts you. someone who leaves you#i think ‘purple calls him dad on accident’ is a cute idea#but honestly it would make more sense if they called him mom on accident instead. or if it happened when they were afraid. not comfortable#(this is presuming orchid is his mother and navy his father based on the pronouns used in the react vids iirc)#because why would purple refer to someone he sees as a parent with the title of the one that presumably did not raise them?#and on mangos end#i think u can kinda tell who in this fandom has never lost a loved one in how they characterize him#guys. grief doesnt leave. it never leaves.#you just learn to live with it!!!#mango is not okay just because he has a new kid to take care of. i would know this my bio mom passed and i have a stepmother!!!#she does not fill that void and i do not expect her to because it cannot be filled. but she brings a lot new to ease the pain and is a#wonderful part of my life#the same thing here#mango will never ever just .. go back to how he was#he will never be the same since gold died. and thats okay#purple will not change that. they will merely add something new#their dynamic can be beautiful and nontraditional and a showing of how grief can change you#it doesnt have to be ‘replacement dad and replacement son’#its so much more#oke. tag rant over#fett rambles#ava#uhh should i tag the chars
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