#and always in the last episode too

[federsturm]

Last year it was 'Why isn't he here to stop me?'

This year it is 'You idiot. We could've been.... us.'

[poorly-drawn-mdzs]

Heh...Literally nothing personal, kid.

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[izzymalec]

pushing daisies season 1 episode 1 – pie-lette

i guess dying is as good as any excuse to start living

[distant--shadow]

honestly I was feeling so similarly about laudna casting disintegrate (one of the hottest damage spells 2 me) that I missed my reaction being mirrored when I was watching

[papertowness]

the funniest thing the house writers do is have a relatively wilson - less episode and then throw us a bone at the end . they say you guys can have a little wilson . as a treat

[i-am-not-a-who-i-am-a-what]

so about the header that proceeded today's statement:

Viability as agent: Low

Viability as subject: None

Viability as catalyst: Medium

i didn't know what to think of this part of the entry at first, but the longer the statement went on... was the institute in this universe trying to manufacture avatars?

the dice can't do anything without someone to use them, they can't be an "agent" by themselves, but might be capable of manipulation, so in that aspect their viability is "low."

the dice could be a "subject" in the sense that they could use further studying, but the statement itself was a very thorough investigation of their workings, so in that aspect their viability is "none."

the dice seem to influence their holder to roll them, or at least find more victims to roll them, and could therefore be described as a "catalyst" for someone's becoming. but, as seen in the statement, their owner can give the dice to someone else (albeit not without consequences), so in that aspect their viability is only "medium."

so what about the line following all this, what does "Recommend referral to Catalytics for Enrichment applicability assessment" mean? if we go by this interpretation, i'd say it could mean the institute wanted to find a way to make the dice even more potent as an artifact, maybe even remove that pesky ability for their owner to reject them.

imho all of this this brings a whole new level of context to the events of episode seven, of unknown violent agents going after an influx of objects that seemed straight out of artifact storage. was that the nature of the titular "magnus protocol" first mentioned in episode four, the one that involved the starkwall group? containing or destroying potential artifacts before the institute could get their hands on them?

it also makes their "gifted kids program," and sam's link to it as one of the kids being studied, all the more horrifying to think about. was it not just avatars in general they were after, but child avatars specifically? no wonder gertrude got so defensive over the possibility of sam and celia dragging gerry back into the institute's business last episode, we all picked up on her clearly knowing more than she's letting on but now we might know the shape of that information a bit better.

and one final bit of food for thought... this statement had a lot of familiar themes, didn't it? free will or the illusion of it, gambling and not-so-random chance, the statement giver being done in by one final hit from what feels like a bit of an addition... all hallmarks of a certain mother of puppets. doesn't it seem fitting that "chester" would use this kind of statement to warn sam about what harm pursuing the magnus institute could bring to him, considering the one his voice might draw from? and doesn't it seem so painfully ironic that his warning seems to have only driven sam further into that web?

[art-from-the-juice-box]

gen loss dump part 2 :]

i have a gen loss playlist so the last two was me hitting randomize and drawing a pic based on the song before it finished. the second one technically isn’t that cause charlie’s inferno isn’t on apple music cause they hate me so it’s way more of the song out of spite because they wouldn’t give it to me.

[potionorchard]

My friend, @misstrashchan, brought up that the whole "Vees as a polycule" thing really feels like a situationship where Vox and Valentino are a couple and then there's aromantic, Fujoshi Velvette who's totally in to get off on it.

And now I can't get that vibe out of my head.

[starboysbrainrot]

sometimes I feel bad for the sun warriors that had to watch Aang and Zuko bicker over sharing a flame (and stealing a golden egg prior to that) and who were probably thinking :

“okay so the fate of the whole world is in the hands of the avatar and the future fire lord. who happen to be two idealistic audhd. fuelled by big dreams and big feelings. with way too much hope. and absolutely no idea on what they are doing. great.”

[spittyfishy]

Prepare for an absolute onslaught of akuma art lol, I’ve got a bunch from last year I never posted

[sesamestreep]

“requiem for methuselah” crazy ass episode for many reasons. Kirk is being fully insane, like I don’t actually think, even controlling for how quickly and easily and readily he seems to fall in love with anybody at the slightest encouragement, that he’d go that bonkers for that android woman he just met while everyone on the ship was this close to dying, but that’s neither here nor there, because in the background you’ve got an equally but much more subtly insane episode for Spock, who extremely uncharacteristically admits to experiencing an emotion (or nearly experiencing, whatever) and that emotion is ENVY of all things. And then spends the rest of the episode warning Kirk away from this new love interest (something that doesn’t usually happen, even when Kirk has very inadvisable love interests) and is, in the end, the person who accurately identifies that Rayna’s competing love for Kirk and Flint is ultimately what overwhelms and destroys her with the most killer line in maybe history???

And then to wrap it up we get an equally uncharacteristic sort of denouement scene (TOS loooves to cut an episode off right after the actual climax, leaving little time for falling action or character reflection, or to stick a sitcom-y button on the end where the gang all smiles and laughs at their misadventures and everything resets to zero, which is not a criticism, it’s just the style of that era of tv, honestly) where Kirk is literally miserable over Rayna’s death (again, kind of unusual for a lot of his love interests, he tends to be able to move on pretty quickly) and Spock goes to see him and he falls asleep right in front of Spock (also odd) and then when Bones comes in to give the final word on Flint, Spock waves him off from waking the Captain (tender) and Bones gives him that awful speech about how it’s sadder that Spock can’t even imagine the love Kirk felt for this random android woman than it is that Kirk lost her in the first place (debatable but also rude) and how his great tragedy is that he can’t love at all like they can and how all he wishes is that Kirk could forget about all of this and move on. AND THEN, to have Bones leave and Spock go over to Kirk and very gently, tenderly, reluctantly touch him and put his hand to his forehead and tell him to forget and HAVE THAT BE THE END OF THE EPISODE??? What am I supposed to do with that??

[actual-changeling]

-"Goodbye", Bo Burnham, part 2

[seaweedstarshine]

Thinking about the convolution of Eleventh Doctor's expressions of love for River Song in Season 7B. He does not trust Clara. He is utterly (wrongly) convinced that he and Clara are playing a grand manipulative game together. “What are you, eh?! A trick? A trap?!!”

So naturally, the last thing he should do in this game is to clue his opponent in on something that could be used to hurt him. Something like River, so painfully near the end of their time together, whose data ghost he can always see, who “it would hurt too much” to acknowledge. He can't let Clara know of the loss which constantly floods his senses; (“You are always here to me. And I always listen, and I can always see you,” he professes, once Clara has vanished into his timestream).

And yet. River fills his every moment (irregardless of any sneaking out for dates with increasingly-young Rivers while Clara is asleep like he did while the Ponds slept, which would explain his absence when the TARDIS is hiding Clara's bedroom). Even though it's not strategic, he can’t help but tell Clara about her. The best defense he can manage is to phrase it as if River isn’t as important to him as she is. Not only is avoiding her first name in his grief; he's also completely avoiding pronouns; which seems extreme given that he's still mentioning her as often as: “Oh yeah, of course he has! Professor Song! Sorry, it's just I never realized you were a woman.”

Leave out the emotion — leave out the details — don't show the cracks in the armor — play the part — win the game.

“Well, there's no point now. We're about to die. JUST TELL ME WHO YOU ARE.”

[skysglcw]

I’m not crazy (at least I think I’m not) but idk what you call a person who refuses to sleep even if it’s 5 in the morning and has done nothing but scroll through hundreds of posts of Blanche and Dorothy on Tumblr just to fangirl all over for them because you're too overwhelmed by their chemistry and the feeling just makes you hyped even more to the point where you can't sleep anymore because you're too excited although your eyes are burning from staring at the screen too long……

[coexistxcoldrain]

Why is it that every time I rewatch Queer as Folk, I feel a bit emptier. Emptier in a good way of course, but still empty. It gets harder the older I get. I understand each and every character's motivation better the older I get. Can't believe I'm older than Brian Kinney now. I grew up with Justin. I kissed a frog and then a prince, like Michael. They all got older, same as me.

I adore that the makers put their hearts and souls into it. I adore the craft, the actors' skills, their chemistry. The details, the little things. While season 5 isn't the best, they made the best out of it. Rewatching it is like coming home to life long friends.

It makes me so sad that shows like this aren't made anymore. Probably won't ever be made anymore. It makes me smile that I can always come back to it. Any time I want, as often as I want.

I wish I could make people see what a masterpiece this show is. I wish they hadn't fucked up the "remake" so bad. I wish we would have gotten another season, hell, a film. Or a sequel like The L Word got. But it's perfect the way it is.

It's perfect. It will always be perfect.

The thumpa thumpa goes on, always.

[buddiesmutslut]

I’m being so ffr rn, if the show runners definitively show that Buddie is not going to happen?

I’m probably not going to be watching anymore.

I mean it when I say that they’re literally the sole reason I watched this show in the first place. I saw a billion TikTok edits of them & was like “Idek these characters I need to watch this show and see what’s going on over there.”

And like, it’s a fun show, I’m not saying it isn’t, but first responder shows are a dime a dozen. There are other shows that have queer characters and found family and wild adventures. Granted, they don’t have Buck & his bi arc, but I’d still read fanfics to get my Evan Buckley fix lol.

I don’t need them right now, I’m so down for the slow burn, will-they-won’t-they & the pining & the yearning & the build up and the GOOD foundation. I want to see Eddie figuring himself out and dealing with his repression and figuring out he’s queer (& Demi, pls God. I hope if I just say it enough, I can will it into existence somehow) before anything happens with the two of them, but if they take definitive steps to have one of them like, marry someone else or something, I think I’m gonna head out. Find me on ao3 for the rest of my days lol.