#and also really queer

[animatedplush]

i don’t see crowley as a non-binary lesbian or a queer transmasc i see him as everything because i’m awesome and cool and always 100% correct

[buddieinmybeddie]

LGBTQ+ folk what was your gender/sexuality pipeline?

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[luguangs]

though the movie might be cancelled, yuri on ice will live forever in our hearts. thank you yoi fandom, it's been real ♡

[watermelonsea]

boy, these corporations don't waste any time do they

[idolomantises]

If Monsters and Girls ever gets a tv show my only request is that it doesn’t become that kind of show where a male character with a small role somehow overshadows the female cast.

And you WILL draw Yuri

[bixels]

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag club full of queens and trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

[ale-arro]

been going a little bit insane about this sentence from Ace by Angela Chen for the past week

[triona-tribblescore]

He's a little silly but we support him all the same <3

[pokimoko]

If you're still doing the pride flag animal things..

Could you do an aroace Jaguar or Raven?

I just thought they might look cool.

An aroace raven is very cool, I agree. Here ya go!

[steddiehyperfixation]

with blonde hair and a tan

steddie brainworms so bad i wrote this silly little thing immediately after watching the rocky horror picture show for the first time the other night lol @steddie-spooktober day 30: "where in the hell did you find that costume?" | 1083 words | T |

Eddie can hear Steve and Robin squabbling as he makes his way up the stairs to Steve's room. 

“I just don't know about this, Rob.” 

“It was your idea!” 

“It's too much. I should wear something else.” 

“Little late for that now.” 

“Well-”

“Where in the hell did you find that costume?” Eddie stops in the doorway, frozen in a state of shock at the scene in front of him. His mouth hangs open, eyes wide, and a sudden heat rises in his cheeks. 

Because Steve is standing in front of his mirror wearing only a tiny metallic gold speedo and matching gold boots, his great expanse of tanned skin and muscles and body hair on full display. Robin stands next to him with a spray can of wash out bleach-blonde hair dye at the ready. 

Steve looks over at Eddie. “It's too much, isn't it? I knew it. I told you,” he says to Robin, gesturing at Eddie as if his reaction proves his point. “Look at his face, even he's embarrassed for me.” 

Robin snorts. “Yeah, I don't think that's why he's blushing, Steve-o.” 

“No one’s even gonna know who I am,” Steve continues to complain, thankfully ignoring Robin’s comment. 

“Rocky,” Eddie says. His voice comes out weird and cracked; he clears his throat. “You're Rocky, from The Rocky Horror Picture Show.” 

“See?” Now it's Robin’s turn to gesture towards Eddie in vindication. “Totally recognizable. Totally good. It's just one party, and you've got all that unwarranted jock confidence, you'll be fine.” She pats Steve on the shoulder, then turns and tosses the spray dye at Eddie. “Here. You can take over spraying his hair. I have to finish getting myself ready.” 

Eddie fumbles trying to catch the spray can, his attempt to stammer out a protest falling on deaf ears as Robin pushes past him out of the room. “Okay.” He sighs. This is fine. He can totally handle being left alone with this literal golden adonis without getting heart palpitations. He can be cool and chill and normal. He can. 

Steve looks amused. “You don't have to. I can probably manage spraying my own hair just fine,” he says when Eddie still hasn't moved. 

“No, I got it.” Eddie shakes his head, shaking himself into motion. “You won't be able to get the back right on your own anyways.” He approaches Steve - with great restraint, he might add, because there's a part of his brain that's all animal right now and it's just raring to pounce on him. “So are you done trying to talk yourself out of this costume, then?” 

Steve chews at his lip as he studies his reflection again. “I think so,” he decides. His gaze flicks up to meet Eddie's eyes in the mirror. “You really don't think it's too much?” 

Eddie breaks the mirror eye contact before his face can turn any more red, fixing his focus singularly on starting to spray the blonde dye onto Steve's hair. “No, you uh, you look good. You really should've warned me- told me, I mean, what you were gonna be. I would've matched your theme, could've gone as Dr. Frank N Furter.” (His current costume in comparison is quite boring, just a basic vampire - albeit with some pretty impressive fake blood around his mouth if he does say so himself, but ultimately nothing special.)

“Now that would be something,” Steve mutters, the words a little breathier all of the sudden, but Eddie still doesn't dare let his glance wander from his hair. His voice is back to normal in a second anyway. “Well, there's always next year.” 

“Yeah, next year,” Eddie echoes. That really would be something, both of them in flamboyantly skimpy costumes. He's not sure if that would make this situation better or worse for him. 

He pushes up some of Steve's hair to make sure he's covered all the layers in the back, his fingers accidentally brushing along the skin of his neck, and Steve shivers. Eddie finds himself watching with an odd satisfaction as the goosebumps ripple up in the wake of his touch. 

“I think I might freeze to death like this, though,” Steve comments with a self-deprecating chuckle that just barely conceals that weird breathiness that's returned to his voice. “I probably should've considered that before I decided to go out half naked at night in the middle of fall.” 

“I bet you could easily find someone to keep you warm tonight,” Eddie tells him, forcing detachment. He locks his attention back on his hair dyeing work. “You walk in there looking like this and you'll have all the girls at the party falling at your feet. Probably even some of the guys too,” he adds, remembering Steve recently came out as bisexual. 

“Yeah?” Steve sounds like he's smiling, or maybe smirking. He tries (unsuccessfully) to catch Eddie's eyes again as Eddie moves in front of him to get to the last few pieces of hair. “And what about you?” 

“What about me?” 

“Would you be one of them?” 

Eddie finishes with the hairspray, nothing left to keep using as an excuse to avoid his attention. He finally looks at Steve's face and raises an eyebrow, deflecting. “You want me to fall at your feet, Harrington?” 

Steve shakes his head almost imperceptibly. He glances down for a moment, then looks back up at him from under his lashes and takes a step closer. “I want you to keep me warm,” he clarifies in a murmur as he reaches for Eddie's free hand and guides it to hold his waist. Eddie's blood ignites at the touch and the look Steve's giving him, flames racing along his veins. 

That's as good an invitation as any, and Eddie's restraint shatters. He draws Steve hungrily to his lips. How could he not? The spray can falls from his grip in favor of using both hands to pull Steve closer and roam his body. And if Eddie's wandering hands linger for a while in their investigation of that perfect gold-clad ass, well that's between them and the lovely little sound Steve makes against his open mouth. 

And Robin, who has the misfortune of poking her head back into the room right then. 

She yelps and jumps out of view of the scene, banging her fist against the wall just next to the doorway to get their attention instead. “When you guys are done being gross,” she shouts, “there's a party we're gonna be late for!” 

[bluebeetle]

I saw someone say Astarion bg3 is "the most queer coded man ever" and yeah. Its. Its because hes queer. He has canonically slept with men. He will date women, men, and nonbinary folks. "Queer coding" you mean the literal text they coded into the fucking game?

[scintillatingshortgirl19]

wow i can't believe they were actually allowed to show gay sex onscreen in 2011

[goat-moth-thing]

i think some get angry at transmascs for discussing our oppressiin because they view invisibility as a privilege rather than a way in which we are oppressed

when their view of invisibility as a privilege is challenged, they lash out and say that we want to be oppressed soooo bad and that we need to shut up

and of course, if we do shut up then nothing changes. we remain invisible and nobody sees us. or talks about us. or cares about us

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[cortex-rampage]

I find the way that BBC Merlin set up Merlin's powers in the first episode to be quite funny. I mean, we see this sort of lanky guy and it is established that he is Merlin and (according to our own common knowledge) therefore he is the most powerful warlock ever. Okay, cool. One might assume that he has come to Gaius to develop his powers, that maybe he's only in the beginning of his magical journey. But instead the exposition shows Merlin, in the pilot episode of this 5 series show, stop time and employ levitation to save someone's life with magic, and then it is announced that prince Arthur is essentially his soulmate, and their joint power will create the most glorious age Camelot has ever seen. Quite an exciting set-up. And then for the rest of the entire show this man who we know possesses TIME-ALTERING POWERS mostly uses them on-screen to do common chores and annoy and prank THAT SAME Arthur. Like that one post said, "All of it's destiny and all of it's his fault." :p