#and also because he very much thinks of himself as the protagonist of life so hes like stupidly self assured and stubborn

[causticsodaa]

What I personally think is behind Suo’s eyepatch: A Delusional Theory

The title explains itself (heed the disclaimer please), so I’ll get straight to the point.

Firstly, I believe that Suo is blind in his right eye.

Typically, eyepatches are mainly worn by people who

Are recovering from surgery

Cosplay

Have eye trauma or are half-blind

The first point is immediately negated, since it’s confirmed that Suo has been wearing an eyepatch on his right eye since middle school at the earliest. I doubt that even the most extensive eye surgeries would need him to be wearing one for years on end. Most eyepatches are made out of adhesive material, whilst Suo’s is made out of leather. I won’t dwell on this point much since I don’t think this outcome is very likely, but I just wanted to bring it up anyways (lol).

The second point could be plausible, considering that Suo voluntarily draws attention to his eyepatch in his introduction, even stating that there is “an ancient Chinese spirit sealed” in it—there’s a story behind it.

However, Nirei’s question immediately disproves this. Nii Satoru is a very deliberate writer; I don’t think there would be any reason to include Nirei’s dialogue about a ‘past accident’ (more on this later) if it wasn’t meant to serve as foreshadowing or at least be somewhat true.

Theres also the fact that Suo directly agrees with Nirei’s claim, though his wording is very vague (ie. it’s what other people say rather than Suo himself confirming it).

I believe this scene is mainly meant to showcase Suo’s goofy side (backed by Nirei’s comment about expecting Suo to be more cold/aloof and with Suo introducing himself as Leonardo di Caprio); but I also assume that he decided to make up a story about his eye because he’s been questioned about it many times in the past. It’s obviously not true, but I don’t think that Suo would voluntarily wear an eyepatch for years on end just to look cool (not to mention the depth perception issues!).

It’s also important to note that Nirei’s information is scarily accurate as well. He even figured out that Suo hated natto despite how secretive the latter is, but I digress.

This leads me to the third point, which is what most of the fandom (myself included) speculates. However, I’ll be focusing more on the prospect of Suo being half-blind.

If Suo is blind in his white eye, he would have a white iris. Although many blind characters in anime/animation have their eyes closed or just lack pupils, some do have white/clear/sheen irises:

Additionally, some people who are blind do have ‘milky’ eyes in real life!

Even other animanga characters who wear eyepatches have some sort of eye trauma (if they aren’t pirates/concealing some power/forced to give their eyeball up for a contract, though WBK isn’t that kind of story) such as Hange Zoë and Asuka Langely Soryu.

Personally, I believe that Suo had injured his right eye in the past to the point of blindness, given with the evidence presented before. I can’t really provide any theories as to how this happened due to a lack of canon evidence, but it’s probably linked to why he tells Nirei to never close his eyes. It’s highly probable his right eye is linked to a traumatic incident of his past—though anything further related to Suo’s backstory prompts an entirely different conversation.

Theres also a possibility that Suo might have been born half blind as well, and uses his eyepatch to protect/cover it; though it’s merely speculation on my part (and I’ll talk about this theory more in a bit).

You’ve probably noticed that I’m drawing a lot of attention to the color of Suo’s right eye, rather the cause of his blind eye. This is where my theory gets delusional.

Let me bring in our beloved protagonist of Wind Breaker; Sakura Haruka!

Wait, isn’t this a theory about Suo? What does Sakura have to do with Suo’s eye?

Although Sakura and Suo do have their stark differences, they’re also eerily similar (and this criteria applies to Suo + Nirei and Sakura + Nirei as well). The most prominent thing they have in common [design wise] are their ‘abnormal’ eyes (with Sakura having heterochromia, and Suo with only one eye visible), and how they’re somehow linked to some sort of past trauma. I (albeit briefly) went over how Suo’s right eye connects with a potentially traumatic incident earlier, so I’ll be focusing on Sakura in the meantime.

In the beginning of the anime, we see snippets of dialogue by people from Sakura’s past, which mainly consisted of a barrage of criticism and rude remarks towards him. This line in particular stands out to me:

Japanese society is very conformative both in real life and what we see in Sakura’s memories—being unique or looking different from the norm is 🆖. We see different people in the series poke fun at Sakura’s hair, but I feel like this comment hurts the most. You can’t exactly change your eye color easily without contacts, unlike hair in which you can style/dye it as you please (though I’m not trying to justify the mistreatment Sakura has experienced by comparing apples and oranges; simply put, it’s incredibly vile).

Because of the above, Sakura has been consistently ostracized in the past mainly due to his ‘weird’ appearance. This causes him to internalize those sentiments for years on end before coming to Furin. He then begins to project his insecurities externally throughout the manga whether it relates to his leadership skills or how he interacts with the other students (initially questioning why people can accept him given his ‘strange’ appearance and mannerisms). There’s also this:

Sakura used to cover his hair and eyes with hats/sunglasses, however it failed to work as people still avoided him. This is even shown in the anime!

Poor kid took all those comments to heart and internalized it to the point it essentially crippled his self-esteem—but who wouldn’t, honestly? Being constantly alienated and perceived as ‘disgusting’ by others causes a sense of distrust to a person, especially during their developmental stages (as Sakura experienced most of this as a child/teen), hence why I’m classifying this as traumatic for Sakura. Even though he’s in a better place now, the ghosts of his past still haunt and affect him to this day.

Since Suo + Sakura are written to foil/parallel each other at times, there is a chance that Suo might have also covered his eye for a similar reason to Sakura’s: he doesn’t want other people to know he is blind (either to not be perceived as weak, or Suo was ashamed of for a different reason—perhaps other people thought his blind eye was scary?). Maybe Suo was born with a blind eye, much like how Sakura was born with a “half and half” appearance.

As I’ve mentioned before, Sakura has heterochromia (wow no shit Sherlock); his left eye is yellow, while his right is black[ish-grey] (his eye is sometimes colored a light grey/blue but thats usually a stylistic choice)

Both Sakura and Suo’s character colors are based off their left eyes: Sakura’s being an amber and Suo’s being red (rather than mainly sappanwood but its a shade of red anyways—and Suo is usually represented with a bold red in other official/merch art so shhhh)

And if we were to follow my theory, Suo would hypothetically have a milky colored right eye and a red iris for his left as in canon. Do you see where I’m going with this?

Both Sakura and Suo would have their character color as their right eye (amber and red respectively), while their left eyes (black and white) would contrast each other. Black and white are considered opposites, after all.

If my (delulu) theory holds true, this could perfectly showcase Suo and Sakura’s differences and similarities—but instead of it being almost hidden through the layers of their unspoken relationship, they are physically represented through their character designs.

Okay, I know you’re probably thinking that this theory is too far fetched (hell, even I think the same). But hear me out:

There is another duo in Wind Breaker who have character designs that contrast each other: Togame and Choji!

Nii Satoru makes it a point to emphasize how different these two are—and it’s no secret given their designs: Togame is tall, beefier, and has straight dark hair while Choji is short, lankier, with light and curlier hair. Even their eyes contrast each other; Togame’s are thin, slanted, and green while Choji’s are wide, round and red[dish brown]. (I KNOW THAT HIS EYES ARE MORE BROWN IN THE ANIME BUT THEYRE COLORED RED SOMETIMES BY NIISATO PLEASE TRUST ME ON THIS)

Honestly, this entire section makes me want analyze Choji and Togame (must… control… my demons…), so I’ll just move on to my next point.

Additionally, Sakura is sometimes drawn with his hair slicked back, which makes him look eerily similar to Umemiya…

I believe this is entirely intentional by Nii-sensei, but if I speak any more I fear that I will start rambling about Umemiya/Sakura parallels like a madman. My point is, two characters with similar/contrasting designs do already exist in WBK.

And in the case of Suo and Sakura, these two elements could possibly coexist in their character designs via their ‘irregular’ eyes.

TLDR; Suo and Sakura are the only characters in the cast with messed up eyes -> If Suo’s blind in his right eye, it would be white -> which would contrast Sakura’s black iris thats also in his right eye -> this shows their differences -> but also reinforces the fact that they are similar since their left eyes are red and amber -> which are their character colors -> I am severely delusional -> and I need to be euthanized immediately

[yousaucygirl]

Right now my two hyperfixations are Ace Attorney and Ride the Cyclone and the gremlin in my brain is telling me to smush them together. So... Ace Attorney rtc AU.

I think the most obvious one is Klav as Mischa. They're both Europeans who make music, somewhat of a bad boy reputation, and are DEFINITELY at least a little fruity. Plus Klav would absolutely belt out a song for his lobe.

Next, I think that Miles Edgeworth himself would be Noel Gruber. They're both sassy, pretentious gay men, Miles definitely has a secret thing for French noir films, and Miles would hate working at a Taco Bell and having a song he ironically listened to played at his funeral. Plus Bratworth is so Noel Gruber.

Ocean is Sebastien Debeste. Ocean thinks she's da best (see what I did?) just like Sebastian. Both are top of the class and take that a little too seriously. Sebastian would also call himself a futher muckin' hero. He's also a bit misguided like Ocean but ultimately has a good heart. He would also want the second chance at life as bad as Ocean because he knows he can do great things.

Constance was a bit difficult. I mean, I doubt anyone in the Ace Attorney series had a lot of good memories in their childhood homes, but I think that Maya was the closest. I mean, she goes back to Kurain often and has good memories with Mia and Pearl. Then there's Constance’s song Sugarcloud that really seals Maya in her role. Maya absolutely believes in escapism from her issues. Like, look at her family, then look at her. There's no way that girl isn't burying all of her problems. Plus out of all the characters, Maya is one of the nicest.

Here me out for Ricky: Apollo. Firstly, there's an entire musical number about sexy cat women, and who better to shove into the roll than the man who calls his cat his girlfriend? And with his million backstories, it's almost inevitable that he lived in a house with fourteen cats at some point. Ricky is also a very sweet character and very perceptive to others' emotions, especially Jane's.

Jane Doe herself. The spooky, odd girl who has no identity. Because this is an AU and I am God, the role of Jane Doe is going to Phoenix Wright. One, Phoenix would HATE not having an identity. Through the Ace Attorney series, he made a name for himself. His career and reputation meant so much to him that he was completely lost after being disbarred. Not only that, but we know very little about Phoenix's past. We don't know his parents, if he had any siblings, or what his childhood was like aside from everything with Miles. All we really know about his family is his distant grandfather, Ryunosuke Naruhodo. He would also be devastating on Jane as he's the protagonist of his series, and he would lose that.

Lastly, there's Karnak. The one who summoned these silly dead teenagers and gave one another chance at life. It's literally the judge. In Ace Attorney, he listens as these goofy little fruits make their cases and ultimately decides if the defendant lives or dies. While Karnak doesn't necessarily condemn the other to death, he has the power to give one the prize of life.

[arolesbianism]

Just imagined Bonnie and Fydd hanging out... It's so jover guys I was in the middle of mumbling to myself abt something completely different and went dead silent to envision them talking to eachother in my head

[fairsweetlonging]

new idea: shen yuan transmigrates into a pidw version with abo dynamics, but he doesn't know about it.

he knows what abo is, but it's so far removed from his expectations that it simply doesn't cross his mind at all. with that, cang qiong is a respectable, upstanding sect, so there is no growling, claiming, scent pushing or primal instinct stuff going on. people also don't mention it, as it's simply not relevant most of the time, and is considered rude to discuss unprompted.

shen qingqiu, of course, is an omega (the characters who make the best omegas are the ones who would hate it the most), but he has suppressed it with his qi for most of his life because he doesn't want to be seen as weak. the other peak lords assume he's a beta.

now, i'm not a traditional abo dynamic fan, but, there is something very appealing to me about the nesting and scenting aspect of it.

it starts out slow and painfully oblivious, with shen yuan assuming cultivators must have a really good sense of smell, and it's simply book logic that every character seems to have a signature scent. all those romance novels always mention characters smelling of pine and flowers and scotch and leather, so this isn't a foreign concept. liu qingge, for instance, is the bai zhan war god, girls fall for him left and right, it's only natural he smells of musk and deep woodsy notes, like the earth after it rains. right?

besides that, shen yuan has always been a homebody who loves his creature comforts, so him getting extra blankets and pillows and soft fabrics for his bed to curl up in isn't odd at all. or him collecting soft pretty things. shen qingqiu already has fans and night pearls and hair ribbons and silky clothes, so nothing changes.

then without-a-cure hits.

the poison breaks down the suppressors that the original shen qingqiu put in place, and his body starts restoring the balance. this worsens the cravings, and sets off his omega instincts.

he gathers more blankets, but it doesn't fill the need, like there's something missing. then liu qingge forgets his outer robe in his house after a meridian cleansing to deal with an emergency, and that robe ends up in his bed. he tries to reason it's a comfort thing—he wore his dad's sweater when he was young and had nightmares, and liu qingge does smell very nice, so is it really that strange that he holds it at night and presses his face against the collar where the scent is the strongest to soothe himself?

his own scent starts to develop as well, much stronger than the mild, watery green tea flavor from before, and people notice.

thing is, though, that there are many formalities and rules of conduct around omegas, one of which is not to bring up their status in any improper or unbidden way. so even though the alpha lords now notice a very distinct omega scent coming off their shixiong, they can't mention it out of societal pressure. so, they don't.

shen yuan still doesn't notice a thing.

the first time liu qingge smells it is during their bi-weekly cleansing session, when shen qingqiu leans in and liu qingge gets a mouthful of green tea, bamboo and honeyed jasmine, soft and sweet and pleased and so very content it sets off his alpha brain and he has to rein himself in before he starts releasing his own pheromones like some inexperienced teenager—

he's only just grown used to their amity and their habit of sharing tea and cakes after the cleansing, but now shen qingqiu is sitting there smiling at him and smelling like—like liu qingge is spoiling him and, making him feel safe...

he doesn't bring it up, downs his tea, and leaves.

meanwhile shen qingqiu keeps happily nesting away, filling his bed with all kinds of soft fabrics, some clothes of other people that he's trying really hard not to think about. everything is going well, binghe just turned sixteen and the girls are calling him an 'alpha', so his little bun is growing well into his protagonist charms! yue qingyuan comes by more often, acting a little strange but shen qingqiu is used to that by now. he looks very bashful offering him a ribbon of his, a pretty silver one that smells of incense and ozone, and shen qingqiu happily accepts it.

one time binghe comes back bruised and scuffed from a fight with bai zhan disciples, and shen qingqiu tsks at the strange smells on him, do those brutes ever bathe?? he rubs his hands over binghe's sleeves to try and get some of it off, and his poor bun must still be in shock because he stares wide-eyed at his shizun. he must also be getting forgetful because shen qingqiu finds that same robe still unwashed a week later in binghe's bedroom.

he also loves it when people brush or play with his hair, it's his favorite part of the evening when binghe helps him take down his hair for the night. the combs feel so nice on his scalp, if he could purr he would! (binghe's heart sobs quietly behind him, in complete disbelief his master is purring at him).

his icy, lofty demeanor has all but shattered, because now every time he tries to act aloof, like when yue qingyuan gives him a present or liu qingge shows up on his doorstep, his sweet, pleased scent betrays him.

the opposite is true, as well, when without-a-cure flares up and he's in pain and his scent goes sour and distressed, even when he's waving everyone off saying he's fine. the entire house smells of burnt tea leaves and ash after a nightmare, and shen qingqiu is very confused when liu qingge comes to pick him up for a meeting but then refuses to leave.

anyway he doesn't find out until after the conference when airplane tells him to keep his acrid scent under control, his house is starting to stink.

[canihaveacalmtime]

Usually, those otome isekai troupe would put you either in the position of the villain, villainess, antagonist or just a side character in general. So what if you happened to isekai into an otome game but as the villain's younger sibling who the villain despise so much to the point that you think he hates you even more than he hates the protagonist.

So knowing that in the next 2 years, you going to be kill by your brother, you quickly form a plan to make him stay on calm terms with you by help his plans go smoothly, be more friendly and caring towards him, be useful with informations and more. Within a year, you successfully have him on norm terms with you, no more glaring, no more cursing, lashing, no more this and that.

You felt relieved, really, now that you know you can at least be safe for the time being so the next step in your plan to survive is simply to book it out of there. Yeah, move to another country with the help of your uncle, you wouldn't want to stay and witness what kind of mess your brother would cause to the protagonist and her harem anyway.

You're very sure that he'd be super busy worrying about how to get the protagonist for himself and how to crush the harem down to the lowliest stage of life, he wouldn't even notice your disappearance because you're simply a speck of dust to him.

So when you got a call from your uncle telling you about how he got all the way here and is now finding you got your soul almost left your body in a panic moment. Finding you? What was the villain thinking? You're half glad that your uncle didn't tell your brother where you live but you also worried because he's here in this city and when he's 'finding', until you leave this place, you'd not escape his 'radar'.

Tonight, you have to study over night while having a fever, such a combination already felt so horrible and it's even worse if you start to hear noises of your apartment's front door being open.

"Damn it." You said while half conscious, walking from your bedroom to the living room, you see him standing there with all his glory but you, you don't even react anything. Maybe it's because you feel sleepy or the fever is just a little bit overdose, the last thing to know is yourself being hold back from falling down before fainted.

"My poor (y/n), you can never take care of yourself good, huh. Brother promise to care for you from now on, let's bring you 'back' first."

[pastabaguette]

sorry for all the posts today, but this one is very important: alternian video game edits.

i actually have reasonings for all of their blood types, and a few classpects, so i'll dive into them here:

monika: i'm thinking that early in the game, during acts 1 and 2, she maybe masqueraded as a jadeblood or higher. only during act 3 does she reveal herself as a fuchsia to the protagonist.

gordon and alyx: gordon is probably a tealblood, or somewhere around there. fairly high, but not too high, i think. alyx is an olive, and eli is an indigo. azian was probably a gold. (or lime?) i did have to keep gordon’s orange HEV suit, though. surely you understand. okay, troll half life lore: i think on alternia, all the main characters in the half life franchise are like, olive or above. the rebels in follow freeman and the guards are all lowbloods, so that the player doesn't feel too bad about sacrificing them, or something like that. i think this would be something that would happen in an alternian video game, at least.

agent 47: 47 is actually a mutant, due to being manufactured in a lab. he's a weird ice-blue color. he's still got that piercing stare. i felt a little sad changing his iconic red tie, but i do have some thoughts on that as well. obviously, red in human culture tends to symbolize passion, among other things, and in this case, violence and aggression, because it's the color of blood. however, because trolls all have different blood colors, i think they might have different meanings attached to colors than humans typically do. i think that typically, the colors that would most commonly represent aggression in alternian culture would be blue (cobalt and indigo) and purple. now, i know that the sea dwellers exist, but since the vast majority of trolls are lowbloods, they would have a lot more contact with the land-dwelling highbloods, rather than the fish. so, 47’s tie is blue. (i also just think it looks cool matching his eyes)

chell: I made chell a bronzeblood. she’s a test subject, but not one of the special ones (astronauts, olympians, etc). she’s just another lab rat. (also, a lot of her outfit is orange…)

now for classpects! i only have two i’m sure of as of now:

gordon freeman is an heir of hope. this one is fairly obvious to me. a common belief is that heirs have the ability to become their aspect, in a way. in half life 2, gordon quickly becomes the main symbol of the resistance on earth. for the rebels, he himself IS hope.

agent 47 is a prince of life. again, it’s a common interpretation that princes are themselves void of their aspect, and they destroy that aspect in others. this is really literal, obviously, but as a hitman, 47 kills people. literally destroying life. as for his own lack of life in himself, it’s pretty simple as well. 47 is almost always described as entirely void of emotion and empathy. others often remark on his soulless stare, a lack of life behind his eyes. so, as a prince, he fulfills both criteria there.

holy hell, that was a lot of words. i didn’t intend to talk this much. feel free to add your own thoughts; i’d like to hear what others think. these descriptions were a bit rushed, and i don’t really consider myself to be very good at communicating my thoughts, so a lot of things may have been lost in translation. i’d be happy to try and elaborate on my reasonings for any of them.

(oh, also, please no alyx spoilers. i haven’t played it yet!)

[feline-insolitum]

i was gonna put this on a reblog to this post but i decided it needed to be its own post so here we go

LOOK AT HIM!!!

most other trainers will be super badass or cool whenever theyre terastallizing their pokemon. but kieran just kinda stands there devoid of life. he looks like hes not even there. almost like he's just... dissociating through the whole thing

you can also see eyebags that his teal mask model didn't have. he's been working himself to the absolute bone to get stronger. another character (i forget who) even says hes been sacrificing sleep just to get stronger. its very obviously been taking a toll on him

but looking back on the battle as a whole, this wasnt even the only time where he looked dull and lifeless. for the entire battle, when hes not being dramatic on purpose, he just looks so out of it

you cant look at these pictures and tell me hes mentally present. the left picture isnt even timed to make him look like that. his expression is like that the entire time hes giving that line of dialogue.

and again, you can see visible eyebags!!!

i think part of it is that hes imagined the battle against the protagonist so many times since getting back from kitakami that it's feels like it's already happened to him, and he's just reliving a memory.

maybe another part is since hes gotten back, hes just been battling non stop when he has the chance. to him its just another battle. initiate, defeat, get stronger. rinse and repeat. its so repetitive that half the time he doesnt even know who hes battling. i feel like thats the case here, maybe sometimes he forgets hes even battling the person that he became this strong to defeat in the first place

i think why he did this to himself is because of more than "just getting stronger". after everything that happened in kitakami: gaining a friend, only for them to lie to and betray him about the thing he loves most, then for them to get closer with his sister, who would consistently shut him down, then on top of it all, ogerpon chose us, and even in trying to battle us for her, we beat him.

that is a lot to have happen to you in just a couple days, so i think part of the non stop training is him trying to cope. in trying to make up for "being too weak", hes also trying to escape reality and forget that those things even happened. he looks so out of it for the entire battle because he is. thats why he has such a reaction when we use ogerpon against him in battle. because by doing that, were reminding him

this is all part of why he freaks out so hard when we beat him. aside from his whole complex of getting stronger specifically to beat us, its because hes already imagined beating us so many times that to him, it already kinda happened in his sleep deprived mind. its because hes won battle after battle since getting back from kitakami, so after being in this rinse and repeat cycle of battling and winning, us losing causes him to finally snap out of it.

after the protag wins, hes genuinely confused that he lost. but he knew how strong the protag was going into this. i think its because, for the majority of the battle, due to not being mentally present, he forgot he was battling us.

this, as well as how often he wouldve imagined him beating us, explains very well how surprised and shocked and panicked he is that he lost. "this wasnt supposed to happen" because it was just another battle, and he wins battles. "this wasnt supposed to happen" because he already imagined him beating us so many times that it had to have been real, right?

and because this monotonous cycle he was in that was actively draining him of energy was broken by us beating him, everything that he hadnt had the energy to process since training is hitting him like a truck now. ogerpon, the betrayal, how he kept losing to us, how he just lost to us right this moment, its all too much and he cant handle it. and so he crumples to the ground and has a mental breakdown

i didnt mean to turn this into a whole character analysis on kieran but i have a LOT of thoughts on his character and how hes written

[invinciblerodent]

This is going to be very ranty and disjointed, probably borderline incomprehensible post, but with the "return" of Dragon Age Discourse (and really, did it ever go anywhere?) and me repeatedly seeing the complaints and dismissals of DA:I as a "chosen one"-type of a narrative, I just.... I keep finding myself thinking about the relationship of truth and lies within the game.

Throughout the course of DA:I, the idea of a malleable, flexible personal identity, and a painful confrontation with an uncomfortable truth replacing a soothing falsehood, follows pretty much every character throughout their respective arcs.

There are some more obvious ones, Solas, Blackwall, The Iron Bull, their identities and deceptions (of both those around them and themselves) are clearly front and center in the stories told about them, but this theme of deception (both of the self- and the outside world) is clearly present in the stories of the others as well.

Like, for example, ones that come immediately to mind are stories like that of Cullen, who presents an image of a composed and disciplined military man, a commander- all to hide the desperate and traumatized addict that he sees himself as.

Dorian grappled with the expectations of presenting the image of the perfect heir to his father's legacy, the prideful scion of his house, his entire life (he even introduces himself as the result of "careful breeding", like one might speak about a prized horse)- all while knowing that his family would rather see him lobotomized and obedient, than anything even just resembling his vibrant and passionate self.

Cassandra calls herself a Seeker of Truth, and takes pride in that identity- only to learn that in reality, she has been made a liar, a keeper of secrets, without her knowledge or consent, and it is up to her to either uproot the entire organization and painfully cut out the abscess it is to build it back from the ground up into something respectable, or let the information she had revealed sit, and continue to fester.

And this theme continues and reframes itself in, among others, things like Sera's own inner conflict between her elven heritage and her human upbringing, or in Cole being caught in this unconscionable space in-between human and spirit, between person and concept, etc.

The Inquisitor isn't exempt from this either.

I feel like this is where the core of the many misunderstandings of this plot come from, why so many people continue to believe that Inquisition is a "chosen one" or "divinely appointed" type of story, because I think many might just... not realize, that the protagonist's identity is also malleable, and what they are told in the setup/first act of the game is not necessarily the truth.

The tale of the Inquisitor is the exact opposite of that of a "chosen one" story: it's an examination and reflection of the trope, in that it is the story of an assumption that all wrongly believe to be the truth, and thrust upon you, even if you protest. The very point is that no matter who you choose to say that you are, you will be known as the Herald of a prophet you don't even necessarily believe in, and then that belief will be proven wrong, leaving you to cope with either a devastating disappointment if you believed it, or a bitter kind of vindication if you didn't.

There's a moment just after Here Lies the Abyss (when you learn of the lie you've been fed your entire journey in the game) that I don't often see mentioned, but I think it's one of the most emotionally impactful character moments, if you are playing an Andrastian Inquisitor who had actually believed themselves chosen (which I realize is a rather unpopular pick, lol): it's when Ser Ruth, a Grey Warden, realizes what she had done and is horrified by her own deeds, and turns herself in asking to be tried for the murder of another of her order. As far as she is concerned, she had spilled blood for power, and regardless of whether she was acting of her own volition at the time, whether she had agency in the moment, is irrelevant to her: she seeks no absolution, but willingly submits to any punishment you see fit.

And only if you play as an Inquisitor who, through prior dialogue choices, had established themselves as a devout Andrastian, can you offer her forgiveness, for a deed that was objectively not her fault- not really.

You can, in Andraste's name, forgive her- even though you, at that point, know that you have no real right to do so. That you're not Andraste's Herald, that Andraste may or may not even exist, and that you can't grant anyone "divine forgiveness", because you, yourself, don't have a drop of divinity within you. You know that you were no more than an unlucky idiot who stumbled their way into meddling with forces beyond their ken.

You know you're a fraud. You know. The game forces you to realize, as it slowly drip-drip-drips the memories knocked loose by the blast back into your head, that what all have been telling you that you are up to this point, is false. And yet, you can still choose to keep up the lie, and tell this woman who stands in front of you with blood on her hands and tears in her eyes, that you, with authority you don't have, grant her forgiveness for a crime that wasn't hers to commit.

Because it's the right thing to do. Because to lie to Ser Ruth is far kinder than anything else you could possibly do to her, short of refusing to make a decision altogether.

There are any number of criticisms of this game that I can accept (I may or may not agree depending on what it is, but I'm from the school of thought that any interpretation can be equally valid as long as there's text that supports it, and no text that contradicts it), but I will always continue to uphold that the Inquisitor is absolutely not- and never was a "chosen one".

They're just as small, and sad, and lost, as all the other protagonists- the only difference is that they didn't need to fight for their mantle, because instead of a symbol of honor, it acted as a straitjacket.

[lost-romantique]

The Needs of Both these Messy Gays~

I just want to make a point and state that I'm not attacking or pitting both these guys against each other. They're dumbasses, the both of them.

Blitz is someone that is going to need constant reassurance when he's in a relationship.

Being told the words "I love you" scares the fuck out of him because he doesn't trust those words of love.

At the same time, romantic gestures don't work on him because he's always going to assume the worst.

"And then, he'll call me to see how my day was! And he'll pretend to care about me, and comment on my photos, and LAUGH AT MY JOKES—"

Blitz is someone that has used his body and sex as a way to get what he wants. But his relationship to sex is one of the reasons why he's unable to trust those romantic gestures.

Blitz constantly seeks reassurance, and he asks Stolas for that reassurance a LOT throughout Full Moon and Apology Tour...

"Am I not, like, fucking you good enough? Because I-I can always- I can always do better--"

Blitz immediately asks Stolas for reassurance that he's good enough, and that if he isn't good enough, he makes it a point to tell Stolas that he can do better.

Stolas responds to Blitz saying he cares very deeply for him, but being told he's cared about doesn't give him the reassurance he needs.

Blitz asks for reassurance twice from Stolas in Apology Tour...

"This whole thing we had going... I'm- I mean you're a fucking prince. How could you ever actually care for an imp... Me? How could anybody?"

"Stolas, you are better off without me. 'Kay? You deserve so much... I don't even know why you would want to be with me."

Stolas never says anything really wrong in his responses to Blitz, and I think Blitz himself needed to here that. BUT if Stolas were to make one mistake, it would be that he states that he wants somebody / anybody.

Blitz doesn't reach out to Stolas because of his issues in intimacy, and because Blitz himself hasn’t been given the reassurance that he's the one Stolas wants.

Do you know who does give Blitz the reassurance that he's needed? Millie.

Millie is able to give concrete examples to Blitz on how he made an impact on her life.

In fact, Millie states that Blitz is the reason that everything she has in her life is thanks to him being unapologetically himself.

"He gave me so much: a career, a husband, a future, and now... he's my best friend."

The moment Millie gives Blitz the example of how much she values him as a person and as a friend, Blitz immediately asks for reassurance...

"You... you don’t hate me?"

And Millie automatically says, "Nah, never."

The moment Blitz is given the reassurance that he isn't hated by Millie, he opens up, he becomes vulnerable.

Blitz allows Millie to comfort him, and Blitz initiates that intimacy with Millie to which she obliges.

What's beautiful about this exchange is that there isn't anything remotely sexual about it. This is just one friend comforting another friend in need.

Blitz asks for reassurance again in the form of a question...

And the moment Millie reaffirms that sentiment, Blitz opens up and shows Millie the real him.

Not the fuckboy facade, not the mask he wears... this is the REAL Blitz...

Blitz also shows incredible growth by not deflecting to jokes like he usually does, but instead by being honest with Millie...

Blitz promises to Millie that he'll stop impeding on her marriage

Blitz states in the most subtle way that he has feelings for Stolas

Stolas needs to be told that he's cared for and that he's loved by someone.

He's also someone that seeks romantic affection in the form of compliments, and big and small romantic gestures mean the world to him as well.

Blitz unknowingly makes Stolas’s romantic fantasies come true...

A rogue assassin comes into his bedroom to "scale the walls" and he acts like he wants Stolas a lot.

This man is attractive, he is literally the protagonist of a romance novel. His boldness and confidence is alluring. He is a dream come true and he's here to take what's his.

This man just literally sweeps Stolas off his feet, and he still does this while giving you the most smug grin.

Blitz throws Stolas to the bed, and gives him ultimate rizz in the form of this shit eating grin.

And the moment Blitz bites his neck, Stolas is so fucking into it he creams himself.

Blitz is so good actually, extremely good in being bold, confident, and sexy. He knows how to unravel Stolas. *cough*

In fact, the moment Blitz catches him, Stolas is smitten and he is down bad.

To Stolas, this is a big romantic gesture. This is a motherfucking dream come true for Stolas because, "OMG THIS HOT ASS MAN JUST FUCKING SAVED ME!"

But Blitz isn't a romantic, he's not good at showing romantic affection in small ways, and that's what screws him over.

Stolas wants and actively seeks the smallest bit of reassurance and comfort that Blitz can provide, whether it be through text and or in other small ways.

This motherfucking birb, this dumbass Prince, even when he has every right to be angry at Blitz for the shit he said to him, still wants Blitz to hold him. In fact, he makes him hold him.

Stolas is so fucking cute, being all like, "I'm mad at you, but I still demand you hold me."

"You wanna know what I want? I want to know what it's like, to not be alone. I want to be someone's someone. I want to feel wanted. But like, in a romantic way, like I'm standing out in the rain at a train station and someone is shouting: “Harriet! Don’t get on that train, it’s going to London and I cannot be without you!”

Harriet the Train is a big romantic gesture. Stolas likes big romantic gestures, and Blitz is really good at doing actions that are big and bold.

Blitz has made Stolas feel wanted in The Circus and he makes him feel protected in Seeing Stars. Blitz knows how to be big.

Stolas doesn't need Blitz to perform Harriet the Train, but can he? Oh fuck yes he can.

"The point is, I just... want someone to care if I stay or go. I want someone to want... me! To want to see me. To hold me. To look at me and think "You're the only one I want!" [sheds tears] "I desire to hold you and talk to you, and never let you feel so..."

This is what Stolas wants from someone right now. He wants to feel wanted in the small ways, he wants to be held, he wants someone to talk to him, to make him feel not so alone.

Right now, at this very moment, Stolas needs the small stuff. He needs the small bits of intimacy that Blitz is not in the right headspace to provide in Apology Tour.

Do you know who gives Stolas what he needs at the moment? Better than Blitzo guy.

He's smooth and charming in a different way from Blitz. He doesn't even look at Blitz, actually, his eyes are only on Stolas.

"Great song earlier. You have great pipes."

He compliments Stolas on his singing, and Stolas is happy to be given a compliment.

BTB than asks Stolas to dance, and Stolas is both surprised and in disbelief.

Stolas is so happy and genuinely has an amazing time dancing with BTB, he even goes out of his way to use his wings to give Stolas a spin.

BTB even performs a big romantic gesture of pulling Stolas into a sloppy wet kiss, to which Stolas happily reciprocates.

I think both these idiots have the potential to be what the other really needs, and I honestly think with proper communication they can have the most beautiful relationship.

[sunderwight]

Much as I love the idea of PIDW being rife with terrible porn tropes and interesting (if contrived) erotic writing conventions, all actual evidence in canon would seem to indicate that apart from some sex pollen and "uh oh, the protagonist has gone into a fugue state, whatever shall calm him down?" type stuff, it was fairly vanilla.

Like, that's part of both Shen Yuan and Airplane's frustration with it, I think. It's full of sex and it's not even sex either of them enjoy the concept of. Airplane was fully just trying to pander to an audience he felt he knew and could manipulate, but not one either he nor his ultra mega hate reader were actually part of.

Not that they understood that themselves at the time.

I mean I know fandom likes to make Airplane less closeted than Shen Yuan (for a lot of reasons), which I support, but I feel like in canon at least... he didn't cotton on to Luo Binghe's change in interests at first either. It wasn't until he was watching his protagonist obsess over resurrecting Shen Qingqiu at any cost that the light started to dawn. For Shang Qinghua, also, many more years have passed since he was back in their original world. He's had more time to reconcile himself to certain ideas.

What glimpses we get of the person he was before he died, was reborn, and lived a whole other life well into adulthood, would seem to indicate that he probably wasn't much better than Shen Yuan back when he was writing.

I mean he probably was still BETTER (the bar is on the floor), like I bet he could have a fantasy featuring Mobei Jun without having an existential crisis or pretending it didn't happen, but he would have probably been like "wow I guess I've been writing so much m/f porn that I can't even enjoy it anymore and my brain had to come up with something else, anyway Mobei would make a hot chick tho, I'm gonna write one of his cousins as Binghe's next wife" and gotten on with things.

Basically I guess what I'm driving at is that it would be funny if SQQ and SQH figured they had a solid handle on the kinds of sex pollen-y porn tropes to expect from the world (mostly just the occasional fuck-or-die that missionary can cure), only for the rug to get ripped out from under them because the system incorporated a bunch of stuff from Airplane's subconscious to fill out the gaps. Not even his notes. His daydreams and fantasies.

SQQ: what the hell?! PIDW didn't even have werewolves or tentacle porn monsters!

SQH, suddenly reminded of some very specific fap sessions: right?! this is definitely weird and in no way my fault! it must be because of the genre switch!

SQQ: *suspicious*

SQH: which is your fault! you made the protagonist gay! in fact it's probably your fault that I'm gay too now!

SQQ: bullshit. what did you do. was this in a draft?!

SQH: *sweating* I can say with absolute confidence that it was not! I never wrote anything like this!

SQQ: *having a crisis now because maybe he DID accidentally cause the monsterfucker stuff and he desperately doesn't want anyone to realize that he's actually into it*

SQH: *continuing to sweat because the world is consistently manifesting content from his personal spank bank and if cucumber ever figures that out he's a dead man*

[allpiesforourown]

Hello..If you don't mind, can I ask your top 5 (or top 3) favorite characters from SVSSS? And why you loved them? And your top 5 favorite moments from the series?

Also, if you don't mind me asking (again), what do you think are Shen Yuan and Luo Binghe's greatest personality strengths and weaknesses? Why? What do you love about their dynamic? Sorry if you've answered these questions before.....

Okay that would take FOREVER so I'll just do my top 5 fav characters and my fav scenes with them

5. Ning Yingying - she's sooo silly... it was so wonderful being introduced to her and seeing her as a dumb airhead who unknowingly gets people in trouble (the pendant incident) and watching her overtime become someone responsible.

OKAYYYY QUEEN i just know she would run Qing Jing peak like it's the navy.. Also very important to me that although she gets serious when the time calls for it, her personality still has remnants of that silly girl we were first introduced to (for example during the return to childhood extra where she assumes a grown ass child is Shen Yuan's baby)

4. Original Luo Binghe

i could spend HOURS talking about how tragic his life was but honestly my reason for liking him as a character is really simple. He gets horny for people who are nice

The fact that he knew the original goods for YEARS and then Shen Yuan gave him cuddles and Bingge went "wait actually Shen Qingqiu is kind of hot??" Real as fuck . I just know after he returned to his world it was like

Bingge: you would be sexier if you were sweet and kind

Sha Hualing: im sorry do you KNOW who you're asking this of

3. Shang Qinghua is... way too real. I feel like everyone can relate to him, especially with how terrible the world is right now. He can't do anything to go against the plot he himself wrote. He's the painful mixure of "if only I had done that differently" and "I can't do anything at all" that everyone experiences.

Moments like this, such as Shang Qinghua interrupting Bingqiu's honeymoon really make his character even more tragic. Without Mobei-Jun, he doesn't really have a place to go... he didn't take the offer to return to his homeworld because there was no one waiting for him there. Even when he's having dinner with his friend, he knows he can't ask for more because sticking around would annoy Binghe. Just kind of wandering around alone and seeing other people be happy together and have a place to go sucks ://

2. My second favourite scene and my second favourite character: Luo Binghe

This scene really made me love SVSSS because it's so rare to find media where characters are actually allowed to be human and insecure. Like I know we call Binghe manipulative and toxic (and he is!) but EVERYONE has at some point in their life felt like they hate them self and no one loves them.

The fact that Luo Binghe has these emotions and they're relevant to the plot is so special to me. It's so disillusioning when a character goes through trauma after trauma and it's never talked about. Binghe going "shizun I hate myself and I want to end the world about it" was just.. *chef's kiss*

My favourite scene byfar: Shen Yuan hugging Binghe in Shen Jiu's memories

I think this was the final nail in the coffin for making me love Shen Yuan.

For all that he insists, "I'm just farming points so the protagonist won't kill me!" when he's put in a situation like this, he's more loving than ever. He can't touch Binghe, but all he wants to do is wipe his tears. It pains him so much to see his dear disciple hurt and vulnerable that he can't do anything but kneel down and try to hug an image of the past. He knows Binghe can't hear him but still tries to comfort him.

"Shizun will never hit you again." is a line that absolutely makes me go crazy, because Shen Yuan was never the one who hit Binghe, that was the original goods. He doesn't care if Binghe knows that it wasn't him who hurt him. All he cares about is making sure Binghe knows it will never happen again, and that Shen Yuan will love and protect him.

Shen Yuan tries so sooo hard to come across as a "reasonable" character but he can't hide how sentimental and emotional he is. He'll complain about how the characters in PIDW don't use their brain, but then you show him a memory of a crying child and say "this happened in the past and there's nothing you can do about it" and he'll still try to hug that child and tell them to stop crying and that they'll be okay. God I love Shen Yuan

[can-of-w0rmz]

My thoughts on Frankenstein can basically be summed up in, “Victor is a dickhead but at least he’s not an incel,” and “The Creature is a dickhead but at least he’s not a rich prick”.

To this day “ermmm Victor/Creature is the innocent guy and (X other character) is the bad guy achtually 🤓☝️” takes make me so fucking mad. THEY BOTH SUCK, AND THEYRE BOTH STILL SYMPATHETIC PROTAGONISTS. THATS THE POINT OF THE FUCKING BOOK😭

Also people who think Victor was the bad guy for refusing to make the Bride and going “huh, maybe making a creature for the sole purpose of suffering and fucking you is really fucked up and not my place at all actually?” legitimately need their fucking heads checked because do you genuinely have zero reading comprehension or life experience??? Can you read a book? Can you understand basic themes and concepts? Are you actually stupid?

Victor is a terrible guy for being self absorbed enough to cheat God and nature itself, creating a being that was never meant to be born and inflicting immense suffering on it by the nature of it existing in a way that fundamentally can not be balanced out — following the Christian influences and background in which the novel was written at the time, Victor is not God, he can’t offer the creature salvation or in any way metaphysically balance out his suffering, so he just introduces him to a life of a living hell by his own design and by the nature of the fact that Victor is just a man, and the Creature himself is terrible because the nihilism inherent to his condition as Victor’s creation turns him into a murderous incel who wants to just further the suffering Victor caused, because if he can’t be happy, nobody should, so he kills every innocent bystander who Victor loved and demands that he makes him a woman like Eve who’s equal to him in suffering, who exists for the sole purpose of being his, who was created to be his.

And Victor says no, because he has actual character development and realises it isn’t his place (also, very likely mirroring his engagement to Elizabeth if you kinda follow the same reading as me that Victor never really loved her romantically and felt forced into the marriage because of his mother), which, shock horror, makes Victor a more likeable protagonist, because again, shockingly, he’s actually a pretty good guy in this one situation making a really good moral decision for once by saying “yeah I’m not going to create a woman whose sole purpose in life is to fuck you and suffer as much as you, also what if she doesn’t want to fuck you???”

Are people allergic to the concept of character development or something?? Are people allergic to multifaceted complex characters?? You feel terrible for the creature because of what Victor has done to him by bringing him into existence, and you feel terrible for Victor because of how doomed he is (in the worst way, it’s not just him suffering, he has to watch everyone he loves being forced to suffer because of him) by his one mistake and how he doesn’t have any way to fix it. A creation with no God, and a Man with the weight of God upon him because of his own mistake. They’re both doomed. That’s why it’s so good, THE BOOK IS A FUCKING TRAGEDY WHY IS THIS SO DIFFICULT FOR SOME PEOPLE TO GRASP???😭

[scarletdreamers]

There ultimately is one question that bothers many when it comes to Will: Is Will Graham actually a bad person? (because no one knows what exactly swims around in the hot darkness of his mind, but I tried to sum it up anyway)

The thing about Will is that yes, he is certainly not a ‘good’ person. At least not after Hannibal started messing with his head, though I’m convinced Will never was in the first place. However, not only Will’s character, but pretty much the whole show is about the thin and multi-shaded line of good and bad. Moral and immoral. It’s exactly that blurry line that makes Will such an interesting protagonist. He is not the bad guy, neither is he the hero in his own story. He tried to play the roles of both (FBI agent vs killer), managed to fool even himself for a while, but Will knows very well who he is and what he was doing.

It’s an ancient question, isn’t it? What is good and what is bad? Are those two defined by societal norms and standards? Are they based on culture, religion, or is morality something personal? Something only you can decide for yourself? 

I’m going to include Hannibal here for a second, because when it comes to Hannibal, the last one of those options applies. The thing with Hannibal is that he has his own philosophies, his own ideals and morals. Hannibal constantly rivals God, claiming that he himself can’t be called evil because God does the same things and isn’t considered ‘’bad’’. Hannibal has his own borders and limits very straight. He can recognise plain cruelty, but the thing with Hannibal is that he is a very stylised manifestation of sin.

Hannibal is religious, though there might not be a specific religion or deity he believes in and he worships no higher beings, he does believe in the ‘’rules’’ of certain religions. He is well aware that he crosses most of those. They hold no value for him. He makes his own rules, plays his own game. In his world, there is no ‘’good’’ or ‘’bad’’ when it comes to actual crimes against humanity. A bad person is for him someone very rude, someone who lacks respect and manners. He doesn’t consider himself a ‘’good’’ person. He is something entirely else. A way of perceiving life and his own morality that no one except from Will can truly understand. 

Hannibal, however, is to us a bad person. He is the ‘’ultimate bad guy’’, because the way he feels about Will doesn’t excuse the rest of his behaviour. Hannibal is a sadist, a narcissist, a manipulative and awful man. He kills and feels no remorse for most if not all of his victims. For him killing is an art, a pleasure, he delights in it. For him, that is not as ‘’bad’’ or evil as it is for us (society), though he knows he is alone in that world. 

For that same reason, Hannibal doesn’t consider Will a bad person. He considers Will his equal. He knows that the both of them are deemed ‘’bad’’ people to the public, but that doesn’t matter in his world. In Hannibal’s mind, it’s just him and Will against the rest of the world. They are neither good nor evil. They simply are.

So back to Will, who understands Hannibal’s view of morality, but doesn’t necessarily think the same. If we look at it the same way as we looked at Hannibal, in a societal and common sense, yes, Will is a bad person. Can a stereotypically ‘’good’’ person like killing, even if it’s bad men? The satisfaction in killing, even if it’s a bad person, isn’t a moral thing. Someone truly ‘’good’’ would always choose punishment over murder. Then there’s also the fact that Will didn’t blink twice when he and Hannibal ate human meat and that he consumed it, knowingly, without a single complaint.

Will had no issues using innocent people (Chilton, Freddie Lounds, etc) to achieve his own goals. He is as (if not more) manipulative as Hannibal and is sometimes cruel in ways that even shocks the Chesapeake Ripper. Will made absurd sacrifices to get what he wanted, did things no stereotypically ‘’good’’ man would ever think of doing. Then I’m not even talking about maybe the simplest and most ordinary example of how little he actually cares for most things, which is his sweet wife, Molly (her son Walter, too). 

However, Will did try to be good. He tried very hard. He wanted to be a good person, to save people. Will can care for others in ways Hannibal can’t. Hannibal has no moral compass, Will does. A broken one, but he does. Will wants to help people more often than he wants to hurt them (The conversation with Bedelia about crushing or saving a wounded bird is a perfect example of this. So are his needs to save dogs and Abigail.) The thing about Will is that he desired to be good. He worked for the FBI, saved many lives, because he understands pain and suffering like no other. He doesn’t wish such horrid things upon innocent people. 

During the show, Will's morality is completely tied to Hannibal, so much that Hannibal himself and the stag even serve as metaphors for his corruption, while at the same time, his morality has nothing to do with Hannibal. Will always had dark urges. He always knew that there was something fundamentally wrong with him, with the things he wanted and was capable of doing. Perhaps that’s why he joined the police and later the FBI. He suppressed the worst of him by focusing on the best of himself. By forcing himself to save people through a job, he couldn’t afford to misbehave and do things he knew were wrong. Will’s fantasies, dreams and understanding of killers throughout the show make it very clear that he struggled with his own morality, even before Hannibal.

Then came, of course, Hannibal. Who fueled those urges and gave them attention. Who didn’t create them, but cared for them. Allowed them to sprout and grow until Will got entangled in such a web of situations and feelings that he couldn’t suppress them anymore. Hannibal forced Will to deal with who he really is, he broke Will’s shield. His costume, the same way Will did with Hannibal’s person suit. Hannibal is a ‘bad’ influence on Will because he brings out what’s always been inside him, but was repressed for years because Will was aware that society would label him a monster or a freak if he acted on those feelings. Will felt alone and alienated his entire life, of course he tried everything to not fall into a complete pit of loneliness and darkness. 

That was until Hannibal came into his life and Will realised that there was someone who understood him, who loved him for who he really was, even (especially) his ‘darker’ side. Someone who was like him. Who understood how he felt and didn’t see him as an immoral person because of it. Will spent his whole life understanding others, but Hannibal was the first person to actually understand him in return. 

Hannibal thinks Will’s ‘worst’ side is the most beautiful version of him. Will himself is torn between what Hannibal (the one person who understands and cares for him) and society (his upbringing, religion, anyone he ever met, norms and values) think of him. He doesn’t know what to believe. He knows he’s a bad person, he doesn’t try to make himself believe he isn’t. As I said, Will still has a moral compass, he’s self conscious about the things he does.

However, there is a great possibility that Hannibal changed Will’s perception of himself. That he made Will see that there’s no need to think of himself as a bad person. Just as a person. A human with urges and desires. Who can decide for themselves whether their actions are good or bad. Law is far beneath them at this point. In the end, Will and Hannibal navigate their own morality through their perceptions of their own actions. They both have a dislike for labels. Good and bad, moral and immoral, those are all labels society has forced upon humanity. Cruelty and kindness are not. Will knows very well when he’s cruel and when he’s kind.

So my conclusion is, yes, Will Graham is stereotypically a self-conscious yet immoral person. At the ending of the series after everything has happened, at least. 

But, I think that, just like Will himself, it’s up to you to decide whether he’s truly good or bad. Some people have other reasons to believe someone is one of the two than others. Some believe that if a person can love, or if they feel guilt or know what they’re doing, they aren’t a bad person. Others don’t. I think that’s entirely up to you to decide. It’s just what you like to believe, because believe me, to Will the line is just as blurry as it is to us. He is as unpredictable to Hannibal as he is for the audience. Will is a mystery of a character, certainly when it comes to his morality. And I think that that is exactly what makes him so fascinating.

[welivetodream]

People thinking Atsushi is just a cute lil soft boy are so WRONG.

Atsushi is one of the best executed C-PTSD protagonists who are not just "kind" because they are the MC.

Atsushi is sassy, he is mean and says things like they are, even to his own mentor Dazai, he is not afraid of saying bad things. He doesn't hold back on his words. And he can be quite quick when it comes to using sass ("are you a landmower?" "Why are you dressed like a half-finished mummy, Dazai-san" "Akutagawa, fancy a cup of tea?" "That's why Dazai-san left you")

He's not just nice. He thinks he should be nice and kind because that's what someone like him should be like. Atsushi has such a low self esteem that he NEEDS to show kindness to everyone because he thinks just like he got a second chance at life, everyone else deserves it too.

That's why he saved Kyouka and Lucy, he recognised that want for bettering themselves in them. He wanted them to get a second chance like he did. Because to him, people are not good or bad, but they have the ability to change no matter how far they have gone.

This is why Atsushi is the only one who can recognise and understand Dazai's true personality. Whenever Dazai says something self depreciating Atsushi ALWAYS corrects him. In Dead Apple when Dazai is visiting Oda's grave, Atsushi understands whoever this person was, they were very dear to Dazai. At the end of Dead Apple when Dazai says he thinks he's not a good person, Atsushi tells him he has never thought of Dazai not being a good person. Atsushi knows Dazai was in the Port Mafia, but he STILL confirms he sees Dazai as a good person regardless of his past. Because Atsushi believes in second chances, and HE gave the second chance to Dazai that Oda must have wanted Dazai to get, even if the ADA accepted Dazai, no one has ever reassured him being a good person before. (Also in BSD wan, when Dazai says "I want to go out beautifully" during the fireworks scene, in the end-credits Atsushi sits near the river the entire day because he was sad that Dazai was suicidal. And in BSD mayoi, Dazai makes a snowman of Atsushi along with Oda, Ango and Chuuya, showing how much he adored Atsushi)

It's the same with Akutagawa; Atsushi doesn't understand why Akutagawa hates him and he's mean to Akutagawa at times but it never crossed a line. Akutagawa had done so many bad things to Atsushi but at the end they still worked together. Because Dazai understood the only person who will make Akutagawa use his powers to "protect" instead of "attack" is Atsushi. During the ending fight in S3, Akutagawa makes an armour for Atsushi as they combine their powers. And in the end credit scene of S5, we see Akutagawa protecting Atsushi AGAIN. This time Akutagawa isn't wearing the same coat Dazai gave him and for the first time shows true loyalty to Atsushi. ("Just the two of us?" "Do we need more?" *SCREAMS*)

Atsushi's relationship with the headmaster of the orphanage shows how much the trauma affected him as a child. When he can't forgive the headmaster at his death, he hates himself for not being able to give a second chance. And that's when Dazai steps in and tells him, "we cry when our father dies" something Atsushi really needs to hear and he finally cries.

Atsushi reassures Dazai all the time and Dazai snaps Atsushi out of his self depreciation all the time. Their solidarity throughout the story, shows why that day when Dazai chose Atsushi for the ADA; he recognised not Atsushi's powerful ability but his true ability in choosing to believe in people when no one can.

[maximumqueer]

I think there are a couple of reasons why there is so much "controversy" (if you can even call it that) surrounding chapter 1118. Part of it is just misogyny. There are unfortunately a lot of misogynistic fans in shonen spaces, and One Piece is no exception. They don't like that a girl gets a cool power up, especially if its similar at all to the male protagonist, who has to be depicted as cooler and more powerful than every other character (but especially the women) at all times.

And that mindset bleeds into the the second reason. Being that the people mad at this chapter (in my opinion) don't really understand One Piece as a story. They treat it as a more stereotypical shonen, when in it far from that, and Luffy as a stereotypical shonen protag, when he is anything but. Some of the complaints that I've seen directed at Bonney's Nika-like form is that it robs Luffy of what makes him special as a character and undermines the importance of Gear 5/Nika.

To tackle the first part, Luffy's power set has never been what has made him special. We've seen already that devil fruits can have similar abilities. Monet and Aokiji both have ice based powers, Catarina Devon and Bon Clay can both mimic how other people look. Hell, we've already seen a devil fruit user with similar powers to Luffy in the form of Katakuri, and I don't remember fans being angry about that. Luffy isn't the only person to awaken his fruit, nor is the only person to have awakened the Nika fruit. And he won't be the last, because that's how devil fruits work. When Luffy dies, the Nika fruit will respawn and someone else will carry on the name of Nika. This is even more obvious with haki. At least half of the characters Luffy has fought in the New World had conqueror's haki, just like him. What does make Luffy special is who he is as a person. It's his ability to reignite hope in people. His nigh unwavering belief in both his own and others dreams, and his ability to inspire that belief in others.

As for it undermining Gear 5. Luffy's awakening has always been about freedom, but not just for himself. Nika is a god of liberation, not personal freedom. If anything, Luffy being able to instill such a deep and profound sense of freedom into a person that they are able to take on a Nika-like form FURTHERS its importance, especially thematically.

Its also is worth mentioning that Bonney's Nika transformation is the perfect culmination of her and Kuma's arc. For a young girl, who spent the majority of her life trapped inside because of a terminal illness brought on at the hands of the world nobles, whose father - in order to cure her so she could have freedom - sold his body to the world government (after previously escaping enslavement by the very same people). For her to achieve complete and total freedom, and for Kuma to be there to see it, to know that in the end he succeeded, and that his daughter is now wholly and truly free - having taken the form of the god he worshipped - is beautiful. Is the perfect way to bookend both of their arcs.

(Also Luffy literally ENCOURAGED Bonney to take on her Nika form. And he laughs with delight when she is successful. He is HAPPY for her.)

All this to say, Bonney's Nika form is fucking awesome and I can't wait to see her and Luffy kick ass together in the next chapter.

[sugar-grigri]

The ambivalence of life: the massage metaphor 

I'm going to get straight to the point: Denji is perfectly right to want to suffer - it's precisely what he lacked in his 'normal' life.

To understand this, let's go back to the chapter.

Introducing Denji as a CSM wannabe right at the start of the chapter isn't as insignificant as you might think, because this chapter helps to differentiate between CSM and a CSM wannabe.

After all, Denji could very well be one, and chapter 150 makes it clear that the protagonist's dream is to be a CSM, so he literally wants... to be a CSM.

But in order to become CSM himself, we have to understand what CSM is. And that's precisely where the difference lies between a CSM wannabe and Denji as CSM.

Part 2 has repeatedly shown that 'CSM' has become a marketing product, an idol for young people, a source of detestation for others, like express usurpers who have taken to the stage. In short, CSM's identity began to become more diffuse, questioned to the point where it seemed to escape Denji. So what is CSM? 

Well, let me ask you this: what's the first thing you think of when I mention CSM?

Most fans will cite the most traumatic and tragic chapters, shuddering at the mere mention of volume 9. There's your answer: suffering is the secret of CSM's identity. 

But let's move away from this more meta side, and get back to the chapter. 

I know that Nayuta being pushed aside and put in her place stung some people's hearts and it hurt me too! But Denji is right to push her away, cruel as that may seem. Because the complexity of Denji and Nayuta's relationship also lies in the fact that their relationship can have several negative sides.

Firstly, Nayuta is and remains the demon of control, a demon who can't help but have a hold, even over those she loves. And she has done this with Denji on one occasion: when she forbids him to see Asa again.

She forbids it out of a desire to protect him, fearing that Denji will be taken in by yet another girl. This reaction depresses Denji, but he regains hope by acting as CSM, motivated by Nayuta herself because CSM is admired and loved by people. The first instinct at this stage would be to think that this is a bit contradictory: why push Nayuta away when she's the first to admire and encourage CSM? 

Because she hasn't grasped what CSM is all about either. I'll expand on that later, but for now, keep in mind that suffering is intrinsic to CSM. Even when she prevented Denji from continuing his story with Asa, she was preventing Denji from suffering, in itself, from experimenting. The same experience can be just as beneficial as it can be negative, and it's part of the game of life not to know the outcome of a relationship, otherwise you wouldn't go with others.

And that's what Nayuta has done, the demon of control has a happiness that's enough to be two, it's a demon that risks being alone so much that a single loved one is enough to make her happy. But that's Nayuta's idea, not Denji's. 

I'll come back to this a bit more, but for the moment I'm still going to follow the chapter. Denji almost comes to thank Barem and the others for burning down his house and his pets, but he's also aware that morality is being undermined and even talks to Pochita about it. And that's fascinating. 

Even though it may seem horrible, the loss of his animal family allows Denji to realise that he needs this suffering in his life, for many reasons. If Kishibe judged Denji as a man made to kill demons, it's because suffering makes him gloat, because it's the most intense experience he's had in his life.

Transforming himself into a CSM is a way for Denji to confront suffering; he has even internalised it since he was a child, making his body suffer to pay off his debts.

CSM is a creature made for suffering. When Aki became possessed by the Gun Devil, CSM was the culmination of Denji's suffering, his demonic form killing his brother. Just as Denji transformed into Pochita was saved by a dying Power.

The foundations of Denji, Aki and Power only consolidated Denji's relationship with suffering. This double facet, between love and suffering through grief. Pochita is another example, because becoming CSM was followed by an experience of mourning, the loss of Pochita who had merged with him. 

Suffering is as intrinsic to all species as are death and love because suffering is the result of both, the love we have for others is the cause of our suffering when they die.

CSM is this universality, with Pochita sacrificing himself to prevent Denji from dying, suffering every time the cable is pulled. And instead of fighting it, CSM uses it as the engine of his chainsaws. When Nayuta says that this is not the time for chainsaws, she wants to prevent her brother from suffering. But Denji understands that it's precisely when he's suffering that it's time to be CSM. 

Having your head and arms brutally chopped off hurts, fighting demons hurts, in short, transforming into a CSM physically hurts and must hurt. Imagine having a cable cut in half across your torso: it hurts, so why pull it? That's why Denji IS CSM, because it's when it hurts that he realises he wants to be CSM? 

Hybrids don't exploit this pain, demons like the Eternity Demon are even afraid of it, and that's what explains CSM's superiority: suffering exalts him and he uses it as a means to fight. When Quanxi cut off the weapons' heads, it was enough for them to admit defeat, while Denji calmly puts his head back on, not giving up the fight. 

Weapons can't die, but they can see others die, just as suffering can't escape them either. Either they see themselves almost as demigods, as prophets, or they can see themselves as great knights out to save the world.

Denji knows how to exploit his nature; he drinks blood at the slightest opportunity, tries to devour like a demon and is not afraid to use it, unlike the other hybrids. (Quanxi is an exception)

As the spear weapon starts to provoke CSM by saying to really scare them, CSM exploits being sliced in half. Suffering is the fear of weapons.

The whole thing also has a symbolic force, because we've been trying endlessly to cut Denji in two, his human life on the one hand and his life as CSM on the other. Cutting CSM in two won't do him any good, all he has to do is pull his cable.

But above all, the comparison with massage is a very good one, because it sums up life, this combination of good sensations and not-so-good ones. This is precisely what pitted Denji against Makima, that bad films or bad facets of the world and humanity must exist.

This time, part 2 doesn't boil down to this ideology; what Denji is saying is that to live is also to suffer, to be happy is also to have been unhappy. All these things are not mutually exclusive, they go together. 

That's why Denji wins against the weapons, because he won't fight against the suffering they'll put him through, he'll use it to the full, knowing that behind it all there'll be a good feeling. And that seeing the positive side even in pain is nothing other than hope.

Denji himself says that life is a superposition of all these facets. There are things we may never get over, but they don't stop us from moving forward. That's why this chapter is incredible, because Denji doesn't accept suffering as a demon when he's fighting, he wants to accept it in his life too, Denji's life, he has to experiment without Nayuta's permanent approval. 

Denji has lost many people close to him, including his pets. It is precisely through their loss that he wants to suffer. Because suffering is the privilege of the living.

Chainsaw Man is nothing more than 2 entities reunited to survive together.

CSM's laughter is symbolic of this, and chapter 151 made an explicit reference to chapter 82 when Makima starts laughing despite the paroxysm of suffering for Denji, who has just seen Power die. What Fujimoto does is bring together the previous antagonist and the protagonist, to bring out the essence of his work.

Both Makima and Denji laugh despite the horror of the situation as the mask finally comes off, Makima presents her plans and Denji realises what Chainsaw Man is. In short, laughter is the symbol of letting go, as the mask finally comes off. And all this sums up Chainsaw Man, this confrontation between comedy and tragedy, this strange association.

Readers, don't fight the suffering of the characters either, you're reading CSM precisely because of it. You want to suffer just like CSM. So have fun with it.